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ONE 2 HEAR ONE 2 SEE THE KNIFE – November 6, O2 Academy, Brixton (ticketmaster.co.uk) THE NATIONAL – November 26, The 02, London (0844 856 0202) BOMBAY BICYCLE CLUB – December 13, Earls Court, London (eco.co.uk) THE BLACK KEYS – February 28, LG Arena, Birmingham NEC (0121 780 4141) THE RESPONSIBLE WHO: Richard Norwood (vocals/guitar), David Macilwraith (guitar/vocals), Reece Duncan (bass), Ruaridh Catto (drums). WHERE: Paisley/Johnstone. FOR FANS OF: Arctic Monkeys, Miles Kane, The Strokes. JIM SAYS: It’s been great checking out a fresh batch of talent at this year’s King Tut’s Summer Nights festival. The Glasgow venue has been at the forefront of bringing through new acts for as long as I can remember. It was the first place I saw Coldplay, The Strokes and Nine Inch Nails. For the seven nights of the Summer Nights festival though, it’s all about Scot- tish acts. It’s an easy way for the venue to fill their programme at a time when a lot of touring bands are play- ing festivals. The line-up, though, demonstrates the depth of under-the- radar talent we have on our doorstep. Of the bands I’ve seen so far, some I was familiar with. Oth- ers I was discovering live for the first time. Cream of the crop, I reckon, were Renfrew- shire band The Responsible. I was aware of them, but last Friday was my live introduction. Originally performing as The Nice, a name change came about when they secured a support slot with Twisted Wheel at King Tut’s. Richard explained: “Tut’s wouldn’t put us on the bill as The Nice because of the band with the same name in the 60s. We knew this but had decided to try our luck anyway. This was when The Responsible were born.” That was in October 2012. The band have since released their first single Edge Of My Gun. A cracking slab of indie rock ’n’ roll, grabbing influences from the past few decades, it’s a perfect introduction to The Responsible. Richard told me: “Edge Of My Gun was a track I came up with while listen- ing to Echoes Round The Sun by Paul Weller. I was inspired by the way he structured the song and I wanted to write something catchy that would stick in your head. I had the title Edge Of My Gun before I had anything else.” While the single’s great, and I had already played it on the radio, it didn’t prepare me for the pure raw energy of the live performance at King Tut’s. The four 21-year-olds work brilliantly as a unit, and it felt like a proper rock ’n’ roll show. Great tunes, great playing, but also all the right moves. Sometimes bands look like they are just going through the motions, but The Responsible put every- thing into the perfor- mance. I was already sold on them, but then they pulled out a cover of The Clash’s Clamp- down. Wow! Richard revealed; “The Clash are a mas- sive influence. “The punk attitude in their music and their dynamic as a group, the idea of your band being a gang, has stuck with us from the start. “Arctic Monkeys are another big influence, especially their current work.” I can’t wait to hear more from The Responsible, Meanwhile there are plenty more emerging acts to check out as King Tut’s Summer Nights continues until Sunday. Tonight it’s the turn of singer-songwrit- ers, with Gerry Cinnamon, Jamie Cole- man, John Paul Maciver and Aaron Fyfe. Tomorrow it’s Manky Savage, The Bawl- ers, Casino Circus and Irrational Fever. The festival concludes on Sunday with The Travels, The Near, Tribal High and The Trend. If you want to discover your next new favourite band, I can’t think of a better place to head. It certainly worked for me with The Responsible. Q For more info: www.facebook.com/ theresponsibleband BLACKPOOL’S got more to offer than a Tower and sticks of rock. Rae Morris is seeing to that. She has a booming voice and is the full package. New single Cold For You is an edgy, pop track. It’s out on Mon- day — but watch the video now at: www.raemorris.co.uk BOOK NOW NEW MUSIC BY JIM GELLATLY JIM presents Drivetime on XFM Scotland, Monday to Friday, 4-7pm. See www.xfm.co.uk and www.jimgellatly.com MEETS HOT GIGS THE Amazing Snakeheads are pure Marmite. You’re either going to hate or love their stripped down rock. They have just announced a UK tour for October and play Aberdeen, Edinburgh and