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Issue One Volume FourTRANSCRIPT
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Vol. 4 No. 1 Sept. 2011
Freshman Survival Guide
Richmond is Haunted... and How to Deal
A Nightmare on Main Street Photo Shoot
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Hi and welcome to the first issue of Ink for the 2011-2012 school year!
Whether you are familiar with Ink and pick up a copy every time for the
fashion, art, music, or student life segments, or new to the magazine
entirely, we promise to pack every issue full of fantastic art, music, and
culture, exciting surprises, and relevant content to keep you pouring over
each issue front-to-back.
In this issue we explore all things fascinating, spooky, and otherworldly,
from Halloween culture and the Richmond occult to Intellectual Hedonism,
becoming a flesh-eating zombie, and giant musical aliens’ role in the
fashion world. Check out our spreads on Halloween and the new
movement started by Max and Jason the hedonists through mediums like
Current TV, and don’t miss our amazing D.I.Y. zombie makeup tutorial,
and, last but not at all least, our D.I.Y. Halloween costume photo shoot featuring the lovely Oderus
Urungus (aka Dave Brockie), of GWAR.
If you are interested in contributing to the magazine, see the contact information on this page
and email us some of your work, or come to one of our weekly meetings at 7 pm on Mondays at
the Student Media Center. Also feel free to send in any thoughts, suggestions, and negative or
positive feedback. We hope everyone enjoys all the great things we have in store this semester!
Addison Herron-Wheeler
Executive Editor
LETTER FROM THE
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Amaris Lemus
Staff Writer
Rachel Maves
Art Director
Emily Eason
Managing Editor
Kelsey Wheeler
Staff Writer
David Osnoe
Staff Writer
Carlista Martin
Staff Writer
Lena Sinanian
Staff Writer
Teddy Gregson
Ad Director
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CAMPUS LIFE CONTEMPORARY ISSUES
ARTS & CULTURE
Ink MagazIneContact us!
VCU Student Media Center817 W. Broad St. Richmond, VA 23220804.828.1058
LIke THe InTeRneT? So do we!
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Sicily Study Abroad
Rumor’s Anniversary Party
Freshman Survival Guide
Richmond Is Haunted
Halloween RVA
Hula Hoop
Intellectual Hedonism
D.I.Y.: Halloween Face Paint
Featured Musician: DJ Mike Phear
Featured Artist: Erik Fox
Reviews
Fashion: Oderus and Halloween
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CORReCTIOn Our Bad!In last issues’ “Ever-too-green story,” the woman referred to as Bonnie Davis, a VCU journalism professor, should have been Veronica Davis, Virginia Roots Director, Restoration Coordinator All Sites. Sorry for the mix-up!
Danielle Harvey
Takira Goss
Peter Pagan
Larisa Robinson
Shelby Mertens
Evelyn Escobar
Ismail Vera
Santos Ramos
Corey Johnson
Margaret Amonette Copy Editor
Rachel Kiscaden Photo Editor
Ying Cheng Graphic Designer
Unpictured Staff:
Santos
Staff Writer
Hunter Rye
Graphic Designer
Hannah Swan
Graphic Designer
Marleigh Culver
Graphic Designer
Shannon Ransom
Staff Writer
Amir Vera
Staff Writer
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Teddy Gregson
Ad Director
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campus life
Study Abroad:
Sicily
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“I feel it’s important to gain insights from other cultures, especially in an art field, in order to chal-lenge yourself to view things from an entirely new perspective.”
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Takira GossPhotos by Allyn Smith
Allyn Smith is a rising junior in the
Photography & Film Department at Virginia
Commonwealth University. Currently, he
is practicing still photography focusing
on experimental darkroom processes with
35mm black and white film stocks, as well
as experimental, short filmmaking with
16mm. “Studying abroad has always been a
huge aspiration of mine. I feel it’s important
to gain insights from other cultures, espe-
cially in an art field, in order to challenge
yourself to view things from an entirely new
perspective,” says Allyn. Needless to say,
the “Cinema in Sicily” program was perfect
for Allyn.
The program was held partly in a small
town called Noto in Sicily, then followed by
a week-long film festival in Taormina. The
students took 7 credits, which included a
World Cinema class, an International Stud-
ies class, and an Italian Language class.
Going into the program, his personal goal
was to further his insights into the world of
cinema by gaining the Italian perspective.
His passion for film is fairly new, one that
he discovered during his freshman year at
Virginia Commonwealth University in the
Art Foundations program. However, he is
already confident that this is the discipline
he wants to devote his life to.
“It would be such an immense privi-
lege to engage myself in this field of study
while surrounded by a culture which I am
unfamiliar with,” said Allyn just days before
his departure.
While in Italy, Allyn found that the
Sicilian culture was very different than the
typical American lifestyle. He describes
the people as “not having much, but not
wanting much either.” The culture is very
sensual and stress-free, which he said was
evident in their filmmaking. He described
the lifestyle as very “care-free.” When he
wasn’t busy with his schoolwork or sight-
seeing, he spent his days simply relaxing
on the beach, and cooling himself off in the
crystal-clear Mediterranean Sea when the
blistering sun became a bit overwhelming.
This would often be followed by a European
“When [Allyn] wasn’t busy with his schoolwork or sight-seeing, he spent his days sim-ply relaxing on the beach, and cooling himself off in the crystal-clear Medi-terranean Sea.”
campus life
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“siesta,” which is a short nap taken in the
afternoon, ending with a truly authentic
Italian meal and a glass of wine.
