a colloquium in memory of george carpenter miles (1904-1975)

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    E NT R M L E S

    cSociety

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    NNU M SMAT CSO C E T

    ericanNumismaticSociety,presiding

    nstituteforA dvanc edStudy, rinc eton

    nsin ateA nti uity

    anSchoolofClassicalStudies,Athens,Greece

    e B ron eCoinageofSyria:An nnovationby Abd

    ericanNumismaticSociety

    ntineGreece, the atinWestandtheMuslimWorld

    nstituteof ineA rts, N U andMetropolitan

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    cSocietyisproudthatGeorgeMiles s

    essionaltieswerehere,withus, butwe

    sively.H istoweringstatureasa numisma-

    actthathewasalsoa distinguished

    igraphistandconnoisseurof slamicart

    tseemedfitting,therefore,thatourpro-

    yondnumismaticstostressthe catholic-

    sandachievements,andwearemost

    olarsinother fieldswhohavecome

    c ollo uium.

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    rvington,New orkshortlyafterGeorge sdeathincludedaper-

    Thompsonof the nstituteforA dvanc edStudyat rinc eton, for

    eA gora x c avationsinAthens, andoneofGeorge sc herished

    dse pressedsoelo uentlywhatweallfeltonthatsadoc casionthat

    emore hisreminiscencesofassociationwithGeorge.

    odaytohonorthememoryof agreatscholar:

    abovealla numismatist.Manyofyou,

    consciousfeelingthatinthis place,onsuchan

    ustsurelybepresent,not ustinourmemories

    ood,intweed acketandpullover,pipein

    for solong,afull uartercentury,his

    dcometobe thepresidingspiritofthe place.

    iveabiographicalsketchofGeorge,nor yetto

    hisscholarlyachievement.Thishasbeendone

    ompsonintheforewordtothe estschriftof 

    oupleofyearsago Near asternNumismatics,

    hyandHistory , StudiesinH onorofGeorgeC .

    uym ian, ditor, A meric anUniversityofB eirut,

    mecontainsalist ofhiswritingspublished

    hat shalltry todotoday istoconveytoyou

    sofGeorge,thescholarandtheperson,as

    yearsorsoofhis life.

    eeting wasvaguelyaw reofsomeof 

    s,especiallyhismassivevolumesnthe coinage

    c andA rabperiods. B ut knewthathehadalso

    nofthe slamiccoinsfoundincontrolled

    nioc h-on-the-O rontesandHerodian eric ho. n

    dDirec torof the x c avationsof theA thenian

    dwithorgani ingthepublicationprogram,and

    cksofmaterialto suitablescholars.O neofthe

    efor wasthegreatmassof slamiccoins,

    ccumulatedinthecourseof15 seasonsof 

    ualf riend, rofessor ohn . Caskeyof the

    suggestedthatGeorgeMilesmightbeinduced

    t. approachedGeorge,andtomygreatrelief 

    eganhisstudyin thespringof1954,and the

    formin1962. TheA thenianA gora, X : The

    tisaslimvolume, butitmadeac cessibletothe

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    0 slamiccoinschieflyfromthefourcenturies

    ofA thens 1458-1831 . Georgewasableto

    ome 25differentmintsscatteredoverthe

    uropeandAfrica.Thiswasthefirst systematic

    oinsfromanye c avationinGreec e, anditf illeda

    ticrecordofthatcountry.

    x c avations wasenormouslygratefulto

    particularlydifficultpartofourpublication

    atlyimpressedbythespirit inwhichheworked.

    amiccoinsfrome cavationsknowsthattheyare

    sandmostintractableofall productsofthe

    dveryhardoverthosewretchedbits ofcopper

    ngtobearupon themhislonge perienceand

    ls. nowc ametoreali ehowmuchthe

    mforhis publicationofthisandahalf do en

    nswhichmightotherwisehavelanguished

    onstorerooms.

