WEDNESDAY 5 MARCH 2014

LONDON, SOUTH KENSINGTON

Wednesday 5 March 2014

AUCTION

Wednesday 5 March 2014 at 10.30 am

85 Old Brompton Road,

South Kensington,

London SW7 3LD

VIEWING

Saturday 1 March 11.ooam - 5.00pm

Sunday 2 March 11.ooam - 5.00pm

Monday 3 March 9.ooam - 7.30pm

Tuesday 4 March 9.ooam - 5.00pm

AUCTIONEERS

Nic McElhatton

Gemma Sudlow

Arne Everwijn

AUCTION CODE AND NUMBER

In sending absentee bids or making

enquiries, this sale should be referred

to as GARONS-5027

AUCTION RESULTS

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US: +1 212 703 8080

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CONDIT IONS OF SALE

This auction is subject to

Important Notices,

Conditions of Sale and

to reserves.

[30]

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2Private Collections and Country House Sales

Andrew Waters Director of Sales, Decorative Arts, London and Head of Department

Orlando Rock Executive Director, International Head of Decorative Arts

Amjad Rauf Director of European Collections

Amelia Walker Associate Director, Specialist Head of Department

Adrian Hume-Sayer Associate Director, Specialist

Charlotte Young Specialist

Gemma Sudlow Associate Director, Specialist

Robert Jenrick International Business Director, Decorative Arts

Samantha Rizk Business Manager, Decorative Arts

Flora Turnbull Associate Director, Project Manager

Alexandra Cruden Administrator

Caitlin Yates Cataloguer

Katharine Cooke Administrator

3Specialists and Services for this Auction

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recording or otherwise, without the prior written permission of Christies.

COPYRIGHT, CHRISTIE, MANSON & WOODS LTD. (2014)

SPECIALISTS

FURNITURE & WORKS OF ART

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Kate Summers

Tel: +44 (0)20 7389 2696

20TH CENTURY DECORATIVE ART

Raffaella Goffredi

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PICTURES

Gemma Sudlow

Tel: +44 (0)20 7389 2771

POST-WAR & CONTEMPORARY

Bianca Chu

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CLOCKS

Toby Woolley

Celia Harvey

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Mary OConnell

Matilda Burn

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CONDITIONS OF SALE

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BUYING AT CHRISTIES

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IMPORTANT NOTICE REGARDING REMOVAL OF SOLD LOTS.

All lots marked with a BLUE SQUARE (n) are transferred to an offsite warehouse at the close of business on the day of the sale. For information on all other lots and further details, please refer to the storage and collection page at the rear of this catalogue.

Michel Lasserre, Stefan Karlsson and Hassan Abdullah, photographed at Les Trois

Garons, Shoreditch, Lorenzo Agius

Michel Lasserre, Hassan Abdullah, and Stefan Karlsson Les Trois Garons are best known for their restaurant of the same name in Londons fashionable Shoreditch. The fabulous trio met more than twenty fve years ago and, with their shared passion for design, ran a successful business as antique dealers and interior designers, before making the move East from their then home in North London. It must have seemed highly unorthodox to many when, in 1996, the garons acquired the four storey Victorian pub at 1 Club Row in the heart of Shoreditch as their home, and subsequently as the site of their now famous restaurant. At that time it was not the fashionable area familiar today, but was a rather neglected, if well located corner of town. Not to be deterred and steadfast in their vision, Hassan, Michel and Stefan worked tirelessly to renovate and convert the building and in 2000 Les Trois Garons, opened its doors.

It was the frst restaurant of its kind, not only in Shoreditch but anywhere. With its unique interiors, mixing old and new, it brought together a fantastic blend of the surreal, the chic and the eccentric to create a unique and visually rich mise-en-scne, and with its sumptuous classic French cuisine, the garons soon found themselves inundated with visitors. Foodies, celebrities and bankers alike all beat a path to their door wanting relief from the standard west end offerings and to experience the unique pleasures of Les Trois Garons. In short the restaurant became a destination, and remains so today, counting amongst its illustrious patrons such well-known personalities as: Nicole Kidman, Gwyneth Paltrow, Grace Jones, Ely Golding, Kate Moss, Valentino, Miuccia Prada, Damien Hirst, and Madonna, to name but a few. In addition to the restaurant they run their own interior design practice, L3G Design, as well as their equally colourful cocktail bar, Loungelover, and caf-cum-design shop, Maison Trois Garons, all from their Shoreditch apartment above the restaurant.

Les Trois Garons

Some years ago the trio purchased the secluded fairytale Chteau de la Goujeonnerie in the Vende region of France, as a place of retreat from the hustle and bustle of their glamorous London lives. The magical chteau presented them with the perfect project, derelict when they acquired it, it was a truly blank canvas on which they have stamped their inimitable style. Treating each room as an individual space in which to evoke a different mood, both with their daring use of colour and their bold juxtapositions of antique furniture with striking 20th century design, they created a unique atmosphere. Although where their skill is truly realised is in the unity of these very different spaces, which so perfectly inhabit their sublime surroundings. However with the pressures of their busy lives the garons seldom have chance to enjoy their retreat and so have decided to simplify their lives by selling the collection from the chteau, along with some of the collection from their London home and selected iconic pieces from Les Trois Garons and Loungelover. AHS

We believe that we never really own anything, we are just guardians of beautiful objects

for the next generation, so enjoy and have fun with them while you can.

Hassan, Michel, Stefan

6The ChTeau de La Goujeonnerie

7Design is both a passion and a business for us; collecting is a compulsion, it always has been we love beautiful things. We bought the chteau as a retreat but in recent years our Shoreditch businesses have grown, our interior design practice has really taken off, and we have just launched a range of furniture designed by Hassan as well, so we have little spare time to spend there. We have now realized that we need to simplify our lives, so have decided to sell some of our collection and hope that others will enjoy these wonderful objects as much as we have.

Hassan, Michel, Stefan

Les Trois Garons

81

A GROUP OF FOUR FRENCH WALNUT TOADSTOOLSSECOND HALF 20TH CENTURY

Naturalistically carved, applied with a grey washLargest: 24 in. (62 cm.) high (4)

500-800 $840-1,300 610-970

2

A PAIR OF WHITE-PAINTED COMPOSITION STONE HEADSSECOND HALF 20TH CENTURY

Naturalistically modelled13 in. (33.5 cm.) high (2)

700-1,000 $1,200-1,700 850-1,200

n 3TWO AFRICAN WENGE LARGE MASKSCONGOLESE, FIRST HALF 20TH CENTURY

Modelled as a male and female, the male wearing a headdress and the female with her hair tiedMale: 37 in. (94 cm.) high; Female: 34 in. (87.5 cm.) high (2)

2,000-3,000 $3,400-5,000 2,500-3,600

9The Entrance Hall

10

n 6A FRENCH LIMESTONE URN ON A PERSPEX PEDESTALTHE URN 19TH CENTURY, THE PEDESTAL

MODERN

The urn decorated overall with vine leaves, grapes, birds and female masksUrn: 19 in. (48 cm.) high; 22 in. (56 cm.) diameterPedestal: 41 in. (105 cm.) high (2)

800-1,200 $1,400-2,000 970-1,500

5

A SET OF FOUR GILT-BRONZE TWIN-LIGHT WALL-APPLIQUESSECOND HALF 20TH CENTURY

Each surmounted with a ribbon-tie cresting, the backplates centred with an oval foral paterae27 in. (68.5 cm.) high (4)

800-1,200 $1,400-2,000 970-1,500

n 4AN ITALIAN WHITE PAINTED METAL AND MOULDED GLASS DANDELION HEAD CEILING LIGHT1970s

The central ten lights within a radiating framework of rods mounted with glass disc46 in. (117 cm.) high; 28 in. (72.5 cm.) diameter

2,000-3,000 $3,400-5,000 2,500-3,600

n ~8A PAIR OF MOTHER-OF-PEARL INLAID BLACK-JAPANNED BOMBE CHESTSTHIRD QUARTER 19TH CENTURY, POSSIBLY FRENCH

Each with hinged lid above a shaped front-panel, decorated throughout with Chinoiserie on later slender cabriole legs39 in. (99 cm.) high; 58 in. (148 cm.) wide; 17 in. (43 cm.) deep (2)

2,500-4,000 $4,200-6,600 3,100-4,900

n 7A PAIR OF TAXIDERMY UNICORNS (EQUUS CABALLUS)20TH CENTURY

Each ftted with a modern simulated narwhal tusk horn60 in. (152.5 cm.) high; 39 in. (99 cm.) long (2)

4,000-6,000 $6,700-10,000 4,900-7,300

1212

n 9A SWEDISH LARGE GILTWOOD STRIKING CARTEL CLOCKEARLY 20TH CENTURY, WITH MOVEMENT BY LENZKIRCH,

GERMANY

The case, with presentation plaque to reverse, the painted dial with pierced gilt-brass hands, the twin barrel movement with dead beat escapement and count wheel strike to bell, back plate stamped LENZKIRCH AUG/ 1 MILLION/ 717141, pendulum lacking 41 in. (105.4 cm.) high; 25 in. (64.7 cm.) wide

1,500-2,500 $2,500-4,200 1,900-3,000

n 10TWO POLYCHROME WOOD MODELS OF SEATED GREYHOUNDSLATE 20TH CENTURY

31 in. (79 cm.) high (2)

1,500-2,500 $2,500-4,200 1,900-3,000

n 11A GUSTAVIAN WHITE-PAINTED SOFALATE 18TH CENTURY

The curved panelled ends each decorated in a relief with a sphinx, the padded back with three lose cushions above a stuff-over seat on turned, leaf-carved legs, covered in buff nubuck33 in. (85 cm.) high; 72 in. ( 184 cm.) wide; 29 in. (73.5 cm.) deep

2,000-3,000 $3,400-5,000 2,500-3,600

n 12A PAIR OF FRENCH GILT-METAL AND GLASS FIVE-LIGHT WALL-APPLIQUESCIRCA 1935, ATTRIBUTED TO BAGUES FRERES

The foliate shaped back-plates issuing branches mounted with cut glass foral plaquettes and hand-made glass beads , the curved branches with candleholders and frosted glass lotus-leaf shades and minor losses and replacements, redecorated66 in. (169 cm.) high (2)

5,000-8,000 $8,400-13,000 6,100-9,700

Bagus Frres were noted for their production of a wide variety of luxurious lighting and were especially well known for their spare, contemporary interpretations of period styles, particularly Louis XVI, using fountains, fruit, fowers, animals and even a galleon as subjects see lot 339. Their preferred media, well illustrated in this example, was clear or opalescent glass set in rich contrast with silvered or gilt metalwork.

A stylistically close chandelier by Bagus was sold The Light Christies, London, 10 May 2000, lot 97 (15,275 incl.).

13

14

n 14A PAIR OF LOUIS XVI-STYLE ORMOLU-MOUNTED GILTWOOD BERGERESLATE 19TH/EARLY 20TH CENTURY

Each with shaped wing-back above a serpentine seat with squab-cushion on turned and futed tapering legs45 in. (114 cm.) high (2)

1,500-2,500 $2,500-4,200 1,900-3,000

n 13A FRENCH BEADED-GLASS TEN-LIGHT CHANDELIER1960s-70s

Modelled as a basket with glass and tole-peinte fowers, hung by four chains from a smaller basket-form corona38 in. (97 cm.) high (approx.)

5,000-8,000 $8,400-13,000 6,100-9,700

15

The Gold Room

16

15

A PAIR OF RUSSIAN ORMOLU CANDLESTICKSCIRCA 1820-30, LATER MOUNTED AS CANDELABRAS

With engine turned stem capped by a foral basket issuing a globular nozel, now ftted as candelabras with associated three light upper-sections18 in. (46.5 cm.) high overall (2)

1,000-1,500 $1,700-2,500 1,300-1,800

A pair of Russian candlesticks of the same design were sold Imperial Design, Christies London, 25 November 2008, lot 110 (3,375 incl.); a further pair of Russian candelabra were sold, Christies, London, 21 January 2010, lot 90 (7,500 incl.).

