14 lied no music
TRANSCRIPT
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The Lied
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The Lied (1)
– German Lied = song•Special genre of Romantic song with piano
– Important Romantic “miniature” genre•Evolved in the late 18th century•Flourished in the 19th century
– Some are simple tunes, others complex
– They all share certain features—•Accompaniment, poetry, & mood
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The Lied (2)– Piano accompaniment
•Contributes significantly to the artistic effect
•Piano & voice often equal partners•Piano part reflects and even adds to the meaning of the poem
– Romantic poetry•Often high-quality poetry•Music echoes poem’s words & meanings; reveals hidden or more profound or more complex meanings of the poem
– Intimate mood•Intended more for living room than concert hall
•Performers seem to share emotional insights with you alone
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Franz Schubert(1797-1828)
– Earliest (and greatest?) master of the Lied
– Prolific – wrote nearly 700 songs•And many symphonies, sonatas, quartets, quintets, & sacred works as well
– Born & trained in Vienna•Vienna Boys Choir
– Supported by teaching, publications, & contributions from friends•Wrote many works for friends
– Died in a typhoid epidemic– Schubertians; Schubertiades
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The Erlking (Die Erlkönig)
• 1815• Overnight hit; Schubert’s best-known Lied
• Somewhat longer than his other Lieder• Tells a story• Subtle variations in mood highlighted by both the vocal and the piano parts
• Intense; dramatic
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The Poet• Poem by Johann Wilhelm von Goethe (1749-1832), the greatest German writer of his time
• Goethe known for his drama Faust, as well as for The Sorrows of Young Werther, about a young man who commits suicide due to unrequited love; The Sorrows of Young Werther sparked a series of copycat suicides among young men throughout Germany
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The Story– A furious horseback ride through the night•Father tries to save his deathly ill son
– The Erlking comes for the child•First he beckons, then cajoles, then threatens and assaults the child
– The father does not see the demon•He attempts to quiet the boy
– But by the time they reach home—•The boy is dead in his arms
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The Music
• Piano introduction sets mood: how?
• Each of the three characters in the poem--father, son Erlking--have a different musical “voices”: describe
• The poem has 8 stanzas: does each stanza get the same music?
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The Music (1)
– Fast triplets suggest horse’s hooves•The only respite is provided by the Erlking’s supernatural realm
– Father’s music is low, gruff, stable– Son’s music is higher, frantic, unstable•Higher pitch each time he calls “My father!”
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The Music (2)
– Erlking’s music is ominously sweet•The furious triplets fade away•His music is light, tuneful, appealing
– Tension lets up as they reach home– Stark recitative announces the boy’s death•Over a simple but very final cadence
– The music is through-composed: each stanza has new music,reflecting the changing moods and voices
– The triplet motive unifies the work