    GeorgeworkedhardontheA gorac oins. B uthistask

    erhad itnotbeenfor thehelpofhis

    eivedherrewardbycomingtoknowatthis

    amesR . Mc Credie.

    nshourafterhour ishardonthe eyes.O ne

    ggestedtoGeorgethathelook , bythewayof 

    arvedinbold,beautifulArabicscripton a

    oundsomeyearsbeforeintheAgora

    ong, withthehelpofA lison rant , herec ogni ed

    amete tintheB y antineMuseuminA thens.

    wthatthisdoc umentattestedtothee istenc eof 

    heyearsaroundA . D. 1000. A lthoughthe

    re,thiswasinitselfastartling andimportant

    ofmediaevalAthens.

    gnificantforGeorge sownprofessionalcareer

    nuesof researchwhichweretooccupyhimfor

    sewere 1 theA rabsinCreteand 2 slamic

    neart. Hissubse uentinvestigationsinthesetwo

    think,George sspiritofenterprise,his

    dhis est—q ualitiesthatseldomocc urtoge-

    rge swork inCrete. Thedisc overyof theArab

    eorgethepossibilityoffindingArabic

    fCrete,for Cretewasknowntohavebeen

    about135yearsin theninthandtenth

    fromtheAmerican hilosophicalSociety

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    asearc hof theislandinthespringof1956. n

    cietyhefranklyadmittedthat,insofaras

    ed,theresultsofthee peditionwere

    hewentontolist otherresults,particularlythe

    rabcoinsof therelevantperiod.Nordidhe

    nceofthemanylocalwineswhichheand his

    sampled.Thereport,unlikemostspecimens

    ttlegem.Twelveyearslater,whenGeorge

    osophicalSocietyforaidinhis searchforArab

    wardedwitha secondgrant,andthatona

    alresultof histwoe peditionstotheislandis

    atedenoughArabcoinstoenablehimto

    nethe successionofArabgovernorsinthe

    essimportant— hisenthusiasmforthepursuit

    edscholars,governmentofficialsandciti ens

    heretheywerealleagerto oininthec hase.

    rkishaffiliations,hemademanyfriends

    methathec ouldbefreef romhisdutiesatthe

    ciety,Georgealsoworkedtirelesslyonhis

    . theinf luenceof slamic artonthebric kwork ,

    ngandceramicsofB y antineGreece.This

    beenstudiedbefore,butneverbeforeby a

    esultisa muchclearerandmoreprecise

    heoneartontheother. nthec ourseof 

    Georgevisitedscoresofchurchesand

    Greece,manyoftheminremoteandbeautiful

    nitselfwasagreat oytohim, asalsotohis

    edonhistravelsusing hisownsplendidslides.

    eceislikelyalsoto begoodbirdcountry,and

    leasureofthepro ect,forGeorgelovedbirds

    edpeople. feelsorryforanyamongyouwho

    reona numismatistlookingatbirds.

    amethemostcharac teristic ualityofGeorge s

    twashis humanism.He wasalwaysconcerned

    heancientmaterialon whichhewasworking.

    ensehise c itementonlearningalittlemorefrom

    ureV isigothicprinceorsomeArabamirof 

    eventhemostformal,arenevermere

    hecoinstalk,tellingofancientcommerce,the

    fallofdynasties.Andthishe doeswithavery

    nglish. Hiswritingisc ompletely f reeof argon.

    ect,encouraginganeasyrapportbetween

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      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    onlythesubstanceofGeorge sscholarshipbut

    t it. haveknownfewscholarswhohave

    estandwhohavegottenso muchsheer

    work. H elovedtosharehisthoughtswith

    inandpracticedmutualaid,givingfreelyofhis

    elicitingthe cheerfulhelpofothers.Such

    lyacknowledgedinhispublications.

