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  • Bata Drumming & the Lucumi Santeria Bembe Ceremony

    Overview of Basic Structure of a Bembe Ceremony=======================================================

    =Oru Seco : the first part of a bembe and a series of bata salutes called toques played for each of the Orisha. The term seco actually means "dry" in Spanish and, in this case, refers to the absence of singing.

    =Oru Cantando : the second part of a bembe consisting of a series of songs sung for each of the Orisha. The songs are accompanied by bata drums, and may employ many of the same toques used during the Oru Seco portion. (Or entirely new toques may be played.)

    =Wemelere : the last part of a bembe, the wemelere expands on the music played in the prior sections and includes dancing and singing, in hopes that the Orisha will come down and "visit" the participants.

    Learning to Play the Bata =======================================================When learning bata music, the first step is to master the salutes played in the Oru Seco.

    Introduction to the Bata Drums======================================================= The three bata drums and their roles in a the bata ensemble:

    Okonkolo : the smallest bata drum, the okonkolo produces the highest pitched tones and is typically used to play a standard set of rhythms in support of the Iya and Itotele. The Okonkolo is considered the metronome and time-keeper of the bata ensemble, hence there is little improvisation (floreos) carried out on this bata drum, especially during the Oru Seco. However the level of improvisation depends on the bata rhythm and the context in which it is played. Some rhythms actually require the okonkolo player to be able to improvise more freely to really swing the music.

    Itotele : the middle bata drums, the Itotele produces the medium pitched tones and is also used to play a standard set of rhythms in support of the Iya. As with the Okonkolo, these rhythms are fairly universel with little variation from one form of bata to another. The itotele, is expected to answer " and " converse with " the Iya. This usually allows the player a little more improvisational freedom then with the okonkolo. But again, this

  • depends on the rhythm and the context in which it is being played. Itotele rhythms are fairly stock and improvisation-free during the Oru Seco.

    Iya : the largest of the bata drums, the Iya produces the lowest pitched tones. The iya also has stock phrases found universally and played by all Iya players. These should be leamed and mastered first. Once you have a good working knowledge of the iya, you may notice iya players incorporating many variations in their parts, even in the most basic of rhythms. Most of these variations will occur on the cha-cha side of the Iya and will require a well-trained ear to distinguish. The iya " calls out " the changes and conversations for the entire bata ensemble, and usually has the most improvisational freedom of all the bata drums. Most but not all of this improvisational skill lies in the placement of strokes on the larger of the two drumheads, the cha-cha

    Copyright 2000 CongaPlace - All Rights Reserved

    =======================================================The Sacred Bata Drums (Aa)In Africa, the bata drums belonged to the kings and were only played for them. Until the last few decades in Cuba the drums were only played for the presentation of newly crowned priests (Iyawos) to the community and to Aa (pronounced an-y), the Orisha or deity whose secret resides within the drum. Bembe drums or giro (shekeres) were used for all other drumming ceremonies. Today the bata drums are played more frequently and for a wider variety of reasons (such as a priests Ocha birthday, or to give thanks to a specific Orisha or Santo as they are often called in Cuba).

    The bata are a set of three hourglass shaped drums that are played held across the lap. They are carved from solid wood and their open ends are covered in goat skins. One end is larger than the other, and both ends are percussive. The large end of the drum is called the inu, or mouth, and the smaller end the chacha. The largest drum is called Iya (Mother) and is dedicated to Yemaya.

  • The middle drum is dedicated to Ochun and is called Itotele. And the smallest drum belongs to Chango and is called the Okonkolo.

    There are probably fewer than 100 sets of sacred bata drums in the world. Unconsecrated bata drums are called abericul.

    At the beginning of a tambor or drumming celebration, the drums are played directly for the Orishas, usually in front of the throne or canastiero (cabinet) where the Orishas live. This cycle of rhythms is called the Oro Seco or dry cycle because no singing is involved (although in Matanzas the Orisha being honored is sung to at the end of the Oro). When the Oro is played in front of the Orishas, it is also called the Oro Igbodu.

    Following the Oro Seco, another complete cycle of rhythms is played in an open area, but this time with singing (the Oro Cantado). During this cycle, priests salute the drums by bowing their foreheads to the floor and then to the drums. After the Oro Cantado, the party (or wemilere in Lucum) really begins. The akpn (lead singer) is now free to sing in any order and for any length of time to the various Orishas, praising them and inviting them to join the celebration by possessing one or more of their priests. Once Orishas are present, the Iya drummer in particular must pay close attention to their movements, as it is the Orisha who calls for certain changes in the rhythm.

    The percussive relationship between the three drums is a conversationwith each other, with the singer and chorus, with the Orishas, and with Olofi (God). For this reason, we speak of the language of the drums.

    All site contents Kabiosile. All rights reserved.

    =======================================================Bata Rhythm TranscriptionsCopyright 2000 CongaPlace - All Rights Reserved=======================================================Rumba Iyesa GENERAL INFO This "toque" is one of the five most common toques in their basic form. It's relatively simple and it is used as dance rhythms for a couple of different orishas. In this fonction it is called rumbita.

