2005_obalil_and_gartner_advanced_branding

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Approximately fifty individuals gathered at Settlement Music School in South Philadelphia for a seminar and roundtable discussion entitled Advanced Branding Strategies for Nonprofit Music Organizations. Featuring Deborah Obalil, Executive Direc- tor of the Alliance of Artists’ Communities in Providence, Rhode Island, and Aleba Gartner, President of Aleba Gartner Associates in New York City, the event offered regional organizations an opportunity to refresh their understanding of marketing strate- gies and hear feedback from the speakers on their experiences consulting with Philadelphia music groups through PMP. Deborah Obalil began the event with a presentation on identity development that explored the nature and purpose of branding, addressed its relation to better knowing and attract- ing audiences, and analyzed examples of the visual identities of several national music organizations. Reviewing the basics of branding, Obalil noted that a brand serves as both a trusted promise and encapsulates a “big idea” behind the organization. For example, she illustrated, though Nike sells shoes, its big idea is winning, and behind Starbucks are the ideas of sociability and consistency. Branding defines organizations relative to their competition and articulates what it has that is worth the attention, time, effort and money of po- tential audiences. Obalil went on to delineate the steps in identifying custom- ers, and particularly, the importance of audience segmentation. Quoting Jay Conrad Levinson’s Guerilla Advertising, she com- mented, “Segmentation is saying something to somebody instead of saying nothing to everybody.” Obalil’s tips for effec- tively segmenting one’s audience include improving audience surveys, for example, sorting single from season ticket buyers or asking what other activities audience members do with their leisure time. Following customer identification, Obalil suggested that mu- sic groups consider their competition: what are the strengths PMP 29 and weaknesses of competing activities, and how does your organization compare and contrast with those? What distinct position might you claim? In order to gain an accurate sense of one’s organization and its competition in the eyes of a customer, Obalil encouraged groups to employ an objective observer and to analyze the total customer experience, up to and including the atmosphere of the venue where events are held. Finally, she offered the “kitchen table test:” throw all marketing materials of yours and your compe- tition’s on a table and compare the materials for their ability to speak to the heart of their intended target, ability to stand out, and internal consistency. The last component of Obalil’s presentation regarded “core competency,” or the ability to articulate and utilize an organization’s uniqueness. Exercises to identify uniqueness include listing ten things only your group does and imagining, if it died tomorrow, how it would be eulogized. When what is unique about your organization can be clearly stated and wedded to what your audience values, Obalil argued, a strong brand and visual identity can be established. Afterward, she and Ms. Gartner provided observations from their consulting experience and fielded questions from the audience regarding Philadelphia-specific branding issues. Ms. Gartner emphasized the impor- tance of using efficient, professional language in press materials. Many questions from the audience focused on particularities of communicating with Philadelphia-area press and competing for limited arts coverage. the event offered regional organizations an opportunity to refresh their understanding of marketing strategies Refreshing Perspectives on Branding and Publicity Deborah Obalil and Aleba Gartner relax following their PMP round- table. DEBORAH OBALIL AND ALEBA GARTNER WEDNESDAY, SEPTEMBER 15, 2004

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DEBORAH OBALIL AND ALEBA GARTNER WEDNESDAY, SEPTEMBER 15, 2004 PMP 29 Deborah Obalil and Aleba Gartner relax following their PMP round- table.

TRANSCRIPT

Page 1: 2005_Obalil_and_Gartner_Advanced_Branding

Approximately fifty individuals gathered at Settlement Music School in South Philadelphia for a seminar and roundtable discussion entitled Advanced Branding Strategies for Nonprofit Music Organizations. Featuring Deborah Obalil, Executive Direc-tor of the Alliance of Artists’ Communities in Providence, Rhode Island, and Aleba Gartner, President of Aleba Gartner Associates in New York City, the event offered regional organizations an opportunity to refresh their understanding of marketing strate-gies and hear feedback from the speakers on their experiences consulting with Philadelphia music groups through PMP.

Deborah Obalil began the event with a presentation on identity development that explored the nature and purpose of branding, addressed its relation to better knowing and attract-ing audiences, and analyzed examples of the visual identities of several national music organizations.

Reviewing the basics of branding, Obalil noted that a brand serves as both a trusted promise and encapsulates a “big idea” behind the organization. For example, she illustrated, though Nike sells shoes, its big idea is winning, and behind Starbucks are the ideas of sociability and consistency. Branding defines organizations relative to their competition and articulates what it has that is worth the attention, time, effort and money of po-tential audiences.

