3-21 prelude to romanticism

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7/30/2019 3-21 Prelude to Romanticism http://slidepdf.com/reader/full/3-21-prelude-to-romanticism 1/5 PRELUDE TO ROMANTICISM  Term o More applicable to a composer’s state of mind o Belief that reason can NOT solve all human problems o  Hoffman – 3 great romantic composers  Writers and Poets o German  Goethe  Schiller  Heine o French  Hugo  French Revolution o Storming of the Bastille o  Beheading of Louis XVI  Painters o Delacroix  Economic Progress o Rapid advances in transportation  Developments in Music o Music and literature  Union of music and significant poetry  Significant composers active in music criticism  Musicians as Icons o  Liszt – Pianist and Composer o Berlioz – conductor and composer o Paganini – virtuoso and violinist  Expansion of the Orchestra o Larger string sections o Wind instruments  Expanded of wind section  Additional instruments (tuba, clarinet, etc)  Golden age of the piano  Increase in Composition of Chamber Music  Program Music – Ex. Fantasia  Nationalism o Dances or dance rhythms o Native folksongs o Subject material for programmatic selections o Instrumentation

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Page 1: 3-21 Prelude to Romanticism

7/30/2019 3-21 Prelude to Romanticism

http://slidepdf.com/reader/full/3-21-prelude-to-romanticism 1/5

PRELUDE TO ROMANTICISM

  Term

o  More applicable to a composer’s state of mind 

o  Belief that reason can NOT solve all human problems

o  Hoffman – 3 great romantic composers  Writers and Poets

o  German

  Goethe

  Schiller

  Heine

o  French

  Hugo

  French Revolution

o  Storming of the Bastille

o  Beheading of Louis XVI

  Painters

o  Delacroix

  Economic Progress

o  Rapid advances in transportation

  Developments in Music

o  Music and literature

  Union of music and significant poetry

  Significant composers active in music criticism

  Musicians as Icons

o  Liszt – Pianist and Composer

o  Berlioz – conductor and composer

o  Paganini – virtuoso and violinist

  Expansion of the Orchestra

o  Larger string sections

o  Wind instruments

  Expanded of wind section

  Additional instruments (tuba, clarinet, etc)

  Golden age of the piano

  Increase in Composition of Chamber Music

  Program Music – Ex. Fantasia

  Nationalism

o  Dances or dance rhythms

o  Native folksongs

o  Subject material for programmatic selections

o  Instrumentation

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  Historicism

o  Composers collected, edited, studied and employed earlier music known masters

  Brauhms

  Choral motets, symphonies

  Musicologist and collector of original manuscripts

  Mendelssohn

  Edited and conducted Bach’s St. Matthews Passion 

  Bruckner

  Oxford Movement

ROMANTIC COMPOSERS I

  Romantic Period Opera

o  First Generation

  Schubert

  Berlioz

  Mendelssohn

  Schumann

  Chopin

  Liszt

o  Second Generation

  Brahms

  Bruckner

  Tchaikovsky

  Dvorak

  Romantic Period Opera

o  First Generation

  Rossini

  Von Weber

o  Second Generation

  Verdi

  Wagner

  Bizet

  Franz Schubert

o  Studied with Salieri at the Stadtkonvikt

o  1813 Normalhaupschule to train as a teacher

o  1814

  Teacher at father’s school 

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  Relationship with Grob; forbidden by law to marry due to class status and

absence of regular income

  Periodically supported by friends, especially Franz von^ Schober

  1817, new position at school in Rossau

  Summer of 1818, music teacher to family of Count Johann Karl Esterhazy

  Friendship with Vogl, prominent baritone

  Promoted and performed Schubert’s Lieder 

  Scubertiades – Schubert plays and Vogl sings

o  Later Years

  Continued to reside in Vienna

  Some success and notoriety with songs and chamber work compositions

  Failed attempts at opera production

  Died of complications from syphilis

o  Schuberts Reputation

  Reputation in Vienna as a composer of Lieder

  Berlioz

o  Born in France at La Cote-St Andre

o  Father discouraged music study, never learned to play piano, studied guitar, and flute

o  1821

  Went to Paris to study medicine

  No passion for medicine; attended concerts and studied scores in the Paris

Conservatory library

o  1826

  Studied at the Paris Conservatory

  Sees British Actress, harriet Smithson in Shakespeare plays

  Smithson inspired composition of Symphonie fantastique in 1830

o  1830

  Wins Prix de Rome

o  Productivity and Fame

  1832, returned to Paris

  Premiere of Symohonie fantastique at the Paris Conservatory

  Hugo, Dumas, Paganini, Liszt, Chopin, Smithson were in attendance

o  October 3, 1833 married harriet Smithson

o  Civil Ceremony

o  1836

  State commissioned, for Napoleon’s death 

  Premiered at Les Invalides

o  House at Montemartre

o  Music Critic

o  Met Mendelssohn, Schumann, Meyerbeer

o  1844, Treatise on Instrumentation

  Later events

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  Separated from Smithson, moved in with second wife, Marie Recio

  Head Librarian

o  Died March 8, 1869

  Mendelssohn

o  Born in Hamburg Germany

o  Family Changed name to Abraham Mendelssohn-Barholdy when converted to

Christianity

  Economic

o  Older sister, Fanny a fine musician and composer

o  Felix and Fanny unusually close, many letters in correspondence

o  1811, family relocated to Berlin

o  Counterpoint studies with Zelter

o  Child Prodigy

  First perf. Age 9

  Age 15, composed Symphony No. 1

o  1821 - Zelter introduced Mendelssohn to Goethe.

o  1829 Mendelssohn edited the score and conducted

o  1829 – also servies of travels abroad

o  1832 – edited and conducted Handel’s Israel in Egypt for the Lower Rhenish Festival 

o  Mendelssohn in Leipzig

  1835 named conductor of the Leipzig Gewandhaus Orchestra

  Totally immersed in Leipzig musical life

  Married Ceciele

o  Kaiser demanded Berlin to have a conservatory

o  1843 Return to Leipzig

  Established Leipzig Conservatory

  1847 died from a heart attack

  Schumann

o  Born in Zwickau in Saxony

o  Dec. 1830 returned to Leipzig and began to study piano with Frederich Wiek

o  Permanently injured fingers

o  1833, first suicide attempt after Bro and Sis deaths

o  Groeing interest in Clara Weick, daughter of teacher

o  Father learned of daughters interest in Dec. 1835 forbade contact between the two

o  Couple continued relationship

o  1837 Father said no

o  Married in 1840

o  Frequently traveled with Clara on her concert tours

o  Early years in the marriage perhaps the most productive

  40 song

  41 two of his 4 symph

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o  Brahms visited the Schumann house with a letter of introduction from violinist Joseph

Joachim

o  Beginning of a friendship with Clara

o  Feb 27, 1854 he attempted suicide

o  Hospitalized in a sanataorium in Endenich outside of Bonn

o  Remained there until his death

o  Clara remained faithful and continued to perform and promote her late husbands music

until her death