© 2011 delmar, cengage learning chapter 8 working with special layer functions

44
© 2011 Delmar, Cengage Learning Chapter 8 Working with Special Layer Functions

Upload: pearl-hines

Post on 25-Dec-2015

218 views

Category:

Documents


0 download

TRANSCRIPT

© 2011 Delmar, Cengage Learning

Chapter 8

Working with Special Layer Functions

Chapter Lessons• Use a layer mask with a selection• Work with multiple masked layers• Control pixels to blend colors• Eliminate a layer mask• Use an adjustment layer• Create a clipping mask

© 2011 Delmar Cengage Learning

• Use special layer features to modify an entire image or an entire layer

• Define the precise area to manipulate in each layer

• Adjust the appearance of each layer without altering the original image (non-destructive changes)

© 2011 Delmar Cengage Learning

Using Special Layer Features

• Turn changes on or off• Align images• Blend and adjust color• Combine elements to enhance an

image

© 2011 Delmar Cengage Learning

Layer Functions

• Layer masks can cover an entire layer or specific areas within a layer

• Masks are flexible: – Hide their effect when viewing the

image or change the masks

• Add an unlimited number of masks to an image:– One mask per layer

© 2011 Delmar Cengage Learning

Understanding Layer Masks

© 2011 Delmar Cengage Learning

• Use tools on the Tools panel to create the area to mask

• Apply the mask to the selection or to everything except the selection

• Feather the edges of the selection, if required

Creating a Layer Mask

• The term Mask comes from printing:– A mask was opaque

material or tape used to block off an area of the artwork that would not be printed

© 2011 Delmar Cengage Learning

MASK

Definition of Mask

• Add a layer mask to a layer

• Reshape the layer mask with the Brush tool and a specific brush size or tip

© 2011 Delmar Cengage Learning

Painting a Layer Mask

• If the image is painted with a black foreground, the size of the mask increases:– Each brush stroke hides pixels on the

image layer– Paint with black to hide pixels

© 2011 Delmar Cengage Learning

Painting with Black Foreground

© 2011 Delmar Cengage Learning

Layer mask thumbnail

Layer mask is black to hide

pixels

School Bus layer

Layer Mask Examples

• If the image is painted with white as the foreground, the size of the mask decreases:– Each brush stroke restores pixels of the

layer object– Paint with white to reveal pixels

© 2011 Delmar Cengage Learning

Painting with White Foreground

• Create and control a mask nondestructively

• Found in the Essentials and Color and Tone workspaces

• Grouped with the Adjustments panel

© 2011 Delmar Cengage Learning

Using the Masks Panel

• Switch the foreground and background colors and paint over the mistake

• The Layer mask thumbnail on the Layers panel updates itself to reflect changes made to the mask

© 2011 Delmar Cengage Learning

Correcting a Mask

• The layer mask is a powerful editing tool:– Allows repeated editing of an image

without ever disturbing the original pixels that make up the image

• By default, the mask is linked to the layer:– When the layer is moved, the mask

moves as well© 2011 Delmar Cengage Learning

Work with Multiple Masked Layers

• The Link icon appears when a layer mask is created

• When creating a layer mask, the link icon appears between the layer thumbnail and the layer mask thumbnail

© 2011 Delmar Cengage Learning

Understanding the Link Icon

• Group or link layers to make multiple layers into one layer

• To link layers, the layer (not the layer mask) must be active – Link the active layer to other layers,

even those in different layer groups– Link entire layer groups to a single

layer or to other layer groups

© 2011 Delmar Cengage Learning

Selecting Multiple Layers

• Select multiple layers– Note that Link

layers button is not dimmed

© 2011 Delmar Cengage Learning

Link layers button

Selecting Multiple Layers

• After selecting multiple layers, perform actions that affect the group; for example:– Moving the content of selected

layers as a single unit

• Unlink layers by deselecting some/all of the selected layers

© 2011 Delmar Cengage Learning

Using Multiple Selection Layers

• To align multiple layers:– Select the layers on the Layers

panel– Select one of the six options from

the Align Linked command on the Layer menu

© 2011 Delmar Cengage Learning

Aligning Multiple Layers

© 2011 Delmar Cengage Learning

Centers of the Bananas, Floating strawberries, and

Blueberries layers are aligned

Aligned Layers

• To distribute means to evenly space content

• Distributing procedure:– Select three or more layers– Verify opacity settings are 50% or

