21st century architecture beach houses - stephen crafti

7/26/2019 21st Century Architecture Beach Houses - Stephen Crafti

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21st Century ArchitectureBeach Houses


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Stephen Crafti

21st Century Architecture

Beach Houses


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Published in Australia in 2011 byThe Images Publishing Group Pty Ltd

ABN 89 059 734 4316 Bastow Place, Mulgrave, Victoria 3170, AustraliaTel: +61 3 9561 5544 Fax: +61 3 9561 [email protected]

Copyright The Images Publishing Group Pty Ltd 2011The Images Publishing Group Reference Number: 979

All rights reserved. Apart from any fair dealing for the purposesof private study, research, criticism or review as permitted underthe Copyright Act, no part of this publication may be reproduced,stored in a retrieval system or transmitted in any form by anymeans, electronic, mechanical, photocopying, recording or

otherwise, without the written permission of the publisher.

National Library of Australia Cataloguing-in-Publication entry

Author: Crafti, Stephen, 1959-Title: Beach houses / by Stephen Crafti;

edited by Mark Cleary.ISBN: 9781864704464 (hbk.)Series: 21st century architecture.Subjects: Vacation homes.

Architecture, Domestic.Other Authors/Contributors: Cleary, Mark.Dewey Number: 728.72

Designed by The Graphic Image Studio Pty Ltd, Mulgrave, Australiawww.tgis.com.au

Pre-publishing services by United Graphic Pte Ltd, Singapore

Printed on 140 gsm Chinese Matt Art paper by Paramount PrintingCompany Limited Hong Kong

IMAGES has included on its website a page for special noticesin relation to this and our other publications. Please visitwww.imagespublishing.com.


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6 INTRODUCTION

10 A BEACH SHACK

16 A NARROW SITE

22 A PERMANENT HOME

28 AFTER THE SHACK

34 AN EXPANDABLE BEACH HOUSE

40 BEACHSIDE

46 BOATSHED

52 BUNDEENA

58 CHANGE OF STYLE

64 FINGAL HEAD

70 FLEXIBLE SPACES

76 INSULATED

82 KANGAROO ISLAND

88 LINKED

94 LOW SLUNG

100 MATARANGI

106 MERMAID BEACH

112 NORTH QUEENSLAND

118 NORTHERN BEACHES

124 OMAHA BEACH

130 ON THE CLIFF

136 ON THE RIVER BANKS

142 OUT OF THE LANDSCAPE

148 OVER THREE LEVELS

15 4 OVER LO OK ING THE PACI FIC OCEA N

160 PALM BEACH

166 PEARL BEACH

172 PEREGIAN BEACH

178 PORT DOUGLAS

184 PORT FAIRY

190 QUEENSLAND COAST

196 RESTRAINED PALETTE

202 SEASCAPES

208 SERIES OF PAVILIONS

214 SETTLERS COVE

220 TRANQUILITY BASE

226 WAIHEKE ISLAND

232 WHALE BEACH

238 INDEX OF ARCHITECTS


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6

This is my fifth book dedicated tobeach houses. What is it aboutbeach houses in Australia andNew Zealand that makes them sofascinating? Fundamentally, it muststem from an eagerness to escape

from the city (Australia is one of themost urbanised countries in theworld, with over 70 percent of thepopulation living in cities). Thisescape found momentum in the1950s, with the building of humblefibro shac ks dotted along the coast.

These simple fibro shacks may nothave had two separate living areasand ensuites, but there was a strongconnection to the coastal elements,

from the dunes to the crashing wavesof the sea. Over the decades, the beachhouse became more sophisticated. Withthe price of land near the water increasingsubstantially, it was inevitable that morepermanent homes would be built.


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I N T R O D U C T I O N 7

However, while these latest beachhouses are more substantial bothin size and finish than those ofprevious decades, theres still astrong connection to the coastalsurrounds. Large picture windowshave been designed to capture thesea views, as well as gnarled tea-trees. And materials such as timberhave been selected to weather in

the often harsh sunlight. Otherhomes featured in this book aremade from concrete, designed tocombat theoften severewinds fromthe open sea.

A house from the 1970s is reworkedas well as showing a contemporaryside. Other homes have replacedthe original dwelling that existedon the site. And while theres nocomparison to these homes, bothin style or finish, there are subtleclues in the present design as toa former life, and the memoriesthis entails.

While many beach houses in this bookare entirely new, built from the ground up,

some are homes from previous periodsthat have been thoughtfully extended.


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8

Although each beach house in this book is unique,a similar arrangement of spaces and features can beidentified. Bedrooms are often located at ground level,with the upper level given over to the living areas.There is typically more natural light at the higher level,and often unimpeded views of the beach and the bluehorizon. The other commonality is the larger kitchen,with generous island benches a llowing the entirefamily to be part of meal preparation. Pantries maybe smaller, and there may be fewer kitchen appliances,

but meals are generally more casual. Lets be realistic,the idea of heading to the beach is equated with simplyprepared meals, with the emphasis on fresh ingredients.

Restrictions abound in the citythere are neighbours in closeproximity and some streets areheritage-listed; not to mentionall the setback requirementsfrom local councils, ensuring

overshadowing isnt an issue. While architects enjoy the freedomto design more liberally, there arestill constraints which need to beaddressed. And in certain enclavesalong the coastline, theserestrictions can be as challenging

to manoeuvre as designing in aheritage-listed street in the city.

Building a beach house notonly provides a valuableescape from the city,

it also offers an opportunityfor both owners andarchitects to experimentwith more adventurousideas.


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I N T R O D U C T I O N 9

Beach houses are often equatedwith fragile timber homes elevatedprecariously on poles. However,many of the beach houses in thisbook are strongly anchored to theearth. One house, by Woods Bagotat Wonga Beach, is constructed ofconcrete block. But rather than

feeling cavernous, this exceptionalhome is strongly connected to thesurrounding courtyard gardens.But even when a beach house isconstructed of timber, as is thecase with Hulena Architects houseat Matarangi Beach, the timber was

stained black to create a moodierpresence.

People will continue to be drawn tothe beach, whether they are parentsholidaying with children or empty nestersdividing their time between city and coast.Spending time in both environments notonly accentuates the experience in each

abode but, more importantly, highlights thediversity between the two environments.


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A B E A C H S H A C K 11

Built on a site once occupied by atiny unsalvageable fibro shed, thisrather less modest replacementhouse nevertheless retains thecasual sensibilities of the shack,located a short walk from KilcareBeach at HARDYS BAY , on thecentral coast of New South Wales.

As the site falls away fromthe street, the two-levelhouse appears single storeyfrom the front.Living areas, master bedroom andensuite are arranged on the firstfloor, with childrens bedroomson the level below. Given the slopeof the land, all rooms, includingbedrooms, enjoy views of the waterand established bushland.


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12

1 Deck 2 Bedroom3 Rumpus room4 Storage5 Water tanks6 Bathroom7 Laundry

8 Living9 Dining

10 Games room11 Kitchen12 Screened verandah13 Walk-in-robe14 Ensuite

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The choice of simple constructionmaterials was in part determinedby the house being located withina bushfire zone. Externally, thehouse features spotted gum andfibro cement sheets, with a roof

constructed of Zincalume steelsheeting. Inside, polished timberfloorboards are featuredthroughout, while the kitchenis made of laminate. A plywoodceiling over the dining area (whichforms part of the open pl an livingareas) creates a point of difference.