16

A PAIR OF LOUIS XVI-STYLE ORMOLU CHENETSFIRST HALF 20TH CENTURY

Each with a futed urn surmounts with covers and laurel swags, on drapery-hung plinth above futed tapering supports14 in. (35 cm.) high; 14 in. (35 cm.) wide; 19 in. (48 cm.) deep (2)

700-1,000 $1,200-1,700 850-1,200

n 17A LOUIS XVI BRASS AND EBONY INLAID MAHOGANY CONSOLE DESSERTEBY FIDELYS SCHEY, CIRCA 1780

The lobed top with pierced-brass gallery and inset Carrara-marble top above a single frieze drawer fanked by a pair of faux-drawers on futed supports joined by a shaped lower tier, stamped F. SCHEY AND JME, restorations33 in. (85 cm.) high; 44 in. (112 cm.) wide; 17 in. (43 cm.) deep

3,000-5,000 $5,000-8,300 3,700-6,100

Fidelys Schey (d. 1788), mastre in 1777. Born in the Duchy of Baden, Fidelys Schey was one of the many immigrant craftsmen who was established in the rue du Faubourg-Saint-Antoine and was patronized by the Garde-Meuble de la Couronne at the chteau de Fontainebleau. Schey worked from a shop with a showroom adjacent, run by his wife. Schey worked almost exclusively with mahogany in the restrained Louis XVI Grecian style, and delivered two tables a jeux in this style to Fontainebleau in 1786. A closely related console desserte by Schey of similarly sinuous design was sold, Christies, New York, 21-22 October 2010, lot 460 ($27,500 incl.).

17 (detail of stamp)

17

~18

A REGENCE ORMOLU-MOUNTED TORTOISESHELL BOULLE STRIKING RELIGIEUSE CLOCKGAUDRON, PARIS, CIRCA 1720

The arched case with ball and cockerel fnial above herm fgural angle mounts, a pair of classical fgures beneath the dial, with signature plaque Gaudron/ A Paris, the cast brass dial with enamel Roman hour plaques and Arabic minutes, blued steel hands, the twin barrel movement with verge escapement, silk suspension with cycloidal cheeks, rack striking to bell with passing half hour strike, signed back plate GAUDRON APARIS L/455, front plate stamped GB, with pendulum, on a later shaped late 19th Century stand with lambrequin to centre, with restorationsOverall: 30 in. (76.2 cm.) high; 17 in. (43.7 cm.) wide; 8 in. (22.2 cm.) deep (2)

6,000-10,000 $10,000-17,000 7,300-12,000

Pierre Gaudron, Faubourg St-Germain, Paris 1690-1730 (Maitre 1695) was Clockmaker to The Regent, Philippe dOrlans

(detail of signature)

18

n 21A LOUIS XV-STYLE ORMOLU-MOUNTED SATINWOOD AND AMARANTH BOMBE COMMODEMID-20TH CENTURY

The brocatelle marble top above two drawers sans traverse with rocaille handles and escutcheons, fanked by rocaille chutes, on cabriole legs34 in. (86 cm.) high; 49 in. (125 cm.) wide; 21 in. (53 cm.) deep

2,000-4,000 $3,400-6,600 2,500-4,900

n 20A REGENCE-STYLE WALNUT LONG STOOLFIRST HALF 20TH CENTURY, COVERED IN

LELIEVRE YELLOW SILK DAMASK

With lattice-carved frieze and shell carved cabriole legs to the front20 in. (51 cm.) high; 67 in. (171 cm.) wide; 19 in. (50 cm.) deep

700-1,000 $1,200-1,700 850-1,200

n 19A FRENCH GILTMETAL CUT AND PRESSED-GLASS FIFTEEN-LIGHT CHANDELIER1940s AND LATER, ADAPTED

With two-tiers of scrolling branches, losses and replacements to the glass pendants46 in. (117 cm.) high

2,000-3,000 $3,400-5,000 2,500-3,600

n 22AN ITALIAN GILTWOOD MIRRORROME OR FLORENCE, LATE 17TH/EARLY 18TH CENTURY

The rectangular plate within a boldly-carved and pierced scrolling acanthus frame, some re-gilding57 in. (146 cm.) high; 43 in. (110 cm.) wide

8,000-12,000 $14,000-20,000 9,800-15,000

20

25 (detail)

23

A MARBLE-MOUNTED GILT-METAL TABLE LAMP IN THE FORM OF A BAY TREECIRCA 1980

Naturalistically modelled on a square black marble plinth; together with a cream cotton-shade26 in. (86 cm.) high including lamp ftment

500-800 $840-1,300 610-970

l25A BLOWN GLASS SCULPTUREERIK HOGLUND, 1980

Mounted on a veneered block base18 in. (45.7 cm.) highengraved Erik Hoglund 80 on base of glass

600-900 $1,000-1,500 730-1,100

n 24A FRENCH BRASS DRINKS TROLLEYMID-20TH CENTURY

The simulated bamboo frame with two glazed tiers, glazing replaced28 in. (71 cm.) high; 31 in. (79 cm.) wide; 17 in. (44 cm.) deep

500-800 $840-1,300 610-970

n 26A PAIR OF BRASS-MOUNTED STEEL X-FRAMED STOOLSCIRCA 1970, IN THE MANNER OF MAISON JANSEN,

Each with black leather seat, the supports capped with swans-head fnials19 in. (48 cm.) high; 26 in. (67 cm.) wide; 14 in. (35.5 cm.) deep (2)

1,000-1,500 $1,700-2,500 1,300-1,800

2121

n 27A FRENCH VERY LARGE GILT-METAL AND GLASS-BEAD-MOUNTED SIX-LIGHT MONGOLFIER CHANDELIERPROBABLY 1970s

With scrolling branches61 in. (156 cm.) high

3,000-5,000 $5,000-8,300 3,700-6,100

n 28A VERY LARGE PIRKENHAMMER (FISCHER & MIEG) IMARI PATTERN MEAT DISHMID-19TH CENTURY

Decorated with chrysanthemums and fowering prunus surrounding three central chinoiserie fgures, enriched with gilding, marked, FISCHER & MIEG/ PIRKENHAMMER/ BEI CARLSBAD in relief to the underside40 in. (103.5 cm.) diameter

1,500-2,500 $2,500-4,200 1,900-3,000

n 29A GLASS AND BRASS COFFEE TABLECIRCA 1980

With perspex panels to the sides13 in. (34.3 cm.) high; 46 in. (119 cm.) square

700-1,000 $1,200-1,700 850-1,200

2222

n 32AN IBERIAN PARCEL-GILT WHITE-PAINTED THRONE CHAIRFIRST HALF 19TH CENTURY

The foliate and scroll carved frame with cartouche-shaped back centred by the initials J.O., covered in chocolate-brown fabric, indistinct pencil inscription to underside, decoration refreshed56 in. (143 cm.) high

700-1,000 $1,200-1,700 850-1,200

n 31AN ITALIAN GILT BRASS STANDARD LAMPBY HANS KOGL, CIRCA 1970

In the form of a palm tree, ftted for electricity79 in. (200 cm.) high; 26 in. (65 cm.) wide

4,000-6,000 $6,700-10,000 4,900-7,300

n 30A PORTUGUESE FAIENCE MODEL OF A GOOSEEARLY 20TH CENTURY

Naturalistically modelled with wings outstretched and neck extended, restored34 in. (88 cm.) high

800-1,200 $1,400-2,000 970-1,500

23

24

33

AN ITALIAN POLYCHROME BEADED-GLASS TABLE LAMP MODELLED AS A PARROT1960s-80s, PROBABLY VENETIAN

On a gilt bronze and amber glass-mounted perch17 in. (43 cm.) high

1,000-1,500 $1,700-2,500 1,300-1,800

n 36A GILT METAL AND CUT GLASS CIRCULAR WALL MIRRORBY LOBMEYER, 1970s-80s

With fttings to back-light29 in. (70 cm.) diameter

700-1,000 $1,200-1,700 850-1,200

n 35A BRASS LEAF-FORM WALL LIGHT1970s, ATTRIBUTED TO TOMMASO BARBI

Modelled with veins and of slightly rounded form30 in. (76 cm.) high; 19 in (50 cm.) wide

800-1,200 $1,400-2,000 970-1,500

n 34A PAIR OF FRENCH BEADED AND MIRROR GLASS THREE-LIGHT WALL LIGHTSCIRCA 1930

Of tent form, hung overall with glass drops and strung with plaquettes29 in. (74.2 cm.) high (2)

1,500-2,500 $2,500-4,200 1,900-3,000

25

2626

37

A PAIR OF FRENCH GILT-BRONZE THREE-LIGHT WALL-APPLIQUESSECOND HALF 20TH CENTURY

Each modelled as baskets of fowers suspended by a ribbon-tied, ftted for electricity17 in. (43 cm.) high; 15 in. (38 cm.) wide; 6 in. (15 cm.) deep (2)

600-900 $1,000-1,500 730-1,100

n 39AN ITALIAN REVERSE ETCHED MIRRORFIRST HALF 20TH CENTURY

With cartouche-centred cresting above a rectangular bevelled plate, the border plates decorated with foral-sprays79 in. (202 cm.) high; 48 in. (121 cm.) wide

2,000-3,000 $3,400-5,000 2,500-3,600

n 38A LEOPARD-PRINT VELVET POUFFEATTRIBUTED TO VERSACE, LATE 20TH

CENTURY

The circular body with black and gold bullion fringing18 in. (46 cm.) high; 32 in. (82 cm.) diameter

1,000-1,500 $1,700-2,500 1,300-1,800

27

40

40

A FRENCH BRONZE VISITING CARD HOLDER MODELLED AS A GREYHOUNDTHIRD QUARTER 19TH CENTURY

Modelled seated on a tasselled cushion, with a hinged jaw for holding cards15 in. (39.5 cm.) high

2,000-3,000 $3,400-5,000 2,500-3,600

41

41

A FRENCH BRONZE VISITING CARD HOLDER MODELLED AS A SPANIELTHIRD QUARTER 19TH CENTURY

Seated on a tasselled cushion, with a hinged jaw for holding cards14 in. (36 cm.) high

2,000-3,000 $3,400-5,000 2,500-3,600

n 42AN ART NOUVEAU WHITE MARBLE BUST OF A WOMANBY PIETER-JAN BRAECKE (1859-1938), CIRCA 1900

Modelled with her hair loose and fowers trimming her dress, with signature P.BRAECKE to the naturalistic base24 in. (61 cm.) high

1,500-2,500 $2,500-4,200 1,900-3,000

28

n 44A PAIR OF VENETIAN PARCEL-

GILT GREEN-PAINTED BEDSIDE

CABINETS

MID-20TH CENTURY

Each of tapering serpentine form with marbled

top above a shallow frieze drawer and a

cupboard, the body decorated with foral sprays

28 in. (72 cm.) high; 20 in. (52.5 cm.) wide;

12 in. (32 cm.) deep (2)

1,000-1,500 $1,700-2,500 1,300-1,800

n 45A PAINTED AND PARCEL-GILT

BLACKAMOOR LOW TABLE

MODERN

With a rectangular glass top

19 in. (50 cm.) high; 59 in. (150 cm.) wide;

39 in. (100 cm.) deep

2,000-3,000 $3,400-5,000 2,500-3,600

n 43A PAIR OF GILT-METAL OBELISK-

FORM SIMULATED-BAMBOO

ETAGERES

LATE 20TH CENTURY

Each with fve graduated stacking tiers lined

with aged mirror-glass

81 in. (206 cm.) high; 17 in. (44.5 cm.) wide;

17 in. (44.5 cm.) deep (2)

1,200-1,800 $2,000-3,000 1,500-2,200

29

n 47A EUROPEAN PARCEL-GILT GREY-PAINTED CENTRE TABLELATE 19TH CENTURY, REDUCED IN SIZE

The later feur de peche and black marble top above a scallop and stop-fute-carved frieze on tassel-swagged square-section legs joined by foot stretchers, later painted29 in. (74.5 cm.) high; 48 in. (122 cm.) wide; 39 in. (99.5 cm.) deep

3,000-5,000 $5,000-8,300 3,700-6,100

n 46A PAIR OF VENETIAN PARCEL-GILT, POLYCHROME-PAINTED BLACKAMORE TORCHERES20TH CENTURY

Each modelled wearing a turban and feathered skirt holding aloft a cornucopia issuing a foliate gilt-metal fve-light candelabrum, standing on a naturalistically modelled rocky mound, minor restoration and retouching80 in. (205 cm.) high and similar (including fttings) (2)

4,000-6,000 $6,700-10,000 4,900-7,300

n 48A VENETIAN MURANO GLASS TWELVE-LIGHT CHANDELIERPROBABLY 1950s-60s

With polychrome foral bosses and scrolled ornament55 in. (140 cm.) high

7,000-10,000 $12,000-17,000 8,500-12,000

n 49A LOUIS XV-STYLE BLUE-PAINTED STOOLMID-20TH CENTURY, COVERED IN LELIEVRE

YELLOW SILK DAMASK

The shaped square buttoned seat, with squad cushion14 in. (36 cm.) high; 27 in. (69 cm.) wide; 25 in. (63 cm.) deep

600-900 $1,000-1,500 730-1,100

n 50A LOUIS XVI-STYLE PARCEL-GILT GREEN AND GREY-PAINTED CANAPELATE 19TH CENTURY, COVERED IN LELIEVRE

YELLOW SILK DAMASK

With bowed frame 34 in. (86 cm.) high; 51 in. (131 cm.) wide; 32 in. (81 cm.) deep

1,000-1,500 $1,700-2,500 1,300-1,800

31

The Panelled Room

32

n 53A PAIR OF ALABASTER PEDESTALSLATE 19TH/EARLY 20TH CENTURY

Each with a hollow sectional column with ridged concentric bands, on an octagonal base, restorations39 in. (99.3 cm.) high; 18 in. (46 cm.) wide; 18 in. (46 cm.) deep (2)

1,500-2,500 $2,500-4,200 1,900-3,000

51

A SET OF SIX FRENCH PLASTER ARMORIAL PANELS20TH CENTURY

Inscribed: FLANDRE 1668; BEARN 1680; 23 LANGUEDOC 1270; ROUSSILLON; 21 ILE DE FRANCE 987(?) and 1602 GASCOGNE19 in. (49.5 cm.) high; 16 in. (40 cm.) wide and similar (6)

700-1,000 $1,200-1,700 850-1,200

P ROV ENAN C E :

Purchased by the present owner in situ at the Chateau de la Geoujeonnerie, Fougreuse, France.

