2017 music performance aural and written · pdf file2017 music performance exam 2 section a...

MUSIC PERFORMANCEAural and written examination

Thursday 16 November 2017 Reading time: 9.00 am to 9.15 am (15 minutes) Writing time: 9.15 am to 10.45 am (1 hour 30 minutes)

QUESTION AND ANSWER BOOK

Structure of bookSection Number of

questionsNumber of questions

to be answeredNumber of

marks

A 3 3 30B 10 10 50C 6 6 20

Total 100

• Studentsarepermittedtobringintotheexaminationroom:pens,pencils,highlighters,erasers,sharpenersandrulers.

• StudentsareNOTpermittedtobringintotheexaminationroom:blanksheetsofpaperand/orcorrectionfluid/tape.

• Nocalculatorisallowedinthisexamination.

Materials supplied• Questionandanswerbookof19pages,includingblankmanuscriptforroughworkonpage13• AnaudiocompactdisccontainingmusicalexcerptsforSectionsAandB

Instructions• Writeyourstudent numberinthespaceprovidedaboveonthispage.• Youmaywriteatanytimeduringtherunningoftheaudiocompactdiscandafteritstops.• AllwrittenresponsesmustbeinEnglish.

Students are NOT permitted to bring mobile phones and/or any other unauthorised electronic devices into the examination room.

©VICTORIANCURRICULUMANDASSESSMENTAUTHORITY2017

SUPERVISOR TO ATTACH PROCESSING LABEL HEREVictorian Certificate of Education 2017

STUDENT NUMBER

Letter

2017MUSICPERFORMANCEEXAM 2

SECTION A – Question 1 –continued

SECTION A – Listening and interpretation

Instructions for Section AAnswerallquestionsinpenorpencilinthespacesprovided.AnaudiocompactdiscwillruncontinuouslythroughoutSectionA.

Question 1 (10marks)Work:‘Albatross’bySarahBlaskoPerformer:SarahBlaskoAlbum:What the Sea Wants, the Sea Will Have(DewProcess/UniversalMusicAustralia,2006)

Theexcerptwillbeplayedtwice.Therewillbesilentworkingtimeaftereachplaying.Firstplaying(1′02″)–1minuteand30secondsofsilence

Secondandfinalplaying(1′02″)–2minutesofsilence

a. Howdotheperformersusetonecolourtoachieveexpressiveoutcomes? 5marks

3 2017MUSICPERFORMANCEEXAM

SECTION A – continuedTURN OVER

b. Howdotheperformersusearticulationtoachieveexpressiveoutcomes? 5marks


SECTION A – continued

Question 2 (8marks)Work:‘OutofTimePartIII’byIainGrandagePerformers:WAYouthOrchestrawithAlumniRecording:LiveperformanceatthePerthConcertHall,24July2004(conductedbyPauldeCinque)

Theexcerptwillbeplayedtwice.Therewillbesilentworkingtimeaftereachplaying.Firstplaying(1′32″)–2minutesofsilence

Secondplaying(1′32″)–2minutesofsilence

Describehowtheperformerscreateandsustainmoodandcharacterinthiswork.


SECTION A – Question 3 –continuedTURN OVER

Question 3 (12marks)Thisquestionrelatestoexcerptsfromthework‘ACaseofYou’,composedbyJoniMitchell.

Interpretation AWork:‘ACaseofYou’Performer:PrinceAlbum:A Tribute to Joni Mitchell(Nonesuch,2007)

Interpretation BWork:‘ACaseofYou’Performer:k.d.langAlbum:Hymns of the 49th Parallel(Nonesuch,2004)

Theexcerptswillbeplayedtwice.Therewillbesilentworkingtimeaftereachplaying.FirstplayingofInterpretationA(2′28″)–30secondsofsilenceFirstplayingofInterpretationB(2′21″)–1minuteofsilence

SecondandfinalplayingofInterpretationA(2′28″)–1minuteand30secondsofsilenceSecondandfinalplayingofInterpretationB(2′21″)–2minutesofsilence

Comparethewaysinwhichtheperformersmanipulatethefollowingtoachieveexpressiveoutcomes:• tonecolour• balanceofmusiclines• improvisation/embellishment/ornamentation


END OF SECTION A


SECTION B – continuedTURN OVER

Question 4 (3marks)Listentothefollowingintervals.Eachintervalwillbeplayedtwice.Eachintervalmaybeplayedharmonicallyand/ormelodically,eitherascendingordescending.Identifythesizeandthequalityofeachinterval.

Firstplaying–5secondsofsilenceSecondandfinalplaying–5secondsofsilence

1.

2.

3.

Question 5 (5marks)Listentothefollowingscalesand/ormodes.Eachscaleormodewillbeplayedtwice,ascendingand/ordescending.Identifyeachscaleormodeform.


1.

2.

3.

4.

5.

SECTION B – Music language (aural)

Instructions for Section BAnswerallquestionsinpencilinthespacesprovided.AnaudiocompactdiscwillruncontinuouslythroughoutSectionB.


