6528599 basic music theory how to read write and understand written music 2nd edition[1]
TRANSCRIPT
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CHAPTER 0THE CHAPTER EVERYONE SKIPSA journey of one thousand milesmust begin with a single footstep.Lao Tzu c 531 B.C.�
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Welcome to Basic M us i c T h e o r y !Why B a s i c M u s i c T h e o r y ?
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W h a t s I n s i d e�
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The Icons
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B a s i c M u s i c T h e o r y : O v e r v i e w
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H o w t o U s e t h e S p e c i a l F e a t u r e s
Moving On
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CHAPTER 0AN ULTRA-BRIEF HISTORYOF MUSICAL NOTATIONHistory doesn t repeat itself,�but it does rhyme.Mark Twain�
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Hear, There, EverywhereMusic Performed
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The Future
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CHAPTER 1LINES, LINES, EVERYWHEREAll music is folk music. I ain t never�heard no horse sing a song.Louis Armstrong�
THERE S LINES�
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E v e r y t h i n g Y o u D o n t H e a r�The Staff
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Moving On
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C h a p t e r 2 S t u d y G u i d e
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CHAPTER 2MORE LINESCan we ever have too much of a goodthing?Cervantes, Don Quixote�
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No Holds BarredMoving On
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C h a p t e r 3 S t u d y G u i d e
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CHAPTER 3Days full of wanting.Let them go by withoutworrying that they do.Stay where you are insidesuch a pure, hollow note.Rumi�
WHERE S THE BEAT?�
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The Beat Goes OnThe Notes
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The Note Head
The Stem
Put Your Stems Up, Put Your Stems Down
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Moving On
Chapter 4 Review
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CHAPTER 4The rest is silence.Shakespeare, Hamlet, Act v, sc.2�
THE SOUND OF SILENCE
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T a k e a R e s tT h e R e s t s o f t h e S t o r y
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Moving On
Chapter 5 Review
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Whew! You Made It.
The Review
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CHAPTER 5All times are not alike.Cervantes, Don Quixote�
METER
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Not the Metric System
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4/4 Time
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2/4 Time
3/4 Time
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Moving On
Chapter 6 Review
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CHAPTER 6I like to see you move with the rhythm;I like to see when you're dancin' fromwithin.Bob Marley�
DOWN WITH THE COUNT
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C a n Y o u C o u n t t o 4 ?Tap Your Foot
Quarter Note Count
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Half Note Count
Whole Note Count
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C o u n t t h e R e s t
All Together Now
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Moving On
Chapter 7 Review
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CHAPTER 7Indeed, what is there that does notappear marvellous when it comes to ourknowledge for the first time?Pliny the Elder�
NEW NOTES
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E i g h t h N o t e s a n d R e s t s
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Sweet Sixteenth Notes
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H o w t o F i g u r e o u t a T o u g h R h y t h m
Moving On
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C h a p t e r 8 R e v i e w
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CHAPTER 8We see things not as they are, but as we are.H.M. Tomlinson,�
Out of SoundingsSEEING DOTS
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Y o u A r e N o t S e e i n g T h i n g sThe Dotted Whole Note
The Dotted Half Note
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The Dotted Quarter Note
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Dotted Eighth Note
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Dotted Rests
Moving On
Chapter 9 Review
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CHAPTER 9TRIPLETSPeople are flowers.Music is water.Musicians are the hose.Carlos Santana�
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G e n e r a l T u p l e t I n f o rma t i o nE i g h t h N o t e T r i p l e t
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S i x t e e n t h N o t e T r i p l e t s
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Q u a r t e r N o t e T r i p l e t s
Moving On
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C h a p t e r 1 0 R e v i e w
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Whew! You Made It
The Review
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CHAPTER 10DON T SAY PRACTICE�I never practice; I always play.Wanda Landowska, 1952�
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D o n t S a y t h e P Word�
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C o m e o n B a b y , L i g h t m y D e s i r e
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How to Get Better
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Start a New Habit
Where to Do It
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How to Do It
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T h e I d e a l S e s s i o n
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Other Ways to Play
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Some Instruments
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CHAPTER 10THE WIND-UP AND THE PITCHMaking music should not be left tothe professionalsMichelle Shocked�
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Spaced Out and L i n e d U p
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T h e H i g h a n d t h e L o w l y
What? More L i n e s ?
