a century of russian song, from glinka to rachmaninoff - fifty songs collected and edited ([c1911])
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Digitized
by
the Internet
Archive
in
2008
with
funding
from
IVIicrosoft
Corporation
http://www.archive.org/details/centuryofrussianOOschi
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Mu
78^.8
Schindler
Century
of
iiussian
Song
Prom Glinka
to
Hachmaninoff
ije.oo
+
BN^
c lyiy
1
T
-
=.py
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\
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BOSTON
:
THE
BOSTON MUSIC
CO.
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COI'VKIGHT,
mil.
HV
(i.
S( HIKMER
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A
Century
of
Russian
Son^
Tins
collection
of fifty
Russian
songs,
ranging
from
old-niastcr
(ilinka
well
nigh a
century
ago
to
present-dav
composers
like
Glazunoff
and
Rachmaninoff,
is
the
first
comprehensive
anthology
of its
kind
outside
Russia,
and
means the
opening
of
an
almost
entirely
new re-
pertoire
for
the
English
and
American
concert-hall
and
drawing-room. The
collector
of
these
songs
liopes that
those
who
read
these
direct
and
sincere
utterances of a
great
nation
may
derive
from
tiiem
a
pleasure
ccpialling
the
deliglit which he
himself
has
experienced
dur-
ing the
years
spent
in
collecting
and
selecting
them.
He
also
ventures
to
hope
that others
will
follow
his
initiative,
inasmuch
as
these
songs
are
indeed
a key to the
understanding
of
Russia's
great
symphonic
music,
so
familiar to
our concert
audiences,
and to
everything
that
is
national and based
on
folk-lore.
About my
leading
principle
in
the
selection
of the
songs,
I want to state,
that I
have not
tried to
find the
most
beautiful
ones
— a
very
vague
definition,
regarding
which every man
would decide
differently
—
nor
the
ones
that I
personally
like
best
(in fact,
tlie
limitation
of
space
excluded
some
of
the
well-known
and
still
beautiful
Rubinstein
and
Tschaikowsky
fiivorites,that are
already
available
in
separate
editions)
;
—
but
I chose
those
songs that
seemed
to
bring the most
characteristic
message to
the
Avorld,
that
are the
most direct
expression
of the
Russian
national
character.
Until
about
ten
years
ago
Russian
music
had been
identified chicHy
with
Tschaikowsky's
music.
Besides
Glinka's
operas,
which were
intermittently
taken
up in
non-Russian
opera
houses,
and
Rubinstein's
music,
which arose and
to
a
great
extent
vanished with the
brilliant
meteoric
career
of
this
virtuoso-genius,
no
Russian
music
came into
prominence
on
the in-
ternational market
before
Tschaikowsky;
yet
it was
not the
national
element
in
him,
not
his operas and ballets,
and
early
syiuphonies
deeply
rooted
in
racial
feeling,
that
a])pcaled
to
foreign
nations, but
it
was
the
later
Tschaikowsky,
the
polished,
cosmopolitan,
aristo-
cratic musician,
that
captivated
everywhere.
Strongly
perfumed,
highly
seasoned
music,
which dazzled and
agitated
the senses,
appealed
to the
emotions,
and seemed
a
particularly
characteristicexpressionof
our
modern
nervous
times (before R.
Strauss
offset
it,
of
course).
Symphonic
conductors
who
were in
touch
and
sympathy
with Russian
music
perseverea
S271U
(
vn
)
mmm
q
city
of
utw
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viii
A
Century
of
Russian Song
here and
i\\i\\-
in
iiitrodncinj,'
works
1)\
Halakirtw,
Kiiiisky-Koisakoll . (
Jla/imoU :
some
con-
cert
singers
iiuliiilcd in llair
repertoire romances
l)y
C'ni.
Hoindine.
Aieiiskv;
—
yet
it
re-
mained
f<ir
the
discriminating
musicians
and
the
sympathetic
understanding
of
the p\il)lic of
Paris, in
the
past
fi\ e
years, to
iliscox
er
lliat
llussia's
greatest musician,
the greatest
musical
individuality
this Slavic nation has possessed, Modest
Petrovitch Mdussorgsky.
had
li\ril
and
died
in
misery some
twenty-five
years
ago,
unknown
to
the
outer
worlil.
vet
lea\
ing
a
marvellous
l)e(|uest to
his
nation and
to
the
world. compositions
so
strikinglv
new
and origi-
nal, that
they seem to rank ahead
ol'
the most modern living composers,
and which
it would
take
generations
thoroughly to
ahsorh
and appreciate. C'laude
Dehussv
and
.Mfred
Hruncau
ha\e
testitied to
his
glory.
Uaoul
Pugno
has
enlisted
his nohlc entlnisi;ism
in his
cause,
and
a
Hussian admirer
of
his.
Mme.
Oleiiine
d'Alhcim.
has
uiven
yeais
of
self-sacrificing cH'ort to
propagating Monssorgskys
nuisie
hy
lecture-recitals in France and Helgium
and hv hooks
and
pamphlets;
with the result that
noUadays
scarcely a
song-recital
in
Paris
or
London
is
given
without some
of
Monssorgskys music,
and
that
New
York is
fast
following on
the
trail.
The
lavish
production
of
his
opera Horis (iodounow
in
Paris
in
litOS
hv .Serge
de
Diaghileffand (Jahriel
Astiuc. with 'I'll.
C'haliapinc
in
the title-role, has
meant
a
complete
victory for
his genius, anil
most
of
the
European
opcni houses have
included
this
work
of
.almost Shakespearian
breadth and tragedy
in their
repertoires.
\\'hen
Sergei Kaehmaninofl
toured .Vmcrica
in
I'.tO'.i
10
as
a pianist,
this
occasion
was
seized
hy a few singers
to introduce
his
songs. He.
of
all living
Hussian
composers,
seemed
the
one most truly
gifted
in
the
domain of
song.
The
spirit
of
the
Itussian
landscape,
its
delicate
fragrance, its
vast
and
melancholy iniincnsity. speak from
the pages we have
col-
lected.
(ilinka.
the ff)un(ler of Hussian art-nuisic. who witii single-handed eflort
wakened
the dor-
mant
elements
of
Hussian folk-lore,
elevating
them
to
;ui
artistic
standard,
and
who
at once
established
the
national
Hussian
school
with all its characteristics
of
rhvlhm. h:u'mony.
and
instrumentation, is
represented by celebrated ini.is
from
his two
best
-known
operas,
nmsic
that
is closely
related
to
the
contemporaneous (ierman
music
of
Weber .iiid
Marsclmer.
but
which
nevertheless
speaks its
own idiom
distinctly
and
forcibly.
(ilinka's
and Dargomijsky's ballads
represent
the period
of
ronianlicism in
Hussian
music;
they
are
elegiac.
despairing.sentimcntal ;
thev were
written
to move
hearers to tears,
and
they
did
so
unfailingly.
W
Onderfnl
is
the
atmosphere of
the
Hussian salons of ISK) .50.
tlial
these
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A
Centuiv
of
Russian Song
ix
ballads
exhale:
young
men
with
romantic,
lofty ideas;
hypersensitive,
scJnviirinerisclic
ladies;
desperate
passions and
intinite
longing. i\ll the
iiiilicii of
Eugene Onegin,
of which Push-
kin
and
Tschaikovvsky
sang.
—
It
is
strange to see
how
tlie
styles
of Heethoven
and Schubert
become
amalgamated
with
Russian melodic
strains, and
with w
hat
appealing
results,
as
in
Dargomijskvs
Elegy
(on a
Moonlight-Sonata
accompaniment),
or
in his
' Prisoner
in
Si-
beria,
who
apostrophizes the
heavenlv clouds
that
arc
banished
and
homeless like
himself.
Among
the many
songs
of Rubinstein
that
would
have
been
worthy to
enter
this collec-
tion,
we
felt it most important
to
call
the attention of
singers
and public
again
to
his
Per-
sian
Songs, those
strange exotic
blossoms,
full
of the
sensuous
charm and
vivid
imagination
of
the
Arabian Nights, that
he, being
of oriental descent,
was
able
to
give
posterity. These
songs
are so graceful
and dainty, and
so
beautifully written for
the
voice,
that
the
world
is
bound
to
take
them up
again.
Borodine,
though
born earlier than
Tschaikowsky,
C'ui,
and
IJalakirew,
represents more
fully the
ultra-modern ty})e
of musical
Russia. He was
never
a professional
nuisician,
and
his
music
aiwa\s
breathes
the spirit
of
aristocratic
leisure, refined
surroundings,
and
culti-
vated citv
life. Songs
like
the
iridescent
Sea Queen, the strange-scented
Flowers
of
J^ove,
the
mysterious
Sleeping
Princess,
the
short and poignant Dissonance,
show a marvellous
sense
for
coloristic
effects,
which
he
produced
by
an
harmonic
scheme
very
similar
to
wiiat
is
now
called
Debussyisni,
but
a
method
that he invented and practised
long before
Debussy.
In
his
Song
of
the
Dark
Forest
Borodine has
gone
back
to
melodic and rhythmic tra-
ditions
of
early
median-al
Russian
music (as preserved in some of Russia's
old
weird folk-
songs),
the
effect
of a
bard
reciting
a
ballad
being brouglit out with stirring and
overpowering
force.
Many
songs
of Cui and
Balakircw
might
have been included, but
their
message
did
not
seem so
important
or
characteristic, nothing that
the
other
composers
had
not
better ex-
pressed
or
more
strongly;
so
the
former
is represented
only by
the deliciously
humorous
Poet and
Critic
disguisetl as Cuckoo and
Nightingale,
the
latter
by
his
song
Oh,
come
to
me,
most
popular in
Russia,
but
little known
elsewhere,
a melody of
such
sweet charm,
that
no
one
having
heard
it
can escape its
haunting
loveliness.
More than
one-half
of
this
l)ook
is devoted
to
the
music of
Moussorgsky,
Tschaikowsky,
and
Rimsky-Korsakoflf.
fitly
termed Russia's
three
greatest song-writers.
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X
A
Century
of
Russian
Soni::
(
)t'
thr
Vdim^vr
ircncnitioii tluit
followed
llieni.
none
lias
yet rcaclKd
the
liei-^lits
altaiiad
1)V
tlic-ni.
Aieiiskv. well
know
n
1)\
his
piano-eonipositions,
never
rist-s
l)eyonil
a
eeitain
salon-
atniosplien-
in
liis
sonys.
(ila/nnoll' lias yivm
his
ht-st
in
syni|)lionic
compositions
of
lallier
I'iiaraeteristii'
tendencies.
Their two
son^s
here inchided.
••
I
,iltle I'ish s
Sono-'
juid
Nereid,'
are
respectively
characteristic
in
their limpid
charm
and
^I'acei'nl niclodioiis contonrs.
Anionic
Tschaikow
sk\'
s
wt-ll-known
son^s.
it
was
a
(piestion
of
sclectinL;'
some
liiddi-n
i)e mties
that
st'iin worthx
of
heeoinini;
nnixirsal
propert\.
llow
ehaiininL;
is
the
sketch
i-alled
••
iMeninii',
that ev(»kes
the
picture
of
I
,ittle-liussian hilKidts
so
irrisistii)lv. such
a
sweet,
fraj^rranl
country pietuix. that
is
in
music
what
(ioyols
landscape-descriptions
in
his
novels
are
to pottry.
His weird
oriental
C'anaiy-Sonir
evokes
the exotic
splen<lors.
llu'
palms
and
iuos(|ues
of the far-olV
east:
and the
simple
folk-tune
like
1
.en'cnd,
so
poij^nant and
aj)|)ealinii\
more
simple
than Massenet's
complicated
Legend
of
the
Sat^e-
i)rush:
and that
settint;'
of
'I'olstoy,
At
the
15all. which
has nioxed and will
contiiuie
to
mo\c'
audiences
to
tears.
Himsky-Korsakoir.
the
prolilic
opera-composer
and
Lieiitlc-heartcd
old
wizard,
who
lived
lon<>'
enoui^h to
see
his
fame
spread
o\
tr the cntiri'
WDrld.
and who was
fe.istcd liki'
a
kiny'
of
music
when
he came
to Paris
a
yeai'
hefore his
death
(I'.iOSi.
was more
foilunate
than
his
comi'adc
and
hosom-friind
.Moiiss()r<> sky.
These
two
compost'rs
made
coimuon
canst'
in
seekintr
and
systeniaticully
giitherin<f
the treasures
of Russian
folk-souLi. Rut
while
Kimskv-
i^orsakoir shaped
his
nuisic
after
the pattern
of folk-son^-
in
a
somewhat
philistine.
school-
masterK'
wa\'. Moussorn'skx'. who
went
into
the
suhn'cl
heail
and
soul.
w;is
so
imhuid
unci
identiiied
with
the
national
e\j)ression,
that
his son^s
seem
almost
the
inianalions
ot
the
entire
race
standing behind him.
Of
Uinisky
we
j^ive three early
soiifj's
(ISflfJ-Jiy),
the Southern
XiL;hf.'
the weird
•'lie-
brew
I>ove-Son<^',
and
the
melancholy
(K'oryi.'ui
1 1
ills.'
which
ai'c
nuieh
ni
Ihe s.uue
class
as
l?orf)(line s
sonos;
and
three
airs
from
his
highly
colored
faii-v
opeia
.Siu
L;ourolchka
(Little
SnowHake), full of imioccnt
charm and
dainlv
rlulhms.
I
should have
liki'd
to
t,nve
all
Moussovf^sky's
work,
but
in
the
choice
of eleven
son^s
I
hope
to
ha\e
shown
him
in
his
most
characteristic
aspect.
Tv\(i
cradle-son^s
of his
are
like
two
lienis
in
this
selection.
\ot beinn-
content
with
a
rocking',
lilting'
acconijiaiiiiiKnl
.'uid
a sweet. Hoatinn'
melody,
he
diavvs
thi'
interior
of
a
peasants
hut, the
niotlur with
infinite
tenderness
bendinix
<iver
her
chihl.
drcanfuiii
of
its
future:
he
makes us
hear the
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A
Century
of Russian
Song xi
mother's sigh,
the
infants
breathing, the tieking of
the
large clock; we
feel
the
loneliness,
of it
all.
Marvellous
pictures
these
two,
of
which
tiie
Peasant
Cradle-Song
must
have
been
particularly
dear
to the
composer, since he itiscribed
it to
the
memory of iiis mother.
Here
he
finds
for the
angelic
vision at
the end harmonies of purple and gold, and draws
melodies of
mediit'val
Byzantine
outlines.
INIartha's
song,
from
his
last opera,
Khovanstchina.
is
an
original folk-song, which he
frames
from verse
to
verse
in
a new and richer accompaniment. The Divination
by Water
from
the
same
work
is
an
extremely
powerful
composition,
the opening
Invocation
of
the
Spirits
being
of almost
ghastly and hypnotic
effect.
And
now
the
vast loneliness, the des-
perate banishment of Siberia looms up
from
the throbbing of
the
downcast
and
muttered final
phrases.
There is
much sadness,
much melancholy in
Moussorgsky's
music,
as there
is in al
Russian poets
and
book-writers
—
Tiu'genieff,
Dostojewsky, Tolstoy; just
as
any
great art,
being sincere, must
mirror
the true
state
of a nation.
But in all art, I
know
of little
that
can
be
comjiared
to Moussorgsky's ' By the
Water, from
his song-cycle
Where
no
Sun
Shines, in
its
mysterious
fatality,
its
Hamletian
meditation over
the
deepest riddle of
life.
It
is
not surprising that
this composer, who
in his music
was
wont
to knock at the
very
gates
of
death,
should
have adopted
the
inspiration
of
his
poet-friend
Count
Goleni-
tchew-Koutouzow to write
a
cycle
of
Death-dances
according to
the conception of Holbein.
Of
these
four song-paintings
we
present
Death-
and
the Peasant
(Trepak). written on
the
weird
rhythms of
the Russian
peasant-dance.
Strange is the Epilogue
to
this
song, which
makes us
realize
the
majestic
indiff'erence
of
nature
to
the
misery of
the
individual. The
poor peasant lies
frozen
under the snow,
but
the sun shines
again, spring
comes
into
the
land, changing
the
rigid ice-fields
to laughing
rivulets
and pools,
and the merry lark
soars
to heavenlj^
heights,
singing
its
piean
of
happiness.
A
diffei'ent
peasant-dance is
the
Hopak, which
irresistibly
draws
us
into
its
wliirl, and
makes us
acquainted
with a savage Russian sister of
Carmen.
The
Siege
of Kazan,
a
bal-
lad
inserted
in the opera
Boris
Godounow,
gives us a wild
picture
of
mediaeval Cossack-life,
surely
inspired
by
Gogol's
master-novel, Taras Bulba.
The
Oriental
Chant,
which
fig-
ures in his
short Joshua-Cantata as
a middle
movement
for solo
contralto,
is
a
strain
that
he
caught
from the
lips of the
Jewish peasant-people,
most
characteristic
in its
wailing and
plaintive
melody.
ssr^u
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xii
A
Centurx
of
Kussian
Soii<i-
Not
the
least
important
aiiuuio
tlir
w ulr
and
diverse
fields
..f
Mdiissoi-frsky's
eompositions
are
his
imrsery-soiij-s.
<• '
which
wc ciiioti-
that
dainty
htth-
sketch
calkd
•C'hilds Snug,
coinparitiir
a
cliiid
to a
hh.ssoin.
and
••'111.
Hcctle,
telhng
of
a
child
uli...
playinn-
in
the
y:n(kn.
comes
face
to
face
with
the
i)rohlcm
of a
l)ceth- s
death.
A
liltino-
,v/ro/
to
liiis
collection
is
Hachmaninotr's
sellin- ..I
'I'olstoy's
Billowy
Harvest-
Held.
Mav
the
nohk-ii
.grains
of
these
Kussian
sheaves
fall
into
lerlile
soil, and
he
reaped
m
a
manifold
harvest.
In
order
to
facilitate
the
recital
of
these
sonnfs in
Kn<>lish-speakin.o-
countries,
especial
care
has
Ulvu
heslowcd
hy
Mr.
Ilc^m-y
i..
ChaiJUian
and
oIIhts on
the
translations,
u
hich
not
only
cover
the
poetical
idea
of the
orif-inals.
hut
also
closely
follow the
trend
of the
music.
Fifty
new
son.ys.
of
nndoul.tcd
vahi.'.
should
alVoid
ample
opjiortunity
to
promote
the
introduction
of
standard
nmsic
in
the
Kn^lish
l;m,<rua<;e.
There
is
every
reason
that Kn<,'-
lish-speakmn
countries
should
take
up
these
.songs
ill
their
ou
ii
lanyua^e
instead
of
in
exotic
translations.
KruT
Si
ii'Niu
i;ii
MuijJO,
I'.ill
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Index
of
Composers
P\GF
212
68
62
64
70
ARENSKY,
ANTON
STEPANOVITCH
Little Fish's
Sony-.
(FUrhlrhi.i
Lied.)
High
KALAKIREW,
MILY
ALEXI^JEVITC'II
' ^h,
conic
to
me
(
^^
[7(7W
;«r.v
dr mni
. )
High
t5
BORODINE,
ALEXANDER
l'(
)RPn
V]ME\
ITCH
A Eissonance.
High
(orlMedium)
^,
Flowers
of
Love.
{Fleiir.'s
d'
Amour.
) .Afediuni
^
Sea-Queeii,
The.
{Ln
Rcinc
dc hi
Mcr.)
High
Sleeping
Princess,
The.
Aledium
Slowly
the
daylight
departs.
{,«
Lcntcniriif
bais.sa
lcJoiir'».)
From the
opera
•'Prince
Igor.''
High
(or
;\Iedium)
~(^
Song
of
the
Dark
Forest.
(Chniimn
dr
hi
Fork
Snmhrc.)
Medium
58
CUL
CESAR
ANTONOVrrCH
Poet anil
Critif.
^
XiirlitigaU
mid
K)d:iik.)
Medium
DARGOMLJSKY,
ALE.KANDER
SERGIEVITCH
Heavenly
clouds.
[Medium
(or Low)
Only
Love
[Xur
Hchcii
) [Medium
Ye
dear,
fleeting
hours.
{„Ihr
furhti<rm
Stinidcn''.)
High
(or
.AL-dium)
26
GLAZFNOFF,
ALEX.ANDER
K
Nereid,
'ihe.
High
ggQ
GLLNKA,
.MICH
AH.
IVANOVITCH
Ah. kindly
star.
•
i\,Dii
fnnifrr
Sfrrn .)
From
ihe i>[^pra
''
Ru.'i.^hni
,nid
Ijidmilla.''
High
3
How
swict
it
is.
when
Fni
with
you.
(..
U'ie .s-;/.?,? /.vr.f.
kuiiii
hri
Dir icli
.win--.
) High
(or
Medium
)
1
The
truth
is
suspected.
(..Sie
ahnen die
Widirheif.
}
Aria
of
Soussanine,
from
the opera
J
Life
for
the
C-nr .
Baritone
iq
MOUSSORGSKY,
.MODEST
PETROVITCH
Beetle,
The.
High
(or
.Medium)
g2
lly
the
Water.
Medium
-jQg
Child's
Song.
(Chan.soi)
(I'Knfiinf.)
High (
or
Medium)
100
Cradle-Song
of
the
Poor.
(La
lienru.se
dii
Puuvre.)
Medium
132
iim
(
-xiii
)
84
21
30
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,-iv
Index
of
(
.()nii)OScr.s
Di-atli
.iml
111 '
IVit-aiil.
/-</
Mi t it
if
I'liy.siin.
)
'IVepak.
Ili.i;li
l<>r
Mi-cliuin)
116
l)i\iiiati<iii
liv
Watir.
i
/,«
DivimitUm
pur
I'vaii.)
Iroiii
tin-
opc-ra
K
hinanitUhimi
.
Low
lOS
Ilopak.
lliuli
or
Modiuni)
136
.Martha's
Sons;.
{Ch'iiit i/c
Martin:
)
rnini
tin-
uptri
'•
Khinitmtchinn
).
Metliuiii 0>r
l,<iwj
126
Orii'iital
Chant.
l.aiiifiitatioii
fnim the
cantata
''Jnstni
S'nv'mc
.
Mctliuni
152
Pojuijint ( radle-Sontt-
(Bcriruxc
thi
Piiyxan.)
Inini
the
drama
FVw/(Jv«/<i '.
Medium
87
Siege
of K.-izjin,
'The.
l ri)iii tlie
opera
' Boris
GoiUmmnc
\
Baritone
144
KACIIM.XMNOl
T.
SIIUiKI
\
.\SS11.I1 A
1T(
II
' Hetore
nn
window. ' Ili^li
23
I
low
sweet tlie jilace
I
'
Medium
232
l.ihus.
Ilinii
22(i
Morninii.
Medium
(or
Low)
22j
•()
thou
l)illo y
liarve.st
-field
'
Hiffh
(or
Medium)
285
KI.MSKV-KOUSAKOW. M(
OI.AS
ANDUK.IEN
ITCH
A
Southern
Nifjht.
(Xiiit
itu^idiimalc.) Medium
202
Hebrew
Love-Sonj;.
(Cfuiii.soit
hefiriiiquc.) Medium
190
Little
Snowflake's
Arietta.
From
the
fairy
opera
Siufrourotilikii.
lliijli
IHT
On tlie
(Jeorgian
Hills.
(Siir Ic.i
rol/itu-.s-
de
Geor^ie.)
High
(or
Medium)
1 )'J
Song
of
the
Sheplicril
I.clil.
I'roin llie fairy
opera
Snc^iirotchka.
High
(orMe<lium)
1 )()
Svlvan
Honndelay.
I'rom I
lie
fairy
opera
Smjj^oiirotrlihii. High
~l)()
i{iiu\<ii:iN.
.wroN
Hend.
lovely i)ud.''
(..Xn-r',
.srhnnv A'lio.yjc .)
High
• •
f
He
not
so cov,
mv
pretty
maid.
(
..'J'/iii' nicht
.so
.spr'odc, .srhntu-s
Kiml .)
High
I
feel
thv
breath
blow ro\md
me.''
(..Irh
/ iifdc
dciiifii
()dcm^\)
High
My heart
all
beauty lakes
from tiue.
(.,M(in
Ilcrz
.schmiickt
.sith m'lt
dir .)
High
4.S
Not
-vith
angels.
(,,Xiclil mit
Kiiffcln .)
High
42
When I
see those little
feet of
liiine.
(,,.S(7/
idi
driiir hlrhini
I'iUsr/nii
iiii'\
j
High
US
IX
II
AiKowsKV. j'l.ri.u
ii..nr(ii
4^
At
the
Hall.
(Iiimittin
dr.s
Jiallr.s.)
High
Hi
I
A
Legend.
(
lA-{rrndi-.) .Mediimi
HJf^
Canary,
The. (Ac
Ciiuiirl.) High
1^2
Evening.
(lA-Soir.) High (or Medium,
1
S
Springtime.
(FriUdhifr).
High
(or
Medium)
lb
Tis
evening.
I'rom
the
opera
/';7«(-/>«»/<-.
Duet
t or
Soprano and
.\lto
'(72
•::»
52
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Index
of
Titles
'^^'A Dissonance.
(High
or
Medium)
Ah,
kindly
star.
(Higli)
A
Legend.
(Medium)
A
Soutiiern
Night.
(Alediuni)
At the IJaiJ.
(High)
Beetle,
The.
(Higii or
Medium)
Before
M_v
Window.
(High)
Bend, lovely
bud.
(High)
Be
not so
coy,
my
jiretty
maid.
(High)
By the Water. (jNIedium)
Canary,
The.
(High)
Child's
Song.
(High
or
Medium)
Cradle-Song
of
the
Poor.
(Medium)
Death and the Peasant.
(High or
iSIedium)
Divination
h}'
Water.
(Low)
Evening. (High or
Medium)
Flowers of
Love. (IMediiun)
Heavenly Clouds.
(Medium
or
Low)
Hebrew Ixne-Song.
(Medium)
Hopak.
(High or
Medium)
How
sweet it is.
(High or
]\Iedium)
How sweet the
place (Medium)
I
feel
thy
breath
blow round
me.
(High)
Lilacs.
(High)
Little
Fish's
Song,
The.
(High)
Little
Snowflake's
Arietta.
(High)
]\Lartha's
Song.
(IMedium
or
Low)
^lorning.
(INIedium
or Low)
My
heart
all
beaut}'
takes
from
thee.
(High)
Nereid,
The.
(High)
Not
with
angels.
(High)
22724
A.
BoitODINE
M. L
Glink.\
P.
TsCH.^IKOWSKY
N.
RiMSKY-KoitS.AKOW
P.
TSC'HAIKOWSKY
.M.
MoiSSOPGSKY
S.
K.\CHMAXINOFF
A.
RrmxsTF.iN
A.
RlHINSTEIX
AL
MOT'SSORGSKY
P.
TSCHAIKOWSKY
]\L
MOUSSOKGSKY
M.
MorSSORGSKY
AL
MorSSORGSKY
AL
MOI'SSORGSKY
p.
TsCHAIKOWSKY
A.
BoRoniNF.
A.
S.
D.iRGOMIJSKY'
N.
RiMSKY'-KoRSAKOW
M.
MOTISSORGSKY
M.
I.
Glixka
S.
Rachm.\xinoff
A.
RUBIXSTEIX
S.
Rachmaxixoff
A.
Arexsky'
N.
RiMSKY-KoRSAKOW
M. MoUSSOKGSKY'
S. Rachmaxixoff
A.
RUBIXSTEIX
A.
Glazt'Xoff
A.
RuBIXSTEIN
PAGE
68
3
168
20a
10^
92
54
33
102
182
100
132
116
108
178
62
21
190
136
10
232
52
226
212
187
126
229
48
220
42
(
XV
)
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XVI
Index
of
Titk's
(contiiuutl)
oil.
c'onif
to
mc (Ilisli)
Oiilv
lovi'
(.M(.(limii)
Oil
till'
(itoifrian
Hills.
(Medium)
Oricntiil
Chant.
(Medium)
O
thou
hillowv
liarvest-ficld (llifih
or
Mrdiiun
)
rcasiint
Cradle-Soiifi.
(Mrdiinn)
Poet
and
Critic.
(Mcdiuin)
Scu-Qucen.
Th-.
