(OF^^U^—

Published by rTw. HilTli, 1 .'U, Chcapside. - v

/A^^yy //f,n /M' hndfiy! Edition o/ Krim Viotinp/rrrpfor Prfre 8^

New Music for Flute, Violin, Tenor, Violoncello &c.

Pu])lislied by KEITH,PROWSE & C? Manufacturers of the above Instruments,131. Cheapside London.

Overtures arraxig^ed as Septetts,

for 2 VlOLIJTS, 2 VIOLAS, Fl.UTE,VlOLOXCELLO

and CONTHA BASSO.d.l

Weber* s Overture to Der Freisehutz H.J. Banister. 7.0.

SPOHR' s

D? to EuryantJie _.

D'* to Preeiosa

Dl ...... to AhunaOp J2

hyB".

7.0.

7.0.

.6.0.

.7.0.

Violoncello a Piano Forte.

. - - H.J. Banister. 5.0.Twelve Movenunts from Haydn

Freisehutz fa selection of Melodies from)

Book 1 - d1..

Book 2.... D"...

Three Airs Var? by Dotzauer.

Book 1 D°...

Book 2 D"-.-

4.0.1

4.0.i

4.0. i

4.0.1

Twelve Movemtnts selected from the

work of Mozart B/iakl D" 8.0.

¥Introduftion A Polacca hy S.Godbe 3.0.

.^This was a g'reat favorit* of his late Majesty"' s who

had it frequently performed in his Presence.

Violoncello.DoTZAUEh's Twelve Exercises Op. 47 4.0.

Set of Exercises teUcted from the work of

CORELLI, HAYDIf * KREUTZER. bj H.J.Banister 3.6.

Twelve Airs (elected fpom Haydn's works

arrang-ed for 2 Violoncellos D° 4.0.

Batti Biitti fAccompaniment to Mozarts

song- of ,! as an exercise D? I.O.!

Flute Music

DETlKiritE's Easy Studies ». Solos or Duets 5.0

HARTMAIf's Seventy-two Cadences in all the Keys. .__ 4.0.

H0FFMEISTER''s Tlir.e Duets Op:30 .5.0.

Lodoiska fOvertyre to) and Manly Heart

Duets Devienne. ... .2.0.

March in Tho Misers, as a Solo, (with varts) Reinard 2.0.

METXLER's First Set of Solos with embellishments

a la Catalani, Braham, and Sinclair 3.0.

Second Set of Solos interspersed

with various Preludes Ac 3.6.

Twenty -four German "Waltzes Solos 2.^.

Divertimento, Two Flutes 2.0.

Concerto Flute Principal Two Violins

Tenor VioloncellT Two Hautbois and

Two Horns 6.0.

REIITARd's Six Favourite Airs Varied as Solos.... 4.0.

SANDERSO?r''s Five Waltzes and a Rondo by

Mozart and Beethoven arrang-ed as

Solos or Duets by Sanderson ...2.6.

Waltzes a Selection of Tnenty-four by

Haydn, Mozart, Hoffmeister , Hazelbeck

and Beethoven , as D u ets 3.0.

Violin Musics d

Ah hyd y nos and O dolce concento (varts)...Hare-__2.6

Cuckoo Solo Vivaldi...!. 0.

Freisehutz (Overture) as a Duet Keith..., 3. 0.

(Airs from) as a Solo with an Accora-

-paniment for a seconi Violin D° 5.9.

Jolly's Six Easy Duets 6.0.

Keith's Complete Preceptor for the Violin

tilon an entire new principle 5.. Ed? 8.0.

Collection of Airs, with Variations,

as Solos for the Violin

.

LA Hig-hland Lad, Robin Adair, A ^»hep-

herd once had lost, and theWelch Harper 2.0.

2. God save the King-, and

Vive Henry Quatre 2.0.

3.Tyrolese Song- of Liberty and Rodes Air -8.0.

4.Hung-arian Air and Romance von Gulnare 2.0.

5. Dunois the Brave, and Haydn's Theme,

in A - 2.0-

6. Le Besoin d'aimer La Rose et la Croix

and L»- Danger d'attendre 2.0.

7. Di tiiifi palpiti and Hope told a

flattering- Tale 2 0

. H. Home sweet Home and Lieber

Airgustine 2.0.

9. Queen of Prussia's Waltz and Vous

me quittez pour aller a la Gloire 2.0.

10. Kelvin Grove and Au clair de la Lune 2.0

11. Oh no we never mention her,

Swiss boy, and Blue Bonnets 2.0.

12.Le Petit Tambour and Miss Dennetts Waltz. .2.0.

