4preview foreword preview · with this in mind, we present the cantata, on this shining night, to...

4

Once again, the earth settles into the month of December, the darkest time of

year; and, once again, the glorious story of Jesus, who came down to shed

His divine Light upon our world, is told in churches and homes. The beauty

of music is always an important part of the retelling of this wonderful story.

With this in mind, we present the cantata, On This Shining Night, to

brighten your holiday season. Replete with well-loved, familiar carols, as

well as brand-new texts and music, this cantata is designed to provide a

worship experience for your congregation that will prepare hearts to follow

the Light of Jesus. Through vocal and instrumental music, narration and

scripture, the ancient tale is retold of a world that lay in shadow, crying out

for a Savior; the visit of angels who announced the news of that Savior’s

coming; and the birth of Jesus, the “Light of the World.”

As we offer this new musical creation to you, we pray that it may fill your

hearts and your lives with the radiance of Jesus’ love.

Lee Dengler

Susan Naus Dengler

FOREWORD

“On this shining night,

filled with awe and wonder…

God’s gift of love comes down to earth,

flooding the world with everlasting Light.”

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PERFORMANCE NOTES

On This Shining Night is a 37-minute cantata featuring:

There are many possibilities to enhance the presentation of this cantata. The

following are some suggestions:

“On This Shining Night” (opening piece)

“The Long-Awaited”

“The Journey”

“Carols of Joy and Adoration”

Feel free to use any or all of these suggestions, or add your own ideas to

further enhance this story to suit your own congregation’s needs and tastes.

May God bless you as you share the story of “this shining night.”

Narration, including scripture passages that can be read by one or two readers

Familiar carols and newly composed music

Upbeat tunes as well as slow, reflective pieces

9 movements plus a short reprise and underscore

Optional opportunity for congregational participation

Optional male and female solos

Accompaniment can be either piano or chamber orchestra (written for flute,

oboe, clarinet, horn, timpani, percussion, handbells and strings).

Option of two possible endings – a shorter, more dramatic ending; or a

slightly longer, more reflective ending that mirrors the cantata’s opening.

Optional soloist may process from the back of the sanctuary, while singing,

carrying a candle.

2 handbell players may follow, ringing as they enter.

When the choir begins singing at measure 42, they may also process into the

worship space. The instrumental ending of this piece should allow plenty of

time for the choir to get into place before “O Holy Night.”

If possible, the choir may have this opening section memorized so that they,

too, can enter with candles.

If your congregation appreciates liturgical dance, this would be effective

during the interlude at measure 25, and also at measure 58, if choir is not

processing.

The soloist may also enter from the back of the sanctuary, carrying a candle,

to add to the imagery of “light” that is coming into the world.

This would be another opportunity to utilize liturgical dance with either one

dancer or two – a male and a female – to represent Mary and Joseph making

the journey to Bethlehem.

If the longer, more quiet ending is used, the soloist may recess while carrying

a candle, with 2 handbell players following.

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b

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43

43ACCOMP.

Œ ˙̇

∑

With mystery (q = ca. 66)

π

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∑

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∑

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&

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.œ jœ œ œOn this shin ing

œœ ˙̇

∑

pFEMALE SOLO (opt. women unison) *5

.˙night,

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∑

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9

.œ jœ œ œOn this shin ing

œœ ˙̇

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œœ ˙̇

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9

.œ Jœb œho ly

œœ ˙̇

∑

.˙night,

œœ ˙̇

∑

,

- -

6

On This Shining NightMusic by

LEE DENGLER

© 2013 Word Music, LLC (ASCAP)

All Rights Reserved. Used by Permission.

EVEN IF YOU POSSESS A CCLI LICENSE, YOU MAY NOT COPY THIS MUSIC.

If you have questions about CCLI, please call 800/234-2446.

* Option: Soloist should process slowly from the back of the sanctuary, holding a lit candle, followed by 1 or 2 handbell ringers

playing the A and D in the accompaniment. The accompanist should start playing at meas. 25 when handbells are used.

Words by

SUSAN NAUS DENGLER

NARRATION:

The people who once walked in darkness have now seen a great Light.

And on those who once lived in the land of deep shadow, now a bright

Light shines.

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13 .œ Jœ œ œGod’s gift of

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-

11

O Holy Night

Music by

ADOLPHE CHARLES ADAM (1803-1856)

Arranged by

LEE DENGLER

Words by

PLACIDE CAPPEAU (1808-1877)

Translation by

JOHN SULLIVAN DWIGHT (1813-1893)





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- -

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19

Words by

SUSAN NAUS DENGLER

The Long-AwaitedMusic by

LEE DENGLER

Incorporating tune

COMMUNION





* Option: Soloist should process slowly from the back of the sanctuary, holding a lit candle.

