· created date: 8/1/2015 8:09:04 am

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RH Chordal Technique with Inversions and Color Tones The example below shows the steps for inverting the chord from root position in the RH to 3rd inversion. In this situation the voicing is moved downward. Then the 9th is added by dropping the root and adding the 9th (the root can be moved up one whole step). ln the arrangement following for A Foggy Day, gths and 13ths are added to the RH. Thel3th is one whole step above the Sth (like the 6th). Often both the 13th and 9th will be in the chord (one of which may be the melody note). Root Position 3rd lnv tb fiz arhg b'S bbg^ hs s p Med. swing A Foggy Day George Gerswhin Fmaio Rhg Gme ce Drop root add 9 abg Root Position Cm7 3rd lnv. Drop root add 9 Gm7 Gme F6 tbr r Gm7 ce ( AJ -7tr- v. hb€ b€o b-6 drg -{E} btf l.Fpajf Eho tr:l - rA d t 't d'' VO' o 24

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RH Chordal Technique with Inversions and Color TonesThe example below shows the steps for inverting the chord from root positionin the RH to 3rd inversion. In this situation the voicing is moved downward.Then the 9th is added by dropping the root and adding the 9th (the root canbe moved up one whole step). ln the arrangement following for A Foggy Day,gths and 13ths are added to the RH. Thel3th is one whole step above theSth (like the 6th). Often both the 13th and 9th will be in the chord (one ofwhich may be the melody note).

Root Position 3rd lnv

tb fiz

arhg b'S bbg^ hs s p

Med. swing A Foggy DayGeorge Gerswhin

Fmaio Rhg Gme ce

Drop root add 9

abg

Root Position

Cm73rd lnv. Drop root add 9

Gm7 Gme

F6 tbr r Gm7 ce

(

AJ -7tr-v. hb€ b€o b-6

drg -{E} btf

l.Fpajf Eho tr:l

-rA

d t't d'' VO'

o

24

A Foggy Day p2

-aJo r ll v

hr} h€

aa

Fe (l3) gbo trsl

,*aJ rt v6,

n%.

I

urr ei ,Tor

25