source: british library add. 14177, an early 19th-century manuscript in the hand of giuseppe...

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For SSAAATTTBBB choir and SSAATB soli 2 violin, viola, 2 oboe, bassoon, trumpet, bass and keyboard continuo Antonio L otti FULL SCORE www.ancientgroove.co.uk (1667 - 1740) Gloria in C No.1 Edited by BEN BYRAM–WIGFIELD ANCIENT GROOVE MUSIC

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Page 1: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

For SSAAATTTBBB choir and SSAATB soli2 violin, viola, 2 oboe, bassoon, trumpet,

bass and keyboard continuo

Antonio Lotti

FULL SCORE

www.ancientgroove.co.uk

(1667 - 1740)

Gloria in C No.1

Edited by

BEN BYRAM–WIGFIELD

ANCIENT GROOVE MUSIC

Page 2: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). This source is the sole complete surviving copy. Sigismondo was a Neapolitan historian and amateur musician, and it is possible that he have came across Lotti’s works through his friendship with Niccolò Porpora (1686 - 1768).The manuscript is entitled Gloria ‘a cinque’, like many other mass movements by Lotti which in fact require more than five vocal parts.

1. GloriaOriginal name of bass woodwind part is given as ‘bombardo’, but described as ‘fagotto’ in some subsequent sections. The editorial instrumental part will assume the same instrument throughout.17, Alto: 2nd note is B in source: changed to G.

2. Et in terra paxThe lack of a keyboard continuo is not explicitly stated, though the style of instrumental accompaniment might suggest it. In other works, sources material frequently indicates marks sections as ‘violoncello senza organo’ or similar, as is also found in the Qui tollis section of this work.1, basso: Second note of basso is C in source. Changed to B to match all subsequent repetitions of the phrase.

3. Laudamus teThe preceeding page has the words ‘segue Laudamus a 8’. All the other ‘segue’ instructions are numerically accurate (the one for Quoniam is corrected from 8 to 5). The chorus is SSATB, with the two soli trio ensembles (totalling 11).

4. GratiasOriginal orchestration is ‘violino solo’ followed by two unnamed staves in the G clef. For this edition, the parts have been assigned as Violin 1o, Violin 2o, Viola.12, strings: dotted semibreve cut to semibreve.60, continuo: last note is E is source, changed to D.63-64, violin 1: The last note of 63 (an E) has been sharpened to match the harmonic progression. The following first note of 64 is explicitly an F$ (shown by use of a flat) in the source; it has been changed to F#.

5. Domine Deus, Rex coelestisThe vocal parts are not explicitly marked soli, though they fit the SSA-ATB pair of trios used as soli throughout other sections and in Lotti’s other Gloria settings.

6. Domine FiliThe source is marked ‘secondo coro’, though for most purposes, the same soloists as in the two trio groups will be used. There is no evidence of two choirs anywhere else in the source. (See Laudamus te).

7. Domine Deus, Agnus DeiThe trumpet stave in the source is in the key of F, however, to avoid any confusion about transposing instruments, no key signature is used for the trumpet part in this edition. There are no B@ notes in the part.30: Continuo line has A@; Vocal bass part does not.

8. Qui tollisThis is the only section without a tempo instruction.2nd Soprano has opening section in alto clef, bars 10-22. Also bars 36-47, where the passage is marked ‘soli’.There are two parts marked ‘fagotto’ on the first page of the section: one below the oboes and one below the viola line. It is assumed that the second is mistakenly named and is a violoncello/basso part.56, Trumpet: the last note is an octave lower, but that cannot be played on baroque instruments.57, Viola: the violas double the bassi parts in this bar, but that would be beyond the range of a modern instrument. This bar has been transposed up an octave.

9. Qui sedesThe oboe is not explicitly marked in the source, though the previous page has ‘segue Alto con oboè a solo’. The ‘Amoroso’ instruction is likely to be inauthentic.16, alto: the source has a B@ here; changed to B$.

10. Quoniam114: The source has tutti here, with soli indicated at 118. This has been changed to soli from 114.The last few bars of the Quoniam are an Adagio to the words ‘cum Sancto Spiritu’. This structure appears frequently in Lotti’s Gloria settings. An ‘attacca’ between the two movements should be inferred.

11. Cum Sancto SpirituThe woodwind are not explicitly scored, but it has been assumed that the oboes should double the violins and the bassoon double the basso line.