(llijilO
Siege
of
Kazan,
'riic.
(Baritone)
Sleeping
Princess,
The.
(.Medium)
Slowly
the
dayliglit
departs.
(Higli)
Song
of
til.'
Dark
Forest.
(:\Icdiuin)
Song
of the
Shejilierd
Lelil.
(Iligli
oi
Medium)
Springtime.
(High
or
Medium)
Sylvan
Kniindclay.
(Higii)
The
truth
is
suspected.
(Haritone)
'Tis
Evening.
(Duet)
When
T
see
those
little
feet
of thine.
(Higli)
Ye
dear,
fleeting
hours.
(High
or
Medium)
M.
M
Al.AKUtl'.W
.\.
S.
l)Alt(;<>Ml.lSKV
.\.
UlMSKV-KollSAKOW
.M.
.Mol .SSOHGSKY
S.
1{A(
IIMANINOir
.M.
.MolSSOKC.SKV
C.
.\.
Ci 1
.\.
MoltOlilM
M.
Morssoitc;sKV
A.
BOUODINK
,\.
BoUOIHX '
.\.
IJoiioniM
N.
RlMSKV-K()US.\K()\V
p.
'I'sillAIKOWSKY
X.
HIMSKY-KOKSAKOW
M.
I.
(il.lNKA
P.
TSCHAIKOWSKY
.\.
Rr
IIINSTKIN
.\.
S.
Daiu;o.muskv
PACK
15.1
30
1 );5
152
2.'35
87
84
64
144.
70
76
58
196
160
206
16
172
38
26
22724
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Index of
F^irst
Lines
Ah
come,
weary one
A.
All
liow
it
hurts
N.
Ah,
kindly star
M.
Ah, stay
with me
A.
And
by
day
and b}' night
I
fare
M.
Before my
window
S.
Bend,
lovely bud
A.
Be
not so
coy,
my
pretty maid
A.
By-bye, by-bye,
sleep,
my
pretty
boy
M.
By-bye,
lower
than
the humble
wayside
flower
,M.
Child
Jesus
in
his garden
P.
Cloudlets,
ye
heav'nly clouds
A.
For
to
go and
gather
berries
N.
Hear ye
Amorea's daughters
M.
Hi Ha Ha
The
Hopak
M.
How sweet it
is when I'm with you
M.
How
sweet the
place
S.
Hush
hush
with
lovely
eyes
A.
I
feel
thy breath
blow round
me
A.
I
know
not how
lovely
3'our
face
is
P.
I
love
thee,
dear
S.
In
the
vale,
oh
in
the
valley
j\I.
I
sleep
N.
Rlorning skies arc
aglow
S.
My
heart all beauty
takes from
thee
A.
Nana,
listen to
what
has
happened
M.
Not
with angels
A.
Now
melts the snow
P.
O'er yon
mountainous
height
N.
Oh,
come to
me M.
Oh,
I
love thee
so
madly
A.
(
xvii
)
22724
BOKODINE
RiMSKV-KoKSAKOW
I.
Glinka
Akexsky
jNIoi'ssorgsky
Rachmaninoff
Rubinstein
rubinstizin
moussougsky
moussorgsky
Tschaikowsky'
S.
Dakgojiijsky
RlMSKY'-KoRSAKOW
MoUSSORGSKY
jMoussorgsky'
I.
Glinka
Rachjianinoff
BoRODINE
Rubinstein
tschaikowsky
Rachjianinoff
MoUSSORGSKY
Rimsky-Korsakovv
Rachmaninoff
Rubinstein
]\ioussorgsky
Rubinstein
Tschaikowsky
RiMSKY-KoRSAKOW
Balakirew
S.
Dargomijsky
PAGE
64
187
3
212
126
223
54
33
87
132
168
21
206
•152
136
10
232
70
52
164
229
100
190
226
48
92
42
160
202
155
30
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XVlll
Index
of
First
Lines
(eontinued)
On iovi'Iv
Taiiris' shore
O
tliou
billowy hftrvcst-fieki
Pale
is tlic moon
SIowlv
Hie
(iiivliglit
departs
Snowficlds
in
silence
Sj)irits
of
netlier
worlds
The li^ht
of dnv
is slowly
fading
The
mists
are hangiiiff
low
The
truth
is
suspected
Thro' the forest's moan
Thus
Zuleika
spoke
to her
canary
Thy
lips say,
I
love
thee*'
'Tis
evening
To
the
thunder
called the flying cloud
When
I
see
those
little
feet
of
thine
When
I
stopped
at
Kazan
When
woods
arc
dark
Where
tears
of
my
passion
lia\e fallen
Ye
dear,
fleeting
hours
A.
Glazi'nokk
S.
Rach.maninokk
.M.
.Mdl
SSOKGSKV
A. HORODINK
M.
MolSSOKC.SKV
yi.
.Mol
SSOKGSKY
I'. Tsc'HAIKOWSKV
\.
RlMSKV-KoKSAKOW
M.
I.
Gl.IXKA
A. BouoniNK
1'.
Tsc'HAIKOWSKV
A. HORODINK
I*. TsCIIAIKOWSK
V
N.
Hl.MSK'i
-KdllSAKOW
A.
Kl
HINSTKIN
-M.
.MoiSSOUGSKV
f.
A.
(11
A. HoitOIHNI,
A.
S.
1)
AKl.OMI.ISKV
PAGE
220
235
102
76
llfi
108
178
193
16
58
182
68
172
196
38
144
84
62
22724
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A
CENTURY
OF
RUSSIAN
SONG
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glish version
by
G.
Chapman
Ah,
kindly
star
„Dti
trauter
Stern
Song
from
the
opera
Russian
and
Ludmilla
(Pushkin)
8
Allegretto
agitato
/^
^m
Michail
Ivanovitch
Glinka
(1804-1857)
vibrato
^
^^
Ah,
kind-
ly
star,
hide not
thy
face
Be-hind
the
Du
trau-ter
Stern
in
dunk-ler
Nacht,
ver-hiil
-
le
^^=^
E
^
/Ts
-
J''
r
P
I
^
^
dolce,
con
anima
hH-H-
-&
^
m
hades
of
nig-ht
from me
Oh
Rat
-
mir,
still
thy
mis
-
tress
waits,
And
nicht dein
strah-lend
Bild
Rat
-
mir,
dei
-
ne
Freun
-
din
wacht,
ilir_
tEE^
r=r
m
r^JPPP
i
^
^
jO.
^
-er.
22
Z32\
-€»
P^
^^-^^
^
ll
her heart
is
Sin
-
nen nur von
M
filled_
with thee
Oh
Rat
-
mir,
still
thy
dir
er
-
fullt,
o
Rat
-
mir,
dei
-
ne
i
i
f
s
dE
T^
3?
i
T=f
5
y
^
iEE^
f=r
ffi
f
Copyright,
1911,
by
O. Sckirmer
T t
or iiiTif nr
iinn iinni
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4
coil
passione
^^
^^
J.
L
Ji
^j
^
^^
hee .
fuUt .
For thee I
long
comeback
to
me _
Ich
har-re
dein
o
kehr
zu
-
liick .
On thee
my
thoughts,
ich
den
-
ke
dein
^
g
f^^f:
-f-
ff
~f:
#
V
*
i-tir
r
k
M
PP
'^^m
is:
^v
i
f
feL^
^^
^
trtr^T
^
or ev
-
er_
zu al
-
len.
dwell,.
-
My_
Stun
-
den, bei_
hope
is
all
dir
ist
all
in
thee
mein
Gliick.
For thee
I
Ich
har-
re
h
li ii
M)
ji
j>
I
r
^
p p p
long
come
back to
me
dein
o
kehr zu
-
riick
On thee my
thoughts
for
ev
-
er
ich
den
-
ke dein zu
je
-
der
22724
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5
dwell,
Stund',
for
zu
^^
i
M
V
i) J' i)
ev
-
er
dwell
der
Stund'
For
thee
I
Ich
har
-
re
^
s
^S^
*
»
»
Efc3
S
?
long
dein
come
back
o
kehr
to
zu
me
riick .
On
ich
thee
den
-
my
ke
te=:jt
r=-f^
^^^^
m
^0^—
w—
J
3^
f
r
r
r
5E£
itfa
£
^
TT
=^-^
]^
^^
houghts
for
ev
-
er
dwell,
dein
zu
je
-
der
Stund',
'
\
^
I
I-'
ii
I'
^
^
or
thee
I long,
from
hour
to
ich
har
-
re
dein
zu
je
-
der
hour,
Stund',
:^P
f
F
1
P^^
M
'^
P
On
thee
my
thoughts
ich
har
-
re
dein
for
ev
-
er
dwell .
When
in
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6
Ihou
dei
art
ner
near
Nah'
me,
g-e
17
p
I
sun
P
am
de
well,
ich,
when
in
^
^
=zm
^7
i^i
m
i
I i
^'f:
^i>p
dim.
^
^^
^
P
^
r
I
r
^
r
thou
dei
art
near
ner
Nah'
^
me,
I
g-e
-
sun
am
de
well;
ich.
Oh
^
^
Rat
Rat
mir,
mlr,
3
^
3
i^
^
Dift:
\>i^
PP
m
22:
is:
^
p
^
^=^=^
i
^^
still
thy mis
-
tress
waits,
And all her
heart is
dei
-
ne
Freun
-
din
wacht,
ihr Sin
-
nen nur
von
filled-
with
dir
er
-
^
hee
Oh
fiillt,
o
22:
m
T31
Rat
-
mir.
Rat
-
mir,
still
del
thy
ne
mis
-
tress
Freun
-
din
waits, And
wacht,
ihr
I
all
her
Sin
-
nen
5:
TS
-&
:5c
^
-(^
22724
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heart
is
filled
with
nur
von
dir
er
thee
fUUt
F^lp
'ip
J>
^
I
p
^
s
For
thee
I
long- .
Ich
har-
re
dein .
come
back
to
me
kehr
zu
-
riick _
J'
tfJi
t|.h
j
'Ci
I
I'
^'f
p
i
—
On thee
my
thoughts
for
ev
-
er
dwell,
—
ich
den-ke
dein
zu
al
-
len_
Stun
-
den,
bei_
dir
ist
aU
mein
My
—
hope
is
all
in
^
^
=6
s:
^
P
^vT
ife
**
^^
thee.
Gliick.
f i) i) i)
i^)
i)
ii
I
r
For
thee
I
Ich
har
-
re
long
come
back
to
me
dein
o
kehr
zu
-
rUck
h
ii
}>
1^
#-
On
thee
my
ich
den
-
ke
f
'•'
^
? ^
thoughts
for
ev
-
er
dwell,
dein
zu
je
-
der
Stund',
for
zu
ev
je
^
^
er
der
dwell
Stund'.
'Twas
In
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^^^
—
^~
i
^
n—
thine
arms
I
dei
-
nen
Ai-
-
men
found pro
-
tec-tion,
\Mien I
for
fand-
ich Frie-den,
als ich ver
^
i
P
sock—
my
liess— das
I
f
#==#
-y
—
?
r
'
[
r
f
r
^^
^
fa
-
Va
-
thers
ter
home. Ah,
haus; das
what
Le
to me is
life
with
-
out
thee?
Be
ben, ach was
ist's
hie
-
nie
-
den,
g-e
5-^
i
g^
S
:—
:
m
v^
92^
23
r^ii
s
9-'
^
cow
forza
J
^
ii
jS
^
i'
J i.
I
<
^
p^^
lev
-
ed
Rat
-
mir, wilt not
come?
Come
back to
me
lieb
-
ter
Rat
-
mir,
oh
-
ne dich
kehr
zu-riick
Come
back
to
o
kehr
zu
^
^
^
^
me
riick
Ah, what is
life
to
me
with
das
Le
-
ben,
ach
was ist's
Me
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9
}<
}>
i)
^=4=
me
riick
Come
o
back
kehr
to
zu
me
riick
i
jij
iji^e
b ^*
J
^
U
^
^
dim.
&'
&-'
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10
How
sweet it
is
when
I'm
with
you
„Wie siiss
ists,
kann bei Dir ich sein
version
by-
Henry
G.
Chapman
Allegro
moderato
Michael Ivanovitch
Glinka
(1804-1857)
(iolciss.
^^
M
J
IJ
*
How
sweet
it
is
Wie
siiss
ist's,
kann
^^
J
P
\
'>--
], l
J
^
W
^^
i
^V r
4
T^r^.
^
-~s
?
i
-riLTZi-rm
^
^
j
M
p
p
^
^''
I
^
J
B p r
^
when
I'm
with
you And
si
bei
Dir ich sein
und
still
lent
-
die
Ge
lose
ev-'ry
feel
dan
-
ken
ver-sen
ing
Deep,
ken
in's
i
—7^:
—
9 :i~~^~*
^~z.:
^
-6
5J'
~G-
i
deep
Blau'
^^
^^fe^
^
^
in
your
e^'es.
Dei-ner
Au
-
so
blue
gen recht
tief.
The
joy
of
the
Die
Lei
-
den
der
^m
^3
s
-zr
*
m
i
Copyright,
1911,
by
O.
Schirmcr
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11
p^p
p
'Z
^
heart, and
its
pain,
Will
oft
in
See
-
le,
die Gluth,
sie drii
-
cken
^m
the
sich
^
eyes
find
ex-pres-sion
aus
in dem
Au-ge,
When
wie's
m
i
^Jr^
^gr*
>
ff
^
J
i
J
^^
ords might
be
spok
-
en in
vain;
Wort
es doch nim
-
mer
-
mehr
thut.
My
heart
al
-
ways
Mein
Herz es
er
^
^F
'
^
^
^
a
ptacere
i
^
^
with
you
Dich seh'
trem-bles
be
-
bet
in
SI
-
im
Stil
-
lenceWhen I
ajn
len, so
-
bald
ich
rn?:FL^»r^r-
i^
--#-
?r
IP
—
a tempo
colla voce
PP
m
^^
tS*-*
^
^
J
J
Ti
\
W
^
P
^
=s
m
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12
*
dolciss.
\
-
i
I
J
I
J
g
How
Dein
dear
An
is
the
blick, wie
sight
lieb
P
P
P
J^
of
your
face,
I
ist er
mir. ich
^
I
r
J
J
watch
se
for
he
3'our
Dein
smile
La
with e
-
mo
-
cheln
mit Won
tion,
ne
You
und.
^
3
P
1
s
5
«^
~:
w
w
m
i
s
J
/
J
y
all
eem
An
to em
-
muth
ver
bod
kor
-
pert
in
grace;
Dir.
No
Nicht
i
^
ance Id
lond
*
aid
moch
or
as
-
ich
sis
-
tance
I'd
lond
To
love
and its
Ifi
- stfMi Gp-wiihr dem Dran
- ge der
22724
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''
r
p
^r
P
^
13
trou
glii
ble
-
some pas
-
sion,
hen
-
den See
-
le,
Dis-
Ver-
cre
nunft
tion
ich
I'll
ihm
fe^
ff
-^
i
J i
J
U
P
^
?
take for
setz
-
te
a
zur
friend,
Wehr...
But
Doch
love runs a
-
folg't
nicht
das
•
way
with
Herz
dem
dis
-
Ver
S 5
P
i*
-&-^
m
a
ptacere
i
g
H
C7
with
you.
Dich
seh'
ere
-
stan
I
tion
When
I
(.e, so
-
bald
am
ich
^j?ji7i
A
l^
^
^
^
^
^
r^-f
up
i*
i
^
#
W^~
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14
|i
dolciss.
i
And
Als
^
so
wun
like
der
a
bar
^
S
£
fe
won
leuch
der
-
ful
star
You
ten
-
der Stern
er
1
0
3
««
^
f
-^
^ i
1
^^
g:
shine and
schienst
Du
my
raein
life
Le
j'ou
en
ben
er
light-
hel-
en,
lend
And
und
i
^
J
i
J
S>-
^
a
-
leuch
di
-
ance
test
mir
shed
fort
from a
nus
der
far;
Fern'.
So
So
^
k
p
lip
p
»^'
I
^
jj
send
an en
-
schein'
denn
und
:^
^^=¥
m
cour
-
ag
-
ing
beam
To one
wei
-
se
die
BaJin dem, der
un
-
nicht
-
ac
-
ver
-
^5
m
22724
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15
^
r
p
^p
p
Jm
^
cus
wohnt
tom'd to
for
-
tune,
war vom
Glii
-
eke,
Who'd
dem
^^
ooked
Hoff
-
up-
nung-
on
ge
^jt-*-
-&
i
J
^
J
N
^
hope as
schie
-
nen
a
dream;
nur
Wahn
And
und
al
-
ways
my
Won
-
ne er
heart
ful
-
let
will
die
^=^
~^W
r
-&^
p
i>
i'
I
r
a
piacere
i
1*
bright
-
enWhile
I
am
le, so
-
bald ich
with
3 ou.
Dich
seh'
»'
r\
I
Ti
ii-
;^
,
j
J
?
i
^
i'
at
iEi
^
P
^
i
^
/^
, I I
^7J
J
p
/C\
^
r^=^
?
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A
Life
for
the
Czar
(is:i(ij
Aria
of
Soussanine
The
truth
is
suspected
version
by
Henry
G.
Chapman
Adagio
non
tanto(J:6o)
Michael
Ivanovilch
Glinka
(1804-1857)
Recitative.
Maestoso
^^
^^^n-pp
\
t
,.
^
he
truth
is
sus
-
pect-ed
Light of
Sie
ah-
non
die
Wahr-heit
Mor-gen-
I r
I
M
r
P
^
\
r
yP
^
P
2^
^
day,
Break
soon
a-
cross
the
sky
And
swift
-ly
bring-
me
word,
that
safe
at
roth
Steig'bald
am
Him-mel
auf,
die
Bot-schaft
brin
-
gend
mir:
Ge-ret-tet
\'
r
^
r
m
last
is
the
Czar
sei
un
-
ser
Zar
a
tempo
7}
in
-f
—
n
t^^t^Y^j^^l
t
f
^
P
22724
Copt/right,
19H.
by O.
Schirmer
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17
p
cantabile
spianato ed
espressivo
break
Mor
a
-
gain,
'Twill
gen
-
roth,
dann
be_
seh'
the
last
zum letz
time-
ten
HE
^^
<i:
^
-o-
-o-
0~
xr
^-#=#
^
^
ee
dei
^
the sun
nen
hoi
on
high;
den
Strahl,
For
death a
- waits
dann
war
-
tet
mein.
me then
der Tod
^
r
'd^
¥
r
s
r-ir
p
p
r
r
g
O
God,
when
a
-
go
-
ny,
0_
Gott in_
all
der
Qual
When
tor-ture
threat-
ens _
me,
Have
die
mir
die Mar
-
ter_ droht.
er
-
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18
^
^
\r
i
^^
^2
i^'
*,
mer
barm'.
on
m^-.
moi
-
npr
pain
What
Noth
an
-
wpI
-
guish_
-
chei-
i
s
»
*
«d
f
r
=^i
mzr^
»=i
S
t»=
m
V
f
m
-f
#
^
^
=p=
deep,
tie-
and
fe_
dumb
Oer
my poor heart doth come,
Schmerz durch-bohrt mein
ar-
-
mes
Herz,
When
ge
I
re
-
call
denk'
ich_ hei
m}-
home
math
-
wiirts
Ah,
what
a
wel
-
the.
fate_ that_
schwe- re
5
I
i:
Ttz:
~:
f
»^
f
TT
P
dim.
^
*,
*
?±
^
P P
I
Here
ail
a
-
Pein.
zu
ster- -ben
rt
/'
ten.
ten.
'<?«•
lone
must
so
al
-
die _
lein
.
If
P
I
fee
dim.
.
'
/i'//.
1
^j
M
/(?«.
'^^
^>p
/^».
^^«. ^<?;/.
ten.
ten.
ten.
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19
r
P
p r
m
p
r
'
p
^
When_
the
day shall
break
a
-
gain, Twill
be
_
Brichst
du
an,
o_
Mor-
-gen-
roth,
dann seh'_
the
last-
time
zum
letz
-
ten_
^
^
:
w
^^
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3
i
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'
LU
'
LL/
'UJ
'UJ
•'U
yj
•>
is>--
i^
^
m
i
I
Mai
Shall
ich_
see
dei
-
the
sun
nen
hoi
on
high,
den
Strahl,
For
dann
\>
y
j^^^^ ^_N
^
J
^
^
?
^
i
^
J^
J
i^J_^^^
tfiL^'cfEU
^trtif
^titftLf
'umziiEf
i
^^^^
fr^^-^
i
E
death
a
-
waits
me_
war
-
-
tet
mein der
.
then
Tod
Oh,
aw
-
-
ful
fate
Oh,
mis
-
er
har
-
tes
Loos
bltt'
-
res
3;
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s
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^
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f
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30
vn
r
^
P
r
p
I
r
^
p
r
r
I
J
c;
A
^2:-
^
5
i
y
My
need is great,
Be
near,
O
God,
to_
com
-
fort
Laid
MeinWeh
ist grossl
Halt,Herr,
mir dei-nenTrost be
me
Thro'
pain
that
leit,
und
stiir
-
ke
m
^
s
j
I
'J
I'J
I
^J
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—
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i
now must come ere long, Keep
Thou
me strong Oh pit
-
3%
mich
in all der
Noth,
die
bald mir
droht Ja,
star
-
ke,
com-fort
me,
stiir-
ke
mich
fe
^
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s
a tempo
r\
r
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pir
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and
in_
make
mei
-
me
_
strong
Forsake
me
not,
O
God
ner Noth
Ver-lassmich
nicht,
Gott
22724
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21
Heavenly
Clouds
(M. Lermontoff)
version by
G. Chapman
Vera Johnston
A.
Dargomijsky
Andante
fes
y
M
^
—
^
Cloud
-
lets,
ye
*
^
uj
J)..
,
?
p.
')
^
n
j
tl
^
^
rr^
M
r
«
i
^
-^JJiiJi
l
J-
.J;
l
heavn
77
ly
clouds,
Rest
less-ly
wan-d'ring free
*
i
i[J
^'7
SF^ff^
-»-
j^
i*-
t
L7p
J3
I
'J
M'
ZUl
-o-
r
r
^
doIce
I
I
j-
^J
TilT^
co/i
forza
f
^
J
r I
jg^
High in
j'on
a
-
-
zure sky
On pearl-y
wings
ye fly;
1
i
^^^
^
5
P
f
ttf
r
7
r~
f
^
ii^^
«
-5>-
Copyright,
1911,
by
G.Schirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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22
dolce
W ^m.
m
0:i
ward
yo
has
Ion,
For
ban-
ished
you
are, like
I
#
i
p
1
m
m
E=
^
^7^
—
f
f
m
9-
Tl
i
^
^
¥
r
i>
r
^'
P
fe
3
Art'
//*.
/p«.
J
r
r
I
J
^
j
i
jjj
i
I
j;
^-^^^j
.
^^^*^^^^
me;
Driv'nfromyour
dear
northern
home,
To
the
south
y.^
f
^E^
*
^
i
^
ome
Tell
me,
who
ban
ished
^11
jI
P^-
.
1^^
W
^
r
*
CT-
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23
dolce
risoluto
^^
^^
^>pr.J
?^
^
I
False friendships
treach
-
er
-
}•?
Hates
.
o
-
pen
*
^
S
XT,
f-
%
r
^
3
^^
^
dolce
ti^
^-j^-jH^J'
r
^^^^
en
mi
-
ty?
Or-
in some
cnm
i
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nal
^m
^
^^
f
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f
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p
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r
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j/LJ
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deed have
ye had
.
a
share,
Or
are
ye
vic-tims of poi
-
son-ous
i
1=^
m
JE5
S
^
^
cr
dolce
e ad
ltd.
r
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tf
um
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7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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24
^
Allegro
ritenuto
i
g
J
J'
P
I
Jo;
3E=5
?
^
a=;
-^^-^
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=it^^
Nay,
on-ly tired
of
wide
bleak,
_bar-rt'n plains
are
ye,
Ye
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fc
i g
^
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j^
>
h
^
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^5
i
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—
5
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ritenuto
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|
t>=
ii
M
ji
^
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te
^=^=^
^m
m
s
^f».
a
tempo
^^^^^^m
22
know not
pas
sion
'
I
t
^
j^^
j^
^^
Sor
a
tempo
rows
^
fe
^
-^=¥
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^
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^
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ii*
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i
w
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ad lib
.
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—
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<7 tempo
dolce
r
i
i
^^
^^
I
J
'
j^
J
are_
^
to
you
un
-
known;
*
w
^^3
a
tempo
^
J^
^
^
Cold,
ev-er
cold
are ^-e,
s::zi
i
^
^
J^'
C0//o
liOC(?
/
ttf
^
^^^
E
_k
T'
Jl>
f
^S
^
row
forza
f. ^
ron
jorza
dolce
^m
te
s
Free
ev-or
-
last-ing
-
I}-; No land
is
home
to
you,
No
23724
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25
ish
you,
no
land can ban-ish
p
fc
5E=53
^i
?ES^^
r
—
3?
s
m
k
a
/.
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k:
k
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^
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^
^l
|
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ten.
^^
P
i
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L/U^
P
you, no land_
4
can
ban
ish
you, no
land
&^
^
s
s
i
j'
^
J
^
N^
/
V—
^
5
p
U
^
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m
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g-
f
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can
ban
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ish
you
ah
E
^
^^
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s*
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jS^
^
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f
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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26
Eng'lish
version by
Henry
G.Chapman
German words
by Bruno
Ye
dear, fleeting hours
.Jhr
fliichtigen
Stunden
Elegie
Alexander
Sergievilch
Dargomijsky
Voice
Piano
i
Adagio
V \
»
v< *t
^3
^^
7,f
>'-^\<''
^
ZZl
5
33r
^
•i
:i
Ye
Ihr
{
-e»
6^
331
f
r
te
rr
m
V
:=:4=^
2
^3
P
I
~=3CC
r
¥
^
p
£
g
^
dear,
fliich
fleet
ti
ing:
hours
g-en
Stun
full
den
&
joy,
vol]
himm
yet
li
-
how
schen
a
p^I^p^
i
--
m
M'
JyV
^
*y-t*
'^
l. l
.
?'
i
i
»^
r
y
T
f
a
i
?
brief
Gliicks,
I
think
wie
donk
of
ich
3'ou
now
an
euch
in
in
22724
Copyright,
1911,
by
G.
Schirmcr
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27
±fc^
te
m
sor
Weh
row
and
grief,
muth
und
Lust.
^
W^
How
glad
Wie
schaut'
were
mine
ich
einst
^=^
3=^
£
f
^S
dim.
c»
^
^
T~
-O-
^
S
S
32=^
?
eyes
froh
-
with
lich,
the
so
plea
trun
sure
ke
of
nen
i
»-tr-
*=
V*
f
r
r
resc.
1
27
#
te
?^
see
Bli
ing,
ekes
how
wie
glad
mine
eyes
schaut'
ich froh
with
lich,
the
so
feis
i
^
plea
trun
sure
ke
of
see
-
ing,
-
nen
Bli
-
ekes.
How
wie
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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#
X
m
W
^i.-^i'
l
lr
''w
^
ten.
^
J)M
Ji^p
^
high
beat m}'
heart
—
hob
sich
vor
Won
-
ne
for j03'
in m\'
breast
for joy
in
my
breast
Now
und Freu-de die
Brust,
vor Won-
ne die
Brust
Nun
/
17,
m
J:
m
5^
^
S
^m
^
speech-less and
still
in
-to
dark
-
ness I stare,.
star
-
re
ichstumm
ins Dun
-
kel
hin-ab,
No star
lights
my
way,
kein
Stern-lein
er-hellt,
i
My
er-
r
r
^h^
—
r
dim
\'^-
^\
r
r
r
p
^
r-
P
\
i
OS
f'-
iii)j^^
p
ir
^''
^f
p
i
Cjp
p
J
W)
cfc
heart
lies
hel
-
let,
in
sor-row No
star
lights
mywa^-,
er-hel-let,
kein Stern
-
lein
er-hellt,
No
btar
sends
a
ray
To
kein
Stern-lein
er-hellt, er
tt
^
^
^
-^'
^
-4=^
^
cresc.
