2016 charvel catalog

8/19/2019 2016 Charvel Catalog

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C U

S T O M S

H O P

2


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Ready to Ratt-n-Roll! The USA made Warren DeMartini Signature Snake was

designed and built to match DeMartini’s exacting specications. Features

include a Custom Designed Seymour Duncan® humbucking pickup,

Seymour Duncan Quarter Pound single-coil pickup in the neck position,

alder body, quartersawn rock maple neck with compound radius maple

ngerboard and San Dimas® neck contour, Gotoh® machine heads,

Floyd Rose® Original tremolo and Charvel NOS brass strap buttons.

DEMARTINI

A R

T I S T

S E R I E S

4

P h o t o : N a i n e J o y


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AR T I S T

S E R

I E S

Designed in conjunction with Warren DeMartini—Ratt’s

legendary lead guitarist—the USA made Warren DeMartini

Signature San Dimas is a hot-rodded rock machine. Features

include a Custom Designed Seymour Duncan humbucking

bridge pickup, alder body, quartersawn rock maple neck

with compound radius maple ngerboard, San Dimas neck

backshape, Schaller machine heads, Floyd Rose Original

tremolo and Charvel NOS brass strap buttons. Three classic

graphic nishes by Dan Lawrence are available—Bomber, Blood

and Skull and Cross Swords.

WARREN DEMARTINISIGNATURE SAN DIMAS®

5

B l o o d & S k u l l

B o m b e r

C r o s s S w o r d s


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A R T I

S T

S E R I E S

Designed to keep up with Warren DeMartini’s furious lead

style, the Ensenada crafted Pro Mod Warren DeMartini

Signature Blood and Skull is a true performer. Features

include a Custom Designed Seymour Duncan humbucking

pickup, alder body, quartersawn rock maple neck with

compound radius maple ngerboard and San Dimas

neck backshape, Charvel machine heads and Floyd Rose

FRT-O1000 tremolo.

SIGNATURE PRO-MOD BLOOD& SKULL

The Pro Mod Warren DeMartini Signature Snake is a

way cool axe designed and built specically for Warren

DeMartini of 80’s rock legends, Ratt. made in Ensenada

Mexico, features include a Custom Designed Seymour

Duncan humbucking pickup, Seymour Duncan Quarter

Pound single-coil pickup in the neck position, alder

body, quartersawn rock maple neck with compoundradius maple ngerboard and San Dimas neck

backshape, Charvel machine heads and Floyd Rose

FRT-O1000 tremolo.

WARREN DEMARTINISIGNATURE PRO-MOD SNAKE

B l o o d & S k u l l

S n a k e

6


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AR T I S T

S

E R I E S

Charvel is proud to honor Gojira’s Joe Duplantier with a ferociously elegant

signature model. The Joe Duplantier Signature San Dimas Style 2 is designed

to Duplantier’s specs with the latest in Charvel high performance technology,

distinctive style and monster tone as large as his band’s namesake from dual

Charvel custom MFB humbucking pickups.

The San Dimas Style 2 body has a specially contoured heel for easy access to

the fingerboard’s upper register while the bound mahogany neck has a smooth

oiled back finish and convenient truss rod adjustment wheel at the butt end of

the neck. Other premium features include a compound radius (12”-16”) ebony

fingerboard with 22 medium jumbo frets and special 12th-fret Gojira “G” mother-

of-pearl inlay, three-way toggle pickup switching and a single knurled volume

control knob placed slightly back from playing position, Tune-O-Matic bridge withstop tailpiece, Charvel locking tuners and black hardware. Available in Flat Black

and Flat Gray with matching headstock. Includes a hardshell case.

JOE DUPLANTIERSIGNATURE MODEL

P h o t o : L i z R a m a n a n d

F l a t G r a y

F l a t B l a c k

7


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GUTHRIE GOVANSIGNATURE MODEL

A R

T I S T

S E R I E S

As a preeminent modern virtuoso, U.K. guitar master Guthrie Govan astounds all who

hear him. Meticulously developed over the course of two years with the man himself,Charvel created the ultimate ultra-pro guitar—the Guthrie Govan Signature Model. The

ideal expression of Govan’s artistry, rendered in distinctive Charvel form with special

features and high-performance appointments.