SIMPSON + WILSON

designed the house to be flexible,providing generous indoor space.Theres a games room on the firstfloor and a rumpus room below.P H O T O G R A P H Y B R E T T B O A R D M A N


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To ensure the outdoors can be enjoyed all year round, the house features a coveredverandah, and large sliding doors in thegames room and dining area open up ontogenerous deck areas.


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A N A R R O W S I T E 17

Located at WHALE BEACH ,New South Wales, this three-levelbeach house occupies a siterelatively narrow for a coastalproperty. Constructed of off-form

concrete and clad in black-stainedtimber, the house enjoys unimpededviews of the Pacific Ocean.


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Upper level

Middle level

Lower level 1 Bedroom2 Ensuite3 Living4 Deck 5 Pool6 Kitchenette7 Lift8 Bathroom9 Laundry

10 Kitc he n11 Dining12 Living13 Turntable14 Gara ge15 Walk-in-robe16 Master bedroom17 Balcony

To ensure a sufficient level ofnatural light entered the house,POPOVBASS ARCHITECTS

created a substantial off-formconcrete wall to the north, to directlight to lower levels.

The upper level of the house, whichis also the street level, comprisescarport, main bedroom, ensuiteand walk-in robe. Steps adjacent

to the garage lead down to theentrance located at the middlelevel. This level is given over to thekitchen, dining and living areas,while the lowest level of the househas three bedrooms, a bathroom, akitchenette and a second living area.


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To celebrate its idyllicposition, the two upperlevels feature cantilevered

off-form concrete slabsas balconies.


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To further increase the natural light in theliving areas, a portion of the ceiling overthe terrace has been cut out.

A sense of tranquility pervadesthe interior, with materials usedsparingly. Off-form concrete isfeatured prominently, and the

stained timber walls are expressedin the interior. The design representsa new take on the beach houseconcept, as theres a sense offamiliarity in the materialsselected, though it certainly doesntreference the fibro shack that once

stood on the site.P H OT OG R A P H Y K R A I G C A R L S TR O M


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A P E R M A N E N T H O M E 23

Sustainability and a focus onalternative energy sources are theemphasis of the design of this houselocated on ten acres in Victoriaspicturesque MORNINGTONPENINSULA .

CENTRUM ARCHITECTSused a variety of materials for thehouse, including Dromana stone,rendered brickwork and aluminiumpanels.


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The gradual slope over the siteallowed the creation of a three-levelhouse, anchored by means of thestonework. The lower ground levelhas parking for three cars, togetherwith a rumpus room and a staircaseleading to the ground floor. On oneside of this floor plate are threebedrooms and a bathroom,together with a generous terrace.On the other side of the house,separated by a central staircase

within a void, are the main livingareaskitchen, meals area, diningarea and formal lounge. There isalso a generous covered deck witha built-in barbeque for al frescodining.


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The first floor of the houseis given over to the mainbedroom suite, whichincludes bedroom,bathroom and dressingarea, together with a

study area.


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The pitched roof, unusual for acontemporary house, is ideal forsolar panels and photovoltaic cells,providing an efficient source

of heating for the house andswimming pool. Yet rather thandesign a typical pitch roof, thearchitects folded the roof planeto incorporate the eaves.P H O T O G R A P H Y A L E X B E N C I

( A X I O M P H O T O G R A P H Y & D E S I G N )

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1 Garage2 Rumpus room

3 Bedroom4 Bathroom5 Gallery6 Entry7 Serv ic e8 Laundry9 Kitchen

10 Meals a rea11 Dining12 Liv ing13 Al fresco14 Pool15 Study

16 Walk-in-robe17 Master bedroom18 Ensuite

First floor

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Lower ground floor0 5m


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A F T E R T H E S H A C K 29

This beach house replaces a shack that formerlyoccupied the site near VICTORIAS GREATOCEAN ROAD .

The site falls from thestreet, making the two-level house appear single

storey, with the lower levelconcealed. Constructedof a variety of materials,including a steel roof with analuminium fascia, the househas a sense of the 1950s.


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1 Bedroom2 WC3 Bathroom4 Living5 Laundry6 Fire pit7 Carport8 Entry9 Storage

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The top level is surrounded by timberdecks, one of which is used as a carport.Another deck, complete with outdoor

shower, is positioned to one side of thefront entrance. The front door opens to a largeopen-plan kitchen, living anddining area, leading to a generousterrace. This level also includes themain bedroom and ensuite. WithBass Strait visible in the distance,CENTRUM ARCHITECTS

designed the house to capitalise onthe ocean views. The living areascontain generous glazing, so theviews can always be enjoyed fromthe comfort of an armchair.


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On the level below are threebedrooms, together with a sharedbathroom and laundry. To ensureeach receives generous northern

light, the three bedrooms arestepped across the site. Theresalso a rumpus room, which leadsdirectly to the garden. To preventsand from being dragged throughthe house after a day at the beach,an external staircase was includedin the design.


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The aerodynamic roof

design is a response to thehouses position on top of ahill, where it can get quitewindy at times.P H OT OG R A P H Y A X I O M P H OT OG R A P H Y& D E S I G N


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A N E X P A N D A B L E B E A C H H O U S E 35

This large beach house, perchedon a cliff overlooking WESTERNPORT BAY , Victoria, wasdesigned as a series of expandable

wings by SALLY DRAPERARCHITECTS . Positioned quiteclose to the street, the massivetimber screen walls create a bunkereffect. To the north, retractableglazed walls open onto thebushland setting.


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The bedroom wing contains the teenagechildrens and guest bedrooms. The parentsbedroom is located near the main livingspaces, though half a level up, allowingthe house to function as a more intimateone-bedroom retreat when there are nochildren or guests staying.

Adjacent to the lobby is the main


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Adjacent to the lobby is the mainkitchen and living area, a half-levelabove the entrance, featuringpicturesque views of the site. The

hearth is an important anchoringpoint in the design, providing asense of tranquility, as well as asense of being grounded. To addtexture, timber beams are used inthe ceiling and flooring. All theseelements combine to encouragea more slow paced life, in contrastwith city living.


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1 Storage2 Garage3 Childrens living4 Bedroom5 Ensuite6 Spa

7 Fireplace/BBQ8 Deck 9 Food preparation/Oven

10 Laundry11 Powder room12 Void13 Entry14 Study15 Dining

16 Kitchen17 Living18 Walk-in-robe

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A single large picture


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A single large picturewindow to the eastframes sea views

through the bush.P H OT O GR A P H Y T R E VO R M E I N


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B E A C H S I D E 41

Originally a single-storey dwellingbuilt in the 1920s, Craig Shelsher,director of CUSTANCEASSOCIATES expanded thishouse perched on a hilltop inBRONTE , New South Wales, to

three levels to make the most of theunparalleled Pacific Ocean views.

Only a couple of the walls from the


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42

original structure remain, with newsandstone walls complementingthe headland and anchoring the

house to the site, which slopes tenmetres from the rear to the front.The extended lower ground levelnow includes parking for three cars,a rumpus room, and a separatestudy.

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1 Storag e2 BBQ3 Laundry4 Alfre sco5 Living6 Entry7 Kitchen

8 Dining9 Family room

10 Balc ony11 Bedroom12 Bathroom13 Hall14 Void

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As the beach house is on anexposed coastal site, taking thebrunt of the southerly winds andsalt air, robust materials were used.