52

A PAIR OF GILT-BRONZE FIVE-LIGHT CANDELABRAMID-20TH CENTURY

Each with a lyre shaped back, on a concave white marble base, dome elements indistinctly marked with initials23 in. (58 cm.) high; 13 in. (33 cm.) wide; 11 in. (28 cm.) deep (2)

1,200-1,800 $2,000-3,000 1,500-2,200

33

n 55A LOUIS XVI-STYLE ORMOLU-MOUNTED TULIPWOOD MARQUETRY COMMODESECOND HALF 20TH CENTURY

The moulded break-front Fleur de Peche top above a Vitruvian-scroll inlaid frieze with shallow drawer above two further drawers on restrained cabriole legs with lions-paw sabots33 in. (85 cm.) high; 53 in. (136.5 cm.) wide; 21 in. (54.5 cm.) deep

2,000-3,000 $3,400-5,000 2,500-3,600

54

A FRENCH GILT-BRONZE STRIKING MANTEL CLOCKLATE 19TH CENTURY

The drum case mounted with putti playing instruments, and with a musical trophy fnial, the white enamel dial with Roman hours, and Arabic fve minutes the twin barrel movement with recoil anchor escapement, Brocot regulation/suspension and count wheel strike to bell, the back plate with Japy Freres trademark and numbered 107, pendulum lacking, case with minor restorations19 in. (49 cm.) high; 30 in. (76 cm.) wide; 7 in. (19 cm.) deep

1,200-1,800 $2,000-3,000 1,500-2,200

34

n 56A FRENCH FOLIATE TOLE-PEINTE GIRANDOLEFIRST HALF 20TH CENTURY

The oval plate with naturalistic frame issuing four candle-sconces, plate possibly replaced, redecorated, one sconce loose33 in. (85 cm.) high; 24 in. (61 cm.) wide

800-1,200 $1,400-2,000 970-1,500

n 57FRENCH SCHOOL, 19TH CENTURY

Three putti in a trompe loeil wall panel setting

oil on canvas, laid down on board 115 x 57 in. (293 x 145 cm.)

1,500-2,500 $2,500-4,200 1,900-3,000

P ROV ENAN C E :

Great Brampton House Antiques Ltd., Hereford, March1999.

35

n 58A VENETIAN BLUE-PAINTED BOMBE COMMODELATE 19TH/EARLY 20TH CENTURY

The canted tapering body decorated throughout with foral sprays and rocaille-carving, with two shaped long drawers on cabriole legs32 in. (82.5 cm.) high; 51 in. (129.5 cm.) wide; 22 in. (57 cm.) deep

5,000-8,000 $8,400-13,000 6,100-9,700

36

n 60A PAIR OF LOUIS XV-STYLE GREY-PAINTED BERGERESLATE 19TH/EARLY 20TH CENTURY, COVERED IN

LELIEVRE BLUE SILK DAMASK

Each covered in white and blue silk damask, carved overall with foliate decoration, on cabriole legs, one leg restored41 in. (104 cm.) high; 33 in. (84 cm.) wide; 34 in. (86 cm.) deep (2)

2,000-3,000 $3,400-5,000 2,500-3,600

n 59A LOUIS XV GILT-BRONZE MOUNTED EBONY AND EBONISED STRIKING BRACKET CLOCKGAULTIER, PARIS, MID-18TH CENTURY

With classical female fgural fnial, rocaille and shell mounts to arch and two putti beneath the dial, on rococo fgural feet, with conforming bracket, the cast brass dial with, Roman enamel hour plaques, Arabic fve minute plaques and signed to centre GAULTIER/A PARIS, blued steel hands, the twin barrel movement with verge escapement and silk suspension, count wheel strike to bell, signature repeated to back plate, with pendulum, the case restored, some external mounts associated, all re-giltOverall: 53 in. (135.9 cm.) high; 23 in. (59.7 cm.) wide; 11 in. (28 cm.) deep (2)

4,000-6,000 $6,700-10,000 4,900-7,300

37

n 61A FRENCH PLASTER BUSTSECOND HALF 19TH CENTURY, ON AN ASSOCIATED

PARCEL-GILT GREY-PAINTED PEDESTAL

The bust modelled wearing medal R De Siam, and inscribed Claude de Forbin, C. descardre, restorationsThe bust: 36 in. (92 cm.) high; 29 in. (74 cm.) wideThe pedestal: 50 in. (128 cm.) high; 19 in. (50 cm.) wide; 19 in. (50 cm.) deep (2)

2,000-3,000 $3,400-5,000 2,500-3,600

Claude de Forbin (1656-1733) was a distinguished French Naval commander who served under Louis XIV. Forbin was sent to Siam as part of a diplomatic mission and subsequently became the governor of Bangkok. After returning to France in 1688, he became a key commander in the war with Britain during which he was briefy captured and taken to Plymouth but quickly escaped. In 1708 he assisted The Old Pretender (James Stuart, 1688-1766) in his failed attempt on the English throne before retiring from the Navy in 1715.

n 62A PAIR OF SWEDISH GREY-PAINTED BERGERES19TH CENTURY , COVERED IN LELIEVRE BLUE

SILK DAMASK

Each with a moulded oval back, padded seat and arms covered in celadon silk damask, the toprail centred by a ribbon-tied on rosette-headed tapering stop-futed legs43 in. (109 cm.) high; 28 in. (71 cm.) wide; 32 in. (81 cm.) deep (2)

2,000-3,000 $3,400-5,000 2,500-3,600

n 63A FRENCH CIRCULAR MARBLE-TOPPED WHITE-PAINTED DINING TABLE1980s

The dished rouge-de-France-marble top with moulded border and reeded edge on a husk-carved-stop-futed cylindrical pedestal-base with with laurel-carved band on a square-plinth29 in. (75.5 cm.) high; 51 in. (129 cm.) diameter

1,500-2,500 $2,500-4,200 1,900-3,000

n 64A PAIR OF LOUIS XVI-STYLE GREY-PAINTED TALL CHESTSLATE 19TH/EARLY 20TH CENTURY

Each with a Carrara marble top above six bead-carved graduated drawers, one with the second and third drawers adapted as a cupboard, above a foliate-carved apron, on rosette-headed cabriole legs59 in. (150 cm.) high; 34 in. (86 cm.) wide; 17 in. (43 in.) deep (2)

2,500-4,000 $4,200-6,600 3,100-4,900

39

n 65A PAIR OF GILTWOOD AND PATINATED MIRROR-GLASS GIRANDOLES1960s-70s, POSSIBLY BY MAISON JANSEN

Each with aged arched rectangular inner plate applied with a central foliate-carved giltwood mount issuing three gilt-iron sconces hung with glass drops53 in. (135 cm.) high; 36 in. (91.5 cm.) wide (2)

5,000-8,000 $8,400-13,000 6,100-9,700

40

41

l67M. BONARELLI, CIRCA 1952

Mother and child; Woman and dog

each signed and dated M. Bonarelli 1952 (lower right); the frst inscribed Gennario 1952 (on the reverse)oil on board39 x 27 in. (100 x 70.5 cm.) (2)

800-1,200 $1,400-2,000 970-1,500

66

ONE MINUTE LAMPSHADESMARCEL WANDERS, 2004

Gilt-glazed ceramic, modelled as abstract animals, together with gilt-lined shadeslargest: 23 in. (59.5 cm.) high with shade (2)

4,000-6,000 $6,700-10,000 4,900-7,300

Co-founder of the successful design label Moooi, Marcel Wanders was a former pupil at the Institute of the Arts, Arnheim and is currently Art Director and Designer at the renowned Powerhouse studio in Amsterdam. Synonymous with innovation and bold designs, Wanders has received a number of accolades and awards including the Rotterdam Design and Kho Liang Ie prizes.

n l70FOLLOWER OF HENRY CECIL NOORDHOEK

Untitled - abstract form

black marquina marble on a white veined marble base25 in. (65 cm.) high overall

2,000-4,000 $3,400-6,600 2,500-4,900

69

A PAIR OF GLASS AND STEEL WALL LIGHTSPOSSIBLY BY POLIARTE, CIRCA 1970

Formed of stepped glass strips mounted on a gilt metal wall panel13 in. (33 cm.) high; 10 in. (26 cm.) wide (2)

700-1,000 $1,200-1,700 850-1,200

68

CONTINENTAL SCHOOL, 20TH CENTURY

Abstract form

numbered s126775ceramic12 in. (31 cm.) high; 22 in. (56 cm.) wide; 16 in. (41 cm.) deep

800-1,200 $1,400-2,000 970-1,500

43

n 72AN EBONISED WOOD AND MIRROR-GLASS COFFEE TABLE1970s-80s

The square glass top with opaque border above a mirrored interior centred by a pyramid13 in. (35 cm.) high; 48 in. (122 cm.) square

2,000-3,000 $3,400-5,000 2,500-3,600

n 71A PAIR OF ITALIAN MIRRORSCIRCA 1960

The bevelled mirror plate within a shaped and faceted surround31 in. (80.4 cm.) high; 23 in. (58.4 cm.) wide (2)

2,000-3,000 $3,400-5,000 2,500-3,600

(detail of interior)

44

n 73A BRONZE AND PATINATED METAL LANTERN1940s

Of tapering form, mounted with white-glass panels, some panels replaced57 in. (144.5 cm) high; 24 in. (61.5 cm.) wide

2,000-3,000 $3,400-5,000 2,500-3,600

n ~74AN ITALIAN ROSEWOOD AND PAINTED TOP DESKCIRCA 1950, ATTRIBUTED TO PAOLO BUFFA FOR DASSI

With Caduceus-inlaid cartouche to the reverse, with replaced clear glass top above an open shelf on brass sabots; together with a bent plywood Medea armchair designed by Vittorio Nobili29 in. (75.7 cm.) high; 70 in. (179.7 cm) wide; 31 in. (80 cm.) deep (2)

2,500-4,000 $4,200-6,600 3,100-4,900

(detail of reverse)

45

The Media Room

75

46

l75JONATHAN WATERIDGE (B. 1972)

Constitution

oil on perspex sheets, bolted together, in nine partsoverall: 61 x 84 x 6 in. (155.7 x 214 x 17.2 cm.)executed in 2005.

50,000-80,000 $84,000-130,000 61,000-97,000

P ROV ENAN C E :

Acquired directly from the artist in 2005.

The present and following lot were executed circa 2005 and were acquired by Les Trois Garons shortly before the landmark exhibition of Wateridges work at the David Risley Gallery, London. Constitution is a work on a monumental scale reminiscent of 19th century grande Salon History painting and the meticulous layering of paint on perspex sheets lends the work an added perspectival depth into which the viewer is drawn. In this layered method, Wateridge concerned himself with offering a kind of painting relevant to the 21st century as opposed to merely referencing any historical mode of representation.

I came upon this way of painting with oil on glass by accident. For me, to paint on canvas seemed to belong in the past, and really

couldnt give me the theatrical quality I was seeking.

To achieve these extraordinary and very beautiful effects is a time-intensive process. First, Wateridge handmakes exquisite models from which to work, such as crashed planes, a four-masted ship sitting at the bottom of the sea or the sinking of the battleship Missouri.

A similar work on plexiglass sheets entitled Mountain Wreck sold, Phillips London, 14 February 2013, lot 16 (109,250 incl.). A plane wreck scene on canvas sold Christies London, 11 October 2012, lot 3 (313,250 incl.).

I found myself looking a lot at 18th- and 19th-century landscape painting, which quite

often contains elements of disaster; and also [looking] at old glass matte paintings used

as backgrounds in cinematography.

