8000 regalpro 4(full permission)

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PF R

egal

Pro

5 rela

ted su

perfa

milie

s

text, d

isplay

, fine

sse, s

tencil

, swa

sh

898 g

lyphs

/fon

t

supp

orts

Latin

, Cyri

llic, G

reek,

Easte

rn E

urop

ean,

Turk

ish, B

altic

21 O

penty

pe fe

atures

/fon

t

47 w

eight

s in t

otal

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Red dot Design Awards 2012Best of the best

Communication Arts Annual Competition 2012Winner

Creative Review Type Annual 2011

Winner

European Design Awards 2011Finalist

EBGE Awards 2011

Finalist

Granshan Awards 2010Winner

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The BriefThe objective of this project was to design a new typeface series for Grazia magazine. First

published in 2010, Regal was later revamped and redesigned for commercial use, evolving

into a type system with five related superfamilies. According to the brief, this typeface had to

be elegant, luxurious, sexy, vibrant, reflect the female sensitivity and take into consideration

a modern woman who is more proud, more connected, more spontaneous, open-minded and

eager to try a whole host of new products and services.

The SolutionTargeting this consumption-wise and well-educated woman, required a typeface that is not

strictly based on classic forms, but incorporates several distinct elements that express a modern womans personality and the products she consumes. In that respect, a whole series

of 5 related superfamilies was designed, which not only emphasize femininity but also reflect both the romantic as well as the dynamic side of the female personality. For that

matter, elegant curvy details were introduced in order to create a link to the female figure;

teardrop terminals which reflect a womans sensitivity; pronounced quirks on upper and lower

arms for her eyelashes; high-contrast, sharp corners at thinning terminals for her high heels;

alternate glyphs for the woman who prefers to express her individuality -rather than slavish-

ly follow trends- by using various accessories which can dramatically change her appearance;

elegant endings and long curves to reflect her predisposition to dream; bell-shaped serifs

with an inward rather than outward direction which recall streamlined seventies fashion.

TechnicalThis series of typefaces is diverse in its construction as it consists of five related superfamilies

i.e. text, display, finesse, swash and stencil. There is a variety of weights which range from regu-

lar to ultra black for each one of the five families. These families share common attributes

but they dier in content according to each ones usage. The whole superfamily type system

is comprised of 47 weights with an average of 898 glyphs per weight. It supports simultan-eously Latin, Cyrillic and Greek and comes with many alternate glyphs.

Concept & Design

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03.Concept & Design

05.Design details

06.Distinct characteristics

07.Letter showcase

13.Specimens (Finesse/Swash/Stencil)

30.Specimens (Text/Display)

42.Ornaments, brackets, separators

43.Supported languages and family weights

44.The full character sets

53.Supported OT layout features

71.Credits

Contents

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Distinct Characteristics

A 1 1. Bell-shaped serifs with an inward direction in 4dierent versions.STENCIL VERSION 1 FINESSE VERSIONSWASH VERSION1 1TEXT VERSION DISPLAY VERSION

10

4

nnMR666

6. In order to give this series a distinct identity, additional characteristics were applied to several letters such as A, M, R, while preserving at the same time their natural features.

10. Several alternate glyphs, some of them with swash characteristics, were included. When used sparingly they add an extra distinct character with-out compromising its overall upscale attitude.

4. Swashed capitals that impart elegance and luxury (Latin, Greek and Cyrillic)

ags2. Elongated teardrop terminals.

2 3. Top and bottom arms for several characters, incor-porate pronounced quirks. An equal number of alter-nates drop these quirks (see OT features).

3

bn7. Italics with sharp corners at thinning terminals.8. Curved endings were also incorporated inseveral characters.

78

8

giitst5. Elegant ligatures some of them with thinning blackletter characteristics.