As well as the sandstone base, the

walls are constructed of timber, zincand rendered brick painted white.


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44

A double-height space in the lobbyt th t li i g t


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separates the two living areas atground level and the bedroomwings on the first floor. Hot air is

drawn up and purged throughhighlight louvred windows duringthe warmer months. During winter,large timber sliding doors framingthe two living areas ensure heatdoesnt escape.

The first level contains the open-plankitchen, dining and living areas, all leadingto a generous terrace via glass doors.Framed with toughened glass balustrades,the front terrace offers spectacular viewsof the vast blue ocean. At the rear is apool room, leading to a covered area witha built-in barbeque.P H OT OG R A P H Y J O S EP H S A R KO D I E


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B O AT S H E D 47

Located on WAIHEKE ISLAND ,a short ferry trip from Auckland,and overlooking Oneroa Bay, thishouse enjoys panoramic views tothe headlands. The design of thetimber house uses the traditionalboatshed as a template, evident inthe three pitch roofed pavilions,each reminiscent of a boat house.


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The central pavilion functions asthe homes social hub. With itsdramatic timber-lined roof, thisopen-plan area leads to decks onboth sides. Architect JASON

BAILEY has created as muchoutdoor space as possible,as well as ensuring these areas areprotected from the often inclementweather. While this living area isopen plan, a level change looselydelineates the lounge from thekitchen.

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1 Garage2 Laundry3 Wine cellar4 Deck 5 Kitchen6 Dining7 Formal living8 Informal living9 Study

10 Guest ensuite11 Master bedroom12 Master ensuite13 Bunk room

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Lower ground floor

The house is designed to be usedby two families at the same time or


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B O A T S H E D 49

by two families at the same time orindependently. Two almost identicalpavilions lead via links from the main livingpavilion. Each pavilion contains a mainbedroom suite, together with bunk rooms.If only one family is using the house, eachwing can be easily partitioned.


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The design also includes a secondliving area adjacent to the mainliving area, as well as a study.

All rooms feature doors leadingto a deck. Though designed toaccommodate large groupsof people, the spaces arentoverwhelming if the ownersarrive on their own.


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B O A T S H E D 51

As the house is locatedon a ridge line, there wassufficient space to createa lower level, comprising agarage, storage area anda wine cellar.P H OT OG R A P H Y K A L L A N M A C LE O D


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Located an hours drive fromSydney, these beach houses


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B U N D E E N A 53

at BUNDEENA , in the RoyalNational Park, initially faced

opposition from the localcommunity. Locals were keen tomaintain the laidback characterand scale of the area, promptingarchitect TONY OWEN toreduce the size of the developmentfrom 42 beach houses to 15.

The houses lie on a 30-degree slope andoverlook Port Hacking and Hasting Beach.

The two-storey beachhouses are termed cross-


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The lower level, for example, whichincludes three bedrooms and abathroom, is designed across thebuilding envelope. In contrast,the kitchen and living areas, as wellas the main bedroom on the firstlevel, are orientated 90 degrees to

the bedrooms below to maximisethe northern light. This orientationon the first level also allowed forthe inclusion of a large terraceadjacent to the living areas. Toens ure sun protection, both levelsare well screened by extruded wallsand generous eaves.

over houses as a result oftheir design.


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B U N D E E N A 55

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2 Terrace3 Bedroom4 WC5 Plunge pool6 Living7 Dining8 Kitchen9 Walk-in-robe

10 Ensuite11 Carport


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The upper level is conceived asa timber box for the landscape,and the lower level is a white


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B U N D E E N A 57

and the lower level is a whitecontemporary portal form. As each

house is on a steeply sloping block,steel-framed structures were usedto touch the ground lightly andminimise impact. The formscantilever dramatically over thelandscape and over each other,creating a strong sculptural

composition. As a result,the living areas float over the bush,and even the swimming pools arecantilevered.P H O T O G R A P H Y B R E T T B O A R D M A N


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C H A N G E O F S T Y L E 59

This contemporary-style houseoverlooking BURLEIGH HEADS ,in Queenslands Gold Coasthinterland, is situated on agenerous 5-acre site. Though thesurroundings are quite bushy,

architects INNOVARCHI weremindful of not dominating the site,resulting in the houses low slungform and low pitch metal sheet roof.


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The house not only captures the

majestic views over Burleigh Beach,but the career and interests of theowners, who are involved in theballet industry. The designtherefore features a large balletstudio at ground level, togetherwith an art gallery, photographic

studio and office.


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While the ground floor

is single-skin blockworkon three sides (to allowprivacy for dancers andproviding thermal mass),the first floor of the houseis completely glazed onfour sides. The brief wasfor a fishbowl, though withprivate areas for dressing.


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Conceived as two pavilions on thefirst level, both of which open to aterrace, the main pavilion comprises


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a large open-plan space consistingof the living area, kitchen andlibrary. There is also the masterbedroom, which includes an ensuiteand walk-in-robe.

Like a traditional Queenslander-style house these pavilions feature

wrap-around balconies withunimpeded views of the PacificOcean. Generous eaves, large pivotdoors and louvred glass windowsare designed to capture theprevailing winds and offerprotection from the summer sun.P H O TO G R A P H Y J O H N L I N K I N S A N D S T E P H E N O X E N B U R Y

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1 Covered work area2 Artists studio3 Study4 Bathroom5 Kitchenette6 Dark room7 Guest

accommodation8 Parking9 Storage

10 Covered breakout

11 Ballet studio andart gallery

12 Back stage13 Verandah14 Bedroom15 Living16 Walk-in-robe17 Laundry18 Kitchen19 Performance deck 20 Loung e21 Dining22 Master bedroom

23 WC

First floor

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F I N G A L H E A D 65

The holiday destination ofFINGAL HEAD occupies aslither of land between Tweed Riverand the Pacific Ocean. On the

extreme tip of New South Wales,this coastal community consistsof only 300 or so houses.


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PAUL UHLMANNARCHITECTS overcame themany site restrictions to design atwo-level house that, thanks to a

double-height void over the livingarea, seems considerably largerthan its 260 square metres. Thelarge terrace, adjacent to the livingarea, is treated as an additionalroom. Sliding glass doors frame thelounge, while mesh screens close

off the terrace. Designed forsecurity, as well as for keepingmosquitoes at bay, the two areascan be opened up entirely.


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A study and a second living area completethe ground floor. To create a sense oftransparency, the timber-clad study nook


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68

is punctuated with a fish tank, throughwhich distant views of the garden canbe enjoyed.

The theme of transparency extendsto the balustrade with timberbattens separating the ground andfirst floor. When walking along thispassage, one can see across the

living area and through theclerestory louvred glass windows.

P H OT OG R A P H Y S C OT T B U R RO W S

( A P E RT U R E A R C H IT E C T UR A L P H OT O GR A P H Y)


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F I N G A L H E A D 69


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F L E X I B L E S PA C E S 71

For this beach house on thesouth coast of New South Wales,architects MOLNAR FREEMAN

were keen to create a modest frontfaade blending natural materials.Its only upon entering the housethat the panoramic views of thePacific Ocean are revealed.

While the house is substantial in size, fromthe street it appears as single storey, withthe lower level concealed by the three-metre fall towards the beach.