Somewhere in that mix the idea to incorporate crashes and wreckage into the images

emerged. There is something in the level of aspiration in flying or crossing oceans that

I felt was suitable to the environments I was looking at.

And of course nature tends to be pretty indifferent to those aspirations and with that in

mind I wouldnt necessarily say the vehicles are the subject of these paintings. They

are landscapes that happen to contain them.

Jonathan Wateridge, 2006

47

48

49

l76JONATHAN WATERIDGE (B. 1972)

Untitled

oil on perspex sheets, bolted together, in eight partsoverall: 40 x 60 x 5 in. (101.6 x 152.7 x 13.3 cm.)executed in 2005.

25,000-40,000 $42,000-66,000 31,000-49,000

P ROV ENAN C E :

Acquired directly from the artist in 2005.

(alternative view showing depth of work)

50

n 77ABSTRACT PENDANT LIGHTBY GARETH DEVONALD SMITH, MODERN

Patinated bronze and painted plaster, with gilded & painted details, and mounted with gilt-glass rods and a hematite sphere, with additional bronze suspension-rod, ftted for electricity60 in. (152.3 cm.) high

2,000-3,000 $3,400-5,000 2,500-3,600

Gareth Devonald Smith trained in textile design before working for interior designer Mary Fox Linton and subsequently setting up his own design practice. As Devonald Smiths career has progressed he has been increasingly drawn to the medium of metal, designing distinctive sculptural lighting and furniture, either as one off commissions for private clients or to be produced in small limited editions. The three works included in this sale typify his oeuvre, which is defned by a refned semi-industrial quality in combination with daring abstract design and juxtaposed contrasting materials.

n 78A PAIR OF ITALIAN ASH ARMCHAIRSMID-20TH CENTURY

Covered in blue cotton velvet28 in. (73 cm.) high; 30 in. (67.5 cm.) wide; 28 in. (71.1 cm.) deep (2)

1,000-1,500 $1,700-2,500 1,300-1,800

51

(detail of top)

n 79A PAIR OF TWIST BRASS AND PATINATED STEEL TABLE LAMPSBY GARETH DEVONALD SMITH, 2010

With painted shades41 in. (104 cm.) high approx. (2)

2,500-4,000 $4,200-6,600 3,100-4,900

n 80A SAMURAI PATINATED BRONZE AND STEEL CONSOLE TABLEBY GARETH DEVONALD SMITH, MODERN

The top decorated with bronze squares in emulation of traditional Japanese warriors breastplates31 in. (80 cm.) high; 70 in. (180 cm.) wide; 23 in. (60 cm.) deep

4,000-6,000 $6,700-10,000 4,900-7,300

52

n 82A GILTMETAL AND SMOKED GLASS COFFEE TABLE1970s

Of stepped form14 in. (36.3 cm.); high; 55 in (139.7 cm.) long; 35 in. (88.9 cm.) wide

1,500-2,500 $2,500-4,200 1,900-3,000

n 81TWO CUBO DI TEO LIGHT SCULPTURESJAMES RIVIERE, 1960s

Produced by Centro Ricerche Arte Industria Lissone, coloured perspex; together with later painted pedestalsThe Sculptures: 17 in. (45 cm.) high; 16 in. (40.6 cm.) square (4)

2,000-3,000 $3,400-5,000 2,500-3,600

n 85A HEMISPHERICAL PERSPEX AND STEEL LOUNGE CHAIRDESIGNED BY CHRISTIAN DANINOS, 1968

Cushions not included54 in. ( 137 cm.) high; 47 in. (120 cm.) wide; 31 in. (80 cm.) deep

5,000-8,000 $8,400-13,000 6,100-9,700

n 84A CHROMED METAL AND PERSPEX SPHERICAL LOW COCKTAIL BARDESIGNED BY PIERRE CARDIN, CIRCA 1970

The upper part sliding on metal stem, on metal and rubber castors26 in. (66 cm.) high (close) ; 40 in. (101.4 cm.) high (open)

1,200-1,800 $2,000-3,000 1,500-2,200

n 83A CUBO DI TEO LIGHT SCULPTUREJAMES RIVIERE, 1960s

Produced by Centro Ricerche Arte Industria Lissone, coloured perspex17 in. (45 cm.) high; 16 in. (40.6 cm.) square

800-1,200 $1,400-2,000 970-1,500

A single red perspex Cubo di Teo by James Rivire sold, Phillips New York, 13 December 2007, lot 185 ($10,000 incl.).

53

88

A GROUP OF TEN FRENCH GLAZED CERAMIC TABLE LAMPSMID-20TH CENTURY, BY AND ATTRIBUTED TO VALLAURIS

Modelled as fsh and crustacea, revealing a marine landscape, three stamped VALLAURIS15 in. (40 cm.) high

(10)

800-1,200 $1,400-2,000 970-1,500

n 89AN ITALIAN SOFAMID-20TH CENTURY

Of concave form on tapering brass legs, with later white upholstery37 in. (94 cm.) high; 83 in. (211 cm.) wide; 30 in. (76.2 cm.) deep

2,500-4,000 $4,200-6,600 3,100-4,900(10)

$1,400-2,000970-1,500

3,100-4,900

n 86AN ITALIAN WHITE PAINTED METAL AND GLASS SPUTNIK CHANDELIER1960s-70s

Mounted with clear and cranberry glass beads, on a brass and painted metal frame37 in. (94 cm.) high approx.

1,500-2,500 $2,500-4,200 1,900-3,000

n 87A PAIR OF ITALIAN LOUNGE CHAIRS1950s

With buttoned backs and gilt bronze legs, covered in white suede30 in. (76 cm.) high; 32 in. (81.5 cm.) wide (2)

1,000-1,500 $1,700-2,500 1,300-1,800

55

90

STUDIO OF MARCELLO PIACENTINI (1880-1960)

A set of nine architectural paintings - designs for the EUR (Esposizione Universale di Roma), circa 1938

each with inscription ent (on the reverse)pen and gouache on board20 x 25 in. (51 x 65.5 cm.) (9)

3,000-5,000 $5,000-8,300 3,700-6,100

Marcello Piacentini (1880-1960) was an Italian architect and urban planner who achieved notoriety during the height of fascist power in Italy (1922-1943). In 1938, Piacentini was given the task of building EUR (Esposizione Universale di Roma), a new town on the outskirts of Rome where Mussolini planned in celebration of the 20th anniversary of the fascist revolution and which was to host the 1942 Worlds Fair. The project was never fully realised and many of the buildings were only completed after the war. The project was the culmination of Piacentinis career and it was his vision which created the unifed architecture of EUR which survives today. The present nine works appear to be architectural designs specifcally for this project, some of which were never realised. The designs include those for il Palazzo dei Congressi; Piazza Guglielmo Marconi; Piazza della Scienze; Palazzo della Civilta di Lovoro.

56

n 94A BRASS AND GLASS TOP COFFEE TABLE1970s

The based modelled as braches with fowers, foliage and birds18 in. ( 47 cm.) high; 29 in. (75 cm.) diameter

1,000-1,500 $1,700-2,500 1,300-1,800

n 92A BLUE-PAINTED STEEL REVOLVING DENTISTS CABINET1970s-80s

Of hexagonal form with inset milk-glass top above two banks of fve shallow drawers and cupboards with adjustable glass-lined shelves, on a black painted base32 in. (82 cm.) high; 25 in. (65 cm.) wide

800-1,200 $1,400-2,000 970-1,500

n 93A SPHERICAL CHROMED METAL CHANDELIER1960s-70s

Inset with lenses44 in. (112 cm.) high

1,200-1,800 $2,000-3,000 1,500-2,200

91

A FABRICATED GILT-METAL WIRE-SCULPTUREMID-20TH CENTURY

Modelled as a bull23 in. (59 cm.) high; 39 in. (99 cm.) long

500-800 $840-1,300 610-970

57

n 96A PAIR OF PRATFALL ARMCHAIRSBY PHILIPPE STARCK, CIRCA 1985

Each with black leather seat-pad, within mahogany veneer frame, on black-enamelled tubular-metal supports34 in. (87 cm.) high; 24 in. (61.7 cm.) wide; 30 in. (76 cm.) deep

(2)

600-900 $1,000-1,500 730-1,100

P ROV ENAN C E :

By repute Caff Beaubourg, Paris.

Philippe Starck (b. 1949) was commissioned by Gilbert Costes (b. 1949) in the mid 1980s to design the interior of the fashionable caff Beaubourg, adjacent to the Pompidou Centre, Paris.

n 95A PAIR OF STILNOVO FLOOR LAMPS1960s

Brass and painted metal on a marble base, with frosted glass spherical shades66 in. (169 cm.) high (2)

1,500-2,500 $2,500-4,200 1,900-3,000

n 97A PAIR OF EBONISED WOOD AND BRASS CONSOLE TABLESSECOND HALF 20TH CENTURY

Each with stepped bevelled glass top33 in. (85.7 cm.) high; 55 in. (139.8 cm.) wide; 25 in. (65.4 cm.) deep (2)

2,500-4,000 $4,200-6,600 3,100-4,900

n 98A FRENCH ORIENTALIST BRONZE GROUP ENTITLED LA FANTASIA ARABEEARLY 20TH CENTURY, AFTER PROSPER LECOURTIER (1855-1924)

On a naturalistic cast base with cast signature P LECOURTIER, on an oval plinth with applied brass plaque inscribed Fantasia Arabe par Lecourtier33 in. (85 cm.) high; 31 in. (80 cm.) wide approx.

3,000-5,000 $5,000-8,300 3,700-6,100

(detail of label)

(alternative view)

n 99A FRENCH POLYCHROME PLASTER ANATOMICAL MODEL OF THE HUMAN BODYEARLY 20TH CENTURY, BY MAISON DEYROLLE, PARIS

With removable arms, the torso opens to reveal removable organs, on an oak stand, stamped and with brass plaque inscribed Les Fils dEmille Deyrolle, 46 Rue de Bac, PARIS72 in. (183 cm.) high

7,000-10,000 $12,000-17,000 8,500-12,000

The Parisian frm of Deyrolle was founded in 1831 by keen Naturalist Jean-Baptiste Deyrolle, and moved to its present premises at 46 Rue du Bac in 1881. The prodigious company specialised in taxidermy, didactic models, natural history specimens and microscopes, becoming known as Les Fils dmile Deyrolle from the late 19th century. During the 20th Century it became a popular destination for Surrealists such as Andre Breton and Salvador Dali, and the frm continues to fourish today, maintaining its focus on taxidermy and specimens as teaching aides, as well as decorative objects.

59

100

A VICTORIAN TAXIDERMY GROUP OF RED SQUIRRELSLATE 19TH CENTURY, IN THE MANNER OF

WALTER POTTER

The seated squirrels playing cards around a circular table, in a glazed walnut display case, restorations18 x 18 in. (47 x 46 cm.)

2,000-4,000 $3,400-6,600 2,500-4,900

The Vasery

n 104A BRASS AND SMOKED-MIRROR-GLASS-MOUNTED CERAMIC COFFEE TABLEDESIGNED BY TOMMASO BARBI, 1970s

With smoked mirror inset top15 in. (38.7 cm.) high; 59 (151 cm.) wide; 30 in. (76.7 cm.) deep

1,500-2,500 $2,500-4,200 1,900-3,000

n 102A PAIR OF CHROME-PLATED OVERSIZED ANGLE-POISE FLOOR-LAMPSMODERN

Each with domed shade on a sprung, articulated arm and circular base82 in. (208 cm.) high (2)

600-900 $1,000-1,500 730-1,100

n 103A PAIR OF BLACK PLASTIC STANDARD LAMPSMODERN

101 in. (258 cm.) high overall (2)

700-1,000 $1,200-1,700 850-1,200

n 101A GILT METAL AND STEEL STAG BEETLE WALL LIGHTATTRIBUTED TO FRANCOIS MELIN, 1970s

The hammered body with a single light fitting, designed to be fitted with a glass top for use as a coffee table10 in. (26.7 cm.) high; 36 in. (92 cm.) long; 17 in. (43 cm.) wide

1,500-2,500 $2,500-4,200 1,900-3,000

61

n 107A SWEDISH PARCEL-GILT EBONISED SOFAMID-19TH CENTURY, COVERED IN LELIEVRE GREEN COTTON-VELVET

Of box-form, the stepped lappet-carved top-rail with ribbon-cresting and reeded finials above a buttoned back and arms with columnar front supports on turned feet47 in. (120 cm.) high; 79 in. (190 cm.) wide; 29 in. (73.5 cm.) deep

1,000-1,500 $1,700-2,500 1,300-1,800

n 106A PAIR OF BALINESE ELEPHANT-FORM HARDWOOD ARMCHAIRS20TH CENTURY

Each carved from a single piece of timber with dug-out seat, the detachable tusks painted to simulate ivory31 in. (79 cm.) high; 25 in. (64 cm.) wide; 33 (84 cm.) deep (2)

