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Odilon Redon, Primitive Man on a Rock, 1872–1875, charcoal on paper, 36.8 x 26.6 cm

KunsthandelArturo Cuéllar Salomon Cuéllar

Zähringerplatz 11 CH-8001 Zurich by appointment only [email protected]

april15cuellar_Layout 1 16/03/2015 12:16 Page 1

Galerie CanessoTableaux anciens

26, rue Laffitte 75009 Paris Tel. + 33 1 40 22 61 71 Fax + 33 1 40 22 61 81 e-mail : [email protected] www.canesso.com

We are delighted to announce that our “Canesso” iPhone, iPad and Android Apps are now available to download.

Giovanni BonatiFerrara, c. Rome,

...........................................................................

Saint Augustine and the Child on the Seashore

Oil on canvas, . × . cm ( ¹⁄₈ × ⁵⁄₈ in)

literature:

Francesco Petrucci, Pier Francesco Mola (-).

Materia e colore nella pittura del ‘, Rome, , p. , fig. .

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TOMASSO BROTHERSFINE ART

Bardon Hall Weetwood Lane Leeds LS16 8HJ UKTel: +44 (0)113 275 5545

12 Duke Street St James’s London SW1Y 6BN UKTel: + 44 (0)20 7839 9394

[email protected] www.tomassobrothers.co.uk

Park Avenue Armory8-12 May, 2015

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TOMASSO BROTHERSFINE ART

Bardon Hall Weetwood Lane Leeds LS16 8HJ UKTel: +44 (0)113 275 5545

12 Duke Street St James’s London SW1Y 6BN UKTel: + 44 (0)20 7839 9394

[email protected] www.tomassobrothers.co.uk

Gianfrancesco Susini (1585–c.1653) Pacing Lion

After a model by Giambologna (1529–1608)

Bronze14 cm (5½ in.) high

17 cm (6¾ in.) high - overall20 cm (8 in.) wide

april15tomasso_Agnews 17/03/2015 09:59 Page 2

A Natural History of English Gardening1650–1800Mark LairdA beautifully illustrated exploration of the quest for order within the garden, and within the natural world, this magnificent book is an invaluable contribution to landscape and horticultural history.Published for the Paul Mellon Centre for Studies in British Art

300 colour + 100 b/w illustrations Hardback £45.00

Arts & Crafts Stained GlassPeter CormackA gorgeously illustrated, insightful corrective, Arts & Crafts Stained Glass demonstrates how this progressive and innovative movement radically transformed the aesthetics and production of stained glass in Britain and America.Published for the Paul Mellon Centre for Studies in British Art


Samuel PalmerShadows on the WallWilliam VaughanThis fresh, comprehensive monograph reveals the many influences and resources that made this artist one of the most idiosyncratic painters of English landscapes – and a precursor to 20th-century modernism.Published for the Paul Mellon Centre for Studies in British Art


IrelandCrossroads of Art and Design, 1690–1840Edited by William Laffan and Christopher Monkhouse, with Leslie FitzpatrickAccompanying a major exhibition at the Art Institute of Chicago devoted to the visual and material culture in Ireland, this stunning compendium captures over 150 years of work by architects, artists and artisans.Distributed for the Art Institute of Chicago

375 colour illustrations Hardback £30.00

George RomneyA Complete Catalogue of His PaintingsAlex KidsonThis essential 3-volume catalogue raisonné, beautifully illustrated and backed by 20 years of impressive research, asserts Romney’s status as one of the greatest British painters, while also aiming to solve longstanding issues of attribution.Published for the Paul Mellon Centre for Studies in British Art

350 colour + 1600 b/w illustrations Hardback Boxed Set £180.00

The People’s GalleriesArt Museums and Exhibitions in Britain, 1800–1914Giles WaterfieldThis wide-ranging examination of the phenomenon of the art museum in Britain, from its early days to the onset of the First World War, focuses on the majority of the country’s public art galleries outside of London.Published for the Paul Mellon Centre for Studies in British Art


Habsburg SplendorMasterpieces from Vienna’s Imperial Collections at the Kunsthistorisches MuseumEdited by Monica Kurzel-RuntscheinerGlorious paintings, decorative arts, costumes, arms and armour of the Habsburg dynasty are the focus of this book devoted to works assembled by some of the most powerful European rulers.Distributed for the Museum of Fine Arts, Houston

185 colour + 10 b/w illustrations Paperback £35.00

Machine Age ModernismPrints from the Daniel Cowin CollectionJay A. Clarke and Jonathan BlackThis group of British prints from an exceptional private collection captures the tumultuous aesthetic and political climate of the years surrounding World Wars I and II.Distributed for the Clark Art Institute

66 colour illustrations Paperback £12.99

YaleBooks tel: 020 7079 4900www.yalebooks.co.uk

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FraGoNarD, une redécouverte majeure

exposition Hommage à la Galerie cailleux

Galerie eric coatalem

26 mars - 30 mai du lundi au vendredi

136, Fbg St Honoré, 75008 Paris – tél : 01 42 66 17 17 – [email protected]

april15coatalem_Layout 1 16/03/2015 10:54 Page 1

VI april 2015 • clvii • the burlington magazine

8 May 2015Auction Old Masters and 19th Century Art

Viewing 30 April — 7 May in MunichCatalogue available mid-April

Franz Anton Maulbertsch, Christ appears to Doubting Thomas. Oil on canvas. 1764. Garas (1960) 172