9. umerals for the text version are simpler and more robust than the other two versions, which makes it quite useful for heavy use in newspaper tables; in the same manner, several other characters such as j, w, or M are designed in a more traditional way which fits better to a text series.

jj Mw559

FIN

ESS

E

TE

XT

DIS

PL

AY

TE

XT

9 9

55

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a

gi

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m

M

Si

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Aa

tR

Swash & Finesse

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Finesse

a

A

A

m

sp

in f g

rE

M

Rin

j

R

by

y

gi

a

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Swash

a

A

m

sp

in

rE

S

f

Vin

j

R

g

by

n

gi

a

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Stencil

a

A

A

m

sp

in

rE

Mf

Rin

j

R

g

by

y

gi

a

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Display

a

A

A

m

sp

in

rE

M

f

Rin

j

R

g

by

z

gi

a

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Text

a

A

A

m

sp

in

rE

M

f

Rin

j

R

g

by

z

gi

a

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Finesse, Swash, Stencil

MEGATRENDS

WONDERBR

Imagine

SkateboardEnergyRealiz

HighlandAgora36

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WILD & EROTIC

superfeminineGLAMOUR

Agora36

WINE BARfilmography

immigrantamplifier

Finesse Regular

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WILD & EROTICfilmography

GLAMOUR

Agora36

WINE BARimmigrantamplifier

supermodel

Finesse Medium

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GLAMOUR

Agora36


supermodel

Finesse Bold

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GLAMOUR

Agora36


supermodel

Finesse Black

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WILD & EROTIC

TRENDSsuperfeminine

filmographyGLAMOUR

Agora36

WINE BARSignificantamplifier

Finesse Ultra Black

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ElegantRealizHighlandAltogether

oeyHarlequin

Swash Regular

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ElegantRealizHighland

Altogether

oeyHarlequin

Swash Medium

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EnergyRocksYachtsman

attentionSinfulOal

Swash Bold

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Woman

Auent

Energy

Significant

Singer

ROSE

Swash Ultra Black

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a

a

n

Swash Black (Greek)

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m

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AltogetherHighland

oey

Swash Medium (Cyrillic+Latin)

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Finesse, Swash, Stencil (Cyrillic)

Iacyrillic

m

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Finesse, Swash, Stencil (Greek)

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immigrant

WILD & EROTIC

TRENDS

filmographyGLAMOUR

WINE BAR

Agora36supermodel

Stencil Regular

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immigrant

WILD & EROTIC

TRENDS

filmographyGLAMOUR

WINE BAR

Agora36supermodel

Stencil Bold

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immigrant

WILD & EROTIC

TRENDS

filmographyGLAMOUR

WINE BAR

Agora36supermodel

Stencil Black

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adjustableOriginal Manuscripts

Global finance

Narrative Business Communication Projects

get ready to have your deepest desires granted

two provocative magazine covers for the fall fashion issue

The latest in editorials, ad campaigns, covers and more

discover gentler ways to shampoo, straighten your hair and ski in the sun

discover decadence, find the new frontiers of luxury, purvey perfection

fashion from the european runways

REWARDING

imagination

music performancean elegant exercise in sculptural massing

collaborating with some of the sharpest creative minds

Regal Text Pro

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The objective of this project was to design a typeface series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with ijijijijijijijijijijijijijijijijijijijijijijiji

ijijijijijijijijijijijijijijijijijijijijijijiji

The objective of this project was to design a typeface series for an inter-national fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related super-families. According to the brief, this

The objective of this project was to design a typeface series for an international fashion maga-zine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related

The objective of this project was to de-sign a typeface series for an interna-tional fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies. According to the brief, this typeface had

The objective of this project was to design a typeface series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies.

The objective of this project was to design a typeface series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies.

The objective of this project was to design a typeface series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies. According

The objective of this project was to design a typeface series for an in-ternational fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies. According

The objective of this project was to design a typeface series for an international fashion mag-azine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related

TEXT REGULAR B 9pt

TEXT REGULAR B 10pt

TEXT REGULAR A 14pt

TEXT BOLD 14pt

TEXT REGULAR B ITALIC 10pt

TEXT MEDIUM ITALIC 9pt

TEXT BLACK 9pt


TEXT BOLD 9pt

TEXT BLACK ITALIC 9pt

TEXT MEDIUM 9pt

TEXT BOLD ITALIC 9pt

TEXT ULTRA BLACK ITALIC 9pt

The objective of this project was to de-sign a typeface series for an interna-tional fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related super-families. According to the brief, this

The objective of this project was to design a type-face series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies. According to the brief, this typeface had to be elegant, luxurious,

According to the brief, this typeface had to be elegant, luxuri-

ous, sexy, vibrant, reflect the female sensitivity and take into

consideration a modern woman who is more proud, more con-

nected, more spontane-

ous, open-minded and eager to try a

whole host of new products and serv-

ices. Targeting this consumption-wise

and well-educated woman, required

a typeface that is not strictly based on classic forms, but incorporates sev-

eral distinct elements that express a modern womans personality and the

Its well-defined teardrop terminals are balanced

out by bracketed bell shaped serifs

The objective of this project was to design a type-face series for an international fashion magazine for women. It was later revamped and redesigned for commercial use, evolving into a type system with six related superfamilies. According to the brief, this typeface had to be elegant, luxurious, sexy, vibrant,

