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This article was downloaded by: [New York University] On: 01 August 2015, At: 00:27 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London, SW1P 1WG Journal of Latin American Cultural Studies: Travesia Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/cjla20 The nation as the mise-en-scène of film–making in Argentina Joanna Page Published online: 20 Aug 2006. To cite this article: Joanna Page (2005) The nation as the mise-en-scène of film–making in Argentina, Journal of Latin American Cultural Studies: Travesia, 14:3, 305-324, DOI: 10.1080/13569320500382617 To link to this article: http://dx.doi.org/10.1080/13569320500382617 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. Terms & Conditions of access and use can be found at http:// www.tandfonline.com/page/terms-and-conditions

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This article was downloaded by: [New York University]On: 01 August 2015, At: 00:27Publisher: RoutledgeInforma Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place,London, SW1P 1WGJournal of Latin American Cultural Studies: TravesiaPublication details, including instructions for authors and subscription information:http://www.tandfonline.com/loi/cjla20The nation as the mise-en-scne of filmmaking inArgentinaJoanna PagePublished online: 20 Aug 2006.To cite this article: Joanna Page (2005) The nation as the mise-en-scne of filmmaking in Argentina, Journal of LatinAmerican Cultural Studies: Travesia, 14:3, 305-324, DOI: 10.1080/13569320500382617To link to this article:http://dx.doi.org/10.1080/13569320500382617PLEASE SCROLL DOWN FOR ARTICLETaylor & Francis makes every effort to ensure the accuracy of all the information (the Content) containedin the publications on our platform. However, Taylor & Francis, our agents, and our licensors make norepresentations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of theContent. Any opinions and views expressed in this publication are the opinions and views of the authors, andare not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon andshould be independently verified with primary sources of information. Taylor and Francis shall not be liable forany losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoeveror howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use ofthe Content.This article may be used for research, teaching, and private study purposes. Any substantial or systematicreproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in anyform to anyone is expressly forbidden. Terms & Conditions of access and use can be found at http://www.tandfonline.com/page/terms-and-conditionsJoanna PageTHE NATION AS THE MISE-EN-SCE`NEOF FILMMAKING IN ARGENTINAlollowi:g t|c :ccc:t lc to :oui:c:cc wit|i: wo:lc cist:i|utio: :ctwo:|s oi icwi:tc::tio:lco:ocuctio:si:oulti:Auc:ic,:ci:vicwoicu::c:tt|co:icsoiglo|liztio:, w|ic| cu|sizc t|c ow oi iccs, i:io:utio: :c goocs c:oss :icl,cisc:i:g:tio:l|ou:c:ics,itis|ccoui:gderigueurto:guct|tt|c:tio:is|ccoui:g : o|solctc i:ucwo:| io: t|c :l,sis oi lti: Auc:ic: lu li ;s |o:A :o:icg o|sc:vcs, lti: Auc:ic: lu sc|ol:s|i cu:i:g t|c 1-0s :c 1--0s ws:i:cill, o:g:izcc i:to :tio:l stucics,1uo:c :ccc:t wo:| |s |cc: c|:ctc:izcc|, tu:: tow:cs t|c