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HAROLD B. LEE LIBRARY
BRIGHAM YOUNG UNIVERSITYPROVO, UTAH
Digitized by the Internet Archive
in 2012 with funding from
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N? 113. Price5Q Cents.
fjfioncU?ood.
ocalisesFor Soprano
Op.92.
Bush & Gerts Piano Go,
307 ELM STREET DALLAS, TEXAS
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IThas been the endeavor of the publishers
to make " EDITION WOOD " the finest
and most correct edition of StandardStudies, Recreations and Classics yet issued.
The Editors have tried to be very conserva-
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The phenomenal success of ** EDITIONWOOD" is the best testimony of its merit.
Op. 92. For Soprano Edition Wood N9113
Op. 93. For Mezzo Soprano . . . . Edition Wood N9114
Op. 94. For Alto . .' Edition Wood N9U5
Op. 95. For Tenor Edition Wood N9 155
Op. 96. For Baritone . '. Edition Wood N9 156
Op. 97. For Bass Edition Wood N9157
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£ondon,
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2Elementary Vocalises
for Soprano.
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Elementar Vocalisenfiir Sopran.
FRED. SIEBER, Op. 92.
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TAll of the exercises are to.be sung, at first, with the vowels (a, o, e, etc); later, the printed syllables are to be used.
The various marks of expression (nuances) are not to be followed, at first, but each study should be sung many times, soft-
ly (piano) and without effort, but as legato as possible. The tempo should be governed by the ability and skill of the singer.
Breath should be taken at all the rests, and also as indicated by the sign (-*-). If found necessary, breath may also be taken
at the commas ii).
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Die vorgeschriebene Niiancirung soil anfanglich nicht beachtet, jede Studie vielmehr in ruhigem und gleichmassigem Piano undso gebundeii als moglich ausgefiihrt werden. Fur die Wahl des Tempo ist das Bediirfniss und die Fahigkeit des Singendenmaassgebend. Bei alien Pausen und dem Kreuzzeichen *• muss geathmet werden, es darf dies auch _wenn es nothig sein
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1311 ^ocal ^eatijerg
Should examine our edition of the celebrated Concone
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Cbition OToob369. Concone, J. Op. 9. 50 Lessons for
Medium Voice 50
370. The Same for Low Voice 50Carefully and conservatively revised with marks of
expression and phrasing.
113. Sieber, F. Op. 92. 36 Vocalises for
Soprano 50114. — Op. 93. 36 Vocalises for Mezzo-
Soprano 50115. — Op. 94. 36 Vocalises for Alto 50155. — Op. 95. 36 Vocalises for Tenor ... .50
156. — Op. 96. 36 Vocalises for Baritone. .50
157. — Op. 97. 36 Vocalises for Bass 50An extra fine edition of these celebrated vocalises.
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PIANO SOLOALBTTBR, W. 10 Melodious Recreation*.
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Velocity. In 4 books.
BERTINI, H. Op. 29. 24 Etudes.
—Op. 32. 24 Etudes.
—Op. 100. Etudes Without Octaves.
—Twelve Little Pieces and Preludes.'
BROWN, A. L. Op. 16. Scenes from Pixie-
Land.
The Same, with English Fing,
—Op. 21. Souvenirs du Voyage.
BURGMULLBR, F. Op. 100. 25 Easy
and Progressive Etudes.
The Same, in 2 books.
—Op. 105. Twelve Etudes Brillantes et
Me'lodiques. Complete.
The Same, in 2 books.
—Op. 109. Etudes de Genre. Complete.
The Same, in 2 books.
CHOPIN NOCTURNES. Complete.
The Same. Cloth Binding.
CHOPIN WALTZES. Complete.
The Same. Cloth Binding.
CHOPIN ALBUM NO. 1.
CLEMENTI. Op; 36, 37, 38. Sonatinas.
CONCONE, J. Op. 24. Melodious Etudes.
—Op. 25. Studies in Style and Expression.
—Op. 30. Studies for Acquiring the SingingTouch.
CZERNT. Op. 139. 100 Progressive Studies
Without Octaves.
The Same, in 2 books.
—Op. 261. 125 Exercises in Passage Play'g.
—Op. 299. School of Velocity. Complete.
The Same, in 4 books.
—Op. 337. Forty Daily Exercises.
—Op. 553. Octave Studies.
—Op. 599. Method for Beginners.