^
1
f
T=^
f
1^
:ni
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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29
S
g
hY
p
l|iJ
itJv
>r
P
^p
'
light
-
en
my
way,
hellt
mei
-
nen Pfad,
My heart
lies in
sor- row,
No
star
lights
my
nur
Thra
-
nen
al-lein
sind's,nur
Thra
-
-
nen
al
F#=F#
i
^-^
3s^
it
f^^^T
'
zp»
•
cresc.
3
-5
IZ2Z
S5
F
^^
r^p
n
j?
^
^^
way,
My
heart lies
in
sor
lein,
undmeinHerz ist so trau
row,
my heart
rig,
so
trau
lies
in
rig,
so
S
r\
^
sor
trau
row
rig
matt
^asa
^m
r\
^
PP
3SI
zsznsz
^
—
:^~
—
o-
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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30
Eng'lish
version
by
Henry G.
Chapman
Voice
Piano
Only
Love
Nur
lieben
Song
Alexander
Sergievitch
Dargomijsky
^^
llegretto
i
1
y
J)
pip
i'
P
^
1
Oh, I
love thee
so,
mad-ly,
Wie ich lie -be
dich,
glii-hend
i-F
W=n
±fc
-/.
P
^
S
fcrS:
=?e
S
^
7lli
^
^'r
^u
>>/
^
^^'l,
J)
j)
J^
y
-ji
p
I
p
p
jj_i
i
p
p
|l|
i'
p
j)
g
?
wild-ly,
dear,
And
to
thee
a
-
lone
is
my heart's de
-
sire, That
is
heiss
und
wild,
all' mein
Seh-nen ist
stets nur dir ge-weiht,
und
doch
rail.
n
p
I'p
JW)
J''
p
I
p
J)
i'
•>
J^'
iii'
I
p
•
}\
J^ y
iJ^'
iii'
no'or
ap
-
peased, so
1
wird es
nim
-
mer
in
great-ly fear.
That for
mir
ge-stillt,
und ich
ver
-
y
pain
1
ma^-
muss
ver-g-eh'n,
ach in
^^
t \fd
[]
t=t
P
T
r
r.ill.
^ ^ ^ ?
22724
Copyright,
1.911,
by O.ScAirmcr
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31
g
^
^^
well
ex-pirel
Schmerz
undLeid.
a
tempo
y ;=^
^
^
7 1
£
?
All
my
Sieh' mich
7
7
s
f
fcS
r
^r
g
LJL/
r
j^
ifc^
^
^
^
^
^^ fe
p
I
^^'
p
p
g
=t2:
^
peace
is gone,
since
my
gram-er-
fiillt,
oh
-
ne
sad mis-chance;
Tho' thou
be not near, still I
Ruh undGliick,
im-mer
den-kend
dein,
ob auch
^
—
^
^
^=^;
f
s
W
s
/
V
f
*
^
fc
BE^S
^
E
P
l^j/P
P P
^
^
4^
think of
thee;
Just
a
lit
-
tie
word,
just a sin-
gle
glance
Fromthj''
fer
-
ne dir.
Drum
niir
ei
-
nen
Gruss,
ach,
nur
ei
-
nen Blick
aus
dem
rm-j
;.i
^
$
m
cresc.
Q
n.
/^
,
>
r^
fe
^
^
^
POJI^
hp
J^ J)
V
iJ-'hi'
Ip-
ilj-
l
7
|J)|>
t
•
^
^
ten-der
eyes_
sweet-ly
send
to
me;
Just
a sm
sanf-ten Aug-'
sen
-
de
freundlich mir,
ach
nur ei
±^
%
p
7 7
^^
^ft
^r-
^r-
^
^
p
gle glance,
just
a
nen Blick, ach,
nur
^
^
*_
rail.
P
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32
i^''^' n'
ili:
i
risolufo
i
^
y
J
)
z
I
ft
sin
ei
gle
glance
nen
Blick
Tho'
this
Die
-
se
^
a tempo
S
T^
g
i^^^^^
f
^
¥
OJ
r
j
?
*f *f
f
^
?^
^
i
J^
'
i
,
I
i
'
ii
ji
i'
^
ji
^'
I
r
p
p
P
tj
^^
ove
of
mine—
so
dis
-
as
-
trous
be,
That its
cru
LieV zu dir,
ach,so
schmerzen-reich,
weiht
er
-
bar
el
pain
soon
my
men-los
bald dem
i
S
^^
i
I
J
^
I'i^j
\
*=i
f
^m
^
p
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dj
f^
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p
p
^
J'
J'
N'P
p>
r
^'
1^'
^'
^'
^i
;n^
death
must
prove,
Yet,
O
dear-est child,
Saint in
To
-
de
mich.
Und
doch,
sii
-
sses
Kind,
hold und
pu
-
ri
-
t3'. Yet
I
en
-
gel-gleich,
kann
nicht
*
s
dim.
P
r
^F^
%
i
i
^
?
¥
T
r
i
Jr:
rail.
lh\
p-
i^j^.iJV'
i
p-
ji^ii
^
tip
I
f
^^
^
3
hate thee
not,
I
can
on
-
ly
love,
has-
sen,nem,
kannnur
lie
-
bendich,
I
can
on
-
ly
love
kannnur
lie
-
ben dich
3
F^^
S
7U
l
|
^
P ?
f_
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33
Be
not so
coy,
my
pretty
maid
„Thu
nicht
so sprode, schones
Kind
(Mirza-Schaffy)
i(
English
version
by-
Henry
G.
Chapman
words
by
F.
Bodenstedt
Anton
Rubinstein. Op.
34,
N9
11
Con
moto
^
m
m
Be
not so_
coy, my
Thu'
nicht
so_
spro
-
de,
i
m
1^1
P
*
*
Iff
-
#
#
rrt
9W^
^m
iEk ^
^
m
w
ZH
pret
scho
ty-
nes_
maid,
Kind,
When
in
wenn
ich_
the_
dusk
noch
spat
I
vor
pass,
ii
-
thy
-
ber
kfe
m
m
^
ill
t t
i
P
te
m
^rr
^^^
^
d
•
door,
And
hav
-
ing
a
soft
geh'
iind
fas
-
se
dein
wei
white
hand
way
-
laid,_
ches
Hand
-
chen
Iind,.
A
und
Copyright,
1911,
by
O.
Schirmer
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te
m
m
^
zat
kiss
Kuss_
im
-
plore.
er
- fleh'.
tm
i
. £
^
^
)t=m
feM
^
«=«
a
^
^
,
Dpi-
who
such
dir_ so_
h
^
f
^i
i
i^
r^
i^
ICj 35
^*
^
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35
±±t
court
scho-
ly
ne
hom
Hul-
r
pp
i
r
^^^
age
di-
pay, -
gung'
_Whose
love
in
_
ge
-
bracht in
per
rei
feet
nem
r=iF^^
III
1=^
t t
iiEElE
H
r r r
—
hon
Lie
or
bes
stands,
schmuck,
Should
not
for par
-
der braucht
woM
nicht
don.
Ent
^
S
^
i
I f=^
^ i
^^
P
H
r J
^^
'
r
r
^
need
to
pray
schul
-
- di
-
gung
.
Just
for
a
fiir
ei
-
nen
kiss
_
or
touch
of
Kuss_ und
Han
-
de
h
W
fJ
^
^
hands,
druck,_
{ j
:?nc
rz;
^f f
P
|
>
z:
Ja:
i
i
f
^
P
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just
fiir
for
ei
a
nen
kiss
Kuss
or
iind
^
&
ouch
_
Iliin
-
of_
de
hiinds.
druck.
m
i
r r
f
^
^^
te^
?=e
^#
rr^
rr^
fe^
^
^J
-1^
^
s:
m
i
^
ow
ev -
'ry_ kiss
I
take from
Es
wird
eiii_
je
-
- der
Kuss
von_
te
^
^i
i
i
r%
rt
i
1
^
^
Cr
3Z
«••
-9-'
^
pp
i
r
m
d
^
d
thee
dir.
In sinpT
ein kiln
ing--
g-end
songs
Lied
my
in
fe
t^
til
S
lips.
mei
shall
nem
use,
Mund,
.
i
i i
i
?
i
i
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37
I'
r
r
r
And
when
I
und
je
-
der
press
Han
thy-
de
-
^^^^^
E^
^
i
hands
druck
'twill
g-iebt
be_
rair.
But
for
an
-
zu
ei
-
nem
^
^
S
^
iEEt
2=E
ife
P
I
;
r
.
cuse.
Grund.
^''i>
j j j
j
*
*
5f
»
m
» m.
r
^
^
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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38
When
I
see those little
feet
of thine
words
by
F.
Bodenstedt
English
version
by
Henry
G.
Chapman
„Seh'
ich
deine
kleinen
Fiisschen
an
(Mirza-Schaffy)
Anion
Rubinstein.
Op.
34,
N9 3
P
on
moto
^
/
Y
^
^
When
I
^e those lit
-
tie
feet of
thir^,
Seh' ich
dei
-
iie
klei-nen
Fiiss-chen
an,
P
P
P
M
p
I
P
P
^
-C-'
I
ij
.
''
,
j^
J^
w^
^
I
can
scarce
be
-
lieve,
my
pret
-
ty maid
-
en,
so
be
-
greif
ich
nicht,
mein
sii
-
sses
Mad
-
chen,_
That
so
much
of beau
-
ty
wie_
sie
so
viel
Schon-heit
J^g
V
^
^
-'
f
*
J)
i';j I
Ji
j>
^
.7
^
n
—
they—
can
tra
-
gen
car
kon
0'>-
nen,.
So
much,
so
so
viel,
so
much
viel
_
beau
Schdn
heit;
-s-^
»
d
T
'
^
^ir—t
^
^
f
-s-^
Copyright.
19ii,
by
G.
Sckirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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39
p
'
9
^
p
^
m
When
I
see
those
slen
-
der
Seh'
ich dei
-
ne
klei
-
nen
^
P
hands
of
thine,
Hand-chen
an,
f
P
P
P [
^
can
scarce be
-
lieve, my
so be
-
greif
ich nicht,
du
j
i t
S
^
p
n
m
-f
t
f
f
f
#
•&-•
t
P
P
'-
^
^
E
K
i) i)
J^
^
S
pret
-
ty
maid
-
ea,
sii
-
sses Mad
-
chen,
«:
That- such
cru
-
el
blows
they
wie
sie sol-che Wun-den
3
can
de
-
liv
-
er,_
schla-gen
kon
-
nen,-
3
1
Pi
—
p
5
^
g
^
^^
I
f
f
^
H
p-
p
P
Cru
-
el blows
can_
de
-
liv
-
er
sol
-
che, sol
-
che_
Wun
-
den;
ft:
When I
see
those ros
-
y
Seh'
ich dei
-
ne ros'
-
g-en
I
i i
i
i
i
v^
i.
t
f f f
^
^
^^
P
P
p
|7
P
^^
lips
Lip
^^
t
of thine,
pen
an,
^
I
can
scarce be
-
lieve,
my
so be
-
greif' ich nicht, du
*
w
pret
-
ty maid
-
en,__
sii
-
sses
Mad
-
chen,-
=#=
: 2:
f-
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40
i
rt
h
\^
2> i.
JH
Jl
j^
JT
J
J
I
J^
^
^
^
ow_«ne
lit
-
lie
kiss
they
can_
re
-
fuse_me,_
\^1e_
sie
ei
-
nen Kuss
ver
-
sa
-
g-en
kcin
-
nen,.
.9
How
re-fuse
one
kiss.
ei
-
nen
Kuss,
ei
-
nen
Kuss.
j
j~3
n
^
t^-t:
P
f—
A
•
I
J J
4*
—
*
g
^
p^^
I
I
^
1
^^
hen
I
see
those
know
-
ing
Seh' ich
dei
-
ne klu
-
gen
eyes of
thine,
Au
-
gen
an,
I can
scarce
be
-
lieve,
my
so
be
-
greif
Ich
uicht,
du
f
%
S
^^
^^
^
\\
i)
i) i)
g
J^
J-]
I'l
I
pret
-
ty maid
-
en,,
sii
-
sses Miid
-
chen,.
How
for still more love they should
be
ask
-
ing
wie
sie nach
niehr
Lie
-
be
fra
-
g^en
kon
-
nen,
i
t-'
Z^
p
^
Vr-^
^
^
^ m 9
a:
ii
i
.?
^
rit.
?^
^
m
W=F
m
^w
Than
als_
_
I.
ich.
P \
J-^
f^
^t
.^
give
thee:
fuh
-
le.
Ah,_
Sieh'.
be
kind.
raich- gna
to me
dlg-_
an
i
%
J
J
—
w
—
f-
f
r/V.
3=«:
ii^sg
22724
^
j» M.
g:
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41
?
»p 1'^
h
j\
J)
jl
}'
\
-^>-#
?
s
<>
*
'J
J'J
I
^^
'f rr
*:
fe
Warm
-
er
heart than
mine,
my
\Var-nier als
main
Herz,
du
*
pret
-
ty maid- en,
sii
-
sses
Mad- ah.en,_
.9
Ne'er-
wird _
will
beat for
kein_
Men
-
schen
i
i;
¥
3,H^H
I
^^^
fe
i
ii
p p
^
3
3
ad
lib.
tip
'Jl^f-^^
^
thee
in mor
-
tal bo
-
som;
herz dir schla
-
gen kon
-
nen;
m
9-
Hear the song'
of
love I
give-
Hoi'
dies
won-
ne
-
vol
-
le Lied
2I
-
to
Chen
32:
i
i
i
f
'
it.
colla
voce
P
-&-
,
a
tempo
^^
W¥^
^s^
J^JJJ
I
J
J
*
=»^
thee
an
a tempo
Sweet- er
than
my
lips, vay pret-ty
maid-en, No—
oth
-
er.
i
^
Scho-ner als mein
Mund, du
sii
-
sses Mad-chen, wird_ kein_
Mund_
3
^J{
^
d
[
^
it
it
-•
—
P
=^^
3 3 3 i
3
3
3
^
JIljj]iJ]
|
.rJ
s
lips
_ of
their_
love
will
tell_
dir_Lie
-
be kla-gen
kon
J
.1
J
*^1
thee,
nen.
3
m
^J71^
^^JT^
1
i
i
I
iS
ii
177?~
f
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48
German
words
by
V.
Bodonstedt
English
version
by
Henrj' G.
Chapman
*'Not
with
angels
„Nicht mit
Engein
(Mirza-Schaffy)
Allegretto
Anton
Rubinstein.
Op.
3i,.V'
1
Piano
?v^
s^^
iE^
1
1
»
J.
*
±
J. J^
-t
i
IE
^
«==*
^^S
^^^p^rrp/T^^
3^3
^ J.
rit.
r\
^
aL ^
^
^
^
m
TT
Andante
^
^
^^
^-
^
:^r
f
I
p
J'
p
p
f;
^
p
p
''^'
Not with
an
-
gels.
Nicht
mit
En
-
g-eln
in
heav-en's
vault
so
blue,,
im
blau-en
Him-
mels-
zelt,.
Not
with ros
-
es_
nicht
mit
Ro
-
sen_
fefe
i
^
-m
—
w
P
W
i i M
*
*
r=i-
L'^
r
p
ri
e
s
^r?
3E
in
flow
-
'rj'
meads
that grew,
im
duf
-
ti
-
gen Blu
-
men
-
feld,
Not
with
th'e
-
ter
selbst—
mit
der
e
-
i
S
JL^
-^4::
J-
J).
J
^W
i
^ii^^it-
c
r
rr
a
—
^^
^^g^^
J
f
ff
p
«
it
^
22724
Cop /
right,
1911,
bij
G.
Svhirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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43
nt
^
f)
p
^p
rTr
cjr
cj^'^oj^
t
#^
nal
sun
-
lig-ht
there,
wi-gen
Son
-
ne
Licht,.
Not
with_ tWe-ter
selbst mit—
der
e
nal
sun
-
lig-ht
\vi
-
gen Son
-
ne
$
jj
J i
m
?
1/
l^^^
^
^
1/
^
^
'
W d
i
^
M
r
P
^
.?
2==^
there,
Licht
iH^-^
g
^i^O^J.
i)
J
Will
I
my
Zu
-
1^'
ver
-
g-leich'_
ich
Zu
-
lei
m
m
r
ST
M
»
g^
a
/•
P
3
cj.
r
cj,rcfr^
p
p
i
rcfr
r~
^
^^
a, my
kha, mein
lass^
Mad
com-
chen,
i
77
T?
—
Si:
ST
13:
ST
3
DCC
JC
'^
1; g
pare,
nicht
m
^N^
^
.ifTi
i—
i
J
^
^
i',
^
m
i
^
iE^
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44
M
Allegretto
[j
I
|
-*
wi
—
z
at
I
^
^^
i
—
al
\
al
I
^
I
*
==
i
J J
4=4^
^
N I
«
^S
3x:
XE
^
*
• t^
I;
—
^
-
^
—
^—
«
l--
N^
^
1=^
t^VT^
/•//.
_• •_
^
3i:
ndante
^
^
:
r.
^^
I
t l»
P
f
'i'
For
an
an
-
grels
heart
is
iove-less
and
for-
lorn,
On
the
rose
grovrs
Denn
der En
-
gel Bu
-
-
sen
ist lie
-
be
-
leer,
un
-
ter Ro
-
sen
f^hl'
j
j j
^
i
•m
^j
J J J
4
j
—
f''i>-Ji'ij.j-
i,
^^
an-y
a
dan-g-Vous
thorn,
dro-hen
die
Dor
-
neu
her,
And
the
sun
at
night
und die Son
-
ne
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45
F
^P ' i
T ,
V
^
''
'
l.J^'^^J''
J-
^
for
-
g-ets
to
shine,
_
and
the sun_at
night,
at
night for-gets
to
-ver-hiillt des
Nachts
ilir
Licht,_
und
die
Son
-
ne
ver-hiillt
des
NacMs
ihr
1
J
J
ib^
d
—
^
—
eJ
I
^^CZ
tr-t
^d
j
f
k^
tM
^
7
M
r
r^
pi
shine,
^
Licht;
J
y
k'^'Tn
J.
A
They
none,
sie
al
-
r
r
r
r
Ie
1
_
com
-
pare.
-
le
giei
-<9
2s:
y
^^
—
^'^
•y
_
.?
^^P^
.?
m
m
'
m
cc/
i
CTj-r
r
r
fcbr
with
Zu
Chen
Zu
lei
lei
ka
kha
S
*
—
a:
3r
3i:
35=
mine,
nlcht.
I7^ik~-4: A
J
i
fc^
p
p,
J
P
a
^ i^
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^
Allegretto
I
t^
m
^
^
m
J
IL
J-J-J^J-J
Xt
^
/TN
^^
r\
m
1
*
^^=r
d d
i
1
^
i i
i
i
%
%
^
Andante
U't'U^
p
p
^
i'^r
c:^
^
aug-hl the
eye
can
see_
Nichts
fin -
den,.
—
in
the
world
a
-
round,
so weit
das Welt
-
all reicht,
To
lik
-
en
to
my_
die Bli
-
-
eke,-
^m
J J
J J
P
'y-i'^>
j j
j
^
^
i,
j,
^
^
^^
z2
te
S
Zu-lei-ka
can
e'er
be
found;
.was
mei-ner
Zu
-
lei
-
kha
g-leicht,
Sweet,_ thorn
-
less,.
schon,
dorn
-
los,_
t
P
v'^rj-^
=
:
r
rr
v=s=
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My
heart
all
beauty takes
from
thee
words
by
F.
Bodenstedt
English
version
by
Henry
G.
Chapman
Con
moto
„Mein
Herz
schmiickt
sich mit
dir
(Mirza-Schaffy)
Anton
Rubinstein.
Op.
34,
W
Z
#•
anza
ru
I
:
u.
^
J
J
U
i
V
S
J\ i)
j) '
p
r*
r
I
^
^
heart
all
beau
-
ty
takes
from
thee,
As
heav
-
en
from the
sun
its
light,
My
Herz schjniickt
sich
mit dir, wie sich
der Him
-
mel
mit
der Son
-
ne
schmiickt,
mein
t.
ji A
ji
|J
I
j
i
^'
I)
r'
p
I
p
p
1^'
^^
T.
eart
all beau
-
ty
takes
from thee.
As
heav
Herz sclimiickt
sich
mit dir,
wie
sich
der
Him
en from the sun
its
mel mit
der
Son
-
ne
^^^^^i
^
j
*
irai:
z-«
m
>
mi d
m d
i
d—d
>
>
^
Copyright,
lyn,
by G.
Schinner
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49
^
^
h
Ji
l
F^
^
^
^
ight;
scluniickt:
Thou
art
its glo
-
ry, and
'twould
be
du
giebst
ilun Glanz ,
und oh
-
ne dich
Lost,—
but
for
bleibt—
es
in
?
d
?
i
J
||£
i[
j^
^p
p
?^
CZB
^
J>
i'
j)
p
r
I
f
^p
tfJ'
i-^'-
-^1
r
^
fe
^^^
thee,
in
end
-
less
night;
Thou
art its glo-rj'
and.
dunk-le Nacht
ent-riickt,
du
g-iebst
ihm Glanz
,
und
'twould
be
oh- ne
dich
Lost,
but
for
bleibt
es
in
3^
W=^
^=ffrt
4
^
k3
=
$
J-
j^'
ji
ti
^
^
s
^
thee,
in
end
-
less
night.
dunk
-
le Nacht
ent
-
riickt.
Ah .
Ah .
g
J-
i
^
q^JJ^
^
i
f-
i
S
i-'i
i
dim.
^g^
^
iEfe
PROPERTY
Of
CITY Of
E m
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50
^
1^
I
-y
-
S^uij;
/•
«
m-m^m
M
*—
*
'—
g:
^
::i:w-^
<
i
i
^
^y
i
i i
^
j^
^^3
^-«3i^
f
^1*
•>U-J^vJ-t
1^
And
Gleich
i
^
^^^
i
5^1
«*•
*
rt
^
±^
4
>•
;i
J
lu
L
l
j
jn
f
P
I
f
p
^-
•^^'-
^1^
^
^i>
e
-
veil
so
the
world
con-ceals Her face
when
dark-ness falls
a
-
while
,
And
wie
die
Welt
all
ih
-
i»
Piacht
vei--hullt. w»imi
Dun-kel sie um-l'liesst,
gieich
*
^m
^
^^^^^^^
h-
it
J).
}\'
e
-
ven so the
wle
die
Welt all
worlds
con-ceals
Her face
when
dark
-
ness
falls
a
-
ih
-
I'
Piacht
ver
-
hiillt,
wenn
Dun
-
kel
sie
uiu
-
i
f
-1=^
-H
^
•
m^at
I
^m
i
5^
P^
UTii
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51
while,
fliesst,
And
on
-
ly all her grace re
-veals,
und
nur, wenn
ihr
die Son
-
-
ne lacht,
y
I
When
zeig't,
^
^
once
a
-
was sie
^:^:
^^t^pL
-•'-
-0-
2Z
^
r-y
S
d
^^
^
^
^^^
^
^
fe
e
^^r^
?
^^f^^'p'p
i
r
^pft
When
once
a
-
zeigt,
was
sie
g-ain
her
sun
will
smile,
And on
-
ly
all
her grace
L_
re-veals,
Scho-nes
in sich
schliesst, und
nur,
wenn
ihi'
die Son
-
-
ne lacht,
m
^
$
s
i-H^J=r
^
-cr
^
k
^^E£
^
i
^
P
m m
m
=-t
W
»
*
-jH
ii
j^
ti^'
I
^J-.
I
-^
vJ^W^
-221
gain
Scho
her
sun
will
smile
nes in sich
schliesst.
Ah .
AhL
^
P=#:
^
^
hL
Ah -
^
'
dim.
f
^E
A4^^
«r
I
ri
i
i i^
^^
iS;
='-
—
-^
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words
hy
F.
Bodenstedt
English
version by
Henry
G.
Chapman
I
feel
thy
breath
blow
round
me'
,,Ich
fuhle deinen Odem
(Mirza-Schaffy)
Voice
i
Moderato
^
fe
pp
^
f^
Anton
Rubinstein.
Op. ai,
N9 6
^
P
^
I feel
thy breath
blow
round
me
Ich
fiih-le del
-
nen
0-
dem
^
^
Zt
If
^
^^
PC=P
^#S#T
F
^
^
?
*
a
^
^
^
P
Wher-ev-er
I
may
be,
mich
ii-ber-all
um
-
weh'n,
WTier-e'er
my
eyes may
-wan-der
•wo-hin
die Au
-
gen schweifen,
^rn^
r
^
vfUJ-p
i
r
2
Jfcfc-
S
»^»=
Fl I
r
rl I
r
f
?^
I
I
^^
i
^^^
Thy
face I
seem
to see.
wahn' ich
dein
Bild
zu seh'n.
And
in
the
sea
of
my
spir- it
Im
Mee-re mei-ner Ge
-
dan-
ken
Copyright, 1911.
by O. ScAirmcr
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53
fei
^m^
^^
n
^
p
The
thoug-ht
of thee
ne'er
dies,
kannst
du nur
un
-
ter
-
g'eh'n,
But
like the sun
at
mom-ing
um
wie die Son
-
ne
Mor-g-ens
m
h
m
m
^
f
m
p
p
p
r
r
1
'^
S
m^^^
zzz:
In
beau-ty
to a
-
rise.
schon
wie-der
auf-
zu
-
stehn.
Ah .
Ah .
'{l^i^\
*
s
tzrc
331
^»-
P
^^
m
m m
f
y
JJIJJJ
^r
r.
f^
-^^Q.-Q'g
CT~
^^
Ah
Ah
~<T~
-O-
^E^
o-
i
7
S
*.
^
^
i^f^
f
WW
r
-•
mr
5
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a
Bend,
lovely
bud
?)
„Neig',
schone
Knospe
(Mirza-SchaffyJ
English
version
by
Henry
G.
Chapman
words
by
F.
Bodenstedt
Allegro
Anton Rubinstein.
Op.
34,
V?
H
^
3
p=^
p
w
^
f
f
i
u^—
^^^^
-^
IM
p
^E^
f
?
'
tf*
^
p
^
Coptif'^ht,
1911,
by
Q. Schirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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Moderate
assai
IS^
'
\
u^
P
Bend,
Neig'.
love
scho
ne
bud,
Knos
.
thy
pe,
head,
dich-
i
TS?
T
P
4
^m
^^^^
is:
?
^
.i*
^^m
IZZ
to
zu
me,.
mil-,
And
und
what
.
was_
^
ra?
m
^
?^
^
^1=^
m
ZL
uiTrto
ich_
ask
bit
thee,
te,
grant,
das _
^
me,,
thu'
-?
3?
^
i
^*
^
?^^
;^^
?
f
-#-
mir,
For I
would_
ich
will dich
love
pfle
thee
gen
and-
hold.
und_
hal
-
thee,
ten,
^^
3'
^;
»[
P
r
^
^
^
Pi
ife^
^
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a tempo
%
i
^
^^
^±L
Thou
Du
a
teinpo
\n
sollst.
my
bei
arms
mir
Shalt
er
warm
war
-
»
r.
:3s^
P
i
i
m
^
^
^
^
.?
cjji
r[rj3
thee,
men.
And
iind
hero,_
sollst
3=
^
^
|:
is:
^
^
ss^
^
^
J
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57
m
^
J-
j')
i
where naught shall
in
mei- -
nen
harm
Ar
-
3;:
5P
i
i
^
i^
?
^
^
i
rrr
il;
^^^^
.^2-
^
3Ea
±
thee,
men
Shalt like
zur Blu
-
me.
flowr
dich
un
-
ent
-
fold,
fal
-
~o
thee,
ten,
Shalt
zur
^
tt
F*Pf
is:
fT^
-fS
2;:
^
ki
3t
xz:
*f
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. ,s
Song of
the
Dark
Forest
Chanson
de
la
Foret Sombre
English
version
by
Henrj-
G.
Chapman
French
version
b_v
M.D.Calvocoressi
A.
Bomdine
Molto
moderate)
Piano
(
<-):U
7
o
G
•
—
O
6
•
—
hS
^:^
O
K
^
„
a
•
o
cJ
•
o
O
pesatite
-^0-^
^
^-s^^
/
^r
A
—
^
1
4
.
-.