The San Dimas body offers a beautiful birdseye maple or ame maple top, with a

satin lacquer nish and a specially contoured heel (sans neck plate) for easy access to

the ngerboard’s upper register. The bolt-on neck is quartersawn ame maple with a

“caramelized” heat and drying treatment that makes it sound and feel much older, with

graphite reinforcement and a convenient truss rod adjustment wheel at the body end.

Most unusually for a San Dimas model, the compound-radius (12”-16”) ame maple

ngerboard spans two octaves and has the same caramelized treatment as the neck, 24

extra jumbo stainless steel frets and special maple dot inlays with ebony borders.

8

P h o t o : T a r a S t e w a r t

F l a m e M a p l e

B i r d s e y e M a p l e


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AR T I S T

S E R I E S

JAKE E LEESIGNATURE MODEL

9

P h o t o : D C I S A N

The most requested Charvel guitar ever is a Jake E Lee signature model based on the

distinctive white “Charvel-ized” instrument Lee, a guitarist’s guitarist, has played ever since

he bought it new in 1975. From his rst notable successes in the early 1980s through an

acclaimed career that continues today with Red Dragon Cartel, this special guitar always

accompanies Lee onstage and in the studio. Charvel crafted the rst entry in the Jake E

Lee Signature series with great pride—the Charvel JEL Signature Pearl White guitar.


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C H A

R V E L

A R T I S T

10

ERIC RIVERS

H.E.A.T.

JACOB BUNTON

ADLER

FRANK LINDIA

LEGAL TENDER

P h o t o : K r i s t i a n R e u t e r

P h o t o : E m i l i K u s u n o k i

P h o t o : S t u b b s S t a l l o n e

P h o t o : K a r i n a D i a n e C o n c e r t

PHIL SGROSSO

WOVENWAR

P h o t o : M

i r a k ‘ M e z g a r t h ’ H a b b i y y i e h

CHRIS IMPELLITTERI

IMPELLITTERI

P h o t o : A l e x S o l c a


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C HAR VE L

AR T I S T

11

JUSTIN AUFDEMKAMPE

MISS MAY I

HENRIK DANHAGE

EVERGREY

MIKE ORLANDO

ADRENALINE MOB

JON LEVIN

DOKKEN

P h o t o : D a v i d L u n d m a r k

P h o t o : J a y H o l d e n

P h o t o

: S i m i F r i e d m a n

P h o t o : J o s

h E s t e p


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SO-CAL STYLE 1 2H FR

Pro Mod So-Cal Style 1 2H FR Neon Pink

P R O - M O D S

E R I E S

12


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P R O- M OD S

E R I E S

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P r o M o d

S o - C a l

S t y l e 1

2 H F R N

e o n Y e l l

o w

14 SO-CAL STYLE 1 2H FR

P R O - M O D S

E R I E S FEATURES

R e ad y an d w a i t in g fo r th e f le e t - f in g e re d g u i ta r i s t , th e C h arv e l P ro - Mo d S o - C a l

S ty le 1 2H F R i s a s l i c k p e r fo rm e r w i th fe a tu re s an d s o u n d e v e ry g u i ta r i s t w i l l

ap p re c ia te . B o rn f ro m a lo v e o f h ig h - s p e e d p lay in g an d s m o o th s ty le , th i s fu n -

in - th e - s u n g u i ta r i s p ac k e d w i th th e c las s ic p lay ab i l i t y an d in n o v at iv e d e s ig n

e le m e n ts th a t h av e m ad e C h arv e l a le g e n d ary n am e in h ig h p e r fo rm an c e ax e s .

F e atu re s in c lu d e S e y m o u r D u n c an h u m b u c k in g p ic k u p s —a T B - 6 D is to r t io n ™

b r id g e p ic k u p an d S H - 6N D is to r t io n n e c k p ic k u p —w i th p u s h / p u l l c o i l s p l i t ,

tw o - p ie c e m ap le n e c k w i th g rap h i te re in fo rc e m e n t ro d s an d s p e e d n e c k

p ro f i le , 12- 16” c o m p o u n d rad iu s f in g e rb o ard , F lo y d R o s e F R T - O 2000

d o u b le - lo c k in g re c e s s e d t re m o lo an d C h arv e l tu n in g m ac h in e s .