    SHEET MUSIC (for key notation click here)

  • AUDIO/VIDEO FILE : Dowload the song called SOKERE (mp3 - 2.18mg) performed by Maiseboa, my group (Laurent Lamy) Copyright 2000 CongaPlace - All Rights Reserved

    =======================================================Cha Cha LokpafunGENERAL INFOThe most common "toque" bata, a rumbita for a couple of different orishas to dance and party.

  • =======================================================Niongo GENERAL INFO This "toque" is one of the five most common toques in their basic form. It's relatively simple and it is used as dance rhythms for a couple of different orishas (see glossary). In this fonction it is called rumbita.

  • =======================================================Glossary

    (Lu) Lucumi term(Sp) Spanish term

    Achere (Lu.)A small rattle which is sometimes used to play the standard bell pattern in bat ensembles.

    Agb (Lu.)A calabash gourd idiophone strung on the outside with beads. Sometimes called shekere.

    Agogo (Lu.)Metal bell used to play the standard bell pattern in bemb ensembles.

    Afia (Lu.)A sacred force believed to reside in the bat drums, considered an oricha by some Santeros.

    Batalero (Lu./Sp.)A bat drummer.

    Bemb (Lu.)A religions party held to honor an oricha.

  • Cabildo (Sp.)Mutual aid societies established by slaves in Cuba.

    Caminos (Sp.)Roads. Diferent avatars of an oricha. Each " standard pattern " or toque signifies a diffrent camino.

    Chacha (Lu.)The smaller head of the bat drum.

    Chaworo (Lu.)Bells wrapped around the shell of the iy il.

    Cierre (Sp.)Closing. The ritual that closes a bemb.

    Conversacion (Sp.)A conversation that takes place between the iy and itotele. Conversations used to render lexical meaning but most of this knowledge has been lost.

    En (Lu.)The larger head of the bat drum.

    Fardela (Sp.)Also called the id, it is a ring of clay molded to the iy ilu'. It is used to dampen the drum's overtones.

    Giro (Sp.)Musical gourd. An idiophone, it is also known as agb or shekere. It is covered with strung beads and played by shaking and striking the bottom.

    Ida (Lu.)See Fardela.

    Itotele (Lu.)The middle drum of the bat set.

    Iya (Lu.)Mother.

    Iya Ilu (Lu.)Mother drum. The lead drum in the bat ensemble.

    Llame (Sp.) The call used in bat drumming to begin a rhythm or initiate a conversation.

    LucumiName used to identify Yoruba slaves and their language in Cuba. Practitioners today sometimes call their religion Lucumi.

    Ocha (Lu.)A saint/oricha. The religion of Santeria (Regla de Ocha).

    Okonkolo (Lu.)The smallest drum of the bat set. Also called omel.

  • Olori (Lu.)The strap used by the batalero to secure the drum during performance.

    Ol Bata (Lu.)A batalero initiated into Ana.

    Omel (Lu.)Another name for okonkolo.

    Omo (Lu.)Child.

    Ori (Lu.)The physical head and inner person. The essence of personality.

    Oricha (Lu.)Sacred head. The nature divinities of traditional Yoruba religion and Santeria.

    Oru (Lu.)A liturgical sequence of songs or bat rhythms. (Sometimes mistakenly called oro.)

    Oru del Igbodu (Lu.)" Oru in front of the throne " played on the bat drums without song. Also called oru seco.

    Orun (Lu.)The heaven world of Yoruba religion.

    Santeria (Sp.)The Lucumi religion of Cuba.

    Santero, Santera (Sp.)Male and female initiates or priests of Santeria.

    Santo (Sp.)Saint. The oricha.

    Tambor (Sp.)Drummer.

    Tamabor (Sp.)Drum. A liturgical fiesta for the orichas using the bat drums.

    Toque (Sp.)A bata rhythm. Another name for a liturgical fiesta using bat.

    Yesa (Iyesa) (Lu.)Single headed drum type found in Cuba. Name of generic rhythms played in " drum and giro " ensembles. In bat ensembles this rhythm is called rumba yesa.

    =======================================================Discography

  • CUBAN BATA DISCOGRAPHY

    1) TRADITIONAL

    ********AfromericaChants et rythmes afrocubainsMercedes Lay BravoMarisela TrujiloFlorinda Sabidojune 1997VDE-Gallo VDE CD 959cdTracks Eleggua (3:11), Yemaya (3:40), Chango (2:50) and Obatala (3:15)are songs with bata.

    ********Amira, JohnThe music of Santeria. The Oru del IgboduJohn Amira (iya)Orlando Fiol (ito)Joe DeLeon (oko)1993?White Cliffs Media WCM 9346cdOru del Igbodu in New York/Havana style, with alternate versions.