    eprivilegedtoknowGeorgepersonallythis

    urscholarlyrelationsheightensthesorrow of 

    wlearnto livewithmemories,andweshall

    yofonewhowassuch ahappycombinationof 

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    cconcernwasalwaystheworldof slam,hebecameinlateryears

    theartandc oinageofasisterc iv ili ation, thatofB y antium.

    sociationandfriendshipwithAlison rant ,researchfellowof 

    ns, aninternationallyknownB y antinist, andasuperbphotographer

    dartifacts. Shehasc hosenashertopic today, ' Some nvadersof 

    ity .

    ns

    swerewide-rangingandsometimesinterlock-

    antinearchitectureallclaimedhisattention,

    mesincombination forinstance,hisstudyof 

    teringknownas uf ic or ufes ue, whenitis

    dasaformofdec orationinthemasonryofB y an-

    chacombinationofelementsthatsuggestedmy

    enianAgoraGeorge sattentionwascaught

    c inscription. twasatantali ingdocument

    paththatstopped ustshortofasolution. B ut

    hatitbelonged,alongwiththree othersmall

    hens,to aninscriptiontherestof whichis

    s ue, evidentlyerectedinA thensinthelatetenth

    This,forhistoricalreasons,happenedtobe

    epossible.U nderwhatcircumstances,then,

    Didit betokenanA rabinvasionandocc upation,

    ainst O ranencounterinwhichthe Arabs

    dweresettledinAthensas prisoners whichis

    ytoneoftheinscription O rapeaceful

    ngte tilesofthekindreflectedin the

    rbuiltintothewallsof the ittleMetropolis

    oughtheproblemremainsunsolved,allthe

    tedbyGeorgeMilesandthat initselfisno

    tessomeofthe difficultiesinherentinthe

    aspectsofinvasions,and thoughtto

    evidenceavailabletodeterminetheirdate and

    uality.

    nvasionscometomind,onein eachcentury

    th.Thebriefresumeofeachwhichfollowsis

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    heAgora x cavations,wherethearchaeologi-

    curebecauseofthe largenumberofcoins

    rcumstances. nthe45yearssince the

    eatdealofprogresshas beenmadetowardmore

    sof lateanti uity andhereitisappropiateto

    usdebttotheAmericanNumismaticSociety:to

    inkingespeciallyofGeorgeMilesandMargaret

    mberof youngernumismatistswhohave

    eMuseum sSummerSeminar.

    edegreeoftruth andfictioninanyaccountof 

    spresentthemselvesinkaleidoscopicpatterns.

    orarestpattern, literaryreportss uarenic ely

    erarchaeologicalfindingstoproduceanun-

    morec omple patternsraise uestions H ow

    enwrittennarrative,howevercircumstantial,

    dence Howtrustworthyare archaeological

    enceofwrittenrecords Andhowisone to

    rchaeologicaltestimonieswhenbothare

    Thepatternsarenumerous.

    vasionsfollowsthesimplestpattern,with

    . 267

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    e ost-HerulianWall

    orroboratingandsupplementingtheliterary

    AthensinA.D .267bythe barbariantribe,

    dinwide-scaledestructioninlowerAthens,

    hhasbeensaidandwrittenabout itandhere

    esonlywiththedefensivewallerectedbythe

    areventsinthe future.Thecityinits original

    bletodefend,sothe newwallenclosedonlya

    northoftheAcropolis.Materialforitscon-

    ablefromtheruinedbuildingsoutsidethe

    arsafterthe discoveryofthefirstshortstretches

    srangingall thewayfromthethirdcenturyto

    ourseof theAgorae c avations, whic he posed

    e pocketwasfoundinthemasonrywhich

    entlydroppedbyamasonintothe wetmortar.