Glasgow. Go to: www.facebook.com/ theamazingsnakeheads CHASE & STATUS, DAVID GUETTA, THE PRODIGY – Global Gathering, tonight and tomorrow, Stratford Upon Avon (globalgathering.com) BURT BACHARACH – tomorrow, Royal Festival Hall, (stubhub.co.uk) TOM JONES – Wednesday, Sandown Park (stubhub.co.uk) BLONDIE BLONDIE legend Chris Stein reckons the band’s Scots fans appreciate them much more than their American counterparts do. But sometimes it’s gone too far. The rock king revealed he’s still haunted by some heartless thief breaking into their storage room at the Radisson Blu hotel in Edin- burgh back in 2011 and stealing his iconic guitar. Chris who’s written all the band’s smash hits with ex-girlfriend singer Debbie Harry was gutted to see his custom-made instrument gone. He only got it back thanks to a quick-thinking pawn shop worker. Chris revealed: “We got to the next show and I noticed my guitar had been stolen. “About three days later, the Lothian and Borders Police called me up and said EXCLUSIVE by CHRIS SWEENEY they had found the guitar. They have a special unit that goes around retrieving stolen items. “So I got it back, which is kind of amazing. “It’s a really unusual gui- tar. Whoever stole it brought it to a pawn shop and the guy there saw something was weird, so he called the cops. The cops called the guitar company as my name wasn’t on it. “So they tracked down the company who made it and we had just been in touch with them asking them to send me a replacement urgently as we were on tour. “They told us the police had called and that’s how we got together. “I met the police and I sent them some photos of me with it on stage to prove it was mine — and then they gave it back to me.” But Chris hasn’t let the incident put him off Scot- land. He’s even featured some of his photographs of here in his new book Nega- tive — out in September. Chris, 64, said: “It’s a lot of photos that I’ve done down the years. I’m excited about it, I worked on it for about a year. “There are some photos from Scotland and a couple of anecdotes from Glasgow. “That was one of the first places we travelled to out- side of New York way back in 1977. “I just remember it was a city that was beat up, it was a big period of recession. ‘Net changed everything’ “It was the same as New York, both cities were differ- ent places entirely to what they are now. “Young people won’t remember but it was rough.” Blondie have just cele- brated 40 years in the spot- light. This year’s album Ghosts of Download was a double LP called Blondie 4(0) Ever, with the other half being re-recorded ver- sions of the band’s classic anthems like Heart of Glass, Rapture and Atomic. Chris explained: “Sometimes it feels like a long time, sometimes it’s short. My perception of it varies. “Everyone asks me, did you think 40 years ago you’d be going 40 years into the future? And we didn’t, everything was very much in the moment. “When I was a kid, a lot of my heroes were all the old blues and jazz guys. To me it seems normal having heroes that are 50 or 60 years old. “Things kept building up over the years. We have a different place now, it’s unique — I don’t know if there’s anyone else in our position. “I don’t know who’s going to be around 40 years from now in this bunch of people every- thing is changing so quickly and people have a short attention span. The internet has changed everything.” The band - who have sold more than 40million albums are coming over here next month on a big European tour. And Chris says they feel more appreciated here. He said: “Amer- icans are more fickle. In Scot- land, people are more loyal to people they like. “Back home, the music scene changes so quickly. Everyone is now saying Lady Gaga is fin- ished, which seems crazy to me as she was so influential. “Over there everyone has a short attention span, it could be partly due to the internet. “No one even downloads songs, they are just streaming stuff from their computer. “People listen to the first 20 seconds of a song and that’s it — they’re done. ‘A tribal element’ “Maybe that’s universal but we don’t notice it when we come over to see you guys. “Being the elder statesmen is gratifying. You have that wis- dom that you’ve accumulated down the years.” Their elder statesmen position has