In addition to becoming lackadaisical in
the Mediterranean Sea, Allyn’s favorite part
of the program was the Taormina Film Fes-
tival. He was able to attend master classes
with very notable directors, actors, etc.
including Jack Black, Kevin Smith, Monica
Bellucci, and Oliver Stone.
The program also included a pass that
allowed him to view all the films that were
showing, which he took complete advan-
tage of. He felt this portion of the pro-
gram took his experience to the next level,
because now he was not only focusing on
cinema from an Italian perspective, but had
the opportunity to view work from contem-
porary filmmakers from all over the world.
His favorite films were Hawi, an arabic film
shot in Egypt by director Ibrahim El Batout,
and a french film entitled Sur la Planche
by director Leïla Kilani. Allyn described
the films as “innovative” using techniques
that he was unfamiliar with but found to be
very engaging. With this experience under
his belt, he plans to continue his journey in
filmmaking with aspirations to be an inde-
pendent filmmaker or an editor.
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RumoR's AnniveRsARy PARty
Makes a Splash
On July 9th, Rumor’s held their fourth annual anniversary bash at Hadad’s Lake, home of the yearly Best Friends Day gath-ering. Consignment fashion enthusiasts gathered for a day of high-profile partying and fun in the sun.
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FRESHMAN
GUIDE
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After previously eluding high school’s evil hall monitors, creepy lunch ladies, and enduring the woes brought upon by teachers, you have finally graduated. You’ve worked hard for this opportunity and you’re ready to take the next big step in your life: College. Ink Magazine wants to make sure you know the drill to survive your freshman year here at VCU. For the first time, you’re coming to a new place, living with a stranger in the dorms, and fending for yourself. Your first semester might feel like it’s too much to handle. Fear not: your acceptance letter is your ticket to better days.
Don’t lose sight of why you’re here. You can choose to go to class, or to sleep in. You have the choice to go to that party or do your homework. Nobody’s there to take you by the hand and force you to go to class. Sometimes doing the right thing isn’t the easiest, but remember that you are here for an education. Skip the party if there’s an important deadline. Trust me, there will always be another party going on.
Carry around your VCU ID card.I know, I know. Responsibility. Who wants something extra to worry about, what with modern take-alongs such your phone, computer, keys… the list goes on. However, it's a wise choice to remember your card; You won't be able to access your dorm, print at the library, get local discounts from businesses, or ride the GRTC bus for free if you don't have your trusty little friend with you at all times.
Peter PaganCollage by Ying Cheng
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your VCU email address or through Blackboard. Checking your email at 2 a.m. could reveal a reminder from your professor about the upcoming quiz at 8 that you forgot to study for.
Explore Richmond. Don’t go home every weekend. VCU’s location makes it easy for you to explore the city. Don’t limit yourself to the campus the whole year. If you go home for the weekend, you’ll miss out on building relationships. Go out walking with a group of friends. Biking is also suggested for a faster, cheaper method to get around. Popular places like Maymont Park, Carytown, Shockoe Slip, Belle Isle, and Hollywood Cemetery are extremely close to VCU. if you don’t have your own set of wheels here on campus, try using Richmond’s public transit; the GRTC bus can get you from point A to point B quickly and easily.
There is more to life than Shafer Court. Sure, it's where EVERYONE seems to go between classes, for breakfast, lunch, and dinner. This might seem like a shocker, but Shafer love dies down after the first few months of school. Luckily, there are other dining options around campus to choose from. For instance, Bleecker Street Café is a great Shafer alternative. Located on the first floor of Snead Hall, Bleecker Street features a fresh, healthy sandwich menu. RamBucks, Dining Dollars, and meal swipes can be used at multiple locations such as the student commons, as Pizza Hut Express, Subway, and Chik-Fil-A.
Tuition will continue to rise, so get your money’s worth by taking advantage of VCU’s student resources. Remember that you’ve got everything you need at your fingertips; all you need to do is decide how you’re going to use it. Go to the Writing Center when you need help with your ten-page English paper. When you don’t know where to turn next, visit your adviser for guidance. Talk to your R.A. if you’re having roommate troubles. Oh, and try not to use all of your dining dollars the first month of school! •
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Make friends with your dorm security guards. Think twice before pissing off a dorm security guard, it could prove to make your life a living hell. You should know that these guards are also students, like you. However, the guards are required to sit down for 6 hour-shifts, endlessly watching a sea of students pass. The last thing you want is to create a situation or make yourself the source of any negative attention. One thing's for sure– you'll be seeing them again. Why not use that to your advantage? Talk to your security guards; give them a face to look forward to seeing during their horrendous shifts. Make sure they know your name. You never know when you might need that extra favor when you forget your ID for the third time. Otherwise, you’ll be watching helplessly as a guard writes you a temporary ID pass that will incur an extra $30 dollar fee in addition to your recently steepened student tuition. Nobody wants that.
Don’t buy books until the first week of class.Typically, professors will hand out a syllabus the first week of class that will let you know exactly what you need. Read reviews online to find out if the professor actually uses the textbook. This can be an easy opportunity for you to save some cash, as some tests are based solely on the notes taken during lecture.
Establish Connections. Now’s not the time to retreat into your shell. Be social and join clubs with friends. Make sure you talk to everyone you possibly can, even your professors. If you establish good relationships with your professors, they will be more open to helping you out. Professors love when you ask questions and interact during class discussions. Showing initiative to the right people could introduce you to great opportunities.
