1 on non-coherence john law centre for science studies lancaster university
TRANSCRIPT
2
Burnside Farm
• Discovered 19th February, 2001
• Spread through sheep into the market system
• 70 premises• National epidemic• 2030 infected premises
• £3bn cleanup costs
4
Introduction …
1. Messy: patchwork of practices
2. Difficult to narrate!
3. Political: stories perform realities/politics (innocence!?)
4. Question: what reality to make? … ontological politics
5
Outline
1. Two smooth summary stories: – Globalisation– foot & mouth UK
2. Commentary on literary & political work being done here
3. Patch in other stories to disrupt smoothness (a pinboard)
4. Conclusion: about ontological politics, story-telling, mess!
8
‘The capacity of buffalo herds to work during rice planting is halved, and milk yields decrease by 80%. When endemic, infections often occur serially with some herds falling ill three times a year. The livelihoods of families that depend on animals for food and power can be severely affected.,
Bangladesh….
12
OIE Classification
1. disease free without (routine) vaccination;
2. disease free with vaccination3. disease endemic
• Potentially disastrous for exporting countries
• At the same time, it spreads
17
Narratives & Performativity1. Stories order the world (not simply
descriptions)2. Our stories order the world
(performativity)3. Our stories aren’t politically innocent
(we are making a difference: no choice; strengthening/weakening realities)
4. What reality to help to make more real? (= ‘ontological politics’)
18
Global FMD Narrative makes …
1. Geographical & geopolitical reality
2. Boundary between disease & disease-free countries
3. Boundary between productive/less productive agriculture
4. Powerful WTO rules
19
My Global FMD Narrative makes smooth reality ….
1. Single global space
2. Single time
3. Single objects in time and space
4. Makes some events/actors important and others not
5. Describes a system of exclusions/ vulnerabilities within that time/spae
20
Good, fine, true, but is this what we want to do?
Criticism? Does it re-perform the conditions that frame dominance?
22
The strategy?
1. Stop the animal movements
2. Kill infected animals and kill them
3. Trace and kill animals in contact
4. Disinfect the premises
5. Take biosecurity measures close by
33
National FMD Narrative
1. Discovery and Initial Strategy
2. Mounting Crisis
3. Fight back
4. Endgame
34
National FMD NarrativeAssumptions
1. Space-time box, linear & progressive time (UK state apparatus)
2. Events/actors in box
3. Importance of actors
4. Discretionary agency for the state
35
National FMD Narrative
1. Specific
2. Makes strategic, state-centred struggle
3. Makes disease fit for policy makers
Alternative narratives?
Is this what we should be doing?
36
Smooth stories
1. Single worlds?
2. Or non-coherent worlds?
Practically: lots of things didn’t fit anyway
Which (do we want to enact?
Performativity!
Ontological politics!
38
Possibilities …
• Museum collections
• Art exhibitions
• Elements in a landscape
• The rooms in a house
• Images streaming across a screen
• Multiple computer windows
39
Possibilities …• Blogs• Web-pages• Meetings• Poetry, performance
• Think imaginatively about mess!
• On this occasion: a messy pinboard!
43
The buzzhad gone
‘The buzz had gone … snuffed out like a candle – the mart’s car parks (were) empty of farmers and their vehicles … the rings (were) empty of auctioneers and their vendors and buyers together with the livestock they were trading, the offices (were) empty of clerks and their customers …’
47
Families tended to become confined
‘… families tended to become confined. Children were sent to stay away or kept off school. Diversified off farm businesses were closed or kept in operation by the ‘away posting’ of one member of the family. Visits to family, friends or social venues virtually came to a standstill.’
48
Farming
FMD: social isolation, fear
Space: network of social contacts
Time: cyclic, daily, weekly, monthly
50
But don’t get mewrong…
‘But don’t get me wrongI have now seen plenty of this plagueAnd it is no common cold.The animals suffer horribly, as the skin of their tongues peels offAnd their feet fall apart.We must try to kill them quick and clean,As soon as it appears in a herd or a flock.’
52
Killing
FMD: clinical attitude
Space/time: embodied skills, love, detachment, local care and killing
54
Burning
‘The flames turned the night sky orange, the stench of burning flesh – no wonder the talk in the country is of apocalypse’‘It is, to be sure, a mediaeval image, those piles of animal corpses being put to the flame – the pictures in the papers looking more and more like tapestries than photographs.’ (Guardian)
57
Burning
FMD: mediaeval sacrifice, pestilence
Space: collapses into the pyres at the end of the world
Time: ending, apocalypse, expression of fate, moment of judgement
59
Mornings came and days went by
‘Mornings came and days went by without the need to think of animals being fed, or checked for lameness or looking poorly. We had a silence around us, a dog with no work. Hay silage and straw with nothing to feed or bed. ’
61
Silence
FMD: has killed the farm
Space/time: locally embodied, daily, inseparable from material context, mundane absences
63
Few … have looked
‘Few … (commentators) have looked at what I can only call the spiritual consequences. For hundreds of thousands, perhaps millions, [walking] is an escape from regimentation. They have lost the right to roam. They are being told that the slaughter of … sheep will transform the open [hills] of the Lake District into a scrubland no one who has loved Wordsworth … will recognise …’
65
Walking
FMD: bodily and spiritual constraint
Space: openness, freedom,
Time: disappears, (timeless appreciation of nature, spiritual communion)
66
Eight patches on the pinboard
• Globalisation• Government strategies and policies• The market• Isolation on the farm• Veterinary Care• Burning• Silence on the farm• Walking
67
Eight kinds of space & time
Global international trading movements
State nation progressive
Market local networks cyclic
Farm social relations cyclic
Vet embodied momentary
Pyre end of space end of time
Walking no limits outside time
68
Concluding… • Narratives tell differently
• Narratives also enact differently
• Do we want FMD singular? Or FMD multiple?
• FMD as a set of interferences between enactments
• FMD instability, fluidity, otherness (like ALD)
69
….• Ontological politics (style and
choice of narrative): what kind of a world to make?
• Responsibility!
70
Method?• Reality enacting as incredibly
difficult! (holding materials, audiences together, circulating, including)
• FMD smooth or FMD mess?
• Don’t we need a messy method to understand/enact mess?