09 ibanez hollow body guitars

8/9/2019 09 Ibanez Hollow Body Guitars

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1726 Winchester Road, Bensalem, PA 19020327 Broadway, Idaho Falls, ID 83402$3.00 in U.S.A. 2009 Printed in the U.S.A. (25m)

Special Thanks to:Dan Electros Guitar bar - www.danelectrosguitarbar.comJohn Evans - www.myspace.com/johnevansbandKenyon White - www.myspace.com/kenyonwhite

Full & Semi-AcouElectric Guitar


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All Ibanez ull-hollow guitars are truly

construction or rich, complex tones. Th

soundblocks in the body as oten ound

guitars in the Artcore price range. Full-

associated with traditional jazzers, but

more aggressive rockabilly and rock ad

simply must have those ull-hollow ton

Construct

GeorgeBensonSignature

Pat Metheny Signature

John Scofeld Signature

Artcore Custom

AF, AFS&AK

AG & AGS

AS, AM&AJD

NeckDim, Pickups

SwitchingSystems,

HardShell Cases&Finishes

4-56-78-9

10-11

12-15

16-17

18-2223

or more than three decades, Ibanez has been craftinrefining instruments for the likes of Jazz titans suGeorge Benson, Pat Metheny and John Scofield, as wa new generation of improvisers such as Eric KrasUNAM. This experience has given Ibanez a special peron how to build jazz guitars that spans a broad ranshapes, styles, musical tastesand how to build thaffordably, without sacrificing tone, response or appe

When first released in 2002, unsuspecting players athe world were shocked by the artistry, the versatiliaccessibility associated with Artcore guitars. Never had so much been factored into a jazz guitar at sucaffordable price. The world was shocked once again inwhen Ibanez introduced Art core Custom--a collectioornately appointed guitars within the Artcore line theven more features and versatility than their predece

For 2009, Ibanez once again showcases a variety of jazzeach unique in its styling and sound. And while we hcatalog will give you some idea of how you can expanplaying potential, we know youll never really quite unjust how much until you actually play one of our guit


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Made in Japan by our most experiencedluthiers, the GB10 is our longest running

artist signature model.Floating pickups, thicker top, and asmaller acoustic body reject eedback.

GB15TR adds single pickup confgurationwith coil tapping to the original GB10 design.

GB200 eatures a ull-acoustic body andstandard pickup installation or moretraditional jazz gigs.

Deluxe hardshell case included.GB15 also includes deluxe gig bag.

GB10BS3pc Maple GB Prestige set-in neckSpruce top, Maple back/sidesMedium fretsGB Special neck puGB Special bridge puEbony bridgeMax width at lower bout: 14 3/4Max body thickness: 3 1/4Finishes: BS, NT

GB10NT3pc Maple GB PrestiSpruce top, Maple bMedium fretsGB Special neck puGB Special bridge puEbony bridgeMax width at lower bMax body thicknessFinishes: BS, NT

GB15TR3pc Maple GB15 GB Prestige set-in neckSpruce top, Maple back/sidesMedium fretsGB Special neck puEbony bridgeMax width at lower bout: 14 3/4Max body thickness: 3 1/4Finish: TR

GB200BS3pc Mahogany/ MapleGB Prestige set-in neckSpruce top,Maple back/sidesMedium fretsSuper 58 neck puSuper 58 bridge puEbony bridgeMax width atlower bout: 16 1/2Max body thickness: 4 1/4Finish: BS

Floating pickups on the GB10 eliminate eedback.

Signature Guitar


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The PM100 and PM120 are made in Japanby our most experienced luthiers.

The size o the traditional jazz guitar butslimmer or better comort projection andeedback rejection.

Body joint at the 17th ret or easier ret accessthan traditional jazz boxes (PM100/120).

The PM120 eatures extra quiet Silent 58pickups and an even slimmer body than thePM100 (3 1/4 vs. 3 7/8) or enhancedmidrange punch.

PM35NT, the most aordable model,eatures a specially treated neckand rets designed to Pat Methenysexacting specifcations.

Deluxe hardshell case included.

PM35NTs 5pcmaple/bubingaPM set-in neck.

PM100BKMahogany PM Prestige set-in neckMaple top/back/sidesMedium fretsSuper 58 neck puGB103B bridgeMax width at lower bout: 16Max body thickness: 3 7/8Finish: BK

PM120NTMahogany PM Prestige set-in neckMaple top/back/sidesMedium fretsSilent 58 neck puSilent 58 bridge puGB103B bridgeMax width at lower bout: 16Max body thickness: 3 1/4Finishes: BK, NT

PM35NT5pc Maple/ Walnut PM Custom set-in neckMaple top/back/sidesMedium fretsCustom 58 neck puART1 BridgeMax width at lower bout: 15 3/4Max body thickness: 3 5/8Finish: NT

Signature Guitar


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The JSM100VT is made in Japan by ourmost experienced luthiers.

Faithul digitized reproduction o the bodyand neck o Johns original Ibanez AS200AV.

Substantial soundblock and a rigidtop and body reject eedback.

Compound radius retboard or moreaccurate intonation.