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13

13

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-

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20

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&

&

# #

# #

44

44

86

86ACCOMP.

˙̇ œ œ˙

˙˙ œ œ˙

Freely (q = ca. 88)

p

17 .˙ œ˙ ˙̇

˙˙ ˙

˙

?

œ œ œ œ˙̇ ˙̇

œ œ ˙˙˙

rit.

&

?

# #

# #

86

86

.œœ œ œ

‰œ

œ .œ.˙

Gently flowing (q. = ca. 63)4

.œœ œ œ œ

‰œ

œ .œ.˙

.œ œ œ œ

‰œ

œ .œ.˙

&

?

&

?

# #

# #

# #

# #

7

Œ . Œ jœ

To

Jœ

Œ . Œj

Jœ

.œœ œ œ

‰œ

œ .œ.˙

p

p

SOPRANO / ALTO

TENOR / BASS

œj

œœ œœj

œœ

Naz a reth an

œ

œœ œ œ

œJœœœ

Jœ

.œ œ œ œ

‰œ

œ .œ.˙

œœj

œ œ jœ

an gel came to

Jœ œ

Jœ

œœJœœ œœ

jœ

Jœ

.œœ œ œ œ

‰œ

œ .œ.˙

- - -

33

Music by

LEE DENGLER

The Wondrous News





Words by

SUSAN NAUS DENGLER

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&

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10

œ œ œ œ œ œ

vis it gen tle

œJœ œ

Jœ

œ œ œ œ œ œœJœ œ

Jœ

.œ œ œ œ

‰œ

œ .œ.˙

œj

œ œœj

Jœ

Ma ry, to

.œ

œj

œ œœ

jJœ.œ

œj

œ œ jœ.œ œ œ œ œ

‰ œ œ .œ.˙

,

,

œj

œœ œœj

œœ

bring to her the

œ

œœ œ œ

œJœœœ

Jœ

.œ œ œ œ

‰œ

œ .œ.˙

- - -

&

?

&

?

# #

# #

# #

# #

13

œœj

œ œ jœ

won drous news that

Jœ œ

Jœ

œœJœœ œœ

jœ

Jœ

.œœ œ œ œ

‰œ

œ .œ.˙

œ œ œ œ œ œ

she would bear a

œJœ œ

Jœ

œ œ œ œ œ œœJœ œ

Jœ

œ œ œ œ œ œœJœ

‰œ

œ œ œ œ.œ .œ

..œœ œœj

œ

Son, that

Jœ

.œ œj

œ.œ .œ

Son, that

.œœ j

œ.œ .œ

‰ œ œ ‰ œ œ.œ .œ

,

,

,

-

&

?

&

?

# #

# #

# #

# #

16

œ œ œ œœ jœœ

she would bear a

œJœ œ

œœj

œœœœ

J

œœ

.œ œœœj

œœ.œ

‰ œœ .

.œœ.œ

..˙̇

Son.

.œ .œ.˙

...œœœ œ œ œ

‰œ œ .œ

.˙

18

..œœŒ .

.œ .œ Œ .

.œ œ œ œ œ œ

‰ œ œ .œ.˙

34

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#

#

#

43

43

43

SOPRANO

ALTO

ACCOMP.

∑

‰œ œ œ œ

œ œ œ œ œ œœ˙ œ œœ

Simply (q = ca. 60)

p

25

Œ Œ ‰ jœ

Come,

‰œ œ œ̇ œœ


p unis.

œ œ œ .œj

œ

gath er ’round, all

‰œ œ œ œ


-

&

&

?

#

#

#

4

œ œ œ ‰ Jœ

who would hear this

‰œ œ œ̇ œœ


œ œ jœ œ

jœ

tale of Jo seph and

‰œ œ œœ œ


œn œ œ ‰ jœ

Ma ry dear, who

‰œ œ œ œn

œnœ œ œ œ œ œ˙ œ œ œ

- -

&

&

?

