a colloquium in memory of george carpenter miles (1904-1975)
TRANSCRIPT
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E NT R M L E S
cSociety
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
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NNU M SMAT CSO C E T
ericanNumismaticSociety,presiding
nstituteforA dvanc edStudy, rinc eton
nsin ateA nti uity
anSchoolofClassicalStudies,Athens,Greece
e B ron eCoinageofSyria:An nnovationby Abd
ericanNumismaticSociety
ntineGreece, the atinWestandtheMuslimWorld
nstituteof ineA rts, N U andMetropolitan
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
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cSocietyisproudthatGeorgeMiles s
essionaltieswerehere,withus, butwe
sively.H istoweringstatureasa numisma-
actthathewasalsoa distinguished
igraphistandconnoisseurof slamicart
tseemedfitting,therefore,thatourpro-
yondnumismaticstostressthe catholic-
sandachievements,andwearemost
olarsinother fieldswhohavecome
c ollo uium.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
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rvington,New orkshortlyafterGeorge sdeathincludedaper-
Thompsonof the nstituteforA dvanc edStudyat rinc eton, for
eA gora x c avationsinAthens, andoneofGeorge sc herished
dse pressedsoelo uentlywhatweallfeltonthatsadoc casionthat
emore hisreminiscencesofassociationwithGeorge.
odaytohonorthememoryof agreatscholar:
abovealla numismatist.Manyofyou,
consciousfeelingthatinthis place,onsuchan
ustsurelybepresent,not ustinourmemories
ood,intweed acketandpullover,pipein
for solong,afull uartercentury,his
dcometobe thepresidingspiritofthe place.
iveabiographicalsketchofGeorge,nor yetto
hisscholarlyachievement.Thishasbeendone
ompsonintheforewordtothe estschriftof
oupleofyearsago Near asternNumismatics,
hyandHistory , StudiesinH onorofGeorgeC .
uym ian, ditor, A meric anUniversityofB eirut,
mecontainsalist ofhiswritingspublished
hat shalltry todotoday istoconveytoyou
sofGeorge,thescholarandtheperson,as
yearsorsoofhis life.
eeting wasvaguelyaw reofsomeof
s,especiallyhismassivevolumesnthe coinage
c andA rabperiods. B ut knewthathehadalso
nofthe slamiccoinsfoundincontrolled
nioc h-on-the-O rontesandHerodian eric ho. n
dDirec torof the x c avationsof theA thenian
dwithorgani ingthepublicationprogram,and
cksofmaterialto suitablescholars.O neofthe
efor wasthegreatmassof slamiccoins,
ccumulatedinthecourseof15 seasonsof
ualf riend, rofessor ohn . Caskeyof the
suggestedthatGeorgeMilesmightbeinduced
t. approachedGeorge,andtomygreatrelief
eganhisstudyin thespringof1954,and the
formin1962. TheA thenianA gora, X : The
tisaslimvolume, butitmadeac cessibletothe
C r e a
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0 slamiccoinschieflyfromthefourcenturies
ofA thens 1458-1831 . Georgewasableto
ome 25differentmintsscatteredoverthe
uropeandAfrica.Thiswasthefirst systematic
oinsfromanye c avationinGreec e, anditf illeda
ticrecordofthatcountry.
x c avations wasenormouslygratefulto
particularlydifficultpartofourpublication
atlyimpressedbythespirit inwhichheworked.
amiccoinsfrome cavationsknowsthattheyare
sandmostintractableofall productsofthe
dveryhardoverthosewretchedbits ofcopper
ngtobearupon themhislonge perienceand
ls. nowc ametoreali ehowmuchthe
mforhis publicationofthisandahalf do en
nswhichmightotherwisehavelanguished
onstorerooms.
GeorgeworkedhardontheA gorac oins. B uthistask
erhad itnotbeenfor thehelpofhis
eivedherrewardbycomingtoknowatthis
amesR . Mc Credie.
nshourafterhour ishardonthe eyes.O ne
ggestedtoGeorgethathelook , bythewayof
arvedinbold,beautifulArabicscripton a
oundsomeyearsbeforeintheAgora
ong, withthehelpofA lison rant , herec ogni ed
amete tintheB y antineMuseuminA thens.
wthatthisdoc umentattestedtothee istenc eof
heyearsaroundA . D. 1000. A lthoughthe
re,thiswasinitselfastartling andimportant
ofmediaevalAthens.
gnificantforGeorge sownprofessionalcareer
nuesof researchwhichweretooccupyhimfor
sewere 1 theA rabsinCreteand 2 slamic
neart. Hissubse uentinvestigationsinthesetwo
think,George sspiritofenterprise,his
dhis est—q ualitiesthatseldomocc urtoge-
rge swork inCrete. Thedisc overyof theArab
eorgethepossibilityoffindingArabic
fCrete,for Cretewasknowntohavebeen
about135yearsin theninthandtenth
fromtheAmerican hilosophicalSociety
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asearc hof theislandinthespringof1956. n
cietyhefranklyadmittedthat,insofaras
ed,theresultsofthee peditionwere
hewentontolist otherresults,particularlythe
rabcoinsof therelevantperiod.Nordidhe
nceofthemanylocalwineswhichheand his
sampled.Thereport,unlikemostspecimens
ttlegem.Twelveyearslater,whenGeorge
osophicalSocietyforaidinhis searchforArab
wardedwitha secondgrant,andthatona
alresultof histwoe peditionstotheislandis
atedenoughArabcoinstoenablehimto
nethe successionofArabgovernorsinthe
essimportant— hisenthusiasmforthepursuit
edscholars,governmentofficialsandciti ens
heretheywerealleagerto oininthec hase.
rkishaffiliations,hemademanyfriends
methathec ouldbefreef romhisdutiesatthe
ciety,Georgealsoworkedtirelesslyonhis
. theinf luenceof slamic artonthebric kwork ,
ngandceramicsofB y antineGreece.This
beenstudiedbefore,butneverbeforeby a
esultisa muchclearerandmoreprecise
heoneartontheother. nthec ourseof
Georgevisitedscoresofchurchesand
Greece,manyoftheminremoteandbeautiful
nitselfwasagreat oytohim, asalsotohis
edonhistravelsusing hisownsplendidslides.
eceislikelyalsoto begoodbirdcountry,and
leasureofthepro ect,forGeorgelovedbirds
edpeople. feelsorryforanyamongyouwho
reona numismatistlookingatbirds.
amethemostcharac teristic ualityofGeorge s
twashis humanism.He wasalwaysconcerned
heancientmaterialon whichhewasworking.
ensehise c itementonlearningalittlemorefrom
ureV isigothicprinceorsomeArabamirof
eventhemostformal,arenevermere
hecoinstalk,tellingofancientcommerce,the
fallofdynasties.Andthishe doeswithavery
nglish. Hiswritingisc ompletely f reeof argon.
ect,encouraginganeasyrapportbetween
C r e a
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onlythesubstanceofGeorge sscholarshipbut
t it. haveknownfewscholarswhohave
estandwhohavegottenso muchsheer
work. H elovedtosharehisthoughtswith
inandpracticedmutualaid,givingfreelyofhis
elicitingthe cheerfulhelpofothers.Such
lyacknowledgedinhispublications.
