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Vol. XXXV, Issue 6, February 21, 2012 www.richlandchronicle.com Richland Richland president finalists announced Page 3 Page 7 Houston’s legacy remembered CHRONICLE PG 3 SHOOTING RAISES SAFETY CONCERNS IT’S ALL ‘GEEK’ TO ME

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PG 3 Richlandpresident finalists announced Page 3 Page 7 Houston’s legacy remembered www.richlandchronicle.com Vol. XXXV, Issue 6, February 21, 2012 BEST BEST THIS IS A GREAT OPPORTUNITY TO EXPERIENCE ALL THAT A&M-COMMERCE HAS TO OFFER! 903.886.5000 or 888.868.2682 REGISTER ONLINE AT WWW.TAMU-COMMERCE.EDU/MANEEVENT COLLEGES AMERICA’S 2011 2011 A Member of The Texas A&M University System

TRANSCRIPT

Page 1: 2012_Spring_02_21

Vol. XXXV, Issue 6, February 21, 2012 www.richlandchronicle.com

Richland

Richlandpresidentfinalists announced

Page 3 Page 7

Houston’s legacy remembered

CHRONICLE

PG 3

SHOOTING RAISES SAFETY CONCERNSIT’S ALL ‘GEEK’ TO ME

Page 2: 2012_Spring_02_21

REGISTER ONLINE AT WWW.TAMU-COMMERCE.EDU/MANEEVENT903.886.5000 or 888.868.2682

A Member of The Texas A&M University System2011

BESTAMERICA’S

2011

BESTCOLLEGES

ATTENTION TRANSFER STUDENTS, YOU’RE INVITED TO JOIN US FOR TEXAS A&M UNIVERSITY-COMMERCE

PREVIEW DAY MARCH 3, 8:30 A.M.–2:00 P.M.THIS IS A GREAT OPPORTUNITY TO EXPERIENCE ALL THAT A&M-COMMERCE HAS TO OFFER!

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CAMPUS

Image courtesy ashevilleartscenter.com

JOYCE JACKSONCopy Editor

Islanders and gods clash on campus

Later this month, some energetic islanders will face the wrath of the gods right here on our campus -- and no one knows what fury will take place.

One thing is certain, though. There will be plenty of music and action as the Drama De-partment presents “Once on This Island,” a one-act Afro-Caribbean musical, with a book and lyrics by Lynn Ahrens and music by Ste-phen Flaherty.

It’s based on the novel “My Love, My Love” by Rosa Guy and has elements of both the “Romeo and Juliet” story and the fairytale, “The Little Mermaid.”

Director Wendy Welch said she chose “Is-land” because it is one of her favorite mu-sicals – in her Top 10. She describes it as “Afro-Caribbean storytelling” with peasants, gods, African percussion and dance, and it takes place on the island of Haiti.

“It’s beautiful, beautiful music,” Welch said. “It’s got a simplicity to it that we have

not done at Richland before.” The plot begins with storytellers as they re-

late historical events from the island as they murmur “Once on this island . . .” which turns into a fable about a young peasant girl, Ti Moune. The gods saved her from a ter-rible storm and she believes she’s been saved for a reason. That reason is to save the life of a young man (Daniel) with whom she falls in love. That’s where the love story begins. Although it ends tragically, the story finishes with a redemptive resolution.

“It’s very different from American cul-ture,” Welch said. “It involves the gods and there’s a lot of symbolism in it.”

Part of what enhances the cultural aspect of “Island” is the clash between the peasants, who live on one side of the island and the powerful upper-class, called “the beauxhom-mes,” who live on the other side. The gods, Asaka, Mother of the Earth, Agwé, God of Water, Erzulie, Goddess of Love and Papa Ge, Demon of Death, rule the island and wreak havoc with the islanders. The actors have very specific god costumes in compari-son to the islanders.

“Island” is traditionally cast strictly along

racial lines, but in this production, that isn’t the case. Welch said that on the back of the script there are alternative lines that take out references to an all-black cast, and she is us-ing those lines.

“The interesting thing about this musical is that every person in the cast is a storyteller,” Welch said. “During the course of telling the story, some of them step out to become char-acters. They wear a basic costume, but they may put on a piece to represent the character they are playing.”