Regal Text Pro

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amplifier

imagination

Wohlstand

instrumentalism

COCKTAIL RECIPES

music performance

a unique symphony for piano and orchestra

Hollywood is banking that they will be next years new dynamic duo

the best of the european runways

provocative magazine covers

an elegant exercise in sculptural massing

collaborating with some of the sharpest creative minds

monumental marble staircase, a glossy paean to the hard-edged cool

this house is a happy blend of high tech and traditional elements

Regal Display Pro

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Releasing a new custom type system which was developed for the redesign of an interna-tional womens fashion magazine. According to the brief, this typeface had to be elegant, luxurious, sexy, vibrant, reflect the female sensitivity and take

into consideration a modern woman who is more proud, more

connected, more spontaneous, open-minded and eager to try a

whole host of new products and services. Targeting this con-

sumption-wise and well-educated woman, required a typeface

that is not strictly based on classic forms, but incorporates sev-

eral distinct elements that express a modern womans person-

ality and the products she consumes. Thus, we designed a whole

series of 6 related superfamilies which not only emphasize fem-

ininity but also reflect both the romantic as well as the dynamic

side of the female personality. In that respect, elegant curvy details

were introduced in order to create a link to the female figure; teardrop

terminals which reflect a womans sensitivity or the attachment

to her parfume; pronounced quirks on upper and lower arms

for her eyelashes; high-contrast, sharp corners at thinning ter-

minals for her high heels; alternate glyphs for those who prefer

to express their individuality rather than slavishly follow trends

and just like accessories dramatically change their appearance;

(the Display version is recommended for sizes bigger than 12 points)

Regal Display Pro

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,

,

Regal Text Pro (Cyrillic)

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, Emanuel Ungaro, - , -



, Emanuel Ungaro, , , -. -

, Emanuel Ungaro, - ,

, Emanuel Ungaro, - -, , . -

, - Emanuel Ungaro, - - , - , .

, Emanuel Ungaro, , ,

, - Emanuel Ungaro, - , - , .


, Emanuel Ungaro, - ,

TEXT REGULAR B 9pt

TEXT REGULAR B 10pt

TEXT REGULAR 14pt

TEXT BOLD 14pt



TEXT BLACK 9pt


TEXT BOLD 9pt


TEXT MEDIUM 9pt




, -

Emanuel Ungaro,

, -

, . -

,

Emanuel Ungaro,

-

, -

, .

.

-

Pascal Mouawad. -

-

, -

Emanuel Ungaro,

, -

, .

Regal Text Pro (Cyrillic)

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Regal Display Pro (Cyrillic)

y

y yy

,

,

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, -

Emanuel Ungaro,

-

,

, . -

. -

Pascal Mouawad.

10

25 . , -

Emanuel Ungaro,

-

, , -

. -

. , -

Emanuel Ungaro,

-

, , .

.

-

Pascal Mouawad.

Regal Display Pro (Cyrillic)(the Display version is recommended for sizes bigger than 12 points)

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Regal Text Pro (Greek)

K

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- . ijijijijijijijijijijijijijijijijijijijijijijiji


- . layers, - ,

-. - layers,

- - . - layers, , -

- . - layers,

. - layers, -

- . - layers, , -

- . - layers, , -

-. - layers,

TEXT REGULAR B 9pt

TEXT REGULAR B 10pt

TEXT REGULAR 14pt

TEXT BOLD 14pt



TEXT BLACK 9pt


TEXT BOLD 9pt


TEXT MEDIUM 9pt



- . - layers, , -

-

.

-

layers, ,

-

-

. -

layers, ,

-

.

40.

-

.

-

layers, ,

Regal Text Pro (Greek)

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Regal Display Pro (Greek)

,

:

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. layers, ,

. -

40.

. ,

, .

Tip: sleek .

biker , , , !

catwalk

, , , ,

.

hot trends . catwalk -

. ,

. Hermes Max

Mara aviator look

Amelia Earhart. look -

jackets , , .

.

layers, ,

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. -

40.