eprivilegedtoknowGeorgepersonallythis
urscholarlyrelationsheightensthesorrow of
wlearnto livewithmemories,andweshall
yofonewhowassuch ahappycombinationof
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cconcernwasalwaystheworldof slam,hebecameinlateryears
theartandc oinageofasisterc iv ili ation, thatofB y antium.
sociationandfriendshipwithAlison rant ,researchfellowof
ns, aninternationallyknownB y antinist, andasuperbphotographer
dartifacts. Shehasc hosenashertopic today, ' Some nvadersof
ity .
ns
swerewide-rangingandsometimesinterlock-
antinearchitectureallclaimedhisattention,
mesincombination forinstance,hisstudyof
teringknownas uf ic or ufes ue, whenitis
dasaformofdec orationinthemasonryofB y an-
chacombinationofelementsthatsuggestedmy
enianAgoraGeorge sattentionwascaught
c inscription. twasatantali ingdocument
paththatstopped ustshortofasolution. B ut
hatitbelonged,alongwiththree othersmall
hens,to aninscriptiontherestof whichis
s ue, evidentlyerectedinA thensinthelatetenth
This,forhistoricalreasons,happenedtobe
epossible.U nderwhatcircumstances,then,
Didit betokenanA rabinvasionandocc upation,
ainst O ranencounterinwhichthe Arabs
dweresettledinAthensas prisoners whichis
ytoneoftheinscription O rapeaceful
ngte tilesofthekindreflectedin the
rbuiltintothewallsof the ittleMetropolis
oughtheproblemremainsunsolved,allthe
tedbyGeorgeMilesandthat initselfisno
tessomeofthe difficultiesinherentinthe
aspectsofinvasions,and thoughtto
evidenceavailabletodeterminetheirdate and
uality.
nvasionscometomind,onein eachcentury
th.Thebriefresumeofeachwhichfollowsis
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heAgora x cavations,wherethearchaeologi-
curebecauseofthe largenumberofcoins
rcumstances. nthe45yearssince the
eatdealofprogresshas beenmadetowardmore
sof lateanti uity andhereitisappropiateto
usdebttotheAmericanNumismaticSociety:to
inkingespeciallyofGeorgeMilesandMargaret
mberof youngernumismatistswhohave
eMuseum sSummerSeminar.
edegreeoftruth andfictioninanyaccountof
spresentthemselvesinkaleidoscopicpatterns.
orarestpattern, literaryreportss uarenic ely
erarchaeologicalfindingstoproduceanun-
morec omple patternsraise uestions H ow
enwrittennarrative,howevercircumstantial,
dence Howtrustworthyare archaeological
enceofwrittenrecords Andhowisone to
rchaeologicaltestimonieswhenbothare
Thepatternsarenumerous.
vasionsfollowsthesimplestpattern,with
. 267
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e ost-HerulianWall
orroboratingandsupplementingtheliterary
AthensinA.D .267bythe barbariantribe,
dinwide-scaledestructioninlowerAthens,
hhasbeensaidandwrittenabout itandhere
esonlywiththedefensivewallerectedbythe
areventsinthe future.Thecityinits original
bletodefend,sothe newwallenclosedonlya
northoftheAcropolis.Materialforitscon-
ablefromtheruinedbuildingsoutsidethe
arsafterthe discoveryofthefirstshortstretches
srangingall thewayfromthethirdcenturyto
ourseof theAgorae c avations, whic he posed
e pocketwasfoundinthemasonrywhich
entlydroppedbyamasonintothe wetmortar.
eyears270and 282,thelatestbeingofthe
emaysafelyassumethatthewallwasbuiltduring
yslightly later. shouldpointoutherethatfor
amusingfinespecimensinthismuseum. n
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aicWay,causingterroramongthe inhabitants
toconcealtheirvaluables.H ethengoeson
usesthe destruction,eitherpartialortotal,of
hhadsurvivedthe H erulianraid,especially
ample, theStoaofZ eusandtheTholos. O nly
ppedby supernaturalorothermeans.W ith
wallnowf i edattheendof thethirdc entury it
ri ty i n t he A go r a
meconfidencethatitwashere,rather thanat
na,infactor fancy,performedhermiracle.
ountsisperhapsonlyin theinterpretationof
osimositmeantonlytheA cropolisandthearea
al and, infac t, theword c ity — Tt6A i< — was
meansimplytheAcropolis .Toothersthe
byAlaricintheouter cityontopofthe still
ouldbesufficienttogivethe impressionofutter
intherealmofhypothesis,but showing
ringthelongreignof eo 457-74 the
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e westcoastofGreeceandprobablymore.This
storians.At ustaboutthesametime
bemadeto thefortificationsofMegara,asingle
A thens thisf romaninscription . A ndc oinsand
everalbuildingsinthe agora.B utwhateverthe
touseac autiousword , itsimportanceliesin
arkedtheturningpoint towardindustriali a-
epredationshadbeenfollowedbya periodof
elargecomple occupyingthecentralareaof
bablywithgoodreason,asthe U niversityof
ngpositionandimposingbuildingsand
uptothento resistencroachmentofthesmall
lishments,especiallymetalfoundries,which
stoutsideitsprecincts,stillbatteningon the
ulians. B utimmediatelyafterthe V andal raid
e.Acompromisewasnowreachedbetween
he desiresofphilosophybytheconstruction
uctalongthe anathenaic Way thewalltoprotect
esirableneighborsandthea ueducttocarry
mills.
tore. ntheyear582/83, ac c ordingto
Greeceasawholewasdevastatedbybandsof
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byfirein widelyseparatedpartsofAthens
tterytomakeaninvasionat thattimeavirtual
ee ample:oneof themillsonthe anathenaic
ors,waterwheelandgearsfurnishedamplefuel
mismaticevidenceforthisinvasionis
ecoinsinall,ofwhichsome400 werefoundin
dnoneof thec oinsfoundhereorintheother
uctionwerelaterthanthereign ofTiberius I
c oincidee ac tlywiththeliteraryac c ounts, andthe
thatAthens,thoughnotmentionedbythe
ytheSlavs.
stillstandingat thetimeoftheSlavic
e slopesoftheAreopagusprobablytobe
schools.Theirendwassuddenandviolent,
s coveringtheirfloorsprovidesafitting
prosperity,bothintellectualandmaterial,in
htenmenthadobviouslybeenlost,andsmall
d.
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stime, si yearsago, thattheSoc ietywaslook ingforanassistant
totrainunderGeorgeMiles andeventuallytakehisplace.O neof
elB ates,agraduatestudentatthe U niversityofChicago,whose
sadmittedlyslimbutwhosebackgroundinhistoryandlanguages
e tentthatGeorge sreac tionwas: I thinkhemaybetoogoodfor
tagree itseemedtomethatwehad uitealittletoof ferinc luding
ngGeorgeMiles. ortunately,Mikesharedmyview,and might
edbythewayinwhichhe hasrespondedtothatchallenge.H is
ndealsw ith The A rab-B y antine B ron eCoinageofSyria:A n
al-Malik.
e
yria:
bdal-Malik
eMileswellsoonreali edthathispersonal
itsheritagewasat leastasdeepashis
slamicworld.Thepreviousspeakershave
ontheArab presenceintheGreekworld.O n
washise uallyintenseconcernwiththeGreek
d. twasnaturalthereforethathe tooka
restinthe remarkableMuslimcoinageofthe
centuryA.D .,whentheArabs,througha
tsinMuslimic onography, tousehisownphrase,
onetarydependenc eontheirB y antine and,
edecessorsbydevelopingtheirownoriginaland
inage note1 .