    eyears270and 282,thelatestbeingofthe

    emaysafelyassumethatthewallwasbuiltduring

    yslightly later. shouldpointoutherethatfor

    amusingfinespecimensinthismuseum. n

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    aicWay,causingterroramongthe inhabitants

    toconcealtheirvaluables.H ethengoeson

    usesthe destruction,eitherpartialortotal,of 

    hhadsurvivedthe H erulianraid,especially

    ample, theStoaofZ eusandtheTholos. O nly

    ppedby supernaturalorothermeans.W ith

    wallnowf i edattheendof thethirdc entury it

    ri ty i n t he A go r a

    meconfidencethatitwashere,rather thanat

    na,infactor fancy,performedhermiracle.

    ountsisperhapsonlyin theinterpretationof 

    osimositmeantonlytheA cropolisandthearea

    al and, infac t, theword c ity — Tt6A i< — was

    meansimplytheAcropolis .Toothersthe

    byAlaricintheouter cityontopofthe still

    ouldbesufficienttogivethe impressionofutter

    intherealmofhypothesis,but showing

    ringthelongreignof eo 457-74 the

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      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    e westcoastofGreeceandprobablymore.This

    storians.At ustaboutthesametime

    bemadeto thefortificationsofMegara,asingle

    A thens thisf romaninscription . A ndc oinsand

    everalbuildingsinthe agora.B utwhateverthe

    touseac autiousword , itsimportanceliesin

    arkedtheturningpoint towardindustriali a-

    epredationshadbeenfollowedbya periodof 

    elargecomple occupyingthecentralareaof 

    bablywithgoodreason,asthe U niversityof 

    ngpositionandimposingbuildingsand

    uptothento resistencroachmentofthesmall

    lishments,especiallymetalfoundries,which

    stoutsideitsprecincts,stillbatteningon the

    ulians. B utimmediatelyafterthe V andal raid

    e.Acompromisewasnowreachedbetween

    he desiresofphilosophybytheconstruction

    uctalongthe anathenaic Way thewalltoprotect

    esirableneighborsandthea ueducttocarry

    mills.

    tore. ntheyear582/83, ac c ordingto

    Greeceasawholewasdevastatedbybandsof 

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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      u  s  e  #  c  c -  b  y -  n  c -  s  a -  4 .  0

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    byfirein widelyseparatedpartsofAthens

    tterytomakeaninvasionat thattimeavirtual

    ee ample:oneof themillsonthe anathenaic

    ors,waterwheelandgearsfurnishedamplefuel

    mismaticevidenceforthisinvasionis

    ecoinsinall,ofwhichsome400 werefoundin

    dnoneof thec oinsfoundhereorintheother

    uctionwerelaterthanthereign ofTiberius I

    c oincidee ac tlywiththeliteraryac c ounts, andthe

    thatAthens,thoughnotmentionedbythe

    ytheSlavs.

    stillstandingat thetimeoftheSlavic

    e slopesoftheAreopagusprobablytobe

    schools.Theirendwassuddenandviolent,

    s coveringtheirfloorsprovidesafitting

    prosperity,bothintellectualandmaterial,in

    htenmenthadobviouslybeenlost,andsmall

    d.

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

      /  h  t  t  p  :  /  /  w  w  w .  h  a  t  h  i  t  r  u  s  t .  o  r  g  /  a  c  c  e  s  s_

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    stime, si yearsago, thattheSoc ietywaslook ingforanassistant

    totrainunderGeorgeMiles andeventuallytakehisplace.O neof 

    elB ates,agraduatestudentatthe U niversityofChicago,whose

    sadmittedlyslimbutwhosebackgroundinhistoryandlanguages

    e tentthatGeorge sreac tionwas: I thinkhemaybetoogoodfor

    tagree itseemedtomethatwehad uitealittletoof ferinc luding

    ngGeorgeMiles. ortunately,Mikesharedmyview,and might

    edbythewayinwhichhe hasrespondedtothatchallenge.H is

    ndealsw ith The A rab-B y antine B ron eCoinageofSyria:A n

    al-Malik.