been delivered by their mega back catalogue. And they won’t ever stop playing it. Chris said: “I’ve been hearing songs my whole life. And some of our songs, people have been hearing their whole life. “It’s an interesting place to be in. There’s this tribal element to doing a rock ’n’ roll or a pop concert. There’s a connection, the audience gets excited and that gets us excited. A lot of back and forth. Playing those songs matters to us.” There were some rumours fly- ing about that this was to be Blondie’s send-off tour. But Chris shot them down. And he explained that even when we stop seeing them, we’ll still hear them. He added: “We are going to keep going. There’s no plan to stop. Someone cornered our drummer at a party and printed that we were all retiring. “It was just blown up. There are no plans to stop working. And I’d certainly keep recording if we weren’t doing live shows. “We are not going anywhere. “But the fans are the final piece of the puzzle, always. “If it wasn’t for them support- ing us, we wouldn’t be able to do what we’re doing.” Q Blondie play Glasgow’s O2 ABC on August 27. For more info and tickets go to: www.blondie.net By CHRIS SWEENEY WATCH THE RESPONSIBLE AT: WWW.THESCOTTISHSUN.CO.UK CHRIS’S relationship with ex-girlfriend Debbie Harry is one of the most interesting in rock ’n roll. The pair have written all their hits together. And they still continue to tour and be in a band together, despite their romance imploding. He said: “We have similar thought processes. We work together well. And I’d say, often we think the same thing without discussing it — Debbie and I are sort of telepathic.” ONE 2WATCH MOST bands only storm Tinseltown after they’ve made it. But ambitious rockers Nothing But Thieves went there as teenagers to kick things off. And now the Southend lads are preparing for their big public launch. Frontman Conor Mason said: “Being in a band and doing it right is something we’ve always wanted to do. We just thought ‘Let’s f***ing do it’ so went to LA and wrote some good songs — and it’s all grown since then. “We wrote loads of songs there, like 25 of them. They taught us the methods of writing, melody, lyrics. “We hadn’t quite nailed it. We always had in our heads what we wanted to do.” They followed that up with the tracks that make up their Graveyard Whistling EP — released this week. Radio 1 are behind it — they’re play- ing stuff from it every day this week. Conor, 21, added: “This EP is the next four songs we wrote when we came back and that’s why we kept it like that, it is raw and the bones of this band. It’s where it began and we want people to hear that. “It’s been more than a year since we wrote them, we’ve changed a lot in certain ways. “The whole point has been not to barricade ourselves, we just let what- ever comes out. You won’t hear the same track twice from us.” The boys all know where they want to be — sold-out stadiums. They aren’t scared to show their ambition. Conor said: “We’ve all grown up stadium rock and we want to be a big stadium band. But it’s about doing it in your own way. We want to do that in a modern form.” NBT are also on the road finally. They’ve just started their first tour — which hits Broadcast in Glasgow on July 31. Conor explained: “It’s a been a bit of a wait. We wrote solidly for three years and didn’t gig. “Imagine how hard that is being in a band who want to get on stage. “We were just writing for three years and being patient. We feel it’s paid off. “So having to wait another eight months to release our full album next year isn’t a big deal. And we feel the EP is a really good starting point for people to get onboard.” The band got a cracking response at T in the Park a few weeks ago. And they hope it’s a sign of things to come. Conor said: “That was bloody awe- some, the Scottish fans went nuts for it. Hopefully the show in Glasgow is the same. That old-fashioned thing of turning up, no one knowing you, people walking in and by the end you’ve got a packed crowd there’s nothing more gratifying. “That’s what it’s all about for us.It’s all about sewing those seeds. “It’s music, there’s no set way of doing it — you go as and when peo- ple react.” Q For tour tickets and more info, go to: www.nbthieves.com Friday, July 25, 2014 61 1S