3,000-5,000 $5,000-8,300 3,700-6,100

n 105A LARGE ITALIAN MURANO GLASS HANGING STAR LIGHTSECOND HALF 20TH CENTURY

The tiered press steal frame with red and smoked glass teardrops24 in. (61 cm.) high

2,500-4,000 $4,200-6,600 3,100-4,900

62

108

JEAN MARAIS (FRENCH, 1913-1998)

Hibou; La Main

each signed Jean Maraisterracotta; gilt-bronzeThe largest: 17 in. (45 cm.) highTogether with a bronzed glazed clay sculpture of hands (3)

600-900 $1,000-1,500 730-1,100

108 109

109

TWO FRENCH SCHOOL CERAMIC SCULPTURES MODELLED AS ABSTRACT FEMALE FORMSSECOND HALF 20TH CENTURY

One terracotta, the other with lustre glazeThe largest: 28 in. (71 cm.) high (2)

600-900 $1,000-1,500 730-1,100

111

111

110

A GROUP OF EIGHT CERAMIC VASESSECOND HALF 20TH CENTURY

Comprising two twin handled glazed vases signed Vallauris; a black and silver spherical vase signed Fanns ; a Beswick vase with fower decoration, and four othersThe tallest: 16 in. (41 cm.) high (8)

800-1,200 $1,400-2,000 970-1,500

108 (detail of signature)

110

63

112

111

A GROUP OF THIRTEEN GERMAN POLYCHROME DECORATED DIDACTIC ANATOMICAL MODELSLATE 20TH CENTURY

Comprising a cross-section rubber model of a uterus, a plaster eye, a plaster ear canal and organ models on domed plastic bases, with various inventory labels inscribed and numbered Rat der Stadt/Hoyerswerd/ 17/5/ZLargest: 13 in. (34 cm.) high; Smallest: 7 in. (17.5 cm.) high (13)

2,000-4,000 $3,400-6,600 2,500-4,900

112

A GROUP OF TWELVE VASESSECOND HALF 20TH CENTURY

Comprising two glazed ceramic vases signed Vallauris; a painted earthenware vase stamped BESWICK ENGLAND 1370; a terracotta jug with incised geometric decoration and seven others, unsigned, and a gilded and cameo-applied glass vaseThe tallest: 16 in. (42 cm.) high (12)

1,000-2,000 $1,700-3,300 1,300-2,400

118

AFTER OCTAVE DE ROCHEBRUNE (FRENCH, 1824-1900)

Vue Generale des Constructions du Chateau de Chambord, Cote de LOrient

copper plate engraving on laid paper, signed in pencil O de Rochebrune (lower right), 1870, full-margins, foxing, time-staining, unexamined out of the frameP. 525 x 755 mm.Together with another engraving of a smaller chateau, 1873, published by Beillet, Paris; P. 320 x 435 mm. (2)

700-1,000 $1,200-1,700 850-1,200

117

A SWISS BLACK FOREST POLYCHROME DECORATED MODEL A GERMAN POINTERS HEADEARLY 20TH CENTURY

With glass eyes, mounted on an oak-leaf-carved plaque12 in. (32 cm.) high

400-600 $670-1,000 490-730

n 116A VICTORIAN CASED TAXIDERMY DISPLAY OF SEABIRDSSECOND HALF 19TH CENTURY

Comprising British seabirds: a Puffn, a Kittiwake, a Gannet and a Cormorant (some countries including the USA prohibit the import of such species, purchasers should check before bidding)32 in. (83cm.) high; 43 in. (109 cm.) wide; 13 in. (34 cm.) deep

1,000-1,500 $1,700-2,500 1,300-1,800

115

MANNER OF ALEXANDRE BENOIS

Set design with classical nymphs set amongst a waterfall and trees with birds

pen and ink, watercolour and bodycolour on brown paper

15 x 20 in. (38 x 52 cm.)

700-1,000 $1,200-1,700 850-1,200

114

A GERMAN TERRESTRIAL 13 INCH TABLE GLOBEBY PAUL RATH, LEIPZIG, EARLY 20TH CENTURY

Together with two other examples, smaller, one by Ernst Schotter, BerlinThe largest: 25 in. (64 cm.) high (3)

600-900 $1,000-1,500 730-1,100

113

A TAXIDERMY WHITE RABBIT20TH CENTURY

In a black-painted wood case, with pink glass eyes16 x 21 in. (40.5 x 54.5 cm.)

600-900 $1,000-1,500 730-1,100

(detail of signature)

n l120A CARVED LIME FIGURE OF A STANDING FEMALE NUDEB. MILLERET, CIRCA 1940

Carved from a single piece of timber, the stylised fgure modelled holding her hair, signed B.Milleret38 in. (97.8 cm.) high

2,000-4,000 $3,400-6,600 2,500-4,900

119

A GERMAN BRONZE BUST OF A MANLATE 19TH CENTURY, AFTER RICHARD

ENGELMANN (1868-1957)

Modelled wearing Medieval armour, the integral square base cast with signature Richard Engelmann/Paris/189622 in. (57 cm.) high; 22 in. (55.5 cm.) wide

1,500-2,500 $2,500-4,200 1,900-3,000

n 121A PAIR OF NORTH EUROPEAN SMALL BLACK LEATHER AMRCHAIRSSECOND QUARTER 20TH CENTURY

Each with buttoned back, arms and seat covered in close-nailed leather, one with indistinct metal label underneath A.B SOLLEBRU... MOBELIDU...RI SOLLEBRUN27 in. (68 cm.) high; 25 in. (64 cm.) wide; 28 in. (71 cm.) deep (2)

1,000-1,500 $1,700-2,500 1,300-1,800

n 122AN ITALIAN LARGE FOLIATE PICTURE-FRAME MIRRORLATE 19TH, POSSIBLY FLORENCE

The rounded rectangular bevelled plate within a profusely acanthus-carved frame, minor losses66 in. (168 cm.) high; 74 in. (184 cm.) wide

2,500-4,000 $4,200-6,600 3,100-4,900

n 123A SET OF TWENTY LOUIS XV-STYLE SILVER-PAINTED DINING CHAIRS20TH CENTURY, COVERED IN GREEN LELIEVRE MOHAIR VELVET

Each with cartouche-shaped back and serpentine seat, on cabriole legs the frames carved overall with rocaille and foliage40 in. (102 cm.) high; 21 in. (53 cm.) wide; 20 in. (51 cm.) deep (20)

8,000-12,000 $14,000-20,000 9,800-15,000

67

124

A COLLECTION OF TWENTY-ONE PINEAPPLE ORNAMENTSLATE 20TH CENTURY

Of various sizes and materialsLargest: 22 in. (56 cm.) high; Smallest 4 in. (12 cm.) high (21)

800-1,200 $1,400-2,000 970-1,500

The Formal Dining Room

68

127

SWEDISH SCHOOL, 19TH CENTURY

Portrait of Oscar II (1829-1907) King of Sweden and Norway, when Crown Prince, half-length, in uniform

oil on canvas, oval35 x 29 in. (89 x 74 cm.)

1,500-2,500 $2,500-4,200 1,900-3,000

127

125

126126

A PAIR OF PORCELAIN-MOUNTED GILT-METAL CANDELABRAMODERN

The branches with oak leaves issuing from pierced C-scroll bases, mounted with porcelain models of parrots; together with a similar modern porcelain gilt-metal-mounted parrot candlestickThe pair: 24 in. (61 cm.) high; 22 in. (56 cm.) wide; 15 in. (38 cm.) deep (3)

500-800 $840-1,300 610-970

128

RAYMOND DESVARREUX (FRENCH, 1848-1912)

Portrait of Napolon Fran7ois Charles Joseph Bonaparte, Prince Imperial, King of Rome, Prince of Parma (1811 1832), small full-length, on horseback

signed Raymond Desvarreux (lower right)oil on canvas25 x 21 in. (65 x 55 cm.)

2,000-3,000 $3,400-5,000 2,500-3,600

128

125

A BEADWORK MODEL OF A PARROTLATE 19TH/20TH CENTURY, PROBABLY VENETIAN

On an ebonised beech perch, previously mounted as a lamp10 in. (25.5 cm.) high

1,000-1,500 $1,700-2,500 1,300-1,800

69

n 131A SET OF SIX BAROQUE-STYLE POLYCHROME-DECORATED MIRRORSMODERN

Each with a cartouche-shaped mirror-plate in a c-scroll and acanthus-carved frame50 in. (128 cm.) high; 32 in. (81 cm.) wide

(6)

3,000-5,000 $5,000-8,300 3,700-6,100

n 130AN ITALIAN CARVED BEECH DINING TABLE1940s

With foliate carved details and a later inset mirrored glass top, on gilt bronze sabots31 in. (80 cm.) high; 78 in. (198 cm.) long; 38 in. (97 cm.) wide

1,500-2,500 $2,500-4,200 1,900-3,000

n 129A PAIR OF BALTIC GILT-BRASS AND CUT-GLASS SIX LIGHT CHANDELIERSLATE 19TH/EARLY 20TH CENTURY

The circular corona issuing fronds, minor losses and replacements to the glass beads39 in. (99cm.) high (2)

3,000-5,000 $5,000-8,300 3,700-6,100

n 132A SILVERED AND GILTMETAL SIX-LIGHT CHANDELIERLATE 20TH CENTURY, PROBABLY FRENCH

Of pineapple form27 in. (68 cm.) high

800-1,200 $1,400-2,000 970-1,500

n 133TWO GILT-METAL-MOUNTED PERSPEX DRINKS TROLLEYSLATE 20TH CENTURY

Each with glass shelves, one with central sliding shelf, the other with bottle compartment to the lower tier, on castors, some shelves replacedOne: 25 i. (85 cm.) high; 32 in. (82.5 cm.) wide; 16 in. (42.5 cm.) deep The other: 25 i. (85 cm.) high; 26 in. (66 cm.) wide; 18 in. (47 cm.) deep (2)

1,000-1,500 $1,700-2,500 1,300-1,800

n 134A FRENCH GILT-METAL STANDARD LAMPLATE 20TH CENTURY

The shaft modelled with a pineapple and leafy fronds, on a domed base47 (121 cm.) high, including lamp ftment

500-800 $840-1,300 610-970

n 135A PAIR OF MIRROR-GLASS-MOUNTED WHITE-CERAMIC OCCASIONAL TABLES IN THE FORM OF PALM TREESLATE 20TH CENTURY

Each with circular inset mirror-top, the pedestals issuing from a rocky-mound, one ceramic top restored25 in. (64 cm.) high; 24 in. (61 cm.) diameter (2)

700-1,000 $1,200-1,700 850-1,200

71

n 136A PAIR OF BEECH OCCASIONAL LOW CHAIRSMODERN

Each with bowed button-back and squab-cushion, covered in buff-colour velvet29 in. (74 cm.) high (2)

700-1,000 $1,200-1,700 850-1,200

n 138AN ITALIAN BEECH REVERSE ETCHED AND VERRE EGLOMISE DECORATED MIRRORED SIDE-CABINETMID-20TH CENTURY

The door-panels decorated with birds, on a detachable base with cabriole legs; together with a later gilt-framed marginal-mirrorThe cabinet: 33 in. ( 85 cm.) high; 40 in. (102 cm.) wide; 15 in. (39.5 cm.) deep (2)

800-1,200 $1,400-2,000 970-1,500

n 137A ROCOCO-STYLE WALNUT DAYBEDSECOND HALF 20TH CENTURY

Carved overall with foliage, garlands and scallop shell, on cabriole scrolled legs, covered in beige close-nailed leather29 in. (74 cm.) high; 91 in. (231 cm.) wide; 32 in. (81 cm.) deep

1,500-2,500 $2,500-4,200 1,900-3,000

72

n 139TWO COW SKULLS (BOS PRIMIGENIUS)20TH CENTURY

Of typical formLargest: 21 in. (53.5 cm.) high; 27 in. (69 cm.) wide (2)

600-900 $1,000-1,500 730-1,100

n 140A FIBREGLASS LIFE-SIZE MODEL OF AN ELEPHANTS HEADMODERN

Of sectional construction, naturalistically modelled53 in. (135 cm.) high; 73 in. (185 cm..) wide; 72 in. (183 cm.) deep approx.

