19th international conference on cultural economics programme

19th International Conference on Cultural Economics

Schedule

21 June 2016

09:00 - 16:30 Young Researchers' Workshop

17:00 - 19:00 Conference Registration

19:00 - 22:00 Social Event 1. Sightseeing Valladolid

Walking tours and dramatized visits around Valladolid

Dramatized visit to Santa Cruz Palace (in Spanish) Departs from: Palacio de Santa Cruz. Time: 19.00 h

Tourist route “The Route of the English Ambassador: from Cervantes to Shakespeare” (in English) Departs from: Plaza de Zorrilla (fountain) Time: 19.00 h

Tourist route around Valladolid’s history and monuments (in English) Departs from: Plaza de Zorrilla (fountain) Time: 20.00 h

Tourist route “The Route of the Heretic” (in Spanish) Departs from: Plaza de San Pablo Time: 20.00 h

Night-time tour of “The Rivers of Light” (in English) Departs from: Plaza de Zorrilla (fountain) Time: 22.00 h

22 June 2016


09:00 - 09:30 Opening Ceremony

09:30 - 10:30 Keynote Speaker

'Inside creative cities'

Andy Pratt. City University London

Chair: David Throsby. Macquarie University Sydney

Room Paraninfo

10:30 - 11:00 Coffee Break

11:00 - 12:30 Parallel Sessions W1

SESSION W1.1. ART MARKET 1

http://www.buendia.uva.es/visitas-teatralizadas-al-palacio-de-santa-cruz

http://comunicacion.uva.es/export/sites/comunicacion/55df7901-11cf-11e6-8a7e-d59857eb090a/

http://www.visitarvalladolid.com/ruta-valladolid-historico/

http://www.españaescultura.es/es/rutas_culturales/ruta_del_hereje.html

http://www.valladolid.es/es/proyectos-estrategicos/ruta-rios-luz

Chair: Tim Fry

Room Real Chancillería

Acquisition Strategies of Art Dealers – Evidence from London-based Auctions 1756-1913

Marina Gertsberg, Rachel A. J. Pownall

Market Responses to Changing Legal Standards: Evidence from Antiquities Auctions

James V. Marrone, Silvia Beltrametti

A Finite Mixture Model to Capture Unobserved Heterogeneity in Art Prices

Juan Prieto-Rodríguez, Marilena Vecco, Fabián Bocart

A Study into the Determinants of Sales and Price at Auction for Three Australian Indigenous Artists

Tim R.L. Fry, Lisa Farrell, Jane M. Fry

SESSION W1.2. CLUSTERS AND URBAN DEVELOPMENT 1

Chair: Inês Gusman

Room: Claudio Moyano

Agglomerations and Creative Locations: Determining Factors for Cultural Concentration in Brazilian Cities

Gabriel Vaz de Melo, Ana María Hermeto

An Ecological Model for the Cultural-Creative Cluster: A Study of Shenzhen’s OCT-LOFT and Its Creative Management

Yuan Yuan, Chao-ming Chen

Cultural Systems in Extra-Metropolitan Spanish Small Cities. Patterns and Drivers

Ana Escalona-Orcao, Luis-Antonio Sáez-Pérez, Belén Sánchez-Valverde

The Sustainability of the Cultural Development Strategy of Guimarães

Inês Gusman

SESSION W1.3. CULTURAL POLICY

Chair: Kazuko Goto

Room: Rey Felipe II

http://eventos.uva.es/file_manager/get_paper/3583


















A Comparative Evaluation of Cultural Policies between Europe and Mercosur (1990/2015)

Tania Cristina Teixeira, Raúl Abeledo Sanchis, Pau Rausell Köster

Cultural Policy: Promoting Access to Finance for the Cultural and Creative Sectors

Rosa Pérez Monclus

A Microsimulation Model to Estimate the Effects of Measures for Self-Employed in Culture in Slovenia

Andrej Srakar

Tax Incentives for Creative Industries: Do They Stimulate Creativity and Diversity?