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  • ONE2HEAR ONE2SEE

    THE KNIFE – November 6, O2 Academy, Brixton(ticketmaster.co.uk)THE NATIONAL – November 26, The 02, London(0844 856 0202)BOMBAY BICYCLE CLUB – December 13, EarlsCourt, London (eco.co.uk)THE BLACK KEYS – February 28, LG Arena,Birmingham NEC (0121 780 4141)

    THE RESPONSIBLEWHO: Richard Norwood (vocals/guitar),David Macilwraith (guitar/vocals), ReeceDuncan (bass), Ruaridh Catto (drums).WHERE: Paisley/Johnstone.FOR FANS OF: Arctic Monkeys, MilesKane, The Strokes.JIM SAYS: It’s been great checking outa fresh batch of talent at this year’s KingTut’s Summer Nights festival.The Glasgow venue has been at the

    forefront of bringing through new actsfor as long as I can remember.It was the first place I saw Coldplay,

    The Strokes and Nine Inch Nails.For the seven nights of the Summer

    Nights festival though, it’s all about Scot-tish acts. It’s an easyway for the venue tofill their programme ata time when a lot oftouring bands are play-ing festivals.The line-up, though,

    demonstrates thedepth of under-the-radar talent we haveon our doorstep.Of the bands I’ve

    seen so far, some Iwas familiar with. Oth-ers I was discoveringlive for the first time.Cream of the crop, I

    reckon, were Renfrew-shire band The Responsible. I wasaware of them, but last Friday was mylive introduction. Originally performingas The Nice, a name change cameabout when they secured a support slotwith Twisted Wheel at King Tut’s.Richard explained: “Tut’s wouldn’t put

    us on the bill as The Nice because of theband with the same name in the 60s. Weknew this but had decided to try ourluck anyway. This was when TheResponsible were born.”That was in October 2012. The band

    have since released their first singleEdge Of My Gun. A cracking slab ofindie rock ’n’ roll, grabbing influencesfrom the past few decades, it’s a perfectintroduction to The Responsible.Richard told me: “Edge Of My Gun

    was a track I came up with while listen-ing to Echoes Round The Sun by PaulWeller. I was inspired by the way hestructured the song and I wanted towrite something catchy that would stickin your head. I had the title Edge Of MyGun before I had anything else.”While the single’s great, and I had

    already played it on the radio, it didn’tprepare me for the pure raw energy ofthe live performance at King Tut’s.The four 21-year-olds work brilliantly

    as a unit, and it felt like a proper rock ’n’roll show. Great tunes, great playing,but also all the right moves.Sometimes bands look like they are

    just going through the motions, but TheResponsible put every-thing into the perfor-mance. I was alreadysold on them, but thenthey pulled out a coverof The Clash’s Clamp-down. Wow!Richard revealed;

    “The Clash are a mas-sive influence.“The punk attitude in

    their music and theirdynamic as a group,the idea of your bandbeing a gang, has stuckwith us from the start.“Arctic Monkeys are

    another big influence,especially their current work.”I can’t wait to hear more from The

    Responsible, Meanwhile there areplenty more emerging acts to check outas King Tut’s Summer Nights continuesuntil Sunday.Tonight it’s the turn of singer-songwrit-

    ers, with Gerry Cinnamon, Jamie Cole-man, John Paul Maciver and Aaron Fyfe.Tomorrow it’s Manky Savage, The Bawl-ers, Casino Circus and Irrational Fever.The festival concludes on Sunday withThe Travels, The Near, Tribal High andThe Trend. If you want to discover yournext new favourite band, I can’t think ofa better place to head. It certainlyworked for me with The Responsible.Q For more info: www.facebook.com/theresponsibleband

    BLACKPOOL’S got more to offerthan a Tower and sticks of rock.Rae Morris is seeing to that.She has a booming voice andis the full package.New single Cold For You is anedgy, pop track. It’s out on Mon-day — but watch the video nowat: www.raemorris.co.uk

    BOOKNOW

    NEWMUSIC BY JIMGELLATLY

    JIM presents Drivetime on XFMScotland, Monday to Friday,4-7pm. See www.xfm.co.uk andwww.jimgellatly.com

    MEETS

    HOTGIGS

    THE Amazing Snakeheads arepure Marmite. You’re eithergoing to hate or love theirstripped down rock. They havejust announced a UK tour forOctober and play Aberdeen,Edinburgh and Glasgow.Go to: www.facebook.com/theamazingsnakeheads