\3. What Fairy -like Music, and

Awake! Awake mine own love ^.0.

Mil.LKr's Maid (Overture to) as a Duet Jolly... 2.0.

NANl's Three Duets. 5.0.

Nicholson's Three Solos Op: 8 6.0.

Three Duets Op: I 5-"

Three Op: 3 ^(>-

Sanderson's Celebrated Study for the bow and

Fing-erboard of the Violin— 2°.'*.Ed1 8.0.

SCHWINDL's Twelve Easy Duets Op:4. (new ed:) 4.0.

Smith's Twelve Waltzes, as Duets 2.6.

Two X Duets in which the performers viewing|

the music in opposite directions, find their

respective parts before them .1.0.

Zaubtrflote (Mozarts Opera ofJarrang-ed as Duets -6.0.

Digitized by tlie Internet Arcliive

in 2014

littps://arcliive.org/details/celebrateclstudyfOOsancl

Andante

T M.EM A.

:||: p]3

f5^r^^

i t t ' t *I

To be play'd in a smooth even manner^ taking- four Notes in each bow.

ijS

—

1 '0

aJ*

•

1 1

-

1

1

—

^

t <

24strin&r^sjg

of each three, with alternate Shir as far as marked . a 3 4^ t

rJii.gX Moderate.

^ Wherever the two following- fig-ures ^ are placed over or under one

Note,it is to be play'd in the Harmonic tone; to produce which, the fourth

fing-cr ^express'd by the rii; nre 4) mtist be prrssVi very lightly upon the string-.

Lo.cr Notes on str5nff_ _ J^^A I ^ A'^.^ JAl i^^A^i 1^A A^. Jyji 0 4 313'^

1 A ft. ^. fe.X-f-1k r—

1

" V — —«^

—

% 1 :ll

II

-X-'3 a-p " " • _

t-

—

^—

h

^—

^

^See below how first Notes of second part are played

.

Andante

Affettuoso \^r\ ^ ^ jW 4 ^ 1—

=^

Play the double stops y 0 :< ^^.

art iru late. 1 f 1 1 2 1 4 9 4^0 .'i i4V .1

i

loSi '^'U^ -.0 1<

21^1 112 1 ^ 24 .S 4 3 :i 4 .'j 4

^

40 I

1 0 3 1 1 1 0 4I

1 1 2 0

—• r—

1

T

—

1

—

\—

f.r7f riff f i n Fftfffi ffffff f f I [jrm^

tJ ll2l2122 1121 212 2 141 2 4i 1 .J 2 12 7*^ 33434344 33434344 4333 4 0 3 3 4 § 1 3 4 3JL^

i3=a

i 4

TP 1

»-^»

—

—

—

P—. :ii

n j-^ j -J- 1

J

4

m.

—

f

Be careful to strongly accent the Notes mark'd thus1i:>

^ ^^^2 q2^^ 234JJ^ o432l43 .2lJ-^2

> a > Jn qill!

^J

^

—

^^tH \

— —

1

m^—

8 ^ i ^ 1 1 q 1t 1

1

—^1-^r ^ 1 ^J.

^ ilie hiurcV hUiccato alternately two Notes in each l)ar as tar as—p.

The Shake throug-houtto be made with the third finger.

j^^^^^^^^^^^^^^^^^_Andante, j ^jj-

txcrcise tor crosising- tlu' strinj^s, with distinct down «V nji bow, whole of first part,

second part as marked. - '

k—)

^

—

>

_,

9 L i; 'y j^j^1

'"3_4_« \ J

»

—

—1

The Bow to be kept smooth and evenfChang-ing: twice in each bar^ the finders

as itwere»to slide upon the strings

VAR: 10.

A|l eg" retto?j_n|_24striiig. 1

^^^^rrf

ill-J_d.....i^ —c *

11^

8 l -''vn and up Bow with firmnesstlir(»M^;hoi(t.

To be plAyM with Expression.

MiNORE.Andante, i . o

rrE^LTlJ^ ill

Jij fall

f ~1

4 — 31 1 ] 1 3 1 ^

>

3 14

9"

g'iMw"^'T^rii^!"^iu."i,nrii

?B: I beg- to observe where two different Notes following- each other are marWd with thesame fing-er as at ^ it will be adviseable to keep the fing-er below, firm upon the string-

till the Note be play d, which will g^ive a g-reater certainty of stopping- in tune.