Kazuko Goto

SESSION W1.4. ARTISTIC LABOUR MARKET

Chair: Neil Alper

Room: Rector Calixto Valverde

“Switching” among Artists: Modeling the Decision to Select into Self-Employment

Joanna Woronkowicz

Opportunities and Barriers for Creative Futures

Boram Lee, Ian Fraser, Ian Fillis

Selection for Excellence: A Study on the Effectiveness of Jury Selection to an Elite Art Academy

Monika Kackovic

Double-Majoring in the Arts: Cohort and Related Effects

Neil Alper, Gregory Wassall

SESSION W1.5. CULTURAL INDUSTRIES – INTERNATIONAL TRADE

Chair: Alan Collins

Room: Doctor Luis de Mercado

Creative Industries and Trade in Services: Role within Global Value Chains in Selected European and Brics Countries (1995-2011)




















Leandro Valiati, Marcelo Scalabrin Müller

Cross-Border Circulation of Films and Cultural Diversity in the EU

Estrella Gómez-Herrera, Georgios Alaveras, Bertin Martens

Asymmetric Cultural Discount and Pattern of Trade in Cultural Products: Empirical Evidence in Motion Pictures

Jordi McKenzie

Culture, Conservation and Crime: Addressing Regulatory Problems in Ivory Trading within Antiques and Crafts Markets

Alan Collins, Caroline Cox, Nick Pamment

SESSION W1.6. CULTURE AND DEVELOPMENT

Chair: Andrej Srakar

Room: José Zorrilla

Territory and Culture: Building Cultural Capital Indicators. Applications to Spain and Italy

Luis César Herrero Prieto, Marta Pérez, Benedetta Parenti

Culture and Rural Development: A Case Study Approach

Belén Miranda, Pedro Benito Moyano, Pablo Gordo Gómez

The Socio-Economic Impact Analysis of Cultural Capital: A New Assessment of the Effect

Youn Sun Won

Culture as a Fourth Dimension of Sustainable Development: Statistical Analysis and an Indicators' Proposal

Andrej Srakar, Marilena Vecco

12:30 - 14:00 Lunch Break


SESSION W2.1. DIGITAL CREATIVE ECONOMY 1

Chair: Nela Filimon

Room: Real Chancillería
















Business Models, Diffusion of Innovation and Imitation: The Case of Online Press

Lyubareva Inna, Fabrice Rochelandet

Evaluation of the Online Communication of the Museums. An Empirical Application to the Valladolid Science Museum

Celia González Carballo, Ana María Bedate Centeno

Digitization of Cultural Heritage and Business Model Innovation. The Case of the Uffizi Gallery in Florence

Luciana Lazzeretti, Andrea Sartori

Young Consumers’ Media Preferences and Cultural Motives Behind: A Cross-Country Analysis

Malgorzata Bartosik-Purgat y Nela Filimon

SESSION W2.2. CULTURAL PARTICIPATION 1

Chair: Juan Prieto Rodríguez


Arts Audiences in Finland

Seppo Suominen

The Introduction of Venture Philanthropy and Vouchers Based Model in Italian Cultural Heritage Management to Enhance Community Engagement

Sonia Pancheri

Age–Period–Cohort Analysis of Arts Participation Using the Survey on Time Use and Leisure Activities

Masaki Katsuura

Econometric Analysis of the Main Causes that Limit Cultural Participation

Sara Suárez-Fernández, Juan Prieto-Rodríguez

SESSION W2.3. VALUATION 1

Chair: Erwin Dekker

Room: Rey Felipe II

A Theory of Contested Valuations, Applied to Markets for Singularities





















Michael Hutter

Valuation as Evaluating and Valorizing in Work Practices

Alexandra Bidet

Five Logics for the Valorisation of the Arts

Arjo Klamer

Exemplars and the Valuation of Films

Erwin Dekker

SESSION W2.4. FUNDING THE ARTS 1

Chair: John O'Hagan


Multi-Stakeholder Dynamics in Publicly Funded Cultural and Creative Industries Programs: Evidence from London and Tokyo

Grace González

Cultural Heritage, Church and Economics: A Comparative Study of the Financing of Seven Majority Churches in the Nordic Countries, England and Scotland

Sidsel Kjems

The Effects of Voucher Cultural Program in Brazilian Economy

Gustavo Fernandes Souza, Ana Flávia Machado, Edson P. Domingues

Value for Money Also Applies to State Expenditure on the Arts

John O'Hagan

SESSION W2.5. COPYRIGHT

Chair: Ruth Towse


Joint Copyrights Management by Collecting Societies and Online Platforms: An Economic Analysis

Christian Handke

















Copyright Regimes in European Union. An Analysis of the Directive about the Harmonization (2001) Effectiveness from “Copyright Protection Index”

Noemí Pulido Pavón, Luis Palma Martos, Diego Vicente Borrero Molina

The Cost of Creation: Technology, Sampling and Lawsuits in Hip-Hop

Cedric Ceulemans

Copyright and Contracts in Music Publishing

Ruth Towse

SESSION W2.6. HERITAGE

Chair: Benedetta Parenti

Room: José Zorrilla

Recovering Local Historical Heritage. A Nonparametric Approach in the Contingent Valuation Method

Julio Montagut Marqués, Salvador del Saz Salazar, Raúl Abeledo Sanchis

Heritage in India: The Means for Inclusive Economic Development?

