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CreativityTRANSCRIPT
CreativityThe perspective on
Creativity
Creativity is a fascinating topic. Creative individuals often lead interesting lives, especially when they are immersed in their work, and of course the work itself (art, inventions, books, and insights) is by definition original and unusual.
Runco, M. A. 2007. Encoraging creativity in education. In Al-Girl Tan (ed.), Creativity: a handbook for teachers, pp. vii-ix. Singapore: World Scientific.
CreativityNo wonder there is a growing body of both basic and applied research on creativity and various correlates of it. (e.g., innovation, talent, achievement and genius) The basic research often focuses on the creative process. The applied research looks to the environments and experiences that support (and sometimes inhabit) creative potentials and expression.
CreativityCreative Thinking&
• Creativity
is the bringing into being of something which did not exist before, either as a product, a process or a thought.
• Creative thinking
is the process which we use when we come up with a new idea. It is the merging of ideas which have not been
merged before. http://www.brainstorming.co.uk/tutorials/creativethinking.html
Creative Thinking
Creativity
A
B
Theories of Creativity-Some Possible Clustures
Theorists Explanation
Psychoanalytic theories
FreudKubieJungRothenbergMiller
Creativity can be explained largely by unconscious or preconscious process.
Humanist and developmental theories
MaslowRogersVygotsky
Creativity is a natural part of healthy development and/or develops in predictable stages.
Behaviorist or associationist theories
SkinnerMednick
Creativity is the result of responses to specific stimuli.
Creativity as cognition
GuildfordPerkinsWeisberg
Creativity can be explained using the same processes as other aspects of cognition. It is possible that these processes may be modeled by computer (Boden, Schank)
Systems theories SimontonFeldmanSternberg & LubartGruberCsikszentmihalyiGardner
Creativity entails complex interactions of elements that may include cognitive processes, personality traits, and interactions with the environment, domain and field.
Starko, A. J. 2005. Creativity in the classroom: schools of curious delight. 3rd edition. London: Lawrence Erlbaum Associates.
The Nature of Creativity
Person
Process
Product
Person
Indicative AdjectiveActive, Adaptable, Adventurous, Affectionate, Alert, Ambitious, Artistic, Assertive, Capable, Cheerful, Clear Thinking, Clever, Confident, Curious, Daring, Determined, Dreamy, Easygoing, Emotional, Energetic, Enterprising, Enthusiastic, Flexible, Friendly, Humorous, Imaginative, Impulsive, Individualistic, Industrious, Interests Wide, Intelligent, Inventive, Original, Progressive, Resourceful, Self-confident, Spontaneous
Runco, M. A., and Johnson, D. J. 2002. Parents’ and teachers’ implicit theories of children’s creativity: a cross-cultural perspective. Creativity Research Journal 14(3&4): 427-438.
Runco, M. A., and Johnson, D. J. 2002. Parents’ and teachers’ implicit theories of children’s creativity: a cross-cultural perspective. Creativity Research Journal 14(3&4): 427-438.
Contraindicative Adjective
Absentminded, Aloof, Apathetic, Arrogant, Awkward, Bitter, Cautious, Cold, Commonplace, Complaining, Confused, Conventional, Cynical, Despondent, Dull, Faultfinding, Gloomy, Hardheaded, Hard-hearted, Headstrong, Indifferent, Inhibited, Interest Narrow, Lazy, Pessimistic, Self-centered, Self-pitying, Shallow, Unambitious, Whiny
Person
Process
http://www.directedcreativity.com/pages/WPModels.html
The Directed Creativity Cycle: A Synthesis Model of the Creative Process
Let's walk through it, beginning at the 9:00 position on the circle. We live everyday in the same world as everyone else, but creative thinking begins with careful observation of that world coupled with thoughtful analysis of how things work and fail.
These mental processes create a store of concepts in our memories.
Process
http://www.directedcreativity.com/pages/WPModels.html
The Directed Creativity Cycle: A Synthesis Model of the Creative Process
Using this store, we generate novel ideas to meet specific needs by actively searching for associations among concepts. There are many specific techniques that we can use to make these association; for example, analogies, branching out from a given concept, using a random word, classic brainstorming, and so on. The choice of technique is not so important; making the effort to actively search for associations is what is key.
Process
http://www.directedcreativity.com/pages/WPModels.html
The Directed Creativity Cycle: A Synthesis Model of the Creative Process
Seeking the balance between satisficing and premature judgment, we harvest and further enhance our ideas before we subject them to a final, practical evaluation.
Process
http://www.directedcreativity.com/pages/WPModels.html
The Directed Creativity Cycle: A Synthesis Model of the Creative Process
But, it is not enough just to have creative thoughts; ideas have no value until we put in the work to implement them. Every new idea that is put into practice changes the world we live in, which re-starts the cycle of observation and analysis.
Product
Social System
Culture
Genetic Pool and Personal Experiences
PERSON
PERSON
FIELD (Social
Organization of Domain)
FIELD (Social
Organization of Domain)
Domain
Domain
Produces Variation
and Change
Transmits
Structured Information and Actio
n
Retains SelectedVariants
A three-pronged systems model of creativity
What is creativity? to Where is creativity?
Starko, A. J. 2005. Creativity in the classroom: schools of curious delight. 3rd edition. London: Lawrence Erlbaum Associates.
Auguste Rodin (12 Nov 1840-17 Nov 1917)The Thinker (1902)
Artist: Frank MorrisonType: Art Print
Size: 18 x 22 in
The Thinker Medium: Oil on Canvas Artist: Anet Louw Measurements: 61 x 91.5cm
Handcrafted 'The Thinker' Soapstone Sculpture.Crafted in Zimbabwe.
Size: 15cm High.
Brainstorming*
*http://en.wikipedia.org/wiki/Brainstorming
Brainstorming is a group creativity technique designed to generate a large number of ideas for the solution to a problem. The method was first popularized in the late 1930s by Alex Faickney Osborn, an advertising executive and one of the founders of BBDO, in a book called Applied Imagination. Osborn proposed that groups could double their creative output by using the method of brainstorming
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References
Runco, M. A. 2007. Encoraging creativity in education. In Al-Girl Tan (ed.), Creativity: a handbook for teachers, pp. vii-ix. Singapore: World Scientific.
Starko, A. J. 2005. Creativity in the classroom: schools of curious delight. 3rd edition. London: Lawrence Erlbaum Associates.
http://www.brainstorming.co.uk/tutorials/creativethinking.html
http://en.wikipedia.org/wiki/Brainstorming
http://www.directedcreativity.com/pages/WPModels.html