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Moving On
C h a p t e r 1 2 S t u d y G u i d e
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Home, Home on the Ranges
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CHAPTER 12A NOTE BY ANY OTHER NAMEWOULD SOUND AS SWEETSweetest melodiesAre those that are bydistance made more sweet.Wordsworth, Personal Talk.�
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What s in a Name?�
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Moving On
C h a p t e r 1 3 S t u d y G u i d e
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CHAPTER 13GOING OVERTHE CLEFSometimes it takes a long time to playlike yourself.Miles Davis�
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What s a C l e f ?�C C l e f s
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T r e b l e C l e f
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B a s s C l e f
Rhythm Clef
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Moving On
C h a p t e r 1 4 S t u d y G u i d e
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CHAPTER 14NO TROUBLE WITH TREBLEThe flute is not an instrument whichhas a good moral effect; it is tooexciting.Aristotle, Politics�
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G o l l y G
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Moving On
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C h a p t e r 1 5 S t u d y G u i d e
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CHAPTER 15THE BASS OF THE CLEFNever look at the trombones. You ll only�encourage them.Richard Strauss�
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T h i s C l e f i s N o t a F i s h !
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Nmore Mnemonics
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Moving On
C h a p t e r 1 6 S t u d y G u i d e
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CHAPTER 16TOFATHOM THE RHYTHM CLEFMusic is nothing else but wild soundscivilized into time and tune.Thomas Fuller, History of the�
Worthies of England.
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N o L e t t e r s W i t h t h i s S t a f fWhy No Note Names?
T h e O n e - L i n e S t a f f w i t h R h y t h m C l e f
I n s t r u m e n t s , n o t P itches
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T h e 5 - L i n e S t a f f w i t h R h y t h m C l e f
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Moving On
C h a p t e r 1 7 R e v i e w
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Whew! You Made It.
The Review
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CHAPTER 17MUSICAL TERMSThe mind is a musical instrumentwith a certain range of tones, beyondwhich in both directions we have aninfinite silence.
John Tyndall (1820 - 1893)�
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Music a l T e r m s a r e D irec t i o n sTempo
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Dynamics
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A r t i c u l a t i o n s
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G e n e r a l M u s i c a l T e r m s
P e t e a n d R e p e a t
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Moving On
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CHAPTER 18Roaming through the jungle of "oohs" and "ahs,"searching for a more agreeable noise, I live a lifeof primitivity with the mind of a child and anunquenchable thirst for sharps and flats.Duke Ellington (1899 - 1974)�
ACCIDENTALS ON PURPOSE
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A c c i d e n t a l s A r e N o A c c i d e n tG e n e r a l A c c i d e n t a l I n f o r m a t i o n
F l a t s
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Sharps
Naturals
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M o r e A c c i d e n t a l R u l e s
Moving On
C h a p t e r 1 9 R e v i e w
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CHAPTER 19Music is perpetual, and only the hearingis intermittent.Henry David Thoreau (1817 - 1862)�
THE PIANO KEYBOARD
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Why Learn the Keyboard?Note Names on the Keyboard
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F l a t N o t e s o n t h e K e y b o a r d
Sharp Notes on the Keyboard
Enharmoni c Notes
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Half Steps and Whole Steps
The Chromatic Scale
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Moving On
Chapter 20 Review
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CHAPTER 20Without music, life would be a mistake.Nietzche�
MAJOR SCALES
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The Major ScaleThe C Major Scale
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Octave
S c a l e s w i t h A c c i d e n t a l s
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M a j o r S c a l e s w i t h M a n y A c c i d e n t a l s
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Moving On
C h a p t e r 2 1 R e v i e w
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CHAPTER 21UNLOCK THE SECRET OFKEY SIGNATURESServant and master am I: servant of thosedead, and master of those living. Throughmy spirit immortals speak the message thatmakes the world weep and laugh, and wonder,
and love, and worship.I am Music.Anonymous�
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K e y S i g n a t u r e sF l a t K e y S i g n a tures
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F i n d t h e N a m e o f a F l a t K e y
C o n s t r u c t a F l a t K e y
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Sharp Key Signatures
F i n d t h e N a m e o f a S h a r p K e y
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C o n s t r u c t a S h a r p K e y
T h e K e y o f C
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The Major Keys to the Kingdom
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T h e C y c l e o f F i f t h s
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Moving On
Chapter 22 Review
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CHAPTER 22THE GUITAR FINGERBOARDInformation is not knowledge. Knowledge is notwisdom. Wisdom is not truth. Truth is not beauty.Beauty is not love. Love is not music. Music is the best.Frank Zappa�
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B a s i c G u i t a r D e t a i l s
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T h e S t r i n g s o f t h e G u i t a r
H a l f S t e p s a n d the Gui t a r
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A l l N o t e s o n G u i t a rS c a l e s o n G u i t a r
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C h o r d s o n G u i t a r
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Moving On
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Whew! You Made It.
