15 aturan tipografi

7/17/2019 15 Aturan Tipografi

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TIPO

GRAPHY

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Oleh : Tiva Piola



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1 5ATU

TIPO

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R A N 1 5 A t u r

a n T i p o g r a p h y



Readibility atau keterbacaanyang optimal pergunakan

jenis huruf yang secarafisik sederhana dan umumsehingga mudah dikenali.

Readability and legibility are two key elements of printed text that

typographer strive to maximize. Readability extended amount of text – such as an article, book, or annual report – is easy to read. Legibility refers to whether an

refers to whether a short burst of text – such as a headline catalog listing, or stop sign – is instantly recognizable.

1. READ



IBILITY

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2. JENIS

HURUF Jangan menggunakan terlalubanyak jenis huruf dalamsebuah design. Pergunakanmaksimal 3 jenis huruf.

A basic system for

classifying typefaceswas devised in thenineteenth century,when printers sought

to identify a heritagefor their own craftanalogous to that ofart history. Humanist

leerforms are closely

connected to calligraphy

and the movement of the

hand. Transional andmodern typefaces are more

abstract and less organic.

These three main groups

correspond roughly to the

Renaissance, Baroque, and

Enlightenment periods in art

and literature. Designers in the twentieth and twenty-first

centuries have continued to

create new typefaces based

on historic characteristics.



3. TYPE

FAMILY

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Pergunakan satu jenis hurufsaja. Karena satu jenis huruftidak akan monoton bila digalipotensi Type familynya.

A ‘FONT-FAMILY’ IS

A GROUP OF FONTS

THAT EXHIBIT SIMILAR

CHARACTERISTICS.

THE ‘FONT-FAMILY’

PROPERTY INDICATES A

PRIORITIZED LIST OF

SPECIFIC/GENERIC

FONT FAMILY NAMES

TO USE TO DISPLAY

TEXT CONTENT IN THE

CURRENT CONTAINER.

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4.HIERARKIMembedakan dan memberi

penekanan pada informasipergunakan Point Size yangberbeda sesuai dengan hirarkidan prioritas informasinya.

point size of the fontdescribed the size (height) of

the metal body on which the

typeface’s characters were

cast

When a

point size of

a font is specified, the font is

scaled so that its em square has

a side length of that particular

length in points.



5.CO LO

UM

Jangan membuat kolomuntuk Body Text terlalupanjang, karena akan

melelahkan mata. Panjangkolom ideal maksimal 10 cm.

Paragraph breaks set a rhythm for the reader. The breaks have arelationship with the column of text as well as the page margins.A break may be introduced as an indentation, as a space or both.

The over all page feel will be influenced by your choice.

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6.POINT

SIZE

7.INFOR

MATION

Point Size untuk Body Text jangan terlalu kecil karenasulit dibaca ataupun terlalubesar karena makan ruang.Idealnya adalah 9 sampai 12

point, walaupun bisa dibuat 8sampai 15 point tergantungkebutuhan.

Hindari pemakaian jenishuruf yang hampir sama,karena masyarakat umumbelum tentu dapat menangkapperbedaannya.

HELVETICA CALIBRI

Footnotes and endnotes are set smaller

than body text. The difference in size is

usually about two points, but this can

vary depending on the size, style and

legibility of the main text. Even though

they’re smaller, footnotes and endnotes

should still remain at a readable size.

Point Size - 7 Pt

Point Size - 8 PtPoint Size - 9 PtPoint Size - 11 PtPoint Size - 13 PtPoint Size - 14 Pt



8.KER-NINGKerning atau jarak antarhuruf yang terlalu dekat atauterlalu jauh akan mengganggukenyamanan membaca.Temukan jarak ideal sesuaidengan kenyamanan dan

kebutuhan.

kerning (less commonly mortising) is theprocess of adjusting the spacing betweencharacters in a proportional font

kerning (less commonly

mortising) is the process ofadjusting the spacing betweencharacters in a proportionalfont

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9.UP

PERCASETeks Yang Ditulis DenganHuruf Kapital Atau UpperCase Semua Akan Lebih SulitDibaca Dari Pada PemakaianKombinasi Upper Case DanLower Case.

SMALL CAPS AREUPPERCASE (CAPITAL)LETTERS THAT ARE ABOUTTHE SIZE OF NORMALLOWERCASE LETTERS INANY GIVEN TYPEFACE.

small caps are less intrusive when

all uppercase appears withinnormal text or can be used forspecial emphasis. computerprograms can generate small capsfor a any typeface,

But Those Are Not The SameAs True Small Caps. True Small

Caps Have Line Weights That AreProportionallyCorrect For The Typeface, WhichMe And That They Can Be UsedWithin A Body Of Copy WithoutLooking Noticeably Wrong.

Leading atau jarak antar

baris yang terlalu dekat atauterlalu jauh akan mengganggukenyamanan membaca.Temukan jarak ideal sesuaidengan kenyamanan dankebutuhan.

Leading atau jarak antarbaris yang terlalu dekat atauterlalu jauh akan mengganggukenyamanan membaca.Temukan jarak ideal sesuaidengan kenyamanan dankebutuhan.

10.lEAD-

ING



11.

ALIG-

MENTUntuk pembacaan optimalpergunakan komposisi baristeks atau Aligment yangumum seperti rata kiri, ratakanan, rata kiri-kanan danrata tengah.

Untuk pembacaan optimal

pergunakan komposisi baristeks atau Aligment yangumum seperti rata kiri, ratakanan, rata kiri-kanan dan

rata tengah.

Untuk pembacaan optimalpergunakan komposisi baris

teks atau Aligment yang

umum seperti rata kiri, ratakanan, rata kiri-kanan dan

rata tengah.

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12. C O N

DENSEDE X P A N

DED14.

K O

T RWA

Huruf yang terlalu rampingatau Condensed dan terlalu

lebar atau Expanded akanmengganggu kenyamananmembaca. Jadi pergunakanuntuk kebutuhan yang khusus.

Untuk kemudahan baca atauReadibility apabila bekerjadengan warna, pastikan adakontras warna yang cukupantara teks dengan Background.

CONDENSED

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13. B A S E

L I N E

N -

SNA 15. BACK-

GROUND

Jaga integritas ketikan denganmengatur huruf dan kata padaBase Line atau garis dasar.

Jaga integritas ket-

ikan dengan mengatur huruf

Jaga integritas ketikan denganmengatur huruf

Untuk kemudahan baca atau

Readibility apabila bekerjadengan warna, pastikan adakontras warna yang cukupantara teks dengan Background.

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15 ATURAN TIPOGRAPHY

15 aturan tipografi

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