    ********Cardona, MiltonBembeHector Flaco Hernandez (iya)Steve Berrios (ito)Jose Fernandez (oko)Milton Cardona (iya)august 1985American Clave AMCL 1004 2Cd Tracks : Salute to Yemaya, Elegua, Ogun, Ochosi, Babalu Aye,Obatala, Chango, Yemaya, Ochun, Ododua, Elegua, with voice & batas

    ********Conjunto Folklorico Nacional de CubaMusica Yoruba

    Carlos Aldama (iya)Mario Jauregui (ito)Ramiro Hernandez (oko)1970sBembe 2010-2cdSongs : Eleggua, Obatala, Yemaya, Chango, Oya (a capella), Orula, Oddudua,Babalu Aye, Eleggua; Reissue of an earlier EGREM record.Vocalists : Lazaro Ros and Felipe Alfonso.

    ********Grupo Oba-IluSanteria. Songs for the orishas

  • Mario Jauregui Francis (iya)Pedro Pablo Martinez Campos (ito)Maximo Duquesnes Martinez (oko)Rocardo Gomez Rivero (oko)december 1995Soul Jazz SJR CD38cdTracks Eleggua, Ogun, Ochosi, Obbatala, Shango, Oya, Oshun, Yemaya voice with batas. + beginnings (6:00) of Oru del Igbodu

    ********Munequitos de MatanzasCantar maravilloso

    Jesus AlfonsoGregorio DiazAgustin DiazGlobestyle Records CDORB 053cdIya mi le (madre mira mi casa) (7:53) (not on lp) with batas; Arague (6:15)with batas & conga.

    ********Munequitos de MatanzasIto Iban Echu

    QbadiscQB 9022cdOgun arere; Obatala;Babalu Aye;Ochun;Yeye Ochun;Yemaya;Yemaya Olordo;Agay- u; Chango Eyeleo; Dada; Oya; Eleggua.

    ********Valdes, MerceditasAcheLos tambores bata de Jesus PerezArtex cd - 010cdContains tracks Elegua, Oggun, Chango, Ochun, Obatala with voice & batas.

    ********Valdes, MerceditasAche IV

    Grupo Yoruba Andabo1995?Egrem cd 0160cdElegua, Obatala-Baba Fururu, Yemaya, Ochun, Ibeyi.

    ********Valdes, Merceditasy los tambores bata de Jesus PerezJesus PerezASPIC X 55512cd

  • Reissue of original EGREM recordings. Contains tracks Ellegua, Oggun, Obata-la, Yemaya, Ochun, Chango, Osain, Ellegua, Chango.

    ********variousAfro-Cuba, a musical anthologyRounder CD 1088cdSong for Ododua (2:04), Bata drums for Chango (3:05), Esto no lleva bata(performed by Los Papines) (3:39)

    ********variousAntologia de la Musica Afrocubana Vol IIOru de IgboduRecorded in Matanzas (casa de Ricardo Suarez) 1977Egrem LD 3995 (Areito)lpToques a Elebwa, Oggun, Ochosi, San Lazaro, Orunla, Aggayu, Chango,Obba, Oya, Yemaya, Obatala, Ochun, Yegua, Idbeyi. Ayacuta (para Chango).Cantos a Chango, Oggun.

    ********variousCuba : Les danses des dieuxLucumies Community of Regla/Havana1985-88Ocora C 559051cdContains Songs to Ellegua from the Oru del Eya Aranla (6:49)

    ********variousSacred rhythms of Cuban SanteriaConjunto de tambores bata de Amado Diaz Alfonso20. november 1984Smithsonian/Folkways SF 40419cdOru de Igbodu para Yemaya (25:35) in Matanzas style.

    ********variousThe Yoruba/Dahomean Collection (Orishas across the ocean)before 1950; 1957Library of congress series/Endangered music project. Ryko RCD 10405cdSong for Elegua (3:22) recorded by Jean Liscano in Venezuela before 1950,performed by Conjunto El Nino, led by Guillermo Rigueiro.Song for Yemaya (3:05), Song for Chango (3:05) recorded by Lydia Cabrerain 1957, performed by Candido Martinez with an ensemble led by MiguelSanta Cruz and Juan Gonzalez.

    ********variousVida y muerte del santeroEgrem cd 0191

  • cdHas batas on 10 of the 12 tracks. Contains ritual music seldom heard (esp.the ceremony for Eggun).Conjunto Folklorico Nacional de CubaAreito LDA 3156lp

    ********Conjunto de percusion de Danza Nacional de CubaJesus Perez : In memoriam/Homenaje.Egrem LD 4246lp

    ********Grupo Folklorico de Justi BarretoSanteria (Toques y Cantos)Gema records corp. LPG 1193

    ********Grupo Ilu AnaSacred rhythmsFundamento productionsCd

    Ros, LazaroOlorunXenophileGLCD 4022cd

    ********Ros, LazaroOlorunEgremcd

    ********Ros, Lazaro y OlorunSongs for EleguaAshe by Rounder Recs.cd

    ********Santos, John & the coro folklorico KindemboHacia del amorXenophilecd

    ********Toques y cantos de santos (2 vols)Cubilandia C-CD 511

    ********IluyenkoriPercussions CubainesPlayasound PS 65084

  • cd

    ********Guines, TataAniversarioMaximino Duquesne (iya)Marco Herminio Diaz (ito)Grupo Folklorico de Justi BarretoSanteria (Toques y Cantos)Gema records corp. LPG 1193