In response to the site, and the prevailingwinds, the materials become lighter as onemoves through the house. The renderedbrick faade gives way to generous glass


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brick faade gives way to generous glasswalls and timber cladding. Louvres madefrom either timber or aluminium diffusethe northern light.

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1 Rumpus room2 Bedroom3 Bathroom4 Laundry5 Powder room6 Deck 7 Outdoor shower8 Entry

9 Garage

10 Study11 Ensuite12 Master bedroom13 Pantry14 Reflection pond15 Courtyard16 Kitchen17 Dining

18 Living

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Located between the study andkitchen, the north-facing courtyard

allows natural light to penetrateinto the living areas. A pond createsa tranquil contrast to the crashingof the ocean waves. A large deck accessed from the living area enjoys180-degree views of the ocean. Fullycovered by a timber-lined ceiling,

the deck can be used all year round.


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The master bedroom and a secondbedroom are at ground level, whilethe rest of the accommodation ison the level below. Concealed inthe walls of the large rumpus roomare fold-out beds that provide forguest accommodation.


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Just as the house loosens uptowards the rear, so too does the

landscaping. While the front gardenis relatively formal, as one movestowards the rear of the house thegarden beds become curvaceous,with an increased use of nativeplants.P H O T O G R A P H Y M U R R A Y F R E D E R I C K S


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I N S U L AT E D 77

Architect Chris de Campo, ofde CAMPO ARCHITECTS ,found this vacant site atSORRENTO , Victoria. Cleared bya previous owner, the 1600-square-metre site was subdivided into two,with de Campo retaining the rearproperty. Slightly elevated towards

the rear of the site, the beach houseis accessed via a driveway lined witholive trees, making it extremelyprivate and shielded fromneighbours.


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K A N G A R O O I S L A N D 83

Constructed of steel and glass, thisbeach house in KANGAROO

ISLAND , South Australia, boasts180-degree views of Eastern Cove.

While the point of arrival is fairlyunspectacular scrub, the homesskillion-shaped roof embracesthe water.

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Past the fibro-cement garage andup the stairs, the house quicklyreveals itself. One arrives directlyinto the open-plan kitchen and

living areas. To integrate theindoors and outdoors, a sandstonespine wall extends through theglass sliding doors to the adjacentterrace. To ensure the sandstone isprotected inside, toughened glasscreates an additional layer as the

kitchens splashback.

Consisting of two levels, ARCHITECTS INK

designed the house so that the lower levelwhich

contains three bedrooms, a bathroom and rumpusroomcan in the future be closed off from thecompletely self-contained upper level.

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While the house was designedto maximise light and views, thearchitect saw the garage (stained

chocolate brown) as a shippingcontainer that had been washed upon the shore. Its solidity also createsa strong juxtaposition to the homeslightweight construction.

The balcony to the side

of the house enjoys viewsof the water while beingprotected from theprevailing winds.P H OT OG R A P H Y S A M N O O NA N


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The new pavilion is clad in westernred cedar and simply oiled, designed toturn grey as it ages and blend with the


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turn grey as it ages and blend with thesurrounding trees.

On the ground floor of the pavilionare a rumpus room and kitchen,

together with a powder room


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L I N K E D 93

g pand laundry. Upstairs are threebedrooms, a study and twobathrooms. To connect the insidewith the outdoors, the living roomwall, with its open fireplace, isrendered in a crushed sandstonerender, like the breezeway walland the original sandstone blocksin the cottage.P H O T O GR A P H Y M I C H A E L N I C H O L S O N


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8

8

10

15


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96

A 1950s home originally occupiedthe site, and while architectsDESIGN KING

werent keen onreproducing a more contemporaryversion of the former dwelling, thereare some elements in the designthat suggest a touch of the past.

Wide, generous verandahsenvelope the house, blending withthe inside living areas rather thanfunctioning as separate outdoorspaces. Entry is via a central pavedcourtyard, lined with pivoting glassand timber doors. With immediateviews over the water, the living

room cascades with basalt stepsand built-in banquette seating.

12

3

4

5

6

4

17

9

1110

12

13

17

14

16

1 Storage2 Gym3 La undry4 Guest bedroom5 Dark room6 Rumpus room/Theatre7 Plant room8 Bedroom

9 Bathroom

10 Courtyard11 Ensuite12 Main bedroom13 Liv ing14 Terrace15 Garage16 Kitchen17 Dining

Lower ground floor

Ground floor

0 4m


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L O W S L U N G 97

As well as the spaciousliving area, with its highlight

clerestory windows,the ground level includes


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98

Featuring glass doors thatdisappear into cavity walls,

the dining area becomes alivewhen the doors are pulled backand the curtains move in the breeze.

The main bedroom, ensuite anddressing area, as well as twoadditional bedrooms, are located

on the other side of the courtyard.

the ground level includesthe open-plan kitchen,living and dining areaand bedrooms.


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L O W S L U N G 99

A staircase framed with a pre-agedcopper wall leads to a lower levelthat contains two guest bedroomslinked by a central rumpus area.P H O T O G R A P H Y B R E T T B O A R D M A N


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100

Framed by verdant lawns andestablished pine trees, the Matarangibeach house, two hours drive south

AUCKLAND


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M ATA R A N G I 101

from AUCKLAND , is only a leisurelystroll away from the Pacific Ocean.

The relatively modest site feels more

expansive because of its proximity toa wide promenade known locally as theboardwalk.


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102

This HULENA ARCHITECTS

design uses a limited palette ofmaterials, including the verticalblack-stained pine cladding and theconcrete polished floors The black


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M ATA R A N G I 103

concrete polished floors. The black external cladding is referencedinternally with similarly clad whiteceilings. The single-level housewith lookout tower features

generous glass sliding doors andlarge picture windows, with themain bedroom, in the tower, havi ngsweeping views of the ocean. The design, like the materials used,

is simple. The open-plan kitchen,dining and living areas are locatedacross the front of the house,

enjoying direct access to a largetimber deck oceanside and a pavedterrace and sheltered courtyard atthe front. One of the most covetedareas is referred to as the snug,a protected nook to one side of theliving room. Lined with wideban quette seating for reading,the snug is also used when thereare a few extra guests staying overthe night. There are also threeadditional bedrooms and abathroom, with one of these

bedrooms doubling as a bunk room.

12

3 45 6 6 6

6

8

9

7

1 Entry2 Snug3 Living4 Dining5 Kitchen6 Bedroom7 Dressing room8 Garage9 Deck

10 CourtyardGround floor

First floor

0 6m

10


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104


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M ATA R A N G I 105

One of the more unusual featuresof the design is the buttress wallsprotruding onto the deck. Stainedblack, these cupboards are used tostore everything from furniture andumbrellas to surfboards, andprovide immediate shelter andprivacy to individual rooms.

Pared back and free ofclutter, the view dominates.P H OT OG R A PH Y K A L L AN M A CL E OD


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106


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M E R M A I D B E A C H 107

This three-level beach house is

located in MERMAID BEACH ,one of the few areas onQueenslands Gold Coast withouthigh-rise apartment towers.

The ground level of thehouse features a generousopen-plan kitchen, livingand dining area, with theliving areas benefiting froma double-height volumeand boasting a dramaticdouble-height fireplaceclad in timber veneer.A home office, guestbedroom and ensuite arealso located on this level.