3,000-5,000 $5,000-8,300 3,700-6,100

n 141A LIFE-SIZE FIBREGLASS MODEL OF A RHINOCEROSS HEADMODERN

Naturalistically modelled44 in. (112 cm.) high; 36 in. (93 cm.) wide; 68 in. (173 cm.) deep

3,000-5,000 $5,000-8,300 3,700-6,100

73

n 145A CHROMED METAL COFFEE TABLESECOND HALF 20TH CENTURY

With a pebble inset resin top, inscribed 62318 in. (46 cm.) high; 63 in. (160 cm.) wide; 23 in. (60 cm.) deep

1,000-1,500 $1,700-2,500 1,300-1,800

(detail of top)

n 143A VENETIAN REVERSE-ETCHED MIRRORLATE 19TH/EARLY 20TH CENTURY

With pierced cresting above a central oval bevelled plate, the four outer plates etched with foral sprays44 in. (113 cm.) high; 28 in. (71 cm.) wide

800-1,200 $1,400-2,000 970-1,500

n 144A PAIR OF LOUIS XVI-STYLE WHITE-PAINTED BERGERESLATE 20TH CENTURY

Each with channelled frame and futed legs, covered in green velvet37 in. (94 cm.) high (2)

800-1,200 $1,400-2,000 970-1,500

n 142A PAIR OF GILT-METAL AND GLASS TABLE LAMPSLATE 20TH CENTURY

The reeded central shaft supporting two hexagonal tiers mounted with glass drops, with later white canvase shades27 in. (69.5 cm.) high, including ftment (2)

500-800 $840-1,300 610-970

7575

n 148AN ITALIAN PARCEL-GILT AND POLYCHROME-PAINTED THREE-SEAT SOFAMID-20TH CENTURY

Carved overall with rocaille and foliate motifs, covered in yellow-green velvet40 in. (102 cm.) high; 89 in. (229 cm.) wide; 29 in. (74 cm.) deep

1,200-1,800 $2,000-3,000 1,500-2,200

n 147A FRENCH DIVAN1940s, COVERED IN GREEN LELIEVRE MOHAIR VELVET

With loose squab and bolsters, and later detachable ends, edged in bullion-fringing24 in. (61 cm.) high; 80 in. (203 cm.) long; 34 in. (87.5 cm.) deep

800-1,200 $1,400-2,000 970-1,500

n 146A FRENCH BRONZE HALL LANTERNSECOND HALF 20TH CENTURY

Of hexagonal form, each corner with applied rams mask, with internal four-light hanging ftment, lacking one pane55 in. (140.5 cm.) high

2,000-4,000 $3,400-6,600 2,500-4,900

149

A PAIR OF GILT-METAL AND COLOURED GLASS WALL LIGHTSPOSSIBLY BY POLIARTE, 1970s

Of asymmetric design28 in. (71.1 cm.) high; 16 in. (41.9 cm.) wide (2)

800-1,200 $1,400-2,000 970-1,500

n 150A CERAMIC-TILE MOUNTED, IRON COFFEE TABLEBY ROGER CAPRON, 1960s

Signed R. CAPRON11 in. (29.4 cm.) high; 20 in. (52 cm.) deep; 40 in. (102 cm.) wide

1,000-1,500 $1,700-2,500 1,300-1,800

(detail)

n 151A PAIR OF ITALIAN LOUNGE CHAIRS1960s

On gilt metal legs, covered in a buttoned gold fabric31 in. (78.8 cm.) high; 23 in. (59 cm.) wide (2)

800-1,200 $1,400-2,000 970-1,500

152

A PAIR OF PATINATED IRON AND COLOURED GLASS WALL LIGHTSPOSSIBLY BY POLIARTE, 1970s

23 in. ( 60.4 cm.) high; 14 in. ( 36.7 cm.) wide; 5 in. (12.4 cm.) deep (2)

1,000-1,500 $1,700-2,500 1,300-1,800

77

n 153TWO DANISH BLACK PAINTED METAL AND COLOURED GLASS STANDARD LAMPSATTRIBUTED TO SVEND AAGE HOLM SORENSEN,

CIRCA 1960

The rods and square section stems with asymmetric mounts, each with later shades62 in. (158 cm.) high (2)

2,000-3,000 $3,400-5,000 2,500-3,600

n 155A GILT-METAL AND GLASS DINING TABLECIRCA 1980

The slatted base of concave diamond form with later rectangular glass top29 in. (75.5 cm.) high; 86 in. (220 cm.) wide; 51 in. (180 cm.) deep

2,000-3,000 $3,400-5,000 2,500-3,600

n 154A PATINATED METAL AND GLASS MOUNTED, OPEN DISPLAY CABINETBY KIM MOTZEL, 1970s

Enclosing a light ftting and nine glass shelves of different dimensions72 in. ( 184 cm.) high; 38 in. (98.4 cm.) wide; 11 in. (29.4 cm.) deep

1,200-1,800 $2,000-3,000 1,500-2,200

158

l157S. FAVRIOU, 20TH CENTURY

Daroca en Aragon

signed S. Favriou (lower right) with inscription S. Fravriou/Daroca en/Aragon/S.Favriou (on the stretcher)oil on canvas32 x 39 in. (81 x 101 cm.)

600-900 $1,000-1,500 730-1,100

157

l156KRISTIAN LUNDSTEDT (SWEDISH, 1894-1959)

The timber mill

signed Lundstedt (lower right)oil on canvas51 x 62 in. (131 x 159 cm.)

1,200-1,800 $2,000-3,000 1,500-2,200

156

l158ROBERT HILL, CIRCA 1963-5

Waterfall; Apple tree; Hollow trunk

signed Robert Hill (upper left), the second signed and dated Robert Hill 1963 (upper leftt) and the third signed and dated Robert Hill 1965 (upper left)oil on canvas, oil on board28 x 35 in. (71 x 90 cm.), minor variations (3)

1,000-1,500 $1,700-2,500 1,300-1,800

79

n 159A FRENCH TOLE-PEINTE EIGHT-LIGHT CHANDELIERMID-20TH CENTURY

Modelled with vines wrapping around fowering branches and the stem45 in. (114 cm.) high

1,000-1,500 $1,700-2,500 1,300-1,800

n 160A VIENNESE BENTWOOD JARDINIEREBY THONET, CIRCA 1900

The oval top with metal liner above four exuberantly curved legs on later feet, with paper label THONET WIEN32 in. (81 cm.) high; 26 in. (66 cm.) wide; 21 in. (53 cm.) deep

800-1,200 $1,400-2,000 970-1,500

n 161A PAIR OF FRENCH TOLE-PEINTE PEDESTAL JARDINIERES19TH CENTURY

Of tapering form, painted with capricci, with zinc liners, knocks and damages50 in. (127 cm.) high (2)

700-1,000 $1,200-1,700 850-1,200

n 162A FRENCH GILTWOOD MIRROR1930s-40s

The cartouche shaped plate within a futed frame, decorated with a double-ended quiver to the cresting fanked by rosettes58 in. (158 cm.) high; 37 in. (94 cm.) wide

800-1,200 $1,400-2,000 970-1,500

80

n 163A PLASTIC MODEL OF A TYRANNOSAURUS REX SKELETONMODERN

On an associated black-painted board plinth base57 in. (145 cm.) wide

500-800 $840-1,300 610-970

n 164A PAIR OF SCULPTED COMPOSITION STONE CANDELABRAMODERN

Of abstract form34 in. (86.3 cm.) high (2)

600-900 $1,000-1,500 730-1,100

81The Orangery

n 166A FRENCH PROVINCIAL DEUX CORPSSECOND HALF 18TH CENTURY

The upper section with shelves enclosed by a pair of later-glazed doors, the base with conforming panelled doors on scrolling feet, paper labels to the reverse .../Paris St Lazare and 74, later painted107 in. (273 cm.) high; 65 in. (165 cm.) wide; 24 in. (62 cm.) deep

2,000-3,000 $3,400-5,000 2,500-3,600

n 167A BRASS AND STEEL FLOOR LAMP MODELLED AS A HERON AMONGST BULL-RUSHES1970s IN THE MANNER OF MAISON JANSEN

On a box-shaped base housing the light ftting55 in. (140 cm.) high

1,000-1,500 $1,700-2,500 1,300-1,800

n 168AN ITALIAN WHITE-PAINTED CASSONEINCORPORATING 17TH CENTURY ELEMENTS

The high back applied with various foliate carving centred on a model of a galleon and a femal mask, the base with hinged top, the front panels applied with conforming foliate and mask carvings70 in. (178 cm.) high; 72 in. (183 cm.) wide; 23 in. (58.5 cm.) deep

1,200-1,800 $2,000-3,000 1,500-2,200

n 165A FRENCH WROUGHT-IRON OCCASIONAL TABLECIRCA 1940

The base modelled as a group of stylised rushes re-gilt with later circular glass top29 in. (75 cm.) high; 23 in. (60 cm.) diameter

700-1,000 $1,200-1,700 850-1,200

n 169A PAIR OF TOLE-PEINTE AND BRONZE SIX-LIGHT WALL-APPLIQUES1940s-50s

Modelled as a bouquet of calla lillies34 in. (86.5 cm.) long (2)

3,000-5,000 $5,000-8,300 3,700-6,100

n 170A FRENCH PAINTED-TIN HANGING LANTERNLATE 19TH/EARLY 20TH CENTURY

Of rectangular form, with ogee domed roof and glazed tapering side panels, the upper pointed part of the roof replaced30 in. (77 cm.); 31 in. (79 cm.) wide

1,000-1,500 $1,700-2,500 1,300-1,800

n 171A WHITE AND GREEN PAINTED METAL SIGNCIRCA 1950-60

Spelling COCK joined by two metal hanging girders, probably 1950s and reduced in length26 in. (92 cm.) high; 75 in. (191 cm.) wide; 9 in. (23 cm.) deep

1,000-1,500 $1,700-2,500 1,300-1,800

84

172

n 172A FRENCH TOLE-PEINTE TWELVE-LIGHT CHANDELIERSECOND HALF 20TH CENTURY

Of basket form, applied overall with autumnal

leaves issuing two tiers of branches

43 in. (109 cm.) high

5,000-8,000 $8,400-13,000 6,100-9,700

173

n 173A PAIR OF POLYCHROME-DECORATED TOLE-PEINTE WALL APPLIQUESCIRCA 1970

Each modelled as a bouquet of fowers issuing

four candle sconces, redecorated

29 in. (74 cm.) high; 21 in. (53 cm.) wide (2)

1,000-1,500 $1,700-2,500 1,300-1,800

n 174A FRENCH STEEL AND PERSPEX CAFE SIGNSECOND HALF 20TH CENTURY

Modelled as a coffee pot, back-lit

50 in. (127.5 cm.) high; 44 in. (112 cm.) wide

500-800 $840-1,300 610-970

85

86

n 177A PAIR OF FRENCH WROUGHT-IRON GATES20TH CENTURY

Naturalistically modelled as entwined rose stems

Each gate: 64 x 41 in. (163 x 104 cm.) wide (2)

3,000-5,000 $5,000-8,300 3,700-6,100

The Grounds

n 175A PAIR OF TERRACOTTA GARDEN URNSLATE 19TH CENTURY

Each with egg and dart moulded rim above a body modelled with

oak leaf swags, raised on reeded stiff-leaf and futed socle, the interiors

each marked 5

23 in. (60 cm.) high (2)

800-1,200 $1,400-2,000 970-1,500

176

n 176A PAIR OF VICTORIAN GREEN-PAINTED WROUGHT-IRON BENCHESLATE 19TH CENTURY

Each with a slatted seat and back with scrolled arms

30 in. (76 cm.) high; 73 in. (186 cm.) wide; 26 in. (66 cm.) deep (2)

1,500-2,500 $2,500-4,200 1,900-3,000

P ROV ENAN C E :

By repute, Regents Park, London.