    2) NON TRADITIONAL

    ********Coleman, SteveThe sign and the seal(with Afrocuba de Matanzas)1996BMGcdlittle Coati MundiThe former 12 year old geniusHector Hernandez1983VirginlpTrack Pharaoh

    ********Eno, Brian and David ByrneMy life in the bush of ghostsMingo Lewis1981E.G. EGCD 48cdTracks The Jezebel spirit and The Carrier

    ********Estefan, GloriaAbriendo puertasLuis Enrique1995Sony 480992 2cdTrack 7 (La parranda)

    ********Feliciano, CheoEstampas1979Vaya JMVS 86lpContains batas at the end of the track Estampa Marina (5:26)

  • ********Gonzalez, JerryObatalaMilton CardonaHector Flaco HernandezSteve Berrios6. november 1988Enja 5059 2cdIntro has some bata drumming (2:27)

    ********Grupo Folklorico y Experimental NuevayorquinoConcepts in Unityat least Milton Cardonaapril 1975Salsoul 20-6001-2cdCanto Asoyin (4:26)

    ********IrakereSeleccion de exitos (1973-1978) vol. 11973-78Dom (licenced by egrem) CD 1201cdHas bata drums on track Iya (5:50).

    ********IrakereBabalu AyeAlexander MartinezRogelio RuizJose Pablo HernandezBembe 2020-2Cantata a Babalu Aye (14:01) by Lazaro Ros, his group and Irakere.

    ********Lotz of musicLe coq rougeJavier Martinez Campos (iya)Jos de Haas (ito)Frank van Dok (oko);Stefan Kruger (oko)Sjahin During (ito,oko)1996VIA 9920122cd

    ********Lotz of musicLotz of music in Havana. Blues for YemayaJavier Martinez Campos, Jorge Nunez Menocal (iya)Jose Pilar Suarez (ito)Sjahin During (oko)1998

  • VIA 9920592cd

    ********Nueva MantecaBluesongoMartin Verdonk (iya,oko)Lucas van Merwijk (ito)1994Lucho 7706-2cd

    ********Santamaria, MongoUp from the rootsJulito Collazo (ito)1972?Atlantic SD 1621lp

    ********Santamaria, MongoRed hotMongo SantamariaSteve BerriosHector HernandezJulio Collazo1979?CBS/Tappan-Zee 83340lpAfro-Cuban Fantasy (7:36) contains bata drums.

    ********Spiro, Michael and Mark LamsonBata KetuMichael SpiroMark LamsonKelvin Delgado (oko)1990sBembe 2011-2cd

    ********Afrocuba de MatanzasRituales AfrocubanosEgrem CD 0058cd

    ********Aguabella, FranciscoSanteria Oro Cantado (3 vols)Francisco AguabellaGo productions 10032cassette

    ********

  • Anderson, LaurieHome of the braveDaniel Ponce (?) (iya, oko)Bata on Sharky's day.

    ********Anderson, LaurieMister heartbreakDaniel Ponce (iya, oko)1983Warner Bros.Batas are used on Sharky's day

    ********Batacumbele(just about anything)

    ********Beasley, JohnCauldronBill SummersMunyungo Jackson ?

    ********Bunnett, Jane ?ChamalongoPancho Quinto ?

    ********Conjunto CespedesVivito y coleandoJesus Diaz (oko)John Santos (ito)Tobaji Stewart (iya)1995XenophileBata on Que viva chango

    ********Conjunto CespedesFloresMike Spiro (iya)Jesus Diaz (ito)Michael Lennan (oko)1998XenophileBata used on El tambor tiene su magia

    ********Conjunto CespedesUna sola casaMike Spiro (iya)Jesus Diaz (ito)1993Green LinnetBata on Virgen de la Caridad

  • ********Estefan, GloriaDestiny

    ********Lazaro Rizo (oko)Egrem CD 0156cdHas batas on the track Con tres tambores bata,a bata rumba by Ernesto Gatel.

    ********Hancock, HerbieDis is da drumBill SummersMunyungo Jackson ?

    ********Herwig, ConradThe latin side of John ColtraneAstor place records

    ********Mezcla(any title)

    ********Palmieri, EddieLlego la indiaAcid jazzcd

    ********Pastorius, JacoJaco PastoriusDon Alias (oko, iya)1976EpicBata used on Okonkolo y trompa

    ********Pedroso, CesarLo mejor de Cesar Pedroso - Hits of Los Van VanQbadiscHas batas in the track El buena gente.

    ********Quinto, PanchoEn el solar la cueva del humo

    ********Quinto, Pancholatest recording

    ********

  • Rodriguez, AlfredoCuba LindaMario Jauregui AspirinaJusto PelladitoAmado J. Dedeu1996HannibalBata used on Mercedita ya me voy and Drume negrita.

