My very easy method  

 

just speeds up naming 

 

?   Copy and paste Photocopy and wheatpaste Photograph of a wheatfield  Combination Appropriation Collectivisation Lack of remuneration Copyright obligation  

 

k into the eyes of a chicken and will see real stupidity. It is a kind ottomless stupidity, a fiendish idity. They are the most ifying, cannibalistic and tmarish creatures in the world. 

ildren of Bodom ildren of men  mice and men n without women 

hat women want anted dead or alive ve and kicking ve and well 

ell well well 

1 2

et wet wet ls bills bills stiny’s child ildren of Bodom 

😂👀🙏💯🍻🧠🥂🚨💀💋🤝😭😬🤔🤪👨🏻🥇💰😍😅😎🏠😜😊🔑😨😮☝ onceptual 

sopher-decorators are mystics rather 

rationalists. They leap to conclusions that 

cannot reach. 

nal judgements repeat rational 

ements. 

onal judgements lead to new experience. 

al art is essentially rational. 

onal thoughts should be followed 

utely and logically. 

philosopher-decorator changes his mind 

ay through the execution of the piece he 

promises the result and repeats past 

ts. 

 

 

The philosopher-decorator 's will is secondary 

to the process he initiates from idea to completion. His wilfulness may only be ego. When words such as painting and sculpture are used, they connote a whole tradition and imply a consequent acceptance of this tradition, thus placing limitations on the philosopher-decorator who would be reluctant to make little 

nketsthat goes beyond the 

ations.

 

oncept and idea are different. The former 

es a general direction while the latter is 

omponent. Ideas implement 

nthology in cognition of its

mportance as oth an artist’s itical response , and tervention into, e workings of e net.

 

oncept.

 

 Cosmic voids are vast spaces between filaments (the largest-scale structures in the universe), which contain very few or no galaxies. 

Voids typically have a diameter of 10 to 100 megaparsecs; particularly large voids, defined by the absence of rich superclusters, are sometimes called supervoids. They have less than one tenth of the average density of matter abundance that is considered typical for the observable universe. They were first discovered in 1978 in a pioneering study by Stephen Gregory and Laird A. Thompson at the Kitt Peak 

National Observatory.[1 

 

 

Ideas can be works of art; they are in a chain of 

development that may eventually find some 

form. All ideas need not be made physical. 

Ideas do not necessarily proceed in logical 

order. They may set one off in unexpected 

directions, but an idea must necessarily be 

completed in the mind before the next one is 

formed. 

For each work of little trinkets that becomes 

physical there are many variations that do not. 

A work of art may be understood as a conductor 

from the philosopher-decorator 's mind to the 

viewer's. But it may never reach the viewer, or it 

may never leave the philosopher-decorator 's 

mind. 

The words of one philosopher-decorator to 

another may induce an idea chain, if they share 

the same concept. 

Since no form is intrinsically superior to 

another, the philosopher-decorator may use 

any form, from an expression of words (written 

or spoken) to physical reality, equally. 

rds are used, and they proceed from ideas 

t art, then they are art and not literature; 

bers are not mathematics. 

eas are art if they are concerned with art 

all within the conventions of art. 

sually understands the art of the past by 

ying the convention of the present, thus 

nderstanding the art of the past. 

onventions of art are altered by works of 

essful art changes our understanding of 

onventions by altering our perceptions. 

eption of ideas leads to new ideas. 

hilosopher-decorator cannot imagine his 

nd cannot perceive it until it is complete. 

hilosopher-decorator may misperceive 

erstand it differently from the 

sopher-decorator ) a work of art but still 

t off in his own chain of thought by that 

onstrual. 

eption is subjective. 

hilosopher-decorator may not 

ssarily understand his own art. His 

eption is neither better nor worse than that 

hers. 

ilosopher-decorator may perceive the art 

hers better than his own. 

oncept of a work of art may involve the 

er of the piece or the process in which it is 

e. 

what's up with Dubai

 

Once the idea of the piece is established in the 

philosopher-decorator 's mind and the final 

form is decided, the process is carried out 

blindly. There are many side effects that the 

philosopher-decorator cannot imagine. These 

may be used as ideas for new works. 

The process is mechanical and should not be 

tampered with. It should run its course. 

There are many elements involved in a work of 

art. The most important are the most obvious. 

If an philosopher-decorator uses the same 

form in a group of works, and changes the 

material, one would assume the 

philosopher-decorator 's concept involved the 

material. 

Banal ideas cannot be rescued by beautiful 

execution. 

It is difficult to bungle a good idea. 

When an philosopher-decorator learns his 

craft too well he makes slick art. 

These sentences comment on art, but are not 

art. 

 

 

 

 

Laura owens Seth price

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es martin an piper er swennen flood

el buren am pope.l hie calle horn

my deller y emin erine bernhardt arina grosse tyson

ard prince mas hirschhorn katz

mie durham r doig Vance

h it’s not been doing any work for you was the time of the year that we had look for something new and that

d work for better or worse and that d work for me haha

please let us get some stuff together ’ll get back with you later and let you

w when we are all done and we are g to be home

a - Laura Brannigan

please do not get any of the stuff done y for me haha was your birthday and I wanna was the night that you had ething for me to do next year haha is he time you get home

please call me tomorrow afternoon and e know if you want anything else in my

you would have a good time with your y and let you have any work done and you would have been able to do a le of weeks together so that I can get a of you haha

Pluto (minor planet designation: 134340 Pluto) is an icy dwarf planet in the Kuiper belt, a ring of bodies beyond the orbit of Neptune. It was the first and the largest Kuiper belt ccobject to be discovered  Hahahahaha

a Meredith - Nautilus

i could i ouldcirculated Fs, 

t publications, and sculptural cts. Although it was deeply 

engaged with the net, Dispersion specifically addressed the contemporary art system, and laid the foundation for Price’s move to 

gallery-based wo rk with an exhibition at Reena Spaulings Fine Art in New York City in 2004. 

 As artists working in diverse media increasingly began to account for the effects of the network on their practice and on the gallery system, Dispersion became an 

influential and widely cited touchst

one. It is included in Net Ar

i shouldnt i already did

wouldnt havenet never will

only did once ally didnt

aha ha he -huh -hmm ho m r 

g 

gh 

h ch f ft k ck ph  gh 

Eww Oh Aha Eh Huh Gah  

 

NSZPANIn keeping

th is

phasis on

distribution, the

work was released

in various

formats

and

versions

over

many  

eth Price’s ispersion is an twork in the rm of an art storical essay. riginally

leased at a me when the ternet was eginning to

fect nearly all spects of ulture, it gued that stribution, ther than 

production, was the primary way in which works accrued meaning, and that artists needed to find ways of harnessing the enormous capacity for meaning-making inherent in communications networks. 

years,

includin

g pages

on

Price’s

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