#

#

#

7

œ œ œ# .œj

œ

by the law were

‰œ œ œ œ


œ œ œ ‰Jœ

du ty bound that

‰œ œ œ̇ œœ


œ œJœ œ

jœ

they should trav el to

‰œ œ œ œ


26

- -

43

Tune: WEXFORD CAROL

Traditional Irish Melody

Arranged by

LEE DENGLER

The Journey





Words by

SUSAN NAUS DENGLER

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chas

e

&

&

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#

#

#

10

œ œ œ ‰ jœ

Da vid’s town. The

‰œ œ œœ œœ œ œ

œnœ œ

Œ œœ ˙

Pœ

œn jœ œ j

œ

path was hard, the

œ œ œ Jœb œ

Jœ

.œb œ œ œ

œ œ œ ˙˙ œ œ œ

P

11

cresc. poco a poco

cresc. poco a poco

œb œ œ œ œ

way was slow, yet

œ œ œ ‰ œ œ

.œ œ œ œ

œbœn œb ˙

˙ œ œ œ

-

&

&

?

#

#

#

13

œb œ œj

œ œj

œ

3

ev er on ward the

œn œ œ œ

œ œ œ ˙3

˙ œ œ œ

unis.

œn œ œ ‰ jœ

two did go. But

.œ œœn œœ œ

œnœ œn ˙

˙ œ œœn

F

F

P

P

œ œ œ# .œj

œ

when to Beth le

œœœ˙̇˙

œ œ œ œ œ œ˙

œœ œ

œ

- - - -

&

&

?

#

#

#

16

œ œ œ ‰Jœ

hem they came, there

œœœ˙˙̇

œ œ œ œ œ œ˙

œœ œ

œ

œ œJœ œ

jœ

was no lodg ing that

œœœn˙̇˙

œ œ œ œ œ œ˙

œœ œ

œ

œ œ ˙

they could claim.

œœœn ˙˙̇Œ ‰ J

œ

œnœ œ œ

œ œœ

œ ˙

F

-

&

?

#

#

19

œ œ œ .œj

œ

œ œ œ œ œ .œ œ.˙

œ œ œ ‰Jœ

œ œ œ œ œ .œ œ.˙

œ œJœ œ

jœ

œnœ œ œ œ œ

.˙

27

44

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b bb b

b bb b

44

44

46

46

44

44ACCOMP.

œ

Œ

p

Warmly (q = ca. 84)30

œ œ œn œ œ

‰j

œ œ œ .œ jœ

w

œ œ ˙ œ œ.w

‰ jœ œ œ ˙ ˙

.w

&

?

&

&

b bb b

b bb b

b bb b

b bb b

44

44

44

44

43

43

43

43

3

∑

∑

œ œ œ œ œwn

‰ jœn œ œ ˙

w

SOPRANO / ALTO

TENOR / BASS

∑

∑

œ œ œ œwb

‰ jœb œ œ ˙

w

∑

∑

.œ jœ ˙nw

‰ jœ .˙

w

rit.

.œj

œ œœ œœ

On this shin ing

Jœ

..œœ Jœœ œ œœ œ

..˙̇ggggggggggggggggg

...˙̇˙

a tempo

a tempo

p

p

p

6

6

-

&

?

&

&

b bb b

b bb b

b bb b

b bb b

7

..˙̇

night,

..˙̇

..˙̇gggggggggggggggg

...˙̇˙

..œœj

Jœ œ œ

touched by heav en’s

œ œ

..œœJœœ œ

œœœ

...˙̇˙gggggggggggggggggg

...˙̇˙

?

œ œ ˙

glo ry,

œ

œ ˙̇œ œ

....˙̇˙̇ggggggggggggg

...˙̇˙

,

,

.œj

œ œœ œœ

all the world be

Jœ

..œœ Jœœ œ œœ œ


...˙̇˙

˙̇ œœ

holds the

˙̇ œœ


...˙̇̇

- - -

49





On This Shining Night(Reprise)

Words by

SUSAN NAUS DENGLER

Music by

LEE DENGLER

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b bb b

b bb b

b bb b

b bb b

12

˙̇n œœ

won drous

˙̇ œœ

....˙̇̇˙

nggggggggggggg...˙̇

˙n

..˙̇

sight.

..˙̇n

....˙̇˙̇n

nggggggggggggg...

˙̇˙n

,

,

.œj

œ œœ œœ

God has come to

Jœ

œ œ..œœ Jœœ œ œ

....˙̇̇˙ggggggggggggg

...˙̇˙

cresc. poco a poco

cresc. poco a poco

cresc. poco a poco

14

14

..˙̇

us,

..˙̇


...˙̇˙

..œœj

Jœ œ œ

Light for all the

œ œ

..œœJœœ œ

œœœ

....˙̇̇˙ggggggggggggg

...˙̇˙

-

&

?