Super 58 pickups produce a classic, warmand versatile tone perect or all genres.


JSM100VTMahogany JSMPrestige set-in neckFlamed Maple top/back/sidesMedium fretsSuper 58 neck puSuper 58 bridge puG510BN bridgeMax width at lower bout: 15 3/4Max body thickness: 2 3/8Finish: VT

Classic Ibanez hal-bone, hal-brassnut on the magical JSM100 providesa balance o highs and lows.

Signature Guitar


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Traditional large jazz box with 22 instead o 20 rets.

All Ibanez ull-hollow guitars are truly ull-hollow orull, traditional tones. There are no soundblocks asound in some ull-hollow boxes.

Two distinct versions: Traditional standard bridgemodels or jazz. Trem models or rockabilly androadhouse twang.

Roller saddles on the AF75Ts VBF70 Vintage Vibrato(licensed by Fred Gretsch Enterprises in the U.S)eliminate the tuning problems o traditional s ystems.

AF75BSMahogany AF Artcore set-in neckMaple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART1 bridgeMax width at lower bout: 15 3/4Max body thickness: 3 5/8Finishes: BS, TRS

AF75DTORMahogany AF Artcore set-in neckMaple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART1 bridgeMax width at lower bout: 15 3/4Max body thickness: 3 5/8Finish: TOR

AF75TDGBKMahogany AF Artcore set-in neckMaple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART2 with VBF70 Vintage VibratoMax width at lower bout: 15 3/4Max Body Thickness: 3 5/8Finish: BK, IV

AF75TDGIVMahogany AF Artcore set-inMaple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART2 with VBF70 Vintage VMax width at lower bout: 15Max Body Thickness: 3 5/8Finish: BK, IV

AF75TRSMahogany AF Artcore set-in neckMaple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART1 bridgeMax width at lower bout: 15 3/4Max body thickness: 3 5/8Finishes: BS, TRS

AF95TK3pc Maple/ Mahogany AF Artcore DX set-in neckFlamed Maple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART1 bridgeMax width at lower bout: 15 3/4Max body thickness: 3 5/8Finish: TK

The AF75TDGsVintageVibrato

summons all yourfavoritehard-

edged twang riffs as well as

sensitive,jazzy tremolo shivers.

large, truefull-hollow


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The looks, the sound, and the construction that rivaljazz boxes o many times the price.

AF models oer traditional ull-hollow construction. AS103oers semi-hollow body or eedback resistance and sustain.

The acclaimed comort o Ibanez Artcore Customs strongand stable 5pc maple/walnut necks is the result o extraneck treatments and fnishing.

Wood control knobs and wood tailpieces enhance theexquisite appearance o the Artcore Custom line-up.


Custom

AF105NT5pc Maple/ Walnut Artcore Custom set-in neckFlamed Maple top/back/sidesLarge fretsCustom 58 neck puCustom 58 bridge puART1 bridgeMax width at lower bout: 15 3/4Max body thickness: 3 5/8Finish: NT

AF105SMEE5pc Maple/ Walnut ArtcoreCustom set-in neckSpalted Maple top/back/sidesLarge fretsCustom 58 neck puCustom 58 bridge puART1 bridgeMax width atlower bout: 15 3/4Max body thickness: 3 5/8Finish: EE

AF125AMB5pc Maple/ Walnut Artcore Custom set-in neckQuilted Maple top/back/sidesLarge fretsSuper 58 neck puSuper 58 bridge puART1 BridgeMax width at lower bout: 15 3/4Max body thickness: 3 5/8Finish: AMB

AS103NT5pc Maple/ Walnut Artcore Custom set-in neckFlamed Maple top/back/sidesLarge fretsCustom 58 neck puCustom 58 bridge puART1 bridgeMax width at lower bout: 15 7/8Max body thickness: 2 5/8Finish: NTU-NAM Photo by Bettie Grace Miner


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True-ull hollow body construction.

The same body width as the Artcore AF,but one inch thinner or increased comortand more midrange punch.

Ibanez Vintage Vibrato (licensed by FredGretsch Enterprises in the U.S.) with rollersaddles eliminates the tuning problemso traditional systems.

New 2009 AFS75TNWB with Neo Westerngraphic on black visually augments theroadhouse tonal vibe.

AFS75TNWBMahogany Artcore set-in neckMaple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART2 with VBF70 Vintage VibratoMax width at lower bout: 15 3/4Max body thickness: 2 5/8Finish: NWB

AFS75TTRDMahogany Artcore set-in neckMaple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART2 with VBF70 Vintage VibratoMax width at lower bout: 15 3/4Max body thickness: 2 5/8Finish: TRD

AK95D3pc Maple/ Artcore DX sSpruce top, back/sidesLarge fretsACH1 neck ACH2 bridge

Rosewood bMax width aMax body thFinish: DHS

AFS75TNWBNeo-Westerngraphicguitar.

thinner, truefull-hollow

traditionalfull-hollow


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Traditional ull hollow construction, but in

a more compact and comortable size.

Two distinct versions: AG95D Ultra-Deluxeand AG75 working player standard.