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PUSH/PULL VOLUME CONTROL

The push/pull switch concealed insidethe volume control splits the coils ofthe humbucking bridge pickup to addsingle-coil tone to your sonic toolbox. Usein conjunction with the three-way switch toachieve six discrete tonal variations.

SPOKE WHEEL TRUSS ADJUST

The spoke wheel truss adjustment islocated at the butt end of the neck for easyaccess, making relief adjustments a breeze.With no need to remove the neck, youcan quickly adjust your neck relief—evenin-between songs if necessary.

THREE-WAY BLADE

Use the three-way blade switch to selectbetween different pickup combinations:bridge only, both pickups, and neck only.Push/pull coil splitting adds single-coiltones from each humbucking pickupto your sonic arsenal. Unlock six tonalavors by using the push/pull switch in

combination with the three-way bladepickup switch.

SEYMOUR DUNCAN PICKUPS

Seymour Duncan pickups are renown fortheir high output and massive metal tonewith rich upper mids that cut through amix like a razor. Perfect for rhythm riffs andsearing leads alike, these highly articulatepickups have a well-balanced, tight soundfor killer tone, whether clean or mean.

VOLUME AND NO-LOAD

TONE CONTROLS

Turning the volume control down from10 reduces the amount of signal beingsent from the guitar to your amplier,an easy way to “clean up” your tone forcertain musical passages. The No-Loadtone control acts like a normal tone controlin positions 1 to 9, but in position 10 it

removes itself completely from the circuitfor increased output and lets the pickups’full, natural voice shine through.

SO-CAL STYLE 1 2H FR 15

P R O- M OD S

E R I E S


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P r o M o d S o - C a l S t y l e 1 2 H F R N

e o n P i n k

P r o M o d S o - C a l S t y l e 1 2 H F R S l i m e G r e e n

P r o M o d S o - C a l S t y l e 1 2 H F R R o c

k e t R e d

P R O - M O D S

E R I E S

16 SO-CAL STYLE 1 2H FR


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P r o M o d

S o - C a l S t y l e 1 2 H F R S p e c i f c O c e a n

P r o M o d S o - C a l S t y l e 1 2 H F R N e o

n Y e l l o w

P r o M o d S o - C a l S t y l e

1 2 H F R S n o w W h i t e

P r o M o d

S o - C a l S t y l e 1 2 H F R M e t a l l i c B l a c k

P R O- M OD S E R I E S

SO-CAL STYLE 1 HH FR 17SO-CAL STYLE 1 2H FR 17


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P R O - M O D S

E R I E S SAN DIMAS STYLE 1 2H FR

P r o Mod San Dimas St y le 1 2H F R T obac c o Bur st

P R O - M O D S

E R I E S

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FEATURES

P r o M o d

S a n D i m

a s l S t y l e 1 2 H

F R R o c k

e t R e d

T h e C h arv e l® Pro - Mo d S an D im as S ty le 1 2H F R , th e id e a l in s t ru m e n t fo r d az z l in g

h ig h s p e e d p lay in g , w as b o rn an d ra i s e d in S o u th e rn C a l i fo rn ia . Wi th s c o rc h in g

s o u n d , as to n is h in g s ty le an d g r in - in d u c in g p lay in g fe e l an d p e r fo rm an c e , th i s

g u i ta r w as m e an t to b e o n s tag e . F e atu re s in c lu d e d u a l d i re c t m o u n t S e y m o u r

D u n c an h u m b u c k in g p ic k u p s —a JB ™ B r id g e p ic k u p an d ’ 59 n e c k p ic k u p —w i th

p u s h / p u l l c o i l s p l i t , N o - L o ad to n e c o n t ro l , tw o - p ie c e f la ts aw n m ap le n e c k w i th

g rap h i te re in fo rc e m e n t ro d s an d s p e e d n e c k p ro f i le , 12” - 16” c o m p o u n d rad iu s

f in g e rb o ard , F lo y d R o s e ® F R T - O 1000 d o u b le - lo c k in g re c e s s e d t re m o lo an d

C h arv e l tu n in g m ac h in e s .

P R O - M O D S

E R I E S

20 SAN DIMAS STYLE 1 2H FR


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SAN DIMAS STYLE 1 HH FR 21


The push/pull switch concealed insidethe volume control splits the coils of thehumbucking bridge pickup to add single-coil tone to your sonic toolbox. Use inconjunction with the three-way switch toachieve six discrete tonal variations.