-^
5
-
F
^
^
^
[5
—
1
t
••
5
\
\
^
^
e
?j=
e
^
/TN
Thro' the
La
fo
for
-
est's
moan,
thro'
the
ret fre
-
mil,
la
fo
')-U^
^
j
i
n:
u
[
n
t
for
ret
est's
sigh,
qui
bruit
^
m
^
/Ti
i
^
^
i
fTi
^
3ir
5
i
= *•=:
1^
;^
*ft
J'W
^
^
^^
^
^
a
runs a
song,
chante un
chant.
'Tis
an an
-
cient
tale, sung
of
Un
chant
d'au
-
trp_fois,
un
tres
M?
f
P P
m
-f-w
g=^^
^^^
da3's
gone
b^-,
vieux
re
-
cit;
0^-
w-f-
3
^
^
^
^
ga?
^
F^
=: ^^:^
^
*^^
28721
Copyright,
tHli,
by
0.
Scht'rmer
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59
*^
^=^
fc±
f
*
Tell-
ing
us
how
men
once
lived
in free-dom,
et
nous dit com
-
ment
on vi
-
vait li
-
bres,
free
-
li
-
men
m
bres
tous,
W^'-
fcgg
0^-
W^
ItZ.
f
^t^ :zt
E
^
±
?F
?=
^;
E=t^
^:
^
ii*
»:
^5
§3
i'5
W:.
^
^J
J'W
^
^
i
-
i^
^
J
^
^^
f
^
lib
-
er
-
ty.
li
-
bre-raent.
Here
then
grew
up
a
peo-ple,
great
were
they,
La
se grou
-
pait un
pen
-pie,
peu
-
pie_
fort,
s
Ei
P2
I
SEl
^;
J
r
1^
f
-6^
^9^
S=
f
?F
5^
^^^r^r^:
i^^
*i
^
P
7
S
^^
t=ri
a
•
^
strong
were
they.
peu
-
pie grand.
Here,
too,
lib
-
er
-
ty
pros-pered
Et
la
li
-
ber
-
te
al
-
lait
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ff
(
p\hi
}
J
I'u
J
J
li
y
r
pr r
1^
ry
r^
^^
^
i'^
stead-
i
-
ly,
s'ac-croissant,
And
this
might
-
y
folk grew
more
pow-er-ful;
Now
in
Et
le
peu
-
pie fnrt de
-
ve
-
nait
plus
grand,
Kt
wn
lifc
i
^
SS
?F=^g
S
M
%
t
3?:
'9
^
-^
^2
S
1?77
•
afe
jS^
^4
i
4
u
4
^
^
1
eb^
«=
FS
§
I
,ii
i»|
ii*
bi
bif
I
^
i
b?
ftitt;,
^r
I
'
*
I'j'
iJ
i
|
j
i
if
r
1^
r
''cJ
'
'^
1
^
ven
-
geance they
geurs
puis
-
sants,
i=k
fell
on
tho
cit
-
>
ils
ont pris
la ci
folk,
Hnd_
the^-
te, ils
y
^
m
a
p
QV
^
rii;
CJ
r
r^
s
i
i
^
/g-
\>
9-
ZC
feS
^
£
S
f
^
£
»
#
#
slaugh-tered
them,
and their en
-
e
sent en
-
tres
et
les
en
-
ne
mies
did
the3'
laugh
to
scorn,
and
they
mis, ils les
ont
rail
-
les, ils
se
fcS
^
f^p^
w=^
>
<s>-^
r
^i
i
rr
vresc.
iE
?
^
?~*
^:
±
•0-
^
-m-
-m
9-
ffff
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61
g
r
u
J
r r
^
leep'd
them-
selves in
the
sont
gri
-
ses de
leur
^
blood
that—
ran:
sang
mau
-
dit,
^3;
curs
-
ed
flood
a
grands flots
4:
frail.
s
^
^
Free-dom, lib
Li
-
bres,
li
er
-
ty Peo- pie
bre
-
ment,
peu
-
pie,
*»
r
r
^
J^^^Hi
r\
i
great
and
free
peu- pie grand
*t
1
7
o
o-
^:
3
t
-o-
-cr
-o- o
_.
^¥
i3i3§i
^¥i^
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62
Flowers of
Love
Fleurs
d'Amour
English
version by
Henry
G.
Chapman
French
words
by
Paul
Collin
A.
Borodine
Voice
i
*
Allegretto
P
s
^
^
r
I
r
s
Where tears
of
my pas
-
sion have
fall-
en,
Full
Mes
liir
-
mes
d'a
-
mour ont
fait
nai
-
tre
des
^ il^
I
^
m
pp
^:
^^
3
i
i
i
^£eJ
S
^
^
S
^
=^
-fir-
man
-3-
a
flow
-
er
has
sprung,
fleurs
au
par
-
fum
tendre
et
doux,
<?^l
tt
^
^
W^
I
^
^
^^
3:
^^
3
j;
/
%
^^t i
^
^
r
s
f
M
i
i
p^
^
^^
^
i
5
And
man
-
y
a
sigh
I
have
ut
-
tered
The
night -
in
-
Mes
tris
-
tes
sou
-
pirs
ont
me
-
le
leur
mur
-
mu
-
re
aux
^
^
^^
^
^^
2272^*
Copyright,
19il,
by
0.
Schinner
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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63
Piu
animato
e
cresc.
i
^3E3:
F^
^
g'ale
has
sung,
chants des
oi
-
seaux.
And
couldst
thou,
couldst
Si
tu
veux
m'ai
-
s
iEEi
Se^
3eS
3e^ 3e^
«=^
(2.
J^?
V V
p I r r
^
i
j=^=
^ ^
>
:
^
For
thee,
dear,
the
flow
-
ers
would
mi
-
gnon
-
ne, les
fleurs
sont
pour
thou but
mer
a
love
me,
ton
tour,
*
m
t
e13
«=z=
f
^
te
P^^^
*-*
te
l
l
^
ii
I.»T*
:z2z
^
rail.
S|E^^=^
^^
pring,
toi,
J i.
And
un
-
der
thy
win
-
dow
for
ev
-
er
To
et sous
ta fe
-
ne
-
tre les
doux ros
-
si
^^
^^^
tt
5==F
^
y
W
J
i-
J.
2^
P
^=T
^=f
^^
/CN
^^
^
=^
thee
would the
night
-
in
-
gale
sing
gnols
chan
-
te
-
ront nuit
et
jour
m
^-t^-^
^
^
m
e
^
-^
rzL
TT
J
1^1
J
J
P
y-
^jt?
^J-
t|J- »J'
^
^=^=T
^
^
^
17'
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The
Sea-
Queen
La
Reine de
la
Mer
version
by
iiry
G.
Chapmaji
words
by
Grandmoug^in
Moderato
i
r
t=r
i
r
A.
Borodine
i=r
P
i
^
h
Ac-
come,
cours,
wear
-
y
one,
voy
-
a
-
g-eur,
^
make
ac
^4^1HS
3
22
\
r
^ r
i
i
r
^
T=T
aste,
cours,
^
i
it
is
eve;
c'est
la
nuit;
^
t»-
Thy
ton
heart
coeur
is
throb
-
bing
for
est tout pal
-
pi
\
r
rr
Copyright,
1911. by O.
Svhirmcr
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65
M^
i
me;
tant;
Here 'neath
the
sous
Teau
qui
wave
fuit
i
waits
my
mon roy
irrfTrTf-r'iTT
^^
'^-T
1*
T t
T T
1^
.
^
It
dim.
3^
-St-
1
^
*^
*^
^
1^^
king-
au
-
dom
me
for.
t'at
thee
tend
¥
^i^i^i
i:
^^
i
m
»
'
^
-^
ft
rJ
•:
^
r
:2i
t=T
r
^
r
Come
Viens
^
-^^
^a
^
?*^
T
•
J^
S
i=r
r
i
r
i
r
«*
^
i
^
^^^-f
?^
hith
-
er
and
rest,
te
re
-
po
-
ser
For
sous
cool
is
my breast, And
mon frais bai
-
ser,
g-lis
I
I
I
^' ^
J-^ J
-^
j
^T^B
=i=zi
f=*^
-^
^1'
b
^
if
i
eb
^
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r
r
r
'T
^
r
ly
s
/^/'
wan
-
der
at will fhro'
the
sant
sur
les
flots sans ef
^
deep;
fort;
Whon
^jL^>^^>j^ji
^LLLj4
I
^ ^
^^
^
BI^
^ B—
^
—
^
—
^
^^
-^
^y^
W^
2Z
J
r
J
r
i
r
^
r
s
^
r
I
r
r
P
thee I have
kiss'd,
ce'
dans
mes
bras
tf
Thou'lt
call
tu
me
be'
me
blest;
I
ni
-
ras,
je
a
»< -.
r
^
T ^
F
t F
^
r^
FiFf F
=^^=t=^=t
^
W
^
r
r
f
12:
love thee
Ail's a
-
sleep
t'ai
-
me
Viens,
tout
dort.
u
Piu
animate
e cresc.
J
.?
J
J
It
Sur
'
^i^i
m
22724
^
cresc.
i
r
i
r
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67
T
^^
r
'
—
is
the great Queen,
la
gran
-
de
mer
5
P
^
5
P
Whose
vi
-
sion
is keen,
la
reine
a I'oeil
clair
That
t'ap
\\<'
m
'I
f
'I
f
rail.
^
^
^
calls
thee a
-
cross
the great
sea;
pelle en
na
-
g'eant
dou
-
ce
-
ment,
Ah,
ah
J3*W^
-
s^
=^
^
J2
tn
'lf=^
p
rail.
t
€*-*
^^
i
r
M
Tempo
I
±'
—
^*
—
^
^
^
i
^
jS
^^
ome,
oh
my friend
Ah, hear
viens, doux
a
-
mi,
en
-
tends
and at -tend I 'Tis
heavn
that I
of-
fer
men ap-pel
je
veux
te
don-ner
le
m
J^^jy i
>1^
YfTyy\^m
1^
^
i
^£1
Mii^^
^
Jr
^
a
5^^^i
«»^
?
^d
^
r
r
r
r
r
r
/^
thee
del
iUS
^^
s
r\
dim. e
rail.
^^
3CSj
g
P
s
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Dedicated
to Modest P.
Moussorgsky
A
Dissonance
Romance
version
by
Kurt
Schindler
A. Borodine
Voice
^m
•\ndantino
?
^i
p
I
p
p»p''p
J^'
(T
Thy
lips say, I
love
thee, be
-
^nii
i
i.jj^.
p
:m^J
i '<i
i
miu-
m
.
m
-
i^-^r
zi
g
t w
^'ji
i
j\
^ji ji
j^^
j,
^
P
lieve
meV
And
yet, in
the
sound
of
thy
112
IJ2^
^^^^^
f
ff
TtXITlF
-0-
-0-
-m-
-0- If-
bt^
i t:
l:
^
t^
^
^
s
W
,
m
4
4
P
Copyright, 1911,
by
O.
Sckirmer
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69
mf
f
^
p
I
r
p
r
p
p
I
i
^fe^^^^
voice
A
false
note
ring's,
that
doth
grieve
me,
It
^
=3=1
F=^;
F=
=^=1=1=1^
in
^
^
/•
.^ ^
rail.
i
l^
I J\
^ i. J^
h
J)
ii
I
P
P
P
^
PP
^
is
in
thy smile,
in thine
eyes
Thou
know'st, thou
canst
not
de
-
4
I
I
^
1
gF^FlFlF^FEi;
f
ff
^
^
^—
J
.^
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Dedicated
to yicolaj
A.
Rimsky-
Korsakoff
The
Sleeping
Princess
BaHade
version
by
Henry
G.
Chapman
oice
Andantino
A.
Borodine
*
1.N',
,
r
pp
legato
f
^i^
*^-# 3
^^Tr
•fe).
^^
I
J.
I
JH
rj
^^
7±
^ ^
^^
2
Hush
hush
With
love
-
ly eyes
Closed
in
sleep, the
>''|-^4J,J„
i
Mj,
i
i
4i~
i^;
;^i.
^
rr
jf
w
'n''i>
r
r
r
^
r
I
r
r^
—
s
^
^
^
Prin
-
cess lies, By
a
fair
-
y
charm en
-
chant
-
ed,
m
li,.iijlkl^^
.L
.
L
I
r
r
r
r
' r
r
'
m
n
^
r
'
r
r
I
r
r
I
r
d2^
Copyright,
19H,
by
G.
Schirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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71
r
f
L^f
m
\^
J J J
J
^
si
-
lence break
-
ing-,
Laug-h-
ing-,
shout
-
ing,
mer
-
^'V'
U JJ
-^
i s
V
J.
1
,^>
^
g^
5
ry
-
mak
-
ing,
^5^
i
cK
li
S3
I
^
/«//.
V
s
-^
—
=^
Thro'
the
gloom
the
wood-nymphs
sweep,
Yet they
do not break her
sleep.
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P
m
^5
M
4''
I
i i
'
PP
-^z^ z^
•>
rail.
Y
i-h^J-J^
T
r
F
f
Tempo
I
9-
XT
m
^
^
^
^
Pale
and
\\^n, as dead she
were,
Sleeps
the
Prin-cess
ev
-
er
there.
m-m
^
TtT^
rrt
7r^
1^
*^-^
^
•>^^i>
•
r
'
r
^^
^^
?
Piu
animato
ctvsc.
poco a
poco
1-''|> J. i)
J
J I J J J
r
i
r
r
f
^
ome do
say
that
on
a day A charm
-
ing- Prince, true
22724
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73
2ir
^^m
P
^
heart
-
ed,
brave and
g-ay,
To her
his
way
will
make,
^^^
ii
^
s
^*=»
*
—
»
—
5:
J
izi
/
^
»i
m
r
r
^r
f
r
r
i
>
J
J
i
iJ-
i'
I
r r
^
^^
And
the sleep
-
ing- beau
-
ty
wake
> ^
I
^
With
a
kiss, and
k
^
5
S
^r^
^^=*=^=f*=*
ij*
*
v-^i'k^ ^
ii^
^
N^
7
r
I'all.
Y
r
r
f
^
i
et
thus the
fa
-
tal
spell
will
5
I
5
5
^
f
f
f
f
ins
r
7
^^
ra^/.
^-i
^J
=
J
if
^
0
Piu
lento
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a
^
days
g
t
1^
i
y
js
i
ttJ-
Ji
J-
M
go
by, a
-
las
Like a dream
the^'
seem
to
hi
i
^.
i
i'^
^P
r
77
P
i'
P
*
^
:;^
W
2±
h
j>
I
llJ
}'
s ^^
±
«
iSl
»»
m
pass,
Yet
no Prince has
ev
-
er come
To
in
^^
j—
^j^
^
r^^jr
-
p
#
s
E
^^Z|P
Co:
W
^
m
m
s
vade
the for
-
est's
gloom.
i
i
i
m
h
5
^^
:3f
r T
V
E
i
^
5
E
^^
empo
I
—m:
—
4-
:«:
XT
s
^
i
^
^
Fast
a
-
sleep
the Prin
-
cess
lies.
Wrappd in mys
-
ter
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75
^
2t
P
^
^
P
y
her
eyes,
By
a fair-
y
charm
en- chant -ed, Doom'd
to
dream in
^
rrrf
rrrf
rr
b'l^
f
f
r
^m
^
^^
^
^
-SM-
for
-
est haunt-
ed Hush
Hush
«—•'
rPT
r
r
T
r
r
r
'r
^
r
^
n
i^/)
i
J^'-^'
i
J-
J\
i^i^s
-)
—
-;
ai-r
Ss
^^
\
I
fi
m
'
m
Bale-ful
charm
and
slum-ber
fell:_
i*
S
^5
5
Will
she
wake?
Ah,
none can
5
>i/.-,.
i^p
izm
^
7lro~
I
;
ȴ
r
T-r
r f r
#
/C\
tell
-•—
•-
&
WWW^
m.
-f
=
P
n\
^
rS-
-^
±d£
3x:
jcn
Tjr
f
r
'^
r
r
^
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version
by
G.
Chapman
Slowly
the
daylight
departs
«Lentement
baissa
le
jour>>
Recitative
and Cavatina
from
the
opera
'Prince
Igor
i
i*
Andante
(J =
gh)
^
Vladimir
Alex.
Borodine
1834-1887
^S
^
.?
r
r
r
r
r
r
^^
Slow
-
ly the day
-
light de
Len
-
te
-
ment bais
-
sa le
parts,
jour
i
^
/r\
^^
F=^
J?
dolce
^^^
TT77
f
sewpre
legato
e
poco
a
poco
cresc.
XE
.?
3
•
_
^
^
^
^
^
^
Red g-lows
the sun thro' the
Sur
la fo
-
ret
te
-
ne
for
-
est;
breu
-
se;
Gone are the last
rays
of
L'oni-bre
va.
mys
-
te
-
ri
-»tg-
321
g
31
^
31 It
«-
K»-
^
fi
#
^
^^
r
r
r
j^
^
>.
sun
-
set,
eu
-
se,
Dark
-
ness
on
earth
is
de
E
-
veil
-
ler
1
e
-
cho
da
scend-ing-;
nig-hl
-
la
-
den
mour
E
-
cho
di
•
^
^
o[^_^r
3
\rf^
P
^
9-
Copyright,
1911,
by
O.
Schirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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77
:fc r
^
and val
-
ley
ten
-
dres
-
se,
^^
i
shad
-
ows
vres
-
se,
shroud
hill
Chant
de
In veils of
dark-ness.
Qui nous ca
-
res
-
se
rail.
^^^
^2
a
tempo
I
cresc. poco
a poco
I
^
^
h
balm
-
y
nig-ht
of the
South
Tie
-
de
nuit
d'a-mour,
Ah
What dream of
love
Mai
-
gre'
I'ar
-
deur
ii^
dost
thou
de
ta
^
i
721
2Z2I
©-
2:
a
tempo
Jjpp
crest: poco
a
poco
^
^
|i,p
p
I
J
^
J-^
p
waft
us?
Thou
a
-
wak'st
de
-
sire
in
our
hearts,
to
love thou
call
-
est
flam-me,
Tu
m'es
doux,
6 reve
et la
foi
rem-plit
men
a
-
me
7n
f\.
animafo
ed
appassionato
f
I
p
^'
J'>
J
j^
J->
^
Wait'st thou
for
me,
Che
-
re
bien
-
ai
O
dear-
est
heart's de-sire?
me'e, une e'
-
toi
-
le
luit
^
zs
mr.
zcn
^s
IZZ
35:
fp
mi
f^
#
b
5
i
^
z.
r=y=^
3CSI
rO-
y
^
7
PRDPERTY CF CITY
OF
M
YORK
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a
tempo
'f
J
i
^
2zz:
^
in:
22
3E
Wait'st
thou?
An
-
g-e
Well
my
heart feels
and tells
me
'tis so
tu
mat
-
tends et men
coeui'
me
le dit
5
^
m
E^^
0®:
T^
±^
ro-
ro-
J:
jO
ff
tempo
n \>r-j
i
o-
^o-
JCC
»
vt
sempre cantabile
dolce
ed espressivo
<9-
jrp
^
zoc
^
^^
n~
where
viens,
o
art
ah
thou?
viens
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m
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if
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harmonies
permit)
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I
r
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a.v
vain?
Ah,,
pel 0_
how
im
-
pa
-
tient
-
ly
do I
chere a
-
man
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le doute,
he'
wait,.
las _
love, for-
est
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crese.
I*
fcz
thee
el
m
331
^
^
Come to
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Viens,
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O
quick
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fe
cr
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W
eart,—
sweet
maid,
calls to thee
ter
d'un
coeur
est
cru-el
Know'st thou
Vlens
how
the
Ton—
a
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i;
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a poco
I
-^HV-
S
^^
pain
of
mour
love
glows
in
est
ma
vi
my
heart?
e.
A
Warm,
toi
in
tou
tE^^
S
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poco a
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te
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a
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me
jours,
glows
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a
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mie
my heart, sweet
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En
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m
m
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i
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80
P
rail.
W i
^^
^
Glad
-
ly_
Viens,
ah.
^^
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±
m
a
tempo
zsxz
would
I give.
viens,
e
-
toi
my
life
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thee
la de
mon
ciol
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i
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rail.
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p
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1:
6
then
tar
ma
Men
riest
thou,
ai
-
me'
Love?
e,
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^j-^^
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pf
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Lais
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se
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i
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fi
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me:
chir.
Come
with
-out
fear.
Que
crain-die dans
the
world
is still
now,
I'ombre
em
-
bau
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e?
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it
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and sunk
-en
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en
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deep
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rests
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81
te
o
arms
de
-o-
of
sa
-o-
night.
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dim.
S
^^
?
call on
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fin
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men
ap
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When,
pel Ah _
with smiles wilt thou clasp me
pour
moi,
oui,
pour moi
le
^''
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el
Come,—
ah.
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re
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if(i
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^
1721
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to
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me:
toi.
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_
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sweet maid, calls
biu
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O
come,
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uuit
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ses
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long-s
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s
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er,
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save
dreams
les,
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nous an
-
non
-
at
ce
rest
son
shall
be.
re
-
tour.
i
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fe
When
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II
nest
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ci
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83
^^
And heav'n
a
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du
^^
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'
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to see.
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Vols
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i
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i
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tm
rm
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122
i^
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nights s^nis
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le doux
all
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rs:
things
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dor
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s
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version
by
G. Chapman
words
by
L.
Esbeer
Andantino
{J-(J)=
72)
Poet
and
Critic
Nachtigall und
Kukuk
(A.
S. Pushkin)
Cesar
Anlonovitch
Cui.
Op. 57,
N'.»
22
€^
%
i
r
^
^^^
J-
i'v
^'
m
^^
hen
woods
Es
sing-t
a re
dark
der
SJin
and
late the
hour,.
g«r
dunk
-
ler
Nach
te
A
^t
^m
^
^
^
min
-
im
Wald
strel lauds,
das Lob_
the Spring-
-
tides
pow
der
Friih
-
ling-s-mach
er;
te.
^
>
p
r
i.
I
i
jj^J
p
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He
trills,,
Er
rullt,.
he
war
er
tril
bles,
lert,
won
pfeift
drous
bird,
und schlag-t.
Copyright,
i9U,
by
O.
Schirmer
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85
tf
m^
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ip
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p
r
The cue
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koo
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der
then
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The sil
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ly,
chat
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ty,
nois
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y
fel
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low,
der schwatz-haft
al
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ber
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ne Ge
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sel
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le,
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shouts
his
Cue
und
schreit
sein
Ku
r
p
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^
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5
5
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koo
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ku
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terred.
ent
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wegt.
And
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Das E
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cho
weiss
den
Ruf
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^£
i^
^
or
she
re
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peats
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and
und wie
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der
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r
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p
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ly
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ber-diuss
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To
the memor'y
of
my mother
Julia Ivanovna Moussorgsky
87
version
by
G.
Chapman
version by
Hettange
^
Peasant
Cradle
-Song
Berceuse du
Paysan
From
the
drama
^Voyevoda, by
Ostrowski
Adagio
Modest Moussorgsky
?r-iv
5^
P
fct
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p
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k i>i,
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f
f^ff
ff
m
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c
cT
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dim.
^
^^
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'^
ni^
^^^
^
ct
By
Do
bye,
by
-
bj-e,
sleep,
my
pret-ty
boy,
do, do
- do,
mon bel
et
beaug-as,
^w
p
r
r
[rr
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.
J
J
A
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j
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fete
ffiEi
m
iS
^^
»
±
^
S
Sleep,
lMleone,sleep,thou hum-ble
toil-er's
babe.
Dors,
en-fant,dors,en
-
fant
du
la-bou-reur.
By
-
bye,
by
-
bye.
Do
-
do,
do
-
do.
2:Si±a:
£ £
^^
^
-d
dim.
r
^
=s
Copyright,
1911,
by
G.
Schirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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s
In
the
bright-er
days
_
Dans
Tancien
temps,
of
bur lot
was
not so
I
yore
on a
-
vait
moins cle
.
i^
'^h
f
r
tJ'?
?
I
ff
UM
hard
But
now a
-
las,
the
mal
Main
-
te
-
nant,
tout
le
happy
times
are
oer
Dis
-
tress_
and
long-
des
longs
jours,
le
noir
sou
^
s=±
i
s
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f
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p
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^^
M
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griff
ci,
And
des
-
pair
les
en
-
nuis
have
cru
we,
els.
And
there's
no
la mi
-
se
re
-
re
nous
ffiF
J'JV.
i'
i
lief from
our mi
-
trji
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se
-
ry.
re
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$9
By,_r
by
bye,
fe^
ii^
Do
-
do,
do
-
do,
Sleep,
my
pret
-
ty_
boy,
mon
bel
et_
beau
gas.
^
u
•
i i
i
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Sleep, ba-by,
sleep,
thou
child
of
Dors,
en-fant, dors,
en
-
fant
du
low
-
ly
birth,
la
-
bou
-
reur.
By
thy
Tu vain-
fiEE^SS
^^
i
»
a
s
r
?«,
if-
^
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J Jl
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r
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7
p
p
icr^
^
^
^^^
hands_ a
-
lone
Thou
shall
earn
thy
.
eras le
mal-heur
en
tri
-
mant
des
bread,
All
thy
days on Hie
fields
that
are
bras,
tousles long-s
jours,_ sur
des_
jMr^^
f^
a)
MJ
J
J^
w
^
not
thine^
own,
While
with fie
-
ry rays
The
hot
sun
shall
blaze,
terrespas
a_
toi,_
quand
le
chaud so
-
leil
dar-de
-
ra
ses
feux,_
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J J
;;
i
M
1
the hot
sun shall blaze,
dar -de
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ra
ses
feux.
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Now,
while
sleep.
Le
som
-
meil _
doth thine eye
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lids
en
-fold,
a
fer
-
me
tesbonsveux.
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f
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h
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Thy
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way
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pris
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91
E
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p
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fly, And
yet
loin. No
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tre
the_ Lord watch-es
ev
-
er
nigh,
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o
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suonato
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mi
i
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[
p
p-
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5
E^^
'
»
thee spread their
wings
of gold,
vert
de
son
ai
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le
d'or,
spread
their
wings
of
gold
.
de son ai
-
le
d'or.
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7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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English
viTsion by
Henry G.Chapman
The
Beetle
Le
Hanneton
Allegro
non
troppo
f
M.
Moussorgsky
From the
cycle,
Nursery Songs
Voice
Piano
i
5
\\i
\
\
ff
iJl
^
E
^^
^
what
has hap
-
pend
Lis -ten,
Na
-
na dear
'>J
^
^
S
eE
^^^
^
i)
rrrrrrrr
^
i'
p
^p
p
i'
p
iJ-'
p
i
ijJ^
p
^p
p
J''
p
^
#
In the sand
there
I
was
play-ing;
in
the gar
-den, by
the
birch-
tree,
i
i '
T r T r
s
E
P
^=1
IeeI^
^ ^
f
Y
^ ^
M
g
p
fe
w
^
Build
-
ing
hous
es
with
my
pret
-
ty
4^
'fTTrHr^
rjj.
J
J,
J
5
C1X
\
LL
f^
^
b
Ti
-i
^^
^
^
-o-
-«*-
?^
2272
4
Copyright,
1911,
by
O.
Schirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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93
P
•
ar
32=
^
blocks of
ma
-
pie, those
Moth
-
er
made
me,
i^^
m
^
a?L
fl?L
i*
^
r
P
P
P
•
o
?
dar
-
ling
Moth
-
er,
and so nice
-
ly.
And
my
lit -
tie
p^^
d
jt
jtt.ii«^Y''f-
fct
^^
^
i2?L
^^
iS^L
i^
^
tSl^
^
^
f
7
(
*
house
was
fin
-
ished
with the
roof
on,
just like
an
-
y
4
i
«
1
t
«
=i
1-*
*
^
f ffff ff
f-f
F F I »
i
^^^
/>
g
real
one.
Ah
>*#
^
t
EJEEE^
i^^
cresc.
