6/4 chords in example - iowa state university · gm2. lead sheet symbol with slash chord notation...

2
Practice Advanced Placement Exam Answer Sheet 1. Types of motion: 1. Contrary 2. Similar 3. Parallel 4. Oblique 2. Figured bass realization. This is just one possible answer—your realization may look slightly different depending on your chord voicing. 3. Part writing including seventh chords. 4. Analysis: (Non chord tones: UN = upper neighbor, APT = accented passing tone, PT = passing tone, RT = reaching tone) Cadence: Half Key G: I V 6 I6 V I IV 6 I IV I 6 vii° I I V i vii6q i6 iv Vx VI 6i ii6% i6$ V7X i Key: g ° i6 ii6% V4" i6 I V6$ I6 iv7 VII7 III7 VI& 1. 2. 3. e: C: a: ! " # # $ % $ % & ' 1 Andante con espressione ( ) & * & & & & + & & & & & & & & & + & & & & & , - & & , . & & / 0 1 & & ' & & / & & / . & & / 0 1 & & & & & & & & & & & & UN APT PT

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Page 1: 6/4 Chords in Example - Iowa State University · Gm2. Lead sheet symbol with slash chord notation above the staff. 3. Circle and label all non chord tones. (6 total)' 6/4 Chords in

PracticeAdvancedPlacementExamAnswerSheet

1. Typesofmotion:1.Contrary 2.Similar 3.Parallel 4.Oblique

2. Figuredbassrealization.Thisisjustonepossibleanswer—yourrealizationmaylookslightlydifferentdependingonyourchordvoicing.

3. Partwritingincludingseventhchords.

4. Analysis:(Nonchordtones:UN=upperneighbor,APT=accentedpassingtone,PT=passingtone,RT=reachingtone)

Cadence:Half

KeyG: I V6I6 V𝟒𝟑IIV

6I𝟔𝟒IVI6vii°II𝟔𝟒V

i vii6q i6 iv Vx VI 6i ii6% i6$ V7X i

z

i6 ii6% V4" i6 I V6$ I6 iv7 VII7 III7 vi&

Key: g

°

1. 2. 3.

e:

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2

i vii6q i6 iv Vx VI 6i ii6% i6$ V7X i

z

i6 ii6% V4" i6 I V6$ I6 iv7 VII7 III7 VI&

Key: g

°

1. 2. 3.

e:

C: a:

2

PracticeAdvancedPlacementExamAnswerSheet

1. Typesofmotion:1.Contrary 2.Similar 3.Parallel 4.Oblique

2. Figuredbassrealization.Thisisjustonepossibleanswer—yourrealizationmaylookslightlydifferentdependingonyourchordvoicing.

3. Partwritingincludingseventhchords.

4. Analysis:(Nonchordtones:UN=upperneighbor,APT=accentedpassingtone,PT=passingtone,RT=reachingtone)

Cadence:Half

i vii6q i6 iv Vx VI 6i ii6% i6$ V7X i

z

i6 ii6% V4" i6 I V6$ I6 iv7 VII7 III7 vi&

Key: g

°

1. 2. 3.

e:

C: a:

2

i vii6q i6 iv Vx VI 6i ii6% i6$ V7X i

z

i6 ii6% V4" i6 I V6$ I6 iv7 VII7 III7 VI&

Key: g

°

1. 2. 3.

e:

C: a:

2

4. Analysis:Inthefollowingexampledothefollowing:a. IdentifythemajorkeyandprovideaRomannumeralanalysis.b. Circleandlabelallnonchordtones.c. Identifythetwocadencesastotype.(Abovethestaff.)

Cadence_____________

Key:GIV6IV43IIV6I64IVI6vii°II64V

Cadence_____________

I V6IV43IIV6I64IVIV6I64VI5.Fortheexamplebelowprovidethefollowing: 1.KeyandRomannumeralanalysisbelowthestaff. 2.Leadsheetsymbolwithslashchordnotationabovethestaff. 3.Circleandlabelallnonchordtones.(6total)

6/4ChordsinExample

1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4

InMusicalExample

!53£ 6$ 5£ 5£ 6$ 6 6$ 6 6$ -_ 5£ 5£ 6$ 6£ 5£ 6$ 5£

!1. N 2. P 3. 4. 5. 6.

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Adagio

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6/4ChordsinExample

1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4

InMusicalExample

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lead sheet:

key:

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UN RT APT PTPT

Page 2: 6/4 Chords in Example - Iowa State University · Gm2. Lead sheet symbol with slash chord notation above the staff. 3. Circle and label all non chord tones. (6 total)' 6/4 Chords in

Cadence:PAC

I V6I6 V𝟒𝟑IIV

6I𝟔𝟒IVIV6I𝟔𝟒VI

5. Secondanalysis:

Cadence:PAC

5. Secondanalysis:

4. Analysis:Inthefollowingexampledothefollowing:a. IdentifythemajorkeyandprovideaRomannumeralanalysis.b. Circleandlabelallnonchordtones.c. Identifythetwocadencesastotype.(Abovethestaff.)

Cadence_____________

Key:GIV6IV43IIV6I64IVI6vii°II64V

Cadence_____________

I V6IV43IIV6I64IVIV6I64VI5.Fortheexamplebelowprovidethefollowing: 1.KeyandRomannumeralanalysisbelowthestaff. 2.Leadsheetsymbolwithslashchordnotationabovethestaff. 3.Circleandlabelallnonchordtones.(6total)

6/4ChordsinExample

1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4

InMusicalExample

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6/4ChordsinExample

1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4

InMusicalExample

!53£ 6$ 5£ 5£ 6$ 6 6$ 6 6$ -_ 5£ 5£ 6$ 6£ 5£ 6$ 5£

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lead sheet: Dm Gm Dm Dm/F#

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key: d

Cadence:PAC

I V6I6 V!!IIV

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5. Secondanalysis:

Cadence:PAC

5. Secondanalysis:

4. Analysis:Inthefollowingexampledothefollowing:a. IdentifythemajorkeyandprovideaRomannumeralanalysis.b. Circleandlabelallnonchordtones.c. Identifythetwocadencesastotype.(Abovethestaff.)

Cadence_____________

Key:GIV6IV43IIV6I64IVI6vii°II64V

Cadence_____________

I V6IV43IIV6I64IVIV6I64VI5.Fortheexamplebelowprovidethefollowing: 1.KeyandRomannumeralanalysisbelowthestaff. 2.Leadsheetsymbolwithslashchordnotationabovethestaff. 3.Circleandlabelallnonchordtones.(6total)

6/4ChordsinExample

1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4

InMusicalExample

!53£ 6$ 5£ 5£ 6$ 6 6$ 6 6$ -_ 5£ 5£ 6$ 6£ 5£ 6$ 5£

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1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4

InMusicalExample

!53£ 6$ 5£ 5£ 6$ 6 6$ 6 6$ -_ 5£ 5£ 6$ 6£ 5£ 6$ 5£

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lead sheet:

key:

UN APT PT

UN RT APT PTPT

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lead sheet: Dm Gm Dm Dm/F#

E7/G A7

Dm

key: d

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lead sheet: Dm Gm Dm Dm/F

E7/G A7

Dm

key: d

UN

PTPT

UNSus4-3