The spoke wheel truss adjustment islocated at the butt end of the neck for easyaccess, making relief adjustments a breeze.With no need to remove the neck, you canquickly adjust your neck relief—even in-between songs if necessary.

THREE-WAY BLADE

Use the three-way blade switch to selectbetween different pickup combinations:bridge only, both pickups, and neck only.Push/pull coil splitting adds single-coiltones from each humbucking pickupto your sonic arsenal. Unlock six tonalavors by using the push/pull switch incombination with the three-way blade

pickup switch.

DIRECT MOUNT PICKUPS

This guitar’s pickups are mounted directlyto the body without springs for increasedresonance and vibration transfer. This addsmore punch and sustain to your sound,making your instrument come alive withhighly dynamic tone.

VOLUME AND NO-LOAD

TONE CONTROLS

Turning the volume control down from 10reduces the amount of signal being sentfrom the guitar to your amplier, an easyway to “clean up” your tone for certainmusical passages. The No-Load tonecontrol acts like a standard tone controlin positions 1 to 9, but in position 10 itremoves itself completely from the circuitfor increased output, letting the pickups’full, natural voice shine through.


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P R O - M O D S

E R I E S

P r o M o d S a n D i m a s S t y l e 1 2 H F R B l a c k B u r s t

P r o M o d S a n D i m a s S t y l e 1 2 H F R T r a n s R e d B u r s t



23/36



P r o M o d S a n D i m a

s S t y l e 1 2 H F R T r a n s P u r p l e B u r s t

P r o M o d S a n D i m a s S t y l e 1 2 H F R T o b a c c o B u r s t

S


24/36

P R O - M O D S

E R I E S


P r o M o d S a n D i m

a s S t y l e 1 2 H F R S p e c i f c O c e a n

P r o M o d S a n D i m a s S t y l e 1

2 H F R M e t a l l i c B l a c k

P r o M o d S a n D i m a s S t y l e 1 2 H F R S n o w W h i t e

P


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PR O- M OD S E R I E S


P r o M o d S a n D i m a s

S t y l e 1 2 H F R N e o n P i n k

P r o M o d S a n D i m a s S

t y l e 1 2 H F R R o c k e t R e d

P r o M o d S a n D i m a s S t y l e 1 2 H F R

S l i m e G r e e n


s S t y l e 1 2 H F R N e o n Y e l l o w

S

S


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P R O - M O D S

E R I E S SAN DIMAS STYLE 1 2H HT

P R O - M O D S

E R I E S

26

P


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P r o Mod San Dimas St y le 1 2H HT Snow W hit e


27

S


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FEATURES

P r o M o

d S a n D i m

a s S t y

l e 1 2 H

H T S a t i n

C o b a

l t B l u e

T h e b i r th p lac e o f m an y le g e n d ary g u i ta r i s t s , S o u th e rn C a l i fo rn ia i s a l s o

h o m e to o n e o f th e o r ig in a l in n o v ato rs o f h ig h p e r fo rm an c e g u i ta rs —C h arv e l .

C o m b in in g v e rs a t i le to n e an d e y e - c a tc h in g s ty le w i th b re ak n e c k p e r fo rm an c e

an d u l t ra - s l i c k p lay ab i l i t y , th e t r i c k e d - o u t Pro - Mo d S an D im as S ty le 1 H H

H T w as b o rn to ro c k u n d e r th e s p o t l ig h ts w i th h e ad - b an g in g , f i r s t - p u m p in g

S u n s e t S t r ip s ty le . F e atu re s in c lu d e d i re c t m o u n t S e y m o u r D u n c an h u m b u c k in g

p ic k u p s —a JB ™ B r id g e p ic k u p an d ’ 59 n e c k p ic k u p —w i th p u s h / p u l l c o i l s p l i t ,

N o - L o ad to n e c o n t ro l , tw o - p ie c e m ap le n e c k w i th g rap h i te re in fo rc e m e n t

ro d s an d s p e e d n e c k p ro f i le , 12” - 16” c o m p o u n d rad iu s m ap le o r ro s e w o o d

f in g e rb o ard , C h arv e l tu n in g m ac h in e s an d h ard ta i l b r id g e .