—Op. 636. Preliminary School of Finger
Dexterity.
—Op. 740. Finger Dexterity. Complete.
The Same, in 6 books.
— 100 Easy Recreations. Complete.
The Same, in 4 books.
—Op. 823. Little Pianist. Complete.
The Same, in 2 books.
—Op. 849. New Studies in Technics.
DIABELLI. Op. 151, 168. n Sonatines.
DUCBLLB, PAUL. Op. 16. 12 MusicalMemories.
The Same, with English Fing.—Op. 17. Twelve Musical Favors.The Same, with English Fing.—Op. 20. Ten Storiettes.
The Same, with English Fing.
DUSSEK. Op. 20. Six Sonatinas.
DUVBRNOY.J. B. Op. 120. Mecanlsme.The Same, in 3 books,
—Op. 176. Ecole Primaire.
The Same, in 2 books.
BILBNBBRG, R. Op. 19. Ten Tone Pic-
tures (Tonbilder).
The Same, with English Fing.
—Op. 23. Six Silhouettes.
—Op. 25. Ten Recreations.
m.•122.
•123.
343>
344-
45-
46.
47-
189.
3-
•36.
•290.
*85-
177.
*I3°-
•291.
•147.
•292.
*i93-
•384-
•194.
*38S.
*333-
*334-
•301.
•322.
•250.
•293.
•279.
•294.
*356.
199-
200.
*i54.
•158.
•159-
321.
262.
54-
3«3-
*3M.3'5-
•234-
275-
275A.
383.
383A.
33-
2E.
•128.
•298.
•129.
•299.
*233-
•355-
35»-
3S*/3-335-
336/7.
*37«-
*396.
•376.
*397-
•64.
100/3.
.38.
323-
324/5-
•392.
27-
PIANO SOLOGADS, N. W. Op. 19. Aquarellen. Bk. I.
The Same Book II.
—Op. 19. Aquarellen. Complete.
GRIEG, B. Op. 12. Lyric Pieces. Bk. I.
—Op. 46. Peer Gynt. Suite II.
HELLER, S. Op. 45. Melodious Studies.
—Op. 46. Progressive Studies.
—Op. 47. Rhythm and Expression.
HBRZ, H. Scales and Exercises.
KOHLER, L. Op. 50. First Studies.
KROGMANN, C. W. Op. 10. Ten Musi-cal Bonbons.
The Same, with English Fing.
—Op. 15. Zephyrs from Melody-Land.
The Same, with English Fing.
—Op. 35. A Wreath of Melodies.
The Same, with English Fing.
—Op. 45. Revels in Toneland.
The Same, with English Fing.
—Op. 49. Musical Fancies. Book I.
The Same, with English Fing.
—Op. 49. Musical Fancies. Book II.
The Same, with English Fing.
—Salon Album No. 1.
—Salon Album No. 2.
—Op. 55. Little Tone Pictures.
—Op. 52. Three Souvenirs.
—Op. 63. Etchings in Tone Colors.
The Same, with English Fing.—Op. 64. Twelve Miniatures.
The Same, with English Fing.
—Op. 67. 12 Lilliputian Idylls.
KUHLAU. Op. 20, 55, 59. Sonatinas. Bk. I.
—Op. 60, 88. Sonatinas. Book II.
KTJLLAK, TH. Op. 62, 81. Scenes fromChildhood. Complete.
—Op. 62. Scenes from Childhood. Bk. I.
—Op. 81. Scenes from Childhood. Bk. II.
LECOUPPBT, F. Op. 17. The Alphabet.
25 Easy Etudes.
—Op. 20. L'Agilite\ Studies for Mechan-ism and Light Touch.
LEMOINB, H. Op. 37. Etudes Enfantines.
LISZT, FR. Consolations. Complete.
—Liebestrau'me (Dreams of Love)
.
—Consolations and Liebestraume.
McINTTRB, B. V. Op. 12. Ten Melo-dies from Song-Land.
MENDELSSOHN. 49 Songs WithoutWords. Complete.
The Same. Cloth Binding.
—42 Songs Without Words. English Edit'n.
The Same. Cloth Binding.
—Op. 72. Six Christmas Pieces.
NOYES, B. R. Eight Album Leaves.
ORTH, L. E. Op. 10. 12 Miniatures.
The Same, with English Fing.
—Op. 11. Ten Pictures from Toneland.
The Same, with English Fing.