    e

    yria:

    bdal-Malik

    eMileswellsoonreali edthathispersonal

    itsheritagewasat leastasdeepashis

    slamicworld.Thepreviousspeakershave

    ontheArab presenceintheGreekworld.O n

    washise uallyintenseconcernwiththeGreek

    d. twasnaturalthereforethathe tooka

    restinthe remarkableMuslimcoinageofthe

    centuryA.D .,whentheArabs,througha

    tsinMuslimic onography, tousehisownphrase,

    onetarydependenc eontheirB y antine and,

    edecessorsbydevelopingtheirownoriginaland

    inage note1 .

    alperiod,specificallywiththebeginningofthe

    tineGreek typestopurely slamic c oinage, that

    especiallyappropriateasmyideaswere

    swritingandby discussionswithhim

    tatthe timeofourconversationsneitherofus

    ofthe problemwhich shalltrytodefend.

    y antine isgenerallyused,asin Walker s

    umcatalogue,tocoveradiverseassemblageof 

    , NorthA fric a, gypt, Syriaandthe a ira,

    ssues,fromthebeginningupto theadoptionof 

    hregion note2 . Theonlycommonfeatureof 

    magesorinscriptionswerederivedinsome

    elate R oman mpire.Thisclassificationis

    rab-Sasaniancoinage,includingcoinsof 

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

      /  h  t  t  p  :  /  /  w  w  w .  h  a  t  h  i  t  r  u  s  t .  o  r  g  /  a  c  c  e  s  s_

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    kundertheearlycaliphs,theU mayyads,and

    atevertheirgeographicalorigin andbythatof 

    ncludingallpurelyinscriptionalU mayyad

    oinswhichhaveimagesdrawnfromneither

    ansourc es.

    ndmoreconvincedoftheuselessnessofthese

    es,which believeoughttobereplacedwithan

    slamic c oinagebasedonlyonthegreatregional

    ,bringingtogetherallthe coinsofeachmint

    ologicalorderwithoutrespecttotype. n

    gebeganwithimitativeorderivativetypes,

    ationsandthepaceofevolutiontowardpurely

    ferent. venaf tertheadoptionof thenew slamic

    fmintingandeventhe weightstandardsand

    ominationsvariedfromregiontoregion.The

    sandthe U mayyads,likethecoinageofany

    ughttobestudiedfirst mintbymint,then

    egionbyregion,beforewecanthink about

    oriesencompassingthewhole.

    calframework,mylimitedaimtodayis to

    ageofearlyMuslimSyria withB y antine

    ontinuationofB y antinec oinage, butisinfac t

    thosewhichbeganthetransitionto apurely

    putmoreconcretely,thattheSyrianArabcopper

    typedidnot,ascommonlysupposed,originate

    ofSyriain A.D. 633-36,butratherappeared

    ecadeoftheseventhcentury,atthesame

    oinagewasintroducedinSyriaaspartof Abd

    rypolic y note3 .

    Arab-By antine Syriancoppercoinagehas

    becausethesecoinshavenodates.B utthe

    criptionoftheearliestof thesecoinstocirca635,

    n uest, wasformeputacutely into uestionby

    sredatingof thelatestc oinsintheseries, the

    omeofthesecoppershave A bdal-Malik s

    mynous.TheselatterwereassignedbyW alker

    ya, specif ic ally toA . D. 670-85 note4 . A s

    1963 note5 , andMilesreiteratedin1967 note

    mage,whichappearsonsilverand goldaswell

    sfoundoncopperwith themodifiedcrosson

    , andthisreverseisknownonlyw iththestanding

    antinec oins, thec rossonstepsisused

    i, neveronc opperfolles. tstandstoreason

    sadoptedbythe Muslimsforgoldcoinsand

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

      /  h  t  t  p  :  /  /  w  w  w .  h  a  t  h  i  t  r  u  s  t .  o  r  g  /  a  c  c  e  s  s_