alperiod,specificallywiththebeginningofthe
tineGreek typestopurely slamic c oinage, that
especiallyappropriateasmyideaswere
swritingandby discussionswithhim
tatthe timeofourconversationsneitherofus
ofthe problemwhich shalltrytodefend.
y antine isgenerallyused,asin Walker s
umcatalogue,tocoveradiverseassemblageof
, NorthA fric a, gypt, Syriaandthe a ira,
ssues,fromthebeginningupto theadoptionof
hregion note2 . Theonlycommonfeatureof
magesorinscriptionswerederivedinsome
elate R oman mpire.Thisclassificationis
rab-Sasaniancoinage,includingcoinsof
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kundertheearlycaliphs,theU mayyads,and
atevertheirgeographicalorigin andbythatof
ncludingallpurelyinscriptionalU mayyad
oinswhichhaveimagesdrawnfromneither
ansourc es.
ndmoreconvincedoftheuselessnessofthese
es,which believeoughttobereplacedwithan
slamic c oinagebasedonlyonthegreatregional
,bringingtogetherallthe coinsofeachmint
ologicalorderwithoutrespecttotype. n
gebeganwithimitativeorderivativetypes,
ationsandthepaceofevolutiontowardpurely
ferent. venaf tertheadoptionof thenew slamic
fmintingandeventhe weightstandardsand
ominationsvariedfromregiontoregion.The
sandthe U mayyads,likethecoinageofany
ughttobestudiedfirst mintbymint,then
egionbyregion,beforewecanthink about
oriesencompassingthewhole.
calframework,mylimitedaimtodayis to
ageofearlyMuslimSyria withB y antine
ontinuationofB y antinec oinage, butisinfac t
thosewhichbeganthetransitionto apurely
putmoreconcretely,thattheSyrianArabcopper
typedidnot,ascommonlysupposed,originate
ofSyriain A.D. 633-36,butratherappeared
ecadeoftheseventhcentury,atthesame
oinagewasintroducedinSyriaaspartof Abd
rypolic y note3 .
Arab-By antine Syriancoppercoinagehas
becausethesecoinshavenodates.B utthe
criptionoftheearliestof thesecoinstocirca635,
n uest, wasformeputacutely into uestionby
sredatingof thelatestc oinsintheseries, the
omeofthesecoppershave A bdal-Malik s
mynous.TheselatterwereassignedbyW alker
ya, specif ic ally toA . D. 670-85 note4 . A s
1963 note5 , andMilesreiteratedin1967 note
mage,whichappearsonsilverand goldaswell
sfoundoncopperwith themodifiedcrosson
, andthisreverseisknownonlyw iththestanding
antinec oins, thec rossonstepsisused
i, neveronc opperfolles. tstandstoreason
sadoptedbythe Muslimsforgoldcoinsand
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r notasWalker sdatingwouldimply , thatthe
goldweref irstadaptedforuseonc opperandthen
solidialso.Moreover,itseemsfarmore
oldand coppercoinswithasimilarand
uedsimultaneously.Sincethegoldandsilver
ldated,fromA.H .74to77, orA.D .693-97,a
ovidedforthe copperwhichisabout23years
alker.
ndMiles inthisveryreasonable
ndingcaliphvarietiesto themiddleofthelast
areleftwith veryfewimperialstylevarieties,
e60yearsf romthecon uesttotheinitiationof
eallyseem tobeenoughfora coppercoinage,
herslight degreeofevolutioninepigraphical
ec tagreatdealmorec omple ity inac oinagewhic h
derninecaliphsanda hostoflocalgovernors.
c tac oinageissuedoversuc haneventfulsi
thegreatdivisions whichstirredtheMuslim
ngthatperiod:especiallythecontestsforthe
andMu awiyaandbetweentheUmayyadsand
yr,nottomentionthelessersectarianrebellions
a feudingof theSyrianA rabs.
ogyseemsthereforeuntenable, whatistoreplac e
oblemhas beenobscured,itseemstome,by
aminedassumptionthattheearliestArab
gmorethananunoriginalperpetuationofthe
ready inSyria. f thisassumptionisabandoned, and
aminedanew,itbecomesevidentthatthere
weenthemandthecoinageofB y antium.To
woulddrawyourattentiontothreefactswhich
ted— indeed,theyareratherobvious— but
theirrightful importanceinthefaceof
s.
werenoB y antinemintsinSyriaat thetime
Thesituationthereisinc ontrasttothatof gypt,
ntoperatedinA le andriauntilthetak ingof the
e8 , andwasevidentlykeptgoingbythemto
ybarbarousimitationsofitsB y antine
andalsocontrastsw iththatof ran, wheretheA rabs
peratingand wheretheystruckdatedcoins
eir rulecloselyimitatingthemostprevalent
yria, theonlymintinlateRomanorB y antine
hatmintwasc losed ustbeforethe ersian
1andneverreopenedbytheB y antines. B esides,
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uslimmint.
tivityinB y antineSyriaontheeveof the
known,althoughitwas perhapsnotsoclearly
lkerwrote. Hehimselfdidnote plicitly
createdasmokescreenwhichobscuredtheissue
e calledthe trulyremarkablephenomenon
hyc reatedmintswerereallyancient, pre-B y an-
esresuscitated note10 .Tothecontrary:
anyonewouldspeakof reopening mints
onatleastthree centuriesearlier,asifthe
enthadbeenloc kedupgatheringdust. tisinfac t
attheA rabs, whentheyadoptedadec entrali ed
dlocatetheirmintsinthesame district
whichhadhadmintsin thefragmented
c andRomantimes theurbantopographyof
mefor atleastthreemillenia. nasmuchas
erecordedasmintsinclassicaltimes,it is
otverysignificant,thatsomeofthe Arab
a mintbefore.
ecedentforstrikingcoinsin Syriaistobe
ionofmintsalreadyin operationis uitea
ndationofnewmintswherenone hadbeen.