. , ,

. Tip:

Regal Display Pro (Greek)(the Display version is recommended for sizes bigger than 12 points)

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A B C D E F G H I K L M N O P Q R S T U V W X Y Z a b c d e f g h m t n o p s u | } ~ v wi j k [ \ ]

8 9!"#$% & ' ( ) * + , - . / 012

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Ornaments, Brackets, Separators

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Supported ScriptsLatin, Cyrillic, Greek, Eastern European, Turkish, Baltic

Supported LanguagesAfrikaans, Alsatian, Basque, Bislama, Breton, Catalan, Chamorro, Danish, Dutch, English, Faroese,

Finnish, Flemish, Franco-Provencal, French, Frisian, Friulian, Galician, German, Greenlandic, Icelandic,

Indonesian, Irish, Italian, Ladin, Latin, Luxembourgish, Malay, Manx Gaelic, Norwegian (Bokml),

Norwegian (Nynorsk), Occitan, Portuguese, Rhaeto-Romance, Romansh, Sami (Inari), Sami (Lule), Sami

(Northern), Sami (Skolt), Sami (Southern), Scottish Gaelic, Spanish, Swahili, Swedish, Tagalog, Walloon,

Welsh, Albanian, Bosnian (Latin), Croatian, Czech, Hungarian, Polish, Romanian, Slovak, Slovenian,

Sorbian, Greek, Azeri (Cyrillic), Belarusian, Bosnian (Cyrillic), Bulgarian, Macedonian (fyrom), Kazakh,

Kyrgyz, Moldovian, Mongolian, Russian, Serbian, Tatar, Ukrainian, Uzbek (Cyrillic), Azeri (Latin),

Kurdish (Latin), Turkish, Uzbek (Latin), Estonian, Latvian, Lithuanian.

Weights/Styles

Regal Text ProRegular A

Regular A Italic

Regular B

Regular B Italic

Medium

Medium Italic

Bold

Bold Italic

Black

Black Italic

Ultra Black

Ultra Black Italic

Regal Display ProRegular

Italic

Medium

Medium Italic

Bold

Bold Italic

Black

Black Italic

Ultra Black

Ultra Black Italic

Regal Finesse ProRegular

Italic

Medium

Medium Italic

Bold

Bold Italic

Black

Black Italic

Ultra Black

Ultra Black Italic

Regal Stencil ProRegular

Italic

Medium

Medium Italic

Bold

Bold Italic

Black

Black Italic

Ultra Black

Ultra Black Italic

Regal Swash ProRegular

Medium

Bold

Black

Ultra Black

Scripts, Languages, Weights

Note:Regular A has a lighter texture which is suitable for magazines.

Regular B has a heavier texture than Regular A which makes it more suitable for newspapers.

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m

n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $

IJ

a b c d e f g h i j k l m n o p q r s t u v w x y z

ij

! " ' ( ) * + , - . / 0 2 4 6 7

8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W

fi fl t fft ft fy ffy ky ty tw t b h i k l i l s

ct ch ck gi gy ip it in st sp sh sk

A A A Iacyrillic

i

^ + < = > ~

%

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 # $ %

a b d e i l m o r s t

1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0

- T - V

! ? . , : ; * ( / ) [ \ ] { | } . , -

f ' " # _

Latin

Accented Latin glyphs

Greek

Cyrillic

Latin Small Caps

Greek Small Caps

Cyrillic Small Caps

ligatures

discretionary ligatures

stylistic alternates

localized forms

math symbols

fractions

proportional oldstyle

lining proportional

oldstyle tabular

superior

numerator & denominator

superscript & scientific inferior

punctuation

miscellaneous

Character Set

Regal Text Pro Roman

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p q

r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $

IJ

a b c d e f g h i j k l m n o p q r s t u v w x y z

ij

! " # ( ) * + , - . / 0 1 3 5 7 8

9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X

fi fl t fft ft fy y ky ty tw t b h i k l i l s


y y g A A A Iacyrillic

i

^ + < = > ~

%

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 # $ %

a b d e i l m o r s t

1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0

- T - V

! ? . , : ; * ( / ) [ \ ] { | } . , -

f ' " # m _

Latin


Greek

Cyrillic

Latin Small Caps

Greek Small Caps

Cyrillic Small Caps

ligatures



localized forms

math symbols

fractions


lining proportional

oldstyle tabular

superior



punctuation

miscellaneous

Character Set

Regal Text Pro Italic

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l

m n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $

IJ

fi fl t fft ft fy ffy ky ty tw t b h i k l i l s

ct ch ck ci gi gy gt ip it in ri st sp sh sk si

A A A Iacyrillic

i

^ + < = > ~

: ; ? @ A B %

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0

- -

! ? . , : ; * ( / ) [ \ ] { | } . , -

' " # }u _

Latin


Greek

Cyrillic

Stylistic Set 04 - alternates with

subtle tops and bottoms)