&

?

b bb b

b bb b

b bb b

b bb b

17

œ œ ˙

a ges,

œ

œ ˙̇œ œ

....˙̇˙̇gggggggggggggg

...˙̇˙

,

,

.œj

œ œœ œœ

on this shin ing

Jœ

..œœ Jœœ

œœ

œœ

...˙̇˙ggggggggggggggg

.

..˙˙̇

˙̇ œœ

night, this

˙ œ

˙̇ œœ

....˙̇˙̇ggggggggggggggggg

...˙˙̇

˙̇n œœ

ho ly

˙ œ

˙̇n œœ

....˙̇˙̇nggggggggggggggggg

.

..˙˙̇

n

rit.

rit.

..˙̇U

night.

..˙̇nU

....˙̇˙̇nggggggggggggggggg

U

...˙˙̇

nU

&

F

F

F

- - -

&

&

b bb b

b bb b

22 .œ Jœ œ œ

‰j

œœ œ

.˙

pa tempo

œ ˙.˙n

‰ jœn œ œ œ

.˙

œ .œ jœ.˙b

‰ jœ œ œ œ

.˙

.œ Jœ œ

œnU

‰ jœ ˙

U

.˙u

rit.

attacca

50

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b

b

b

b

44

44

44

44ACCOMP.

∑

∑

œœ

œœ œ œ œ œ

Œ

œœ

œw

With warmth and expression (q = ca. 92)

With warmth and expression (q = ca. 92)

p

SOPRANO

ALTO

TENOR

BASS

31

Ó Œ œ œ

O

Ó Œœ œ

œœ

œœ œ œ œ œ

Œ

œœ

œw

p unis.

p unis.

*

œ œ œ œ œ

lit tle town of

œ œ œ œ œ

œœ œ

œ œœ œ

œ

Œ

œ œ œw

?

-

&

?

&

?

b

b

b

b

4

œ œ œ œ

Beth le hem, how

œ œ œ œ

œœ œ

œ œœ œ

œ

Œ œœ

œw

œ œ œ œ œ

still we see thee

œ œ œ œ œ

œ œœ

œ œ œœ

œ

Œœ

œ œw

.˙ œ œ

lie. A

.˙ œ œ

œ œ œ œ œ œ‰ .œ ˙

Œœ

œœw

,

,- - -

51





* Tune: NOEL, traditional English melody

Words: Phillips Brooks, 1835-1893

The Light Has Come

Words by

SUSAN NAUS DENGLER

Tunes: NOEL

W ZLOBIE LEZY

ROCKING

Arranged by

LEE DENGLER

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œ œ œ œ

bove thy deep and

œ œ œ œ

œœ œ œ

œœ

œœ

Œœ

œœw

œ œ œ œ œ

dream less sleep the

œ œ œ œ œ

œœ œ

œ œœ œ œ

Œ œœ

œw

œ œ œ œ œ

si lent stars go

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Œ œ Œ œ˙ ˙

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.˙ œ

by. Yet

.˙ œ

œ œ œ œ œ œ

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,

,

poco rit.

poco rit.

Slower

Slower

œ œ œ œ

in thy dark streets

œ œn œ# œ

œœ# œ œœn œ œœ œœœ œ

.˙ œŒ .˙

11

11

a tempo

a tempo

.œ jœ œ œ

shin eth the

œ œ œ œ

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œœ œ

Œ .˙.˙ œ

-

&

?

&

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b

b

b

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13

œ œ œ œev er last ing

œ œ œ œ œn

œœ œœœ œ

œœ œ œœn œ

œ œ œœ

F

F

F

.˙ œLight. The

.˙ œ œb

.˙ œww

‰ jœ

œ œ ˙

w

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P

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,

,

œ œ œ œ œ

hopes and fears of

œ œ œ œ œ

œœ œ

œ œœ œ

œ

Œœ

œ œ

w

- - -

52

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86

86ACCOMP.

œœœ>

Jœœœ. œœœ

>

Jœœœ.

œœ>

Jœœ. œœ

>

jœœ.

f

With abundant joy (q = ca. 118)35

œœœ> œœœ

> œœ> œœ.

œœ>œœ>

˙>

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œ.

œœ>

œœ.

˙>

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?

&

?

b bb

b bb

86

86

44

44

4

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jœœœ.

œœœ>

jœœœ.

œœ>Jœœ. œœ>

Jœœ.