P R O - M O D S

E R I E S

28 SAN DIMAS STYLE 1 2H HT

P


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HARDTAIL BRIDGE

The six-saddle hardtail bridge providesrock-solid tuning stability along with pin-point intonation accuracy. The improvedvibration transfer from a hardtail bridgealso provides increased sustain andricher tone.


SAN DIMAS STYLE 1 2H HT 29


The push/pull control concealed insidethe volume control splits the coils of thehumbucking bridge pickup to add single-coil tone to your sonic toolbox. Use inconjunction with the three-way switch toachieve six discrete tonal variations.


The spoke wheel truss adjustment islocated at the butt end of the neck for easyaccess, making relief adjustments a breeze.With no need to remove the neck, you canquickly adjust your neck relief—even in-between songs if necessary.

THREE-WAY BLADE

Use the three-way blade switch to selectbetween different pickup combinations:bridge only, both pickups, and neck only.Push/pull coil splitting adds single-coiltones from each humbucking pickupto your sonic arsenal. Unlock six tonalavors by using the push/pull switch in

combination with the three-way bladepickup switch.

DIRECT MOUNT PICKUPS

This guitar’s pickups are mounted directlyto the body without springs for increasedresonance and vibration transfer. This addsmore punch and sustain to your sound,making your instrument come alive withhighly dynamic tone.

VOLUME AND NO-LOAD

TONE CONTROLS

Turning the volume control down from10 reduces the amount of signal beingsent from the guitar to your amplier,an easy way to “clean up” your tone forcertain musical passages. The No-Loadtone control acts like a normal tone controlin positions 1 to 9, but in position 10 itremoves itself completely from the circuitfor increased output and lets the pickups’full, natural voice shine through.

S


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P R O

- M O D S

E R I E S

30 SAN DIMAS STYLE 1 HS HT


s S t y l e 1 2 H H T T r a n s B l u e B u r s t

P r o M o d S

a n D i m a s S t y l e 1 2 H H T S n o w W h i t e

P


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SAN DIMAS STYLE 1 HS HT 31

P r o M o d S a n D i m a s S t y l e 1 2 H H T S a t i n C o b a l t B l u e

P r o M o d S

a n D i m a s S t y l e 1 2 H H T M e t a l l i c B l a c k

P r o M o d S a

n D i m a s S t y l e 1 2 H H T S a t i n O r a n g e B l a z e

FEATURES & SPECIFICATIONSS


32/36

NECK

NECK

BRIDGE

PULL UP

PUSH DOWN

BRIDGE

POS 1 POS 2 POS 3

PUSH/PULL CONTROL

The push/pull switch concealed inside the volume control splits the coils of the humbucking bridge pickupto add single-coil tone to your sonic toolbox. Use in conjunction with the three-way switch to achieve sixdiscrete tonal variations.

FEATURES & SPECIFICATIONS

P R O

- M O D S

E R I E S

32

32

1

32

1

32

1

PICKUP IS ON

PICKUP IS OFF

P


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COMPOUND RADIUS NECK

The prole (the amount of curvature) ofa compound radius ngerboard is morecurved by the nut for comfortable chordingand rifng. As you move up the neck it at-tens out for faster playing and wide bends inthe upper register.


The spoke wheel truss adjustment is locatedat the butt end of the neck for easy access,

making relief adjustments a breeze. With noneed to remove the neck, you can quicklyadjust your neck relief—even in-betweensongs if necessary.

VOLUME AND NO-LOAD TONE CONTROLS

Turning the volume control down from 10, reduces the amountof signal being sent from the guitar to your amplier, an easyway to “clean up” your tone for certain musical passages. TheNo-Load tone control acts like a normal tone control in positions1 to 9, but in position 10 it removes itself completely from thecircuit for increased output and lets the pickups’ full, naturalvoice shine through.