For al fresco dining theres alarge terrace overlooking acourtyard, with the kitchen joinery extending into the

terrace area to create anoutdoor room.


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108

On the first level of the house arethree childrens bedrooms togetherwith a rumpus room. To create asense of connectivity, the upperlevel is framed with timber battensas well as glass louvred windows.To blur the division betweenindoors and outdoors, th e battentreatment is continued on theupstairs decks.

One of the most spectacular viewsof the ocean is from the top level,which comprises the mainbedroom, ensuite and walk-in-robe.

A study/retreat, together with abalcony, is also featured on thislevel.


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M E R M A I D B E A C H 109

1 Carport2 Terrace3 Swimming pool4 Deck 5 Living6 Kitchen

7 Dining8 Courtyard9 Laundry

10 Bath11 Lift12 Bedroom13 Study14 Void15 Family room16 Walk-in-robe

0 5m

12

3

45

6

7

8

4

9 10

11 12

13

14 14

4 15

12 10

11

12

12

412

1011

13

16

Second floor

First floor

Ground floor


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N O R T H Q U E E N S L A N D 113

Located in WONGA BEACH

in North Queensland, and onlya short stroll from the water, thisbeach house is firmly anchored toits tropical surrounds, with a muchstronger presence than a typical

lightweight tropical home.

12

3

4 5

6

7 8

9

10

1112

13141516

18

55


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114

Architects WOODS BAGOT

have taken the surroundings intothe core of the house, creating asense of being in the middle of thebush. Concrete blocks extend intothe landscape like trance lines,giving privacy as well as protectionfrom the tropical sunlight. Concreteblocks also form the interior walls.

0 5m

17

1 Entry courtyard2 Entry3 Entrance hall4 Garage5 Be droom

6 Service yard7 Walk-in-robe8 Main bedroom9 Portico

10 Pool11 External shower12 Courtyard13 Living14 Dining

15 Kitc hen16 Laundry17 Beach access18 Public path


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N O R T H Q U E E N S L A N D 115

Unlike some beach houses, which endeavour to create

urban-style homes on the coast, the Wonga Beachhouse is pared back with its refined palette. It is robustwithout being overloaded with finishes.


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N O R T H E R N B E A C H E S 119

This elegant beach house byTZANNES ASSOCIATES

is located in SYDNEYSNORTHERN BEACHES ,New South Wales. Overlookingthe Pacific Ocean, it was designedas a permanent family home,

responding to the casual wayof living on the coast.


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120

Constructed of masonry with alightweight steel roof the house 7 8

6


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lightweight steel roof, the househas two distinctive faades. Fromthe street, the house is partiallyshielded by external blinds.

However, the elevation fronting thebeach is extensively glazed by floor-to-ceiling windows and largesliding doors leading to terraces.

The ground floor contains thegarage and a study, together with

the main bedroom and ensuite. A feature of the back garden is the lappool, which cleverly extends belowa covered terrace. The two-storeyvoid in the centre of the house isdesigned to maximise natural light.

1

2 3

45

8

11

1110

9

9

1 Laundry2 Garage3 Study4 Ensuite5 Master bedroom

6 Rumpus room7 Kitchen8 Dining/Living9 WC

10 Bath11 Bedroom

First floor

Ground floor0 6m

Additional bedrooms and the kitchen andliving areas are found on the first floor.Most rooms have access to the outdoors,as well as uninterrupted views of theocean, making for a very dramatic firstimpression.

To celebrate the location, a limited


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122

,palette of materials has been used.Polished concrete floors andconcrete stair treads are beautifully

combined with spotted gum, whichalso appears in the joinery, suchas the cupboards framing thefireplace in the main living area.The materials, like the house,appear quite simple from theoutset, but the simplicity concealsa considerable degree of complexity.

P H OT OG R A PH Y S TE V E B A CK

S T E V E B A C K. C O M .A U


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124


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O M A H A B E A C H 125

Constructed of timber and cladin black-stained cedar boards,this weekend house located ona four-kilometre stretch of beach

in OMAHA , north of Auckland,provides a crisp outline againstthe blue of the ocean. Consciousof the prevailing winds, primarilycoming from the north and south,SHANAHAN ARCHITECTS

designed the two-storey housein a C-shape configuration, framinga central courtyard, to createsheltered outdoor areas.

The open-plan kitchen, living anddining areas open onto a deckwith views of the water. With its

V-shaped ceiling and highlightwindows, this area has a distinctivepavilion feel. An automaticaluminium shade system over thedeck offers protection from the sun.The architect drew on the language

4

12 9


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126

of the boat in the design of thehouse, evident in the indented roof.

12

3

4

4567

8

8

8

8

49

12

1 Entry2 Garage3 Rumpus room4 Bedroom5 Kitc he n6 Dining

7 Living8 Deck 9 Bathroom

10 Laundry11 Storage12 Walk-in-robe

11

Ground floor

First floor

11

9

10

0 5m


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The combination of whitepainted eaves and fascias,as well as window frames,was chosen to avoid ahigh-maintenance regime.

The ground level also includes twobedrooms and a shared bathroom,as well as a large rumpus room on theother side of the central courtyard.


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128

Located on the first floor of thehouse are the main bedroom and

ensuite, offering the best views inthe house, together with a guestwing, only accessible via therumpus room, creating a levelof independence for guests stayingat the house.

P H OT OG R A P H Y K A L L A N M A C LE O D


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9

10

11


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132

Architects WOODS BAGOT

designed the house as threeinterconnecting forms. The lowestlevel is constructed of off-formconcrete, with concrete wallsextending to the interior. Directlyabove is a glazed pavilion, withlarge sliding glass doors leading

to a terrace and swimming pool.The third element, the timberform, links the other two.

0 5m

1 2 3 3 2 6

54

7

8

12 13 14 16

15

1 AC plant2 Bedroom3 Bathroom4 Corridor5 Walk-in-robe6 Master bedroom7 Hot water plant8 Ensuite9 Driveway

10 Garage11 Entrance12 Pool13 Terrace14 Liv ing15 Kitchen16 Dining

First floor

Ground floor


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O N T H E C L I F F 135


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136

Though directly fronted by a beach,it is the expansive water views overthe homes swimming pool and thenearby Canning River that reallycapture ones attention in this largehome in MOUNT PLEASANT,

Western Australia. Water surroundsthe house, a feature enhanced bythe wet-edge pool seeming tomerge as one with the river.


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O N T H E R I V E R B A N K S 137

wrightfeldhusenARCHITECTSdesigned thehouse to maximise outdoor

entertainment areas, providinggenerous balconies and terracesacross the homes three levels.

A sheltered courtyard allowsfor year-round entertaining.Established palm trees lend theproperty a touch of LA glamor.

The lower ground floor includes arumpus room, a separate theatre

5 11 17

20

621

21

20

20

2122 10

15

6

23

24

25

First floor


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138

and an entertainment room, withbar, ideal for socialising with

friends. A garage, study, spaciousopen-plan kitchen, living anddining areas are located at groundlevel. The living areas appear evenmore substantial when the largesliding doors to the terrace areopened. To create a seamless

transition between indoor andoutdoor areas, travert ine floorsextend to the terrace.

Three bedrooms and

bathrooms, together witha main bedroom suite, arefound on the top floor. Thissuite features a separatelounge that connects to alarge terrace.