ligatures



localized forms

math symbols

fractions


lining proportional

oldstyle tabular



punctuation

miscellaneous

Character Set

Regal Display Pro Roman

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p

q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $

IJ



A A A Iacyrillic

i

^ + < = > ~

5 6 7 8 9 : %

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0

- -

! ? . , : ; * ( / ) [ \ ] { | } . , -

' " # m _

Latin


Greek

Cyrillic



ligatures



localized forms

math symbols

fractions


lining proportional

oldstyle tabular



punctuation

miscellaneous

Character Set

Regal Display Pro Italic

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $ IJ S fi fl t ! " # $ % & ' ( fft ft fy ffy ky ty tw t b h i k l i l sHi ct ch ck ci gi gy gt gg ip it in im ir ry ri rr st sp sh sk si tt lambdalambda ? A A A Iacyrillic EmCyrillicf g i i r r rr s y y ss a a a a d d d h h h h i l l l m m m m n n n n t t t t u u u fj in in im im ff ffi ffi ffl ffl i ^ + < = > ~ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 - Q - S ! ? . , : ; * ( / ) [ \ ] { | } . , - f ' " # }u

Latin


Greek

Cyrillic



ligatures



localized forms

math symbols

fractions


lining proportional

oldstyle tabular



punctuation

miscellaneous

Character Set

Regal Finesse Pro Roman

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o

p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $

IJ

S


ct ch ck gi gy gg ip it in im ir ry rr st sp sh sk tt lambdalambda

A A A Iacyrillic EmCyrillic f s y y

i

^ + < = > ~

O P Q R S T %

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 # $ %

1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0

- -

! ? . , : ; * ( / ) [ \ ] { | } . , -

' " # o

Latin


Greek

Cyrillic



ligatures



localized forms

math symbols

fractions


lining proportional

oldstyle tabular



punctuation

miscellaneous

Character Set

Regal Finesse Pro Italic

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $ IJ S fi fl t fft ft fy ffy ky ty tw t b h i k l i l sHi ct ch ck ci gi gy gt gg ip it in im ir ry ri rr st sp sh sk si tt lambdalambda A A A Iacyrillic EmCyrillicf i i r r r r s y y ss a a a a d d d h h h h i l l l m m m m n n n n t t t t u u u in in im im ff ffi ffi ffl ffl i ^ + < = > ~ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 - B - D ! ? . , : ; * ( / ) [ \ ] { | } . , - T ' " # }u

Latin


Greek

Cyrillic



ligatures



localized forms

math symbols

fractions


lining proportional

oldstyle tabular



punctuation

miscellaneous

Character Set

Regal Stencil Pro Roman

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $ IJ S fi fl t fft ft fy y ky ty tw t b h i k l i l sct ch ck ci gi gy gt gg ip it in im ir ry ri rr st sp sh sk si tt lambdalambda A A A Iacyrillic EmCyrillic f s y y i ^ + < = > ~ L M N O P Q % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 - - ! ? . , : ; * ( / ) [ \ ] { | } . , - ' " # o

Latin


Greek

Cyrillic



ligatures



localized forms

math symbols

fractions


lining proportional

oldstyle tabular



punctuation

miscellaneous

Character Set

Regal Stencil Pro Italic

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z @ a b c d e f g h i j k l m n o p q r s t u v w x y z & 1 2 3 4 5 6 7 8 9 0 $ IJ fi fl ft fft t b h i k l i l sHi Reg Th ch ck ct gi gy gg ip it in im ir ry rgy rr st sp sh sk lambdalambda S V W a b d e f g p q r r r x x y y y lambdalambda fi fi ssa a a d d d h h h h h i l l l m m m m m n n n n n t t t t u u u i ^ + < = > ~ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 # $ % 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 - - ! ? . , : ; * ( / ) [ \ ] { | } . , - ' " # o