    ********Santamaria, MongoOur man in Havana (a.k.a. Mongo in Havana ?)Fantasy 3311

    ********Santeria religion afrocubanaOLM Records 10037

    ********Sintesis Orishas

    ********Sintesis(other titles)

    ********Terry, LosFrom Africa to Camaguey

    ********Tipica 73Tipica 73 en Cuba

    ********Tipica 73La candela

    ********Tipica 73Encendida

    ********Valdes, MerceditasPanart LD 3096

    ********Valdez, Merceditasvol. 2Egremcd

    Copyright 2000 CongaPlace - All Rights Reserved

  • Discography

    Bat and Lukum Music, by Thomas Altmann, 2004

    Note: This is no commercial sales list! - Esto no es una lista de venta comercial! - Dies ist kein Verkaufskatalog fr diese Seite!

    Tambores Bat de Abaoso

    Santera Cubana FE-105, 1987

    Abbilona

    Tambor Yoruba: Eleggu, Oggn y Ochosi

    Caribe Prod./O.K.records CD-9546, 1999

    Tambor Yoruba: Obatal Caribe Prod./O.K.records CD-9545, 1999

    Tambor Yoruba: Aggay Caribe Prod./O.K.records CD-9549, 1999

    Tambor Yoruba: Chang Caribe Prod./O.K.records CD-9550, 1999

    Tambor Yoruba: Oy Caribe Prod./O.K.records CD-9551, 1999

    Tambor Yoruba: Ochn Caribe Prod./O.K.records CD-9547, 1999

    Tambor Yoruba: Yemay Caribe Prod./O.K.records CD-9548, 1999

    Tambor Yoruba: Eleggu, Oggn y Ochosi II

    Caribe Prod./O.K.records CD-9600, 2001

    Tambor Yoruba: Obatal II Caribe Prod./O.K.records CD-9599, 2001

  • Tambor Yoruba: Aggay II Caribe Prod./O.K.records CD-9603, 2001

    Tambor Yoruba: Chang II Caribe Prod./O.K.records CD-9604, 2001

    Tambor Yoruba: Oy II Caribe Prod./O.K.records CD-9605, 2001

    Tambor Yoruba: Ochn II Caribe Prod./O.K.records CD-9601, 2002

    Tambor Yoruba: Yemay II Caribe Prod./O.K.records CD-9602, 2001

    Tambor Yoruba: Orisha Oko, Odda, Ibeyis, Olokun y otros II

    Caribe Prod./O.K.records CD-9606, 2001

    Rezos y Moyubba a los orishas Caribe Prod./O.K.records CD-9598, 2001

    Afroamrica

    Chants et rythmes afrocubains VDE Gallo, VDE CD 959, 1997

    Grupo Afrocuba de Matanzas

    Rituales Afrocubanos Egrem CD 0058, 1993

    Francisco Aguabella

    Oriki Ara Oko(a.k.a. Santeria: Praises to the Orishas)(a.k.a. Oru Cantado

    OLM records CD 10038 GO Productions 10032)

    Oriza: Santera Religion Afrocubana (w/ Lazaro Galarraga) OLM records CD 10037, 1993

    (- y sus Tambores Bat): Cantos a los Orishas Universal Latino 2002

  • John Amira

    The Music of Santera - The Oru del Igbodu White Cliffs Media Company, 1992

    Amura

    Rezos y Cantos Yoruba

    Papo Angarica

    Fundamento Yoruba I (CD)Egrem, LaHabana 1998, CD 0253

    Fundamento Yoruba II (CD)Egrem, LaHabana 1998, CD 0377

    Osun Lozun (w/Lazaro Ros) (CD)Egrem, LaHabana 2003, CD 0568

    Eugenio F. Arango (Totico)

    Totico y sus Rumberos (CD) Montuno 515, re.1992

    Frisner Augustin

    The Drums of Vodou White Cliffs Media Company, 1994

    Ayanagalu

    Sacred Yoruba Bata Music for 12 Orishas

    Emilio Barreto & Puntilla

    Santisimo Luz Prod. CD 001, 1996

    Emilio Barreto presenta Santisimo en Ritual (con Orlando "Puntilla" Rios)

    Luz Prod. LUZ 0002, 2001

    Bascom (rec.) /Courlander (ed.)

  • Drums of the Yoruba of Nigeria (1956)

    LP Ethnic Folkways Library FE 4441

    Candita Batista y sus Tabores Bat

    Ritmo de Santo Maype CD US 130

    Lydia Cabrera (ed.), Josefina Tarafa (rec.)