Welch said “Island” has a cast of 18, all of whom are Richland students except one young girl, Eleni Loving. Welch met her while directing a summer musical at camp and felt she would be right for the part.

“At the end, there is a moral to the story,” Welch said but she prefers to allow the audi-ence to figure it out for themselves.

Welch said people will enjoy this musical because “It’s very colorful. It’s approved for children and families. But, it’s not classified as a children’s show. It’s got romance. It’s got a lot of really exciting dancing and that wonderful African drumming.”

There will be no intermission in this pro-

Image courtesy Richland College Image courtesy twitter.com/donaldpearl Image courtesy thetandd.comImage courtesy roncookphoto.com

Richland presidential search narrowsLAURA GARSEAEditor-in-Chief

-Serving as interim Richland College President-Doctorate in management and admin-istrative sciences from the University of Texas at Dallas

-Served as vice president of instruc-tional programs and services/chief academic officer at Central Arizona College, Coolidge, AZ.-Doctorate in physics from University of Nebraska

-Served as President at Cayamaca Col-lege, El Cajon, CA.-Doctorate in education/community college leadership from Oregon State University.

-Served as an executive vice presi-dent, vice president of IT planning and development at Atlanta Technical Col-lege-Doctorate in higher education admin-istration from the University of Geor-gia.

Dr. Kay Eggleston Dr. Donald Pearl Dr. Stuart Savin Dr. Rodney Ellis

The search for the next president of Rich-land College has narrowed down to four can-didates.

Dr. Kay Eggleston, who currently serves

as interim president at Richland has been se-lected as one of the final four applicants for the position.

The other three applicants include Dr. Donald Pearl, Dr. Stuart Savin and Dr. Rod-ney Ellis.

A search committee was put together about a year ago to select the final four candidates. Professor Ray Sandoval and Mountain View

College President Felix Zamora headed the operation, narrowing down the list of candi-dates to four applicants.

According to Bobby Harrison, director of Student Programs and Resources, each candidate will have a separate opportunity to have an hour luncheon with a selected group of students.

The students will be allowed to ask the

duction. It’s free and open to the public and will run about 90 minutes beginning at 7:30 p.m. Wednesday through Saturday, Feb. 29 – March 3 in Fannin Performance Hall.

For more information, call 972-238-6256.

candidate questions pertaining to their career and future plans.

The announcement of candidates being se-lected came Wednesday and the four names were released on Thursday in the Chancel-lor’s Bulletin.

The date that a president will be chosen has not been decided.

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Images courtesy EA.com, Fpsguru.com

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George Clooney: Nominated Best Actor

“Syndicate” takes players to a hopeless and deceitful world that operates with-out government and is overrun with nu-merous syndicates competing for com-plete dominance of their market place.

Three massive corporations, Euro-corp, Cayman Global and Aspari, are the front lines of this remorseless war for control of the American market.

In the “Syndicate” world, everything and ev-

MARY CHANNELLGaming Editor

Surreal digital warfare against evil corporations

eryone is connected digitally. Players not only use weapons with their hands, you have some-thing called DART 6 biochip technology is implanted into the brain to allow players slow down time and the ability to break through this digital world. Players are able to annihilate their enemies using various hacking mechanics.

“Syndicate” immerses players into a futuristic first-person shooter with in-genious hacking mechanics that engage players through a fast-paced enviroment.

“Syndicate” will be released to-day and is available for the Playsta-tion 3, Xbox 360 and PC platforms.

The 84th annual Academy Awards is less than a week away and it doesn’t take a math genius to realize that the biggest or most important Oscar to be had is Best Picture. This is the coveted prize in the in-dustry, but are any of these pictures really worth your time? It’s no doubt that some fantastic movies were MIA this year (cough,

“Drive,” cough, “Shame,” cough) but out of the lucky nine the Academy nominated, there are definitely some real winners here.

Some you may not have even given a sec-ond glance at, such as “The Artist.” This is a little French movie that is out of the or-dinary. In fact, the whole thing was done as homage to silent films – yes, like Charlie Chaplin. Given the style of the movie, you probably didn’t see this in your local the-ater for too long. Aside from the legendary John Goodman, it doesn’t have many “ce-lebrities” to back it, but each actor here gives nothing but his or her best. There’s even a good chance that the film’s lead could walk away with a win in the Best Actor category.