#
f^s
#
^
ff f f
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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94
*
P
fe
g
bee
tie
^fe
i
i
i
\^
i
g
I.*
^
^^^^^^^^^^^^^^
j^u^i
j
j^b
f
t^
J^J
'
4
^^%
^
^
^^^
y-L^i^'y
g
¥
And reached
out
his
feel
-
ers,
^^
r
ttr
f
i
i
^
J
i^
J^'
^3
^
3
,M
J
'
'^^^''^^
i
^§
^^^
Hi
H
^»>
^
Vl
i
^tf
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95
glar
^
232:
^r=^
f
ing eye
balls
#
^
^
i^
f
r^
p
/
#
=fe
ew^^^SKf
^
/-
^
Wi
/*
=
:b^
^
^
Oh,
how scared
I
was
The bee
-
tie
^-
fefei
f
^^
^
l>li^
»
^
-^
-^-in
7
-
^
I
^J
\,J
buzzed
fierce
-
ly,
And
he
spread
his
U
^J
^J—^
^
Jl,
b^=^i)
»i'4
^i
''^~^^'
o-
p
irrr
cresc.
J
/it
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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96
^
''
irj
i.j~lM^ri
't
i^r
-^l9^
i
wings
out, and
then he
tried
to grab
me-
S^
^^
K^lJ
l-^^J
i^m
^
s
^
^
&b^
//•
fe
^32
^
yzO-
^
,
tr
^m
»-
1
^^;.
pi^^p
i
|,r
^g
5
m-
ni
>
•v^^^^^'^-^'^-^'^'^'^'^'^
*
/,
^
i
,
i,
i
i
I
^r
^
^
i
^
Then
up he
flew,
and
struck
me
up
-
on
my
fore
-
head
*
pp
\
^r
I'
I
^
T
r
r
I
held
my
breath then,
Na
-
na,
kept
still,
^r
^
^
r
IT
^p
^
^
p
p
p
^
^
^
fraid
to
move
a
4
22:
fin
-
ger
'l'----i
But
out
of
just one
eye
I
peep'd
at
y
-
f l ]
P
^
u^iLj^
F
3C
22724
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97
i
^^ E
him.
And
Na
-
na. O
Na
J)
J)
J)
J)
na,
think
of
it
/0\
/^
i
k
i
ic\
^F
^
-iS-
^
i'
p
^p
p
i'
p
iJ-.
p
|
fiJ>
p
^
p
p
i'
p
^
n his
back
there
lay the
bee-
tie,
ver
-
y
still,
with legs
all
droop-ing,
feEt
Tzr
?
no
long
-
er
an gry. And he did
not
^
*
^
^
-J
4
k
o-
-«*-
1
^
r
2?z:
?
F=^
move
his
feel
-
ers.
and
was
not buzz
ing:,
f^'p'p
^
^
*
p
s^^
^
-^
5^
—
o-
^A
r
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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98
^^
P
P
just
his
wings
were
wav
-
ing
gen
-
tly.
^
Was he
J
,
^
J^
J
J^
=3=^
^
J^
J
J^
^
TTJ.rrj
I
I
o
p-
g
't
F
f
^=^=#
c*.
s
^^
^
r
*
cresc.
i
^^^^^^
dead,
then?
Or
just
pre
-
tend
-
-
ing?
4^
i''-
r^
s
J
w
J
s
^
^
^=r
f^?^
s
i
fe
f
i
/
^
r
'
It
r
r
r
^
^
Tell
me,
how
was
that?
Do
toll me,
Na
-
na,
^
P
^^
^
3
J^
jj
jj
^
i^5^
f
/
^^m
=^
•»
—
m
—^
i
J
|
J
N
,
J
22724
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99
^^
m
-ar
P
^
-
bout
this
bee
tie .
The
bee
-
tie
^
F^f^
^^
-•
m
—
•-
P
-1
I
-77-
Ccr
XJ
^^
eE^3
^
struck me,
but he fell
ver
^
^
J
*
^^
-*
#
^
dun.
ritard.
r\
^^
r
r
r
ir
r
^
^
Tell
me
why
he
^
^^
^
P
f
f
r
f
lay
there,
poor
ritard.
J
J
J
J
Jb
J
J
J
f
r
f
f
bee
-
tlel
S
ii
S
^
M
^^
^
^^
i?P
\y
r\
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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English
version by
Henry G.
Chapman
words by
Hettange
Child's
Song
Chanson
d'
Enfant
(L.
Mey)
Modest
Moussorg:i;ky
i^
U
Andantino tranquiUo
^
r
r
LT
^s
\
^
u
^
In
the
vale,_ oh
in the
Dans lo val,.-
ah
dans
le
val
-
ley,
val
-
Ion,
ft:
cresc.
}^
r
r
IS
^
^
¥==
Grows
a lit
a
pous
-
se'.
U
^^
tie
la
bcr
mu
re.
-J J
n
Ri
-
Le
pen'd
by
so
-
leil
the
la
^^
^
^
4A\
r
r
r
^^
£
^
I
cresc.
^
a
~sr
i
i
^
^^
^
^
^
un
-
ny
fait
hours,
ro
-
se,
Glad-den'd by
the
L'eau du
ciel
I'ar
show
-
ers.
It)
-
se.
yTT^
rj
i
ii^
s
I
^
j^
^^
44^ji
^H
J
i
ij.iiJiij
g
^
h
f
riffu.
4''^-^-¥=R
E
B
Copyright,
1911,
by
O.
Schirmer
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101
fe
^
^
a
tempo
In
Dans
the
le
lit
-
tie cha
-
let
clair
sa
-
lon_
<^
-
r^
:y
r-Vv\'^\
^
lyy^j-j
P
cresc.
<.
-
f
;^
i^^
^
J
r
^J^
p
r
r
I
^
r
T
p
r
I
r^
See
a
Lives
a
un en
maid-en
mer-
ry,
fant
mur-
mu
-
re,
Whom her
Son pa
fa
-
ther spoil
-
eth,
pa
I'a
-
pai
-
se,
fcft:
ig
^
4
^^
fw
m
ts
W9
W
pp
cresc.
n
r^j
f-pf-
r
'
p
^
fct
^
rifen.
=—
^
/r\
^^
^ ^
For whom moth-er
Sa ma
-
man
la
toil
bai
riten
eth.
se.
a tempo
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By
the
Water
(Count
A.Golenistchew-Koutouzow^
Enprlish
version
by
Kurt Schindler
^^
ndante
molto
Modest
Moussorgsky
From the Cycle: Where
No
Sun
Shines'
cantabile con
meditazione
jm
p
^
^fe
Pale
is
the
PP
W:
^te
iVtf'^
jjirdi^
i
W
;i*J:*i*i*iViJ:iVili
^
M
moon,
and
the
stars
from
the
f
^
^
^
f
^fe
I
^^:
5
im
-
-
pid
skies
Mir
ror
their
m
poeo
rail.
r\
w^
^
f^
yy
rays
in
the
floods
of
the
\\m
)
{
^^
f
crt'.sc.
%
f^
i
i
iiJTj
J^JTi
J3~
H
n
sleep
- inglake;
poco
rail.
r\
¥
f
j,^
.
T_r
.
._^
.
_^
.
_
..
_^
,
_t
22724
Copyright,
1.911,
by
O.
Schirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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103
^fe
tempo
MtA
^
^
;
Si
-
a tempo
lent I
.
^
i
w
gaze.
on
the
t
^
l l
ft
|l'^
i
|
i
m
^
:5
S
E
tide,
while
a
lone-
4
to
a
-
wake,
^S
:
ii^-
^
ii*
^
I
P
#
ItTtf
[i
«
m
i
iA^
g
in
my
\^
\
w
—
fore
nd
soul strange
^;
W^
^F
11:
^
i
^
'
^
'
:i'
i
'-'
^1'—
p—
pp
^^
^
ings
of
od
fate
a
-
rise.
efe?
IS
ii
^
p*
•>
-
r*
J'>^
^
^mr
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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^te
^
^
oft
Iv
the
^
a
I
'
'Jj'Ji^Jj
rip
pies
are.
?=ir
cresc.
^^r
^in
^1^
^n^
^1^
S
*
?i
S^
ii
%VfjF
flash
^^
r
/^1
U
^
ng in
.
sil v'ry
—
light,
i
ftf
^
_ a'^
^^
-
5=
3
dim.
^^^^^^^
^^
On
balm
breez
es
there
I
-
^
resc.
nH
k^'y-\
¥*
?* ?*
^^
ii
i^^
trem
-
j>
J
i
^
bles
ma
-
gric
spell;
^
i
2:
T-
B
S
t
^te
«'jj^^jj3-jj
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105
^
con dolore
IRff^
S
vn
Dreams
of
sweet
pas
sion the
Ai
fi
m
r
\^
S
\i
n
A
a
^
m
«f
resc.
dim.
^
^
f?=1^3^??=.^
I*
^p
i
^^
calls
with
my
i
ste
rious might:
g
^ir^
221
»*
^S
^i
^
^^i^
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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y^
poco
a poco
cresc. e
accel.
i
?
^^
i)
^
^
jV
Spell
bound
lis
ten,
en
'I
''
I'll
III'
j
ij
ij
1^
f'^:^
\i
1-^
^
A
jDOco a poco cresc.
e
accel.
^
I
^^l^f^^
^ip^^^^
S
rs
^
5
W '
9
thrall'd
by
em
un knowTi fear,
—
^
rs
^m
^ ^
nimtT^
fefar^
i
|^
aj)
i'
hfj
^
:
If
it
should
bid
me
stay,
t>'
f
|l
tti,l
l
a \
^=^.
$^
f
i^?^
s
¥=;35=»
J*.Il r
..^
f
jM
i^^jjjij^ji^
'
^j^^^i^
^^
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ID'S
rs
^r
p
i
r
5
:5;:
i
hence
,
should
fly
with
a wound
-
ed heart;
m
^
i
^1
r\
5;
f
^
')
tfiAjL
aw
\
m
mm
mm
1
m
i
'
^
JiiiJi^stdiJ^i/
rtS
j»oco
ra^;.
ff tempo
%
Y
tfi)^'T
p
^r
r
I
'
l
f^s'=^
roniHDTV
nr itv nc
inrrr
vnoir
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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08
version by
Kurt
Schindler
version
by
Hettange
Divination
by
Water*
La
Divination
par
Teau
From
the
opera Khovanstchina
mm
ndante (J 260)
Modest
Moussorg-sky
*^
S
^-ihH
ttf^
„.,
pp.
^
W
*-r
^^
3
zs:
fffJr
ffff
ict
r
r
^
/O
/•,
J
j^. il
P-
w^ ^^
U
g
/CN
Spi
-
rits
of
neth
-
er worlds, Hid
-
den be
-
low
the floods
vous,
es
-
piils des eaux
vous, es-prils
sub-tils
^
—
t^s-
«
-o-
W
rr
t/ :
^
m
*
0-
S3
^^
P r
I
-
r'
p
ns
p
F
P P
r
I
r
^
Bound
b}- a
ma-gic
spell
Deep
in
the
dark
and void
Hear I
call
Ma
-
nes
per-dus
au
loin
dans
le
noir ne'-ant,
jf
vmis
man-
ye
del
-Hl»^
^
^
O
^
m
i^
^
:k
m.
-f
^
*
./
HE.
^[\-
-M
^M
r^
Vi/
a young:
woman
of the
sect of the
Old
Believers','
fftfted
with second-sight,
reads,
in
a
silver hasin filled
with
the fortune of Prince Golitsyne.)
Copyright, 1911. by
O. Schirmer
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109
I
^^-^\J\
>
J
I
J
ji
»S^^-
^^^
J
'
^
^''
''^^'-
^''
^
*S
Poor, per-ished hu
-
man
souls
Vic-tims
of
des
-
ti
-
ny
Ye that
to mor
-
tal men
Pau-vres
hu-mains
noy-e's
Tris-tes
es-prits de'-chus
Yous
qui
pou-vez tra-hir
&
i
s^
*
s*
35: t>
I
^
11
^
fgl
f^
u
m
^
^
iiJ.ii^
^
J
^1
J^
Jx^^j
^
:^
Fate's
se-crets can be
-tray,
Hark
to
me
tous
les se-crets du sort, e-tes-vous
la?
Tell
me
what life
will
bring-
De
ce sei-gneai
trou-ble',
i.
^^.^ttiij
Ij
i^ii^iiJ
I
tfJ^i'J.^'-
^^
Un
-
to
the
proadBo
-
iar.
Who
in the
grasp
of
fear
Dread-ethhis
fu-ture
lot.
What
de ce
bo
-iar
fie-vreux
que
I'a-ve-nir e'-meut,
et que
la crainte e'-treint,
quel
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^f^
^
.^1
j>
V ^
fatt
IS
his?
est le
sort?
i
EEEi
poco
-^
pp
.^
dim.
^^ p
SJ^IJ}^
JTJJTIJTIJP
:
*^
^g
s
bJ ai>
ji
l
i^^
s
^P^
Lim-pid
the wa
-
ter
and crystal clear,
L'eau
est lim-pi
-
de comme
un cris-tal:
^
A
i: S
te
Yet'neath
the sur-
face
I
El
-
le
bra-sil
-
le
de
P
7
*^:iAjj
1
rz
poco
sf^
pp
p
1
^^^J^
J
3i;
w
^m
«v
7
3
^
^P
jrJ^
tr^'
^'
hi'
J^
Prince
See
the
wa
-
ter-
spir-
its
Prin
-
ce I'es-pjit
des
eaux
see
mys
-
te
-
rious
flames.
feux
e'
-
tin
-
ce
-
laiits.
*•
m
&
M
:z2_
T±
22-
-xt
^
Jn
poco
^
If
^
^^
XE
PP
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Ill
*
i
^
F^^
^
J'
^'
i
haste
a
to
my
en
-
ten
sum
du
mon-
in^
ma
voix
Prince thou
art
now
to
learn.
Prin
-
ce
tu va
sa
-
voir_
Z2I
2'
rrTi
I
i
3x;
'2>
(sinister)
^
,1
2^
(sinister
j
fciS
f
All
the
se-crets of thy
fate.
A
-
round
les
mys-te
-
res
du des
-
tin. Je
vols,
thee
I
see
pres
de
toi,
treach'- rous
des
a
-
s±
;^=^
A.
f
r
^
^
p^^^^
T
p-
j,y
1^
^
te
friends,who
mock
thee now, yea,
I
see
mis aux
yeux
moqueurs,
je
les
vois..
They
draw
near-
er
and
near-
er
thee,
lis ap
-
pro-chent plus pres de toi.
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accelerando
(
urg-ing-)
*
j>-
4\
\
^
p-
p
I
r
r
P
y
They
ils
kl
sum
mon thee
font
voir
Q
1'^
^
f
^i
to
u
a
long-,
ne rou
wear
to
y
jour
loin
-
tai
ney:
ne.
^
p
f
s
^
^'
7
r
'f
r i
r
r
r
r
r i
r
i
a/LU
L^^
•^
rtcee/.
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113
*»
Tempo
I tranquillo
^
-V-
?
5^^
^
In
La
shame
noi
and
dis
-
grace-
re
dis
-
gra
I
be
ce,
la
*4
trj'
r
\
i
H
'
u
J}
'
tranquMo
r
r
^
3::
^
M
i
^^
^^
^^
coun
tai
try,
ne,
ITe
-
spised
and
for
-
g-ot, where
all
I'ou
-
bli,
le
me'
-
pris,
la
dou
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1
1
'I
^s
a
s
*
E
^
g
^
S
^
^
hee, Nei- ther chance nor thy
will;
ver,
ni
ha
-
sard, ni
vou
-
loir:
Thou
wilt
strivo,.
tes
ef
-
lorts
_
but
in
se
-
rent
U:
^'
J'
^
J
^¥==^
•u
^
is
de
I'a
vou
vain,
vains.
Thy
Le
fate
sort
creed,
lu.
O
Tu
^
fiMfi
^
E^
jl:
^^-
22724
^
-K
I
m\jL.?-M
K
•
I
^
r p r^
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115
Prince
dois,
thou Shalt hun
6
sei
-
gneur,.
ger
and
su
p
r
r
M
I
thirst, Cru
-
el
want
bir
le
mal-heur,
shall
be
le be
m
^
W^^^
r
^
g
^5
s
s
#:
1
$
^
;
r
r
r
^
tears
,
through burn
yeux, sous
les
lar
U.
ing
tears,
Thou'lt
look
mes
bru
-
Ian
-
tes,
vont
on
the
en
-
tre
S
U
i
'
^~
w
r
M:
n\
^^T^i
i-
'
*ft
world
,
voir
Know
ce
ing its
quest
le
sor
mon
row
de.
r\
^
-^
g
r
^
S
m
5
-^»-
~rr
•&i
'^
nnnnrnTV
nr
nitii
^m^
vnoi
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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English
version
b}'
Schindler
and
H.G.
Chapman
French
words
by
Hettange
Death
and
the Peasant
La
Mort
et
le
Paysan
Trepak
(Count
Golenistchew-Koutousow^
ice
Lento
assai,
tranquillo
r
^'^
r
Modest
Moussorgsk}'
Fi<im
the
Cycle:
Songs
and
Dances
of
Death
^
Snow
-
fields in
si-lence.—
3ois,
champs
et
plai-ne
So
s'al
cold
is
the
night.
lon-g;ent
de
-serts.
3
5^
m
m
^
:i
^
^'f
±:k
p.
m.
JL.
PP.
r\
^^^^
nL
^^^
^
^
i J> J^
^
fe5 £
ing,
ve.
And
the
La
ra
-
^
i>
i
-
cj'
fa
-
le
north
-wind is
wail
pleu
-
re, s'e'
-
ner
Bro-ken-ly
sob-bing,
On
di-
rait la
-
bas,
i^
h^'^i
m
^
22
^:
^
^
a
^
p
^^S^
as
la
though a
-
bas,
,
r r
.
i
ghast
dans
ly
dirge,
la
nuit,_
-^
O
-
ver
the
plain
-
tes
au
22
^
^
-L-L
M
'
J
-U-L
tf
^^
^
fl'?//;.
i-J
h^ii
Copyright, 191t. by
G.
Schiriner
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117
^*^^
i
^
^
^^
graves
it
was chant-ing-.
pres
d'u-ne torn
-be..
Lo
oui
^—
^r^
O
be
-
hold
C'est ce
-
la
^
V
a
^^
,^a
i^
'^
o
¥VW^
PP
LITLIT
Jp
poco
a poco
piu
tnosso
m.
%
f
^
anere
pai
£
Through
Dans
the
la
night
nuit,.
strange p&ir
ap
- proach
un
pauvre hom
es,
me...
^
poco
a poco
p%u
tnosso
w
),
g^=r
i
J'
V J'
i'
s
;
>
L_EJLl/
L^LI/
LXr
_£/
LXr _£/
Eli
^
i
p p
It
^
p
Death holds an
old
peas -ant fast
in
his
clutch
La
mort I'e
-
treint,
le
ca
-
res
es.
se.
;>
V iJ
i
^^
--^
^
^^^^ff^
^
LXTLJ
L-LI^LJ
LXi*C-j'
LXI'LJ
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^
jMip
I
J
J^
r
1
^
^^ p
I
^
^^
See,
El-
now the^'
dance
the
tre
-
le Ten
-
traine
a
-
vec
pak,
el
-
do
the
le
si
pair,,
loin .
i
fe
£J^^R
l^f}
I
[J^ifi
^
p
fJ'JJJJJJJI^JjgaaiJ JJJJ jjj
^
j^^
^ ij
p
'
p
'
p
'
?
^
p
^
^
'
^
*
Allegretto
moderato
e pesante
P
'
P
'
^
'
-P
'
i> J
Jw
I
J J^ J'
'
J^
.
IJ J'' i)
f
^
f
ia-ht'K
Hey, poor
old man with
a head so
pau-vre vieux, pau-vre
vieux sans
light.'L
Too much
you
drank
on
the
te
-
te
Ah il a bu,
il
a
-m
'
'
m-^
n«
-
fefe
^
^^
i
r-p
i
s
#
•#
X
(a
3
battute)
^^
i»
(»
E
^
night ^
rou
-
te
road to
bu en
And
the
Mais
le
lash
-
ing
vent,
la
snow-flakes set your head a
-
nei
-
ge
tour-nent,
vi
-
rent,
f-
f
W
i
•'if-
f
i
^
rr^
f
Sa:
^^
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119
P
tE^
^
^^
^
irmi
^
1
reel
-
ing, That you
went
a
-
stra
y
with
-
out
sense or
feel
-
ing
vol
-
tent,
ils le
chas
-
sent, ti
-
rent
loin
de sa
de
- meu
-
re
Ira
i
t
t
^
^t^
'9-9-
i^^^:
;
t^^
k^
k^
*
(a
5
battute)
mf
poco
meno
mosso
^
^^
^
i^
5
w^
sor
-
row?
fai
-
ble
Were
you
so bro
-
ken
by
want
and
Ah
pau
-
vre
vieux, U souf
-
fralt,
si
Lie
Viens,
i^^
K^
i^-
>.
iM
down and
ecu
-
che
¥
p
poco
meno
mosso
P
i
f
(a
3
battute)
^5
fsm
3
?^
^
—
^
t.
9
mor- row
leep,then,
un
-
til
to
toi, en
-dors-
toi,
bon
-
horn -me
Oh,
poor
Viens a
fel
-
low,
let my
thick
white
moi
Pour
te
chauf
-
fer,
voi
-
^
:1=^
^i^
^
F^
f^
P^
2Jp
^
^^^^
^^
T
r
t
^
^^
p^
^
^
blan-ket
warm you, Let
the_
ci la
nei
-
ge, pour
ecu
snow-flakes
danc-ing
round us
cheer
and
charm
you.
vrir ton
corps,
voi
-
ci
la
nei
-
ge
blan
-
che.
A
.
Efe^
«
^
¥
i
i=±
^
^
^
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Ancora
piu
sostenuto
^
k
S
(a
5
battutt
Heap—
Fais
-
him
lui
a
son
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121
for
dan
a
se
^
dance,
•
lui,
te
for
chan
9
a
te
I
23
s
Meno
allargando,
mosso
i
^
Jmh
J
:
^^
?
;
Sing your
Un jo
(a 3 battute)
songs,
ye night
-
winds,
li re
-
frain
Storm-ing
from
the
qui
Ten
-
dor
-
me
P
iJJjIJJ^
:
^^S
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^
^m
West ,
bien
Till
un
the
jo
-
^
drunk-
li
a
en
re
-
peas
f
rain
J:
anl
(
^
^
^ :1fc«
I^±«
^iJUJJJ^
it ^
g*J
»
-g^
^(a 4
battute)
^^
^
^
f
wind
-
-
y
nuit
sans
reach
-
es
lu-
-
ne
Hear
me, ye
cloud
-
-
banks
and
Oh
jet
-
te
-
lui,
jet
-
te
-
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133
(a
3
battute)
E
^
1
-
lui
cy
en
stretch
ha
-
es
te
Turn
sur
your
les
selves
bras,
to
I'e
£
ft
g
p
r
r
—0
white
les
swans
pau
-
down,
.
le,
Make
sur
a
les
snow
reins.
cov
-
jam-
er,
bes,
s
^
h
i{J
J
i^
^
3
;E3
^
And
the
XL
-
-
ne
5^
gray.
,
nei
-
beards
§•6
era
blan
die
che,
1_
I
will
u
-
-
ne
?L
—
m
1
m n
-#-
<p
—
*
m
r-
i
^
^
draw
man
it
te
i
o
-
-
ver
lour-
- de
r\
^
riten.
I'
JJJJ
^*
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^
i
j T]
m
m m
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\J
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Andante
tranquillo
-4m
^
g
^
^
£
Sleep,
Dors,
friend,
mon
m _
;i
-
peace,
mi,
close your
ej-es
dors
en
paix,
for
sans
^
^
f
rpi
fPi
f
:if
<
—
#
•
a tempo
^^^^^^
'ou'll
see
it
riev
-
er
nir les
beaux
jours .
^-^
pxu
mosso
^
rail.
d
dm
#-
—
-#
5
s
j.jj jjj
?
4~^-m
i^d *^-d-
P
P
'
P
a tempo
P
^
i'
IJ^
J'
i) J^
^
oon
the
Sur
sun
les
up
-
on
jt^rands
sci
the fields
will
fijps;
et
les
smile;,
bles
P
$
P
$
=^
w
—
=
: r
g
*
i't
f
^Et
^
tw
d tempo
m
S3:
t
w
—
1
—
t-
T^
i
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125
i
F
?
g
^
^
the soil,.
flam-
P
nd
clair
the
so
peas
leil
ants
come
to
till
Tout
be
1^
^S
£
3
5
S
3
^
^^^
j',
V
I
V
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Jl
J)
J)
^^
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f
o
Et
the
cloud
-
less
les
chants
s'e'
.
skies,
pan
-
dent,
mer-ry
larks
a
re-dl-sant
la
rise .
jol
-
e
m
a
W^^^
1
3
^
w^^
i
^
^d
W^^
i
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gy
j
9
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//7 y»/V
^^^^^^^amm
m.s.
'
2>p
a tempo
n
f
f
_p
nif
ritard
p
^^
r^
j'^j.
,y,'
jr
:
.
^
^
p
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ti[_lP
i*
ritard.
^^^
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m
a
tempo
PP
22:
r2r
WW
'^Z
7^^
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version
by
G.
Chapman
version
by
Hettange
Martha's
Song
Chant de
Marthe
From
the
opera
Khovanstchina
i
Andante
con
moto
e
lamentoso
(J =
96)
<:
£
'
)«*}
•
^^^
r^^rn:
jfjfj
r
Modest Moussorgsky
^^
^m
^
E£
t
And
by day
and bj-
niprht
T faro
Et
de jour
et
de nuit
je
vais
s:i
^^
i i
i
^
J
:
^
€^
O'^
X
^=f
7 /
-
i
i
^
*
s
c
3E
—
s?
ow,
verts,
O
- ver
moun
-
tain
and
par
les
champs
et
les
mead
pres_
o
-
ver moun
-tain
and
pai- les
champs
et les
S
S
:
:#
-^ -&i
=r
i5>-^
1
it-
131
m
i J
^
Copyright,
1911,
by G.
Schirmcr
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137
i
mead
pres
_
^
^
poco riten
g
^
i
i
ow,
Thro'
the
verts,
par les
woods
and o
bois
et par
ver
the
les ter
burn
-
ing
sands,
rains bru
-
les.
3ee^
\^^
i i
f
£
^
G^
I
poco
riten
.
^
y
i i
'A-
i^£
^
^
*
a
tempo
i
S
^
^
?
On
the
bram-bles
IVe torn
Aux
buis-sons
j'ai g'rif
-
fe
my
hands,
mes mains,
Worn my
feet
so
they
sur
le sol u
-
i
i
scarce
will
move,
se
mes
pieds.
Ev
-
er
I
seek_
the one
I
love, Yet
I
Tou
-
jours
cher
-
chant men
bien
-
ai
-
me,
je
n'ai
#
^
m.
^^g
3
I
^^
^m
p
r
r
fl^
r
J
^^
W
*
i
^
poco
riten.
S
J
^^^
^
me
ris
find
pas
-
not
re
him
that
trou
-
ve
is
ses
dear
traits
to
che
tfF.
f
r
g
^
^
*:
m
>
> >
^
^oco
riten.
m
^^
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a
tempo
^
^
m
a*
-•
Once
to
his
pal
-ace I
dared
-&-
J
?
je
m'a-ven
-
tu
-rais vers son
to
go:
pa-lais:
Ah,
I crept
there
so
je me
g'lis
-
sui
I'ur
I
fci
m
^
^
t=^i
-
U%
^^
a tempo
i
S=a^
a
^w
'
^
i
u
'
J
f
pizz.
*=
^
^
*
c?
tive-lj
ve-ment,
S ^
fur
ti
First
I rapped at
his
je heur
-
tai sa
fe
win
ne
dow, Then
I
ti-e,
je
son
%
/ ff
P
*i*
i
m
a
;:a:
f
{f
*
^=
5=a
^
^
it
li*
^m
i
j»oco
riten.
^
^
^
^
J
^^
struck
nai
on
du
the
sil
mar
-
teau
ver
d'ar
bell
_
gent
_
a
tin
blow;
tant
^^
^
%
^^
=^
^E3E
a=^
r
sf
?/•
y>
/)(n-()
riten.