at,intheperiodimmediatelyfollowingtheirnew
reveryconservativeintheiradministrationof
sistobee pec tedwhenonec onsidersthatnot
ahavenocoinageof theirownbutalsothat
oe perienceinadministeringlargeempires
ta pay ingpopulation. ntheserespec ts, the
racticesofthe oldempires,withonlysuch
interestsmadenecessary,andusingwhat
ureauc racies. fmintshadalreadye istedin
yptand ran, onec ouldimaginethattheA rabs
peration.B utitis difficulttoimaginethe
rlycaliphsinitiatingmintingoperationswhere
sted norisMu aw iyaknownasanadministra-
sitlikely thatama ornew initiativewouldhavebeen
ccessorsduringtheconflictswhichfollowed
foreyouisthe markeddissimilarityofthe
f theB y antinec oppers. TheB y antinefollesof
eracliusandhissuccessors,thecoinswhich
eentheprototypesforArabimitationsofthe
uests,areatrociouslystruck.Theyareirregu-
lsoinshape anddiameter.Many,apparently,
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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ngdeepmarginalcracks.R estrikesare
eightstandardwasreduced,oldercoinswere
byarbitrarilychiselingoff aportionofthe
eare, itistrue, imitationsof thesec oinswhic hare
andsomeof thesehavebeententatively
ypicalearlySyrian coppersare uite
uniformlyround,withfairlyevenandwell
echnicalresearchhasbeendoneonthe method
ancoppercoinage,butitlooksas iftheflans
andstruckwith asmuchcareasonewould
mination.Atanyrate,it iscertainthattheArabs
echnologyfromthatofseventhcentury
mindis thatnoneofthevarietiesof Muslim
erhasanyspecif ic B y antineprototype. A lthough
ueoftheissuesof eachclassificationwitha
ototype,hehimselfpointsout thatthe
ypeisalwaysuncertainandthecorrespond-
ouldsuggestthatthesearc hforthe prototype
bytheA rabsineac hinstanceisfutile, forthese
tationsinthe strictestsenseoftheword.The
generalway,inthatit ispatternedafterearly
ryB y antinecoppercoinageasawhole:the
re therearethelargeM sonthereverse the
thedenomination40 ; thereareGraeco- atinin-
s,sometimesreproducingcommonplace
tmoreoftenisolatedwordswithoutanalogues
therearenoinstanc esofevenbarbarousattemptsto
menclatureoncopper ; andtherearemarks
ms,theofficinaeletters,andotherau iliary
tineissues,althoughitisnot likelythesemarks
abdie cutters. notherwords,thedie cutters
toachieveacloseimitationofanyparticular
lytostrike coinswiththefamiliarattributesof
cetherenodoubtwerealreadymanyvarietiesof
nsincirculationinSyria,mostof themill-struck
nscriptionsandimages,itseemslikelythat
necopperspassedunnoticedbythosewhodidnot
ctconnectionbetweenthecoinageof
arly imperialtypeA rabbron ec oinage, mak ingits
uestperiodunlikely,theproblemremainsof
the introductionofthenewSyriancoinage.
minethecoinageitself,concentratingonthe
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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theassumptionthatifthecoinageof thecapital
propriatedate,thecoinsoftheremaining
dated.Amongthecoppersin Walker s
meD amascus,thereare,e cludingthestand-
eobversetypesand twonotablydifferent
ersetypesistheenthronedemperor,which
sc us itisrathersc arce, w ithonlytwoe amples
atalogue note12 andfourintheA meric an
igs. 1-2 . A notheristhestandingemperor, byfar
asc eneobverse, w ith26e amplesinWalker
ourownc ollection. Thisobversetypewasusedalsoat
berias. thasanumberofvariants: somehavethe
ig. 3 , alsofoundontheenthronedemperortype
MAC O C F ig. 4 ; othershavegarbledGreek
ovetheletterT, arefoundvariouslyabird,a
escent,orno symbolatall. inally,thereisan
dingimperialfigures thisisveryrare,known
specimens note14 andrepresentedinthe
ietybyonlyone F ig. 5 .
mascusimperialtypeshasalargeuncialM as
a ordistinctiontobedrawnamongthe reverse
withGreeklegends specificallytheword
d eb a se d f or m o f it , o n th e l ef t t h e ci p he r s X I I I ,
right andthemintabbrev iationA A Minthe
andthosew ithA rabic legends, mostc ommonlydarb
, w h ic h ma y b e tr a ns l at e d as c u rr e nt i s su e o f D a ma s cu s
5-7 . A llof theseimperialissuesareplac edamongthe
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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ssumingthatthereverseswithGreek
ewithArabic heisthereforealsoprobably
enthronedemperorobverseprecedesthe
e,fortheformerwasknowntohim e clusively
lethema orityofthelatterhavethe Arabic
lessnogreatseparationbetweenthetwo
ngemperorobverseiswellknownin fair
reeklegendreverse,whilerecentlythe
ietyac uiredbygif tf rom aulB edouk ianan
erwiththeArabiclegendreverse,a
yrec orded F ig. 1 . Thesetwoobversesare
yareversedie, distinctivebecauseofthe
, whichisfoundontwocoppersin our
nedemperorobverseandwiththestanding
. etanotherinterestinge ample, f roman sraeli
mperorobversevarietywiththeGreek mint-
mbinedwithaGreekreversewiththeabbrevia-
A sidefromthiscoin, theAA MAC O Cobversehas
rabiclegendreverseand wasveryprobably
ucea semi-bilingualcoinofthesortknown
e17 ; butthe sraelihoardc oinshowsthatthe
erestill beingusedalongwiththenew
ation.Thethirdobversetype,withtwo
sotohavebeenused inclosecon unctionwith
erse.Therearenoknowndielinks asyet,but
nNumismaticSocietyspecimenofthetwo
arkedaffinitieswiththereversesof twoAmer-
standingemperorcoins,includingtheunusual
imash totherightof theMandthepec uliar
s ee i gs . 5- 7 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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es,whichwouldprobablybeincreasedbya
ethatthethree D amascusobversetypes,
dingemperor,andtwoimperialfigures,arenot
eparateanddistinctclassifications,butrather
leserieswhichmusthavebeenstruckovera
wyearsatthemost. etmereiterate,these
tire bodyofArab-B y antineimperialstyle
sc usmint-name note18 . sitpossibleto
wasissuedcontinuouslyovermostofthe 60
uesttotheintroductionofthe standingcaliph
93-94 O r evenfromthereignofMu aw iya
thinkcertainlynot. Norisitreasonabletobelievethat
ringa shortperiodintheearly yearsofArab
easeduntiltheappearanceofstandingcaliph
ewis toregardthesecoinsasthe immediate
ngcaliphcoins,issuedinthe sameshortspan
y Milestotheearlygold coinswithpurely
esec opperissuesarefarf romthe enithofcoin
enta certaine tentofdevelopmentawayfrom
NosubstantiveB y antineinsc riptionseemstohave
barbaricform,onanyArabSyriancopper.
nofArabiclegendsmustberegardedas a
epureimitationof B y antineissues.Atits
coinagebecomescompletelybilingual,ason
ustissueofH ims note19 . nc ontrast, there
mitationsolidi, allwithidentifiableimperial
enderingsofimperialGreekinscriptions,before
Arabsolidus withArabicinscriptions note
Arabs, hav ingdepartedsofarf romB y antine
mentoftheircoppercoinage,shouldthenhave
oseimitationof B y antineimagesand
ldcoins donotthinkso.TheArabcopper
nspirationmust,itseemstome, beregardedas
nslightlysubse uenttotheintroductionof
Abdal-Malik.