George Clooney headed “The Descen-dants,” which was adapted for the big screen by director Alexander Payne. Clooney’s char-acter is losing his wife due to a boating ac-cident and begins to reconnect with what it’s like to be a father. On top of that he’s con-templating the sale of a whole bunch of land left to him from his ancestors. This sounds like a slightly bland tale, but it’s backed by a great script and out of the ballpark per-formances. If you can find it at your local cinema, I definitely recommend this one.

Two movies starring Brad Pitt are also nominated for Best Picture, as well as a slew of other categories. One is the slow-paced and not for everyone “The Tree of Life,” and the other a sports movie for even those who hate sports, “Moneyball.”

Seeing as I can’t find a single negative thing to say about it, I’d definitely give the latter a view as soon as possible. This one is about a

general manager for a baseball team who finds a new way to calculate who’s best to draft on his team. I was surprised to walk out of this one with such a positive reaction. As far as “The Tree of Life” goes, I can’t say the same thing. Not to say it’s not worth your time, but it’s just a little harder to sit through than “Moneyball.”

“Midnight in Paris” is written and directed by the legendary Woody Allen and stars fun-ny-man Owen Wilson. This one is billed as a general romantic comedy, but it feels like so much more. Wilson’s character begins to live a night life away from his fiancee, basically falls in love with the city of Paris and slowly out of love with his bride-to-be. Even writ-er/director Quentin Tarantino (“Pulp Fic-tion,” “Inglourious Basterds”) billed this as his top movie of 2011. On that alone I think “Midnight in Paris” is worth checking out.

The last film is Martin Scorsese’s “Hugo.” This one didn’t do so well in the box office, but where it didn’t earn money, it earned 11 Oscar nominations. It’s one of the few movies that takes 3-D and gives you your money’s worth. Taking place in 1930s Paris, “Hugo” is a bit of a mystery movie about an orphan boy living in a train station. The rest of the story involves this young boy’s deceased father and clocks. I’m not going to spoil the rest of it for you, but it’s a fun adventure that everyone should see.

Also nominated is Steven Spielberg’s “War Horse,” which seemed to capture select hearts everywhere over Christmas. I can’t recommend this to everyone, but it could find its way to yours. “The Help” starring Emma Stone is also in the running, along with “Extremely Loud & Incredibly Close.”

It’s worth giving most of these films a shot, but don’t forget about those who were snubbed this year. I may have mentioned already that the amazing character study “Shame” is nowhere to be found and the mysterious “Drive” is also missing. These two are some of the best of last year and despite their absence you should check these out.

Nine films are nominated for Best Pic-ture and most of these are also nomi-nated in various other categories. Who will take home the gold? ABC broadcasts the Academy Awards live on Sunday.

SCOTT JACKSONStaff Writer

Best Pictures for the Oscar PREVIEW

11 Oscar nominations

Image courtesy Searchlight Pictures

Image courtesy Paramount Pictures

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REVIEW

Maybe it was all the hype of “Star Wars: Ep-isode I-The Phantom Menace 3D” that pulled so many fans to Sci-Fi Expo on Feb. 11-12, or maybe the force was too strong to resist.

Either way, the convention drew a large crowd of costumed crusaders who, despite the weather, took advan-tage of the opportunity to get a bit nerdy.

Celebrity panels were a fun, interactive event at the convention. At the panels, the stars got the opportunity to answer any questions fans had (whether they be sci-fi related or not).

Eliza Dushku’s panel was one of the most interesting. The former “Buffy the Vampire Slayer” star had a full room of fans and a line of those who were itching to ask a question.

Most of the questions were lighthearted and based on the actresses’ career. However, things got a bit weird when one “brave” fan asked if Dushku had ever thought about be-ing intimate with another woman. Despite the crowd’s uncomfortable reaction, Dushku

kept her cool and gave a respectable response. “I think everybody’s thought about it

at some point,” Dushku said. “I think a lot of young people are curious and ex-periment. I’d say I’m like most people.”