greater– Select one of the six options from

the Distribute command on the Layer menu

© 2011 Delmar Cengage Learning

Distributing Selected Layers

• Use 1 of 10 transform commands on the Edit menu to transform an object

• Choose a transforming command:– A transform box appears around the object

to be transformed– A transform box (or bounding box) is a

rectangle that surrounds an image and contains handles used to change dimensions

© 2011 Delmar Cengage Learning

Transforming Objects

© 2011 Delmar Cengage Learning

Bounding Box with selection handles

surrounds object to be transformed

Transform Box

• Select the object

• Choose a transform command or a sequence of transform commands

• Apply changes by clicking the Commit transform button on the Options bar

© 2011 Delmar Cengage Learning

Transforming Sequence

© 2011 Delmar Cengage Learning

Strawberries scaled

Strawberries flipped

Before AfterTransforming Examples

• Alter pixels with intelligent scaling

• Make selection, click Edit > Content-Aware Scale

© 2011 Delmar Cengage Learning

Content-Aware Scaling

• Control the colors and form of an image by blending pixels on one layer with pixels on another layer

• Blending options are located in the Layer Style dialog box

© 2011 Delmar Cengage Learning

Blending Pixels

© 2011 Delmar Cengage Learning

Layer Style Dialog Box

• Control how pixels are blended by choosing a color as the Blend If color– The Blend If color determines the

color range for the pixels to blend

• Use the This Layer and Underlying Layer sliders

© 2011 Delmar Cengage Learning

Control Blending

© 2011 Delmar Cengage Learning

Before Pixels

Blended

After Pixels

Blended

Blending Example

• This Layer sliders– Specify the range of pixels that will be

blended on the active layer

• Underlying Layer sliders– Specify the range of pixels that will be

blended on all the lower—but still visible—layers

© 2011 Delmar Cengage Learning

Sliders

• Create interesting effects by duplicating layers:– Click the layer to duplicate– Click the Layers panel options

button– Click Duplicate Layer, then click OK

© 2011 Delmar Cengage Learning

Using Duplicate Layers

• Disable a layer mask to:– Create duplicate layers and layer masks– Apply different styles and affects to layer

masks– Show and hide layer masks individually

to find the mask that gives the desired look

© 2011 Delmar Cengage Learning

Disable a Layer Mask

• Options for removing layer masks:– Apply the mask to the layer so that it

becomes a permanent part of the layer– Discard the mask and its effect

completely

© 2011 Delmar Cengage Learning

Removing Layer Masks

• A special layer that acts as a color filter for a single layer or all the layers beneath

• Create an adjustment layer to adjust color and tone

• Color changes made to the adjustment layer exist only in the adjustment layer, leaving the original layer unchanged

© 2011 Delmar Cengage Learning

Use an Adjustment Layer

• Select the layer to adjust

• Use the Layer menu to click the new adjustments layer command or by clicking the Create new fill or adjustment layer button on the Layers panel

• Specify which of the color adjustments is required

© 2011 Delmar Cengage Learning

Creating an Adjustment Layer

© 2011 Delmar Cengage Learning

Creative/advanced controls

Tonal controls

Color controls

Adjustments Panel

© 2011 Delmar Cengage Learning

New Adjustment Layer added to the

Layers panel

Sample Adjustment Layer

• Levels• Curves• Color Balance• Brightness/

Contrast• Hue/Saturation

• Selective Color• Channel Mixer• Gradient Map• Invert• Threshold• Posterize

© 2011 Delmar Cengage Learning

Color Adjustments

• Modify an adjustment layer by double-clicking the layer thumbnail on the adjustment layer

• Use as many adjustment layers as required, but create each one individually

• Merge adjustment layers with any visible layers in the image, including multiple-selection layers

© 2011 Delmar Cengage Learning

Working with Adjustment Layers

• Group of two or more contiguous layers

• Used when one layer is to act as the mask for other layers or if the adjustment layer is to affect only the layer directly beneath it

• Bottom layer of a clipping mask is called the base layer and serves as the mask

© 2011 Delmar Cengage Learning

Create a Clipping Mask

• Two layers are required: – One to create the shape of the mask – One to supply the content for the mask

• Either a type or an image layer can be used to create the clipping mask shape

© 2011 Delmar Cengage Learning

Creating a Clipping Mask

© 2011 Delmar Cengage Learning

Clipped texture appears in the layer

Clipping Mask Sample

• Layers in a clipping mask are grouped together

• Ungroup the layers to remove the clipping mask

© 2011 Delmar Cengage Learning

Removing a Clipping Mask