SECTION B – continued

Question 6 (4marks)Listentothefollowingfour-barmelody.Themelodywillbeplayedfourtimes.Therhythmofthemelodyisprovided.Atwo-barcount-inwillprecedeeachplaying.

34/ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ ™

1. 2. 3.

Firstplaying–15secondsofsilenceSecondplaying–15secondsofsilenceThirdplaying–15secondsofsilence

a. Identifythesizeandthequalityoftheintervalsmarkedwithabracket. 3marks

1.

2.

3.

Fourthandfinalplaying–15secondsofsilence

b. Identifythetonalityofthemelody. 1mark

Question 7 (4marks)Listentothefollowingtriads/chords.Eachtriad/chordisinrootposition.Eachtriad/chordwillbeplayedtwice,inblockharmonyand/orasanarpeggio.Identifythequalityofeachtriad/chord.


1.

2.

3.

4.



Question 8 (2marks)Listentothefollowingchordprogression.Thechordprogressionbeginsonthetonicchordandwillbeplayedfourtimes,withsilentworkingtimebetweeneachplaying.Eachchordisinrootpositionandtheprogressionendswithacommoncadence.Thefirstfourchordsaregiven.Aone-barcount-inwillprecedeeachplaying.Identifythebassnoteandthequalityofchords5and6intheblankspacesoftheharmonicgridbelow.



Harmonic grid 1. 2. 3. 4. 5. 6.

Bass note A C# A F#

Quality major minor major minor

Question 9 (8marks)Listentothefollowingchordprogression.Thechordprogressionbeginsonthetonicchordandwillbeplayedfivetimes,withsilentworkingtimebetweeneachplaying.Eachchordisinrootpositionandtheprogressionendswithacommoncadence.Thefirsttwochordsandthelasttwochordsaregiven.Aone-barcount-inwillprecedeeachplaying.Identifythebassnoteandthequalityofchords3–6intheblankspacesoftheharmonicgridbelow.

Firstplaying–15secondsofsilenceSecondplaying–15secondsofsilenceThirdplaying–20secondsofsilenceFourthplaying–30secondsofsilence

Fifthandfinalplaying–30secondsofsilence

Harmonic grid 1. 2. 3. 4. 5. 6. 7. 8.

Bass note Eb C Bb Eb

Quality major minor dom7 major



Question 10 (6marks)Listentothefollowingfour-barworkforclarinetandbassoon.Theworkwillbeplayedsixtimes.Atranscriptionofthisworkisprintedbelow;however,thenotationismissingforbars2and3oftheclarinetpart.Therhythmofthemissingclarinetpartisgiveninthetopline.Atwo-barcount-inwillprecedeeachplaying.Thekeysignatureandthetimesignatureareprovided.Transcribethemissingmelodyforbars2and3oftheclarinetpart.

Firstplaying–20secondsofsilenceSecondplaying–20secondsofsilenceThirdplaying–20secondsofsilenceFourthplaying–30secondsofsilenceFifthplaying–30secondsofsilence

Sixthandfinalplaying–1minuteofsilence

°

¢

°

¢

3 4

2144

44

44

/

&b

?b

/

&b

?b

œ ™ œ œ œ œ œ

œ œ œ ™ œ œ œ œ œ

œ œ œ œ œœ œ

œ œ œ œœ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œœ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ

bassoon

clarinet in Bb

bsn.

cl.



CONTINUES OVER PAGE



Question 11 (6marks)Listentothefollowingfour-barmelody.Themelodywillbeplayedsixtimes.Atranscriptionofthismelodyisprintedbelow;however,thenotationismissingforbar2oftheoboepartandbar3oftheflutepart. Thetranscriptionisinconcertpitch.Therhythmofthemissingnotationisgiveninthetopline.Atwo-barcount-inwillprecedeeachplaying.Thekeysignatureandthetimesignatureareprovided.Transcribethemissingmelodyfor:• bar2oftheoboepart• bar3oftheflutepart.

Firstplaying–10secondsofsilenceSecondplaying–15secondsofsilenceThirdplaying–15secondsofsilenceFourthplaying–15secondsofsilenceFifthplaying–30secondsofsilence

Sixthandfinalplaying–1minuteofsilence

°

¢

°

¢

68

68

68

68

/

&bb

&bb

&bb

/

&bb

&bb

&bb

œ ™ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œn œ# œ ™ œ œœ

œ œn

œ ™ œ œ œ œ# œ œn œ œ œ

œ ™ œ œ œ œ œœ œ œ œ œ

œ œ œ œ œ œ œ œ œ

œ ™ œ œ œ œ ™ œ œ

œ œ#œ

œ œ œ œ œ œ œ œn œ# œ œ

œ œ œ œ œ œ œ œ œœ œ œ œ

œ

3 4

21

flute

oboe

fl.

ob.

b. cl.

bass clarinetin Bb



Blankmanuscriptforroughworkifrequired



Question 12 (4marks)Listentothefollowingfour-barexcerpt.Theexcerptwillbeplayedfourtimes.Atwo-barcount-inwillprecedeeachplaying.Transcribethemissingrhythmicnotationforbars3and4ofthecowbellpart.



tambourine

cowbell

tamb.

cow.