177

n 180A SUITE OF WHITE PAINTED METAL GARDEN FURNITUREMODERN

Comprising six armchairs and a circular tableThe chairs: 41 in. (104 cm.) high; 20 in. (51 cm.) wide; 20 in. (61 cm.) deepThe table: 31 in. (79 cm.) high; 47 in. (120 cm.) diameter (7)

800-1,200 $1,400-2,000 970-1,500n 181A GROUP OF SIX COPPER AND SHEET-METAL MODELS OF PLANTSSECOND HALF 20TH CENTURY

With integral square bases, lossesThe largest: 57 in. (145 cm.) high; 45 in. (114 cm.) wide; 48 in. (122 cm.) deep, and smaller (6)

1,200-1,800 $2,000-3,000 1,500-2,200182 No Lot

n 179A WHITE-PAINTED ARCHITECTURAL BIRDCAGEPROBABLY LATE 19TH/EARLY 20TH CENTURY

With wire-grille paneled sides28 in. (72.5 cm.) high; 45 in. (116 cm.) wide; 17 in. (44.3 cm.) deep

700-1,000 $1,200-1,700 850-1,200

n 178A SET OF FOUR BRONZE GLOBE-FORM HANGING LANTERNSMODERN

Each with removable panel and central pierced band; together with four acanthus-cast s-shape wall-bracketsThe lanterns: 27 in. (68 cm.) high; 16 in. (41 cm.) diameter The brackets: 14 in. (46 cm.) deep (4)

2,500-4,000 $4,200-6,600 3,100-4,900

89

n 185A SET OF FOUR COMPOSITION STONE JARDINIERES20TH CENTURY

Of square form, modelled in relief with ribbon-tied foral sprays

Each: 16 in. (42 cm.) high; 18 in, (47 cm.) wide; 18 in. (47 cm.)

deep (4)

600-900 $1,000-1,500 730-1,100

n 184A COMPOSITION STONE BUST OF A ROMAN EMPEROR20TH CENTURY

On an Ionic column-form pedestal

The bust: 32 in. (81.5 cm.) high; 29 in. (75 cm.) wide;

The column: 57 in. (145 cm.) high; 16 in. (40 cm.) wide; 16 in. (40

cm.) deep

1,500-2,500 $2,500-4,200 1,900-3,000

n 183TWO BLACK-PAINTED LEAD FIGURES OF CUPID AND THE YOUNG MARSPROBABLY EARLY 20TH CENTURY, IN THE MANNER OF THE

BROMSGROVE GUILD AND POSSIBLY CAST BY CROWTHER

Largest: 31 in. (78.5 cm.) high (2)

2,000-3,000 $3,400-5,000 2,500-3,600

91

n 188A PAIR OF WHITE-PAINTED AND DECOUPAGE-COVERED THREE-QUARTER LIFE-SIZE MODELS OF DEERMODERN

Each mounted with a pair of antlers and decorated throughout with applied hand-

written letters and bills, on wooden plinth bases

70 in. (178 cm.) high; 56 in. (142.5 cm.) wide; 28 in. (72.5 cm.) deep (2)

3,000-5,000 $5,000-8,300 3,700-6,100

n 187A PLASTER STATUE OF A CLASSICAL YOUTHPROBABLY LATE 19TH/EARLY 20TH CENTURY

Modelled holding a bird aloft and wearing a lion-skin, some cracking and old repair

restorations, notably to the shoulders, one arm slightly loose

62 in. (159 cm.) high

1,500-2,500 $2,500-4,200 1,900-3,000

187

n 186A FRENCH PLASTER MODEL OF ARISTIDESLATE 19TH/EARLY 20TH CENTURY

The base inset with a cast lead medallion REDUCTION MECANIQUE/A.

COLLAS/BREVETTE

33 in. (84 cm.) high

700-1,000 $1,200-1,700 850-1,200

Achille Collas (1795-1859) was a French engineer and inventor who devised a mechanical

means of producing accurate reductions of three-dimensional sculpture, such as the present

model of the 6th century B.C. Athenian Statesman Aristides. Collas formed a partnership

with Ferdinand Barbedienne (d. 1892) and together they founded what became one of the

most prodigious metalworking frms of the 19th century, the Barbedienne Foundry, Paris.

186

92

n 192A PAIR OF TRAVATINE AND BLACK MARBLE PEDESTALSMODERN

Each with a moulded top and base

40 in. (102 cm.) high; 14 in. (36 cm.) square (2)

700-1,000 $1,200-1,700 850-1,200

191

A PAIR OF EUROPEAN SILVER-PLATED LAMPSLATE 19TH CENTURY, LATER MOUNTED AS LAMPS

Of twin-handled urn form, on triple baluster stems and domed base,

with grey card shades

23 in. (58.5 cm.) high, including lamp ftment (2)

600-900 $1,000-1,500 730-1,100

n 190A WHITE-PAINTED WEIGHING SCALEBY SHANKS & CO. LTD., EARLY 20TH CENTURY

The slender stem supporting a circular dial on a rectangular base

66 in. (168.5 cm.) high; 13 in. (34 cm.) wide; 19 in. (18.5 cm.)

deep

700-1,000 $1,200-1,700 850-1,200

n 189A PAIR OF GOTHIC-STYLE FABRICATED AND PRESSED STEEL WALL LANTERNSSECOND HALF 20TH CENTURY

With glass panels decorated with quatrefoil ornament, two panes

cracked

46 in. (117 cm.) high (2)

1,200-1,800 $2,000-3,000 1,500-2,200

93

n 195A PAIR OF PARCEL-GILT GREEN-PAINTED WROUGHT-IRON CONSOLE TABLES1930s-40s

Each with serpentine Siena-marble top edged with

a grey-marble moulding above a shaped frieze on

acanthus-capped cabriole legs

33 in. (84 cm.) high; 38 in. (96 cm.) wide; 15 in. (39

cm.) deep (2)

1,500-2,500 $2,500-4,200 1,900-3,000

n 194A SET OF SIX ITALIAN GREEN-PAINTED DINING CHAIRSMID-19TH CENTURY

Each with cartouche-shaped back and serpentine-seat on

slender cabriole legs, covered in brown cotton moleskin,

redecorated

33 in. (85 cm.) high (6)

800-1,200 $1,400-2,000 970-1,500

n 193A FRENCH BEECH BERGEREEARLY 20TH CENTURY, COVERED IN LELIEVRE GREEN

COTTON-VELVET

The arched back with shallow wings descending to

scrolling arms, the seat with squab-cushion on cabriole

legs

32 in. (81 cm.) high

800-1,200 $1,400-2,000 970-1,500

94

196

l196CONTINENTAL SCHOOL, EARLY 20TH CENTURY

Abstract form - head

white marble on plinth base

14 in. (37 cm.) high; 16 in. (40.5 cm.) wide; 12 in.

(30.5 cm.) deep

800-1,200 $1,400-2,000 970-1,500

197

n 197ENGLISH SCHOOL, CIRCA 1960

Astronauts Helmet

painted fabricated steel

49 in. (125 cm.) high; 57 in. (145 cm.) wide; 11 in.

(28 cm.) deep

1,000-2,000 $1,700-3,300 1,300-2,400

n 198A PAIR OF BLUE PERSPEX CONSOLE TABLESLATE 20TH CENTURY

With inset glass tops

30 in. (76 cm.) high; 47 in. (120 cm.) wide; 16 in.

(40.4 cm.) deep

(2)

2,500-4,000 $4,200-6,600 3,100-4,900

95

199

A FRENCH GILT METAL WALL LIGHT1991

Wall light modelled as a horses head with resin elements, signed

Lambert Ph gufo 1991

27 in. (68.6 cm.) high; 46 in. (117.5 cm.) wide; 6 in. (15.2 cm.)

deep

2,000-3,000 $3,400-5,000 2,500-3,600

200

A PAIR OF FRENCH GLASS AND GILT-METAL THREE BRANCH CANDELABRABY SCHNEIDER, CIRCA 1970

Each engraved Schneider France; together with an art glass vase,

possibly by Val Saint Lambert

The candelabra: 8 in. (20 cm.) high (3)

600-900 $1,000-1,500 730-1,100

The Bedrooms

96

201

ENGLISH SCHOOL, 20TH CENTURY

Untitled (optical)

screenprint in colours on wove paper, from the edition of unknown

size

34 x 34 in. (88 x 88 cm.)

400-600 $670-1,000 490-730

l202HENRIK SAMUELSSON (SWEDISH, B. 1960)

Pakt

signed with a monogram (lower right) and further signed, signed

with initials, inscribed and dated Pakt/1991/Henrik Samuelsson/

HS (on the reverse)

mixed media on canvas

47 x 39 in. (121 x 100 cm.)

800-1,200 $1,400-2,000 970-1,500

203

JULES DE GOEDE (DUTCH, 1937-2007)

Rounded form

signed, inscribed and dated Jules de Goede 1983/TITLE: Rounded

form (on the reverse)

oil on canvas

67 x 87 in. (171.5 x 221.5 cm.)

800-1,200 $1,400-2,000 970-1,500

n 204A GOLD AND BROWN-PAINTED FIBREGLASS MODEL OF A ROMAN EAGLE AQUILAPROBABLY 1963

Modelled facing sinister with outstretched wings

41 in. (104 cm.) high; 106 in. (270 cm.) wide

700-1,000 $1,200-1,700 850-1,200

P ROV ENAN C E :

Almost certainly from the 1963 Twentieth Century Fox production

CLEOPATRA.

The Twentieth Century Fox production directed by Joseph L. Mankiewicz

stared Richard Burton and Elizabeth Taylor; it was notorious for its lavish

sets and spiralling production costs which not only made it one of the

most expensive flms ever made, but the only flm in history to make a loss

despite being the highest grossing flm of the year when released.

n 205A LARGE BEADED GLASS FLOOR LAMP IN THE FORM OF THE EIFFEL TOWERSECOND HALF 20TH CENTURY

The sectional steel frame wrapped with strands of glass beads and

mounted throughout with faceted glass drops

84 in. (214 cm.) high; 28 in. (71 cm.) wide; 28 in. (71 cm.) deep

2,000-3,000 $3,400-5,000 2,500-3,600

n 206A FORNASETTI RUG1980s

Woven with a tiger on a patterened ground

78 in. (198 cm.) long; 56 in. (142 cm.) wide

1,000-1,500 $1,700-2,500 1,300-1,800

n 209AN ITALIAN BUTTONED BEECH THREE SEAT SOFASECOND HALF 20TH CENTURY

Of concave form on tapering beech legs, covered in grey

satin

34 in. (86.4 cm.) high; 81 in. (200.5 cm.) wide; 33 in.

(84.5 cm.) deep

3,000-5,000 $5,000-8,300 3,700-6,100

n 208A PAIR OF GERMAN TUBULAR STEEL AND LEATHER UPHOLSTERED ARMCHAIRSCIRCA 1980

Each with canvas support and detachable buttoned white

leather cushion

30 in. (76.5 cm.) high; 29 in. (73.8 cm.) deep; 29 in.

(73.8 cm.) wide (2)

1,000-1,500 $1,700-2,500 1,300-1,800

n 207A SILVERED METAL AND CUT-GLASS SIX-LIGHT CHANDELIERCIRCA 1970

The circular body strung with heavy faceted drops

22 in. (57 cm.) high

1,200-1,800 $2,000-3,000 1,500-2,200

99

n 210A SQUARE GLASS MIRRORBY VENINI, CIRCA 1960

The deep frame designed to be back-lit48 in. (122 cm.) high; 48 in. (122 cm.) wide

4,000-6,000 $6,700-10,000 4,900-7,300

n 211A PERSPEX CONSOLE TABLESECOND HALF 20TH CENTURY

With brech violette top31 in. (78.5 cm.) high; 63 in. (160 cm.) wide; 19 in. (49.5 cm.) deep

3,000-5,000 $5,000-8,300 3,700-6,100

100

n 214A PAIR OF GILT-METAL AND PERSPEX FRAMED ARMCHAIRSCIRCA 1980, COVERED IN LELIEVRE BUFF-

COLOURED VELVET

Of box form

each 26 in. (66.7 cm.) high; 42 in. (106.7 cm.)

wide; 33 in. (83.8 cm.) deep (2)

2,000-3,000 $3,400-5,000 2,500-3,600

n 213A GILT BRONZE COFFEE TABLEATTRIBUTED TO MAISON JANSEN, MID-20TH

CENTURY

With a foliate cast frame and later glass top

17 in. (43.8 cm.) high; 41 in. (104.8 cm.)

long; 19 in. (50.2 cm.) wide

800-1,200 $1,400-2,000 970-1,500

n 212A SILVERED METAL AND CUT-GLASS CHANDELIERFRENCH OR ITALIAN 1970s

The circular tiered frame hung with large faceted

drops

23 in. (58 cm.) high; 32 in. (81 cm.) diameter

2,000-3,000 $3,400-5,000 2,500-3,600

101

215

LEON GARLAND, CIRCA 1924

Portrait of a gentleman, full-length, seated, in uniform before a bureau plat

signed and dated Leon Garland 1924 (lower right)

oil on canvas , unframed

70 x 40 in. (178 x 103 cm.)