    CHASE & STATUS, DAVID GUETTA, THEPRODIGY – Global Gathering, tonight and tomorrow,Stratford Upon Avon (globalgathering.com)BURT BACHARACH – tomorrow, Royal Festival Hall,(stubhub.co.uk)TOM JONES – Wednesday, Sandown Park(stubhub.co.uk)

    BLO

    NDIE

    BLONDIE legendChris Stein reckonsthe band’s Scotsfans appreciatethem much morethan their Americancounterparts do.But sometimes it’sgone too far.The rock king revealedhe’s still haunted by someheartless thief breaking intotheir storage room at theRadisson Blu hotel in Edin-burgh back in 2011 — andstealing his iconic guitar.Chris — who’s written allthe band’s smash hits withex-girlfriend singer DebbieHarry — was gutted to seehis custom-made instrumentgone. He only got it backthanks to a quick-thinkingpawn shop worker.Chris revealed: “We got tothe next show and I noticedmy guitar had been stolen.“About three days later,the Lothian and BordersPolice called me up and said

    EXCLUSIVE byCHRIS SWEENEY

    they had found the guitar.They have a special unitthat goes around retrievingstolen items.“So I got it back, which iskind of amazing.“It’s a really unusual gui-tar. Whoever stole it broughtit to a pawn shop and theguy there saw somethingwas weird, so he called thecops. The cops called theguitar company as my namewasn’t on it.“So they tracked down thecompany who made it andwe had just been in touchwith them asking them tosend me a replacementurgently as we were on tour.“They told us the policehad called and that’s howwe got together.“I met the police and Isent them some photos ofme with it on stage to proveit was mine — and then theygave it back to me.”But Chris hasn’t let theincident put him off Scot-land. He’s even featuredsome of his photographs of

    here in his new book Nega-tive — out in September.Chris, 64, said: “It’s a lotof photos that I’ve donedown the years. I’m excitedabout it, I worked on it forabout a year.“There are some photosfrom Scotland and a coupleof anecdotes from Glasgow.“That was one of the firstplaces we travelled to out-side of New York way backin 1977.“I just remember it was acity that was beat up, it wasa big period of recession.

    ‘Net changedeverything’

    “It was the same as NewYork, both cities were differ-ent places entirely to whatthey are now.“Young people won’tremember but it was rough.”Blondie have just cele-brated 40 years in the spot-light. This year’s albumGhosts of Download was adouble LP called Blondie4(0) Ever, with the otherhalf being re-recorded ver-

    sions of the band’s classicanthems like Heart of Glass,Rapture and Atomic.Chris explained: “Sometimes itfeels like a long time, sometimesit’s short. My perception of itvaries.“Everyone asks me, did youthink 40 years ago you’d begoing 40 years into the future?And we didn’t, everything wasvery much in the moment.“When I was a kid, a lot ofmy heroes were all the old bluesand jazz guys. To me it seemsnormal having heroes that are50 or 60 years old.“Things kept building up overthe years. We have a differentplace now, it’s unique — I don’tknow if there’s anyone else inour position.“I don’t know who’s going tobe around 40 years from now inthis bunch of people — every-thing is changing so quickly andpeople have a short attentionspan. The internet has changedeverything.”The band - who have soldmore than 40million albums —are coming over here nextmonth on a big European tour.And Chris says they feel moreappreciated here. He said: “Amer-

    icans are more fickle. In Scot-land, people are more loyal topeople they like.“Back home, the music scenechanges so quickly. Everyone isnow saying Lady Gaga is fin-ished, which seems crazy to meas she was so influential.“Over there everyone has ashort attention span, it could bepartly due to the internet.“No one even downloadssongs, they are just streamingstuff from their computer.“People listen to the first 20seconds of a song and that’s it —they’re done.