Semi-acoustic construction eaturesa soundblock that rejects eedbackand increases sustain.

Superior upper-ret access.

Quik Change tailpiece oers easystring-changes.

AG75BSMahogany Artcore set-in neckMaple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART1 bridgeMax width at lower bout: 15 3/4Max body thickness: 3 5/8Finish: BS

AG95DBS3pc Maple/ MahoganyArtcore DX set-in neckFigured Bubinga top/back/sidesLarge fretsACH1 neck puACH2 bridge puART1 bridgeMax width at lower bout: 15 3/4Max body thickness: 3 5/8

Finish: DBS

AGS83BATF3pc Maple/ MahoganyArtcore DX set-in neck

Flamed Maple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART1 bridgeMax width at lower bout: 15 3Max body thickness: 2 5/8Finish: ATF

Semi-acoustic construction eatures a b

(called a sustain block or sound block)

the pickups are mounted or increased

eedback elimination. This design gives

guitars extraordinary versatility, which

popularity in rock, jazz and many other

Construct

smaller full-hollowsmaller semi-hollow


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The classic semi-acoustic size and sound.

New 2009 AS73IV oers the Ivory fnish, one othe most demanded fnishes or semi-acoustics.

Quik Change tailpiece oers easy string-changes.

New let-handed AS73TCRL model.

soulive

AS73BSMahogany AS Artcoreset-in neckMaple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART1 bridgeMax width atlower bout: 15 7/8Max body thickness: 2 5/8Finishes: IV, BS, TCR

AS73IVMahogany AS Artcoreset-in neckMaple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART1 bridgeMax width atlower bout: 15 7/8Max body thickness: 2 5/8Finishes: IV, BS, TCR

AS93BLS3pc Maple/ Mahogany

AS Artcore set-in neckFlamed Maple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART1 bridgeMax width at lower bout: 15 7/8Max body thickness: 2 5/8Finish: BLS

Classicgoldhardwareand

BlueSunburstfnishmake

orastunningcombination.

traditionalsemi-acoustic


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The ull tone, strong sustain, lightweight bodyand eedback resistance o a semi-acoustic inan original Ibanez compact design.

Double cutaway oers eortless upper ret access.

Quik Change tailpiece oers easy string-changes.

AS73TCRMahogany AS Artcore set-in neckMaple top/back/sidesLarge fretsACH1 neck puACH2 bridge puART1 bridgeMax width at lower bout: 15 7/8Max body thickness: 2 5/8Finishes: IV, BS, TCR

AS73BBKFMahogany AS Artcore set-in neckMaple top/back/sidesLarge fretsACH1-S neck puACH2-S bridge puART1 bridgeMax width at lower bout: 15 7/8Max body thickness: 2 5/8Finish: BKF

AS73TCRLMahogany AS Artcore set-in neckMaple top/back/sidesLarge fretsACH1-S neck puACH2-S bridge puART1 bridgeMax width at lower bout: 15 7/8Max body thickness: 2 5/8Finish: TCR

AM73BBKFMahogany AM Artcoreset-in neckMaple top/back/sidesLarge fretsACH1-S neck puACH2-S bridge puART1 BridgeMax width at lower bout: 14 3/4Max body thickness: 2 5/8Finish: BKF

1pcmahoganyAMset-inneckandmultiple bindingcreatesaclean, classicand streamlinedlook.

traditionalsemi-acousticcompactsemi-acoustic

taproot


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ATF(ANTIQUEBURSTFLAT)

AMB(AMBERBURST)

BK(BLACK)

BKF(BLACKFLAT)

BLS(BLUESUNBURST)

DBS(DARKBROWNSUNBURST)

DHS(DARKHONEYSUNBURST)

NT(NATURAL)

NWB(NEO

WESTERNBLACKMETALLIC)

TK(TRANSPARENTBLACK)

TR(TRANSPARENTRED)

TRS(TRANSPARENTREDSUNBU

RST)

VT(VINTAGESUNBU

RST)

VLS(VIOLINSUNBU

RST)

BS(BROWNSUNBURST)

IV(IVORY)

EE(EXOTICEXPLORER)

TOR(TRANSPARENTORANGERED)

TRD(TRANSPARENT

RED)

TCR(TRANSPARENTCHERRY)

N ECK CENTER BRIDG ETwo Humbucker Pickup Models

(B) BRIDGE, (M) MIDDLE, (N) NECK, (H) HUMBUCKING, (S) SINGLE COIL, (AL) ALNICO, (C) CERAMIC

AF200C

The ull tones, strong sustain, and light weighto a semi-acoustic.

The comortable size and standout rock shapenormally associated with a solid-body.

Designed or easier access to the upper rets.

AJD91VLS3pc Maple/Mahogany AJD set-in neckFlame Maple top, Maple back/sidesLarge fretsACH1 neck puACH2 bridge puART1 BridgeMax width at lower bout: 13Max body thickness: 1 3/4Finish: VLS

Beautiul famedmaple top andQuik ChangeUltra tailpiece.

rock semi-acoustic

09 ibanez hollow body guitars

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