    Oro

    Havana, Cuba, ca.1957: Rhythms and Songs for the Orishas

    Smithsonian Folkways CD 40489 (1957)

    Matanzas, Cuba, ca.1957: Afro-Cuban Music from the Countryside

    Smithsonian Folkways CD 40490 (1957)

    Havana & Matanzas, ca.1957: Bat, Bemb, and Palo Songs

    Smithsonian Folkways CD 40434 (1957)

    Alfredo Calvo y su Aa Oba Tola / Alberto Puales y su Bembe Makagua

    Bata y Bembe de Matanzas I: La presentacin de un Iyawo de Chango

    Kabiosile (2003)

    Milton Cardona

    Bemb (LP) American Clav 1004, 1986

    Rafael Caraballo y su conjunto de santeros

    Plegarias a los santos Santero S-LP 329, 1985

    Catanga, Yosantou - Mansolu (et alii)

    Despojo-Santero /Tambores Africanos Lucumi Records LR-711, 1986

    Andrs Chacn

    Ir ir. Lukum, afro-cuban Lila Music

  • devotional music

    Conjunto de Percusion de Danza Nacional de Cuba

    Oba-i-lu /Homenaje (Jesus Prez in memoriam) Egrem LP LD 4246, 1987

    Conjunto Folklrico Nacional de Cuba

    Conjunto Folklorico Nacional=Toques y Cantos de Santos Vol. 2

    Egrem, Areito LDA 3156Cubilandia

    Musica Yoruba (a.k.a. Lucum)=Toques y Cantos de Santos Vol. 1

    Bemb CD 2010-2, re.1995Cubilandia

    Vida y Muerte del Santero Egrem CD 0191, 1996

    Djalma Correa (prod.)

    Candombl (atabaques: Vadinho, Dudu, Alcides) LP fontana /phonogram 1977

    Harold Courlander (rec./notes)

    Cult Music of Cuba LP Folkways Records FE 04410 (1951)

    Drums of Haiti LP Folkways Records FE 4403

    Julio Davalos & Adrian Coburg

    Antologia Yoruba, Vol. 1 + 2: Oru Seco, Oru Cantado iyalodde

    Antologia Yoruba, Vol. 3 + 4: Rezos - Cantos y Toques Especiales

    iyalodde

    Maya Deren (rec.)

    Divine Horsemen Lyrichord 1953

    Orquesta Estrellas Cubanas

  • Violin a Ochn 1997

    Grupo Folklorico de Cuba (=CFN)

    Afro Cuban Roots: Toques y Cantos de Santos, Vol. 1 Orfeon CDL-16244

    Afro Cuban Roots: Toques y Cantos de Santos, Vol. 2 Orfeon CDL-16245

    Afro Cuban Roots: Toques y Cantos de Santos, Vol. 3 Orfeon CDL-16246

    Grupo Folklorico de Justi Barreto

    Santeria (Toques y Cantos) Gema Records Corp. LPG 1193

    Santeria Africana: Santa Barbara Africana Santero CD 531

    Lazaro Galarraga /Raul Canizares

    Rhythms of the Goddess: Sacred Sounds of Santeria II (MC)

    Milian Gal: Gali Bata

    Cantos y Toques EGREM

    Nanette Garca & Maurice Minichino

    The Sacred Music of Cuba. Bat Drumming, Matanzas Style Melantone Publishing (2000)

    Felipe Garca Villamil

    Emikeke, Vol. I

    Emikeke, Vol. II

    Jerry Gonzlez

  • The River is Deep (LP) ENJA 4040

    Verna Gillis (rec.)

    Vodun-Rada Rite for Erzulie Folkways Records FE 4491

    Katherine Hagedorn (rec./ed.)

    Divine Utterances(w/Alberto Villareal Pealver, Francisco Aguabella, Lazaro Galarraga)

    Smithsonian (2002)

    Il A

    Sacred Rhythms Fundamento Prod. CD 6120, 1995

    Ilyenkor

    Percussions Cubaines - Cuban Drums Playasound CD 65084, 1992

    Hommage a Yemay et Oshn Playasound CD 65138

    Tambours Mtis / Cuban Drums Playasound CD PS 65218, 1999

    Ir Otonogu

    Cajnes para los Orichas Weltwunder WW 925

    Iroko

    Ilu Orisha Interworld CD, 1996

    Iroko VTL 010, 1992

    Ishenbaiye

    Obatala : Yorb Religious Music From Nigeria

    (MC) Egbe Omo Anago Music Series

    Sango : Yorb Religious Music (MC) Egbe Omo Anago Music

  • From Nigeria Series

    Osun : Yorb Religious Music From Nigeria

    (MC) Egbe Omo Anago Music Series

    Ogun : Yorb Religious Music From Nigeria

    (MC) Egbe Omo Anago Music Series

    Regino Jimnez

    Afro-Cuban Percussion Study Guide

    Jobelou (tambour maman)

    Voodoo Trance Music: Ritual Drums of Haiti

    LP Lyrichord Stereo LLST 7279, 1974

    Cabildo San Juan Bautista

    Antologia de la msica afrocubana, Vol. III: Msica Iyes Egrem LD-3747, 1981

    LeGip

    The Voodoo Drums of LeGip Request /Sounds of the Caribbean SLP-737, 1972

    Mark Alban Lotz

    (& Lotz Of Music in Havana:) Blues for Yemay VIA Records

    (& Shango's Dance:) Cuban Fishes Make Good Dishes LopLop Records LC-13310

    Mansulu & His Haitians

    Santera Haitiana (por autenticos santeros haitianos) Haiti Records H-531, 1986

    Marassa

  • Santeria! Msica de raz - Palo Platano 5124, 2001

    Gina Martin

    Las Fiestas Santeras Uni/Universal, CD re. 1999

    John Mason (rec.)