F

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œœ>

œœ.

œœ> œœ> ˙>œ>

œ.

w>

Œ ‰Jœ ˙

‰ jœ œ ˙

w

&

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b bb

b bb

7

.˙ œŒ ‰

Jœ J

œ ..œœ

‰ jœ œ ˙

w

wŒ ‰

Jœ ˙

‰ jœ œ ˙

w

.˙ œŒ ‰

Jœ J

œ ..œœ

‰ jœ œ ˙

w

&

&

?

b bb

b bb

b bb

œœ œœœœ œœ

jœœ œœ

jœœ

High in the heav ens, the

.˙ œ œŒ ‰

Jœ œ œ œ

‰ jœ .˙

w

SOPRANO / ALTO10 P

P

œœ œœ œœ ˙̇

an gels sing,

wœ œ œ ˙

‰œ

‰ ‰ jœ œ

.œJœ ˙

œœ œœœœ œœ œœ œœ œœ œœ

“Glo ry in the high est to the

.œ jœ œ œ œ œ

‰ jœ

.˙w

- - - -

60

Music by

LEE DENGLER

High in the Heavens





Words by

SUSAN NAUS DENGLER

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13 jœœ œœ

jœœ ˙̇

new born King.”

jœœ œœ

jœœ ˙̇

Œ œœ

˙ ˙

,œœ œœ

œœ œœj

œœ œœj

œœ

Peace and good will to the

.˙ œ œŒ ‰ J

œ œ œ œ

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w

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earth He brings.

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‰œ

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Jœ ˙

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16

œœ œœ œœ œœ œœ œ“Glo ry in the high est,

œ œ œ œ œ œœ

Œ œœ Œ œœ˙ ˙

F

F

œœ œœ œœ œœ

glo ry in

œ œ œ œ

Œ œœ˙

œœ œœ œœ œœthe high est,

œ œ œœœœ

Œ ˙̇.˙

,

- - - -

&

&

?

b bb

b bb

b bb

44

44

44

86

86

86

19

œœ œœ œœ œœ œœ œœ œœ œœ

glo ry in the high est to the

˙̇˙ ˙̇

˙

˙˙̇ ˙

˙

P

P

36

‰ .œ œ œ

new born

‰ ...œœœŒ œœœ

Œ ‰ jœ

.

œ>

œœ˙

F

F unis.

.˙ Œ

King.”

‰ jœ œ œ œ œ œ œ

Œœ

œ œ

w

- - -

61

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22

22

22

SOPRANO

ALTO

ACCOMP.

∑

ww

∑

Freely (h = ca. 78)

P

41

∑

ww

∑

∑

ww

∑

Ó œ œ

There’s a

ww

∑

P unis. (opt. solo)

&

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b

b

b

5

˙ œ œ

star in the

ww

∑

˙ ˙

east that

ww

∑

œ ˙ œ

lights the way.

ww

∑

œ œ ˙

ww

∑

,˙ ˙

Rise up,

ww

∑

42

&

?

&

?

b

b

b

b

10

œ ˙ œ

shep herds, and

∑

ww

∑

rit.

rit.

TENOR / BASS

˙ ˙

fol low!

∑

ww

∑

w

Œ ˙̇ œœO leave

wÓ ˙̇˙

Œ˙ œw

P

a tempo

steadily

a tempo

steadily

12

12

gently rhythmic

w

œœ œœ ˙̇

your sheep.

wŒ ˙̇˙ œœœ

Ó˙w

--

71

Tunes:

RISE UP, SHEPHERD

Traditional Spiritual

O LEAVE YOUR SHEEP

Traditional French Melody

Arranged by

LEE DENGLER

Rise Up and Follow





Words by

SUSAN NAUS DENGLER

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14

∑

Œ ˙̇ œœO leave

Ó˙˙˙

Œ˙ œw

Ó Œ œœ

O

œœ œœ ˙̇

your sheep.

Œ˙˙˙ œœœ

Ó˙w

P (tutti)

˙̇ ˙̇

leave your

Œ ˙̇ œœO leave

Ó˙˙˙

Œ˙ œw

..˙˙ œ

sheep up

œœ œœ ˙̇

your sheep.

Œ˙˙˙ œœœ

Ó˙w

-

&

?

&

?

b

b

b

b

18

œœ

œœœœ œœ

on this shin ing

Œ ˙̇ œœO leave

Ó˙˙˙

Œ˙ œw

˙̇ Œ œœ

night. Go

œœ œœ ˙̇

your sheep.