Instrumental parts and vocal scores are also available.

EDITORIAL NOTES

Ben Byram-WigfieldLondon, 2013

Page 3: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

CONTENTS

1. Gloria (SSATB chorus, SSA-ATB solo, 2 vln, vla, 2 ob, fag, tr, continuo) 12. Et in terra pax (AAATTTBBB, vln, vla, basso continuo) 143. Laudamus te (SSATB chorus, SSA-ATB soli, 2 vln, vla, 2 ob, fag, tr, continuo) 234. Gratias agimus tibi (S solo, 2 vln, vla, continuo) 415. Domine Deus, Rex coelestis (SSA-ATB [soli], 2 vln, vla, 2 ob, fag, tr, continuo) 466. Domine Fili (SSAA soli, unison strings, ob, tr, continuo) 617. Domine Deus, Agnus Dei (SATB, 2 vln, vla, 2 ob, fag, tr, continuo) 688. Qui tollis (SSATB chorus, SAT soli, 2 vln, vla, 2 ob, fag, tr, continuo) 789. Qui sedes (A solo, oboe solo, continuo) 9510. Quoniam (SSATB (SSA soli), 2 vln, vla, 2 ob, fag, tr, continuo) 9811. Cum Sancto Spirito (SATB, 2 vln, vla, (2 ob, fag,) tr, continuo) 111

ANCIENT GROOVE MUSIC

Antonio LottiGloria in C No.1

Page 4: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo
Page 5: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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ANTONIOLOTTI

(1667-1740)

1.Gloriainexcelsis

ANCIENTGROOVEMUSIC

Editedby

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Page 10: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 11: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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7Gloriainexcelsis

Page 12: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 13: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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ri a, glo ri a in ex cel sis, glo ri a in ex

ri a, glo ri a in ex cel sis, in ex cel sis, glo ri a in ex

in ex cel sis, glo ri a in ex cel sis, in ex cel sis De o,

glo ri a in ex cel sis, in ex cel sis De o,

glo ri a in ex cel sis, in ex cel sis De o,

Tutti

Tutti

Tutti

��

40

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9Gloriainexcelsis

Page 14: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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cel sis, in ex cel sis De o, in ex cel sis De o, in ex cel sis De o,

cel sis, in ex cel sis De o, in ex cel sis De o, in ex cel sis De o,

glo ri a in ex cel sis De o, in ex cel sis De o, in ex cel sis De o,

glo ri a in ex cel sis De o, in ex cel sis De o, in ex cel sis De o,

glo ri a in ex cel sis De o, in ex cel sis De o, in ex cel sis De o,

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©2018BenByram-Wigfield.Freetoprint.

10 GloriainC

Page 15: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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in ex cel sis, in ex cel sis De o, in ex cel sis De o,

in ex cel sis, in ex cel sis De o, in ex cel sis De o,

in ex cel sis, in ex cel sis De o, in ex cel sis De o,

in ex cel sis, in ex cel sis De o, in ex cel sis De o,

in ex cel sis, in ex cel sis De o, in ex cel sis De o,

���

49

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11Gloriainexcelsis

Page 16: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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in ex cel sis De o, Et in

in ex cel sis De o, Et in

in ex cel sis De o,

in ex cel sis De o,

in ex cel sis De o,

[Tasto]

54

©2018BenByram-Wigfield.Freetoprint.

12 GloriainC

Page 17: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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ter ra pax, pax, pax, pax.

ter ra pax, pax, pax, pax.

pax, pax, pax.

pax, pax, pax.

pax, pax, pax.

60

©2018BenByram-Wigfield.Freetoprint.

13Gloriainexcelsis

Page 18: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Et in ter ra, in ter ra pax,

Et in ter ra, in ter ra pax, in

Et in ter ra, in ter ra pax, in ter ra

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©2018BenByram-Wigfield.Freetoprint.

14

2.Etinterrapax

GloriainC

Page 19: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Et in ter ra, in ter ra pax,

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Et in ter ra, in ter ra pax, in ter ra

pax ho mi ni bus bo nae vo lun ta tis, in ter ra

in ter ra pax, in ter ra pax, in ter ra pax,

pax ho mi ni bus bo nae vo lun ta tis, pax,

in ter ra pax, in ter ra pax, pax ho

ter ra pax, in ter ra pax, pax ho

pax, in ter ra pax, et in ter ra, in ter ra pax,

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©2018BenByram-Wigfield.Freetoprint.