D amascusbeganstrikingcopperonlyunder
rSyrianmintislikely tohaveprec eededit. nthe
otherimperialstylemints,onecan onlysay
t eachwassmallanditlooks asifthe
yparalleltothatatDamasc us. A sane ample, let
situation,theissuesofB aysan,Greek
alestine.Thismintstruckunusualcoppers
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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datfirstby issuingforthemselvescoinageof
earlyandmiddleseventhcentury.This
rthecopper,becauseB y antinecopper
creasedconsiderablyin uantityafterthereign
kelythattheArabsof Syriasawmuchofthe
onis,whatdidtheArabs ofSyriadoforcoin-
enthecon uestandtheintroductionofcoinage
erewaspresumablyabodyofc oinageincirc ula-
bsarrived.Thiscoinagecouldhaveremained
ndefinitely,e ceptforaccidentalloss,forit
torecallforremintingbytheB y antines. robably
geingovernmentandchurchtreasurieswhich
and placedincirculation.Afterwards,there
non Syria scoinage,forinthe pre-U mayyad
nopartof itsta revenuestoMedina note25 ,
tropolitanprovinceofthe empireunder
vernmentrevenueswouldhavebeenintoSyria,
r,andleavingasidemerepresumption,hoard
blythatB y antinegoldandcopperaswellas
ansilverwereimportedintoSyriainthe
entury note26 . H owandwhythesemonies
otrelevanttothe present uestion.
the oneproposedhereislikelyto arouse
ot mynewdatingwillstandup againstits
but itisto behopedthatitwill atleastinspire
eearlyArab coinageofSyriahaslong
e arliestA rabGoldCoinage, A NSMN13
e e hi s T h e c o no g ra p hy o f U m a yy ad C o in a ge , a
talogues A rsO rientalis3 1959 , p. 209.
alogueof theMuhammadanCoinsintheB ritish
gueof theA rab-B y antineand ost-Reform
n do n , 19 5 6 .
i i , x v i .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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i - x x i i, 2 2, 3 0.
heMonetaryReformsof A bdal-Malik:Their
heir inancialReperc ussions, E SHO 3
e p. 215.
astheolderreverseused, at erusalemc ontinu-
nitia lly .
areattributedtothismint, eventhoughhecame
and thecityfelltothe Arabsin642.Thecoins
dduringthe briefrecon uestin645-46,butin
emintoperateduptotheendofB y antinerule
d, SeventhCenturyA rab mitationsof
ummia, A NSMN18 1972 , pp. 113-17.
dhisnotesonindiv idualmints.
alogueof theB y antineCoinsintheD umbarton
theWhittemoreCollection, I : hoc asto
2-717, Washington,1968 , t.1,p.22.
4-5.
7-26.
42and . 6, andnotetono. 42.
menswithasomewhatvaryingArabiclegend,
esearee emplif iedbyWalker, p. 8, nos. ANS
hasthesamereversedieasWalker, p. 9no. 26,
elettersgamma-kappaontheobversewhich
rpretastheGreeknumeral23 H . . Thedielink
ariantasconstitutinga separateissue.
herssentto MilesinO ctober,1967bythe
agaQ edar.
p. 11, no. . 4, pp. 15-16, nos. 43-51 ; B aalbek
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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os. 35-41 ; Tartus Walker, p. 19, nos. 55-56 ; and
20-22, nos. 57-72 .
omeofthecopperswithno mint-name,notably
sw ithM Walker, pp. 16-17, nos. 52-53, . )
w ithtransformedc ross Walker, p. 14, no. h.
ascus.Thesemightcorrespondtothetwoandthree
s Miles, GoldCoinage, pp. 207-10, nos.
os.57-72.
e, pp. 207-9, nos. 1-4, I . X L V , nos. 2, 4, 6, 8.
nsonly,W alker,pp.1-2,nos.l-3ff. with
alker,p. 2,no.B el.2.
ow ick , E arlyA rab igureTypes, ' NC irc 78
sthef irstof thesetobepublished.
5-6.
ggestedby owick,p.90,buthedoesnot go
eas do,suggestingratherca.660-85.
mc H istory , A . D. 600-750 A . M. 132 ; A New
mbridge, 1971 , pp. 43-44.
ishedgoldhoardis describedbyCecile
r by a n ti n d e Ni k er t ai , R B N 1 18 1 9 72 , p p .2 9 -9 1 ,
entioned,especiallyp.62 thisarticlealso
ndcommentsontheeconomicconte tof Abd
mwhichmightbeoverlookedbyspecialistsin
.Twoimportantsilverhoardscontainingboth
ancoinshavebeenpublishedbyMuhammad
s h , T h e Si l ve r H o a r d of D a m a s cu s D a m a s cu s , 19 7 2 ,
a r a al - i d di D a m a s cu s , 19 7 2 . S ev e n br o n e h o ar d s
ans aswellasArabissueshavebeen
nNumismaticSocietyinrecentyears.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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velledoverthe highways,bywaysandgoattrailsofGreece,looking
enceintheformof ufes ueornamentationonB y antine
dmuchmorebesides.Thoseof usprivilegedtoseeand hear
sthatemergedfromhistrips willremembermostvividly
siasmandobviousaffectionforthelandand itspeople. or
ufes ueinthe astbroughtrichrewards. TheWest, too, hasits
hethemeofourf inalpaperbyR ic hard ttinghausen, arthistorianof
dsthe evork ianc hairof slamic artatNew orkUniversityand
airmanofthe slamicD epartmentattheMetropolitanMuseum
n ti n e Gr e ec e ,
eMuslimWorld
o-earlypassingdeprivedthelearnedworld
randmanypersonsofa kindandloyalfriend,
eoutstandingspecialistinthe fieldof slamic
asane uallydistinguishedArabicepigra-
wellasan e pertonMuslimhistoryanda
lturalrelations.H isachievementsweremany,
istin theshorttimeandspaceavailable.O ne
be consideredhereandthestartingpointwill
awordwhichMilesc oinedforthe nglishlanguage
mindicates,itisa combinationof ufic,the
ptusedintheMuslimworldfor inscriptionsin
osaic,wood,andivoryoftheseventhcentury
e,thegracefulcontinuousornamentemployed
orldforalmostallmedia note2 . Milesused
rpseudo- uf ic. tshouldbeunderstood,
ed ualityof falseness or pretention
thiscompoundwordrefersprimarilytothe
ongerreadable,andnotnecessarilytothe
canoftenstillberecogni edinshortcombina-
cf ic e amplesf romtheB y antineperiodin
ufes uec arvedinstoneorterracottainthe
ofmanyecclesiasticalbuildings,intheform
upsor ofcontinuousfrie es.Thistypeof
lsooccurredinpainting,mosaics,andevenin
veforms werepopularonlyduringarelative-
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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thefirst uarteroftheeleventhcenturyand
f thetwelf th, althoughthereisonee ample,
phogus, whic hdatesf romabout1276 note3 .
orwastobringtogetheralargebodyof uf ic-
ariousmediaofthe B y antineworld,buthe
al uestionswhenheasked: Whatwerethe
esofallthesemotifs,whatwerethemedia,and
dtoGreece Althoughheaddsinhis usual
heseare uestionsforanotherpaperanddoubt-
heneverthelessconcludedhiswide-ranging
sinanswertothe issueswhichheraised. n
sfurther, intendtotakeupatleastoneaspec t
stigateaproblemposedbyGeorgeMiles.
plesfromGreece,thereisonegroup,whichal-
lwaysc onsistentinitsformation note4 . tis
oframinguprightssettothe rightandleft,
tiveadditionsthewedgesorhooksofornate
perends, whilebetweenthemalower, moree -
nan archedorhollowed-outbase.Amarble
rtheTowerofW indsinAthensis atypical
f terMiles . Thereareotherstonec arv ingsof this
y antineMuseum. notherpiec es, themotif is
nreviewingthesefinds,itbecomesclear
hichisvariablefrom casetocase itcandiffer
of thesamefrie easinthismarbleborderin
m F ig. 2, af terMiles , althoughthebasic struc -
hispersistentidentityestablishedthese
which,forbrevity ssakewemaycallthe
e.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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8/9/2019 A colloquium in memory of George Carpenter Miles (1904-1975)
30/47 C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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rnamentsisfurtherunderlinedbythe
otifintheart ofmediaeval uropewhereitis
any, nglandand taly . Thefac tthatA rabic
dintheornamentationofChristianpeopleof
eenobservedinapioneerarticleofde ongperier
45 note5 andmuchmaterialhassinc ebeen
speciallyinasystematicsurveyby rdmann,
amples,manyofthemwithmoreorless
es note6 ig. 3 . H eshowedthataf tera
century,this ufic-derivedtypeofornamen-
mmoninthetwelfthcentury,flourishedinthe
asedmarkedlyinthefourteenthcentury,part-
hemorerecentArabicwritinginNaskhf
estigationofthepublishedmaterialmakesit
hee amplesadducedbyMiles, the uropean
elminglyofplayfulvariantsofthetall-short-tall
preferencemakesitimperativetoestablish
meaningofthisubi uitousmotif.