Make it a habit to check your VCU email address/Blackboard. This isn’t the Stone Age. Professors will send important reminders to you via
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arts & culture
My mother bought me sage brush seeds to
grow in my college dorm. I told my good
friend, Scientific Illustration major Michelle
Sites, that I was going to burn them to be
rid of any evil spirits plaguing the former
hospital room I’d be staying in at VCU
this year. She hurried over to a shrine-like
side table in her living room and picked
up a tied bundle of them, blackened at
the edges, “Don’t bother. It just pisses
them off. Besides, the smoke smells like
marijuana.” As much as I would like to
have the “No officer I wasn’t smoking,
just trying to scare away the ghosts”
conversation, I came to the conclusion
that the living have the potential to be far
scarier than the dead.
Now if there’s any place that could host
a surfeit of spirits, Richmond has to be
one of them. Our 17th-century River
City is among the oldest established in
the United States. VCU is situated on
land once home to the Powhatan tribe,
the Revolutionary War, Civil War, slave
rebellions, 18th century gangs, and the
Industrial Revolution.
Melanie Willing, a Forensic Biology
major that lived in the old hospital dorm
reported, “my light would always randomly
start flickering and I was always kind of
creeped out by that.” Advertising major
Osama Eqbal, disclosed a more in depth,
chilling episode. “I was sleeping and heard
and felt someone standing over my bed.
It just stood there whispering and I was so
scared I couldn’t open my eyes.” These are
among several individuals that described
weird, glowing lights and felt chills, such
as at night in Hollywood Cemetery (not
naming names) and around campus.
Yet, for skeptics there is little evidence
backing the legitimacy of the paranormal,
superstition, and ESP (extrasensory
perception). Take international magician
and escape artist James Randi. He
attempted to denounce ‘psychic power’
by putting up a 1 million dollar prize for
anyone that could see an aura from over
a brick wall. To my knowledge, no one has
earned that money.
But one thing is for certain: many of life’s
events are inexplicable. I could attempt
to rout this oxymoron, but I’d rather burn
marijuana-smelling sage brush and call it
a night. •
Richmond and how to deal with it
is Haunted......
contemporary issues
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Halloween RVA Changing leaves, cooler temperatures,
and pumpkin spice lattes are just some of
the things I love about Fall. The semester
has begun and most students are working
to establish a routine to help deal with
classes, sports, jobs, and their social lives.
After all, the life of a college student
can be a little hectic. Students need
something to look
forward to, and
what could be
better than
Halloween?Since the days of trick-or-
treating are behind us, the chance to
go out with friends and get dressed up
is enough cause to celebrate. Luckily,
because we are in Richmond, VCU
students have a variety of options to
choose from.
Students love Halloween because
we have the opportunity to put on a
costume and be someone else for a night
or two. Originally, this holiday was a
combination of ancient religious practices
and European folk tradition. In the 19th
century, though, Halloween lost its
religious connotation and became focused
around activities such as trick-or-treating,
parades, costume parties, and other
means of celebration. Now that it’s time
to trade in our jackets and boots for
costumes, deciding where to go or
what to do is the next step.If the idea
of experiencing a haunted house
intrigues you, then try making it to
Edgewood plantation on the James
River. This haunted plantation was
even featured on the show Ghost
Busters. The story goes that
Lizzie Rowland was waiting
for her fallen lover to return
from the Civil War. Her spirit
still haunts the grounds
along with other ghosts from
the past. Haunted tours
are $10.00, and they are
available from September
through October.
Another event to
consider participating in would
be the Carytown Zombie Walk.
The 7th annual Zombie Walk will be
on Saturday, October 29. If you
can’t wait for the walk, there is a pre-
walk event held at Byrd Park. There will
be prizes awarded for the most convincing
zombies, such as most disgusting, best
group theme, and 2011 zombie of the
year. The dead have returned and they
will be eager for some new victims, so
proceed with caution on your journey.
If some of your favorite memories of
Halloween were sharing ghost stories, then
check out Haunts of Richmond Walking Ghost
Tours. This nighttime event
encompasses four different tours,
including Shadows of Shockoe,
Haunted Capitol Hill, Church
Hill Chillers, and Spirits & Spirits
Haunted Pub Crawl. These ghost
tours occur through the end of October
and are $13.00 when you purchase
tickets in advance. Each individual tour
offers something different. For example,
Shadows of Shockoe allows you to explore
one of the most haunted neighborhoods
in Richmond. The stories you hear about
The Old Stone house or Civil War hospitals
make this ghost walk truly unique. On
Friday nights, tour Haunted Capitol Hill
and be shocked to discover elected
officials and security guards aren’t the
only ones roaming the halls at night. If
you’re free on a Saturday night, check
out the Church Hill Chillers tour and
investigate the eerie past of the Church
Hill neighborhood. For the over 21 crowd,
the Spirits & Spirits Pub Crawl, held on the
third Wednesday of the month, might be a
good option for you. Bring a friend along
and visit some of the most haunted pubs
in Richmond.
After a long week of classes and other
activities, students need a little
break. Located in the Shockoe Slip
neighborhood is the Fishbowl Bar &
Bistro. There is never a dull moment at
Fishbowl with events such as karaoke
Wednesday and music by DJ’s ALX and
JINXX on the weekend..
Fishbowl has food ranging from fried
calamari to chicken quesadilla’s and
everything in between. For those of you
who are over 21, try
their notorious fish bowl punch or
longboard tea. Regardless of your reason
for going, the goal is to relax and have
some fun with friends.
No matter what Halloween activities
you choose to take part in, Richmond is
the place to be. One of the many things
that make this city so great is the diversity.