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    r notasWalker sdatingwouldimply , thatthe

    goldweref irstadaptedforuseonc opperandthen

    solidialso.Moreover,itseemsfarmore

    oldand coppercoinswithasimilarand

    uedsimultaneously.Sincethegoldandsilver

    ldated,fromA.H .74to77, orA.D .693-97,a

    ovidedforthe copperwhichisabout23years

    alker.

    ndMiles inthisveryreasonable

    ndingcaliphvarietiesto themiddleofthelast

    areleftwith veryfewimperialstylevarieties,

    e60yearsf romthecon uesttotheinitiationof 

    eallyseem tobeenoughfora coppercoinage,

    herslight degreeofevolutioninepigraphical

    ec tagreatdealmorec omple ity inac oinagewhic h

    derninecaliphsanda hostoflocalgovernors.

    c tac oinageissuedoversuc haneventfulsi

    thegreatdivisions whichstirredtheMuslim

    ngthatperiod:especiallythecontestsforthe

    andMu awiyaandbetweentheUmayyadsand

    yr,nottomentionthelessersectarianrebellions

    a feudingof theSyrianA rabs.

    ogyseemsthereforeuntenable, whatistoreplac e

    oblemhas beenobscured,itseemstome,by

    aminedassumptionthattheearliestArab

    gmorethananunoriginalperpetuationofthe

    ready inSyria. f thisassumptionisabandoned, and

    aminedanew,itbecomesevidentthatthere

    weenthemandthecoinageofB y antium.To

    woulddrawyourattentiontothreefactswhich

    ted— indeed,theyareratherobvious— but

    theirrightful importanceinthefaceof 

    s.

    werenoB y antinemintsinSyriaat thetime

    Thesituationthereisinc ontrasttothatof gypt,

    ntoperatedinA le andriauntilthetak ingof the

    e8 , andwasevidentlykeptgoingbythemto

    ybarbarousimitationsofitsB y antine

    andalsocontrastsw iththatof ran, wheretheA rabs

    peratingand wheretheystruckdatedcoins

    eir rulecloselyimitatingthemostprevalent

    yria, theonlymintinlateRomanorB y antine

    hatmintwasc losed ustbeforethe ersian

    1andneverreopenedbytheB y antines. B esides,

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

      /  h  t  t  p  :  /  /  w  w  w .  h  a  t  h  i  t  r  u  s  t .  o  r  g  /  a  c  c  e  s  s_

      u  s  e  #  c  c -  b  y -  n  c -  s  a -  4 .  0

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    uslimmint.

    tivityinB y antineSyriaontheeveof the

    known,althoughitwas perhapsnotsoclearly

    lkerwrote. Hehimselfdidnote plicitly

    createdasmokescreenwhichobscuredtheissue

    e calledthe trulyremarkablephenomenon

    hyc reatedmintswerereallyancient, pre-B y an-

    esresuscitated note10 .Tothecontrary:

    anyonewouldspeakof reopening mints

    onatleastthree centuriesearlier,asifthe

    enthadbeenloc kedupgatheringdust. tisinfac t

    attheA rabs, whentheyadoptedadec entrali ed

    dlocatetheirmintsinthesame district

    whichhadhadmintsin thefragmented

    c andRomantimes theurbantopographyof 

    mefor atleastthreemillenia. nasmuchas

    erecordedasmintsinclassicaltimes,it is

    otverysignificant,thatsomeofthe Arab

    a mintbefore.

    ecedentforstrikingcoinsin Syriaistobe

    ionofmintsalreadyin operationis uitea

    ndationofnewmintswherenone hadbeen.