Obalil went on to delineate the steps in identifying custom-ers, and particularly, the importance of audience segmentation. Quoting Jay Conrad Levinson’s Guerilla Advertising, she com-mented, “Segmentation is saying something to somebody instead of saying nothing to everybody.” Obalil’s tips for effec-tively segmenting one’s audience include improving audience surveys, for example, sorting single from season ticket buyers or asking what other activities audience members do with their leisure time.

Following customer identification, Obalil suggested that mu-sic groups consider their competition: what are the strengths

PMP’s Planning and Development Program provides free consultations for growing music organizations in the five-county region through the New York-based firm, Arts Action Research. Now in its fifth year, the program has offered between one and three years’ worth of bimonthly meetings to twenty-eight organizations, currently serving fourteen groups. The program’s ongoing participants include Peregrine Arts, the Folklife Center, Lifeline Music Coalition, the PRISM Quartet, Orchestra 2001, Choral Arts Society, the Philadelphia Chapter of the American Composers Forum, and the Music Group of Philadelphia. The Bach Festival of Philadelphia, Chamber Music Now, International House Philadelphia, Ars Nova Workshop, and Haddonfield Symphony are all new this season.

Arts Action Research began its PMP consultancy with founders Nello McDaniel and George Thorn (see a description of Thorn’s recent seminar, Leading Arts Boards, on page 30). However, in 2002, Thorn, who had been managing the extreme com-mute to Philly from Portland, Oregon, chose to refocus his efforts on the West Coast. AAR then brought in Lynn Moffat, Managing Director of the acclaimed New York Theater Workshop.

Nello and Lynn’s wide-ranging expertise in building and maintaining organi-zational capacity has helped these nearly thirty music organizations with a wide range of goals: identifying and enabling key leadership, achieving clarity in mission and purpose; cultivating effective decision-making and problem-solving processes; developing an appropriate approach to the scale of one’s organization; and achiev-ing overall organizational health and balance.

The Arts Marketing and Audience Development Program, also initiated in 2001, brings marketing and public relations specialists to Philadelphia for one week per year to meet with a larger pool of organizations. These visiting consultants pro-vide individually-tailored advice to program participants, and return for follow-up meetings in the following year. The first two consultants that PMP engaged were marketing maven Deborah Obalil and new music publicist Aleba Gartner. In 2004 and 2005, Kate Prescott and Vicki Allpress worked with local groups on both gen-eral marketing strategies and online marketing, specifically.

PMP will be inviting new consultants to visit with local organizations during 2006. For more information on the Arts Marketing and Audience Development Program, please contact Program Associate Alyssa Timin at [email protected].

CONSULTANCIES

Planning and Development ProgramArts Marketing and Audience Development Program

PMP 28 PMP 29

and weaknesses of competing activities, and how does your organization compare and contrast with those? What distinct position might you claim? In order to gain an accurate sense of one’s organization and its competition in the eyes of a customer, Obalil encouraged groups to employ an objective observer and to analyze the total customer experience, up to and including the atmosphere of the venue where events are held. Finally, she offered the

“kitchen table test:” throw all marketing materials of yours and your compe-tition’s on a table and compare the materials for their ability to speak to the heart of their intended target, ability to stand out, and internal consistency.

The last component of Obalil’s presentation regarded “core competency,” or the ability to articulate and utilize an organization’s uniqueness. Exercises to identify uniqueness include listing ten things only your group does and imagining, if it died tomorrow, how it would be eulogized. When what is unique about your organization can be clearly stated and wedded to what your audience values, Obalil argued, a strong brand and visual identity can be established.

Afterward, she and Ms. Gartner provided observations from their consulting experience and fielded questions from the audience regarding Philadelphia-specific branding issues. Ms. Gartner emphasized the impor-tance of using efficient, professional language in press materials. Many questions from the audience focused on particularities of communicating with Philadelphia-area press and competing for limited arts coverage.

the event offered regional organizations an opportunity to refresh their understanding of marketing strategies

Refreshing Perspectives on Branding and Publicity

Deborah Obalil and Aleba Gartner

relax following their PMP round-

table.

PMP professional development activities strive to engage music groups across the spectrum of organizational concerns. Alongside a variety of seminars, grants, and field trips, PMP’s two consultation programs effectively bring together arts specialists and local organizations for one-on-one discussion, reflection, and brainstorming.

DEBORAH OBALIL AND

ALEBA GARTNER

WEDNESDAY, SEPTEMBER 15, 2004

Deborah Obalil and Aleba Gartner

relax following their PMP roundtable

Arts Action Research founder Nello McDaniel