At VCU we not only have different types
of people, but also various activities for
students to participate in. From haunted
houses and zombie walks to restaurants
and bars, this Halloween will be a
memorable one. After all, we don’t work so
hard in school for nothing. So enjoy your
chance to celebrate this holiday and maybe
be someone else, even if it’s just for a
little while. •
by Danielle Harvey
art by Rachel Maves
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contemporary issues
It is amazing how such a simple object,
a piece of plastic, could do so much good
for your body and even your mind. The
hula hoop has been used as a form of
dance, ritual and games since throughout
time. There is a depiction on a vase in the
Louvre of a man using a hoop and during
the 14th century, it was apparently used
for medical and even religious purposes.
However, its use became Americanized
officially in 1957 when it was mass
produced by the Wham-o toy company,
when two friends, Richard Knerr and Spud
Melin, were inspired by Australian bamboo
exercise hoops. This mass production
worked and now the hula hoop continues
to be used as a wonderful form of fitness,
dance, and much more.
There are so many different forms of
hooping and the possibilities for tricks and
techniques make the whole process of
learning very exciting and fun. The hoop
can improve your flexibility, help relieve
stress, and of course, burn calories. Just
an hour of playing with a hula hoop can
burn 400 to 600 calories, and it is very
easy to keep hooping for hours. The hula
hoop also has excellent use in meditation,
the rhythmic flow of the hula hoop can be
used as a tool to help ease your mind and
Go with the flow
trust your body. With a few some simple
tricks and lots of practice, hula hooping
can easily help in improving your body,
your mind, and your self-esteem.
First off, regular stance is the most
important thing to learn, and it’s also
quite easy. Just make sure your feet are
at a comfortable distance apart, about
at length with your shoulders. Using your
hips, push the hoop off either right of left,
depending on which side you are stronger
with, and move in little circles along with
the rhythm of the hoop. If it begins to
wobble, just use your body to push the
hoop back into rhythm.
Isolation is another fun trick that helps
improve your arm muscles in major ways,
and it is one of the more cool-looking
tricks, too! First off, with your fist facing
inwards, hold the hoop in front of you
bent at the elbow. Think of your arm as a
hand on a clock, and with that in mind, pull
the hoop downwards, tracing where the
different points would be on a big clock,
3 o’clock, 6 o’clock, 9’clock, midnight. As
soon as you get to the point where you
cant twist your wrist, let the hoop go and
pass over the top of your hand, and there
you go!
Revolving door is a super easy trick
that can help with balance, timing, and is
also a great arm workout. With the hoop
over your head and your hands in a prayer
stance, take one hand and flick the hoop
down in front of you. Make sure you bend
your back a tad and give the hoop some
room to revolve.
Hooping is also a fun way to exercise
your thighs, your hamstrings and even
your calves with a simple leg trick. All you
do is use the rhythm of the hoop and your
leg muscles to push in little circles with
either your left or right leg. Remember,
you must practice and decide which flow
is most comfortable for you.
Escalator is another really cool trick
that can be fun to use in hoop dancing
and workouts alike. Start off with the hoop
hooked on one leg, then with your hand,
push the hoop up from your leg. As you
do this, pick up your other leg so the hoop
has a clean path. When it passes your
bent leg, make sure you have a hand up
and ready to catch the hoop or it will fly
off. After some practice, this trick can add
a little flair to your hoop flow. •
by Emily Eason
photos by Rachel Kiscaden
The hoop can
improve your
flexibility, help
relieve stress,
and of course,
burn calories. ”
“
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campus life
WHYDO WE WORK SO HARD?
WHY
A look into American HedonismDavid Osnoe
Illustration by Rachel Maves
I have asked myself many times now if
any of this is worth it. The grueling col-
legiate schedule, the money problems, the
expectations combined with the difficult
task of trying to be social and go out on
the weekends, all make for a stress filled
existence for most of us. So is it worth it?
When Max Lugavere and Jason Silva asked
this same question, “Why do we work
so hard?” they came up with their own
evocative (and provocative) answer. The
almost inevitable explanation seems to be
that we do what we do in order to at some
point enjoy ourselves. To have fun, to make
love, to live excessively. This lifestyle has a
name: Hedonism, but the ideology has been
reborn with Max & Jason, and its reincarna-
tion is quickly and quietly becoming known
as Neohedonism.
Neohedonism is partly the belief that we
are here on planet Earth to enjoy ourselves
rather than to suffer. Why should existence
be harsh and grueling? Technological
advances have increased life span, leisure
time, and opportunities for work and play,
so why not use what is available to us? Why
not enjoy ourselves as much as we can? I’m
not talking excessive drug abuse or alcohol
consumption and neither are Max & Jason,
rather we should be striving to end all hu-
man suffering in order to achieve the next
level of human evolution.