To be (| ill a delicate tasteful manner.^

31*^1 .314 3 2 3214321 42:j41 '^.J l4.'i41 '^:i4'^

3 •3] k J 7*^3 -1

.22^91^1 2 32

1 9 4

1

p

VStrlnf

f^^4 "ffWpt

—

pi0 3-^

Legretlil31«041 2 121 i^41 ^ ^ ^43

• » ut.

>

N-1•by

-

1

10

IVactfct

KAR:

The first Note of each three, to l)e ])la>\l vith dov n Bow, shortand distinct, the remainins: two sliirVl throughout.

-N En £n ?\ ' ^.'^istg,3ast:

JJ,m iTl 13^2 141 132141 13^^ 14 1 fjl ff^S i 41 '4 { 7^35

Allegro.]-M|^ VI

I , \ frialf?^. k :| |:

m^'4J n IJ^ n n J- J q j q |d:gz^ v^ Jl:

s.

—

-=1

—

1 1 q 1

1

K: 16. T .1 .\4

With taste and Expression.

St iri^3rT

n Larc*o Affetto Cantahile. ^4 303^^<J043 ^ ^

^—

^

19 ' 1—n—:

-

J—

1

^ J 1 J ^ J^1 31

—

Imitative double stops, with Leg-ato Bow.

lndaiitiii<^:^;)tg^^^. I

in in ^i1 4 1 4 -9 A

*

1^i

M

m—

3

—

This must be playd in an

Animated &vig-orous manner.

14. 1, 1^ X -4 I J , I I I I 1 n • • n y y 1 'i"zr * ' err* • ^"TT^**-*

=1 Jqq

l lus to be V^'^> *^ as.mark <l, tukiii'- asman > Notes as are boumi l)> the i..

Slur, vith one Bov, Staccato,beginning-each bar of first part i^ith down Bow.

K4R: 20.

AllegTetto] o —

^^^^^^In the following" Variation the liow to he kept withinhalf an inch of the bridg-e whole of first part. 312 3 2 m^^il'A

-fc^

—

3i J ^1 1 =1 t|«M < 1

t

~4 '

i

Be careful to Bow and accent the following* Variation, exactly as it is marlccl.

VAR: 24. (^^^^^Andante. JzM

2 14 3 2

3 1^4 3 4 1 2 ^ 3 1^ 3>4 r '2 j 3 14 3^ 4 ^3 3^4 2^ 3 4^ 3 4»

>r 1 ^Pim—^

t

1 i

16

VA

'I'o be plaj d in a smooth ji'idinj; iiiaiiiH r tliroiii;ho»it.

Alle^rett(]_n|

mi —t3 0i:iO

4 4.30314 20240!

4

i ^;

»~1

W1

L 1

143 1 42 41 12 41 2 143 14.2 4< 12 41

2

_a, p

14 3 1^

-F =

t2 4i^2 4

—

1

0 •y 4:i

-^c V•

•

«

t 'Ip

f'

3 432 3:J 43 2 3J52 4^ri2 32

^—^-

i

1*311

, T II

J J ''-"

•

m r•7

^5^1-• 1

The Positions & bowing- of this Variation must be strictly attended to.

VAR: 26.

Allegro,

^^^^^^^^^^^^^^^^^c7 1^ »^±yj]t2 313 13 13 24241411 24201313^4^5

Must be playd with expression hut not too (luick, making" a In in Shake on ijeach of the first Notes in the first two » ibars.

Miiiuetto.\<y III

Andante

J8

1.1 R: 29.

Larg-o. In|

Keep the Bow linn on the Stiii.^s V.-v vhoie of the first part, in the

second, a more delicate pressnre.

4\*^ String _ 3I String _ _

1 2^3^ ^ 0 ^'"^^^l^^^^^l

4^ string-

m-^m p ill

The first and last two Notes of each four, to be slur'd,the intermediate four;

to be plaVd with a distinct Bow. for each Note, as far as ^. • ^ L. J. _^ . •

(— *i *

1" " 1 ^ ^

^J" =1 =1

1-^•^— i

Down and up Bow throughout, two notes in each Bow.

a4

1.9

VAR: 31

Allegretto.j^^ft! 34 3*

4=^

:y»jy-^^'

f?, 3^ yr, i4 fa ^1

1 11 / r-j 1 n"il J . --d

4» g k ^ B===:^c=i2 3 1 1 cj^ 3 4 12 3 4 12 ^i

rj n ^1 4

3 3 4 1 2 3 4 2 3 J33 ^ 3 4

^

J jf-— -i

»

1

1-.,* • II

1^ * i

Affetto.

Loj;ato Bow.