2,000-4,000 $3,400-6,600 2,500-4,900

102

n 219A PAIR OF INCISED AND PARCEL-GILT BLACK JAPANNED PEDESTALSSECOND HALF 20TH CENTURY

Decorated with stylised Egyptian columns to the corners

36 in. (92 cm.) high; 11 in. (28 cm.) wide; 11 in. (28 cm.) deep (2)

600-900 $1,000-1,500 730-1,100

216

AN ITALIAN ALABASTER BUST OF AN EGYPTIAN BOY PHARAOHEARLY 20TH CENTURY

Signed R. Colivichi to the reverse, on an onyx socle

20 in. (51 cm.) high

600-900 $1,000-1,500 730-1,100

218

A BRONZE STATUE OF A STANDING MALE NUDELATE 20TH CENTURY

Modelled leaning on a sword, mounted on a stepped black-granite

base

27 in. (70 cm.) high

400-600 $670-1,000 490-730

102

n 217A PAIR OF ITALIAN WALNUT BEDSIDE CABINETS1940s

With glass tops and brass pulls and sabots, retail label to inside of each

drawer Ducrot Milano-Roma-Palermo-Napoli

25 in. (64 cm.) high; 26 in. (64.3 cm.) wide; 14 in. (35.5 cm.)

deep (2)

700-1,000 $1,200-1,700 850-1,200

103

220

A PAIR OF ITALIAN BEADED-GLASS WALL LIGHTS1920s-30s

Each modelled as a scrolling feather on a gilt-metal frame

and later back panel

23 in. (59.6 cm.) high; 9 in. (23 cm.) wide (2)

1,200-1,800 $2,000-3,000 1,500-2,200

n 221AN ITALIAN GILTWOOD CONSOLE TABLE20TH CENTURY, IN THE MANNER OF MAISON JANSEN

The associated alabastro forito top, with stepped edge on

two palm-form supports joined by a shaped plinth

39 in. (100 cm.) high; 49 in. (124 cm.) wide; 14 in. (36

cm.) deep

2,000-3,000 $3,400-5,000 2,500-3,600

The associated alabastro forito top, with stepped edge on

two palm-form supports joined by a shaped plinth

39 in. (100 cm.) high; 49 in. (124 cm.) wide; 14 in. (36

cm.) deep

2,000-3,000 $3,400-5,0002,500-3,600

n 222A PARCEL-GILT, SILVERED AND BROWN-PAINTED BOWED, SECTIONAL ROOM PANELSIGNED PAVDO, 20TH CENTURY

Depicting the construction of the pyramids, Egypt,

possibly conceived as part of a stage set

Each panel: 95 x 19 in. (243 x 49.5 cm.)

1,200-1,800 $2,000-3,000 1,500-2,200

104104

n 225AN ITALIAN COCKTAIL CABINET1930s, LATER EBONISED

The glass top above shaped quarter-veneered central

doors enclosing a mirrored interior fanked by a pair of

cupboard doors enclosing shelves

59 in. (150 cm.) high; 52 in. (132 cm.) wide; 15 in. (38

cm.) deep

2,000-4,000 $3,400-6,600 2,500-4,900

n 224A PAIR OF FRENCH ART DECO MAHOGANY ARMCHAIRSCIRCA 1930

The high outward-splayed arms fanking a deep seat with

squab cushion, covered in cream leather

30 in. (78 cm.) high (2)

700-1,000 $1,200-1,700 850-1,200

n 223AN ITALIAN NICKEL-PLATED TUBULAR METAL AND ETCHED-GLASS CHANDELIERSECOND HALF 20TH CENTURY

The outer glass rim etched with sea creatures and animals

42 in. (106.5 cm.) high; 32 in. (82.5 cm.) diameter

1,500-2,500 $2,500-4,200 1,900-3,000

105

n 227A NEST OF THREE GRADUATED MACCASAR-EBONY VENEERED OCCASIONAL TABLESCIRCA 1930, IN THE MANNER OF EMILE-JACQUES RUHLMANN (1879-

1933)

The largest: 28 in. (71 cm.) high; 27 in. ( 69.8 cm.) wide: 13 in. (33

cm.) deep (3)

1,500-2,500 $2,500-4,200 1,900-3,000

n 226A PAIR OF CHINESE LARGE EBONISED HARDWOOD ARMCHAIRSCIRCA 1930, PROBABLY CANTONESE

Each with bold scrolling back and arm-supports, the padded armrests

with wavy-frieze fanking a deep stuff-over with deep moulded rails

on squat cabriole legs, covered in blue velvet

44 in. (116 cm.) high

5,000-8,000 $8,400-13,000 6,100-9,700

n 228A PAIR OF FRENCH BRONZE

HANGING LANTERNS

MODERN

The frames of scrolling hexagonal form, with

concave etched glass panels and a four-light

internal ftment

43 in. (110 cm.) high (2)

1,500-2,500 $2,500-4,200 1,900-3,000

n 230A PAIR OF WILLIAM IV PARCEL-

GILT CREAM-PAINTED

PELMETS

CIRCA 1830-40

Each with a lappet-carved cornice above

a frieze applied with a composition band

of fruiting foliage supported by a pair of

scrolling acanthus and lappet-carved brackets

36 in. (92 cm.) high; 113 in. (288 cm.)

wide; 15 in. (38 cm.) deep (2)

2,500-4,000 $4,200-6,600 3,100-4,900

n 229A PAIR OF EBONISED

SERPENTINE COMMODES

MID-20TH CENTURY

Each with three long drawers on cabriole

legs, later ebonised

32 in. (82 cm.) high; 36 in. (91 cm.) wide;

19 in. (48 cm.) deep (2)

800-1,200 $1,400-2,000 970-1,500

107

n 233AN EBONISED SERPENTINE COMMODESECOND HALF 20TH CENTURY

On bracket feet, later ebonised, one handle

replaced

34 in. (86 cm.) high; 62 in. (157.5 cm.)

wide; 22 in. (57 cm.) deep

800-1,200 $1,400-2,000 970-1,500

n 232A VICTORIAN GILTWOOD AND COMPOSITION OVERMANTLE MIRRORBY C. NOSOTTI, LATE 19TH CENTURY

The foliate shell-cresting mounted with birds,

label to the reverse C. Nosotti/ Carvers and

Gilders/.../398 & 399 Oxford Street

72 in. (183 cm.) high; 60 in. (153 cm.) wide

1,000-1,500 $1,700-2,500 1,300-1,800

n 231A CHINESE OVERSIZED YELLOW-GLAZED VASELATE 19TH/EARLY 20TH CENTURY

Of bottle form, restoration to foot rim

43 in. (110 cm.) high

2,000-4,000 $3,400-6,600 2,500-4,900

n 234A VENETIAN LARGE REVERSE-CUT TRIPTYCH DRESSING TABLE MIRROR1930s-40s

With pierced scrolling cresting above a bevelled tilting central plate

fanked by hinged bevelled plates

43 in. (109 cm.) high; 45 in. (114 cm.) wide

600-900 $1,000-1,500 730-1,100

n 235A LOUIS XV-STYLE GREY-PAINTED CANAPEMID-20TH CENTURY, COVERED IN LELIEVRE PINK SILK-DAMASK

The channeled frame carved with scrolling decoration

37 in. (94 cm.) high; 57 in. (145 cm.) wide; 28 in. (71 cm.) deep

1,200-1,800 $2,000-3,000 1,500-2,200

n 236A PAIR OF LOUIS XVI-STYLE GREY-PAINTED BERGERESMID-20TH CENTURY, COVERED IN LELIEVRE PINK SILK-DAMASK

Each with foral cresting and reeded frame above an oval seat on

futed legs

33 in. (84 cm.) high (2)

1,000-1,500 $1,700-2,500 1,300-1,800

n 237A VENETIAN PARCEL-GILT POLYCHROME-PAINTED BOMBE COMMODESECOND HALF 20TH CENTURY

Decorated throughout with foral panels, the serpentine top with

shallow drawer to the cavetto-moulded frieze above two long drawers

on cabriole legs

37 in. (94.5 cm.) high; 51 in. (131.5 cm.) wide; 22 in. (57 cm.)

deep

1,500-2,500 $2,500-4,200 1,900-3,000

deep

1,500-2,50

109

238

A PAIR OF PINK GLASS TABLE LAMPSLATE 20TH CENTURY

With gold sequin shades

29 in. (74 cm.) high (including ftting) (2)

1,200-1,800 $2,000-3,000 1,500-2,200

n 239A LARGE LOUIS XVI-STYLE GILTWOOD CHEVAL MIRRORFIRST HALF 20TH CENTURY

The oval swing-plate with garland-hung ribbon-cresting on an

acanthus and rosette-carved futed stand

84 in. (213 cm.) high; 46 in. (117 cm.) wide

1,200-1,800 $2,000-3,000 1,500-2,200

n 240A LOUIS XVI-STYLE GREY-PAINTED BEDLATE 19TH CENTURY, COVERED IN LELIEVRE PINK SILK-BROCADE

The head and footboards with entrelac and gadroon-carved upper

border above padded panels, fanked by pomegranate-capped spiral-

futed columns; together with a later mattress

51 in. (130 cm.) high; 58 in. (148 cm.) wide; 83 in. (211 cm.) long

1,500-2,500 $2,500-4,200 1,900-3,000

110

n 241A GEORGE III-STYLE PAINTED PINE DOOR SURROUNDLATE 19TH CENTURY

With broken swan-neck pediment above a deep frieze with protruding

bosses applied with oval patera on anthemion-carved scrolling brackets

and futed jambs

121 in. (307 cm.) high; 82 in. (208.5 cm.) wide; 14 in. (35 cm.) deep

2,000-3,000 $3,400-5,000 2,500-3,600

243

AN IBERIAN PARCEL-GILT POLYCHROME-DECORATED PINE GROUPLATE 17TH/EARLY 18TH CENTURY

Modelled as an eagle fanked by two putti

17 in. (43 cm.) high; 26 in. (67 cm.) wide

800-1,200 $1,400-2,000 970-1,500

n 242AN ITALIAN PARCEL-GILT, POLYCHROME-DECORATED BAROQUE ALTAR REREDOSLATE 17TH/EARLY 18TH CENTURY, POSSIBLY SICILIAN

Mounted with cherubic-angels fanking an oil on canvas depicting a marriage ceremony above a niche

with later mirror plate fanked by sculptures of saints, some redecoration, minor losses and reconfguration

175 in. (445 cm.) high; 143 in. (363 cm.) wide approx.; 24 in. (61 cm.) deep

12,000-18,000 $20,000-30,000

15,000-22,000P ROV ENAN C E :

Almost certainly, St. Peter, Barnsley, West Yorkshire, before removal to

St John The Divine, Grantham, Lincolnshire.

This is almost certainly the altar referenced by Sir Nikolaus Pevsner, in his volume on Lincolnshire,

form his Buildings of England series (London, 1990, p. 295), where he describes a White and gold,

Flemish (?), c. 1700 with fgures and lush acanthus in situ at St. John The Divine, which was

deconsecrated in the early 2000s.

n 244 A FRENCH TOLE-PEINTE SIX-LIGHT CHANDELIERSECOND HALF 20TH CENTURY

The body modelled as fowering branches with a rope-tie to the base,

with applied fower heads twisting around the stem

27 in. (68.5 cm.) high

1,200-1,800 $2,000-3,000 1,500-2,200

n 245A PAIR OF FRENCH BRASS-MOUNTED WROUGHT-IRON ARMCHAIRSSECOND HALF 20TH CENTURY

Covered in buttoned red mohair velvet

35 in. (89 cm.) high (2)

600-900 $1,000-1,500 730-1,100

n 246AN IBERIAN BRASS-STUDDED LEATHER CHESTFIRST HALF 20TH CENTURY

The domed lid enclosing a red baize-lined interior, on two H-shaped

supports (not illustrated)

18 in. (48 cm.) high; 35 in. (90 cm.) wide; 17 in. (43 cm.) deep

(excluding supports)

400-600 $670-1,000 490-730

n 247A FRENCH BLACK-PAINTED WROUGHT-IRON CONSOLE TABLE1930s-40s

The grey-green veined serpentine-shaped marble-top with moulded-

edge above a scrolling foliate frieze applied with repousg fower-heads

on acanthus-capped cabriole-legs joined by a conforming stretcher

36 in. (91.5 cm.) high; 56 in. (144 cm.) wide; 17 in. (44 cm.) deep

1,200-1,800 $2,000-3,000 1,500-2,200

n 248A PAIR OF NORTH ITALIAN PARCEL-GILT GREEN-PAINTED GIRANDOLES19TH CENTURY

Each with replaced cartouche-shaped plate within

a pierced c-scroll and foral-carved frame, lacking

sconces, redecorated

36 in. (93 cm.) high; 24 in. (61.5 cm.) wide (2)

1,000-1,500 $1,700-2,500 1,300-1,800

n 249A PAIR OF ITALIAN BAROQUE-STYLE GILTWOOD FLOOR-STANDING ALTAR CANDELABRA20TH CENTURY

Each with an elaborate fve-light foliate upper-

section, on a turned and foliate-carved shaft and a

tripod-base with marbled plinth, losses

88 in. (225 cm.) high; 39 in. (99 cm.) wide (2)

1,500-2,500 $2,500-4,200 1,900-3,000

n 250AN EUROPEAN AGNUS DEI SUNBURST19TH CENTURY, MOUNTED AS A MIRROR

The later mirror plate within a swirling cloud-form