KARL & FABER FINE ART AUCTIONSAMIRAPLATZ 3 · 80333 MUNICH, GERMANY

T +49 89 22 18 [email protected]

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The London Original Print FairRoyal Academy of Arts, Piccadilly | 23-26 Apri l 2015 | www.londonprintfair.com

Wardroom 1, Eric Ravilious(1903-1942). 1941.Lithograph,28 by 30 cm. THE FINE ARTSOCIETY,LONDON

THE LONDON ORIGINAL PRINT FAIR is celebrating its thirtiethanniversary this year. Established in 1985 with just sixteen dealers, theevent now enjoys the attendance of fifty of the world’s leading printpublishers, galleries and dealers. This year the old-master contingent isstrengthened by the return of Hill-Stone (New York) and theinclusion of first time exhibitor August Laube (Zurich). Works for salewill encompass woodcuts from the time of Dürer, later old-masterprints, twentieth-century movements and contemporary editionsemploying current techniques and processes.

In past years the fair has displayed museum loan exhibitions fromvenerable institutions such as the Ashmolean and Rembrandthuis.The loan exhibition this time will comprise thirty print highlightsfrom the Royal Collection and be housed in gallery 2. Sheets bymasters such as Raphael and Canaletto will hang with historical andtopographical prints and work by members of the royal familyincluding Queen Victoria. While the magnificent collection ofdrawings housed in Windsor Castle (since 1830s) is widely known toscholars and the public, prints belonging to the Royal Collection donot enjoy quite the same recognition. Printed works have beenconsistently collected since the seventeenth century and now numberin excess of 100,000 sheets.

A programme of lectures, talks and events will run in parallel with thefair. Martin Clayton, Royal Collection Trust’s Head Curator of Printsand Drawings, will talk on the loan exhibition while artist Anita Kleinwill discuss and demonstrate the processes of relief printing. Anevening arranged with young print collectors will witness a livescreenprinting for Gavin Turk in collaboration with Jealous Gallery(London) and Enitharmon Editions (London).

For more details on these events and the fair please visit:www.londonprintfair.com

Bye bye Brazil, bySarah Morris. 2014.Each print is signedand dated by theartist andnumbered on thereverse. Portfolioof 8 digital inkjetprints, 75 by 75cm. Edition of 45. PARAGON,LONDON

Burial, by Ana MariaPacheco. 2014.

Drypoint, 80.6 by 60.7 cm.Edition of 15.

PRATTCONTEMPORARY,

LONDON

The four horsemen of theApocalypse, by Albrecht

Dürer. c.1497–98. Plate 5from The Apocalypse.

Woodcut on laid paper,39.5 by 27.9 cmC.G. BOERNER, NEW YORK ANDDUSSELDORF

The execution of the conspirators in the Gunpowder Plot, 30 and 31 January 1606, by Claesz Jansz.Visscher d. J. 1606. Engraving, 23 by 32.6 cm.

EMANUEL VON BAEYER, LONDON

april15LOPFroundup_Master Drawings Roundup 16/03/2015 11:16 Page 1

TheLondonOriginalPrintFair

Royal Academy of Arts Burlington House · Piccadilly London W1J 0BD

Thursday 23 to Sunday 26 April 2015

Enquiries: 020 7439 2000 [email protected]

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Albrecht Dürer, The Four Horsemen (detail) c.1497–98, woodcut. Courtesy C.G. Boerner

march15LOPF_Ratton & Ladriere Sept 04 13/02/2015 15:35 Page 1

Sun visor, by JimLambie. 2014. Archivalpigment print withspray paint,76 by 56 cm. Varied edition of 50. GLASGOW PRINT

STUDIO, GLASGOW

Women together with a sculpted voyeur. A nod to Ingres’s Turkish Bath, by Pablo Picasso(1881–1973). 1934. Etching, 22.2 by 31.3 cm.

FREDERICK MULDER, LONDON

Abraham entertaining theangels, by Rembrandt(1606–69). 1656. Etching and drypoint,16 by 13 cm.AUGUST LAUBE,ZURICH

The London Original Print FairRoyal Academy of Arts, Piccadilly | 23-26 Apri l 2015 | www.londonprintfair.com

Swingeing London 67, by Richard Hamilton. 1968. Signed in pencil and numbered from the edition of 70. Etching and aquatint with embossing, 57 by 73 cm.

SIMS REED, LONDON

Foolish virgins revelling, by Jan Saenredam

(c.1565–1607).Detail of one of a set of fiveengravings illustrating the‘Parable of the Wise andFoolish Virgins’, 1606.

Engraving, 26.5 by 35.8 cm.

CHRISTOPHER MENDEZ,LONDON

The deaf, by GraysonPerry. 2014. Edition of125. Screenprint, 84.1 by 119.5 cm. PARAGON PRESS,LONDON

april15LOPFroundup_Master Drawings Roundup 16/03/2015 11:17 Page 2

ALBRECHT DÜRER Nuremberg 1471–1528 Nuremberg

Knight, Death and the Devil.Engraving, 1513. Signed with the artist’s monogram and the date.

Bartsch 98, Meder 74, Schoch, Mende and Scherbaum 69. 24.4 x 19.1 cm (95/8 x 71/2 inches)

Old Master & Modern Prints & Drawings

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XII april 2015 • clvii • the burlington magazine

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XIV april 2015 • clvii • the burlington magazine

C O N T @ C T S

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