Mita Suthar, Anshika Jain

The Socioeconomic Value of the Plaka Bridge in Mountainous Epirus

Stella Giannakopoulou, Dimitris Damigos, Dimitris Kaliampakos

Choosing Between Superstars and Less Renowned Archaeological Sites: Motivation-Based Segmentation of Visitors in the Vesuvian Area

Benedetta Parenti, Giuseppe Lucio Gaeta, Salvatore Ercolano


16:00 - 17:30 Panel Session 1

CHALLENGES AND OPPORTUNITIES FOR MUSEUMS

Chair: Victor Ginsburgh. ECARES, Université Libre de Bruxelles

Room Paraninfo

Panellists:

Andreas Bienert. Staatliche Museen zu Berlin

















Anne Krebs. Musée du Louvre

Axel Rüger. Van Gogh Museum

Miguel Falomir-Faus. Museo Nacional del Prado


SESSION W3.1. ART MARKET 2

Chair: Douglas Hodgson


Artwork Characteristics and Prices in the Australian Secondary Art Market, 1968-2011

John Forster, Helen Higgs

The Economy of Place – A Place in the Economy: A Value Chain Study of the Remote Aboriginal and Torres Strait Islander Arts Sector

Tim Acker

Beyond the Auctions. Circulation of Artworks in Poland

Anna Karpinska, Dorota Ilczuk, Sylwia Stano

The Relationship between Artistic Movements and the Careers of Modern Artists: Evidence from Individual-Level Hedonic Regressions with Auction Data

Douglas J. Hodgson, Christiane Hellmanzik, John Galbraith

SESSION W3.2. CULTURAL TOURISM 1

Chair: Javier Romani


Geolocalizated Social Networks Information: Can We Trust on it When Designing Cultural and Tourist Policies?

Víctor Tempano García, Rebeca San José Cabezudo, Ana Gutiérrez-Arranz, María Redondo-Carretero

What's New on the 21st Century Family Travels? Implications on Cultural Consumption and Policies

Marien Andre

Has Cultural Heritage Monetary Value an Impact on Visits? An Assessment Using Italian Official Data

Domenico Lisi, Calogero Guccio, Anna Mignosa, Ilde Rizzo

















Economic Impact of Cruises Activity: The Case of the Port of Barcelona

Esther Vayá Valcarce, Jordi Suriñach, José Ramón García Sanchis, Joaquim Murillo, Javier Romani

SESSION W3.3. MUSEUMS 1

Chair: Beatriz Plaza

Room: Rey Felipe II

Visitor Attitudes to Deaccessioning in Italian Public Museums: An Econometric Analysis

Andrej Srakar, Marilena Vecco, Michele Piazzai

Technical and Allocative Efficiency When Evaluating Museums. Application to the National Network of Museums in Spain

María José del Barrio Tellado, Luis César Herrero Prieto

A Multidimensional Assessment Framework for Art Museums

Marek Prokupek

How Has Limited Government Changed the Management of the Japanese Prefectural Museums Since 2006?

Miyuki Taniguchi

The Economics of Culture-led City Branding: A Network Approach

Beatriz Plaza, Ana González Flores, Catalina Gálvez Gálvez

SESSION W3.4. PERFORMING ARTS 1

Chair: Marta Zieba


Fairness as a Constraint on Profit Seeking: Evidence from the German Club Concert Industry

Hendrik Sonnabend

Governance and Architecture in Arts Organizations: A Case Study of the Minnesota Orchestra

Charles M. Gray

Location Matters: Estimating the Demand for Performing Arts in Various Seating Areas



















Alina Buzanakova, Evgeniy M. Ozhegov

Determinants of Firm’s Technical Efficiency in the Italian Performing Arts Sector. A Panel Data Approach over the Period 2005-2012