Œ˙˙˙ œœœ

Ó˙w

˙̇ ˙̇

see the

Œ ˙̇ œœO leave

Ó˙˙˙

Œ˙ œw

..˙˙ œ

Child, the

œœ œœ ˙̇

your sheep.

Œ˙˙˙ œœœ

Ó˙w

-

&

?

&

?

b

b

b

b

22

œœ

œœœœ œœ

ev er last ing

Œ ˙̇ œœO leave

Ó˙˙˙

Œ˙ œw

˙̇ Œ œœ

Light. He

œœ œœ ˙̇

your sheep.

Œ˙˙˙ œœœ

Ó˙w

˙̇ ˙˙

comes to

Œ ˙̇ œœO leave

Ó˙˙̇

Œ˙ œw

24

24

..˙̇ œœ

earth with

œœ œœ ˙̇

your sheep.

Œ˙˙˙ œœœ

Ó˙w

- - -

72

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42

42ACCOMP.

œœœœ

œ œF

Joyfully (q = ca. 88)48

.œ œ œ œ˙

.œ œ œ œ

œ œ œ œœ œ

œ œ

.œ œ œ œ˙

.œ œ œ œ

œ œ˙

œ œ

&

?

&

?

6

∑

∑

œmœ œ œ

œ œœ œ œ

SOPRANO / ALTO

TENOR / BASS

∑

∑

œœ œœœ œœ

œ

∑

∑

˙̇˙

˙̇ &

*

œœœœ

O how

œ œ

œ œ œ œ œœ œ œ

œ œ

F

F unis.

9

9

..œœ œœ œ œ

joy ful ly,

œ

.œ œ œ œ

.œ œ œ œ

.œ œ œ œ

œœœœ

O how

œ œ


œ œ

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&

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&

&

12

..œœ œœ œ œ

bliss ful ly,

œ

.œ œ œ œ

.œ œ œ œ

.œ œ œ œ

œœ œ

from the

œ

œ œœ


œ œ

œœ œœ

œœ

man ger,

œœ œ

œ œ

œœ œ œ œ

œœœ

œœ œ œ

œ œ

shin ing

.œJœ

œœ œœ#

œ œ œ œ œ.œ

Jœ

œœ œœ#

.

.œœ

‰

bright,

.œ ‰..œœ

˙œ œ œ œ œ œ

˙̇?

- - - -

81

Tunes: O SANCTISSIMA

JÜNGST

ANTIOCH

ADESTE FIDELES

O HOLY NIGHT

Arranged by

LEE DENGLER

Carols of Joy and Adoration

* Tune: O SANCTISSIMA, The European Magazine and London Review, 1792





Words by

SUSAN NAUS DENGLER

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..œœ œœ œœ œœ

love is

.œj

Jœ


‰ ..

œœ

17

17

..œœ œœ œœ

beam ing,

œ œ

..œœ œœ œœj

œœ

œœ

jœœ


from sin re

œœ

œœ

œœ


‰ ..

œœ

..œœ œœ œœ

deem ing.

œœ

œœ

..œœ œœ œœ

jœœ

œœ

jœœ

,

,

œ œ œ œ

Christ has

œ œ œ

œœ

œœ

œ œ œ œ˙̇

˙˙

œ œ œ œ

come to

œ œ

œœ œœ

œ œ œ œœœ œ

˙˙

- - -

&

?

&

?

23

œœ œœ

bring us

œ œ œœœ

œœ œœœ œœœ œ

œ

˙

light.

˙̇

˙̇˙

˙&

∑

∑

œ œ œ œ˙

˙˙

49

∑

∑

œ œ œ œ˙

˙̇ ?

∑

∑

˙̇

œ œœ

∑

∑

˙̇œ œ

œ œœ

&

?

&

?

∑

œ œ œ

Sing with

˙̇˙

˙˙

F unis.

29

29

*

∑

.œJœ

won der

˙̇˙

œœ

œœ

∑

œ œœ

and de

œ œ

œœœœœœ

œœ

œœ

œœ

∑

˙˙

light.

˙̇˙

˙˙

&

œœ œœ œœ

Christ is

œ œ œ

∑

œœœ œœœ œœœ

œ œ œ

F..œœ

jœœ

born on

.œJœ

∑

...œœœJœœœ

.œj

œ

- -

82

* Tune: JÜNGST, traditional German melody

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4preview foreword preview · with this in mind, we present the cantata, on this shining night, to...

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