STUDIO ARTSWritten examination

Monday 12 November 2012 Reading time: 11.45 am to 12.00 noon (15 minutes) Writing time: 12.00 noon to 1.30 pm (1 hour 30 minutes)

QUESTION AND ANSWER BOOK

Structure of bookSection Number of

questionsNumber of questions

to be answeredNumber of

marks

A 3 3 22B 3 3 28C 2 2 25

Total 75

• Studentsarepermittedtobringintotheexaminationroom:pens,pencils,highlighters,erasers,sharpenersandrulers.

• StudentsareNOTpermittedtobringintotheexaminationroom:blanksheetsofpaperand/orwhiteoutliquid/tape.

• Nocalculatorisallowedinthisexamination.

Materials supplied• Questionandanswerbookof10pageswithadetachableinsertinthecentrefold.

Instructions• Detachtheinsertfromthecentreofthisbookduringreadingtime.• Writeyourstudent numberinthespaceprovidedaboveonthispage.

• AllwrittenresponsesmustbeinEnglish.

At the end of the examination• Youmaykeepthedetachedinsert.

Students are NOT permitted to bring mobile phones and/or any other unauthorised electronic devices into the examination room.

©VICTORIANCURRICULUMANDASSESSMENTAUTHORITY2012

SUPERVISOR TO ATTACH PROCESSING LABEL HERE

Figures

Words

STUDENT NUMBER Letter

Victorian Certificate of Education 2012

2012STUDARTSEXAM 2

SECTION A–continued

SECTION A

Instructions for Section AYoumayselectthesameartworkoradifferentartworkfromthedetachableinsertforeachquestioninSectionA.Answerallquestionsinthespacesprovided.

Question 1Selectone artworkfromthedetachableinsert.

artworknumber

Explainwaysinwhichtheartisthasusedmaterialsandprocessestomaketheartwork.

6marks

3 2012STUDARTSEXAM

SECTION A–continuedTURN OVER

Question 2Selectoneartworkfromthedetachableinsert.

artworknumber

Explainthreeconservationmethodstheartistoragallerycuratorcouldusetopreservetheartwork.

method1

method2

method3

6marks

2012STUDARTSEXAM 4

Question 3Selectoneartworkfromthedetachableinsert.

artworknumber

Discusshowaestheticqualitiescontributetothestyleoftheartwork.

10marks

END OF SECTION A

5 2012STUDARTSEXAM

SECTION B–continuedTURN OVER

Question 4Describetherolesofthefollowingartexhibitionspaces.

publicgallery

commercialgallery

artist-runspace

curatedonlineexhibitionspace

8marks

SECTION B

Instructions for Section BAnswerallquestionsinthespacesprovided.

2012STUDARTSEXAM 6

SECTION B–continued

Question 5Refertoartworks4and5inthedetachableinsert.DiscusslegalandethicalconsiderationsthatmayarisefromImantsTillers’sappropriationofGiorgiodeChirico’sartwork.

10marks

7 2012STUDARTSEXAM

END OF SECTION BTURN OVER

Question 6Giveashortexplanationofthefollowingterms.

artelements

historicalcontext

aestheticqualities

subjectmatter

style

10marks

2012STUDARTSEXAM 8

SECTION C – Question 7–continued

Question 7Analysetwoartworksbydifferentartiststhatyouhavestudiedthisyear,withreferenceto• influences• ideasandmeanings.

artwork1

artist1

SECTION C

Instructions for Section CAnswerallquestionsinthespacesprovided.

9 2012STUDARTSEXAM

SECTION C–continuedTURN OVER

artwork2

artist2

15marks

2012STUDARTSEXAM 10

Question 8Discusshowartworkswerepresentedandpromotedintwodifferentexhibitionspacesthatyouhavevisitedthisyear.

nameand/orlocationofexhibitionspace1

nameand/orlocationofexhibitionspace2

10marks

END OF QUESTION AND ANSWER BOOK

1 2012 STUDARTS INSERT

INSERT FOR QUESTIONS 1, 2, 3 AND 5

TURN OVER

76 × 57 cm1. © Pam Hallandal (Australia), Self portrait, charcoal

and pastel drawing on paper, 1985

66 × 31 × 20 cm3. © Fred Yokel (USA), Check This Out,

coil built ceramic, low fire glaze and underglazes, raku fired, 2007

61 × 35 cm2. © Deborah Klein (Australia), Pirate Jenny at Luna

Park, linocut on paper, 1987

2012 STUDARTS INSERT 2

146 × 111 cm4. © Giorgio de Chirico (Italy; 1888–1978), The

Painter’s Family, oil paint on canvas, 1926 Courtesy of the Tate Britain

26 × 33 cm6. © Philippe Halsman (Latvia/USA), Dali Atomicus, gelatin silver photographic print on

paper, 1948

231 × 228 cm5. © Imants Tillers (Australia; 1950–), Inherited Absolute,

oilstick, gouache, synthetic polymer paint on 115 canvas boards, 1992

Due to copyright restriction, this material is not supplied.

3 2012 STUDARTS INSERT

TURN OVER

9. © Mikhail Larionov (Russia/France), Costume for a buffoon’s wife, for Les Ballets Russes (The Russian Ballet), cotton, cane, painted cotton buckram, silk dyed, painted, appliqué, c. 1921

National Gallery of Australia, Canberra

7. Film still from Frida (2002), directed by Julie Taymor Screenplay by Clancy Sigal, Diane Lake, Gregory Nava and Anna Thomas, produced by Mark Amin, Brian Gibson and others

8. © Ben Goossens (Belgium), Eye-catcher, digital image, Lexar 512 MB 18x optical zoom, 2004

Due to copyright restriction, this material is not supplied.

2012 STUDARTS INSERT 4

END OF INSERT FOR QUESTIONS 1, 2, 3 AND 5

152 × 187 cm12. © Joanna Lamb (Australia), Art Gallery Interior (Figure 22), acrylic

paint on canvas, 2008

Life size10. © Chris Gilmour (UK), Lambretta, sculpture, glue and

recycled cardboard, 2004

395 × 200 × 260 cm11. © Michael Parekowhai (New Zealand), The Horn of

Africa, installation, automotive paint, wood, fibreglass, steel, brass, 2006

Queensland Art Gallery