    Four New World Yoruba Rituals (MC) Y.T.A. Records 5B

    Olookun: Owner Of Rivers And Seas (MC) Y.T.A. Records

    Lawrence Millard (rec./ed.)

    Tambor for Obatal: Music of Santera - A Live Afro-Cuban Ceremony

    earthcds (2001/2002)

    Tambor for Obatal - Complete Session earthcds (2001/2002)

    Echun Okiry: Gro for Eleggu earthcds (2001/2002)

    Echun Okiry - Complete Session earthcds (2001/2002)

    Religious Music of Palo Monte: A Cajn Ceremony earthcds (2001/2002)

    Andreas y sus Amigos (Andreas "Molino" Mller)

    Y Y Olud Stadtklnge Kln (2000)

    Los Muequitos de Matanzas

    Ito iban Ech: Sacred Yoruba Music of Cuba Qbadisc CD 9022, 1996

    Niloniy ("Los Nios de Atocha") de Eugenio Lamar Delgado ("Cucho")

    Antologia de la msica afrocubana, Vol. III: Fiesta de

    Egrem LD-3997, 1981

  • Bemb

    Grupo Oba-Ilu

    Santeria - Songs for the Orishas /musica afrocubana Soul Jazz Records CD SJR 38, 1998

    Grupo Ob Ologn

    Moforibale - Tambores Bat (MC)

    Agrupacin Folklrica de Jovellanos "Ojun Degara"

    Antologia de la msica afrocubana, Vol. IV: Msica Arar Egrem LD-3996, 1981

    Grupo Folklrico Olufina Baba Mi, feat. Elliot Scott Downing, Teddy Holliday

    African Yoruba Music of the New Land; Msica Afro-Cubana Eleda.org

    Conjunto de tambores bat "Omo Irago" de Amado Daz Alfonso; Agrupacin de Gros "El Nio de Atocha"; Grupo de Bemb "Ar Ok":

    Cantos de Santera(a.k.a.: Sacred Rhythms of Cuban Santera

    Artex, 1994 (CD, coleccin Ssamo)Smithsonian Folkways CD 40419)

    Pedro Jesus Orta

    Pedro Jesus Orta, omo aa Lakefire Records LR 0202

    Carlinhos D'Oxum

    Canticos a os Orixas de Candombl 1997

    Daniel Ponce

    New York Now! OAO CEL 6705 (LP)

    Arawe Antilles New Directions AN 8710(LP)

  • Chango Te Llama mango (1991) (LP)

    Emy de Pradines

    Voodoo -Authentic Music & Rhythms of Haiti Remington R-199-151, 1953

    Tito Puente

    Top Percussion (LP) RCA Victor LPM 1617, 1958

    Orlando "Puntilla" Rios & Nueva Generacin

    Puntilla from La Habana to New York (LP) Puntilla Records AF101-A + -B

    Spirit Rhythms -Sacred Drumming & Chants from Cuba CD Latitudes LT 50603

    Giraldo Rodriguez

    Afro Tambores Bat Orfeon 12-38008 /LP-LAB-08

    Lzaro Ros

    Olorn Ash /xenophile /Green Linnet Rec. GLCD 4022

    Songs for Elegu (w/ Olorun) Ash CD 2001

    Asoyi -Cantos Arar Pm records DM 077CD, 1993

    Cantos (con Mezcla) Intuition Rec. INT 3080 2

    Orisha Aye: Elew (& Oshosi) CD Unicornio UN-CD6017 (rec. 2000)

    Orisha Aye: Oggn CD Unicornio UN-CD6008 (rec. 2000)

    Orisha Aye: Babal Ay CD Unicornio UN-CD6018 (rec. 2000)

  • Orisha Aye: Obatal CD Unicornio UN-CD6007 (rec. 2000)

    Orisha Aye: Shang CD Unicornio UN-CD6009 (rec. 2000)

    Orisha Aye: Oy CD Unicornio UN-CD6010 (rec. 2000)

    Orisha Aye: Yemay CD Unicornio UN-CD6005 (rec. 2000)

    Orisha Aye: Oshn CD Unicornio UN-CD6006 (rec. 2000)

    Orisha Aye: Korikoto, Dad, Yewa, Obba

    CD Unicornio UN-CD6016 (rec. 2000)