QUIGLBT, h. J. Op. 10. Five AlbumLeaves for Young Pianists.
The Same, with English Fing.
RAVINA, H. Op. 50. 25 Etudes Harmon-ieuses. Complete.
The Same, in 2 books.
—Op. 60. 25 Etudes Mignonnes. Complete.
The Same, in 2 books.
REGBR. Op. 13. Six First Pieces.
The Same, with English Fing.—Op. is. Ten Melodious Pieces.
The Same, with English Fing.
SARTORIO, A. Op. 269. Six Recreations
Without Octaves.
—Op. 342. Modern Method for Pianoforte.
In 4 books.
—Op. 417. Technical Exercises.
—Op. 550. Melodious Etudes. Complete.
The Same, in 2 books.
SARTORIO SALON ALBUM NO. 1.
SCHMITT, ALOYS. Prep. Exercises.
PIANO SOLO398. SCHUMANN, R. Op. 15. Scenes from
Childhood.
399. —Op. 68. Album for the Young.
400. —Op. 68, Album for the Young, and Op. 15,
Scenes from Childhood.
400A. The Same, Cloth Binding.
389. —Op. 124. Album Leaves (Albumblatter).
•354. TBLLIBR, A. Op. 14. Ten Morceaux
Caract^ristiques.
264. WILLIS, M. B. Op. 14. Easy Recreations
in Unfamiliar Keys.
•308. —Op. 14A. Ten Melodious Sketches.
168. —Op. is. Twelve Melodious Etudes in
Unfamiliar Keys.
•133. WOLFF, BERNHARD. Op. 187. Thirteen
Easy Pieces. Book £.
•134. The Same. Book II.
89. —Op. 188. Twelve Melodious Etudes.
PIANO FOUR HANDS401. BROWN-SARTORIO. Op. 16. Scenes from
Pixie-Land.
198. DIABELLI, A. Op. 149. 28 Melodious
Pieces (on five notes).
391. —Op. 24, 54, 58, 60. Five Sonatinas.
394. —Op. 150. Sonates Mignonnes and RondoMilitaire.
395. —Op. 163. Pleasures of Youth. Five Sona-tines (on five notes).
•151. 8ART0RIO, A. Op. 424. Pleasures of
Youth (primo part on five notes). Book I.
•15a. The Same. Book II.
243. —Op. 432. Duet Album. Instructive andMelodious Pieces for Teacher and Pupil.
312. WOHLFAHRT, H. Op. 87. Children's
Friend.
VOCAL—with Piano Accompaniment
369. CONCONE, J. Op. 9. Fifty Lessons for
Medium Voice.
370. The Same, for Low Voice.
•309. KAVANAGH. Six Songs for High Voice.
•301. KROGMANN, C.W. Op. 55. Five TonePictures.
•29. NOTES, EDITH ROWBNA. Seven LoveSongs for Low Voice.
VIOLIN SOLO86. GRUN, C. Modern Elementary Method,
.an. KAYSBR, H. B. Op. 20. Elementary andProgressive Etudes. Complete.
212/4. The Same, in 3 books.
TWO VIOLINS58/9. MAZA8, F. Op. 38. Twelve Easy Duets.
In 2 books.
60/1. —Op. 70. Twelve Easy Duets. In 2 books.
55. PLBYBL, I. Op. 8. Six Easy Duets.
56. —Op. 48. Six Easy and Prog. Duets.
57. —Op. 59. Six Easy Duets.
VIOLIN AND PIANO•136. ALBUM CLAS8IQUB. Twelve Celebrated
Pieces by Schubert and Mendelssohn.
•232. ARMSTRONG, W. D. Twelve MelodiousPieces for the Young.
•149. KROGMANN-GRUN. Op. 15. Zephyrsfrom Melody-Land.
MANDOLIN MUSIC•150. KROGMANN-LANSING. Op. 15. Zephyrs,
for Mandolin and Piano.
•179. The Same, for Mandolin and Guitar.
87. LANSING, G. L. Thirty-three Special
Studies for Mandolin.
•135. PIBTRAPBRTOSA, J. Op. 212. Twelve
Celebrated Pieces by Schubert and Men-
delssohn for Mandolin and Piano.
DATE DUE
JUL 9 19*
r
dUN 3 l^7
OCT 6 2005
NOV 3 2005
OCT 1 8 298
DEMCO, INC. 38-2971
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