So how do Max & Jason fit into Neohe-
donism? At the University of Miami, these
two tan, brash young men created the
documentary Textures of Selfhood, an ex-
perimental film about Hedonism & spiritual
awakening. The documentary, at 12 minutes
long, deals thematically with indulgence,
and while detractors call it the pursuit of
Grecian Frat-boy ideals, the core query re-
mains: Is our Puritanical cultural perspective
keeping us from pursuing deeper spiritual
realities? After submitting the film to Cur-
rent TV, David Neuman, the President of
Programming called to offer them their own
talk show which covers a wide range of
topics from illegal immigration to philoso-
phy. They recently sat down with Darren
Aronofsky, the director of Requiem for a
Dream, The Fountain and Black Swan. Since
WHY
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campus life
then, both Max & Jason have enjoyed a
near iconic status while being provided the
means to explore Neohedonism as a philo-
sophical movement. Americans, however,
still seem to view Hedonism in general with
a vague, skeptical mistrust. How can we end
human suffering, and wasn’t Hedonism the
cause of the Fall of the Greeks? Neohedo-
nism, as espoused by British philosopher
David Pearce, is an ethical rather than
physical imperative. Rather than endlessly
satisfying our phyiscal desires, Neohedonism
calls for abolishing human suffering as it
exists today, with the technology and tools
now available to us. Max & Jason are taking
it a step further and asking: why not ALSO
have fun? What is life but the pursuit of
feeling good? They are using the interactive
medium of Current TV to work towards not
only exploring questions about the purpose
of human existence but a myriad of other
subjects, from fame as it exists today to
the state of American media. The boys are
working towards creating what they call,
“smartertainment” AKA television content
that has more meaning than an episode of
Jersey Shore and less bias than Fox News.
Real information packaged documentary
style and presented in ten minute “pods” has
been Current TV’s claim to fame.
Our generation understands that an
idea is only as good as the vehicle in which
it is delivered in. Your poster project may
be filled with important information and
fresh facts, but if it’s a gluey mess then
no one is going to give it the attention it
deserves. That is how Current TV fits into
Max & Jason’s quest for discovery and
dissemination. We shed our generational
complacency with the status quo with
the election of Barack Obama and have
become content providers on an individual
level, which makes for a massive amount of
data production. Which brings us back to
Neohedonism.
The big idea is this: with todays tech-
nological advancements, why do we still
suffer? Shouldn’t we be basking in the glory
of our achievements? The end of disease
looms, new applications for science are
constantly being formulated and mean-
while must we grind ourselves to dust? The
resounding answer is: No. We can take time
to have fun and in fact we must utilize these
moments as much as we can to enjoy our-
selves because to be frank: our time is lim-
ited. Instead of holding back we must move
forward with fresh ideas, bold actions and
meaningful experiences. We do not have to
live in the past nor must we be slaves to the
future because our time is now. •
“We do what we do in
order to at some point
enjoy ourselves. To
have fun, to make love,
to live excessively.”
campus life
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arts & culture
Zombies are always a popular idea for
Halloween. The makeup is affordable, the
styles are endless and let’s face it, they’re
cool. You can make zombies look as
morbid, bloodied or traditional as desired.
This particular look is more of a flesh-
eating zombie, which means more cuts,
bruises and fake blood.
Face and Eye Materials:Fingers (the easiest and most effective
tool for blending) Small brush (can
be a pointed paint brush for small-
detailed work)
Any cheap makeup kit found at the
drugstore on Halloween (Must contain red,
maroon, dark blue, green)
Stippling brush or sponge (easy to find in
the drugstore by cosmetic sponges)
Wax (any costume store has wax for
around $4.00) OR 2-ply Toilet Paper with
Liquid Latex
Step One: On clean skin, use white face paint (any
type of cream or liquid base) to adhere to
the skin for the pale skin look zombies are
known for. To create an undead look, using
your fingers dab maroon, green and blue
makeup on the cheekbones to create a
sullen look.
For the eyes, I like to start with the basics
and add on later for a deeper look within
the eye sockets. Using blue, maroon and a
hint of green, dab underneath the eye and
up into the eye bed.
FLESH-EATING
ZOMBIE HOW-TO
FOR OCTOBER 2011
By Victoria Kremer
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arts & culture
Step Two:The cuts can be created two different
ways. One way is with wax, and a cheaper
alternative is toilet paper, which can be
rolled into a rounded shape and applied
to the skin with liquid latex or even basic
Elmer’s non-toxic glue.
Wax is easier because it adheres directly
to the skin. In a rolling motion, create the
look of the scar you would like. It can be
as big or as small as you want. I included
two (forehead and cheek) for a more
realistic look.
Step Three:After the cuts are applied, using the red
and maroon makeup, lightly outline
the scars for a bloodied look. Add as much
blood as you would like surrounding
the cut.
The key is to make the cut look as if
it is decaying. Next use green
lightly to fill in the scar for an infected
look. Around the cut, use a mixture
of blue and maroon for a bruised and
bloodied effect.
Step Four:Using the stippling brush or sponge,
lightly dab a mixture of red and maroon
around the mouth and upward toward
the cheek. This will create a look of blood
around the mouth.
By this point, I like to add more blue to the
eyes to make them look more undead
and bruised. I would not recommend
going too dark for this because it will
distract from the main attraction, which
is the rotting cuts.
Step Five:For the finishing touch, fake blood is a
must. This is an easy concoction, which
can be made from basic kitchen items.
Fake Blood Materials:
1/2 cup of light corn syrup
10 drops of red food coloring
2 drops of blue food coloring
2 teaspoons of dry Oatmeal
2 teaspoons of Cornstarch
The Cornstarch will add a thicker texture
to the corn syrup, which will help stick to
the skin. The Oatmeal will give the look
of chunks of flesh to the blood. Dab fake
blood around mouth, going down to the
neck area to complete the look. Overall,
it is okay to not be so precise with this
look. It is okay to be sloppy in application.
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arts & culturearts & culture
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arts & culture
It isn’t hard to notice the ever-present
influence that electronic music, like
dubstep and drum ‘n’ bass, has had on the
Richmond music scene. It’s unique sound
and use of sampling gives an entirely new
perspective to music, and brings together
a community that has developed a love
affair for dubstep, based on the fact that
it is completely different from all other
music genres, and has that dancey sound
that anyone can get down to!