A side note to future panelists: Try not to accept hugs. As painfully wit-nessed during Dushku’s panel, it not only slows down everything, but can be a seg-ue into some very awkward scenarios.

Noah Hathaway was definitely one of the most enjoyable stars to hang out with at the celebrity tables. “The NeverEnding Story” former childhood actor made sure to spend time with every fan who approached his table.

Although he may not be the little Atreyu we fell in love with in the 1984 fantasy adven-ture, Hathaway has been keeping up with his career, working on a new project titled “Sushi Girl.” He revealed some future plans he hopes to accomplish, like opening up a tattoo parlor.

“As long as I’m having fun I’m going to keep doing what I’m doing,” Hathaway said. “The second it’s not fun, I’m out.”

The highlight of the convention was the artwork on display and for sale. There were

LAURA GARSEAEditor-in-Chief

Artists, celebrities entice sci-fi fans

Images credit Julio Nieto

“Anybody who’s learning to draw, you won’t get any better unless you practice, practice, practice.” - Cory Smith, artist

“As long as I’m having fun I’m going to keep doing what I’m doing. The second it’s not fun, I’m out.” - Noah Hathaway, actor, “The NeverEnding Story”

some insanely talented artists. I think more talent was displayed there than I’ve seen at conventions that draw crowds of over 10,000.

Comic and trading card artist John Hughes displayed colorful and whimsical works of art that characterized popular comic book icons. In addition to portraying the popu-lar characters from the original art work, Hughes said that a few of his pieces have been based on friends and acquaintances.

“I like doing reference work off of people I know because it gives a little sentimen-tal attachment to the piece,” Hughes said. “Sketching is fun too because there’s no pressure. The only drawback to drawing somebody that you care about is that if it doesn’t look right you know it and you don’t like it. You want it to express who they are.”

Freelance artist Cory Smith featured black-and-white sketches that were so detailed I al-most couldn’t believe they were done by hand. It was awesome to see such raw talent, and per-sonally, that’s some of my favorite styles of art.

Basically self taught, Smith explores dif-ferent stylistic techniques, like creating the effect of brushed aluminum, with each piece of art he creates. Smith also shared some words of advice to aspiring artists.

“Pencil drawing is a dying art form. So many people get on digital because it’s fast and easy. If you make a mistake you can de-lete the page, but pencil is so much better,” Smith said. “You have something to show people. You can see that you put pencil on the paper. It’s a lot more important. Anybody who’s learning to draw, you won’t get any better unless you practice, practice, practice.”

No worries if you weren’t able to make it out to Sci-Fi Expo. The organization will be hosting Dallas Comic Con on May 19-20 at the Irving Convention Center.

Major stars such as Adam West, Stan Lee and Patrick Stewart are expected to be in attendance. Additional informa-tion can be found at dallascomiccon.com.

To view Sci-Fi Expo interviews and to see additional footage, visit the Richland Chron-icle Facebook page and follow the YouTube link or visit www.RichlandChronicle.com

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Staff meetings: Monday and Wednesday 2 p.m. in E-020-------

Letter PolicyLetters to the editor may be edited for space. They will be edited for spelling, grammar and malicious or libelous state-ments. Letters must be the work of the writer and must be signed. For identification and verification purposes, letters also must include the writer’s classification (grade level), full name, address and telephone number, although address and telephone number will not be published.

Editorial PolicyThe Chronicle is the official student-produced newspaper of Richland College. Editorials, cartoons, columns and letters are the opinions of individual students and do not neces-sarily reflect the opinions of other individual student writers, editors, advisers or the college administration.