t::s:tio:l W|ilc t|is :io:it, |s u:cc:i|lc vluc i:cou|ti:g cssc:tilist :otio:s oi t|c :tio:, :c i: c|llc:gi:g t|c i:cxi|lclictio: oi :tio:l |ou:c:ics i: w|t |s lw,s |cc: glo|l i:cust:,, c:iticliocus o: t|c t::s:tio:l clcuc:ts oi lti: Auc:ic: ci:cu sccus occl, out oi |iltc:wit| t:c:cs i: lu :ocuctio: t tiuc 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uiscc:scc:c oiluu|i:g i: co:tcuo::, A:gc:ti:, u, :guuc:t will c:wo: : cui:icli:vcstigtio: oi lu :ocuctio: :c cx|i|itio: to :ovicc sociocco:ouic |sis io: t|cuo:ct|co:cticlciscussio:t|twilliollowl:t:ccuwit|i:c:csi:gsttcsuo:tio: :tio:l ci:cu ovc: :ccc:t ,c:s, t|c ciscou:sc oi uuc| co:tcuo::, A:gc:ti:clu is, l co:tc:c, u:|cc |, st:tcgic :cssc:tio: oi t|c :tio: :c :c:ticultio: oicc:ti: io:us oi :tio:lisui: t|c co:tcxt oi t|c :ccc:t cco:ouic c:isis, t|ccoulcxit, oi t|csc cts oi :ctc::ito:iliztio: will |c tcscc out i: t|c scco:c |li oit|is :ticlcwit|:cic:c:ccto:ccc:t A:gc:ti:clu, Bar El Chino;D:icl lu:|,!00!,Journal of Latin American Cultural Studies, Vol. 14, No. 3 December 2005, pp. 305-324ISSN 1356-9325/print 1469-9575 online q 2005 Taylor & FrancisDOI: 10.1080/13569320500382617Downloaded by [New York University] at 00:27 01 August 2015 The coming-of-age of Latin American cinema?Auo:g t|c uost t:iuu|list oi :ccc:t ccou:ts is tc|c: l:ts A Companion to LatinAmerican Film, i: w|ic| |c :gucs 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oi t|c 1-0s ;scc t|lc1,T HENAT I ONAST HEM I S E - E N - S C E`N EOFF I L M MAKI NG 3 0 7Downloaded by [New York University] at 00:27 01 August 2015 W|t is clc:l, t|c csc, oi cou:sc, is t|t t|osc A:gc:ti:c lus w|ic| |vc |cc:uo:cwiccl,cist:i|utcci:tc::tio:ll,|vc|cc::ocucccwit|cxtc::l iu:ci:g,oitc: :is| El hijo de la noviaThe Son of the Bride ;u: osc u:cll, !001, wsco:ocucccwit|i:, :cNuevereinasNineQueens ;l|i:licli:s|,, !000,ws::ccc o: t|c |sis oi sc:itw:iti:g couctitio: lu:c|cc |, ltgo:i|, uulti:tio:l :ocuctio: cou:, wit| sig:ic:t :is| i:tc:csts Io ovc:cu|sizc t|c :olc oi i:tc::tio:l co:ocuctio:s i: A:gc:ti:c ci:cu is to ovc:loo|t|c u|o:it, oi A:gc:ti:c lus, w|ic| :c :ot ::ccc i: t|is w, :c w|ic| t|c:cio:cco:ot :cccivcsuc|wicccist:i|utio: t|us:clicti:gi:c:iticisut|ciu|l:ccl:cc, cxisti:g i: t|c u:|ct:c to cis:cg:c t|c vc:, iuo:t:t :olc oi t|c sttc i:co:tcuo::, A:gc:ti:c :ocuctio:The impact of public policyDcsitc t|c cccli:c oi t|c lu i:cust:, i: t|c c:l, 1--0s :c t|c ccvsttio:oi 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August Avil|lc t wwwclo|oqucic:sucguxcs:ol, l:Ilk:lI,:c lst:c, \:ic: !00! i:c cc co:t:stcs Revista mexicana de comunicacion :o 0;\:c|A:il, Avil|lc t wwwucxic:cccouu:iccio:couux, l:Ilk:lI!! cc lst:c, \:ic: !00! i:c cc co:t:stcs l: Revista mexicana de comunicacion, :o0 ;\:c|A:il,, :c \s ci:cs , uc:os cscctco:cs Revista mexicana deL AT I NAME RI CANCUL T URALS T UDI E S 3 2 2Downloaded by [New York University] at 00:27 01 August 2015 comunicacion:o .;lc|:u:,\:c|!00+, lot|vil|lct wwwucxic:cccouu:iccio:couux, l:Ilk:lI!