Marta Zieba, Concetta Castiglione, Davide Infante

SESSION W3.5. CLUSTERS

Chair: Lukas Kuld


Agglomeration of Creative Industries: A Micropolitan Analysis for Barcelona

Eva Coll-Martínez, Ana-Isabel Moreno-Monroy, Josep-María Arauzo-Carod

Where Are The Artists? Analyzing Economies of Agglomeration in Spain

Iván Boal San Miguel, Luis César Herrero Prieto

London Calling? Agglomeration Economics in Literature Since 1700

Sara Mitchell

Peer Effects in Creative Production - Evidence from the Superstars on Modern Arts

Christiane Hellmanzik

Tacit Knowledge in Scientific Circles

Lukas Kuld

20:30 - 22:45 Social Event 2. Welcome Reception

A video-mapping performance

Video-mapping performance

A video-music spectacle produced by Xtrañas Producciones

Artistic direction: José María Vicente

Former postgraduate of the Master’s Degree on Cultural Economics. University of Valladolid

Patio de los Reyes. Museo Patio Herreriano de Arte Contemporáneo Español













Atrio exterior. Museo Patio Herreriano

Time: 22.45 h

23 June 2016


09:00 - 10:30 Parallel Sessions T1

SESSION T1.1. ART MARKET 3

Chair: Kathryn Graddy


Can Government-Sponsored Museum Exhibitions Influence Art Market? An Empirical Investigation in Art Auction Market

Yu-Hsi Liu, Chi-Jung Lu, Chien-Yuan Sher

Status Multiplexity in Contemporary Art Price Formation: A Quantile Regression Approach

Simeng Chang

Challenges and Particularities in an Art Market: a Case Study of a Brazilian Municipality

Rafael Rubião, Ana Flávia Machado

Death, Bereavement, Productvity and Creativity

Kathryn Graddy, Carl Lieberman

SESSION T1.2. CLUSTERS AND URBAN DEVELOPMENT 2

Chair: Pedro Costa


Urban Restructuring and Creative Economy: New Perspectives of Development for the City of Rio de Janeiro

João Luiz de Figueiredo, João Grand Junior

Toward a Better Understanding of the Cultural Amenity Concept

Olivier Mouate














Cultural and Creative Production and Local Specialization Patterns. The Case of the Halland Region, Sweden

Guido Ferilli, Massimo Buscema, Christer Gustafsson, Pier Luigi Sacco, Giorgio Tavano Blessi

Cultural Districts and the Evolving Geographies of Underground Music Scenes: Dealing with Bairro Alto’s Mainstreaming

Pedro Costa

SESSION T1.3. VALUATION 2

Chair: Dominique Sagot-Duvauroux

Room: Rey Felipe II

The Value of Distance in Art And Finance

Peter Booth

How Reliable Are Ex-Post Econometric Studies of Regional Economic Impacts?

Bruce A. Seaman, Juan José Price Elton

Factors Associated with Evaluation of Public Goods: The Case of Circuito Liberdade (CL)

Gustavo Fernandes Souza, Diomira M.C. Pinto, Sibelle Cornelio Diniz, Bárbara Freitas Paglioto, Rodrigo Cavalcante Michel, Gabriel Vaz de Melo

Using Choice Experiments to Design a “Pure” Cultural Asset Matching Heterogeneous Preferences

Dominique Sagot-Duvauroux, Muriel Travers, Gildas Apperé

SESSION T1.4. CULTURAL INDUSTRIES – BOOKS AND PUBLISHING

Chair: Anna Kukla-Gryz


Quality Consensus in the Book Industry: The Meaning of Awards

Erwin Dekker, Marielle de Jong

Determining Some Factors of the Financial Situation in the European Union Publishing Sector

José Ángel Sanz Lara, Ana María Bedate Centeno, Mariano Durántez Vallejo

Ceo Women in Spanish Publishing Firms: Determinants and Influence on Risk and Performance




















Antonio Mínguez-Vera, Juan Francisco Martín-Ugedo, Luis Palma Martos

The Strenght of 'Anchoring Effect' on Pay What You Want Payments: Evidence from Vignette Experiment. Book

Anna Kukla-Gryz, Katarzyna Zagórska

SESSION T1.5. CULTURE AND SOCIAL CAPITAL

Chair: José Manuel Sánchez Santos


Perceived Value, Cultural Dimension and Kinship System of a Society: An Analysis of the Formation of Entrepreneurial Culture of the Minangkabau Tribe in West Sumatra, Indonesia

Hafiz Rahman

Bride Price in Africa: A Social Capital or Liability to African Development? Reflections on the Practice from a Ugandan Perspective