    at,intheperiodimmediatelyfollowingtheirnew

    reveryconservativeintheiradministrationof 

    sistobee pec tedwhenonec onsidersthatnot

    ahavenocoinageof theirownbutalsothat

    oe perienceinadministeringlargeempires

    ta pay ingpopulation. ntheserespec ts, the

    racticesofthe oldempires,withonlysuch

    interestsmadenecessary,andusingwhat

    ureauc racies. fmintshadalreadye istedin

    yptand ran, onec ouldimaginethattheA rabs

    peration.B utitis difficulttoimaginethe

    rlycaliphsinitiatingmintingoperationswhere

    sted norisMu aw iyaknownasanadministra-

    sitlikely thatama ornew initiativewouldhavebeen

    ccessorsduringtheconflictswhichfollowed

    foreyouisthe markeddissimilarityofthe

    f theB y antinec oppers. TheB y antinefollesof 

    eracliusandhissuccessors,thecoinswhich

    eentheprototypesforArabimitationsofthe

    uests,areatrociouslystruck.Theyareirregu-

    lsoinshape anddiameter.Many,apparently,

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

      /  h  t  t  p  :  /  /  w  w  w .  h  a  t  h  i  t  r  u  s  t .  o  r  g  /  a  c  c  e  s  s_

      u  s  e  #  c  c -  b  y -  n  c -  s  a -  4 .  0

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    ngdeepmarginalcracks.R estrikesare

    eightstandardwasreduced,oldercoinswere

    byarbitrarilychiselingoff aportionofthe

    eare, itistrue, imitationsof thesec oinswhic hare

    andsomeof thesehavebeententatively

    ypicalearlySyrian coppersare uite

    uniformlyround,withfairlyevenandwell

    echnicalresearchhasbeendoneonthe method

    ancoppercoinage,butitlooksas iftheflans

    andstruckwith asmuchcareasonewould

    mination.Atanyrate,it iscertainthattheArabs

    echnologyfromthatofseventhcentury

    mindis thatnoneofthevarietiesof Muslim

    erhasanyspecif ic B y antineprototype. A lthough

    ueoftheissuesof eachclassificationwitha

    ototype,hehimselfpointsout thatthe

    ypeisalwaysuncertainandthecorrespond-

    ouldsuggestthatthesearc hforthe prototype

    bytheA rabsineac hinstanceisfutile, forthese

    tationsinthe strictestsenseoftheword.The

    generalway,inthatit ispatternedafterearly

    ryB y antinecoppercoinageasawhole:the

    re therearethelargeM sonthereverse the

    thedenomination40 ; thereareGraeco- atinin-

    s,sometimesreproducingcommonplace

    tmoreoftenisolatedwordswithoutanalogues

    therearenoinstanc esofevenbarbarousattemptsto

    menclatureoncopper ; andtherearemarks

    ms,theofficinaeletters,andotherau iliary

    tineissues,althoughitisnot likelythesemarks

    abdie cutters. notherwords,thedie cutters

    toachieveacloseimitationofanyparticular

    lytostrike coinswiththefamiliarattributesof 

    cetherenodoubtwerealreadymanyvarietiesof 

    nsincirculationinSyria,mostof themill-struck

    nscriptionsandimages,itseemslikelythat

    necopperspassedunnoticedbythosewhodidnot

    ctconnectionbetweenthecoinageof 

    arly imperialtypeA rabbron ec oinage, mak ingits

    uestperiodunlikely,theproblemremainsof 

    the introductionofthenewSyriancoinage.

    minethecoinageitself,concentratingonthe

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

      /  h  t  t  p  :  /  /  w  w  w .  h  a  t  h  i  t  r  u  s  t .  o  r  g  /  a  c  c  e  s  s_