^=dol:

<

2^ 34 40

•• 1*^^

3

——

^

,—=^

—

—

1

1—

The first twoNotes only,to be play d Staccato, all the rest slurM as mark'd, second part the san^le

.

33

,1^1,^03 2^i2A^2A. 323 424 ^^-^'.J 4-^4 3 Si'^^'^^ln Moderate

.

4" 3l3 24:^ 1

3 -3

Krtp the lioK linn on the Strings, from the first bur, doMn aiul up alternately all the iV*^ part . ^/

1^121232134313 2121234214.311^13 '<^44 214i:i 243 2 14:i5e i:i2U:i21 '2

Allegro Bril ante

.

3432132342421414 34321323424214 14 343213234224321 3 2413 2413 ^X/JJ D-l2i string - _£4234

fCiR: 35.

Marchi

Larg*o

Maestoso.

2"^

To be plav'd in a

:>

bold Martia I Style. 1" ^_

•1 n n 1

"4 3^^^?*"^

1i 03 2 2 3| 3

2 0 3 3 2

=—fl

' 4L 3

--.^-iTj J :1r

2 1

4

^7

'I'lie vliole Ot tilia \.iriati()ii.t'i Ije pla_y »l on tlic ImiiMli Stniii:, v* iili oim- (Iomii,

and one u|) liow iii each bar thro(|ohout.String _ . . ^ . . _ .

Allegro.i Ar-r S

3_4 3 g 12 31 43j> i 4 3 4 3^ 1 3 1 4321 2j34Jf

343| 1231 4324 321 3 21 243 2 1 3 3 ^ 31 ^3 2321 2341 232 1 2341SBS———— __^^BB__g^^^^SL—BSSBlS

2321 2343 23 2 123 4 3 2 3 212 3 42232 1 23 4 2 1224 4311 S

The Subject Accompanied.31

Larg"I ^ 5 l^^i 2113 2414 I

31 2 3 f3 4 1

W >1 r4 m 1^ ^ 3 2 2 4 4 BW 3

j^^l^^r j^^l^^ j-^.i-j:^^^

m 114

131 2 31341 3iS7,lBtta ^^^bA , ^ 3 4 4TTv^ E^S^^

^^01^^12 "oST'i 1043 31 ffi2^^^-^'^^ 24142

1 Ins \ariatioii must he Honti exactly as markVl, he careful to play the ( ii sl

\ *^'^Str\n"- ^ote ofeach strain, with astroniir Staccato doHii how. ^^3

mm.

1131 !^142 113 1 12321231 2141 113142140

5

»_-«

. J 1 —

•

——

•

— 1 —•

—

1

vX**^ 3 3Be careful to lay the accent 'onthe4*^&]0^^Notes i^i. fi^ 1 2 3in each hi ~ < ^ i-r--^ -t~p*

0,r^.'i03l4 3 414 1

<^Q I

,Mo(k'rato.24 string

loco

n 3 4n r4 3 41 4 1^*3 4" 1T34" ^o"^^^13 4 * f3i^'f^<r<i=^

3'? String > ^

IT

3^Str

*

—

w

t

1 ^1

[6 J q q-ij:-

1 "^"i

TIh' first Note ol tacli l^)Hl',J(^r^^',an(l distinct , each succeediiig" three.

--^s 1

i 1^ j

t [^ ^ ill

The whole of 1^.^ part to be play'd on the 2^ String- in a snrooth and even manner. 14 42^ string r.^^^S 2l

VAR: 41

Affetto.1^ 3 3

1-t—i"

1 ' r ''

' —»— —J .L • -J

3 3

i2^3 o 4

4 .3 .'i^23 2 5^ 1

«^^31

5—1 O 33 2 2

-23 3

1 'L3 1 '5 0

3 t-^LiJsd 01 14 4 1 1 0 1 i J i T cj 1 3 4 3 1

Pollacca

.

VAR: 42

uiiauca.^ jv 4 4

J 3 1 4 1 3 ^2 4

In the foIlowing-Variation,thc upper Notes must he playd on the third

String- ^ith open se(ond,>vhole of the first part, The lower Not<\sof the

second part to be play don the fourth String- as far b-s ^

ISB: To g-ive the proper effect to the following^ Variation,the Notes

must be sliir'd exactly in the manner they are mark'd,and the Bow

kept a considerable distance from the Bridg-e, pianissimo all throug-h.

l AR: 43.