    Orisha Aye: Argay sola, Ibeyis, Orishaoko, Nana Burucu

    CD Unicornio UN-CD6019 (rec. 2000)

    Orisha Aye: Olofin, Odda, Inle, Orunmila, Iroko

    CD Unicornio UN-CD6015 (rec. 2000)

    Orisha Aye: Osain CD Unicornio UN-CD6014 (rec. 2000)

    Orisha Aye: Eggun CD Unicornio UN-CD6020 (rec. 2000)

    Santa Barbara

    Santa Barbara con Rafael Caraballo y Gloria Maria Ortizcantados por autenticos santeros

    Espiritual CD 104

    Santa Barbara Africana

    Santera Africana LP-531

    Mongo Santamaria

  • Mongo in Havana Fantasy 3311 (LP)

    Afro Roots (compr.: "Mongo" and "Yamb") bellaphon BLST 6530 (2LP)

    Up From The Roots Atlantic SD 1621, 1972

    Drums and Chants Vaya Records VS 56

    Our Man in Havana (compr.: "Our Man in Havana" + "Bemb") (CD) Fantasy 24729 1960/1993

    Santero #1

    Afro Cuban Cult Music Panart LP-2060

    Santero #2

    Afro Cuban Cult Music Panart LP-2097

    John Santos and the Coro Folklorico Kindembo

    Hacia el Amor xenophile /Green Linnet Rec. xeno 4034

    Sintesis

    Ancestros Egrem LP LD 4432, 1987

    Ancestros II Color CD

    Orishas 1997

    Societe Absolument Guinin

    Voodoo Drums Universal Sound 2001, US CD 16 (Soul Jazz Records)

    Spirits of Life. Haitian Vodou Soul Jazz Records SJR CD 105, 2005

    Michael Spiro and Mark Lamson

  • Bat Ket Bembe Records (CD) 2011-2, 1996

    Ricardo Suarez

    Antologia de la msica afrocubana, Vol. II: Oru de igbodu Egrem LD-3995, 1981

    Bill Summers

    Studies in Bata, Havana to Matanzas Bilsum Music (2002)

    TiRoRo

    Best Drummer in Haiti Cook Road Recordings 5004, 1956

    Voodoo Drums of TiRoRo Monogram 830

    TiRoRo & His Voodoo Drums Request SLP-733

    Dudu Tucci

    Orishs WeltWunder-Records WW 106-2, 1994

    Obatimale

    Merceditas Valds

    Ach III Artex CD 10

    Merceditas Valds y los tambores bat de Jess Prez Aspic CD 55512, 1996 (CD)

    Ach IV (con Yoruba Andabo) Egrem cd 0160

    Tumi Cuba Classica Vol.2: Afro-Cuban Tumi 0050, 1995 (CD)

    ("Various Artists")

    Santeria Cubana - Toques y Cantos Santero CD 135, 1986

  • Santeros Lucum

    ("Various Artists")

    Fuerza Santera Santero SLP-17, 1986 (MC)

    ("Various Artists")

    Fiesta Santera Lucumi - Tambores Bat Santero S-198 (CD)

    ("Various Artists")

    Cuba: Les Danses des Dieux Ocora, C 559051, 1988

    ("Various Artists")

    Cuba: Musique Afro-Cubaine Disques Alvares LD 453

    ("Various Artists")

    Ecos Afro-Cubanos Orfeon LP-12-138

    ("Various Artists")

    Misa Santeria Riviera 521-107

    ("Various Artists")

    Ritmo y lamento CHB Records 317

    ("Various Artists")

    Rhythmes de Cuba Le Chante du Monde LD-5-4218

    ("Various Artists")

    Moforibale - Tambores Bat 00-8901

    ("Various Artists")

    Afro-Cuba, a musical anthology Rounder CD 1088

  • ("Various Artists")

    Antologia de la msica afrocubana, Vol.1: Viejos cantos afrocubanos

    (LP) Egrem LD-3325

    ("Various Artists")

    Caliente=Hot New World Rec. NW 244-2

    ("Various Artists")

    La musica del pueblo de Cuba (prod.: M.T. Linares) (2LP)

    ("Various Artists")

    Caribbean Revels: Haitian Rara and Dominican Gaga

    (CD) Smithsonian Folkways, Washington D.C. 1991, SF 40402

    ("Various Artists")

    Rhythms of Rapture: Sacred Music of Haitian Vodou

    Smithsonian Folkways CD 40464, 1995

    ("Various Artists")

    Voodoo Music of Haiti Nonesuch

    ("Various Artists")

    Ceremonie Vaudou en Haiti (Richesse du folklore No.15) LP Riviera /Bravo 421.076 P

    ("Various Artists")

    The Yoruba /Dahomean Collection: Orishas Across The Ocean

    CD Rykodisc RCD 10405, 1998

    ("Various Artists")

    Yoruba Drums from Benin, West Smithsonian Folkways 40440,

  • Africa 1987