© Richland Chronicle 2012

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Over 150 Texas college journalism awards since 2000

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Chronicle-TV Station ManagerChronicle-Online EditorAsst. Managing Editor

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El Paso Hall, Room E-020, 12800 Abrams Rd. Dallas, 75243Newsroom: 972-238-6079 E-mail: [email protected]: 972-238-6068 E-mail: [email protected]

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MEETINGS & POLICIES

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ON THE COVER

Esther ChoErica EdwardsJack Fletcher

David GoodloeTim Jones

January 17January 24January 31February 7February 14February 21February 28

Laura GarseaTBADacota TaylorAdrien MerlissTBATBACarla DavisTBAJulio NietoTBAJoyce JacksonTBATannia GarciaMary Channell

Fred Allen Rebecca Banks

Terry BlendMary ChannellTannia Garcia

Jane HenryJordan Nichols

Scott Jackson Patricia VillacinJulio NietoRaymond PronkJohnny SmithJoe Stumpo

Steve NovielloJames RaglandLarry RatliffMarshall Siegel

March 6March 27April 10April 17April 24May 1May 8

Sci-Fi Expo attracted comic book and sci-fi fans

Cover Page Design/IllustrationQuestion

Whitney Houston

Julio NietoFile PhotoAP Photo/Matt Sayles

Monday – Thursday, Feb. 20-23Richland’s 29th Annual Literary Arts FestivalStop by the Office of Student Life in El

Paso, Room E-040 and pick up a schedule of events, which will include diverse literary works of noted writers.

Thursday, Feb. 23: 12:20 to 1:50 p.m. Literary Festival Student ReadingsRichland Library (bottom floor)The deadline for submissions is today, Feb.

21. If you have original poems or prose that you would like to read, contact Rae Deshong at [email protected].

Thursday, Feb. 23: 6:30 to 8:30 p.m. “Emeritus Has Talent”Crockett Hall, Room C-102This new acting troupe is geared toward

those over 50. Classes will take place in late April and May for performances this summer at retirement centers.

Friday, Feb. 24: 7 to 10 p.m.Richland College Poetry slamEl Paso HallJoin Cedric Merritt, department assistant

II and the sponsor of the slam for an enjoy-able evening of the spoken word, singing and a fun talent show.

UpcomingEvents

Forest Ln.

Lyndon B. Johnson Frwy635

ForestSprings

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It’s time to let loose and join in the festive “Carnival” on Richland’s campus today from 12 to 2 p.m.

The Office of Student Life is hosting a Mardi Gras celebration in El Paso Hall.

“There is going to be a catering com-pany that cooks traditional Cajun cooking like crawfish and corn on the cob. We serve about 600 students and faculty during that day,” said Jason Barr, Student Program De-velopment specialist.

According to www.history.com, Mardi Gras started in Rome and made its way into Chris-tianity for believers to feast before the 40 days of fasting and eating only fish during Lent. This established “Fat Tuesday,” also known as Mardi Gras.

The current festivities that occur in New Orleans were created by the group, Mistick Krewe of Comus, in the 19th century. The group started the traditional parades with floats, throwing beads, wearing masks and eating King Cake. The recognized colors of Mardi Gras are purple, green and yellow.

Mardi Gras is celebrated internationally throughout Europe, Brazil, Canada and the United States.

“We will have a little Mardi Gras parade and people will pass out beads, a jazz band will play and other things that you see in a Mardi Gras celebration,” said Barr.

All Richland students and faculty are welcome to attend.

REBECCA BANKSStaff Writer

Bring out the beads - it’s party time

The 2011 Mardi Gras festival featured a free Cajun cookout and musical entertainment. Today’s festivities are expected to include musical guests, food and a parade.

Images courtesy Office of Student Life

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ColUMn

Image courtesy AP Photo/Bullit Marquez

“They’re devils to me . . . and they’re out to eat my flesh.”

That was one among several memorable quotes uttered by six-time Grammy Award-winning singer Whitney Houston over the years.

The comment in particular was from a 1996 interview in Redbook magazine on her opinion of the media.

If the “Drive-By Media,” as conservative talk show host Rush Limbaugh calls them, are devils in disguise, then they really had

JOE STUMPOColumnist

Final days overpower Houston’s legacy

A fan scribbles a message on the “tribute wall” for the late American singer Whitney Houston. The tribute wall was put up for fans to write their messages following Houston’s sudden death at 48.

In this May 10, 1986 file photo, American singer Whitney Houston belts out a song during her segment of a benefit concert at Boston Garden. Houston died Saturday, Feb. 11, 2012. She was 48. News of the singer’s death captivated news stations around the world and thousands of fans have paid tribute to the star by playing her greatest hits.