15Etinterrapax

Page 20: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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in ter ra pax, in ter ra pax, pax ho

in ter ra pax, in ter ra pax,

pax, in ter ra pax, pax ho

pax, in ter ra pax, pax ho mi ni bus bo nae vo lun

in ter ra pax, in ter ra pax, pax ho

in ter ra pax, in ter ra pax,

mi ni bus bo nae vo lun ta tis, pax ho mi ni bus bo nae vo lun

mi ni bus bo nae vo lun ta tis,

pax ho mi ni bus bo nae vo lun ta tis, bo nae vo lun

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©2018BenByram-Wigfield.Freetoprint.

16 GloriainC

Page 21: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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mi ni bus bo nae vo lun ta tis, pax ho

in ter ra pax, in ter ra pax,

mi ni bus bo nae vo lun ta tis, pax ho

ta tis, pax ho

mi ni bus bo nae vo lun ta tis,

in ter ra pax, in ter ra pax ho mi ni bus bo nae vo lun

ta tis, pax ho mi ni bus,

in ter ra pax, in ter ra pax,

ta tis, pax ho

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©2018BenByram-Wigfield.Freetoprint.

17Etinterrapax

Page 22: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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mi ni bus bo nae vo lun ta tis, in ter ra pax, in ter ra pax,

pax ho mi ni bus bo nae vo lun ta

mi ni bus bo nae vo lun ta tis, in ter ra pax, in ter ra pax, in ter ra

mi ni bus bo nae vo lun ta tis, in ter ra pax, in ter ra pax,

in ter ra pax, in ter ra pax ho mi ni bus bo nae vo lun ta

ta tis, pax ho mi ni bus bo nae vo lun ta

pax ho mi ni bus bo nae vo lun ta

bo nae vo lun ta tis,

mi ni bus bo nae vo lun ta tis, pax,

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©2018BenByram-Wigfield.Freetoprint.

18 GloriainC

Page 23: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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pax, pax ho mi ni bus pax ho mi ni bus

tis,

pax, in ter ra pax, pax ho mi ni bus

pax ho mi ni bus in ter ra pax, in ter ra

tis, in ter ra pax, in

tis, pax, pax,

tis, in ter ra pax, in ter ra pax, in ter ra pax,

pax ho mi ni bus pax,

pax, pax, in ter ra pax, in ter ra pax,

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©2018BenByram-Wigfield.Freetoprint.

19Etinterrapax

Page 24: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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21Etinterrapax

Page 26: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 27: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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23

3.Laudamuste

Page 28: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 29: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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25Laudamuste

Page 30: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 31: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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27Laudamuste

Page 32: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 33: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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29Laudamuste

Page 34: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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©2018BenByram-Wigfield.Freetoprint.

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Page 37: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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©2018BenByram-Wigfield.Freetoprint.

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©2018BenByram-Wigfield.Freetoprint.

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Page 39: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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©2018BenByram-Wigfield.Freetoprint.

35Laudamuste

Page 40: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 41: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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©2018BenByram-Wigfield.Freetoprint.

37Laudamuste

Page 42: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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51DomineDeus,Rexcaelestis

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Page 57: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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53DomineDeus,Rexcaelestis

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Page 59: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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55DomineDeus,Rexcaelestis

Page 60: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 61: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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57DomineDeus,Rexcaelestis

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Page 68: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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©2018BenByram-Wigfield.Freetoprint.

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Page 70: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 71: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 72: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 73: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 74: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 75: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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85Quitollis

Page 90: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 91: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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87Quitollis

Page 92: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 93: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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89Quitollis

Page 94: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 95: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 96: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 97: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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93Quitollis

Page 98: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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100 GloriainC

Page 105: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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©2018BenByram-Wigfield.Freetoprint.

101Quoniam

Page 106: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 107: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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©2018BenByram-Wigfield.Freetoprint.

103Quoniam

Page 108: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 109: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 115: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 116: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 117: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 118: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 119: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 120: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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Page 121: Source: British Library Add. 14177, an early 19th-century manuscript in the hand of Giuseppe Sigismondo (1739 - 1826). )is source is the sole complete surviving copy. Sigismondo

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men, a men.

men, a men.

a men.

a men.

97

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