480 bc exam question: in 480 bc, the greeks fought a major battle with the persians. we consider...

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480 BC Exam question: In 480 BC, the Greeks fought a major battle with the Persians. We consider this date to be the beginning of the _________ era. a.Hellenistic b. Archaic c.Good Times d. Classical e. Imperial (don’t bother to copy down wrong answers!)

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480 BCExam question:

In 480 BC, the Greeks fought a major battle with the Persians. We consider this date to be the beginning of the _________ era.

a. Hellenistic b. Archaic

c. Good Times d. Classical

e. Imperial(don’t bother to copy down wrong answers!)

SUMMARYRoman art was about

POWER, PLEASURE & PRACTICALITY

ARCHitecture

ART: media: mosaic, fresco

SCULPTURE: Realism

MUSIC: not much to say

ANCIENT ANCIENT ROMEROME

The Spirit of The Spirit of EmpireEmpire

map

better map p. 72

Romulus & Remus

Apollo from Veii500 b.cLife sizeBaked clay(terracotta)

Archaic Greek influence (smile, stance)

p. 71

Etruscan

3 Roman Periods

• Roman Republic 509 - 27 BC• Early empire 27 BC - 180 AD

PAX ROMANAends with the reign of Marcus Aurelius

• Late empire 180 - 395 AD

about 900 years

But first some connections and comparisons . . .

Ancient Greek Hellenistic Age ends in 145 BC – why?

ROMANCONQUEST

Other culturesAncient Egypt 3150 – 702 BC

about 2500 years

ChinaShang Dynasty starts 1523 BC; more-

or-less continuous Chinese culture since then,

about 3500 years

Qin Dynasty consolidates China, 221-206 BC, about 16 years

Han Dynasty 206 BC – 220 CEclassical phase of Chinese civilization,about 400 years

ROME – 900 years

3 timelines

Roman Republic Early & Late Imperial Rome

HAN DYNASTY - CHINA

Classical Greek

Hellenistic

ArchaicGreek

Qin 3Kingdom

s

Chin

0

Zhou

Classical – some definitions

1. [culturally inclusive] Definitive (defining) and enduring

2. [narrow sense] art & architecture of Greek & Roman antiquity

3. [another general sense] ‘art which aspires to emotional and physical equilibrium, rationally rather than intuitively constructed’

Roman contributions

• Literature

• Continuation of Greek models in art & philosophy

• Architecture

Post & Lintel

construction

LINTEL

P

O

S

T

P

O

S

T

GREEKPARTHENO

N

Post & Lintel

drawbacksLINTEL

P

O

S

T

thick

P

O

S

T

thick narrow

Something new under the sun . . .

Roman ARCHitecture

Arches – strength through

compression

Pont du Gard (in France)

Inventions reached their limit a long time ago, and I see no hope for further development. Julius Frontius, 1st century AD

Archways for Aquaducts

Pantheon

p. 82-83

Pantheon

Pantheon plan

Interior views

Engineering marvel

Concrete!

Interior more spectacular than exterior

Pantheon commentslater used as church

Missing pedimental sculpture

(would have been like Parthenon)

Tuscan order of columns (with

Corinthian capitals)

Coliseum• Brings together the violence and the

achievements of Roman society• Home of gladiatorial contests…man vs.man,

man vs. animal, animal vs. animal• Seating designed for comfort with an

expandable covering over the top• Plumbing which could wash away the blood

or create an ‘inland sea’ on which to have mock sea battles

POWER (POLITICS) & PLEASURE

plan

Art as propaganda

Hail, Caesar Augustus!

a.k.a. Octavian

Ruled 27 BC – 14 AD

PAX ROMANA

Taxi!

p. 74

Hailing Caesar

MEMORIZE DATE: 0

Ara Pacis Augustae

Altar of Augustan Peacep. 75

2:1 length:height

A family affairp. 76

Column of Trajan

SCALE!

p. 77

art as propaganda

Portrait Sculpture

Roman Realism

Life as it is –

fidelity to nature

Livia Augustus’WifeLivia

Young Flavian womanMiddle AgedFlavianwoman

Statue of an old market woman, 1st century A.D.; Roman

On the way to a rite of Dionysus?