efutedtheassumptionofMar uetdeV asselot
beencreatedin uropebyreducingacertain
stoformthisc ombination note7 . nstead, he
sthavebeen takenoverfromNear astern
docc urredintheveryearliest uropeane -
A poc alypseofSt. Seversur1 A dour note8
ntedtoitsuseintheNear ast, althoughhewasable
sewhereit appearsasoneoftwomarkingson
elinawallpaintinginTemple V inB a ak lik,
ineseTurkestan,whichbelongstothe
ldbedatedtoaboutthetenthc entury note9
edbyGeorgeMiles,itcanalso bestatedthat
enth-centuryGreece,sothatthecontemporary
nee amplesmustgoback tothesamesource, whichin
belookedforintheMuslim ast. Noristhe
ranceofthemotifineleventh-century rance
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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rldfortuitous,becausebothareasbordered
seSpain, intheotherSyriaandthe a frah, a
litateditsimport. nthecaseofGreece,
oventhat,on thebasisofevidenceofthree
ficinscriptions,theremusthavebeena
s,probablyartisansortraders,whowere
endof thetenthc entury note10 .
onisfullysupportedbythefac tthatour
otherinstancesthatbelongtodifferent
he slamic world. O f these, wantto uote ust
illsuff ic etodemonstratetheubi uityandgreat
earlieste amplecomesfromtenth-century
formof thedesignandhereappliedto theedge
ottery f romNishapur note11 ig. 6 . The
oreevolved, ifnot baro ue versionsof the
natureis identified,oneeasilyrecogni esthat
rmorec omple nature, f itintotheseries. irst
angularcavettoofthemihrabof theB ey
secondhalfof thethirteenthc entury f rom onya,
atolia, whic hisnow inthe slamic Museumin
2 . nthisc ase, allelementsc omefromtheworldof
wotall unitsconsistofaforkedhalf leafwhile
entralpartis astyli edfloralformwhichrests
etheB y antinee amplesof igs. 1and2 F ig.
mpleisanenamelledglassmos uelampoftheMamluk
entury gyptwiththenameofSultanH asan
eretheuprightshavebeengivenaslanting
nterspersedsuspensionloops inaddition,
sbeennearlylostunder thewealthoffloral
otherwiseusuallylowintermediaryelement
ossiblesi eandbeenmadeintoa comple
3 ig. 8 . inally , themainborderofsi teenth-
all-patternedH olbeinrugs usuallyc onsistsofa
yndrome,although,intheseinstances,the
interspersedlittlehe agonsandsecondby
smirrorimageplac edupsidedown F ig. 9 .
es ueforcarpetbordersisactuallymucholder.
oundina representationofacarpetina four-
miniatureinaB idpaimanusc riptintheU nivers-
. nterestinglyenough, itusesoursyndromeintwo
ntwodifferentdirectionsandare combined
ed u f es u e n o te 1 4 i g . 1 0 . u f es u e
otuncommonly,incarpetsshownin
hef if teenthc entury note15 . tw illbenoted
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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8/9/2019 A colloquium in memory of George Carpenter Miles (1904-1975)
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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ependentlyofde oreyand rdmann, , too, have
stformulatedbyde orey in1938and c an
cessaryepigraphicevidence.
oofisprovidedbytombstonesfromvarious
istingreatprofusion. Numerouse amplesf rom
A rtinCairoc anbefoundinthesi volumes
awary , HusseinRac hedandGastonWiet
hiscataloguecomprisesthedatesfrom31 to
bstonesarenearlyalldated,onecanreadthe
decadetodecadeandcaneasilyestablish
esebelongtheuseofa conspicuousrounded
ordAllahwhichbreaksupthe straight
helams,particularlyintheintroductory
c urredf irstinamarbletombstoneof191H. /A . D.
11 andisthenfoundinotherstelaeof theninthc en-
rationofthe motifisfoundin atombstoneof
reasmallstarisf i edtothetopof therounded
eelaborateisthee ampleof224H. /A . D. 839, where
partitearch,thecenterofwhichispointed and
whilethesideunitsareround note20 ig.
/A .D . 857hasnotonlybeautifulraised uf ic w ith
etall lettersbutalsoshowsa high,polylobed
n note21 ig. 13 . O ntheotherhand, intwo
ar thecenterofthewordAllahis rendered
nted,horseshoearchin doubleoutlinewhile
hasmallf leur-de- lys note22 ig. 14 . The
nsoftheninthcenturyare foundinyetanother
/A.D.858 showingahighpolylobedarchwhich
noneof 245H ./A.D.860, wherethefleuron
higherthanthef raminglams note23 ig.
theninthcentury,thearchedintersection
nagainofasimplerform note24 however,
ontombstoneswhichdateaslateas 484
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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02and539/1144 note25 .
atafromthisArabicmaterialwiththe charton
es uec harac tersbasedonthemediaeval
as i t w as p r ep a re d b y r d ma n n F i g . 16 , w e r ea l i e
uesoc curin slamandthe atinWestand, as
antineGreeceaswell. ventheordinary formof
U -U
J
oselyreproducetheunadornedcenterofthe
deredbyfirstpresentingthe initiallam,while
am,theconnectinglinetothefinalha hasbeen
keanalif see ig. 16, la . Thisformofa
sentlypreservedintheWestandB y antine
neintheformali edpatternsintheMuslimworld.
secondaryornamentalfeature,which,asinthe
uallyhasacurved,triangularortwo-cornered
nat thebottomandcarriesadecorative
omcasetocase.
tthatthe ufic-derivedmotiffoundwide
etwelfthcenturyaftera veryrestrictedstartin
o,hasstressedthat hisGreeke amplesare
ytwelfthcenturies.Thismakestheeleventh
icalperiodforthe Muslimworld. tcanbe
rlyinthetwelfthcentury,wereapparentlythe
mentofthemedialelaboration.Thisisborne
mplesfoundintherec entpublic ationon slamic
Schimmelwhichincludeaneleventh-century
ainSpain note26 andtwosplendidversionsof
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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fromtheotherend oftheMuslimworld,
arinthesanc tuaryof mam hurdinSar- i ulin
Sc himmel, p. 12, n aswellasarenditionf romthe
hiof theearly thirteenthc entury Sc himmel, p. 18,
bletopointto arepresentativecasefromthe
c anrefertoanundatedtombstonenowplac edin
a l - O m a r iy y a in M o su l . r n st H e r f e ld , t he
les,andminetoo,placedit intheeighth
.D.on accountoftheTurkishname— B ilghe-i
personburied, butitmayverywellbeearlier note
nodoubtaboutthedateofourne te ample, the
efromtheMausoleumofB uyanQ ulf hanin
1357inthe astB erlinMuseum itpresentsa
egla eonac arvedtur uoisegla edbac kground
h thek ingdombelongstoGod ) . Whilethe
n astraightforwardfashionandshowsonly
upperpartsofthetall letters,thewordlillahis
byapointedarc hintheusualfashion F ig. 18 .
