15th century italy renaissance source: a history of the modern world – palmer, colton, kramer
TRANSCRIPT
15TH CENTURY ITALY
RENAISSANCE
SOURCE: A HISTORY OF THE MODERN WORLD – PALMER, COLTON, KRAMER
CHANGES
BREAKING DOWN OF MEDIEVAL CERTAINTIES
NEW AND INVIGORATING ATTITUDE TOWARDS THE WORLD
MIDDLE AGES RENAISSANCE
RELIGIOUSWORDLY LIFE IS
LESS IMPORTANTLIFE OF
CONTEMPLATIONRESPECT FOR
POVERTYWORSHIP OF
GOD
SECULARLIFE OF
INVOLVEMENT AND HUMAN ACTIVITY
ENJOYMENT OF WEALTH (BY SOME!)
DEMONSTRATION OF HUMAN POWER
MAN SHAPED HIS OWN DESTINY
OFTEN A COMBINATION OF ATTITUDES
REBIRTH
RE-BIRTH OF GRECO-ROMAN CIVILISATION “NEW” CULTURE WAS NEITHER THEOLOGICAL
NOR SCIENTIFIC BUT ASKED WHAT HUMAN BEINGS OUGHT TO BE AND DO:
STYLETASTEDECORUMPERSONAL CHARACTEREDUCATION
CITY-STATES
THE BIGGEST AND MOST BUSTLING TOWNS IN EUROPE
THESE TOWNS WERE INDEPENDENT CITY-STATES:- CONTROLLED BY
MERCHANT OLIGARCHIES
- NO KINGS- POPES LARGELY ABSENT
(WHY?)
TRADE
MERCHANTS MADE FORTUNES IN COMMERCE
Þ LENT MONEY TO POPES AND PRINCES
Þ MERCHANTS MADE FURTHER FORTUNES AS BANKERS
FLORENCE
CHIEF CITY IN TUSCANY
(POPULATION 60,000)
PRODUCTION OF WOOLENS
FAMOUS PEOPLE
DANTE
PETRARCH
BOCCACCIO
MACHIAVELLI
MEDICI FAMILY
MEDICI FAMILY
GIOVANNI de MEDICI (1360 – 1429) MERCHANT AND BANKER• COSIMO de MEDICI (1389 – 1464)• LORENZO THE MAGNIFICENT (1449 –
1492)
De MEDICI FAMILY RULED OVER FLORENCE UNTIL THE FAMILY DIED OUT IN 1737
ART
ARCHITECTURE SPACE WAS NO LONGER
UNKNOWABLE AND DIVINE ADAPTATION OF GRECO-ROMAN
ARCHITECTURE GRANDEUR, IMPORTANCE,
CONVENIENCE FOR HUMAN USE
ART
SCULPTURE
• GREEK/ROMAN TRADITION
• INDEPENDENT AND FREE-STANDING ART
• (NUDE) HUMAN BEINGS
ART
PAINTINGFEW EXAMPLES FROM GRECO-ROMAN TIMES
INVENTIONS:- PAINTING IN OILS- PERSPECTIVE
HUMAN ANATOMYMORE EXPRESSIONINDIVIDUAL PERSONALITIES
HUMANISM
RISING INTEREST IN HUMANE LETTERS = WRITING ABOUT MANKIND
- AS MAIN LIFE’S WORK- TO ACHIEVE ARTISTIC EFFECT- TO AMUSE THE READER
• CLASSICAL INFLUENCES => WROTE IN LATIN (AND ITALIAN...FLORENTINE BECOMES STANDARD OF MODERN ITALIAN)
• WRITING WITHOUT FRAMEWORK OF RELIGIOUS BELIEF
• STYLE WAS VERY IMPORTANT• HISTORICAL WRITING CREATED GROUP IDENTITY• NEW CRITICAL ATTITUDE
EDUCATION
DIFFERENT AGE GROUPS OR LEVELS INTO SEPARATE CLASSES, SEPARTE ROOMS, WITH OWN TEACHER
LATIN & GREEKRHETORIC
IDEAL RENAISSANCE MAN:- WELL-ROUNDED PERSON- ABLE TO CONVERSE EASILY- KNOWLEDGABLE IN CLASSICAL SUBJECTS- PROFICIENT IN SPRTOS AND ARMS- ABLE TO DANCE AND APPRECIATE MUSIC- WILLING TO SHOW CONSIDERATION FOR OTHERS
WOMEN
BY THE AGE OF 18 MARRIED TO OLDER (ESTABLISHED) MEN
DIFFERENT AGES REINFORCED GENDER DIVISION:
MEN => CAREER WOMEN => HOUSEHOLD
POLITICS
NO UNIFICATION OF CITY-STATESWARS FOUGHT WITH CONDOTIERRI
(PRIVATE LEADERS OF ARMED BANDS)
POLITICS BECAME A TANGLED WEB
MACHIAVELLLI THE PRINCETO CONVINCE ITALIANS OF THE NEED TO UNIFY“THE END JUSTIFIES THE MEANS”
6 MAY 1527 – THE SACKING OF ROME
ITALY IS DIVIDED AND NOT PREPARED AND IN 1527 A GROUP OF SPANISH AND GERMAN MERCENARIES ATTACK ROME
Þ THOUSANDS WERE KILLED
Þ POPE IMPRISONED
Þ LOOTING AND DESTRUCTION
THE GLORIES OF THE RENAISSANCE BEGIN TO FADE AWAY IN ITALY BUT LIVES ON IN THE REST OF EUROPE
*PETRARCH
FLORENTINE EXILEFIRST MAN OF LETTERSSON OF A MERCHANTTRAVELLED FRANCE AND ITALYWRITING SHOWS THE COMPLEX,
CONTRADICTORY ATTITUDES OF EARLY REN THOUGHT
ATRRACTED BY LOVE, LIFE, BEAUTY, TRAVELASPIRED LITERARY FAMEMORAL PHILOSOPHYWHAT WAS THE GOOD LIFE?
*BOCCACCIO
WROTE DECAMERON IN ITALIANSCHOLARLY TYPE
*DANTE
WROTE DIVINE COMEDY (IN VERNACULAR)