°

¢

°

¢

2

3 4

44

44

/3 3

/3

/

/

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

1


END OF SECTION BTURN OVER

Question 13 (8marks)Listentothefollowingeight-barexcerpt.Theexcerptwillbeplayedfivetimes.Atwo-barcount-inwillprecedeeachplaying.Transcribethemissingrhythmicnotationforbars3and7ofthesnaredrumpart.

Firstplaying–20secondsofsilenceSecondplaying–20secondsofsilenceThirdplaying–20secondsofsilenceFourthplaying–30secondsofsilence

Fifthandfinalplaying–30secondsofsilence

21

3 4

7

5 6

8

snare drum

tenor drum

s.d.

t.d.

s.d.

t.d.

s.d.

t.d.

°

¢

°

¢

°

¢

°

¢

128

128

/

/2

2 2

/

/

/2 2

/

/2

/

œ œ œ œ œ œ œ œ œ œ ™ œ ™ œ œ œ œ œ œ œ œ œ œ œ

œ ™ œ œ œ œ ™ œ ™ œ œ œ œ œ œ œ œ œ œ œ œ ™

œ œ œ œ œ œ œœœ œœœ ™

œ ™ œ ™ œ ™ œ ™ œ ™ œ ™ œœœœœœœ œœ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ ™ œ œ œ œ œ œ œ œ œ ™ œ ™ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ ™ œœœœ œœœ œ ™

œœœœœ œ œ œ œ œœœ œ ™ œ ™ œ œ œ œ œ œœœ œœœ


SECTION C – continued

SECTION C – Music language (written)

Instructions for Section CAnswerallquestionsinpencilinthespacesprovided.

Question 14 (2marks)Identifythesizeandthequalityofeachinterval.

& ww wwb

1. 2.

Question 15 (2marks)Writeeachintervalusingsemibrevesinthebassclef.

?

major6thaboveC augmented4thbelowB

Question 16 (3marks)Usethefollowingfour-barmelodytoanswerthequestionsbelow.

{34

34

&

?

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ

1.

2.

a. Identifythesizeandthequalityoftheintervalsmarkedwithabracket. 2marks

1.

2.

b. Identifythescaleormodeform. 1mark


SECTION C – continuedTURN OVER

Question 17 (3marks)Writeadescendingmelodicminorscaleontheprintedstavebelow.Thescaleshould:• bewrittenincrotchets• beginontheprintednote.

? œ#

Question 18 (5marks)Completethechordprogressionnotationforchords2–6below.Usethetrebleclef.Chord1hasbeengivenasanexample.Akeysignatureisprovided.

{&bb

?bb

wwww

w w w w w wpiano

1. Bbmajor7 2. Gminor7 3. Cminor 4. Ebmajor7 5. F7 6. Gminor


SECTION C – Question 19 –continued

Question 19 (5marks)Usethefollowingnotationtoanswerthequestionsbelow.

harp

violin

violoncello

flute

hp.

vln.

vc.

fl.

1

4 5

2 3

*

{°

¢

{°

¢

mf

mf

mf

98 34

98 34

98 34

98 34

98 34

34 54 68

34 54 68

34 54 68

34 54 68

34 54 68

&#

- . - .

&#

?#

&#

?#-

- --

&# .

..

&#

?#&

&#

?#-

œ œ œ œ œ œ ™ œ# œ œ œ œ œ œ œ œ œ œ œ œ# œ œ œ œ

œœœœœœ

œœœ œœ

œ# ™™™ œœœ

œ#™™™™ œœœ

œœœœœœœœœ

œœœ œœœ#

˙˙™™

œœ™™ œ œ œ œ œ œ œ

œ ™ œ ™ œ œ œ œ œ œ œ# œ œ œ œ œ œ

œ œ œ œ ™ œ ™œ œ œ œ# œ œ

œœ œ

œ œœ œ œ# œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ# œ œœ

œœœœ œœ

œœœ œœœ œœœ œœ œœ

˙ ™œ œ œ œ# œ œ œ œ

œœ œ œ

œ œ œ œ# œ œ œ


END OF QUESTION AND ANSWER BOOK

hp.

vln.

vc.

fl.

{°

¢

f mp

6 7 8

f mp

68 24

68 24

68 24

68 24

68 24

&#

- U

&#

-

> U

&# U

&#

- U

?#-

-- - U

œ ™ œ œ œ œ œ# œ œ œ œŒ

œ œ œ œ œ#œ œ

œ œ Œ

œœ œœœ œœœ œœœ# œœœ œ œ œœœ

œœœ Œ

œ ™ œ œ# œ œ œ œ œ œ œŒ

œ ™œ œ œ

œ œ œ œ œ Œ

a. Identifythescaleormodeform. 1mark

b. Identifythebracketedintervalmarkedwithanasterisk(*)inbar2oftheviolinpart. 1mark

c. Whatisthecorrecttimesignatureforbar2? 1mark

d. Whatisthecorrecttimesignatureforbar3? 1mark

e. Identifythefinalchordofthispiece. 1mark

2017 music performance aural and written · pdf file2017 music performance exam 2 section a...

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