Tabitha Naisiko

Using the Integrated Reporting Framework to Value Culture’s Intangibles

Julian Meyrick, Tully Barnett

The Role of Cultural and Individual Factors in Building Generalized Trust: Empirical Evidence from Spain

José Manuel Sánchez-Santos, José Atilano Pena López



A FUTURE FOR THE CREATIVE ECONOMY

Chair: Ruth Towse. Bournemouth University and CREATe, University of Glasgow

Room: Paraninfo

Panellists:

Francoise Benhamou. Paris 13 University, Sciences Po-Pars and ARCEP

Gilliam Doyle. CCPR, University of Glasgow

Joel Waldfogel. University of Minnesota

Marc Bourreau. Telecom ParisTech

This Session is supported by CREATe



















SESSION T2.1. DIGITAL CREATIVE ECONOMY 2

Chair: Peter Tschmuck


Genre-Breadth, Variety-Seeking Behavior and Preferences in Popular Music. An Exploratory Study

Juan D. Montoro-Pons, Manuel Cuadrado-García

Assessing Music Streaming and Industry Disruptions

Daniel Nordgård, Ricardo Alvarez

Analyzing Perceived Value, Satisfaction and Purchase Intention in the Music Industry

Jon Icazuriaga, Manuel Cuadrado, María José Miquel

An Analysis of the International Music Streaming Market

Peter Tschmuck

SESSION T2.2. CULTURAL PARTICIPATION 2

Chair: Roberto Zanola


Analyzing the Influence of Demographic Descriptors on the Consumption Experience of Contemporary Dance

Manuel Cuadrado, Martina González-Gallarza, Maja Seric

On The Determinants of Happiness in Spain: The Role of Cultural and Leisure Consumption

Nela Filimon y Malgorzata Bartosik-Purgat

Do Preferences for Pop Music Converge Across Countries? – Empirical Evidence from the Eurovision Song Contest

Julia Pannicke

Do Academic Performances Damage Reading? An Empirical Investigation of Italian Students


















Antonello E. Scorcu, Laura Vici, Roberto Zanola

SESSION T2.3. MUSEUMS 2

Chair: Carmen Camarero

Room: Rey Felipe II

Determinants of Willingness to Pay for Museums in Poland

Monika Murzyn-Kupisz, Jaros?aw Dzia?ek

Performance of Museum Activity from Financial Aspect: A Focus on National Natural History Museums

Chikako Ozu, Minoru Kunizaki

The Organization of Public Service Provision and Service Quality: The Case of Museums

Chiara Dalle Nogare, Enrico Bertacchini, Raffaele Scuderi

Donation and Sponsorship in Museums: An Analysis of the Determinant Factors

Carmen Camarero-Izquierdo, María-José Garrido, Eva Vicente

SESSION T2.4. CULTURAL ORGANIZATIONS AND EFFICIENCY

Chair: Víctor Fernández Blanco


Revenue Efficiency of Slovenian Public Institutions in the Field of Culture: A Comparison of Estimators

Andrej Srakar

The Evaluation of Technical Efficiency of Culture Institutions in Poland

Adam Mateusz Suchecki

Efficiency Assessment of Italian National Libraries Using a Multi-Stage DEA Approach

Calogero Guccio, Anna Mignosa, Ilde Rizzo

Measuring Allocative Efficiency in Cultural Economics: The Case of Fundación Princesa de Asturias

Víctor Fernández-Blanco, Ana Rodríguez-Álvarez

SESSION T2.5. FESTIVAL

















Chair: María Devesa


Valuation and the Sustainability of Migractions and Volterra Teatro Festivals

Urrutiaguer Daniel

Individual Motivations and Attendance of Film Festivals: An Empirical Study Based on Spectators of the Artecinema International Documentary Festival in Naples (Italy)

Benedetta Parenti, Giuseppe Lucio Gaeta, Salvatore Ercolano

Economic Effects of The Venice Carnival: An Ex-Post Econometric Verification Approach

Andrej Srakar, Marilena Vecco

Examining the Relationships among Motivation, Satisfaction and Loyalty in the Case of a Film Festival: Differences between Local and Nonlocal Participants

Andrea Báez Montenegro, María Devesa



COLLABORATIVE AND INTERNATIONAL RESEARCH OPPORTUNITIES

Chair: Victoria Ateca-Amestoy. University of the Basque Country (UPV/EHU)

Room: Paraninfo

Panellists:

Rafael Carazo Rubio. Spanish Ministry of Education, Culture and Sports

Domenico Rosetti di Valdalbero. D.G. Research and Innovation, European Commission