Probably intentionally damaged by Early Christians

EmperorCaracalla

Philippus the Arab,ruled 244-249

2-D work

• Mosaics• Wall painting - fresco MEDIA

Mosaics

• From Greek Hellenistic period• Tessare - colored glass• Ceramic pieces• Narrow color range• Technology and artistry improves

to create what look like paintings

Unswept Floor Roman copy of Hellenistic original. p. 86Trompe l’oiel “fool the eye”

Roman Painting

• Fresco (buon affresco, true frecso, compared to fresco secco, dry fresco)

• Pigment mixed with limewater and added to wet plaster

• Wax added to surface after paint had dried to give a sheen to surface.

Villa of the Mysteries at Pompeii 65-50 b.c.

p. 87

Buried by volcanic eruption of Vesuvius 79 AD

Prosperous community of 25,000

Pompeii

depicts initiation Rites of the Cult of Bacchus

from the Villa of Mysteries Pompeiip. 87

p. 87

NOT actually religious—just decorative

Summer house of wine merchant, richest in town

Content not currently fully explained

Characteristic red

background

From Pompeii, c. 62- 79 CE.   Sacral-idyllic (sacred and ideal) landscapes depict allegorical scenes in Nature.

"Gardenscape"  Villa of Livia, Primaporta (Rome),c. 30 - 20 B.C.E.

Still Life fromHerculaneum50 a.d.

small town near Pompeii

Still life – a genre of painting featuring inanimate objects (usually (?) associated with material well-being)

SUMMARYRoman art was about

POWER, PLEASURE & PRACTICALITY

ARCHitecture

ART (2-D) – media: mosaic, fresco

SCULPTURE: Realism

MUSIC: not much to say

KEY IMAGE

WHAT:

WHERE:

IDEA:

PANTHEON

ROME

INNOVATIONS -- ARCH, concrete

Taxi!

p. 74

KEY IMAGE

WHAT (SUBJECT):

CULTURE:

IDEA:

WHEN:

CAESAR AUGUSTUS

ROMAN

ART AS PROPAGANDA

around 0

p. 86

KEY IMAGE

CULTURE:

IDEA:

MEDIUM:

TECHNIQUE:

HELLENISTIC/ROMAN

REALISM, PLEASURE

MOSAIC

TROMPE L’OIEL

p. 87

KEY IMAGE

WHERE:

CULTURE:

IDEA:

MEDIUM:

from Pompeii

ROMAN

PLEASURE

FRESCO

Up to Dates?

480 BCE -

0 -

BEGINNING OF GREEK CLASSICAL ERA/GOLDEN AGE

CAESAR AUGUSTUS IN POWER – END OF REPUBLIC, START OF EMPIRE – PAX ROMANA

UP NEXT

ROME FALLS 410

CONSTANTINE AND EARLY CHRISTIANITY

Chapter 5

http://www.mapsofwar.com/images/EMPIRE17.swf

Earlier Periods

• Pre-Etruscan 1000-700 BC• Ertruscan 700-509 BC

- strong enough to resist Greeks

And then came the LATINS

Domestic Architecture

• Domus = house• Atrium = entrance to house• Outside plain, inside elaborate.• Homes were considered

sanctuaries• Atrium would often have

sculptures of family members

Atrium

House of Vettii Garden

Hadrian’s Villa (2nd c.)

Large scale rural architecture

•1/2 square mile in size (c. 250 acres)• 30 buildings (now in ruins)• hundreds of statues (over 500)• mosaic floors• “Antiquarian Spirit” – Greek, Egyptian revival