When it comes to the local Richmond
dubstep scene, of course you must
mention the grimy genius that is DJ Mike
Phear from Steez Promo! In only a couple
of short years, Richmond resident Mike
Phear has truly made a name for himself
within this electronic phenomenon.
After being noticed by Steez Promo, a
promotional company, his talent and local
fame have become nearly untouchable.
He has opened for many inspiring
electronic artists like Zed’s Dead, Reid
Speed, Skrillex, AK1200, and 12th Planet,
just to name a few. DJ Mike Phear is
definitely a sight to be seen, with his
charismatic stage appearance and obvious
love for his music and his fans. This artist
truly has a passion for entertainment, and
his sets are always out-of-this-world, so if
you think you can handle it, do yourselves
a favor and check DJ Mike Phear for an
unreal dubstep experience! •
Featured Musician: DJ Mike PhearBy: Emily Eason
arts & culture
Photos curtesey of Steez Promo
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by Margarete Amonette
1. Who (or what) are your biggest
inspirations?
Honestly, I'm most inspired by the people
I've been able to work with in doing what
I do. Danny Tiet was the guy who first got
me started in live show photography, and
he's been in the game doing great work
longer than anyone I know. Todd Raviotta,
also known as Natural Science, is another
photographer whose incredibly unique
work has inspired me to experiment with
what I can do with photography. Also, local
shop owners Casey Longyear and Marshe
Wyche (Rumors Boutique), have always
been my models in creating and running
an independent brand and business. The
guys of Audio Ammo, a local DJ crew,
have also been huge inspirations and
influences, especially in falling in love with
electronic music.
2. Do you always see yourself working out
of Richmond? If not, where do you think
the next big move will be?
Richmond has been so good to me in
terms of being a place to grow. I mean
it when I say it's a tight-knit community.
Everyone here looks out for each other.
I've flown all over the country to work
as Dope On Plastic, and I've never seen
anywhere quite as welcoming to upcoming
arts & culture
Featured Artist
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arts & culture
artists as Richmond. At the same time, I do
see myself eventually doing work centered
in other places. I would love to go back
home to NYC and work with the friends I've
made up there. The West Coast has
also been kind of tempting in terms of
future opportunities and the friends I've
made out there. I'll go wherever my work
takes me, but I guess what I'm trying to
say is that I'll never forget that it was all
made possible because of the incredible
start I got back in RVA.
3. What is your focus in the Art
Department at VCU? Can you see Dope
on Plastic’s influence in your schoolwork,
or is it something you keep completely
separate?
I haven't settled on a major in the Art
Department yet, but I can see myself
going into a lot of different fields. The
big one on my mind right now is Graphic
Design. As much as I love photography, I
do enough professional work in the field
now to be comfortable with concentrating
on something else that I see being a part
of my career. Graphic Design is absolutely
essential to running a good, well-
functioning website, and that's something
that I plan to keep doing throughout my
working life, whether it be with Dope On
Plastic or another project.
Dope On Plastic is as much a brand as
anything, and because of that I try to
keep it separate from other parts of my
life, including school. It gets challenging
at times because a good amount of the
people who follow Dope On Plastic end
up being in my classes—sometimes even
teaching them—and I really dislike it when
people base their perspective on me
around a blog I write in my free time. In
terms of my actual school work, I can see
similarities between the two, but I wouldn't
call it 'influence'. Dope On Plastic is really
just a reflection of a certain part of who I
am, so when I do work that may resemble
it, I feel like it's just that same part of
me coming out in that work rather than
something else influencing me. Dope On
Plastic is me, but I'm not necessarily Dope
On Plastic—if that makes sense.
4. How long do you plan to keep Dope
on Plastic up? Any new projects in the
works?
Dope On Plastic actually started as just a
blog about what I did in my every day life.
Eventually some people started paying
attention to it, so I decided I may as well
make it interesting for them. It's constantly
growing in what it is and what it means to
me. A few years ago it was my web journal,
a year ago it was a locally-loved photoblog,
and today I'm really proud to say it's a
nationally-known media outlet and proud
sponsor and organizer of it's own events.
I don't know how long it will keep going,
how big it will get, or what it will be in
the future. So far it has been completely
organic in its development, and I plan to
just keep letting it grow.
5. Favorite RVA party spot?
I would definitely have to say Club 534. It's
got a good not-too-big-but-not-too-small
capacity of 600. The inside is beautiful in
terms of lighting and design, especially
since it was renovated last year. It's located
right on campus so it's really easy for
people in VCU housing and the Fan area to
get to without needing to drive. 534 was
also where I first started doing photos for
Audio Ammo's Brain Drain parties (before
they moved to the Hat Factory), so there
are a lot of memories that have come out
of that place. The monthly shows that
Dope On Plastic is throwing will be held at
534 starting next month, and I couldn't be
more excited about it.
Erik FoxFeatured Artist
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arts & culture
cannibis corpse: be-neaTH grow ligHTs THou sHalT riseAddison Herron-Wheeler
Richmond’s very own Cannabis Corpse’s
new full length album, Beneath Grow Lights
Thou Shalt Rise,
is chock-full of
delightful, smoky
surprises around
every turn. What
started as a joke-
band side project
featuring mem-
bers of Munici-
pal Waste, Battlemaster, and Parasytic and
designed to riff off of the titles of Cannibal
Corpse songs with weed metaphors has be-
come a full-blown, (and extremely talented),
serious old-school style death metal band.