32

1

3-WAY P.U.SELECTOR

VOLUME CONTROL

TONE CONTROL

LOOSEN


33

TIGHTEN

SPECIFICATIONSS


34/36

SPECIFICATIONS

Warren DeMartini Signature

Snake


San Dimas


Pro-Mod Snake

Joe Duplantier Signature

San Dimas Style 2


Pro-Mod Blood & Skull

C H A R

V E L

G U I T A R S

BODY MATERIAL: Alder Alder Alder Alder 2-Piece Mahogany

BODY FINISH: Satin Polyurethane Polyurethane Satin Polyurethane Polyurethane Satin Polyurethane

NECK: 1-Piece Quartersawn Maple with RolledFingerboard Edges

1-Piece Quartersawn Maple with RolledFingerboard Edges



2-Piece Maple with Graphite Reinforcement,Speed Neck with Rolled Fingerboard Edges

NECK FINISH: Hand-Rubbed Satin Urethane Hand-Rubbed Satin Urethane Hand-Rubbed Satin Urethane Hand-Rubbed Satin Urethane Hand-Rubbed Satin Urethane

FINGERBOARD: Maple, 12” to 16” Compound Radius (304.8mm to 406.4 mm)

Maple, 12” to 16” Compound Radius (304.8mm to 406.4 mm)


Maple, 12” to 16” Compound Radius(304.8mm to 406.4mm)


FRETS: 22, Jumbo Stainless Steel 22, Jumbo 22, Jumbo 22, Jumbo 22, Jumbo

POSITION INLAYS: Black Dot Black Dot Black Dot Black Dot Custom Gojira “G” Pearl Inlay

NUT (MATERIAL/WIDTH): Floyd Rose® Original Locking, 1.6875” (42.8mm)

Floyd Rose® Original Locking, 1.6875” (42.8mm)

F lo yd Ro se ® R 3, 1 .6 87 5” ( 43 m m) F lo yd Ro se ® R3 , 1 .6 87 5” ( 43 m m) G rap h Te ch T USQ ™, 1 .6 87 5” ( 43 mm )

TUNING MACHINES: Gotoh® Die-Cast Gotoh® Die-Cast Charvel® Non-Locking Charvel® Non-Locking Charvel® Sealed Die-Cast Locking

SCALE LENGTH: 25.5” (64.8 cm) 25.5” (64.8 cm) 25.5” (648 mm) 25.5” (64.8 cm) 25.5” (64.8 cm)

BRIDGE: Floyd Rose® Original Double Locking 2-PointTremolo

Floyd Rose® Original Double Locking 2-PointTremolo

Floyd Rose® FRT-O1000 Double-LockingTremolo - Top Mount

Floyd Rose® FRT-O1000 Double-LockingTremolo - Top Mount

Fully Adjustable Tune-O-Matic Bridge withStop Tailpiece

PICKUPS: Seymour Duncan® Custom Design WarrenDeMartini, , Seymour

Duncan® Quarter Pound Flat™ SSL-4 Single-Coil Strat®

Seymour Duncan® Custom Design WarrenDeMartini

Seymour Duncan® Custom Design WarrenDeMartini (Bridge)

Seymour Duncan® Quarter Pound Flat™SSL-4 Single-Coil Strat® (Neck)

Seymour Duncan® Custom Design WarrenDeMartini (Bridge)

Charvel® Custom MFB Humbucking (Bridgeand Neck)

PICKUP SWITCHING: 3-Position Toggle None 3-Position Toggle None 3-Position Toggle

CONTROLS: Volume Volume Volume Volume Volume

CONTROL KNOBS: Knurled Flat-Top Knurled Flat-Top Dome Dome Knurled Flat-Top

HARDWARE FINISH: Black Black Chrome Chrome Black

STRINGS: NPS, .009-.042 Gauges NPS, .009-.042 Gauges NPS, .009-.042 Gauges NPS, .009-.042 Gauges NPS, .009-.042 Gauges

CASE/GIG BAG: Deluxe Hardshell Deluxe Hardshell Optional Gig Bag (p/n 0076756000) Optional Gig Bag (p/n 0076756000) Molded Charvel Case

34

C


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CHAR VE L

G U

I T AR S

Guthrie Govan Signature Jake E Lee Signature Pro-Mod

So-Cal Style 1 2H FR

Pro-Mod

San Dimas Style 1 2H FR

Pro-Mod

San Dimas Style 1 2H HT

BODY MATERIAL: Caramelized Basswood with Bird’s-Eye MapleTop (2869302000),

Caramelized Basswood with Flame Maple Top(2869303000)

Ash Alder Alder (Quilt Veneer on Trans Colors) Alder (Quilt Veneer on Trans Colors)

BODY FINISH: Satin Lacquer Gloss Urethane Polyurethane Gloss Polyurethane Gloss and Satin Polyurethane