    ‘A tribalelement’

    “Maybe that’s universal but wedon’t notice it when we comeover to see you guys.“Being the elder statesmen isgratifying. You have that wis-dom that you’ve accumulateddown the years.”Their elder statesmen positionhas been delivered by theirmega back catalogue. And theywon’t ever stop playing it.Chris said: “I’ve been hearingsongs my whole life. And some

    of our songs, people have beenhearing their whole life.“It’s an interesting place to bein. There’s this tribal element todoing a rock ’n’ roll or a popconcert. There’s a connection,the audience gets excited andthat gets us excited. A lot ofback and forth. Playing thosesongs matters to us.”There were some rumours fly-ing about that this was to beBlondie’s send-off tour. ButChris shot them down.And he explained that evenwhen we stop seeing them, we’llstill hear them.He added: “We are going tokeep going. There’s no plan tostop. Someone cornered ourdrummer at a party and printedthat we were all retiring.“It was just blown up. Thereare no plans to stop working.And I’d certainly keep recordingif we weren’t doing live shows.“We are not going anywhere.“But the fans are the finalpiece of the puzzle, always.“If it wasn’t for them support-ing us, we wouldn’t be able todo what we’re doing.”Q Blondie play Glasgow’s O2 ABC onAugust 27. For more info and tickets goto: www.blondie.net

    ByCHRIS

    SWEENEY

    WATCHTHERESPONSIBLEAT:WWW.THESCOTTISHSUN.CO.UK

    CHRIS’S relationship withex-girlfriend Debbie Harry is one

    of the most interesting in rock ’n roll.The pair have written all their hits together.And they still continue to tour and be in a

    band together, despite their romance imploding.He said: “We have similar thought processes.We work together well. And I’d say, often we

    think the same thing without discussing it— Debbie and I are sort of telepathic.”

    ON

    E2W

    ATC

    H

    MOST bands only storm Tinseltownafter they’ve made it.But ambitious rockers Nothing But

    Thieves went there as teenagers tokick things off.And now the Southend lads are

    preparing for their big public launch.Frontman Conor Mason said:

    “Being in a band and doing it right issomething we’ve always wanted todo. We just thought ‘Let’s f***ing doit’ so went to LA and wrote somegood songs — and it’s all grownsince then.“We wrote loads of songs there,

    like 25 of them. They taught us themethods of writing, melody, lyrics.“We hadn’t quite nailed it. We

    always had in our heads what wewanted to do.”They followed that up with the

    tracks that make up their GraveyardWhistling EP — released this week.Radio 1 are behind it — they’re play-ing stuff from it every day this week.Conor, 21, added: “This EP is the

    next four songs we wrote when wecame back and that’s why we kept itlike that, it is raw and the bones ofthis band. It’s where it began and wewant people to hear that.“It’s been more than a year since

    we wrote them, we’ve changed a lotin certain ways.“The whole point has been not to

    barricade ourselves, we just let what-ever comes out. You won’t hear thesame track twice from us.”The boys all know where they

    want to be — sold-out stadiums.They aren’t scared to show their

    ambition. Conor said: “We’ve allgrown up stadium rock and we wantto be a big stadium band. But it’sabout doing it in your own way. Wewant to do that in a modern form.”NBT are also on the road finally.

    They’ve just started their first tour —which hits Broadcast in Glasgow onJuly 31.Conor explained: “It’s a been a bit

    of a wait. We wrote solidly for threeyears and didn’t gig.“Imagine how hard that is being in

    a band who want to get on stage.“We were just writing for three

    years and being patient. We feel it’spaid off.“So having to wait another eight

    months to release our full albumnext year isn’t a big deal. And wefeel the EP is a really good startingpoint for people to get onboard.”The band got a cracking response

    at T in the Park a few weeks ago.And they hope it’s a sign of things tocome.Conor said: “That was bloody awe-

    some, the Scottish fans went nuts forit. Hopefully the show in Glasgow isthe same. That old-fashioned thingof turning up, no one knowing you,people walking in and by the endyou’ve got a packed crowd —there’s nothing more gratifying.“That’s what it’s all about for

    us.It’s all about sewing those seeds.“It’s music, there’s no set way of

    doing it — you go as and when peo-ple react.”Q For tour tickets and more info,go to: www.nbthieves.com

    Friday, July 25, 2014 611S