Beneath Grow Lights takes things a
step further and pokes fun at the song titles
of death metal bands Morbid Angel and
Deicide. In addition to upping the pun ante,
they also go a step further musically, incor-
porating more vocal range, memorable gui-
tar riffs, and just all-around quality playing
into such sure-to-be classics as “Lunatic of
Pot’s Creation” and “Dead by Bong.” This
is a must-have album for any death metal
fans still out of the loop, as well as any
Richmond thrashers looking for something
beyond Municipal Waste and Andrew W.K.
aDele: 21Takira Goss
No sophomore album curse here. Though
only 23 years of age, the beautiful London
native, Adele Adkins, encompasses the voice
of a wise yet vulnerable, kind yet cruel and
broken hearted
yet strong willed
woman, which is
displayed on her
timeless sophomore
album, entitled
21. The songs on
this album sound
beyond her years in
regards to vocalization, story lines, and the
brave act of baring her heart and soul for
the world to place criticism upon.
Some of the best ballads on this album
include, “Don’t You Remember,” “Turning
Tables,” and “Someone Like You,” all pro-
duced by Rick Rubin. These are not to sur-
pass Adele’s more country, jazz, and soul-
influenced tracks like “Rolling In The Deep”
and the Ryan Tedder–produced “Rumor Has
It”. There’s no doubt that Adele has lived up
to her 2009 Grammy Awards for Best New
Artist and Best Female Pop Vocal Perfor-
mance. Like the rest of the world, I am on
the edge of my seat waiting for more from
this remarkable woman.
pHaeleH:Fallen ligHTEmily Eason
This album is an excellent example of
the huge amount of diversity within the
dub-step genre, a new and exciting elec-
tronic phenomenon that has begun to influ-
ence the world’s musical ear. Phaeleh makes
heavy use of chill, ambient beats, which
offer the perfect blend of sounds for those
who enjoy listening to something not too
upbeat, but not
so relaxing that
it could possibly
put you to sleep.
This creative,
British sound ex-
perimentalist re-
ally knows how
to create a nice
balance within his music through his ability
to manipulate different types of sounds,
from rustling leaves to the sensual tone of a
violin in order to establish a beautiful, even
euphoric atmosphere.
cowboys & aliensAmir Vera
Cowboys & Aliens had all the elements
of a great action movie. Not only did it
feature cowboys, giving it that old West-
ern feel, it also had aliens as a twist. With
all the commercial time, there was no way
Jon Favreau’s Cowboys & Aliens wouldn’t
be a monetary success. That aside, all the
positive expectations for this movie, if any,
were false. Besides the action and excellent
special effects, Cowboys & Aliens had a plot
that was not only at times extremely pre-
dictable, but also ridiculous. It was basically
any John Wayne movie meets Predator. I
will not ruin the movie, though, for those
who want to see it. However, I will say the
twist the movie offers is not worth the 118
minutes.
Jesse boykins iii:way oF a wayFarer Larisa Robinson
Three years after his LP “The Beauty
Created,” Jesse Boykins III recently released
his EP “Way of a Wayfarer.” Although the EP
only has six songs and is just 21 minutes in
length, the Chicago-born artist doesn’t dis-
appoint, as he adds a new upbeat flavor to
his neo-soul
style.
Each
song
showcases
beautiful
falsettos
and harmo-
nies that
ease out of
his mouth
and flow throughout your entire body like a
drug. That’s probably why he titled his first
EP “Dopeamine: My Life On My Back”. But
unlike some of his previous work, these new
tracks use faster paced beats that kind of
jump on the dance music bandwagon tak-
ing over today’s music scene, but without
losing an inch of Boykins’ soul vibe. It’s like
a combination of Boykins and Flying Lotus,
J-Dilla and old Linkin Park. Best of all, the
download is available for free on jbiiimusic.
com. Get a copy and see for yourself!
Frank ocean:nosTalgia, ulTra Amaris Lemus
Attention: this is not your typical R&B
album. We’re not talking profanity and
overplayed songs giving you directions
on your dance moves. Nostalgia, Ultra is
absolutely brilliant. The album provides
listeners with a plethora of hybrid tracks
reviews
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arts & cultureand samples from artists like
Radiohead and The Eagles.
Signed to Island Def Jam
Records in 2009, Frank Ocean
started off writing songs for
John Legend, Brandy, even the
likes of Justin Bieber. After little
success with the label, Ocean
hooked up with L.A. rap/hip-
hop collective Odd Future Wolf
Gang Kill Them All and released
his first solo record, Nostalgia,
Ultra, on his website...for free.
What sets Ocean apart, and what will keep him around for a
while, is the cleverness and fluidity of his songwriting. He puts a
fresh spin on old hits with “Strawberry Swing” and delivers the ulti-
mate message in his version of “American Wedding.” Ocean dissects
the inner trials and tribulations of young love, sex, and self-doubt in a
dark, romantic yet earnest way. Nostalgia, Ultra is a perfect example
of innovative hip hop, although it is even difficult to box up Ocean’s
masterpiece into a category that broad.
Favorite tracks: We All Try, There will Be Tears, American Wedding
X-MEN: FIRST CLASS graDuaTes wiTH HonorsDavid Osnoe
The newest installment of the ailing X-Men film fran-
chise breathes much needed life into the series with trendy
directing, superb writing and evocative performances from
the cast. Matthew Vaughn (who gave us the film Kick-Ass)
directed the original story, harnessing top notch special
effects while mov-
ing the plot back
in time, setting
quirky 1960’s nos-
talgia against the
terror of the Cold
War.