+ o|:so:, k:cl 1--! l:t|c |cll, oi t|c og:c ci:cu :ct|c sttc i:lti:Auc:ic l: Mediating Two Worlds: Cinematic Encounters in the Americas, ccitcc |, o|:li:g, A: \ locz :c \:ucl Alv:co lo:co: l:itis| lilu l:stitutc !0+1!, !0!. lu:to::v|l, uli::c, !000 out|Auc:ic:ci:cu l:Worldcinema: criticalapproaches, ccitcc |, o|: lill :c lucl |u:c| Gi|so: xio:c xio:cD:ivc:sit, l:css 1-+!10, 1-!o toc| \ig::c, :c t|c lti: Auc:ic: ci:cuscc !01! lou:cicu, lic::c 1-- Acts of resistance, t::sltcc|,kic|:c:icc u|:icgclolit, l:css -+! :cli:i, :csto: G:c 1-- Will t|c:c |c lti: Auc:ic: ci:cu i: t|c ,c: !000Visul cultu:ci:ost:tio:l c:l:FramingLatinAmericanCinema: ContemporaryCritical Approaches, ccitcc |, A:: \:ic toc| lo:co: :c \i::colis D:ivc:sit, oi\i::csotl:css !+o.,!+,t|c:ticlcwso:igi:ll,u|lis|cci::is|s,l|:ci:clti:ouc:ic:oc: cl:o!000JornadaSemanal:o1-!;1lc|:u:,1--!, !!!!- :cli:i, :csto: G:c 1-- Culturas h bridas: estrategias paraentrar y salir de lamodernidad \cxico G:i|l|o !+!0 :lo, lct:iz !001, Scenes frompostmodernlife, t::sltcc|,o:lcslc,\u::,\i::colis D:ivc:sit, oi \i::csot l:css !!1 toc| \ig::c, :c t|c lti: Auc:ic: ci:cuscc !0!! 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Estado-nacion y la crisis del modelo luc:os Ai:cs:o:u 1!+0 I|witcs kc,, \|cl !00! i l sociccc :o uccc o:g:iz:sc, g: cl uc:ccoji:tc:vicw wit| ko|c:t lo,c: Clar n ;i:io:,, 1! :u:, Avil|lc twwwcl:i:cou, l:Ilk:lI+1 ko|s, \u:icio !00! Historiadela crisisargentina luc:os Ai:cs Distl !o+! Avil|lc t www|:clc|i:olucou:, l:Ilk:lI+! lll, tu:t !000 ultu:l icc:tit, :c ci:cutic :c:csc:ttio: l: Film and theory:ananthology,ccitcc|,ko|c:ttu:cIo|,\illc:xio:cllc|wcll0+1+, 0o++ li:|iclu:,o:gc!00+ThelmindustryinArgentina: anillustratedcultural historyciic:so: \cl:l:c ! ;scc lso 1--,T HENAT I ONAST HEM I S E - E N - S C E`N EOFF I L M MAKI NG 3 2 3Downloaded by [New York University] at 00:27 01 August 2015 +. Dlugo Aut|o:s|i, glo|liztio:, :ct|c :cw icc:tit, oi lti: Auc:ic:ci:cu10.+o lostc:, Dvic Williu 1--! Contemporary Argentine cinema oluu|i D:ivc:sit, oi\issou:i l:css -!+ l:vc,, Dvic 1--0 The condition of postmodernity: an enquiry into the origins of culturalchange xio:c Dl :c u|:icgc DA lsil llc|wcll !-.o+ \o:ci:s, Al|c:to 1-- Glo|l i:guc:ts scco:c lti:uc:ic:isu l: TheCultures of Globalization, ccitcc |, l:cc:ic ucso: :c \so \i,os|i Du:|u :clo:co: Du|c D:ivc:sit, l:css 110!, -!+- lou:cicuActs ofresistance -+.0 cclou:cicu, lic::c 1-o I|cio:us oi citl, t::sltcc|,kic|:c:icc l:Handbook of theory and research for the sociology of education, ccitcc |, o|:G kic|:cso: :cw Yo:| G:cc:wooc !+1., !.!..1 \o:tcso:o, uli !00! lsco u:: llcg l: ll |i:o La Nacion;lscctculos,, 1+ cto|c: Avil|lc t wwwl:cio:cou:, l:Ilk:lI.! cc wwwcco:ouistcoucitics, l:Ilk:lI.! lc:clu: :c civc| La industria cinematograca en la Argentina Avil|lc twwwccccuo:g:, l:Ilk:lI, 1!!.+ kcg:,Iou1---ultu:l cxc|:gcl:ACompaniontoFilmTheory,ccitcc|,Io|, \illc: :c ko|c:t tu xio:c llc|wcll !o!-+, !+... lou:cicuActs ofresistance !1, !!+, +1.o uit|, lul uli: !00! Amores perros lo:co: lll . \i,os|i, \so Glo|liztio:, cultu:c, :c t|c u:ivc:sit, l: The cultures ofglobalization, ccitcc |, l:cc:ic ucso: :c \so \i,os|i !+0, !o+. :lo, lct:iz 1--+ ll :cltivisuo|soluto, ocouocl uc:cco,l sociolog :ccxio:: so|:c cstctic Puntodevista ! ;+, !!1, !1Joanna Page holds a research post at the Centre of Latin American Studies, University ofCambridge. She has published a number of articles on contemporary Argentineliterature and cinema.L AT I NAME RI CANCUL T URALS T UDI E S 3 2 4Downloaded by [New York University] at 00:27 01 August 2015