atesthepersistenceofanepigraphicidiosyncra-
earlyninthcentury.Asamatterof fact,the
emiddleportionofthewordAllah andthe
ecomeevidentevenwhennoactualornamen-
tothe uficletters.Thisisbroughtout bya
Medreseof640H. /A . D. 1242in onyawhere
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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attachedfashionoverthemedialsectionof
bv iously , the slamic c ustomwastostressand
neway oranotherinbuildinginscriptions,
oranmanuscriptsthewordA llahwasrenderedin
te twaswrittenin blackink.Thetall-short-
ndWestistheornamentaldistillateof this
nwhichneedtobeansweredinordertogaina
phenomenonherediscussed. irst,whilethe
edformofthewordAllahin theMuslimworld
mbstonesandbuildinginscriptions,itis its
ec tswhic histhemorelikely linkw ith atinand
hee amplesf romthevarious slamic dec orative
erredareofsomesignific anc e F igs. 6, 8, 9 . Still,
atenth-c enturypieceof ersianpottery ,
ichwasrarely,ifever,broughtto urope,
es, an gyptianlampandtherenditionsof
turesofthefourteenthandfifteenthcenturies,
ephenomenonineleventh-andtwelfth-century
evenmoreto theTurkishcarpetofthe
rovethetransferf rom asttoWestmore
arytoproduc eamovable slamic ob ec tofan
entsmerchandiseoftenbroughttomediaeval
keothersbeforehim,haspointedto te tilesas
asternideasandthisis indeedthemedium
ampleofthephenomenonhereinvestigated.
oandlinentapestryof theninthc entury inwhich
terclearlymarkedwitharoundedunit which
note28 ig. 20 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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beposedpertainsto thefirstoccurrenceofthe
ofarobservedin urope,theApocalypseofSt.
ury ranc e F ig. 4 . rdmannhadalready
esinthis manuscript,naminginparticular
e ufes ueletters, anditisindeedtoSpain,
try,thatonehas tolookforfurtherevidence.
edivorybo intheV ictoriaandAlbert
to rnst uhnel, wasmadeinthec aliphal
ahra about962 note29 ig. 21 . H erethe
markedbyatrilobedarch,whichimpliesan
ativeform.
gressbrieflybecause,whileina seconduseof
rked whichisnotunusual , trilobedarc hesdo
amelyrahmat betweenmtmandtheta
ihi betweenyaandha . Thisindic atesthatthe
derstoodasane clusivelydistinguishingmark
uallythecase,butratheras ameansof
egiven space. uhnelhadcertaindoubts
hepiece,partlyonaccountofthis epigraphic
ioninhis corpuswithatenth-centurydate
thathefinallyaccepteditas genuine, ustas
dedfootnote. nanycase,theuseof thearch
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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her wordshadalreadyoccurredinthe
. 807inCairo F ig. 11 , sothattheoc c urrence
eSpanishbo wouldnotbeob ec tionablebut
sm.TheremusthavebeenotherSpanish-
mediale tensions,asthephenomenonisstill
enturye amplef romSaragossa seenote26 ,
n themostcomple fashion.
edifficulttoanswer,maybeformulatedin
tentwasthetall-short-tallsyndromestill
rmas anabbreviationofthewordAllah,or
lost, in slamorlaterintheGreekand atin
nswerforthe slamic worldisprov idedbythe
chcontaintheAllah-derivedmotifineithera
orm e. g., ig. 9 . Thesepiec esshouldbe
onwiththelegalopinionwhichthewell-known
fal-Dfhal-Subkhfrenderedin1351whichhasbeen
donby ran R osenthal note30 . H ere
estionisreproducedorgivenas paraphrasedby
nc erningaman splac inghisfootupona
ewovensomelettersof thealphabet
ordssuc has blessing, bliss,
' sitpermissibleforamantosteponthepor-
esewords arefound
clinedtoconsiderit forbiddenforaman
althoughhesaysheis unabletooffer
rhisopinion— L etters...werecreatedin
softheir properarrangement,theword
oftheother prophetsandtheangelsas
esirable,orpermissibleutterances.There
orrectnessoftheassumptionthatthe fact
ortheproductionofsomethingnecessary
atoryuponhumanbeingsto honorand
opinionoflawyers,a pieceofpapercontain-
otbeusedforwritingon itsecularstories
ofcourse,thesituation isclearsincethe
utwhatifit isacaseof ordinaryletters
ducinganywordintheworld nthiscase
caseforsimilar prohibition....
writingdowneithergoodwordsorevil
epurposeforwhichitwas createdandfor
edisforwritingonitthe oran, the ro-
herusefulkinds ofknowledge.Werea
uponwhichnothinghadasyetbeen
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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nfullknowledgeofthefactthat allpaper
ctioncouldbeclassifiedasa forbidden
e lettersofthealphabet.Thosewho
htheletterswere createdarenotper-
s admitsmakingane ceptionforper-
seof writing,inconformitywiththewide-
tonlyknowledgeofthefactthat anaction
missionacrime.
udes,onlythosewhoareawareof the
purposeofwritingas statedherecommit
suchlettersasarefoundon thecarpet.
notalwaysbea crime,itcouldinanycase
n,andthepersonignorantof thesituation
etter.
akesit evidentthatthesteppingona carpet
of thewordAllahwasrenderedwould
denandregardedasacrime,had theorigin
motifbeenknown. tmightevenbe uestioned
erswerestillunderstoodtobe derivedfrom
thatwerethecase,they,too,wouldhave been
uslim astthetruenatureof thec arpetborders
ementswasnotrec ogni ed, noteventhefactthat
ters,althoughitis fairlyevidenttoaW estern
isnon-recognitionmustremainmerespecu-
iedmirrorimagesandinsertionsin theborders
gedfromregularscriptthattheir characterwas
ctthattheseletters werefoundoncarpetsdid
association.Thephenomenoncanperhapsbe
seofmispronouncedwords,whendifferent
olonger understoodbythelistener.
the ufes uesyndromewasthusnolonger
mbinationstillretaineda religiousaura,oreven
esclearfromablue-gla edob ectofpossibly
eleventhortwelfthcenturyandnowpartof a
ork.Apparentlyitisan amuletwithtwoloops
riginallysuspendedfroma person sneckor
ersonorawomaninlabor F ig. 22 . Theraised
pleand couldbeoftheninth century,butthe
cedoesnotallowsuch anearlydatingandone
writingasanarc hai inginscription. tc ontains
cededbythewordya,whichisthe common
asusedbeforeA llah. Henc e, therewasan
ort-tallsyndromewasasymbollikeAllahand
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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person inneed.H avingsuchastatus,the
ecorationfora mos uelamp,althoughits
olvedbyknottedandvegetalelements F ig. 8 .