Similar to the
first X-Men film,
First Class opens
on a ghastly Nazi
concentration
camp scene in
which we see a
prepubescent Erik Lehnsherr as his mother and father are
taken from him. This trauma causes his power to emerge
as he attempts to destroy a metal gate in order to save his
parents, giving the audience a sense of who young Erik will
grow up to be. Sadly, instead of saving his parents, Erik
only manages to capture the attention of Dr. Schmidt, later
Sebastian Shaw (stylishly performed by Kevin Bacon), who
use Erik’s emotions against him to reveal his true poten-
tial. Erik’s anger and Shaw’s cold ambition drive the film
forward to the Cold War era as the United States and the
Soviet Union quietly plot against each other.
The older Erik (played with a calculated charm by
Michael Fassbender) and his future enemy Charles Xavier
(James McAvoy) mimic the two warring nations as they
face off against each other in a series of chess-like maneuvers while
seeming to at times work towards the same goal. The two men are
opposite poles in terms of identity, although Vaughn leaves most of
the political ideology beneath the surface (which is for the best, I’d
say) as “mutant pride” becomes a divider between good and evil.
At Oxford we see Charles in top form and I must admit part of me
wishes the wheelchair that made Professor Xavier infamous would
never come to be. Alas, poor Charles must part with his mobility at
some point in the film.
Charles, in Westchester, is joined by Raven/Mystique (the in-
scrutable Jennifer Lawrence) and we see 1962 America begin to roil
with suspicion and fear. Shaw is now joined by Emma Frost (the
dazzlingly cool January Jones lending her talents here) and the
entire world becomes a stage for the machinations of Soviet gener-
als and American naval officers. The plot here involves CIA agent
Moira McTaggert (Rose Byrne) attempting to use Charles to battle
Shaw, although it is unclear exactly how the CIA (with its myriad
of bureaucratic bungling) found the mutants in the first place. The
final battle scene on the beach, involving mental manipulation of
both Soviet and US missiles, makes up for any sketchy plot holes
in that the special effects admirably create a believably tense situ-
ation, fraught with danger for all of our heroes. As the film closes,
new doors have been opened for future X-Men reprisals, hopefully
with the same exuberance and intelligent writing that sets First
Class apart. •
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a nightmare on main street
arts & culture
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Fashion Director & Stylist: Isabella Althoff
Assistant: Jennifer Mawyer
Photographer: Cameron Charles Lewis
Hair & Makeup: Carly Childers
Model: Kiersyn Cocke
Featuring Dave Brockie
(Oderus Urungus) from GWAR
arts & culture
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Collection Amazone Black Velvet Corset by Jean-Christophe Lagarde, stylist's ownBlack skirt by Winter Kate, shopbop.comPink tights by Capezio, Ellman’s Dancewear in CarytownPointe Shoes by Block, Ellman's Dancewear in CarytownSilver wing earrings by Forever 21, Forever 21 in Regency SquareBlack lace, Jo-Ann Fabric and Craft StoresBlack tulle fabric, Jo-Ann Fabric and Craft Stores
arts & culture
Black Swan
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TornadoGrey dress by Forever 21, Forever 21 in Regency SquareGrey cut out oxford shoes by Aldo, Aldo in Short Pump Town CenterMiscellaneous toys, Ben Franklin & stylist's own
arts & culture
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arts & culture
White mink fur coat by Alan Furs, stylist's ownWhite lace skirt by Forever 21, Forever 21 in Regency SquareCream satin platform heels by Qupid, Payless ShoeSoureRhinestone bow earrings by Francesca's Collections, Francesca's Collections in Short Pump Town CenterWhite polka dot stockings by Merona, TargetWhite ruffle socks by American Apparel, American Apparel in CarytownWhite leotard by American Apparel, American Apparel in CarytownPink ribbon, Ben FranklinCat purse, stylist's own
Marie from Aristocats
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arts & culture
Red trench coat by Charlotte Rousse, Charlotte Rousse in Regency SquareRed sleeveless oxford by H&M, H&M in Short Pump Town CenterLong red skirt by Ann Taylor, Black suede boots by Steve Madden, Buffalo ExchangeVintage red hat, Salvation ArmyBlack utility belt, Love of Jesus Thrift Store
Carmen Sandiego
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Black blazer by BCBG Max Azria, TJ MaxxWhite chiffon blouse by American Apparel, American Apparel in CarytownBlack cropped dress pants by H&M, H&M in Short Pump Town Center Black loafers by New Kid, Urban Outfitters in Short Pump Town CenterVintage black fur collar, Fan Tastic ThriftBlack sunglasses by Charming Charlie, Charming Charlie in Regency SquareSilver brooch by Cabi, cabionline.com
Karl Lagerfeld
arts & culture
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arts & culture
White bandeau pencil dress by American Apparel, American Apparel in Carytown Long sleeve brown shirt by H&M, H&M in Short Pump Town CenterWhite glasses by Dr. Peepers, Party CityWhite leather lace up shoes by Aldo, Aldo in Short Pump Town CenterGreen jewel earrings by Forever 21, Forever 21 in Regency SquareGreen jewel ring by Forever 21, Forever 21 in Regency Square
Oompa Loompa
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arts & culture
Rainbow Lollipop from For The Love of Chocolate
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Ink Vol 4 No 1 MC_.indd 36 9/5/11 3:24 PM