Latin


Greek

Cyrillic

ligatures



localized forms

math symbols

fractions


lining proportional

oldstyle tabular



punctuation

miscellaneous

Character Set

Regal Swash Pro

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Main OT Features

Regal Text Pro Roman

Supported OT featuresOldstyle figures, lining figures, proportional figures, tabular figures, ligatures, discretionary ligatures, su-

periors, scientific inferiors, numerators, denominators, fractions, ordinals, stylistic alternates, small caps,

small caps from caps, localized forms, stylistic set 1, historical forms, capital spacing, access all alternates

typography

JKGF:H8L@8

typography

JKGF:H8L@8

typography

TYPOGRAPHY

Small Caps (Latin, Greek, Cyrillic)

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Discretionary Ligatures (Latin, Greek)

in inblink blinkAvailable variants: ct ch ck gi gy ip it in st sp sh sk

ffi affiliate aliateAvailable variants: fi fl t fft ft fy ffy ky ty tw t b h i k l i l s

Ligatures

Stylistic Alternates (Latin, Greek, Cyrillic) Localized Forms (Serbian, Romanian, Turk-ish, Moldavian, Azeri, Crimean Tatar)

A AAtmospheric CpjaAtmospheric Cpja

Available variants: A A A Iacyrillic

Available variants: i

Main OT Features

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small caps from caps, localized forms, stylistic set 1, historical forms, capital spacing, access all alternates

typography

KLHG;I9MA9

typography

KLHG;I9MA9

typography

TYPOGRAPHY

Small Caps (Latin, Greek, Cyrillic)

Main OT Features

Regal Text Pro Italic

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in inblink blinkAvailable variants: ct ch ck gi gy ip it in st sp sh sk

ffi affiliate aliateAvailable variants: fi fl t fft ft fy y ky ty tw t b h i k l i l s

Ligatures

A AAtmospheric Atmospheric



Main OT Features

Cpja Cpja



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Regal Display Pro Roman



small caps from caps, localized forms, stylistic set 1, stylistic set 2, stylistic set 3, stylistic set 4, historical

forms, capital spacing, access all alternates

Available variants:

EStylistic Set 04

(replaces several letterforms which incorporate pronounced quirks at bottom and upper arms, with

other alternate glyphs which are more clean. These are particularly useful for magazines editorials)

Main OT Features

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Discretionary Ligatures

sh shfresh freshAvailable variants: ct ch ck ci gi gy gt ip it in ri st sp sh sk si

ffl affliction aiction

Available variants: fi fl t fft ft fy ffy ky ty tw t b h i k l i l s

Ligatures




Main OT Features

Cpja Cpja


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Regal Display Pro Italic



small caps from caps, localized forms, stylistic set 1, stylistic set 2, stylistic set 3, stylistic set 4, historical

forms, capital spacing, access all alternates

Available variants:

E

Main OT Features

Stylistic Set 04(replaces several letterforms which incorporate pronounced quirks at bottom and upper arms, with


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Discretionary Ligatures

sh shfresh fresh

Available variants: ct ch ck gi gy ip it in st sp sh sk

ffl affliction aiction

Available variants: fi fl t fft ft fy y ky ty tw t b h i k l i l s

Ligatures




Main OT Features

Cpja Cpja


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Regal Finesse Pro Roman

Available variants: S

E

Main OT Features



Supported OT featuresOldstyle figures, lining figures, proportional figures, tabular figures, ligatures, discretionary ligatures,

superiors, scientific inferiors, numerators, denominators, fractions, ordinals, stylistic alternates, small caps,

small caps from caps, localized forms, stylistic set 1, stylistic set 2, stylistic set 3, stylistic set 4, stylistic set 5,

historical forms, capital spacing, access all alternates

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ffl affliction aictionAvailable variants: fi fl t ! " # $ % & ' ( fft ft fy ffy ky ty tw t b h i k l i l s




Main OT Features

Cpja Cpja

Discretionary LigaturesLigatures


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E

Main OT Features

Regal Finesse Pro Italic







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sh shfresh fresh

Available variants: ct ch ck gi gy ip it in st sp sh sk

ffl affliction aictionAvailable variants: fi fl t fft ft fy y ky ty tw t b h i k l i l s




Main OT Features

Cpja Cpja



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Regal Stencil Pro Roman


E

Main OT Features







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ffl affliction aictionAvailable variants: fi fl t fft ft fy ffy ky ty tw t b h i k l i l s