55n=
§
1
?^E
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^
1^
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129
*
a
tempo
i
Dost not re-mem-ber,
my
Sou -viens-toi,
sou-viens-toi,
^
dear
che
one?
ri
i
p^r
;
^
^
y
Ah,
call
to
mind
all
you
Oh, sou-viens-toi
de
tes
Li
m
t
p
I
i
i^i
^ ^tt
3=*
pp
a tempo
JT
J
r
J
r
J
j'T
J
r
J
r
I
-j'T
J
r
s
*
5^
S
?
ised
me
raents
prom
ser
Of
-
ten
a
-
lone
in
the
Seu
-
le,
j'ai son-ge
des
night
I've
thought of thy
Ion
-
erues
nuits
a
tes
*:
* t
%
%
f
i
P¥^^
i'T
J
r
J
r
i
>r
J
r
J
r
^
if
J
r
J
r
^
f
i
poco
riten.
^
words
mots
of
d'a
love
and
mour,
tes
thy
ser
burn
ments.
f
g
^
ing
bru
vows,
lants.
^
f
I
jr
7»oco
riten.
i
s
^
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130
Poco
meno
mosso
mistivo
^
^
13
—
Like
Tels
—
•
two
les
ta
cier
pers
ges
^
of
du
a.
the
Sei
Lord,
gneur
:*=&
6^
^^
^>tf
^
-<i^
-&-
Z7
w
^
J
J
J
I
i
*
C7
of ligrht
flam
-
ber
Thou
and 1 shall
be
nous
al
-
Ions
tous
deux
flames
clair
-
E
-
ven
chil
-
dren of
Fil -
les
du
Christdans
tt
~
,
i
^^^
J
^
^^
22
*
m
F
^
£
1^1
w
T^
_
f
P
^r^
r#
fs
77
^g
•^
poco riteti.
r
r
'
^
^
J
I
J
J
-
J
i
TO
Christ
la
in
ra-diance,Our
souls
in
Iht-ir
fire
shall
be
lu
-
mil'
-
re,
et
dans
le
feu
nos
a
-
mes
lift-ed
(in
high
s e
-le
-
ve
-
ront
-€>
^
i
.^
i
JVl-^-^.
*£
J^
:z2
M
it
^^
g
^
^
^
*
tf
iz:^—
??
I*-
povo
ritfH.
S
S
S
^
rn:?'
^
ffi
^'
^^
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131
Tempo
I
J
J
''
^
1^
False
one, thou
hast
my
Faux
a
-
mi, tu
m'as
1r
tr
love
des
tr
~Q-
be
-
trayed,
ai
-
me,
Light
tu
I
^
^
ly
thou
with
my
t'es jou
-
e
de
S
/r
tr
tr
^
_a_
:z2:
-^^1-^
-^
-O-i
-|^
*:
^m
^
EEJ
pF=g^
—o
—
hand
eart
hast
played.
mon_
a
-
mour,
tr
tr
But
the
time is at
tu con
-
nai -tras
bien
to show
I
tr
tr
tr
f
m
tot, cru
-
el,
tr^
the
de
la re
M
r
^^^^
o-
^
J J
J
J
i
:
r
»f
kf-^
-^
f
allargando
^
h
^
^
^
^1
(•«^
f
ter
-
mined
faith
of
a
bel
-
le
fil
-
le, dont
le
true Rus
-
sian maid,
coeur est
mort.
tr
tr
^\
i
#
^
1
i i
allargando
ra:
^J
J~-j
:i
^
^
—
-
r
T
r
-
f
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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132
French
Words
by Hettang-e
Enplish
version
hv
Henry
G.
Chapman
Cradle-Song
of the
Poor
La
Berceuse
du
pauvre
Voice
Piano
*
^
Adagio
(Nekrassow)
P
Modest
Moussnrg^sky
T^
i
I
-I''
J^
J'.l
J'
'
>
-
S
By
-
bye
, by
-
bye
D(»
-
di). (In
-
do.
*tB
^^
m
'>'¥
1
V
tij
kim
f
^
i=^?
r
r
r-
^m
^
^
nJ
^ii
J
Jl
I
m
-1^'
iiJ^
-T^l
J'
'
iii'^ji
J>j^
J)
.^
^
^
Low-er
than
the hum-ble way-side flow'r
BaSjplus
bas
que
rhiimblefleurdes
champs,
By
-bj'e,
by
-
bye
do
-
do, do
-
do.
^5
i
jd^
3_3
^^
in^
i^
f
5
^
^
-'^
—
1
m
^
^
^
^
r*
v
—
:s~r^
P
r
7
y
^
^
^
^
0E^^
i^Ei
S5
p
s
^
£5
'
m
Bowed
my
I
-van's head
must
be,
il
de-vra
courher le
front,
If
this
child
of low-ly folk and
poor
mon I
-
van,
1
'enfant
des
pan
-
vresfrens.
22724
Copyright.
19W.
hy
G. Schirmer
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133
'i^^^
p
pp
5fe=5
P
P
iiJ)i.-'^'^V^iJ^'-'^^J
'
-^,
dim.
r\
P
w
fe
Is to
live
from
in
-suit
free,
s'il
veut
vi-vre sans af-front.
M
^
:2s
By-bye by
-
bye
By-bye
by
-
bye
Do-do,
do
-
do,
do -do,
do
-
do.
id
J
ik&S^i^
w
ybe
f=^
r
r'
r
y r r
'ppp
to
ft*
3<
ss
ff
S
'
.
;-
gppp
:;
P
tedi^
4
71
p
p
p
p
-p
^'
p
p
^^j
I
^p
p
'p
•'
r
^^f^
^
^
As
the
grain
must
bend
be
-
fore
the wind,
Bow, my
son, bend with g'ood grace;
Tel le
ble
qui ver
-
se
sous
le
vent,
cour-be-toi tant que tu peux,
t^
^
i^
\
>>
^
p
Vfi
^fa
\fm
l±~M.
i
t
^t
^
V
^f>^
^
j
*/
'^P
•/
'^
^=T^ ^
•/
p ?/''f?^y v~b
^=^=^
T
-^
^
^
p
p
^^'
T
^
P P
-L^
I
''^'
^'»^
'^[^
tfj)
i^
i
^
So
some
day
the
great
will sure
-
ly
find
'Mongst
them
-selves for
you
a place,
et
bien
siir,
les
ri
-
ches,
mon
I
-
van,
te fe
-
ront__
place au-pres
d'eux.
^1
^3
\>
i
^
*
:V
P*
1
S
%
'Ig
#{
w
m
5i
r
^=4
i^
^^
^-i»^
?
^?^
^
1-
^9)
*
p^^
I
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*
dim
.
i'j: J.I
J'
^
J''
j^
Ji
J^
^
II
;i
^^
By
-
bye , by
Do
-
do,
do
bye By
-
bye,
by
do,
do
-
do.
do
bye
do.
?
rt^
m
*
^#-«
•sj.^
\i^
'j^
cresc.
1
1>
r
t
r
III
ia
-^^
u-
*i
ll
''
'^
p
J'
J''
J.
J:
^
i
^
2
M
^'
i'
No-ble court-ifTs
ev.er
nigfht
and da3
Le.s plus no
-
bles,
et snir
et
ma-tin.
To
my
1
-
van
will paycouit,
te fp-ront
ci
-
vi
-
li
-
tes,
^M
cresc.
^
^
P
J
^i
W
E
La
-
dies
drosl
in
silk
and
sa
Chez
les
bel
-
les d;i
-
mes
en
m}
}
cresc.
^m
%=i
y
tins
sa
%
gay,
tin
=|S^
liTi\
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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135
fe
Will
be
his
for
love
and
sport;
tu
prendrasdesli
-ber-tes;
Andmylit-tle
I
-
vans life
will smoothly run,
et joy-eu-se-ment,ahah.'commeau
fil
de
I'eau
^ik\
i
i-pJ
.
^-
k^^'l'j
rwyr
tJf
fe
I
Ji
pp
i)
J^
^' M
^
J^
K
,
V
^
J
^^
¥
Like
a thread from
spin
-die
spun,
ecu
-
le
-
ront_
les
jours
d'l-van.
By
-bye, by
Do
-
do, do
bye
do,
to
Jprprp,
r\
^^
By
-
bye,
by
do
-
do,
do
bye _
do._
rt#
F^
^^
/C\
g
ppp
F
f
| l
ti^l
^t
^
r\
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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words
by
Hettange
English
version
by
Henr>'
G.
Chapman
Hopak
Modest
Moussorgsky
'iano\
Allegro
quasi
pizzicato
f\a
a
quasi
pizzicaio
^
:
—=
>
=
a
=
j-
'
J'
'
j'
'
i^
3
^
w
w
^3
r^=#^
V
r
^
rrrr
'j'j'j
j
^
^
;tp
^
p
^
Hi
Ha
Ha
HoY
hop
hop
i
tf
£3
ffl^
^m
:^5
p
w
w
k
^
a
—
:
'/-
i
is:
^
.^/
»«
i^il^
.hj'
•,
r r
y
r
s
the
Ho
-
pak
au
Ho
-
pak
I'm
the
wife
of
Je
suis
fern
-
mo
a
dun
Ko
-
sak
Ko
-
sak
Copyright,
1910,
by
O.
Schirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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137
N
J
J
n
-^=^
Laugh he
II
rit
won't,
for_
peu,_
mais
f
S=*=
J J
n
-^f^^
he's
too_
crust
-
y,
il
se
ri
-
de,
Red
his
head, his
il est
roux
jus
-
fcS
^
i
^^
od
-
y
rust
-
y:
qu'a la rouil
-
le...
Ah,
my
fate,
my
luck-less fate
Yah
Ah
men
sort, mon
tris-te
sort
Hoi
|
jTj
^
M
9
W
W~^
W
•
W—\
J.
*
*
w
w
M
r
r
^r
r
M
h.i>.i).-hi
Eh,
but
I'll
not
A
quoi
bon
ver
K
a
%
a
=jt3
*
'yyyii
m:
€
'J'',
^lJ:
^
V
=
-f
.
1
»/
/
^
tf
a
i^
^^^^
cry
for
ser
des
3
P
ev
-
er.
Go,
my
friend,
lap
lar
-
mes?
Va, mon
vleux,
a
up
la
the
fon
riv
-
er
tai
-
ne
s
y^
rf
k:
_B
«
•-
M
m
-fr-
^f
tf
P
sf
tf
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When
Moi,
the
tav
ern
shall
ta
zzzz
pass,
vpr
?
ne:
fet
at
i
—
—ar
—
1
* *
sfe^Q
J^J'
i
*
*
P
^
f
^
f
j/ =-^
P^
r r r r r
g
tM
^
g
S
P
I'll step
pren
in
drai
and
le
gel
ver
a
re en
glass,,
main..
y
S5
^^
I
I
I
»hf^
tt==at
*
*
7
^^
J^r
^^
^^
*4
S
r
J
^
^^
Then,
my
et,
voi
friends,
we'll
sins,
trin
drink,
and clink,
and
quons, trin
-
quons,
trin
M
/
—
0-
*
^
^^
link,
quons,
and
trin
drink
quons
•
|^#*^
\m» m
\
m»
d^
0^
d
^
i
.^j.—
The)'
will
pour
a
Je
boi
-
rai d'a
f
tf-
glass
for
me,
bord un
coup,
2f:
y.
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139
*8
r
r
r
r
^
1
s
^
r
^
P-
La
-
ter one, and
two,
and
three
When
the girl gets
up
to
go,
puis en
-core
un,
deux_^ et
trois
Et
la
femme
a
-
lors s'en
va,
i
a
^fe
U-
I
M
«7=
>
4
'/
V
%
>'f
r
i.tf
J.
n
g
w^^
E^
ci
it^
1^
^
?g^
P
She
will
have
a
un jeune hem
-
me
man
m
sur
ses
fef^
l
^
«M
s
tow;
pas
To
Le
her jeal
ma
-
ri
-
ous
ja
-
^5
11
f=i
^^^^^
f
^
£
*|ft:
^
^
g
^ ^
^
M
hus
-
band's
call
loux
I'ap
-
pel
-
le,
She will pay
no
heed at
mais
il
n'a
qu'un
pied
de
all..
nez.
S
Ji.
^.
9-
knA
11
i
=d
•
d
zs.
£
1*
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:^
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i^H^
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i-
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.
J'
h
i^ J^
ff
J^
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E^^
^^^^
Hey, my man,
if
yours I be,
Si
je
suis
a
toi, mon
vieux,
See that you pro
-vide
for
me:
tu
me dois pour-voir de tout:
Yes, Sir
oui -
da
*4
j j j i
^
I
*
*
i
i
i
hnnnrriTu
rr niTW tw
vwsn
vnni
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p
P
P
P
p
[^
r
I
p
p
P
p
^
p
r
I
^
J--
Get
this
al
-
so
thro'
your
head,
Chil-dren must bo
cloth'd
and
fed
Just
so
II
te
faut
soi-prner
I'en-fant,
le nnur-rir et
le
ve
-
tir:
oui,
oui
.-TT-3
I
r
i
J J J
I
V
J
W
f--
f f
f
1=^
i
^
P f
f
1^
^
^
^5
^^
^
/
S
^^
^
£
-^
#
Tru
-
ly
oui
-
da
Now, un-
less
these
things you
do,
Ou
si
-
non,
e
-
coute
un
peu:
i
f
I
shall soon
get
rid
of
jou:
je
me
pas
-
se
-
rai
de toi:
P
U
Ie4e4
I
£
^f
^f--
^
—
•-
I
^j?
ji
i^
p p
i' J'
J
I i' i'
p
p
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f
^
Yes, my
friend,
the
ba-
by's
there,
Le
pe
-
tit
est
la,
monvieux:
Wash
his
face
and curl
his
hair There, now
la
-
ve
-
le,
bi
-
chon-ne
-
le:
oui,
ouil
t
dolce
S
^
Just
you
mind
now
what
Mais
vois
-
tu,
prends
t^iirde
say
toi
Do
not
try
to
Ne
vas
pas
quit
t
I
% I
p
^^m
^
^^*
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141
U
1^
^
run
ter
a
-
way
I'en
-
fant:
Hear me
Sans quoi ...
^
Watch
it,
heed
it,
Veil
-
le,
ber
-
ce,
fcM
.p
[J
frr
frff
^
Sg
rfr
r
r
¥=^
w—f-
^
^
? ^
^^^^
r^^
r
^L^
eno
mosso
J^^^F^
^ ^
^
In the
days that
Au
-
tre
-
fois
au
now
are
gone,
bon
vieux
temps,—
Days when
I was
quand
j'a
-
vais
twen
-
ty
-
one,
mes
vingt aus,
*fc
^^
m
J
J
J7]
f
%
f=^
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Er
^-^
m
m
p
E&
I
&E
m
f
f
r^
'/I
fcft:
i
^
^
^
%
I
would sew
be
je
bro
-
dais
a
side my
win-dow,
And
when
all
my
work was
done,
ma
fe
-
ne
-
tre, puis
I'ou
-
vrage
a
-
che
-
ve,
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3
P
With
a
cry
je
cou
-
rais
out
sur
up
-
on_the street
I'd
la
rou
-
te,
je
cri
d
ti»
*
run,.
ais_
Gai
-
)•
call-ing,
a
vnix
hnu
-
te:
L.
J
^^J
i^^
^
§
^j:ft.ll'^^'
^
^
y^
,i,
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sg
tf4
Piu
mosso
^
m^
^=B==gt=m
g
Hey
there
Si
-
mon,
Mi
-
chaeljohn
Hoi
Si
-
mon, I
-
van, Mi-chel
Get
your fin- est
waist
-
coats
on
ga,
met-tez
vos
beaux
ha
-
bits
W
poco
a
poco
accel.
^^n
m
=^^3^
^
3ts
^^
*
Off
we'd
hur
-
r3',
shout- ing,
pranc-ing, To the mu-sic and
the
dancing:
Qa, plus
vi
-
te
que
I'on
cau
-
se,
que
Pen
dan-se,
que
I'on
chan-te:
^sN=^
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^m
iEE^^
rtfeolln
§
§
^
voce
r
^j
[77]
l
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;
i*
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ij
V.J
Jy
vJ
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Hoi
Hi
Hoi
^
^e
J.
s
^
^
^S
Hi
Hoi
:
a
•
—
Hi
Hoi
m
I 1
'/i
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w-
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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143
«4
Tempo
primo
^
^
W
m m
—
w
P
Ha,
Hoi,
ha,-,
ho'i,.
ha, ha, ha, ha,
ho'i, hoY, hoY,
HoY
M
ha, ha
the
Ho
-
pak
hop, hop,
au
Ho
-
pak
^
M
^
a=%=«:
$.
f
5
f if
t
i
tf
if-
M
^
^
I'm
the wife
of
Je
suis fern
-
me
a
Kg
-
sak
d'un Ko
-
sak
Laugh
he
11
rit
won't,
for
peu,
mais
M^
^
k
rj'j
J
miTTji
J
if
3=^
r—
if
if
ifT
g
fci:
P
J J
nn
f
^
g
i
=«
fciat
he's
il
too_crust
-
y,
se
ri
-
de,
Red
his
head,
his bod
-
y
rust
-
y.
11
est
roux jus
-
qu'
a
la
rouil
-
le.
J'
J
«
J
*
g^it
^
^^
^
fz
• m
ifz
^^^
^
/T\
^^
Ah
my
fate,
my luck-less fate
Ah
mon
sort
mon tris
-
te
sort
Yah
HoY
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144
The
Siege
of
Kazan
Ballad
From
the
opera
'Boris
Godounow
English
version
by
Henry
G.
Chapman
Allegro
(J= li-i)
Modest
Moussorgsky
Voice
^m
F^
^
Mb
*'^*f^,
m-^-
e
^5
^
i
^
^;
^
Piano
/
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^E
Pi
Sfl
^5
n^TY.
^^
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/
p:j,,>
r r
if
1^?
|T^
^
^^
When
I
stopped at Ka
-
zan,that fine
old
cit
y,
w
s
^
^3^
^*:^:
':
T'
^
t?
ptS
/
*
/
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f=l=#
There
the
Ter
-
ri
-
ble
^^^^
^^
Jz*
^
^
^
^
J»
/
^
2272*
Copyright,
19it, by
O.
Schirnwr
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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145
> i
i>
^
^
P
P
^
Czar for
plea-sure
tar
-
ried.
^
\*
\>*
V
S
ffi
^
^
i /
SS^
^f:
''^
i
I,;
tei
^r
^r
i
TT
f^P
fefe
^
It
How
the
Ta
-
tars then
he har
-
ried.
^)
1^
a
^
fc?
^r^
fe
*
= f
^^ ^^
ei
^i
>—
^
^
I
tip
\
\
tit
How
he
scourged
them
with
-
out
pit
-
y
Let
no
one
^
tai
^
^
is;
^^
In
^^=5
'1^
^«
p
s
Mt=i?
^
clE
f i f
V
say.
word
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i^i
^i
^^^^^^^
zft-
5
/.
r
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^
V
^
V
\
'^'
^
^
fi
:;
:
P
^^
night
by
stealth Czar I
-
van drew his
men
round Ka
-
zan-,
Ring
the
^'' >
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j'
V
j'
m
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it
.»
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/-*
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f
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p
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town and
drive his mines be
-low
the
riv
-
er,
his
plan
Proud -ly
kfe
a:^^
i
i:
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I
^i
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i
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5
ii
'
i
q*
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r
^m
strut -ted
thro'
the
cit
-
y
Ta
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tars
bold
from
near and
far,
^'-''^
^
ijj'
-<
j'
M:J.,>
r^
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147
^^
P
P P
I^P
P ^f P ifTr
^
We
will
send to hell';
said
they
this ter
-
ri
-
ble
Czar
Cru
-
el
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i^^
fe
S
^^^^
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, r->.
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n^ I:
;
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ri'
ie i
f
iT f
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were they L
i
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p=^
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m
w.
m
s
^
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if
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Then
Czar
I
van
lower'd
his
lord
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ly head.
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f
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t
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s
loom-
y
and
dark his face be
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came with
rage as
he said:
f
te
II
f
>
l-f
ii]
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7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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148
V
^
*
*
\^\
I^lI'T^
Now,
brave
can
-
non
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-
- gin your
prame
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1
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fi
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, >
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p
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|fy
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./
£
Read
-
y
\^A
^^
withj-our fus
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es;
strike
your
flame Can
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non
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f;
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f
s
i
ir
iers,
strike
your flame'/'
i
U
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^m
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p^
dimin.
^
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fT
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Poco
meno
mosso
(J
-
lae)
••f
r
if
f
T^
i
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t^p
2F
fcE
From
the tin der
the
wax
-
en
ta
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pers
catch the
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149
>
r
^
r
7
f
\
7
m
fire
To
the
kegs
^
fly
the
gun
-
ners full of
tr^
-9-
fa
#
I
,
£
£r
V
^
m^
^J£fr^,
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i*
sp=
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p p p
i^
joy
and ire.
And
the
casks that
held
the
?
^
-
—
'
dp
?ffMtt
l^fff
^^
^^^^^^P
^
,
M
^P
P
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|
tT
^
^p
r
i
^p p
fa
powder
whirled
a
-
way
with a
dash
Oh
From
the
minestherecamea
m
Ju
m
i^
^
cresc.
t^r
it
rVit
fii
'^[;Q'll^^
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i
iJjjJ
nJttJij
^
^M
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ii
jS^
i
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g^
fe^g
roar
and a
flash,
tttutt
And
they
bust
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r^
^
Ife^fA
1
with a
^\>
,
rrJ^J^
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jt^l,p^j»^^
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7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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150
^
crash
:l
g
4i
PH i
,,
r.;
*r-
^
S
^^
^
i
I
y^a
a
j/*
poco
avvel.
^^
£
p
^S
^
^
Tempo
I
f
f
tr
^
iir
rr
p
n i
''
s
Ta
-
lars
rent
the air
with aw
-
ful
shriek
and
^
*
\^
\>d.
m
^s
r
r
i
f
ffi
cry,
Cries
of
f
iff
^A
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t,.
shrieks
^
r^iirD
t9-
&
^m
imi
i
£
men
who
die
And
Czar
van
^
E
^
^
^^
7W.S.
^^
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151
/
tL
\\»
i^f^
fTf
piled
them up
moun
H
fe
tains
i
high
mf
Man
- 3r_a
5E^^
f
^
1^
r
S:
b
l
'i>
^P
P
^P P
fej
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,/-
V it r
£
thou-sand leg and
arm.
V\>
ji.
«
g
Wi'ir*
hip
and
thigh
^*
-
Leg
and arm, hip
and
^
^
S
S
1^
5
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i^
iISi
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r i
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ZZ2:
221
^
^
^^
-yl
l
stopped
at
Ka
-
zan, that
fine
old
cit
y
Hey
tr-
m
g gE±
i
3
^l9
r
^^^
*••
B
k^.
\W^.
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Oriental
Chant
(Lamentation)
From
the
cantata
Josua
Navine
version
bj
G.
Chapman
ice
^
argo
(d.
=
5o)
Modest
Moussorg'sky
Arr.
bv Kurt
Schindler
P
19-
^
h
I
\
-i-
-iJ
I
Hear
3-e
A
-
mo
-
re
-
a's daugh-ters,
hear
their
I
^
S
^fe
^^
^
/
o
^
B=
.
tl
•
^
^
Xk_
fg:
S
5^
la
-
men-ta
-
tion
un
-
to
Ca
-
naan,
Un
-
der Ga
-
U^
K
J
ems.
^ s
^^
^
§^
-o-^
;ffi
3C
IE
M
o
pin cere
/T\
i
^^^
m
• d
^
m
^
m
'
m •-^m
'
•
S
rw
ten.
^^
SS
*^
aw
-
ful,
dark.
and
tl)reat
ning
:§=
^
^
co//a voce
ll '8
=
^^
Copyright.
(910,
by
O.
Schirmer
I
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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153
^
M
ters,
hear_ their
221
£
=^±1
^f—d
daugh
&-
la
men
-
ta
-
tion un
-
-
to
^
^
f-
t
^
^
dimin.
f^.
f^.
^
^
¥
a piacere
r\
I
I I
I
I
I I I
I
TJ^j^J^jH]].^^
;
molto riten.
Pi¥^^
and threatning brow
-6^
tf
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(i
version
by
Alma
Strettell
French
words by
D.
Calvocoressi
Oh come
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1911,
by
G.
Schirmcr
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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wood,
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en
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me
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moon
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Swift div
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sports
and storms
in
young de
que men
coeur fre
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sire
Oh
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me,
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se
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pr^s do
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Je
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gainst
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ti
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ton
sein,
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thee
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mer,
t'e
-
treindre
in
love
for
a
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7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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159
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r
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poco riten.
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li
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ces
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hold
thee
t'ai-mer,
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fete
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7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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160
English
version
by
Henry
G.
Chapman
Springtime
Friihling
Allegro
anixTiato
c\ 'f
H^
'1
P.
Tschaikowsky.
Op.
Si,
N'.' 9
From
the cycle,
Sonjfs
fur
Young- People
Voice
[i
p
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r
f
?p
p
iA\'-
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Now melts the
snow,
old Win-ter whines,
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Der
Schnee zer-
linnt:
der
Win-ter weint,
der
5
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Fiiih
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a
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se
la
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chelt_
And
bright
and
clear
the
sun
he
So hell
und klar die
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fan
me
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woods
will
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Wall
iuich
neu sein
Kleid
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Soon
birds
will
sing
in
ov
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'ry
cov
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^
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1911.
hi/
G.
Sckmner
I
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161
^E
^
^
all the
win
-
ter's storm
and
stress
all'
die
schlimme
Win
-
ter-
zeit
For man
-
y
a
day
will then be
ist
wie-der-um
vor- bei fiir
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Now
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a
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bout one
ev
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'ry
-
where
With
sud
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den
und
auch
das
Herz im
Bu-sen drin
be-g-innt so
^
1
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5Et
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ritenuto ad lib.
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ff
iJ'
J)
J^
P
vim
be
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gin
to
quiv-er,
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With win-ter days
were
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er
fiir
im-mer
mit den
Win-ter
-
ta
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gen
irt
*
f
r\
'Tis
hope
that
Wie
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7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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a
tempo
r ? r
'CF
m P
^
^
akes
all
hearts so
—
gay:
sich
der
Hoff
-
nung- freut:
'Tis
Spring-,
on ev
-
'ry face
is
,,'sist
Friih
-
ling-
steht
in
je
-
dem
writ
-
ten,
Bli
-
eke;
And
e -
ven
those
are glad
to
-
day,
ja,
der selbst fiihlt sich gliick-lich
heutj
Whom
dem_
^
i
1
r
hf
f
T
^
T
t
i^T^TT
S
22
^^
^
^
J
.
nif^
fate
with
naught but grief
has
smit
-
ten.
Loid
ver-
lieh'n
nur
vom Ge
-
schi
-
eke.
We
all
de
-
light in Spring,
O-
Doch
wie
den Lenz
auch
Je
-
der-
i
i
^
i
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f
f
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^
1
•^
mi
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1/
cresc.
/
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i
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p?^^
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^
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p
p
p
i
i
r
liss
But
birds'
and
chil-dren's
mer
-
preist,
im
Vo
-
gel-zwit-schern,
Kin
-
J.
ry
— voic
-
es
der
-
la
-
chen
Show plain e
-
nough
zeigt
deut-lich
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163
•
>
^
t)J
''
'
Pm^
ifi:
h
il
J)
J^
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•
^
I
f
P
M^
just
wem
who
it is,
That
Na
-ture's
wak-ing most re
-
joic
-
es,
doch
zu-meist
will
-
kom
-
men
der
Na-tur
Er
-
wa
-
chen,
Show
plain
e-nough
zeigt deut-lich sich,
i
m
^
^M
A.
t^
3
=t
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Z7
mj
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m
if
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p
J
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te
TV-
just
wem
p.'
:2i
who
it
is,
That Na
-
ture's wak-ing most
re
-
joic
doch zu-meist
will-kom
-men der Na-tur Er
-
wa
es.
chen.
f
m
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7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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version by
Henry
G.
Chapman
words by
Gunibert
^^
Moderate
^^
5
p
^^
I
At the
Ball
Inmitten
des
Balles
(a.
Tolstoi)
P.
Tschaikowsky.
Op.
38. N ?
3
fe
¥
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tristezza
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I
V
7
P
J^
I
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i)|
r^
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I
know
not
how
lovo
-
ly
In
-
mit
-
ten
des
Bal
-
les,
your
face is,
ohn'
Ab
-
sicht,
For
that,
when
I
um
-
g-e
-
ben
von
m
m
m
^m
^e
mm
m
^
^
^ ^
^
^
M
Jit
j,ir
K
i
^ V
^j^
r
vp
mi't
you
by chance,
Was hid
in
the
liir-
men-der
Welt,
sollt'
Ich
dich er
cloud
of
bli
-
cken,.
your
lac
-
es,
ein
Riith
-
sel,
A^
you
das
-^
^
^
^;
B
U
U-
poco cresv.