Image courtesy AP Photo/Elise Amendola

a plateful and were only too eager to come back for seconds with drool spewing from their mouths when the recording artist and actress was found dead in her fourth-floor suite at the Beverly Hilton Hotel on Feb. 11. Houston was 48.

The singer’s body still hadn’t been released to the coroner’s office when I read a story from TMZ the next morning that an unnamed source said pill bottles were in the bathroom where Houston was found reportedly under water in the bathtub. Toxicology results are not expected for weeks, but speculation exists that a lethal combination of prescribed medications and alcohol likely played a role.

Not surprisingly, the Houston story dominated the Monday morning news shows. Switching stations from NBC to ABC to CBS reminded me of that scene near the end of Oliver Stone’s “Natural Born Killers” (1994).

In the climax, a faceless individual can be seen switching channels where a different tabloid news story was covered from the 1993 Branch Davidian siege in Waco, to the Tonya Harding scandal and to the Rodney King beating by Los Angeles police in 1991.

In typical tabloid media fashion, the negatives not only outweighed the positives but conflicted with accounts from those close to the singer who were interviewed about her supposed behavior in the days prior to Feb. 11.

“She (Houston) did not seem disheveled,” said singer Kelly Price in a Feb. 13 story on CNN. Price was with the icon at a party two days earlier. “She was dancing. She was laughing. We were having a good time. What I saw on Thursday night was not erratic behavior. I didn’t see someone who was high.”

That’s a far contrast from what Los Angeles Times music writer Gerrick Kennedy said when he ran into Houston at the Beverly Hilton during a press event.

“She (Houston) was very – almost kind of frantic,” Kennedy told NBC’s Matt Lauer on “The Today Show” Feb. 13. Kennedy added the singer smelled of cigarettes and alcohol.

“There was a bit of erraticness in her behavior, you know. When I had the first time to interact with her outside in the lobby, she was wandering around aimlessly, almost like a child. She seemed lost. That was the first interaction I had, but as the day went on, you know, you got more glimpses of her and you got another taste of the fact something was off that day.”

Even more ghoulish was the picture “Entertainment Tonight” showed on its broadcast the same day.

It showed the pop superstar in a body bag and boasted how this was an “exclusive” photo that only they had.

That night, HLN’s Nancy Grace put in her two cents worth when speaking with CNN’s Brooke Baldwin, demanding answers while the investigation was still ongoing.

“I’d like to know who was around her, who if anyone gave her drugs . . . and who let her slip, or pushed her, underneath that water,” Grace said.

I suppose I should give the “drive-by” media a miniscule amount of credit. When ABC news reporter Linsey Davis showed photos, courtesy of TMZ, of Houston lounging at the pool at the Beverly Hilton, she said it was not known if the drink the singer had by her side was alcohol.

All this tabloid coverage makes me glad that the recording artist’s family planned (at press time) to hold a private memorial service Feb. 18 in the singer’s home-town of Newark, N.J. at the New Hope

Baptist Church. That’s where Houston sang in the choir as a child.

That’s vastly different than the televised media circus that took place when the “King of Pop” Michael Jackson was laid to rest in 2009. Instead of a public funeral, fans were scheduled to be able to view Houston’s service on the Internet supplied by The Associated Press.

I heard some say that Feb. 11, when you heard Houston had passed, is another one of those “Where were you when?” moments.

To me, Feb. 11 is no different than any other day. I will for the record say I was at work when a friend of mine texted me the news and asked “Who’s next?” given that celebrity deaths always seem to come in threes.

Later that night, I did what everyone else was likely doing upon hearing the news. I was downloading the singer’s music videos from her motion picture debut in “The Bodyguard” (1992) on Youtube.

Even now, I can’t get Houston’s “golden voice” out of my head as I recall the lyrics of “I Will Always Love You,” “I Have Nothing,” “I Wanna Dance With Somebody,” “I’m Your Baby Tonight” and her patriotic rendition of “The Star-Spangled Banner” at the Super Bowl XXV in 1991 that puts just about every other entertainer who has done the country’s national anthem since to shame.

That’s the Whitney Houston I prefer to remember versus the sad scandal-ridden por-trait the “drive-by media” has been so fix-ated on since her final curtain unexpectedly fell that Saturday afternoon.

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