houghttobe appropriatetoreplacethe
X I V , 35 whichisusually foundonsuc hlamps. This
efindsthesyndromeonwomen sglassbangles
serveasthesole decoration,withapossible
r note31 ig. 23 . inally , thisisthereason
pliedtotheload ofacamelina CentralAsiatic
twassupposedtoguardtheshipmentduringthelong
t, ustastheblue donkeybeads of ranare
tiveeffectforhorsesand donkeys.Thatallthis
ositionisindicatedbyatwelfth-century
ngin eningradinwhichaChristianmatyrc arries
es ueinscriptionwhichc onsistsofnolessthan
yndrome F ig. 24, afterMiles . nc onnec tion
tions,GeorgeMilesri ghtlyaskedwhether
apotropaicmeaningwhich,tomymind,they
ver,inmanyinstances,theoriginalsignificance
ed asinthecaseof thetenth-centurybowl
robablyin thatofthethirteenth-century
ig. 7 . H eretheesthetic fac torof thesimple
armonyofthemotifmighthave beenthe
ation. ncertaininstances,itis,however,
romewasnot understood.Thisis,forinstance,
rintingte tilesfromabouttwelfth-century
tB erlinMuseum, whichhasinitsc entralbanda
r V ic tory ) F ig. 25 . Thiswordisusually
w ishorthewordlisahibihi toitsowner ) ,
tif,whichwasusedonlyasaspacefiller,
heoriginalmeaningof thesymbol note32 .
ndfinal uestion:howthetruemeaningof
dbeso easilyforgotten.H ere canonlystate
gthis ufes uemotif isnotauni uec ase.
econtentofan incipientsymbolbecamelost
nedeitherto becomedevoidofmeaningorto
onc eptsofadif ferentnature note33 . The
edinthemihrab-likearchesof prayercarpetsare
e amples note34 . Theyoriginally ref lec ted
w h ic h s ta t es :
avenandtheearth alikenessofhislight
eisa lamp,thelampisin aglassandthe
yshiningstar...
nglampbecameaflowervaseand itwaseven-
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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t thebottomofthearch.W hatisremarkable
otifisthefactthat itpreservedacertain
tamagic,apotropaic uality.Thisassuredita
ili ationofitsorigin,but inmanycountriesof
hotherwiseknewlittleof slamandcertainly
toapplythedivine nameusedinarival
ldingsandholy ob ects.
y antiumandtheA rabs:RelationsinCreteand
P 1 8 1 9 64 , p . 2 0.
A rabeske. Wiesbaden, 1949. An nglishtrans-
forthcoming.
m, p p . 22 , 2 6.
n M il e s, B y a n ti u m, a r e hi s f ig u re s G , , 1 9 ,
64,and66.
r, D e1 emploidesc arac teresarabesdans
lespeuplesChretiensde1 O c c ident, R evA rc h
06.
bisc heSc hrift eic henalsO rnamenteinder
desMittelalters Main , A kademieder
iteratur.AbhandlungenderGeistes-und
en lasse, ahrgang1953, Nr. 9 . Main -
. 467-513 thegivennumbersarethoseof the
tpublicationtodealw iththesub ec tisWalter
ueWoodenDoorsofA uvergne New ork , 1974 ,
referencesonpp.31-32.
a s s e lo t , e s C ro s se s l im o us i ne s d u X H I e s i ec l e.
24 rdmann, A rabisc heSc hrift eic hen, p. 512.
, eleventhc entury . A f terA hmed ik ry , ' A rt
enc esislami ues P aris, 1934 , p. 266, f ig. 333a
Schrift eichen,pp.512-13,fig.1,detailafter
P einturemusulmaneoupeintureiraniene, R evue
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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9 38 , p . 24 , p l. X V I I I , n o . 7.
fromthesethreefragments,referstothe
y antium, pp. 19-20, f igs. 15-17.
ope, TheCeramic Artin slamic Times, A
. e d . A .U . o p e L o n do n /N e w o r k, 1 9 38 , p l .
e a r d, a C er a mi u e a rc ha i u e d e ' I s l am e t s es
s , 19 2 0 , p l . X C V I , u p pe r r ig h t.
phof thismonumentandof igs. 9, 18, 25tothe
mar nderlein, A ctingDirec torof the slamic
syofSmithsonian nstitution, reerGalleryof
f terA rmenagB eySak isian, aMiniature
I I e s i ec l e P a r is / B r u ss e ls , 1 92 9 , p l . V I . T h e
nthereistooearly.
onwithproperillustrationshasbeen collect-
mu r id C a rp e ts , A r s s l am i ca 1 9 40 , f i gs . 9 , 15 ,
7, 38,40,41,42,46,47, 49,53-56,64-69,and
p et s I , A r s s l am i ca 1 9 46 , f i gs . 8 , 10 , a nd
Sc hrift eic hen, p. 513, note1.
aryandHusseinRac hed, Stelesfuneraires
MuseeArabeduCaire . Cairo, 1932 , pl. V I , no.
ed, Stelesfuneraires , pl. X I X , no. 2721/45.
ed, Stelesfuneraires , pl. X X X V I , no. 2721/4.
elesfuneraires I Cairo, 1936 , pl. X , no.
neraires I , pls. X , no. 9820andX I I , no. 1271.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0
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e ra i re s I , p l s. X V I , n o . 39 0 4 an d X X I V , n o .
dialdecorationbesidestheoneshere uoted
ryandRac hed, Stelesfuneraires , pls. X X I , no.
, no .2 72 1/ 20 X X V I I I , no .1 26 7 X X X I I , no .2 72 1/ 6 X X X I I I ,
n o. 1 45 4 X L V , n o. 1 26 8 , n o. 1 50 6/ 36 0 X I I I , n o.
f un e ra i re s I , p l s. , n o .2 8 20 X X I I I , n o .1 0 88 3
I I I , n o . 83 2 1 H a s s an H a w a r y an d H u s s ei n R a c h ed ,
C a i r o, 1 9 39 , p l s. V , n o . 3 1 50 / 92 X X V I , n o .
te l es f u ne r ai r es V C ai r o, 1 9 36 , p l . X V I I I , n o .
erairesV Cairo, 1937 , pls. X I I I , no. 2721/461
unerairesV I Cairo, 1939 , pls. X X I X , no.
71 6 X X X V I , n o. 1 23 36 /1 .
slamic Calligraphy L eiden, 1970 , pl. .
rnstHer feld, Arc haologisc heReiseim
iet B erlin, 1911-20 , pp. 285-86, f ig. 275.
ofArt,R ogers und,no.27.170.79.
uhnel, D ie slamisc hen lfenbeinskulpturen.
h ru n de r ts B e r l i n, 1 9 71 , p . 3 3, n o. 2 1 , pl . X , n o . 2 1 c.
Signific antU sesofA rabic Writing, A rs
p p . 15 - 16 r e pr i nt e d in h i s o u r s s ay s o n Ar t a nd
L . A . MayerMemorialStudiesin slamic A rtand
L e i de n , 19 7 1 , p p .5 1 -5 2 .
ntury , erusalem. . A . MayerMemorialNo.
st uhnel, slamisc heStof feausagyptisc hen
hen unstabteilungundinderStaff-Sammlung
erlin, 1927 , p. 85, wheretheyareattributedto
sen, The WadeCup intheClevelandMuseum
ec oration, A rsO rientalis 1957 , p. 356.
sen, Mauric eS. Dimand, ouiseW. Mac kieand
ayerRugs Washington, D. C . , 1974 , pp. 19-23,
dX X V I I .
o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_
u s e # c c - b y - n c - s a - 4 . 0