Copyright,
lf)lf, by
O.
Schirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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165
J'
J^ J''
I
j^
;s
sped thro'
the
plotz-lich
g-e
whirl
of
the dance,
fes
-
sell
mich
halt.
^
-^h^f-
;S
f
f--^^
fc
Yet spite of
your
flut
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ter
Nur
schien mir dein
Au
- g-e
J
J.
n
F
m
^ f
-^f-^
^
^
>^
I
p
p p
I
p
p
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7
y
^
1^
i^^
^I^Jn
and fleet
-
ness,
so trau
-
rig-,
Your
beau
-
ti
-
ful
eyes
I
di
-
vined;
One
die
Stim-me
so
weh
-
mii
-
thig-
schwer,
wie
^
t
W^: W=:
^Ei
3
m
^
poco cresc.
^
i^
p
J''
piii
f
ii
I
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i)
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e
S
P^
-^^^^^
son
-
or
-
ous
note full
Ton der Schal
-
mei
-
e,
of
sweet
-
ness
so far
-
ne,
Your voice in
my
wie Plat-schern der
t-
V
n
^f=*
m
±:^
:5i:t
^
poco
piit
^
^
i?
P
I
MM
^^P
^
^p
^p
?
^t-^
heart
left
be
-
hind.
Wei
-
len
im
Meer.
Your
fig-
-
ure
was
grace
-
ful
and
charm
-
ing-
So
schwar-me-risch
war
mir dein
We
-
sen,
t
^f
^
k
J.
^
i-
22724
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V V
K
P
p
M
P
p
P
^
cresc.
7
V
P
And
gra-
cious
your
air, yet
a
hold
schwe-bend die schlan-ke
Ge
part,
stalt,
Your
dein
•
at
•
laugh
-
ter
so
La
-
chen so
(^^
^fp
f
^
r
«=^
9
^
i
^
&
1.
^
i-
^/^
^
n
m
^
i^^t
^
frank and dis
-
arm
-
ing-
hell und so
selt
-
sam
It
al
-
ways
will
ring- in
m^' heart,
ist
nicht mehi'
im
Her-
zen
ver
-
hallt .
g
i ^
\>
1
M
^
^=^
^±^
p
4
^t=^t=^
r
f
P
\>
1*1
^
^
IE
^
i)
I
^
^
J^
^
B
tj
At
nig-ht,
when
I
sit
a
-
lone,
In
niicht
-
li
-
chen
Stun
-
den dann,
wear
-
y,
ein -
sam,
There
will
in
the
leg-'
ic'h
mich
er
-
^
i
3
%
a
^a^:
^
dr
spres.?.
P
^
ife
m
^
g5
2
r
p
i
p
^
^5
i
-T-^
m
dark-ness
ap
-
pear
Two
beau-ti-ful
eyes that smile
rail
-
det
zur
Ruh ,
dann seh'
ich
und
ho
-
re dich
kind
-
ly,
e
-
wig-,
m
^
i
f
-
jfv^
^>
*?
i
^
E
The
und
E
^
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167
\>
}' }'
i^
I
i)
^
Poco
meno mosso
^
i
m
I
y
sweet, est
of
vor mir wie
voic
-
es I
hear,
da
-
mals
steh'st
du.
And
oft
thro' my
Und sink'
ich
vor
slum
-
bers
Mat
-
tigr-keit
^
^
i'
^m
m
f=i
-f—^
s
m.
if
P
^m
^
p
espress.
•^.
^
f
-^^-^
^
^
7
^
p
I
Jl
J'
^il
|
»^'
p
P
I
P'
it
j^
l||ilT
^
your im
-
agB
Like some
fleet-ing-
vi
-
sion
will
move:
dann
in Schlum-mer,
wie qua
-
len die
Traum-bil-der niich_
piuf
p
I
P
M
l
p
^
V
riten.
p-
ili
|
i)
J\
^
=^z
-^t^
Can
this
then
be love,
dear,
I
won
-
der?
Ich weiss es nicht, was
mir
ge
-
sche
-
hen,
Ah
yes, I sup
-
pose it
is
ich
g-lau-be
gar:
ich lie
-
be
3E3
^
m
•a
^
ti*
^f^
m
-f
riten.
Tempo I
/T^
-^^-^
love -
dich .
i^
s
^
*
s
^3
p
=
?^
-i
^
P
W
A
^
p
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version
by
G-
Chapman
words
by
Paul
Collin
Moderato
A
Legend
Legende
(Plestchejew)
P.
Tschaikowsky,
Op.
54,
N9 5
From the cycle,
Song^ for
Young-
People
r\
nf
^^
^
r\
Child
Je
-
sus
Leu
-
faiit
Je
J
r-j
in
his
sus
dans
fe
gar
son
den
jar
^^
dim.
f^^^^^^
f
P
r^
mi
1
i=^
w
^^
^ f^=f^
*:
f
^
P
^
-«^
fair
din
Some
A
-
sweet red
Vidt
plan
ros
te
es
do
once
had
bel
-
les
fc
^^
grrown,
roses.
^^
i
^
r=?
yl=^
WJ
i'
J==i
1^^
i
i^
r^
Copyright,
1911,
by O.
Sckirmer
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169
i:
P
He
II
tend
-
ed
les
soi
:s
them
with
lov
g-nait a -
vec
ing-
a
care,
mour,
^
hink
-
ing-
to
Vou
-
lant s'en
^
?
*
5
* *
^^
f
?
^^
s
_mf_
?
i
^
FT
wn.
'
make
him
faire
u
self
ne
a
crt
cou -
ron
-
ne.
A
Mais
las,
des
some
en
J
^
chil
fants
dren
du
5
^
^
^''
—
f
?
-1
^^^^^
^^
St.
f
fe
i*
r r
I
J) j>
^
p
I r
^
from
the
voi
-
si
tf
J J
vil
-
lage, Who one fine
na
-
ge
E
-
tant ve
morn
nus
ing-
came
un beau
that
ma
i
i
^
^^
f
^^^
rP^
CL
?<
f
7/MO
^
i'
g Xf
=f f==^
*:
?<
^
j)
j)
;
>
^
iS*-
way,
tin,
1
Did
Je
-
sus'
Ont
mis
les
^*
ros
ro
es
ses
put
au
to
pil
I
pil
la
lage,
ge
P
r
Lj
^
i
f
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4:
f
,
H
i) I
J-
;i
[7
g
I
J-J)
^
And
all
the gar
-
den dis
-
ar - ray.
Et
de-vas
-
te
tout
le jar
-
din.
'How
now
shall
your
poor
Pau
-
vre cou
-
ion
-
ne,
com
-
IS*
f
g~r
*
i„t
g
(9-
^1
'^
//
?^
P
^
p
f^
^
?^
^
^^
e^
T-r
made?
fai
-
re?
-&
you
fleurs
crown be
ment la
They
have
Les beaux
not
ro
left a
siers
n'ont
t
^
flowr
for
plus
de
^
22
f
«
i
f
-5.
is
w/
/•
^
^
*
*f
il
a
F
f
f
7
'
S
i.
I
J-
i)
M
J
^
i)
)
J^
J^
said,.
The
thorns are
left,''
Child
Je
-
sus
'Mais
les
e'
-
pi
-
nes
sent
res
te'
-
es,.
'The
thorns
are
left,
and
re
-
pond
Je'
-
sus, ce
-
^
%y
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171
*:
^==^
wove,
sant,
And
Sur
f
on
ses
^^
1
his
che
head
veux
he
il
put
la
the
crown.
po
-
sa.
^
7
j^
7
^
^
1
s
£
P 7
«*
i*^^
t
r
3
*J;
f
f
%&.
^
^
^
*
Wlj
S
f
^
te
r p p
-=-
Lo,
drops
of
blood,
Gout
-
tes
de sang ,
his
brow
a
au
lieu
de
bove,
More
red
than
ro
-
ses, Sou
-
dain
bril
zzi
^
7
i)
7
¥
#
e
f
r-
r
w
2/
i
s^
%is.
^
^.
^
%i.
^
^.
^
^
^
ros
le
4=^
es burned
rent
sur
and
son
shone.
front
^^
^m
5
f
):tf
j
^
iJ^
:
f=
f
tl
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version by
Henry G.
Chapman
Duet
From
the opera
Pique-Dame
'1890'
Andantino mosso
1
I
J
I
I
f
^
k^^
j=ti
ij
k
•,
j'
.
^
T
m
i
['
,
i'
V
^_
*•
M
P.
Tschaikowsky
i
^J
tJ'
/^'
4
i
^
J^
ri^^
^-f
t
J
i
'
T
Jt^
<4»;^
^M
*
ftp
if
I
Ǥ<4
^
Aii#^
If
y
^
^
Lisa
fc
fe
J>
j) I
,1
^
^
P
^
*
and the
hues
that made
lh(>
clouds
so
bright Now
^
^
Ji
J^
J'
J^
S
*
2
and
the
hues
that made
*
thi' (iduds
so
bright
Now
i}
i
i
%
TB
*-
L
i
^
i
h-
s
^
^^
Copyright,
1910,
by
G.
Schirmer
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173
FP^
rp
M
p
T
^-
swifl
-
Iv
fade, for
now
the
suns
last
rays
are
dj-
ing ,
r- M
p
P
M^
^'
^-^^
i
swift
-
ly
fade, for
now
the
sun's
last
ra3-s
are
dy
ing',
ft:
I
I
t
*
1*1*
V
l\
1
^^^^
*
^^^^
^
^
^
One
pale
grey
cloud
-
rift
lies
}
i
-J-
Ji
ai'
-^
One pale grey
cloud
-
rift
lies.
±EE|i
I
i
|l
i
j
i
JF?
i
I
Tt
—
•
—
a:
«—
^^
m
i
^
pf^
fe
X.
^
rrff^
;
:
p
^^
ross
the
sun
-set
lig-ht.
Like
streaks
of
foam
*
4
up
-on
some
W^
^
s^fP
r
ip
P
^
ross
the sun- set
light,
Like
streaks
of
foam.
ti
'n
s
up
-
on
some
iiii
1
m
'*'t
k
m
V
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175
breeze
is
blow-ing from the
moun
^^^^
P-^^T
rorr
^i
tain,
m
:S
And
thro'
the
win-dow
^
^=^
#
g^
breeze
is
blow-
ing from
the
moun
tain,
And
thro'
the
win-dow
fume
of
the
rose,
And
soft is heard.
^
sS^
^^
P.
blows the per fume of
the
rose,
And
soft
is
heard.
*
I
i
*%^
t
^-
i
*
i^i'*'
I—
?=^^
;5EE
;i
if
»=^
K
1
ri'
V
^
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^
^
J
How
H.nv
|^
Qf-T
^
-
tf
til
nf^f
^
PIJ4J4
<
J>
ft
ff
J'
l r-
ft
JW'
P
P
^
I
f
lies
the
vale since
all
^
^
peace
-
ful
the
clouds
are f
lod
No
J
j
1
^
j^
^
^^
E8
peace - ful lies
the vale since
all
the
clouds
are
fled
No
t
j-jjj
j.»^
**
;
-I
r''
5 i
h -h
*f
*
;
*
h-
»*«*«'
5
fc
R
^^
3 3
rp
M
p
p
ound
dis-turbs
the
si
-
lence
of
the
wood
or
thick
i^
J^
* p
MM
M
-^
et,
^
sound
dis-turbs
the
si
-
lence of
the
wood
or
thick
et,
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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177
*:
i
i
1
S:
^
No
nest ling
from
P
its bed
need
h -h -h
^
*
iSL
No
nest
lina:
from its bed need
m
i
^
^
'
y
t]
j
1*1^
#=*
SE;;
P t f
^ S
^^
1
^
^^
X
^
^^
aise
its star
-tied
head,
And
in
the
grass. a
-lone
is
&
^^
^
iJj
P
^^
aise
its
star
-
tied
head,
And
in
the grass.
a
-
lone
is
P
j
ijjj
j
I
j
i
jij
i
h
V
J
'
T
|
:
«
*|
»
r^
^
f
^^:^^
in
s
^
S-/
I
J^
-/
J^'
s
3^
= ^
^
L
7 ^
7
r^r^
rr
t7-
^^
/CN
f^—
H-
^
^^
1
heard
the
chirp
of
crick
m
tr
et.
r\
r\
^^
^3E^^=^
heard
the
chirp of
crick
et.
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178
version by
Kurt
Schindler
French
words
by
Paul
Collin
Evening
Le Soir
p.
Tschaikowsky.
Op.
27,
No 4
^
Moderate assai
5
^
^
±
^^
he light
of
day
Dii
jour de
-
cli
is
slow
-
ly fad
-
ing,
ne
la
lu
-
mie
-
re.
^ ^
^
E^
F
The peas
-
ant leaves the
stub
-
born
plough,
Le la
-
bou
-
reur quit
-
te
les champs
^
^
nJ^i-i
J^'
J^
y
js,
y
I I S
J
i
I I
<'^
i
poco
piu
f
S
S
And
home-ward
turns
with wear-y
Et
chez
lui
re
-
vient
a
pas
brow,
lents.
While
En
in
the
I'at
-
ten
i
R=
t
-«
W
¥
^
r
if
f
^
r=v
f
Copyright,
lUil, by
G.
S'lAirmcr
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179
M
p
r
r
M'j
J
J
h
i)
j^
i)
low- ly
cot-tage
wait
-
ing,
dant,
a
la
chau-mie
-
re,
His
wife
pre
La
fern
-
me
^
^
V
pares
the sup
-per
now.
ne perdpas
son
temps.
m
3
2:
A
^
P
—
9-
P.
D5
i
fm
i
^
=^
ZT
^
#-#
i'i'i
A
A
p^
r
^r
r''f
i*
^P=5
£
zz
1^
-round the
board
Pour le
sou
-
per
w
i
go
deck'd
out
so
de la
fa
^^
jyp
^
i
E
3t^
r
T
t
S
P
=P^
:^5
5=5
3^
neat
mil
ly
The
house
le,
De
-
ja,
hold
ga
la
table
ther in the hall;
est
tou
-
te
pre
r> niTV nr rri'f
vno^
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>
-'
i
J'
P
p
J' J^
^
^^
J^
I
I ..1
^
S
The
come-ly
daugh
-
La jeu
-
ne
111
ter waits
on
all,
le
va
sei'
-
vir.
ir7
m
r
rl^
J1 -
i
m
^
m
r
i^p^
r
S i
^v
M
^
^
b
^'-
7
ji
Ji j)
>
> jw^ I ff
JW
v-ji^j,
|
i,i'
h
K K
I i
And
while
the
stars are peer-ing
sweet-ly,
Et la
pre-miere
e
-
toi
-
le bril
-
le;
Thenight-in
-
gale pours
forth his
call.
Le
ros-si
-
gnol chante
a
ra-vir .
^
^
i
m
m^^
^Jr
T
-y
g
i
^
i
f
i
±
kS
^
f
f=
irzz:
P
'
J '
p
J'
I
p p
^
» »
J
^
I
^
T^
5>-
Then,
o'er
the mead-ows
per-fume-la
-
den,
Puis, dans
la
cam-pa-
f^ne inu
-
et
-
te,
^
S
2Z
?*
KP
^
^
J
—
i
W
-5
-O-
f
^
^
^
?
S
#
No sound
is heard,
how- e'er so
slight,
On
n'en
-
tend
phis
le
moin
-
dre bruit;
22724
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181
'•
V
J) J) i
1
5
*'
*'
^
And
all is
Tout fait
si
si
-
lent,
all
is
lence
et
tout
s'en
^
^^^^
Save
the
night-in
Seuls
le
ros
-
si
i=i.
1
^
^
m
^
^
^
T
w
gale,
gnol
he and
the
et la
fil
maid
-
en,
let
-
te
fe:
I
ds
^M
s
f
—
•
—
te
><p
^^5^
^E^
^^
hey still
are
sing-ing
in
the night
Chan-tent
en
-
co
-
re dans la
nuit
tr^
rp
rcum.
f
^
f
^f
—
t
i
g
rs
4 :^
:^
/Cs
^F=^=
P
_7
^
P
j-
,^
r\
^
i
^
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English version
by
Henr>'
G. Chapman
French
words
by
Paul
Collin
The
Canary
Le
Canari
(Mey)
Moderato
P.
Tschaikowsky.
Op.
2o,
N'.'
4
iano
<
itif
espress.
I
g
g^
E
^
p
r
L-j^j
i^
i
^^
i
fe
^^
J r^
n
^
J
J
b
JJJ
=Q
^
^?^^
dim.
^
E
^
*
o
t
f-s^
m
fe^
7
p r r
^^^^
s
H
^
i
semplice
/5
-^t^mpuvt
rs
Thus Zu
-
loi
-
ka
Zu
-
lei
-
ka
di
spoke
to
her ca
salt
au ta
-
na
na
-
ry:
ri:
22724
Copyright,
1911,
bij
O.
Schirmcr
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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183
r
r
tm
Pret
«Bel
ty
bird,
oi
-
seau,
your
wing-s
why do
3'ou
flut-ter?
n'a
-
gi
-
te
pas
tes
ai
-
les;
S
iitw^
Soft
the air,
L'air est
pur
and
sur
r
a-''''p
p
i
^m
p
I 'ji
^it' p
^p
w
^
peace
lies_
all a
-
bout you, Where
-
fore then
pre
-
fer
the
air-
y
spac-
es?
ces cal
-
mes ri
-
va
-
ges;
A
quoi
bon vou
-
loir
fran- chir
I'es-pa
-
ce?
2?^
r
''M
f^
^
1
jr-^j)j'
Keep
Res
^
r^r7»7^r
^
with
-
in
your
cage,
and
te
dans
ta ca
-
g-e
grazioso
^
7 'r=^
r
»
mM
=^
p
p
M
n
M
^
M
^
I
will
care
for
par
mes soins or
you;
—
ne'
-
e
Stay,
and war
-
ble me
the
Et
ga-zouil-le
-
moi
tes
^^^^f
£^
:;?=
J
T^
1
f
f
f
m
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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>\
P
P
i^
P
^
ti-b
1-^^^
songs
you
sang:
so
sweet
-
ly.
Where will skies be found
that—
are more sun-ny?
chan-sons
les plus dou
-
ces: Sous quels cieux est
-
il
plus_
de
lu-mie-re?
:
^
p
£;
f''''P
p
^?w
y
^
:fci?
i^
rr^^
2^
^
;f
'
7
Gar
-
dens
where
are cool
-
er,
fresh-er
shad-ows? Where
wilt
find more
Quels jar-
dins
ont
de
plus_
frais
oin-bra
-
ges?
Ou
trou-ver des
It
£^^
^
^r
^
rr^^'
ITCJ
I
'>\nr*f
p
^
^
p
^
—
'm
^
1
'>7i(
E^
^^
zn
^
ib
a'-p
^^^
p
^
n=i=
^
sweet
-
ly
scent
-
od
flow
-
fleurs
plus
-
em
-
bau
-
me' -
ersr
es?
Where
Ou
wilt find
re
-
ver
r
^
^
\fTr
^
'i
'
,);[7f
f
^
r
^^'
b
rT
^rr
j:
7 ±.
.Tt
Vil,>r
=
''p
t^.ffl
p
^p
r
1.
^
rf
^
mis
-
tress half so lov
-
tres
-
se
plus ai
-
man
ing-r
te?
Sing
Chan
me
now
te
-
moi
the
tes
1
'£
V
^
^^
W—
?
-rr-m
^
72
'»
4
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185
g
fc=2
p
n
^
1
p
^ £
ii
J'
j^
i'
songs
you
sang-
so sweet
-
ly.
chan-sons les
plus
dou
-
ces.»
And
the bird
re
-
plied to
his
sul
-
ta
-
na:
Et
Toi-seau
re
-
pond
a
la
sul
-
ta
-
ne:
1S2M
^^es
^^
t.
^
Ah
«Ah
I
pray
n'in
-
sul
you,
do not— mock
my
sad
-
ness,
te pas
a
ma
tris-tes
-
se,
£
m
^=^
^^^
i
fe^^
w:
^
i
v..
^^^J
p
\?\>
^
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n
r^f
P
f'
T'
I
\'m^^
fcfe
joy
sons
-M-^
ous— car-ols?
jov
-
eu
-
ses.
O
L'o
da-lisks
da-lisque
frrr
m
P
to
-
•
in
in
-
do-lence
may
dA\ell
here,
y
vit
dans
I'in
-
do
-
len
-
ce,
,1.
^
m
^
^
7
^
a
=
>
f
H
^^
*
Ji
f
I
p^
f
i*
i
^ » • l
i
P
zpc
^
?
^^
or
re
-
gret the free
-dom
that
they
for
-
feit,
But
a
bird,
more
Sans
pleu-rer
sa
li
-
ber- te'
per- du
-
e, Mais I'oi-seau,
plus
proud,
less
vain,
less thought-less. Can
-
not sing
when he is_made
a
slave
fier
et
moins
fri
-
vo
-
le,
Pour chan-ter
ne
veut
pas_ etre
es
-
cla
-
ve
J2724
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»
Little Snowflake's Arietta
From
the fairy
opera
Snegourotchka
(A.
Ostrovsky)
version by
G.
Chapman
Nicolas Rimsky-Korsakow
Adagio
iJ^z 92)
a^fe;
fff^
rr
.^
I
i'
?
i'
L^
Ah
how
it
hurts
and
oh.
how
sad
my
^^
^r^rv
rpp
ni^''
n\i'~i
*
> 1
1.
|
I,
4 «
7
I
*
^=^=
^
niz'
ni
cresc
^F=^
^
^
M
P
P
fl P
^m
ei^M'
:^S
f
heart
is, for heav
-
y
as a moun-tain
lies
up
-
on
it
this
J
LJ
J^
S
I)
ii
J^
i).K
^
=ii
^
poor
dear
flow-
er
Lehl
so
light -ly
threw
a
-
way
fefe
t?=^
^:
^^S
1^
^^
^i^
J
*
4
i
^
^
^
/
m
^
*/
i
I
i
Copyright,
1910,
by
G.
Schirona
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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I
liolce
t_4..^
^
^ ^
Now
off
to
oth-er
maidens
hzis he
run,
WTioselaughterandwhose lipseire
warmer
Ihjin
M=
a
tempo, espressivo
i,^
J_j?3 ^'J^ |
JV'Jj1
[
;
^
P
^
^
mine Ah,
a
tempo
here
am
I
in
tears,
and oh, so lone
-
Ij'lfor
Lehl
he has
2dz
mii'
^^'j
^
cresc.
'^
5^
jn
J J.J
=^
Js,.
i
J'
^
^
^^^
'/
/
dim.
t^
^^
i
J^^
^
I
^
- dolce
^
scorned
me
and
left me
a
-
lone
Ah, dear-est
Lehl,
I let
you
go where love
'''
tay^
^ii
ni^i
'
^
i)^
i
J^^
{
331
^
'
^~^
Jij^
J^.^i'
p
P
P P
p/lJ
l J
^^'p
^p
P-
^^
is;
yes,
go
to
thosewho will
know
how to
love you
But why must
I
be
al-waj-ssad-
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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189
J*
_
at
heart and
cil-wavs cold and
i-cyinmv pas
-
sion?0 Father
Win-ter.thouhastdonem
M 7p i; I,
^5
v
1'
^^
'm>i>
,
r^
^
^
?^5^i
r
fe
^
r«7.
a
tevfipo
\r.
\\
^ 11
^'
^
V,
%
h
i).
ii
•y^'n^pp-
p
pT'
^
di
[^
^>
J)
^
wrong
Dear Mother
Spring,be kind and send
to
me
one
ti
a
tempo
ny
spark
of
ipp
Tit.
te
i,^
i
^EJ
5
(C\
^
J\
it
J'l
^^
?^^P^PIP-
P
^
fe
burn
-
ingheat
and
flame
at
which
to melt
this
fro
^
?
•
ft*.
zen heart
of
n\
tr
^
5
S
^^
*^
^
^:-:p^f
^
^
^s;:
Cs
7
?
^
mine
£=.4
£
^
£
rt^
^i
dim.
J3?^
^
:
^^^
^^
/r\
^^^^^^
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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190
English
version
by
Henry
G.
Chapman
French
words by
J.
Sergennois
Hebrew
Love-Song
Chanson
hebraique
(L. Mey)
Voice
(^^^
A
Adagio
(J
=
60)
Piano
I*
-
^^
P
tei^
N.
Rimsky
-Korsakow.
Op.
7
(1867)
m
¥
«^
-iS-
i
zc:
-G-
^^^
:ni
zc
iz2;
^
^
=r=^5
/^
22:
:p:
I
Je
*
«
-/'a
pi
acere
i
^^
s
M(^
LLTP
,y
^N
fe
i
*
sleep; mj-
heart
at
break
of
day
can
dors;
mon
coeur, au
point
du
jour,
ja
nev
-
er^
ma
is ne.
sleep:
dort..
m
s
i
ft
h;
titiJ^
p
r
If?-
iH'
u
p
^^^^m
?=?
^
At
my
thresh
-
A
ma
por
-
i
s
old
waits m^- love,
and calls
to
me:
te
mon„
ai
-
me
m'ap-pel
- leet dit:
22724
Copyri,^ht, 1911, by
G.
Srhirmcr
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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191
:*
rpp
a
tempo
£/
r
M
£J
O
-
pen,
my
dear_
Ou
-
vre,
mi
-
g-non
^^
^^
P
one,
ne,
rise_
for him
who
lov
-
eth
thee
le
- ve
-
toi
pour
ton
a
-
mi
P
i
^
i
i
r
f
f
«£/
r
p
I
£/
^
^^
^
p ff
^^
^
Morn
-
ing
breaks;,
L'au
-
be crois
-
san
«
U-
the
moun
-
tain-peaks are
all
a
te
sur_ les
monts
rou
-
git
de
i
glow;
i
^
*^
ie:
«*
nt.
/
i
i
s^
y
r^
f-
*
^
^
^fe
^
W
I
cj^
i
From.
Aux_
the_
brins
grass
-
es,.
d'her
-
be,.
from the
sur_
les
moss
-
y
trees,
troncsmous-sus,
^m
t«
»
^^^^^^
i
MEi:
W^
T
i? :
r
f
'
*:
Lf
p
I
IH'-
>
j90eo
r?Y
1
a
tempo
g
^
^^
Drops of
Pend en
dew like pearls
are
per
-
les
la
_
ro
hang
se
ing,
:#
i
^^
And
their
tears
_
Et ses
pleurs-
a tempo
I
i
m
^
3»
poco rit.
^
^T
t
±^
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192
i^j;tfiiw77rp-i^^ ^
»-^-
^
^
g
f
^
*-
r
—
Have
be
-
Ont
mouil-
of
fire,
bril-lants,
gems-
joy
of
the
dawn,-
aux du jour,
_
^
^
r=^
:
if
S5«
1?^^
1^
'ft*
Pi
<S*
FT-
S
^
^^
i
-rr
i?^
pp
P^
-'
?
>
^r
*
rj
j^ ji
j^
^
^p^
door
and
come,
O
por
-
te,
viens,
6
fair
-
e.st
love
ma_
beau-te
^
V=K||l p P
p p
p ^
*
^
a^
P
^
£
*
w
•''•
II
l^JJJv
2^72 4
r
f-
t
ppp
A
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'iy<j
version by-
G.
Chapman
words by
Sergeiuiois
On
the
Georgian
Hills
Sur
les
Collines de Georgie
(a.
S.
Pushkin)
^fe
Moderate
(J
-
so)
N.
Rimsky-
Korsakow.
Op.
3
(1866)
P
P
^
P
zzs;
%
•x
^^
The
mists
are
La
bru
-
me
hang-ing-
low
a
-
bove the Geor-gian
pla
-
ne
sur les monts de I'E
-
ri
-
i
ih
i^
f
ggfeft
1
i
i9-
Sl
&-
^
«A
%
]•
—
m
P-JLM4^
A J'' J-
f
h
j^
jV
^
hills,
van;
The yel
-
low
As
is
L'A-ras mu
-
git.
roar
-
ing-
sous
in
ma
the
fe
Copyright,
19il, by
G.