Bruce Seaman. Andrew Young School of Policy Studies. Georgia State University. USA

Trinidad Zaldivar Peralta. Division of Cultural Affairs, Solidarity and Creativity. Inter-American Development Bank

Mónica García. General Direction of Education, Science and Culture. Organization of Ibero-American States (OEI)

Additional activities:

Poster exhibition: Showcase of Cooperative Projects. Main Corridor. Floor 0. Displayed during the Conference

Info-point on European projects: Creative Europe and Europe for Citizens (EACEA). Creative Europe Desk Spain. Paraninfo Lobby. Thursday afernoon

This Session is organized by the Spanish Ministry of Education, Culture and Sport












THE RISE OF THE JOYFUL ECONOMY

Chair: Michael Hutter. Berlin Social Science Center. Germany


Panellists:

Marina Bianchi. Universitá degli Studi di Cassino, Italy. ‘Scitovsky‘s joyful economy and Berlyne‘s psychological theory of motivations‘

David Thorsby. Macquarie University, Sidney, Australia. ‘Economies of joy: the peculiar case of classical music’

Filip Vermeylen. Erasmus University Rotterdam, The Netherlands.‘Artistic innovation and economic growth in historical perspective’

Jason Potts. RMIT University, Australia. ‘The rise of the blockchain arts economy: the machines will work so the humans will have time to think’


SESSION T3.1. CULTURAL INDUSTRIES – MOVIES AND BROADCASTING

Chair: Evgeniy M. Ozhegov


Using Big Cultural Data to Understand Diversity and Reciprocity in the Global Flow of Contemporary Cinema

Bronwyn Coate, Deb Verhoeven, Colin Arrowsmith, Stuart Palmer

Locating the Position of Hong Kong’s Film Industry in the Commodity Chain of Chinese Film: Revival or Re-marginalization?

Shih-Chien Chang

Gender Bias and Movies Box Office Performance: An International Comparative Analysis

María José Pérez-Villadoniga, Víctor Fernández-Blanco, Fernanda Gutiérrez-Navratil, Juan Prieto-Rodríguez

Do Sequel Movies Earn More That Non-Sequels? Evidence from the US Box Office

Evgeniy M. Ozhegov, Denis Y. Orlov

SESSION T3.2. CULTURAL TOURISM 2

Chair: Lina Lourenço-Gomes











The Influence of Cultural Factors on the Efficiency of Tourist Destinations in Chile

Víctor Figueroa Arcila, Luis César Herrero Prieto, Andrea Báez Montenegro, Mafalda Gómez Vega

Determinants and Economic Impact of Language Tourism: Analysis of a Spanish Destination

María Redondo-Carretero, Carmen Camarero-Izquierdo, Ana Gutiérrez-Arranz, Javier Rodríguez-Pinto

Cultural Dimension and Tourist Satisfaction: The Case of Valencia (Spain). Some Notes for European Urban Tourism

Cristina Pardo-Garcia, Diana Pérez Bustamante-Yábar, Vicente Coll-Serrano, Pau Rausell Köster

Residents’ Perceptions and Visitors Profile of a Wine Region World Cultural Heritage: A Multivariate Approach

Lina Lourenço-Gomes, João Rebelo, Cristina Ribeiro

SESSION T3.3. CREATIVE CITIES

Chair: Hsiao-Ling Chung

Room: Rey Felipe II

The Metropolitan Area of Querétaro: between the Creative Industry and the Aerospace Industry. Building Bridges for the Development

Desireé González Otero, Marcos Valdivia López

Cultural and Creative District, Quarter and Cluster: Conceptual Evolution and Overview

Dominique Sagot-Duvauroux, Caroline Chapain

Creative Milieus, Scenes and Local-Global Communities: Rethinking Concepts at the Light of the Musical Kaleidoscope

Pedro Costa, Paula Guerra

Sunstaining the Cultural Creative Industries Policy Networks of the Urban-based Creative Ecology – Cases of the Six Municipalities in Taiwan

Hsiao-Ling Chung

SESSION T3.4. PERFORMING ARTS 2

Chair: Trine Bille






















If I Can Set My Own Price for Tonight’s Show I Will Pay More after Watching It! – Evidence from Pay What You Want Experiment in a Theatre