NECK: Graphite Reinforced Caramelized 2-PieceQuartersawn Flame Maple

Quartersawn Maple with RolledFingerboard Edges

2-Piece Maple with Graphite reinforcement,Speed Neck with Rolled Fingerboard Edges



NECK FINISH: Hand-Rubbed Satin Urethane Hand-Rubbed Satin Urethane Hand-Rubbed Satin Urethane Hand-Rubbed Satin Urethane Hand-Rubbed Satin Urethane

FINGERBOARD: Maple, 12” to 16” Compound Radius(304.8mm to 406.4mm)

Rosewood, 12” to 16” Compound Radius(304.8 mm to 406.4 mm)




FRETS: 24, Extra Jumbo Stainless Steel 22, Jumbo 22, Jumbo 22, Jumbo 22, Jumbo

POSITION INLAYS: Maple Dot Inlays with Ebony Borders Pearl Dot Black Dot Black Dot White Dot on Rosewood, Black Dot on Maple

NUT (MATERIAL/WIDTH): Bone, 1.6875” (43mm) Bone, 1.6875” (42.8 mm) Floyd Rose® R3, 1.6875” (43 mm) Floyd Rose® R3, 1.6875” (43 mm) Plastic, 1.6875” (43 mm)

TUNING MACHINES: Sperzel® Locking Gotoh® Die-Cast Charvel® Branded Die-Cast Charvel® Branded Die-Cast Charvel® Sealed Die-Cast Locking

SCALE LENGTH: 25.5” (648mm) 25.5" (64.8 cm) 25.5” (648 mm) 25.5” (64.8 cm) 25.5” (64.8 cm)

BRIDGE: Recessed Custom Charvel Bridge(USA Made) with Tremol-No™ Unit andOversized Brass Block

Hard Tail Bridge with Black Base Plate Floyd Rose® FRT-O2000 Double-LockingTremolo (Recessed)

Floyd Rose® FRT-O1000 Double-LockingTremolo (Recessed)

Hard-Tail 6-Saddle

PICKUPS: Charvel Custom MFB Humbucking (Bridge)

Charvel Custom MFB Single-Coil (Middle)

Charvel Custom MFB Humbucking (Neck)

Seymour Duncan® JB Humbucking (Bridge)

DiMarzio® SDS-1 Single-Coil (Middle)

DiMarzio® SDS-1 Single-Coil (Neck)

Seymour Duncan® TB - 6 DistortionHumbucking (Bridge),

Seymour Duncan® SH-6N DistortionHumbucking (Neck)

Direct Mount Seymour Duncan® JB™ TB4Humbucking (Bridge)

Direct Mount Seymour Duncan® SH1N ‘59Humbucking (Neck)

Direct Mount Seymour Duncan® JB™ TB4Humbucking (Bridge)

Direct Mount Seymour Duncan® SH1N ‘59Humbucking (Neck)

PICKUP SWITCHING: 5-Position Blade 5-Position Blade 3-Position Blade 3-Position Blade 3-Position Blade

CONTROLS: Volume, Tone Volume, Tone Volume (Push/Pull Coil Split), No-Load ToneControl

Volume (Push/Pull Coil Split), No-Load ToneControl

Volume (Push/Pull Coil Split), No-Load ToneControl

CONTROL KNOBS: Knurled Chrome Dome Black Skirted/Numbered Volume Knob Knurled Flat-Top Knurled Flat-Top Knurled Flat-Top

HARDWARE FINISH: Chrome Black Knob, White Switch Tip Black Black Nickel, Chrome, Black Black

STRINGS: NPS, .009-.042 Gauges D’Addario .009-.042 NPS, .009-.042 Gauges NPS, .009-.042 Gauges NPS, .009-.042 Gauges

CASE/GIG BAG: Molded Char vel Case Del uxe Hards hell Option al Gig Bag (p/n 0076 7560 00) Opti onal Gig Bag (p/n 00 76756 000) Optional Gi g Bag ( p/n 00767 56000 )

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17600 N. Perimeter Drive, Suite 100•

Scottsdale, AZ 85255P/N 9911095685

©2016 J k /Ch l M f t i I Ch l® S Di ® S l i t™ d th di ti ti h d t k d i l f d Ch l it

WWW.CHARVEL.COM

2016 charvel catalog

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