Schirmer
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p~rh
t
y
JH
jy
;5
^^
dull'd,
since
hope
is
^one_
mor
- ne
et
sans tour
-
ment,
Still finds
in
thee
its whole ex
-
Je
vis
en toi, c'est
tout
mon
^'A
.^
^-
1
'^
iVh.
j
ft
3X
^
xx:
'f§°
f-
f-
-
^
P
m
-f
f
^
^
M
M
r
-^
IS
e
tence,
tre...
In
thee,
Qui,
toi...
and
thee a
-
lone,
toi,
rien que
toi...
i
Si^A^
31:
f
f
DCE
O
ft
Poco
meno
mosso
^
In
my
En
mon.
^
r-1 ;-i
P
i
l
J
I
J'l
ff
J''
^
1
de
-
spon
-
den
a
-
bat
-
te
cy
ment
TT
22724
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195
5^5
h
J'
'
ff
i'
J) I
J
^
?
^
poeo string.
^^
y
I
feel
no
pain,
nor
would
re
-
prove thee;
Au
-
cune,
au
-
cune
an
-
g-ois
-
se ex
-
tre
-
me.
If
e'er a
-
Si de nou
gs3^
^Cj
-
^
f
m
poco
string:
f
t:r\
r^ ^
f
riten.
Ji
ii.^
^
Tempo
I
?
I
p p
f
p
i'
p
4
gain my
heart
sliould
wake to
life
in me,
veau
men
coeur
e'
-
prou-ve quel-que e'
-
moi,
'Tis
that to
live
it
needs
must
C'est
que pour
vi
-
vre
il
faut
qu
11
A
e=g
l
s
^
riten.
f
P
#:
.^
3i:
«»
—
r\
love
ai
thee,
me.
^sm
«
/Tn
^.
It
K5
ffl
/
i^
morendo
r:\
Tj-
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196
English
version
by-
Henry
G. Chapman
i
Song- of
the
Shepherd
Lehl
From
the
fairy opera
''Sne'gourotchka'
(a. Ostrovsky)
Alleefretto
p-iocoso
(J.
ins)
°
Lehl playing- the
shawm
Nicolas
Rimsky-Korsakow
Piano
(
'
' >
^
i
r
p
^m
^
^
^^
n
y
f
V
:*
if^
S.
te
m
?
s
/>•
^
js:
i
^
r^'f'.sY-
.
^S
cb
#
Lehl
Piu
lento, maestoso
j2l
^''
i
>
T
J'
JM
J-
,
^
^^
s
wm
f
To
tho
Ihun-der call'd
the fly
-
ing-
cloud, Rum-ble, grum-ble,while
I
I
i*
/Cn
s
^^
liing'a
poco
riten.
5
^
Tempo
I
i
i
s
i
£
P
5
m
the
plain,
Hap-py
cat
-
tor
xny
rain,
Spring--time
show'rs
shall
re
-
fresh.
fe
^
^
ro/^o
parte
SS
^
^/>
^
sl
r
22724
Copyright,
1910, by
O.
Schirmer
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197
2dr
^'-
p
p
nr^ppN
jJi^'-
p
pMr'^pp
i
J
pr
flowrs
once
more
to life_
shall
spring-, All
the
girls
will go
a
-
ber
-
r}'
-
ing-,
All
the
^
^
i
i
i
^
See^
iEikd
iE^
3=i
^^^
^T
f=T
f=f f=^
f^
r
poco
riten.
a tempo
p
p
pp
Mj^ i
r
p
nfri^
^
5^E=^
lads
will
fol-low
in
their
train:
Lehl,
my
Lehl, my
love,
my
love,my
LehlKheplays)
l'|>
V
J^
V
jl
fe^
^^
I
^
i
p
^
poco riten.
a
tempo
P
^
m
^
^
=1^
kfe
s
4i;
h
g
i^
^
h b
^t^^
^
jS
^^^
h
^feS
f
h
1
%
t
^
sgp^
3
r
f
f
f f
^
Lphl
Piu
lento
^^
^
S
^it^
^
Thro'
the
^a
%g
^
f^
I
>
»
V
M
h
i
»
>
M
h
N
jS
f
^
^
'^
^
W^
r
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l>'l>
J^
h
J
'
S
^
^
^
¥
woods
the
girls
a
-
mong
the
trees
Far
and
wide
are pick-ing
i
^^
';/
^^e6S
i^^
2M
pocorit.
3
s
^^
^
cb
i
straw
-
ber
ries,
Dells and
glades
with songs and
laugh
- ter
re
^
^
^
i^
^
^oro
r;Y.
^^
^
Tempo
I
ri>
J
i,
;i
3^
J
i.
J-'
^
^
sound. All at once
one maid-en
cant
be
found;
All
the
^^
IJ
-^/
P
^
w
pp
f
|3
4^
^^
m
^^=^
T=T
^A
z
izr
i^
f=^
^
^^
J r
f=f
^^
i
^
^
P
MP
P
p
p
oth
-
ers,
weep-ing
sad I3-,
cr)',
She's
been
eat
-
en bj-
some
(p\^
,ff2
,^
^S
^^
r
i^E^
i ^
^^P
i'
m
^^w
22724
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199
kfe
^
poco riten.
a
tempo
^^
i
fe
r
i_r
N'-
P
J'
J
wolf
near
by
O
my
Lehl,_
my-
love,
my
love,
my
'eeSe
w
^^^
*
^^
^
^w
i/oeo riten.
a tempo
m
Lehl
(he
plays)
^
SE5;
?^
i'
^^
I'
1
-
h
^-rj
'
V
r
1
jS
i^^
h
l>
P
^
^
JOI
fefe
:j*^^
1=^
^^
r
T
h
•>
J
1
k
U=.
^
^
*y
y
y
DpJL-
f f
>
n
r
te
a
' >
P^^
^
f
^
^
^
^
f
V
»
•»
>_ki
h
*
1
3
h
iU
jS
[^
[;
—77-
P
^
*
^
hf
?^^^
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i.phi
Piu
lento
|^''
l
>
J'^ .N
i'
p
fei
fe*
£^
?
33
?
maid-ens,
still
in
an-g-uish
and tears,
Lo,
a
wild^
a-ged
stran-ger
ap
fefe
/r^
i
£
P
zz:
f
??9
^
4*
*
i
jooro r?Y.
^
^
Tempo
I
J
i,
;
P
P
P p
t
f
pears;
Sil
-
ly
^
tr
maid
-
ens,
have
j-e
lost
3'our wits?
quoth
he,
Whj' stand
V
tr
P
^
tn-
tf'
t
^
^
tr
iT^^tr
r\
^
s
*
poco
rit.
P
cnlla
parte
4
;
VP
f
i
*^=P
tei
^
^
5
m
^
eep
-
ing
here
so
fool
ish
-
ly? Weep-ing,
call
-
ing
her,
will
^
I3Z
^
—
S-
-m^
1
1
P^
S
f
^
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201
kfe
do
P
H
^
P
P
I
P
M
p
^
no
good,
Bet-ter
look a
bit
a
-
bout
the.
1'
ME:
^
P
J*
-f»-^
^
^
t
W^
a
tempo
L
^
f
kfe
riten.
nssai
^m
^
^
O
^
1^
f
wood Lehl, my
Lfhl,_
my
love,
my
love, my Lehl
^
P
5E±
^
iten.
assai
i
ffl
n
tempo
^
?>
5^
F^
s
^
fhe
plays)
S
^^
^^
^
^^:
*
^
^
ia
f
^
h
Z2I
f f
^
^ffltp
^^
I
1
^
^
t>
V
It
S
1
»
^
J;*
h
f
^P
i)
J^
i
:^
t
^
J^
t^
?=^
s
^
i
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version
by
Henry
G.Chapman
words
by
J.Sergennois
A
Southern
Night
Nuit
m^ridionale
(N.
Stcherbine)
Allegro
(J-
-
N.
Rimsky-Korsakow. Op.
3
(1866)
:^
^
3EE3E
^
Rides
the Queen
of
the
Night,
Bril
-
le
I'as-tre chan-g-eantj
And
the
Uo
-
li
-
^s
mf
£^
S
^
;«
ol
-
ive
in sil
-
ver is
drest;
vier s'en
-
lu
-
mi
-
ne
d'ar
-
g-ent
And
the sea as it
heaves
To
the
Dansleur flux obs
-
ti
-
ne, Cou-rent,
Copyright,
1911,
by
O.
Schirmer
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203
i
^
m
^
^^
3t—
i:;
i
-
i
swell
of
the
waves Is a
mon-tent
les
f
lots
Pail
-
le
flame with the
gems on
its
breast,
tes
de leurs ri
-
ches gre
-
lots.
g
p
S
fc
^ee£
^
^
Ah,
mi
Ces pro
ra
-
cu
-
lous
nights Ah, mys
di
-
ges
des
nuits,
Ce
mys
m
mf
S
5±
SEE£
^
te
-
ri
-
ous
lights
All
my
te
-
re et
ces
feux
,
Tout
en
blood, all my heart
is a
-
fire;
flam-me men sang
et
men
coeur;
I
have
Les
flam-
S
ZZ-
ZZl
WX
\cresc.
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^
ga
-
thered
Ihee
flow'rs For
beaux
sont
bril
-
lants,
J'ai
?
our
cueil
flame
-
light
li quel
r
p
V
d
bowVs;
Tar
ques
fleurs,
Ha
te
*
ritard.
'm
^^=r
^
?
not,
O
toi
vers
mj'
Love,
m}-
mes bras
a
De
mou
sire
reux
Tar
-
ry
te
*
I I
-
^
i
^
p
I
J
J
J
J
\
Soon the night
will
be
o'er,
Get
-
te nuit
va
pas
-
ser,
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305
i^i
J
r
^
J
I
J
mi
f^
i
And the
waves
call no
Et
la
va
-
g'ue
se
more
tait
'Neath the
pas-
sion-less
eye
of
the
Sous
les
yeux
im
-
pas
-
si
-
bles
du
sun;
jour,
And I
feel
how
a chill
Et
le
froid
vient
d'en
-
trer
All
my
bo
-
som
doth
En mon sein
in
-
qui
-
1
^
i
m
/:
w
¥
\ i
ipp
subito
.8*
^
o:^
1
nf
^E£
i
-
i
r r
I
r
lone?
mour?
:*
fill:
et..
Wilt
thou
guess
how I
love
thee
a
Sau
-
ras
-
tu
de
-
vi
-
ner mon
a
S
i
-
i
F^=
3
m
'f=9
/
t
\.r^
^
^
^^
\
-
\
fe
^
--(&
f^
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206
Eng^lish
version
by
Henry
G.
Chapman
Air
Sylvan
Roundelay
From
the
fairy
opera
Snegourotchka
<A.
Ostrovsky)
Allegretto
capriccioso
rit.
pnco
a
pnco
Nicolas
Rimsky-Korsakow
Piano
^^
V ^^
Little
Snowflake
poco riteii
a
tempo
a
piacere allargando
For
to
an-swerolh-er
maidswith joy-ful hal-lo,
Hal
I^H
^y
%
n
'i-\h
i
H
^
^
ii
j^
>
\
>
^
in
F
^
P ^
v=^
p.
^g
If-'
l^^^i'J^
fl
tempo
^
^
i
lo,
hal
-
In .
^
^tt
I
^-#^
i
m
^^
^
]
22724
Copyright.
19t1.
by
G.
Schirmer
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«07
*S
^
P
P
P
^^ i'
l i^
^^
r^
poco
riten.
^^
^
For to
dance
the
mer-ry round,
and
one
of
them,
With the
cho-rus
led
by
M$
^
h
r\
fes^
^;iy7
i
^^=p
^
y^
w
F-tHt
?
;>
7
P
^
^
P
V- P
^
^
¥'tf
p
V
^
^
^
^
^
^
'y
i
M'>
^^p
pp
^ tempo
a piacere
allargando
a
tempo
shep-herd
Lehl to
fol-low:
Hi,. La-do Lehl
^'^i-7
^p
^
^3^
Fij^
?
^
sA^
¥tt
P
.y
P
^7
P
;y
r
i9-
:2Z
«P
i
^
*i
e
Poco
animato
^
»
I
ft
•
£j
I
^'
^
P
'Tis
this
your
daugh-
ter
would
pre
-
m
d
k
h
—
^s
^T
j
-^'T
^
T
i
^
'''
r=?
^
7 aitmn
^
^^
if'
^
^7^^^
7
:
^
v-
^
J^
^
&J
I
^'
^
p
fe^
fe^
fer,
Or_
life—
is lit
-
tle_worth
to_
her.
A
k
i
h
^
m
f
1^^
^^
i
^^
tty'tf
p
^
T
P
^
-
E
V
^y
J'
^
/
P
K
fe
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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208
:«:
P-
?
T
P
When
you
re
-turn
with
win
ter
-^
S
5i-
f^
S
tM=ini
P
^P
P
P
P
&
t
to
re
-
side,
With
-
in
these gloom
-3'
woods,
at
M
kfe
Adag-io (J
=
5n)
a
^^
g
f
^
fcE
S
en
-
tide,_
I'll
sing _
to
J'ou,
%
w
^m
I
f
_^^
1^^
^
32
r r
M'
I
P
M
M
P
p
p
[7
g
Sing-
3-ou
a
^3
song-
tho
whilp the
storm
-winds
pipe
and
P'h}',
I
J
^^
-*
^S
p 1^
22724
r
L^
^
;J
i
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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209
poco
riteii
m
^
^
^^^
^
Poco
piu
animato
fi
tempo
^
Sing-
I
song that's
blythe.
and gay,
^
^
e
7
^
I
poco
riten.
VP
^
i
i^
^y
string.
a
ptacere
r
p
tfp
U
p
p
p
[ P'
lJO^
.
||
A^¥tf
-
To
learn
it will not take me long.
1
^^
I
,
i^,^'^»-
A#r
r^
M*
^
h,.
f-
r-
my_
fa
-
ther
EEi;
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210
Allegretto
capriccioso
r
I
tenu to
assai
<
^^/^]
n
p
p
i'
Jl
I h
I'l
p
i'
:
^
I
J)P
p
p
^
or
to
g-o
and
g-a-thpr
bcr-rit-s
in
the
woods,
For
to
an-swer oth-er
@
A=^'^-
i
r\
^^^
^
i- ^
f
^
rr7/>
riccwsn
'>''^i^
P
r
i
^
i
^ 4^
/C\
ro//a
parte
t
i
p
*
^
J-^
^
P
P
^
Tempo I
r/
pin
cere
scherzando
^lteIL-
I
'?^
maid'-
with
joy-ful
hal-lo
Hal
lo,
hal
k
t
^Jr-i.h t
^
^
M
=0
^-
^
^
pti-4
r^p^'
«
tetnpo
\
P P
P
>
J^
l
Ji
.^
/r\
^
lo For
to dance
the
mer-r}'
round.and one of
thom,
m
e
h
/0\
^m
m
^3
^
r
r
Ml
^
1^
I
^
P^^
^
ritenuto
assai
p^
J,
P
^P
p
^^M
jiff-S
P P
Tempo
I
With the
cho-rus
led
b}-
shep-herd Lehl
to
fol
-
low:
(o
^^ ^
\
^
1
ritenuto assai
'
>--\h
i
t
i
fc
i
^
^
-5^
22724
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.cxx
a
piacere
allargando
«A
tt
fr
|t|
a
tempo
ft
ff
7
^
p
£jir
p
Hi.
*
A
La
-
do_
Lehl _
a
tempo
i
S
tt
^
VP
9^#
co/^a
parte
4
5£
Poco
animato
l^i
i
^^---
^
/ ^E
/iP
&p
^
i
J':^Pe
;ip
e
jp
^i
'Tis this your
daugh-ter
would pre
-
fer,
Or_
life_ is_
lit
-
tie
worth to_
poco
string.
^
H
u
poco string
her,
Vivo
^
^
£^
|
P
^p
or_
life is_ lit-
tle_
*S
S
^
fe
s
^
ooco cresc.
^
V
Jl
il
^
=j
—
,1—l -
^
P
Y
^
^^
orth to_
her, oh
fa
ther
^
^^
n\
5
N
^^
5^
^
V'
jn
J
^
# .
h
?
7
J
7
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English
version by
Henr}'
G.
Chapman
words
by
L.
Esbeer
The Little
Fish's
Song
Fischleins
Lied
A.Arensk>-.
Op.
27,
N9
1
Allegretto
Copyright,
tfffi. bij O.
Schirmcr
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I
<»f
w
J
J.
J':
M
H
r
p
^
I'll
call
my
sis
Die
Schwe
-
stern ru
ters here
and
we
_
fe
ich her
-
bei,.
Will
wir
^
*
thee,
_
Tanz,.
whirl
schwin
and
dance for
gen
uns
im
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215
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1)
J
^
'
J^' l
b
here,
aus,
so
soft shall be
thy
dein Pfiihl
ist
ja so
^
bed,
welch,.
?
So
die
:*
cresc.
]
x
^yfj
^
e
droams
Z.-it
wilt
ill
thou
mt'i
for - get
npm
Reich,
How fast
the
du
traumst,
wirst's
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217
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219
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220
The
Nereid
(A.Pushkin)
English
version by
Henry G.
Chapman
Voice
Piano
fe
Andante
(Jr
72180)
Alex.
Glazunoff.
Op.
60,
NPS
i
^g=3=
[Q
^'
A
£
*f
P
9^r
m
i»f
f-
^
-4^
I
^
f2I
^^^
^
^3
^
:
^^
m
On
lone
-
ly
Tau-ris'
i
*
ps
-5^
S
ff
T^=E
;e
m
:-
J^^
^^
^y^
g
*
s^ ^
y
—
Ti
—
F
^v_*
—
ft
^^
In
<
f
'
/
f=
shore
at
ros
-
y
dawn
a
-
stray
s
ing,
S
i
=fa :
rc
S
^
J^^3M^
*:
*-&^
22784
Copyright,
i9H, by
G.
Schirmcr
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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231
*
tl
n
ff
n «
o
-
cean's wa
-
ters
green. I
saw
:S
Y
Ne
-
reid
i
^g:
play
i
f
l'
\
.h
Ji
Jj
^
<S-
ing.
«
In
shel-t'ring reeds
un-seen
8-
m
m,
f
S
•9^*
*
doles
^
H'
M
^
^^^
I
let
my
vi
-
sion
roam.
From em
-
'raid
#-
i
^
^
w
-f
i
Si
-J
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M
«
a
P
P
P
P
P
^
0h
she
wrung
the pearl
-
y
foam.
82724
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Before
My
Window
(G.Galina)
version
by
G.
Chapman
Lento
(Jz5o)
emit
ab
He
^
T^ _ c
.,,;«
A
s
Sergei
Rachmaninoff.
Op.
26,
N?
10
f
Be
-
fore
my
win
-
dow
blows
scent
-
ed
al
-
der
-
*
-
===—
or
esc.
' ir_r~
I
tree,-
Who
wears
with
se
-
rious
grace
his
fes-tal
robe
of
flow
-
ers;
la
melodia
ben
*
m.
£
^^P^
^=j;=J^
?
i'
^
V*'
•>
J
-
^
Some
perfumed
branch-es
now
he
low-
ers,
He's
greet
-
ing,
call
-
ing
mar
cata
Copyright,
1910,
by
O.
Schirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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224
*
dim.
-JOL
me.
\
^^
-T
?
3
r-p
P ^
^''
^
And
as the
scent
from
frail and
tn-m-bling:
blos-soms
i
»:
i
^
-s^-
W
^
///
'/•
^;:ft ^
r>i~^
^
^E^
^^
r^
4
*
F
^'
P
M
P
^P
M
^
flies,
I catch the
in
-
cense
sweet so
glad
-
ly
heav'n
-
ward
i
*
^^
,
^
n
^rm
,j
^E^
(9-
^
f
rfm
.
S
n ^
^ri
^
p
_ P
£
i
p
t
ere
so.
^
X
P
P
P
ff
^-^
^
2^
soar
-
ing-,
I feel a fra
-
g-rant
breath
mv
sens
-
es o
-
ver
3
rrr^
M
8-
^
^ i
r
n
r
^
_
P
^
?
.?
^
'j^.
227Jt4
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ten.
that
needs
no
words,
a
-
rise..
^
3Et
1
^^m
—
r^
*^
cresc
.
1
^^s
:^
/«/•
cresc.
WW
m^
22784
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Lilacs
(Kath.Begetoff)
English version
by
Henry
G. Chapman
Voice
Piano
^
llegretto
Sergei
Rachmaninoff.
Op.;il,
N'9
5
sempre
tranquillo
r
s
^
orning:
skios
Mor-gen
-
rot
are
a-
plow
schon
er-gliiht,
^m
m
^m
p
w~^
un
poco
ten.
1>
^
J
J
J
^
^
^
While
the
li
-
lac
-trees
blow,
und
der
Flie-der-buschblliht,
And
I breathe
of
the
fresh morning
und ich
at
-
me
so
frisch
Mor-gen
^
^=F
E^
s
mj
cautabile
±
^^
-o-=-
te
P
^
^-
i
r
r
r
r
r
f
wind;_
wind;.
Hy
the shad-ow
-
y
pool,
nach
dem schatt-gen
Ge-biisch,
l^
^
,f7^r
ZZi
P=2:^r=—
11
zz:
z.
r
fe^
^m
z^
jujfL.
fcte
^^
^
—
-r
Copyright,
1910, by
G.
Schirmcr
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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237
a^
r
r
r
r
i
^
Where
it's dew
-
y
and
cool,
das von Tau-trop-fen
frisch,
^
must
see
if
my
for
-tune I'll
schau'
ich,
ob
dort
mein
Gliick
ich
nicht
i i
-
find.
find'.
te
13
^
if
*-^
jt?^
te
^
iS^
^
E
?
Ah,
of
luck
there's
scant
dole,_
Ja, des
Gliicks
g-ibfs nicht
viel,.
Yet
it's
ev
-
'ry
-
one's
und
doch
ist's
al
-
ler
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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228
ffi
rail.
p
i
p
^^
^
r
r
i
fg/t.
a
tempo
^
zpi
^^
^^
R'oal,
And
my
own
lies
out
thorp
in
tho
dfll;
Ziel,
doch das
mei
-
ne ist dort aufdem Strauch,
n
tempo
VP
Hid
- df'n
thorn
all
a
wo
im duf
-
ti
-
pen
^
^
JJ^J^^'^
^'
i
•=F=F
^
colI
(I
parte
VP
^^
in.
^
^-
i
^
f^
^
dtm.
^
?2G
gf^F
i
^
^
^
round
Griin
Cluster'd
li-lacs are found, And
my
li
-
la
Trauben
er
-
bliihn, und
mein
own
lit-tle
for
ar-mesGliickblii
tunc,
as
het da
|^''|^
ccS'cffl
m
_,•
^S
^^
^
^'
i9-'
E^
mf
^
- -
i
(?±
g
«*•
i
te
i?P
^
well.
auch.
^
p_»
^
^
rf//M
.
:KP
m
m.d
.
3
b
-;
J.
*
•
J
_i
O^
*
ZiTi\
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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2'49
Morning
(M.L-.Jiinoff)
version
by
G.
Chapman
i
Moderate
=
^F=^
^
Sergei
Rachmaninoff. Op.
4,
No.
a
^
S
S
S
I
love
thee, dear
i
*
.'/
said
.?
^^-^-
IW
«^
V' M*.
-
j?
{[.
F
I
I
I
I
I I
I l=f
ppp
J
*
E
1^
^^
f
^
^
-f-^r-
Morn
-
ing
to the Day,
And
with
him in
her
arms
3
grew
3
*
&
T^^
> > >
i
I
I
g I I
f
f
I
I t
I
LiJ
^'
r
B:
w/*
espress
.
V
um
i
dim.
2?:
i
^
^^
¥
h
^
i
^
ros
-
y
3
:L
in
con
-
fu
3
sion;
i
i
h
The
llf
l
tlllll
^-1-
^
XS
»nL.
w:
#
S3
T-
331
J
tt
tt
ttt
t t
->
i
r
Copyright,
1910,
by
G.
Schirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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$
J
i
J-
7
Ji
J'l
^^
f
^
1
zz:
^
sun
lit
up
the
world with
am
-
Yous ray,
.y
And
.y
4—i-d
f l<i
i
i
i
i
i
t i
3BE
t t 1
1 1
t l
ilt
^-
t-
tH
f
/-^se
.
12.
T
=
>-
J^;xi
^
^
^
^^
J)
J
tf
i^
e
^
^
1^
with
her
burn
-
ing
kiss
.y
^
es
smilfd and
.y
:i
took
pos-ses -
sion.
ffp:
gj
la-
iiL ;H£p
/>/>
i
^
^^^
9-
*:
yf
^
P
iiJ>
Ji
^^^^5
fe
*
'
*
1^
*i
»
as
tho'
he still
at
heart
mis
-
trust
ed
Tho
truth
of
pi
d
i
ll
1
1
l
i t
%
*
3z:
=^
;£
^3
lat:
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231
t^J
J)
J)
J' J'
J)
^J yi)
^
22
^^^
^
itard.
^
ught
the
dream-y
Morn
might
do or say,
.y
,y
.y
.y
i^
iTTi'
iH^
fTr
^19
^
^
Dropped swift
-
ly
ritard.
W
f
m
vp
y
.y
11
an
SE
^n^'
w
^£
' L
^
a
tempo
m-
5
'£_
^^
i
W
i
sgf
^
down
to
earth,
and with a smile
he dust
-
ed
Au
«=^
a tempo
P P
^
^—^
m
0L
4
£
.y
*
w/,
'/
.y
.y
i^
y
cf
m
^^
t?|
o
p
^p
J''J'7
-'P
I
f
^
77^.
:^
way.
ro
-
ra's
my-riad wealth
of
dia
-
mond tears a
#
»
*-
^
i
^
ff
^F^F
-^pqs
gf
*£f' m'
;:^
.?
J
s=^^
&
in
»/f.?
si
»/'
,
^
;)^
v^
//?,
^M
:
'#
Fs^
' 7
^
J
^UUP
pp
r:\
^-s-
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How
sweet
the
place
(G.
Galina)
version
by
Henry G. Chapman
Sergei
Rachmaninoff
i
Moderato
J)
dolce
ed
espressivo
M^
-
^
^
^
How
sweet
the place
^
Far
dis
3Ei ^ 3Bi
PP
v%<^
-
^
* ^f *
—
=2St
\
.
.
S=5
^^
^^
^^
aJ
^
J)
f
E
tant gleams
The
riv
-
er
in the sun;
The
grass
-y
iiii
XiM
f
2
LJg
J.
j>
j)
h
I
''-
J
^
^^
\
i\
Ji
mead
-
ows
at
my
a
/TlJ
j
feet
X r
E
With flowVs
are
o
-
ver
^
te
1^
K
-i-
y
-
3
Ccfpy
right, 1911. by
G.
Sckirmer
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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233
E
run.
^
^
^ ^
^
f f
,
f
^
i
^^^
IS
No
one
is
fr>
i/-
^
w;
2^
m
S
?/i^
/a
melodia
ben
marc.
f
^
^
^^
fe
^
near but God and
I,
&
r.-
i
J
J
J
^
*
^
The
dis
-
tant,
hi4jj-^ii^B
s
T^
,^-,
7>
r
r^
i
J
^
UJ
J
Mw
^oco ^e?i
7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])
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234
fe
lone
-
i£
J^
'
i>
p
P
I
p
(en.
¥^^
-
ly
pine, the
host
of flow'rs,
And
r^
22724
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235
O thou
billowy
harvest-field
(A.Tolstoi)
version by
G. Chapman
Serg-ei Rachmaninoff.
Op.
4,
N9 5
Lento
i
:*
g^Pg
*
^m
^^
^U^
E3
^
3X1
^
o_
p
^
pfTf
^^
^
-o-
^
ffW
^
f^
3
«/
^^^
O thou
bil-low-
y
^.
-•
^
^^
f^
It
^#*
9fcS^
^yu
7i
-
^
^^
*
i
P^^5
sSir
:i
i
^»
^1
g
cj
r
r
Miij
J'
f
p
r
'^^^if^r
har-vest-field
of
grain
Nev-er
may st thou be
mown
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