The Review
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CHAPTER 22My idea is that there is music in the air,music all around us; the world is full ofit, and you simply take as much as yourequire.Sir Edward Elgar�
INTERVALS
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Intervals by the NumberI n t e r v a l Q u a l i t y
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A l t e r i n g P e r f e c t I n t e r v a l s
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A l t e r i n g M a j o r I n t e r v a l s
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F i n d i n g a n I n t e r v a l
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A B r i e f N o t e o n E a r T r a i n i n g
Moving On
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Chapter 24 Review
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CHAPTER 24A painter paints pictures on canvas, buta musician paints pictures on silence.Leopold Stokowski�
MINOR SCALES
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G e n e r a l M i n o r S c a l e I n f oT h e N a t u r a l M i n o r S c a l e
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The Harmonic Minor Scale
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T h e M e l o d i c M i n o r S c a l e
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C y c l e o f F o u r t h s R e v i s i t e d
Moving On
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Chapter 25 Review
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CHAPTER 25Musical innovation is full of danger tothe State, for when modes of musicchange, the laws of the State alwayschange with them.Plato, The Republic�
SCALES A LA MODE
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What is a Mode?The Modes
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F i n d i n g Mod e s i n Other Keys
Modes Using Other S ca l e s
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Moving On
Chapter 26 Review
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CHAPTER 26BLUES TO BEBOPAND BEYONDJazz isn t dead, it just smells funny.�Frank Zappa�
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G e n e r a l B l u e s S c a l e I n f oT h e B l u e s S c a l e
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Other Crazy Scales
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Moving On
Chapter 27 Review
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H o w t o S i n g t h e B l u e s ( N o t R e a l l y )
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Whew! You Made It.
The Review
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CHAPTER 27
CHAPTER 27HOW TO CONDUCT YOURSELFConductors must give unmistakableand suggestive signals to the
orchestra, not choreography to theaudience.George Szell�
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G e n e r a l C o n d u c t i n g I n f o r m a t i o n
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C o n d u c t i n g P a t t e r n s
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The Left Hand
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Moving On
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CHAPTER 28MusicWhich can be made anywhere, is invisibleAnd does not smell.W.H. Auden�
TRIADS
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G e n e r a l C h o r d I n f o
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The Triad
Major Triads
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M i n o r T r i a d s
D i m i n i s h e d T r i a d s
Augmented Triads
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Moving On
Chapter 29 Review
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CHAPTER 29CHORD EXTENSIONSI don t care too much about music. What I like is�sounds.Dizzy Gillespie (1917 - 1993)�
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G e n e r a l C h o r d E x t e n s i o n I n f o
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Seven t h C h o rds
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Ninth Chords
Other Chords
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Moving On
Chapter 30 Review
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CHAPTER 30CHORD INVERSIONSSee deep enough, and you see musically;the heart of nature being everywheremusic, if you can only reach it.Thomas Carlyle, Heroes and�
Hero Worship
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More General Chord InfoF i r s t I n v e r s i o n
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Second Inversion
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I n v e r t ing Seven t h C h o rds
H o w t o F i n d a C h o r d s Name�
Moving On
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C h a p t e r 3 1 R e v i e w
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CHAPTER 31CHORD PROGRESSIONSDo you know that our soul is composedof harmony?Leonardo da Vinci�
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W h a t i s a C h o r d P r o g r e s s i o n ?C h o r d P r o g r e s s i o n G e n e r a l G u i d e l i n e s
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The I IV V7 I P r o g r e s s i o n
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T h e i i V 7 I P r o g r e s s i o n
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T h e i i i v i i i V 7 I P r o g r e s s i o n
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P l aga l C a d e n c e s ( IV-I)
T h e 1 2 B a r B l u e s
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Moving On
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Chapter 32 Review
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Whew! You Made It.
The Review
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CHAPTER 32FASTER NOTES ANDDOUBLE DOTSYou are the music while the music lasts.T. S. Eliot�
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Shorter NotesDouble Dotted Notes
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Moving On
Chapter 33 Review
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CHAPTER 33DOUBLE FLATS,DOUBLE SHARPSIf I were to begin life again, I woulddevote it to music. It is the only cheapand unpunished rapture upon earth.Sydney Smith, 1814�
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Double Your FunD o u b l e F l a t s
Double Sharps
A W e r d o n S p e l l i n g K o r d s
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Moving On
Chapter 34 Review
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CHAPTER 34MORE METERSAfter playing violin for the cellist GregorPiatagorsky, Einstein asked, Did I�play well?�Piatagorsky replied, You played relatively�well.�
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Beyond 4/4 TimeC u t T i m e , o r 2 / 2 T i m e
6/8 Time
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Odd Meters
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Moving On
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Chapter 35 Review
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Whew! You Made It.
The Review
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CHAPTER 35WHAT COMES NEXTToo many pieces finish too long afterthe end.Igor Stravinsky�
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So Much MoreT h e o r y A i n t E v e r y t h i n g�
Drop Me An E-mail
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