0 5m

1

2

3

4

6 78

9

10

12

1314

15

16

17

18 19

1 Sauna2 Theatre3 Kitchenette4 Games room5 Study/Guest room

6 Ensuite7 Powder room8 Entry9 Garage

10 Storage11 Courtyard12 Gal le ry13 Laundry

14 Study15 Living16 Kitchen17 Terrace18 Dining

19 Pool20 Bedroom21 Walk-in-robe22 Bathroom23 Dressing room24 Main bedroom25 Balcony

Lower ground floor

Ground floor


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140

The lower level comprises off-formconcrete, anchoring the home to the site.Rendered brick is also used, together with


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copper cladding that will eventually show

a green hue.P H OT OG R A P H Y R O B ER T F R I TH


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142


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The black-stained cedar claddingof varying width adds texture,while reminiscent of stacked driftwood.

O U T O F T H E L A N D S C A P E 143

Set behind the windswept sandy white dunes andtussock of OMAHA BEACH , an hours drive northof Auckland and a popular destination for familieswanting to escape the city, this substantial part-two-storeyed beach house rises out of the harsh landscape.


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Protected from the wind by a highplastered block wall, the west-facing central courtyard, completewith built-in barbeque and plungepool, accommodates the gatheringof large groups of people and

serves as a sheltered outdoorroom during the warmer months.


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Framing the main courtyard andopening to the beach, the kitchen,dining and living area opens toa timber deck area that enjoys


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impressive views over the PacificOcean. Three guest bedrooms withensuites are located on the groundfloor, separated from the mainliving areas by a partially coveredterrace which, open to the sky,is used like a back door, for thestorage of surfboards and wetsuits.

The house contains three moreprivate family bedrooms and twobathrooms on the first floor.

HULENA ARCHITECTS

designed the house to maximisepenetration of natural light as wellas providing alternative exteriorliving area protection from variouswinds.P H O T O G R A P H Y K A L L A N M A C L E O D

146

1 Entry2 Courtyard3 Media room4 Plunge pool5 Garage6 Bedroom7 Gallery8 Laundry

13

6

6

6

14

14


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9 Scullery10 Kitchen11 Dining

12 Living13 Deck 14 Void

1

2 234

5 6 6 6

7

8

9 10

11

12

13

First floor

Ground floor


0 10m


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148


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On the lowest level are twoadditional bedrooms, abathroom and a generous

4 114

9

7

24

2312

1 Water tanks2 Bedroom3 Bathroom4 Deck/Terrace5 Storage6 Laundry7 Cour tyard8 TV room9 Kitc hen

10

First floor


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152

bathroom, and a generous

timber deck, linked vialarge sliding glass doors.

Like the three levels it traverses,the house is constructed of threedifferent materials. The top level

is essentially sandstone brick.The middle level is stained timber,while the lowest level, anchoringthe house, is rendered masonry.

P H OT OG R A PH Y R A Y C L A RK E P H OT OG R A PH Y

0 5m

1

2

3

2

4

4

5 6 8 4 10 Dining11 Living

12 Carpor tGround floor

Lower ground floor


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O V E R T H R E E L E V E L S 153


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154


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O V E R L O O K I N G T H E PA C I F I C O C E A N 155

Constructed of robust materials,including concrete, stone andmasonry, the curved form of thishouse in LITTLE BAY , on the

New South Wales coast, gives thesense of having been eroded bysand over time, with many of theexternal features tapered forprotection against the prevailinghigh winds.

8 9

10

12 16

17

181514

11

13


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156

Ground level

Lower ground level1 Drying court2 Laundry3 Bathroom4 Bedroom5 Storage/Comms6 Garage7 Sitting room8 Water feature9 Study

10 Entry11 Powder room12 Kitchen13 Ensuite14 Walk-in-robe15 Master bedroom16 Terrace17 Dining18 Living

1

4

5

64

7

2 3

0 4m

A garage, three bedrooms, abathroom and laundry are placedat the lower ground level, while onthe ground level are an open-plankitchen, living and dining area,and a study. The main bedroom,

ensuite and walk-in-robe, cleverlyintegrated with the bed-head, arealso located on this level. To enableenjoyment of the ocean views,architect LUIGI ROSSELLI

designed a built-in timber seat to


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O V E R L O O K I N G T H E PA C I F I C O C E A N 157

frame the bedroom window.

The windows in the main living

area are as generous, stacking back on themselves to ensure anunimpeded view of the beach. A window box maximises the amountof glazing in the living area, makingthe space feel like a verandah whenall the windows are pulled back


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158

all the windows are pulled back.

Curves are a feature externally and internally, used for ahighlight clerestory window, as well for internal walls andeven the timber stairs.

The terrace roof garden, accessedby foldable steel stairs, offersimpressive views of the PacificOcean, and also provides aplatform for photovoltaic cells.

P H OT O GR A P H Y R I C H AR D G L OV E R


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O V E R L O O K I N G T H E P A C I F I C O C E A N 159


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Just metres from Pittwater, thisPALM BEACH , New South

Wales house couldnt be any closerto the waters edge, occupying thefootprint of the propertys originaltwo buildings, a sail loft (designed

for sail making) and a 1970s homein need of a complete refurbishment.

Almost entirely rebuilt, the sail loft stillretains a sense of its past life, though itnow functions as an open-plan kitchen,


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PA L M B E A C H 161

living and dining area. A new steel roofwas added, with its underside made fromrough sawn plywood and painted timber.The surrounding windows are motorised,dropping to the height of the glassbalustrades on warmer days and givingthe space a wonderful sense of openness.


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162

The main bedroom, walk-in-robe, ensuite and agenerous verandah are located on the level above.

As with the loft, architectural firm WALTER BARDA

DESIGN used exposed timber beams and a highpitched roof in the main bedroom, with floor-to-ceilingglass doors opening entirely to ensure unimpededviews over Pittwater.

The ground floor of themain house contains agarage, a television/billiardroom, and three bedrooms,each with its own ensuite.


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P A L M B E A C H 163

The rooms in this classic beachstyle house are slightly overscaledand the materials are quite tactile.Extensive use of timber plantation

7 8

8

171615

18

19

20

21

22

Upper level


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164

shutters take advantage of thecooling onshore breezes.P H O T OG R A P H Y R O B E R T M O R E H E A D

1

2

3

45

16 7

7

8

8

9

10

14

15

1312

11

3

1 Lawn2 Pump room3 WC4 Storage5 Boatshed6 Wet-edge pool7 Bedroom8 Ensuite9 Laundry

10 Billiard room11 Cool room12 Butlers kitchen

13 Kitchen14 Living/Dining15 Deck 16 Master bedroom17 Walk-in-robe18 Study19 Entry court20 Car space22 Driveway

Middle level

Lower level0 10m


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P A L M B E A C H 165


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166


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P E A R L B E A C H 167

Overlooking BROKEN BAY ,on the central coast of New South

Wales, these two modest beachhouses are mirror images of eachother.

In keeping with the brief, architectsANDRE POREBSKI +ASSOCIATES located the

childrens wing closest to the street.Comprising a living areaand adjacent bathroom, this wingalso includes a mezzanine-stylebedroom accessed by a ladder.

9

7

7

10

10

First floor


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168

One of the main features of thePearl Beach houses is the sharedinternal courtyard, separating thechildrens wing from the open-plankitchen, living and dining areas.

