2. indirect narration · cas 112 contrapuntal narration-fiction film from platoon poetic,...

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CAS 112 1 2. Indirect Narration action or sound of a scene tells us what is happening narration supplements why context significance

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Page 1: 2. Indirect Narration · CAS 112 Contrapuntal Narration-fiction film from Platoon Poetic, letter-like lines to grandmother Explains inner thoughts and feelings alienation from family

CAS 112 1

2. Indirect Narration

● action or sound of a scene tells us what is happening

● narration supplements ❖ why ❖ context ❖ significance

Page 2: 2. Indirect Narration · CAS 112 Contrapuntal Narration-fiction film from Platoon Poetic, letter-like lines to grandmother Explains inner thoughts and feelings alienation from family

CAS 112

Direct Narration-Indirect Narration from Arabs, Jews, and the News

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CAS 112 3

3. Contrapuntal Narration

● juxtaposes narration and action ● makes a composite statement not present or

explicit in either element

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CAS 112

Contrapuntal Narration non-fiction

from Arabs, Jews, and the News◆ Also music lyric as narrator

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CAS 112

Contrapuntal Narration-fiction film from Platoon

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Page 6: 2. Indirect Narration · CAS 112 Contrapuntal Narration-fiction film from Platoon Poetic, letter-like lines to grandmother Explains inner thoughts and feelings alienation from family

CAS 112

Contrapuntal Narration-fiction film from Platoon

◆ Poetic, letter-like lines ● to grandmother

◆ Explains inner thoughts and feelings ◆ alienation from family ◆ Too protected ◆ family history--WWI, WW2 ◆ bottom of the barrel ◆ pride about “grunts”

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CAS 112 7

Usually, indirect and contrapuntal narration are stronger than direct.

● supplement and broaden content and are less obvious

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CAS 112 8

Direct most effective when

● sounds and images not convey enough info ● information is complex and educational in

nature. ● mixing the styles can improve communication

Page 9: 2. Indirect Narration · CAS 112 Contrapuntal Narration-fiction film from Platoon Poetic, letter-like lines to grandmother Explains inner thoughts and feelings alienation from family

CAS 112

Direct Narration from The Nucleus Factory

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CAS 112 10

B. Dialogue●conversation between 2 or more people ●at the core of storytelling ●not just the writer’s responsibility

❖ director ❖ actor ❖ sound designer ❖ editor

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CAS 112 11

Interpretation◆ 1. Accent ● Location ● social class ● origin

◆ Appropriate/believable ◆ Can alter meaning

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CAS 112

Accent◆ from Out of Africa--Meryl Streep

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CAS 112 13

Interpretation

● 2. Pace --general guidelines ◆ Deliberate -- inner tension ◆ faster -- urgency or nervousness

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CAS 112

Pacing◆ from Schindler’s List

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CAS 112

Pacing◆ unlimited choices ◆ not just the words

◆ that which is unsaid ◆ eyes part of conversation -- “eyes to meet” ◆ let the characters study each other

◆ Spielberg ◆ breaths, air, pauses--phrasing ◆ silence

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Page 16: 2. Indirect Narration · CAS 112 Contrapuntal Narration-fiction film from Platoon Poetic, letter-like lines to grandmother Explains inner thoughts and feelings alienation from family

CAS 112

The Caine Mutiny◆ Humphrey Bogart ● Captain Queeg

◆ testified in court martial ◆ ball bearings ◆ in storm, crew mutiny ◆ Queeg was rigid, overbearing, abusive ◆ madness, then silence

● http://www.youtube.com/watch?v=B1Qzz7K_E1w

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CAS 112

Caine Mutiny

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CAS 112

Caine Mutiny◆ Nominated for 7 Oscars ● inc. best actor, best picture, best writing

◆ No special effects or fancy camerawork ◆ A kind of crescendo to climax ◆ ball bearings (identified with Queeg) ● his internal conflict

◆ Use of silence

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CAS 112 19

Interpretation◆ 3. Patterns ● sentence structure ● vocabulary ● speech rhythms

◆ educated, informal or contemporary

◆ make it appropriate

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CAS 112 20

Interpretation◆ 4. Emphasis--stressing a syllable or a word

changes the meaning

◆ DR JOHANSSEN APPLIED PRESSURE ON ME AT THE OFFICE

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CAS 112 21

Interpretation◆ 5. Inflection--altering the pitch or tone of

the voice ● raise pitch at the end of a sentence, declarative

becomes question ● speak in higher pitch--intensity and

excitement ● I love YOU ● Like PHRASING in music

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CAS 112

Interpretation◆ Young Filmmakers ignore

◆ about the cool shot ◆ thinking technically ◆ ignore performance

◆ Story is first ◆ function of image and sound ◆ interpretation manipulates the story ◆ study the great films

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CAS 112 23

IV. HOW DO WE RECORD SOUND-microphones

◆ Electro-Mechanical Transducers ◆ Convert acoustic energy into electrical

energy ◆ Different pickup elements ◆ Different pickup patterns

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CAS 112 24

Microphones◆ Carbon ● Rugged ● Cheap - $1 to $5 ● Limited Frequency Response 100Hz to 5KHz ● Most Common type in the world ● Inside telephones

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Microphones◆ Crystal or Ceramic ● Fragile ● Inexpensive $5 to $15 ● 80Hz to 8KHz

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Microphones

◆ Dynamic Ribbon ● First Pro Quality Mic ● Somewhat delicate ● Expensive - $150+ ● 50Hz to 15KHz ● Slow Transient Response ● Very Smooth/silky sound

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CAS 112 27

Microphones

◆ Dynamic Moving Coil ● Very Rugged ● Reasonably Priced - $60 to $350 ● 50 Hz to 15 KHz ● Most popular Pro Mic

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CAS 112 28

Microphones

◆ Studio Condenser ● Fragile ● Costly - $150 to $7,000 ● 20Hz to 20KHz ● Requires constant Polarizing

Voltage--Phantom Power or external

● Excellent Transient Response

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Microphones

◆ Electret Condenser ● Rugged ● Small ● Reasonably Priced - $100 to $500 ● 30Hz to 18KHz ● Requires 1.5 volt battery ● Lavalier ● Cell phone

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CAS 112 30

Pickup Patterns

◆ Omni-Directional ● Accepts sound from all around mic ● Ideal for interview situations

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Pickup Patterns◆Cardioid ❖Accepts sound primarily from the front

❖Ideal for live sound applications

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Pickup Patterns◆ Hyper-Cardioid & Super Cardiod ● Accepts sound only from the front ● Ideal for isolating sound--directional ● “Shotgun” or “Boom” are common names

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Pickup Patterns◆ Bi-Directional ● Accepts sound from front & back ● Used in music studio recording ● Also called “Figure of Eight”