A AAtmospheric AtmosphericAvailable variants: A A A Iacyrillic


Main OT Features

Cpja Cpja



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Regal Stencil Pro Italic


E

Main OT Features







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ffl affliction aictionAvailable variants: fi fl t fft ft fy y ky ty tw t b h i k l i l s

A AAtmospheric AtmosphericAvailable variants: A A A Iacyrillic


Main OT Features

Cpja Cpja



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h hStylistic Alternates (Latin, Greek, Cyrillic)

High HighAvailable variants: S V W a b d e f g p q r r r x x y y y lambdalambda fi fi ss a a a d d d h h h h h i l l l m m m m m n n n n n t t t t u u u

Regal Swash Pro





Main OT Features

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Hi HiHigh High

Available variants: Hi Reg Th ch ck ct gi gy gg ip it in im ir ry rgy rr st sp sh sk lambdalambda

ffk offkey oey

Available variants: fi fl ft fft

t b h i k l i l s

Ligatures

Localized Forms(Serbian, Romanian, Turkish, Moldavian, Azeri, Crimean Tatar)


Main OT Features

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Panos Vassiliou is a Kappa Sigma graduate of the Uni-

versity of Toronto with a major in Applied Science and

Engineering. In his transition years from engineering to

typography, he left his high-profile job, got involved with a

theatre company, founded a design studio and pursued a

teaching career at George Brown College. A few years later

he started a publishing company. He designs typefaces since

1993, including commercial fonts as well as commissions

from national and international companies such as Ikea,

Kraft Foods, Financial Times, National Geographic. He

is regularly invited as a guest speaker to conferences and

seminars, to speak on typography and related topics. After

moving to Greece, he started Parachute in 2001 setting

the base for a typeface library that reflected the works of

some of the best contemporary Greek designers, as well as

creatives around the world obsessed with type.He received

a merit award for his typeface Archive at the national Ebge

Awards 2004. As early as spring 2004 he released Archive

Pro, his first opentype font with special typographic features

and multilingual support for all European languages includ-

ing Greek and Cyrillic. In 2008, he received a Gold Award

from the European Design Awards, for the typeface families

Centro Pro. The following year, he received three Awards

for Excellence in Type Design from the International Type

Design Competition Modern Cyrillic 2009 which was held

in Moscow. In 2010 he received a Silver Award from the

European Design Awards, for the typeface family Encore

Sans Pro. The same year he received three awards from

Granshan 2010 the 3rd International Eastern Type Design

Competition. In 2011, his new series of typefaces Regal Pro

was selected for the Creative Review Type Annual 2011.

Subsequently Regal Pro won an award from the Communi-

cation Arts Annual Competiotion 2012, while Encore Sans

Pro was nominated for the German Design Awards 2012.

Parachute is an independent award-winning type foun-

dry. It landed in 1999, but it wasnt till 2001 that it started

operating as a full-scale company. Since then, 13 designers

have joined in to form a select group of open minded, free

spirited individuals, all coming from diverse design fields.

Over the years, Parachute has built a strong network of valu-

able relationships with customers in Europe, United States,

Canada, Asia and Australia. Its clientele includes multina-

tional companies such as Disney, Time Warner, McGraw-

Hill, Ikea, Vodafone, Nestle and Unilever, advertising and

branding agencies such as BBDO, McCann Erickson,

TBWA, MetaDesign, JWT, Interbrand, Wieden+Kennedy,

publications such as Financial Times, National Geographic,

Playboy, Elle, FHM, Harpers Bazaar, Max, Grazia, Marie

Claire, PC Magazine, PC World, as well as many others.

The year 2003 marked the beginning of a new era for Para-

chute with the release of an award-winning catalog (Print

European Design Annual 2004). Since then an emphasis

was placed on multilingual support and opentype technol-

ogy.

Over the last 5 years Parachute has won several major

international typeface design awards, while its work has

been featured and extensively presented in design-oriented

magazines.

Most Parachute fonts have been designed to oer multilin-

gual support for major scripts such as Latin, Greek, Cyrillic.

Latest entries support Arabic as well.

The Foundry The Designer

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You may reproduce this manual and distribute it freely, provided you do not edit the document and/or remove the copyright information. Parachute assumes no responsibility or liability for any errors or inaccuracies that may appear in this document.

Content is subject to change without a notice.

Parachute Worldwide 24 Acharnon Street, Kifissia 14561 gr | t. +30 210 8018100 f. +30 210 8016066

[email protected] | www.parachute.gr

8000 regalpro 4(full permission)

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