Anna Kukla-Gryz, Katarzyna Zagórska

Playwrights and the Ratio of Female to Male Roles in the Theater Plays

Sacit Hadi Akdede, Aynur Uckac

Estimating Preferences for the Performing Arts from Referendum Votes

Katharina Hofer

Modelling Preference Heterogeneity of Theatre Productions in the Choice of Theatre Tickets: A Latent Class and a Mixed Logit Approach on the Royal Danish Theatre Booking Data

Andrea Baldin, Trine Bille

SESSION T3.5. BIG DATA – CULTURAL INDICATORS

Chair: María Luisa Palma


Big Data Analytics in the Arts and Cultural Industries: Implication for Cultural Economics, Policy and Management

Massimiliano Nuccio, Enrico Bertacchini

Problems of Evaluation Impact of CCI: Constructing Indexes

Rusne Kregzdaite, Jurate Cerneviciute, Rolandas Strazdas, Zilvinas Jancoras

Ranking Indicators Based on Fuzzy Logic. An Application to the Spanish Cooperation's Culture and Development Strategy

Vicente Coll-Serrano, O. Blasco-Blasco, V. Liern, S. Carrasco-Arroyo

Indexes of Creativity: A Measurement Proposal for Spain and Its Autonomous Communities

Asunción Rodríguez Ramos, José Luis Martín Navarro, María Luisa Palma, María Inmaculada Martínez Camacho

SESSION T3.6. POSTER EXHIBITIONS ON RESEARCH AND ENTREPRENEURSHIP PROJECTS AND NETWORKING IN CULTURAL ECONOMICS

Poster exhibition: Collaborative International Research Projects in Cultural Economics





















Main corridor. Floor 0. Authors will be there for presentation and discussion.

Poster exhibition: Entrepreneurship Projects in Cultural Economics from UVA Master's Degree

Main Corridor. Floor 1. Authors will be there for presentation and discussion.

Networking session: Info-point on European projects. Creative Europe and Europe for Citizens (EACEA). Creative Europe Desk Spain.

Paraninfo Lobby.

This Session is organized by the Spanish Ministry of Education, Culture and Sport

20:00 - 23:00 Social Event 3. Conference Dinner

Conference Gala Dinner

Cúpula del Milenio

24 June 2016

09:00 - 10:30 Parallel Sessions F1

SESSION F1.1. ART MARKET 4

Chair: Isidoro Mazza


Early Use of Presale Estimates at London Art Auctions: Exploring Christie’s Business Model During The Early Nineteenth Century

Filip Vermeylen

Rejection of Commerce in the Arts

Hans Abbing

Art galleries as informed experts: an experimental study

Paolo Di Caro, Isidoro Mazza, Arthur Schram

SESSION F1.2. CULTURAL PARTICIPATION 3

Chair: Bruce A. Seaman







The Response of Household Expenditure on Cultural Services to Changes in Taxes and Income: Evidence from a Natural Experiment in Spain

Victoria Ateca-Amestoy

Information, Cultural Diffusion and Well-being in Different Experimental Settings: the Case of Music

Claire Owen, Louis Lévy-Garboua

Contingent Valuation Method Applied to the Chilean Network of Public Libraries

Bruce A. Seaman, Andrea Báez Montenegro, Juan José Price Elton

SESSION F1.3. VISUAL ARTS

Chair: Liliana Harding

Room: Rey Felipe II

Distributions of the Dimensions of Paintings: A Potential Indicator of Artists’ Choices and Artistic Change

John Forster, Helen Higgs

The Visual Arts Market in México: 2000-2013

Luis Quintana Romero, Cecilia Mancera Cardós

Perceived Value of Art: Development of Measurement Scale

Elisa Hernando Calero, Sara Campo Martínez

Is Street Art Good or Bad For You?

Liliana Harding

SESSION F1.4. CREATIVE ECONOMY

Chair: Jen Snowball


Creative Industries, Development and Innovation in Perspective: Building an Index for Creative Economy

Leandro Valiati, Camila Lohmann Cauzzi


















Spillovers and the Process of Cultural Transformation

Lyudmila Petrova

Spillovers versus Crossovers in the Cultural and Creative Realm

Elisabetta Lazzaro, Alessandro Crociata, Guido Ferilli, Pier Luigi Sacco

Transformation and Job Creation in the Cultural and Creative Industries in South Africa