Protected from the wind,this outdoor area can beused during the wintermonths, and also creates aprivate outdoor living area.

1

2

34

5

6

17

8

1 Entry2 Living3 Dining4 Kitc he n5 Internal courtyard6 Childrens living area7 Bathroom8 Garage9 Master bedroom

10 Bedroom

Ground floor0 5m


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To maximise cross-ventilation,large sliding doors are placedeither side of the living spaces,together with highlight glasslouvred windows. To ensure acontinual breeze is blowing

through the house, a solid wallruns between both upstairsbedrooms, with the upper sectionfeaturing timber louvres.

Like the exterior, which is fairlyrobust, the interior finishes includeexposed concrete block walls andconcre te slab with blackbutt joinerythroughout. Timber also featuresextensively on the floors, as well as

on the large timber deck orientatedto the water.


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170

On the first floor of eachbeach house are twobedrooms and twobathrooms. The masterbedroom enjoys ocean

views, while the secondbedroom overlooks theinternal courtyard.P H OT OG R A PH Y G I LE S W E ST L EY A N D E R IC S I ER I NS


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172

Located on a compact site atPEREGIAN BEACH , south ofNoosa Heads in Queensland, all thatseparates this three-level house fromthe Pacific Ocean is a native reservefilled with Banksia and grasses;

and theBUD BRANNIGAN


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P E R E G I A N B E A C H 173

and theARCHITECTS design makes themost of both the setting and the sub-tropical climate.

Maximising the use of outdoor space,the lounge opens on one side to a large

covered verandah, accessed throughsliding glass doors. To further ensureuninterrupted views from this level,other doors over the pool below can slideback entirely, the opening protected by atoughened glass balustrade.

Pivotal to the design is a void thatspans all three levels, dividing thenorth and south wings of the houseand acting as a solar chimney,dra ing in the air cooled b the lap

First floor

5 5

911

5

5

6 14

16

15

6 8

810 13

7


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174

drawing in the air cooled by the lappool at the edge of the house andpushing out warm air at the toplevel, aided by extensive glasslouvred windows. The north-facingL-shape design also captures

maximum natural light.The main floor, at street level,includes the main living areas andkitchen, as well as two bedroomswith a shared bathroom. This levelalso contains the garage.

1 Water tanks2 Garden terrace3 Pool4 Pool room5 Bedroom6 Bathroom7 Entry8 Verandah

Lower ground floor

Ground floor

9 Garage10 Laundry11 Kitchen12 Dining13 Living14 Walk-in-robe15 Deck 16 Ensuite

1

1 4

2

3

111012

0 3m

A cabana-style poolroom at the lower levelenjoys unimpeded viewsof the swimming pool.


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176

On the top level are two additional

bedrooms, including the mainb d d i A


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, gbedroom and ensuite. A transparentbridge separates these twobedroom wings, and assistscross ventilation.P H O T OG R A P H Y D A V I D S A N D I S O N


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178

Thi b h h t PORT


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P O R T D O U G L A S 179

This beach house at PORTDOUGLAS , Queensland, issituated at the crest of a hill on oneof the townships premier streets,overlooking Four Mile Beach andBlack Mountain in the distance.

Concealed behind a hammered marbleconcrete wall, the houses fortress-likefaade creates a sense of mystique.

However, past the front entry,one walks directly into a foyer thatoffers expansive views of the livingareas. As the site dramatically fallsaway from the street, entry and the

living areas are on the top level.The high front fence not onlycreates privacy, but allows the frontdoor to be kept open to improvecross ventilation, so importantin a tropical climate.

The living areas generousbifold doors, opening ontothe wrap-around terrace,are diametrically opposite

each other to reduce theimpact of the winds mainly

22 3

4

56

7

8

9 10

11

4

8

8

11

12

13 14 15

1617

18


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180

impact of the winds mainlyfrom the southeast.

0 5m

1

2

2

3

3

4

4

1 Plant2 Bedroom3 Ensuite4 Deck 5 Bathroom6 Laundry7 WC8 Terrace9 Gazebo

10 Pool11 Pond12 Driveway13 Pantry14 Foyer15 Garage16 Dining17 Kitchen18 Living

Lower ground floor

Ground floor First floor

Directly below the living areasare two bedrooms, one beingthe master bedroom, withaccompanying ensuite anddressing area. Like the living areas,the master bedroom and bathroomenjoy views over the substantialswimming pool that extends acrossthe site. On the lowest of the threelevels is the guest suite, designedas a free-standing element in thelandscape. Evocative of an Asianpavilion, this timber s latted roofed

structure includes two bedrooms,each with its own ensuite


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each with its own ensuite.


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182

The timeless design, by WOLVERIDGEARCHITECTS , uses high quality finishes,such as limetone flooring, and is paredback to highlight the incredible view.P H O T O G R A P H Y D E R E K S W A L W E L L


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184

Ten metres above sea level and

only 50 metres from the water,this striking house, designedby FARNAN FINDLAYARCHITECTS as a permanenthome, sits perched above the sanddunes, taking in spectacular oceanviews.


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P O R T F A I R Y 185


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186

The site has both a curved and flat

elevation. The flat elevation isorientated to the local townshipof PORT FAIRY , on Victoriaswestern coast, while the slightlycurved faade takes in views ofthe beach and frames criticallandmarks, including a lighthouse

and Griffith Island.

The kink in this faade also provides someprotection from the southwesterly winds.


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While the ground floor appears relativelyenclosed, particularly for a beach house,a series of timber shuttered sliding doorsopen up to create a verandah effect.


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188


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P O R T F A I R Y 189

Clad in spotted gum, this externaltimber will eventually fade to asilvery grey, blending with thesurrounding tea-tree andsharpening the spectacular viewsin the process.P H O T O G R A P H Y B R E T T B O A R D M A N


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190

Overlooking the Pacific Ocean, thishouse on the QUEENSLANDCOAST enjoys 180-degree waterviews, with the water literally

lapping at the rear boundary of theproperty at high tide. With only areserve separating the house from

Appearing single storey due to athree-metre step concealing thelower floor, it soon unfolds toreveal a two-level home. The

timber-battened faade not onlyallows the morning light to filterthrough but also creates privacy


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Q U E E N S L A N D C O A S T 191

reserve separating the house fromthe water, the location is idyllic.

through, but also creates privacy,as well as protection from thestreet. This three-metre-wide area,dubbed the verandah, featuresa pond either end, numerous

sculptures and a variety of orchids.

From the street, this beachhouse appears fairly

modest in scale.


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192


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2 3

2

9

11 1210

3

Ground floor


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194

With the house being fullyscreened from the street, entryaccess is via a frameless glass frontdoor. A set of internal stairs leads

to the lower-level studios, bedroomand storage space. The upper,street level comprises a large openliving area, kitchen, dining, twobedrooms (one of which is themaster bedroom) and twobathrooms. Both the living area

and master bedroom accessgenerous verandah spaces.P H O T O G R A P H Y D A V I D S A N D I S O N

12

5 6

77

8

3 4

1 Studio2 Bedroom3 Bathroom4 Laundry5 Terrace6 Studio7 Storage8 Garage9 Living

10 Deck 11 Dining12 Kitc hen

Lower ground floor

0 10m


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Q U E E N S L A N D C O A S T 195


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196

Perched on a hill overlooking thebay, the dramatic incline of the sitegives this spacious beach house inGEELONG , Victoria, an imposingpresence. Adding texture as wellas animating the faade, picturewindows framed with walnut-


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R E S T R A I N E D PA L E T T E 197

stained slatted timber offer viewsof the water from most rooms,while at the same time preservingprivacy.