Andante.3^ String-

-

A - - ^ ^

^BB

1 1 m ^ . - 1

- 1—

•

—

J

'—

1

-Jr —

—

1 ^•

1

•1

=1 ^

ydJjlj.-J„p^

t t t

» t I

Firm & distinct dowii &upBow with energ-y, whole of P.^ part, ii*.^ part as marWd.

it

J^7'14 3 1 2.4323 14 13 14 13 1 41 31 4> S ^

A £ - fm i^

Alternate dowii and up Bow throughout,( oniinencing-the bar Note with up Bow.

VAR : 45

Andante < /ar^niUll^ .'fffflMi ffB ^ ^ ^'^ ^ ^^'^ B'

-^2 0 4 3 J 3 3 « 434 ^0 2 12 113 4 3 i "i •3

1 12 2 13 4 4 3

12 2 1 1 ^3 4 4 i 5 §

P

Arp('S"^;i() tliroii^hoiit

1 AUZ WHS. -fhr-

^—f—

^

To be played in a tasteful expres'siv e style,oi) V'.^ String- as far as^^].V>triii

VAR: 47.

Adag*io

Cantab ile

coil espresv'

-»-2n44

1 1f

( t t

^Bgr234l2 121234^^^^^^^^^-^ 3_ 43 I23221324ic^ic^i4c^ 1^1^231:j.*^432ll

. ...

^T i I i rtil tit III I t I

2 12 12344 41 ^3 2 12 a 444 1 1 234i32143yc^34]

->n—F=F=; r

L234343414 3

I =19 9 9 • »

^i=:iz

t t,!gg;

4^303j^hjjj J: ' *

4 ^LJ^

3 23^34:

—

I

1• • •

III tit III tit * * til

30 luthe toll()vi»i{2: Vari;ition,the I'l^Notc ot'each three Staccato,the VJ'.^&J^^ &lur\l throiig-hont

.

f:j 1 4 1 3 {

14 1 313 13 13 424 |= ^4 2 14 1 313 131313 4 S>4i4i ^= j; 4 Si

—

i

J

11

^ J ^ J^

1 -

1 3 i31313'<i + '^-t.Si-tl4.1'^13 414 '.;ii;3 13 131214124124121

L; 242 3

-t-^—

1

•i

1t

^—?—

J

1 ^ ~

.illj—J-3 .. 1 *—

J

1_1 d

31

Larg'o 2 3

1432 21431324 oi3'2 433'^213 2 2114 ^^^^41^^34 ,^ 2 1 2 A

2242 4y4132Tl 2

Firm pressure with Bow, chaus'ing' twice in a Bar

.

0 1 1 2 21)34 1 2 2 3 .'ij^l 0^

Ol

50

Con

32

AR:5L \ VJ^4 *

This to be pla>\! iii a siiKiotfi ilclicatc manner.

4

rdol

Innocentej

*2 41 13 14 1^^4ii> '^33 S> Si 8 112

loco

f • • •

2112

^112 4 143232411443 a

-•-

t 2J J

1^ 4 3^5^ 24 2 4 ^3 13 ^ ^

2^2^1^ 4^ ^ .^^24 2 4 '^3l7i^'^^

n4

The whole of the first part as far as ^ to be play'd on one string-(3^j with down &up bow alternately, first two bars of 2*.^part only. one bow each.

•^ 3'?Siring ^^^^Moderato7|_aA_^

\U the tripple tyed Notes to be playd (in one Bov) Staccato

,

As there may be some Amateurs who are not acquainted with the method of producing'

Harmonics on the Violi^n, I shall g-ive a little explanation of the same, in the following*Variation.

In order to produce the Hannonic tone,the finder must very lightly touch the string, ex--cept where the double Notes are found, in which case, it will be necessary to apply twofingers on one string at the same time, pressing the lowest Note firm with the first finger,

while the fourth finger must be very gently applied to the string for the irpper Note. "

Play this all on the whole Shift with the finger and on the strings as markM.

3m m

112 2 3 3 2

Harmonics..\ndante.l jji, o cfr ^-r

1 1

24 ,S«i

12 1 1 1 mPizzicato,

15t l*^t

24 3*? Hp- 2? 4

HARMONICS. "-f- Tim

^ Pizzicato.™™

3^ 2^ d24 3^ ,2^3'?^'?^^ r J ;ii11 '2 2 ^ 3 2 1 1^ 121 1 1

V

^ The following- \ariation,to be playd in'a tirin,rapid,eiierg-etic manner,with a disti.,ct

rinum finA irr» WnW fmiTl fhf» flTSt bar. ^ A _

rAR:55}

down and irp Bow from the first bar

K.

1^34. l7:!|42 3142 1234 12123441 24231231 5i4SiO

Presto.l j^tn oj

FINIS.

r

I

/