Jen Snowball

SESSION F1.5. CULTURAL ENTREPRENEURSHIP AND BUSINESS 1

Chair: Sofie Jacobs


Selling Yourself: A Study into Self-Employed in the Creative Industries

Anne Spanjer, Arjen Van Witteloostuijn

The Tension between Cooperation and Competition in the Creative Industries

Ellen Loots, Boukje Cnossen, Arjen Van Witteloostuijn

Public-Private Partnership for Cultural Enterprises. A Case Study: The “Teatro Machiavelli” in Catania

Elisabetta Vinci

Belgian Designers’ Pathways to Success: A Configurational Perspective

Sofie Jacobs


11:00 - 12:30 Parallel Sessions F2

SESSION F2.1. DIGITAL CREATIVE ECONOMY 3

Chair: Trilce Navarrete


Google Analytics: Tips for Cultural Economists

Beatriz Plaza

















Digital Active Participation in Different Cultural Activities. The Case of Spain

Victoria Ateca-Amestoy, Concetta Castiglione

Back to the Future. The Effect of ICT on the Performance of Public Historical Archives

Marco Martorana, Calogero Guccio, Isidoro Mazza, Ilde Rizzo

Are Superstar Artworks Also Digital Superstars? Online Popularity of World-Famous Art Works

Trilce Navarrete

SESSION F2.2. CULTURAL PARTICIPATION 4

Chair: Aaron Espinosa Espinosa


The Impact of Amateur Film Reviews on Movie Theater Attendance: Predictors versus Influencers

Chien-Yuan Sher, Pei-Chi Chu, Yu-Hsi Liu

Reading Newspapers in Colombia. An Approach from Cultural Economics

Luis Fernando Aguado Quintero, Luis Palma Martos, Elisabetta Lazzaro, Ana María Osorio

Cultural Taste from Father, Mother or Both: The Case of Finland

Seppo Suominen

Cultural Participation in Colombia: The Case of Cartagena de Indias, World Heritage (2008-2015)

Aaron Espinosa Espinosa, Daniel Toro González

SESSION F2.3. MUSEUMS 3

Chair: Tiziana Cuccia

Room: Rey Felipe II

The Co-Creation of Value and Experiences by Visitors of Museums

Carmen Antón, Carmen Camarero-Izquierdo, María-José Garrido

Attendance to Museums in Colombia: Amicroeconometric Analysis of Its Determinants

Doris Lilia Andrade Agudelo, Luis Fernando Aguado Quintero, Luis Palma Martos



















An Importance-Satisfaction Analysis Applied to the Visitors of Abade De Baçal Museum

Paula Odete Fernandes, Olívia Machado Afonso

How Free Admittance Affects Visits to Museums: An Analysis of the Italian Case

Roberto Cellini, Tiziana Cuccia

SESSION F2.4. FUNDING THE ARTS 2

Chair: Aysegul Guchan


The Supply and Demand to Crowdfund Creative Projects: The Role of Friends and Family

Anna Bernard, Marco Gazel

Backers’ Prosocial Characteristics to Crowdfund Artistic Projects: Experimental Evidence

Anna Bernard, Marco Gazel

Who are the music subscribers?

Sigbjørn Hjelmbrekke

Who Pays the Piper Calls the Tune: Future of Financially Secured Art in Turkey

Aysegul Guchan

SESSION F2.5. CULTURAL ENTREPRENEURSHIP AND BUSINESS 2

Chair: Anna Mignosa


Organizing Artistic Activities in a Recurrent Manner: (on the Nature of) Entrepreneurship in the Performing Arts

Michela Bergamini, Ward Van de Velde, Bart Van Looy , Klaasjan Visscher

Spanish Networks of Performance Spaces as a Tool to Foster the Performing Arts Market

Francisco Javier Gómez González, Guillermo Aleixandre Mendizabal

Measuring Urban Culture: the Indicators of Urban Cultural Competitiveness of China

Xiao Yingying

















Public Private Partnership for Cultural Organizations

Anna Mignosa


14:00 - 15:00 Presidential Address

'The value based approach to cultural economics'

Arjo Klamer. Erasmus University Rotterdam. ACEI President

Room: Paraninfo

15:00 - 16:00 ACEI Assembly - Closing Ceremony

Room: Paraninfo

20:30 - 22:30 Social Event 4. Classical Music Concert

UVA Academic Year Closing Concert at Palacio de Santa Cruz

Closing concert of the University of Valladolid Academic Year 2015-2016

Early Music Group and Choir of the University of Valladolid

Palacio de Santa Cruz

Free entrance until full capacity



http://www.uvaantigua.es/

http://www5.uva.es/coro/

19th international conference on cultural economics programme

Documents