Timber oscillates between inside and out,sometimes used for internal furnishings,other times as external screens.

The upper level of the housecontains four bedrooms, includingthe main bedroom, as well as achildrens play area. Perpendicularto the bedroom wing, at groundlevel, is the main living wing, withits open-plan kitchen, integral tothe living areas and yet set slightlyapart by its lower ceiling height.

With stone top and stainless steellegs, the kitchens central islandbench appears like a free-standingpiece of furniture merging with thesurrounding spaces. Adjacent to theliving areas is a large study/studio.

6

8

13

15

79

10

11 12

15 15 1518

1716

First floor


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198

1

2 3

5

4

14

Ground floor

Lower ground floor1 Garage2 Studio3 Stora ge4 Entry5 Driveway6 Pool7 Deck 8 Living9 Dining

10 Kitchen11 Laundry12 Powder room13 Lounge14 Study15 Bedroom16 Bathroom17 Ensui te18 Walk-in-robe


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The living areas link to the outdoors eventhough the site is steep. Accessed vialarge glass sliding doors, the living areasand terrace

both featurethe sameceramic tile.

JAM ARCHITECTS sees thedesign as rendered boxes, with each


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200

A strikingstone wallmade from

Murray River stones and sleepers addstexture to the outdoors.

form clearly defining the function.

P H OT OG R A PH Y M I CH A EL K A I A N D R H IA N NO N S L AT T ER


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R E S T R A I N E D P A L E T T E 201


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202

Entry to the house is via

Bordered by low-lying sand dunes andwith few surrounding properties, theclean lines, large open spaces andstone feature wall of this beach housein SEASCAPES , approximately onehundred kilometres south of Perth,

are inspired by Frank Lloyd WrightsFalling Water.


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S E A S C A P E S 203

timber gates that leadto an internal courtyard,and even before crossing

the threshold one hasencountered water in threedifferent formsthe pondin the courtyard, theswimming pool and theIndian Ocean in thebackground.


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Designed by BANHAM ARCHITECTS to containlarge fluid spaces, the ground floor features an open-

plan kitchen, living and dining area. Orientated to thenorth to maximise light and offer protection from theoften harsh southwest winds, a generous terraceleading from the living areas functions as an outdoorroom, complete with a built-in barbeque and sink.


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On the first floor is a large mainbedroom and spacious ensuite,separated from the bedroom by a

First floor

12

3 4 5

9

1011


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p ybedhead rather than a fixed wall toensure the magnificent view canbe seen from all vantage points.

Adjacent to the main bedroom isa second living area, complete witha terrace that extends the length ofboth areas.

As with many of Wrights houses,stone is used extensively in the

Seascapes house, extending acrosstwo levels in some areas, such asthe double-height void enclosingthe open treaded timber staircase.P H O T O G R A P H Y A N N E T T A A S H M A N

A N D M I C H A E L C O N R O Y

206

Ground floor0 5m

6 7

8 89

1 Entry courtyard

2 Kitc hen3 Living4 Dining5 Terrace6 Laundry7 Powder room8 Bedroom9 Ensuite

10 Master bedroom11 Retreat


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208

Designed by BANHAM

ARCHITECTS , this monumentalhouse in TERRIGAL , on thecoast of New South Wales, enjoysdi t t th b h


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S E R I E S O F PAV I L I O N S 209

direct access to the beach.

Staggered across its elongated site andextending over several levels, the houseis constructed of concrete, steel andglass, tinted to reduce the amount ofdirect sunlight entering the home.

Water is a prominent theme of thedesign. Along with breathtakingviews of the Pacific Ocean, the housefeatures a swimming pool and ashallow pond with stepping stonesleading to the front entrance. Andthe slightly curved roof forms give

the house a nautical feel.

12

20

Roof

1 Garage2 Entry3 Entertainment room4 Storage5 Plant room6 Gymnasium7 Bathroom8 Laundry9 Balcony/Terrace

10 Piano room11 Bedroom12 Ensui te13 Study14 F il


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210

0 10m

1

23 4 5

6

78

8

910

9

9

11 1112

13 1415

17 18

11

1111

99

121912

15

16

Lower ground floor

Upper ground floor

First floor

14 Family room15 Powder room16 Kitchen17 Dining18 Loung e19 Walk-in-robe

20 Whale watching tower


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To add texture and anchor the hometo the dunes, the lobby is framedwith doubleheight stone walls,creating a sense of transparency asone arrives. The open timber treadstaircase and generous floor-to-ceiling glazing add to this senseof openness.


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A home theatre and gymnasium


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gyare found on the lower level.Directly above are two bedrooms,a bathroom and a music room,an area specifically designedfor guests. A half level above arethe main living areas, includinga kitchen and family room.Responding to council heightrestrictions, the architects designed

a two-storey cell, conceived asalmost a separate house, containingliving areas and the master bedroom.P H O T OG R A P H Y J A M I E C O B E L D I C K


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214

Two kilometres outside NOOSA ,Queensland, this house was one ofthe first to be built on a developingestate. Though there were noneighbouring properties when built,PHORM ARCHITECTURE+ DESIGN were conscious of

ensuring future privacy as thedevelopment began to expand.Fortunately, a nature reserveadjacent to the street providesunimpeded views of Mt. Tinbeerwahon the northwest side of the 800-square-metre property.


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S E T T L E R S C O V E 215


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1

89

11

10

12 13 14

6

First floor


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2

3 4

5

7

6

Ground floor

1 Storage2 Landing3 Bunkhouse4 Guest room5 Laundry6 WC7 Deck

8 Master bedroom9 Ensuite

10 Carport11 Morning seat12 Living/Sleepout13 Dining14 Kitchen

0 5m


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One of the most noticeable aspectsof the design is the link to theoutdoors. As well as extensive glasslouvred windows, large slidingdoors open onto the central deck.

With its ceiling clad in hoop-pine,this area serves as a second living

area for most of the year.P H O T O G R A P H Y C A M E R A O B S C U R A


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Located on MAGNETICISLAND , Queensland, this beachhouse has it alla dry, rather than

hot tropical climate; the GreatBarrier Reef; and a terrain rarelyfound in the north of Australia.Dotted with large rocky outcropsand native hoop pines, the


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T R A N Q U I L I T Y B A S E 221

and native hoop pines, thetopography could easily be mistakenfor Victorias Wilsons Promontory.

Strict development guidelinesrestricted architects ARM to asingle-storey layout. OverlookingPicnic Bay, the house is accessedby a narrow road. Elevated abovethe rocky outcrops, the housefollows the fall of the land.


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222

While the homes distinctive formincludes a classic modernist

pavilion, its considerably skewed,with two rock-like forms attached.The pavilion is constructed of steeland clad in timbe r boards, and thetwo rocks, each containing abedroom and ensuite, are madefrom cement sheeting, treated to

mimic granite on the site.

Rather than just a corridor separating thepavilion from the two pods, the architectscreated an open breezeway on either side.


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T R A N Q U I L I T Y B A S E 223

The layout provides each of thethree bedrooms with a differentviewthe oce

21st century architecture beach houses - stephen crafti

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