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    theassumptionthatifthecoinageof thecapital

    propriatedate,thecoinsoftheremaining

    dated.Amongthecoppersin Walker s

    meD amascus,thereare,e cludingthestand-

    eobversetypesand twonotablydifferent

    ersetypesistheenthronedemperor,which

    sc us itisrathersc arce, w ithonlytwoe amples

    atalogue note12 andfourintheA meric an

    igs. 1-2 . A notheristhestandingemperor, byfar

    asc eneobverse, w ith26e amplesinWalker

    ourownc ollection. Thisobversetypewasusedalsoat

    berias. thasanumberofvariants: somehavethe

    ig. 3 , alsofoundontheenthronedemperortype

    MAC O C F ig. 4 ; othershavegarbledGreek

    ovetheletterT, arefoundvariouslyabird,a

    escent,orno symbolatall. inally,thereisan

    dingimperialfigures thisisveryrare,known

    specimens note14 andrepresentedinthe

    ietybyonlyone F ig. 5 .

    mascusimperialtypeshasalargeuncialM as

    a ordistinctiontobedrawnamongthe reverse

    withGreeklegends specificallytheword

    d eb a se d f or m o f it , o n th e l ef t t h e ci p he r s X I I I ,

    right andthemintabbrev iationA A Minthe

    andthosew ithA rabic legends, mostc ommonlydarb

    , w h ic h ma y b e tr a ns l at e d as c u rr e nt i s su e o f D a ma s cu s

    5-7 . A llof theseimperialissuesareplac edamongthe

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

      /  h  t  t  p  :  /  /  w  w  w .  h  a  t  h  i  t  r  u  s  t .  o  r  g  /  a  c  c  e  s  s_

      u  s  e  #  c  c -  b  y -  n  c -  s  a -  4 .  0

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    ssumingthatthereverseswithGreek

    ewithArabic heisthereforealsoprobably

    enthronedemperorobverseprecedesthe

    e,fortheformerwasknowntohim e clusively

    lethema orityofthelatterhavethe Arabic

    lessnogreatseparationbetweenthetwo

    ngemperorobverseiswellknownin fair

    reeklegendreverse,whilerecentlythe

    ietyac uiredbygif tf rom aulB edouk ianan

    erwiththeArabiclegendreverse,a

    yrec orded F ig. 1 . Thesetwoobversesare

    yareversedie, distinctivebecauseofthe

    , whichisfoundontwocoppersin our

    nedemperorobverseandwiththestanding

    . etanotherinterestinge ample, f roman sraeli

    mperorobversevarietywiththeGreek mint-

    mbinedwithaGreekreversewiththeabbrevia-

    A sidefromthiscoin, theAA MAC O Cobversehas

    rabiclegendreverseand wasveryprobably

    ucea semi-bilingualcoinofthesortknown

    e17 ; butthe sraelihoardc oinshowsthatthe

    erestill beingusedalongwiththenew

    ation.Thethirdobversetype,withtwo

    sotohavebeenused inclosecon unctionwith

    erse.Therearenoknowndielinks asyet,but

    nNumismaticSocietyspecimenofthetwo

    arkedaffinitieswiththereversesof twoAmer-

    standingemperorcoins,includingtheunusual

    imash totherightof theMandthepec uliar

    s ee i gs . 5- 7 .

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

      /  h  t  t  p  :  /  /  w  w  w .  h  a  t  h  i  t  r  u  s  t .  o  r  g  /  a  c  c  e  s  s_

      u  s  e  #  c  c -  b  y -  n  c -  s  a -  4 .  0

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    es,whichwouldprobablybeincreasedbya

    ethatthethree D amascusobversetypes,

    dingemperor,andtwoimperialfigures,arenot

    eparateanddistinctclassifications,butrather

    leserieswhichmusthavebeenstruckovera

    wyearsatthemost. etmereiterate,these

    tire bodyofArab-B y antineimperialstyle

    sc usmint-name note18 . sitpossibleto

    wasissuedcontinuouslyovermostofthe 60

    uesttotheintroductionofthe standingcaliph

    93-94 O r evenfromthereignofMu aw iya

    thinkcertainlynot. Norisitreasonabletobelievethat

    ringa shortperiodintheearly yearsofArab

    easeduntiltheappearanceofstandingcaliph

    ewis toregardthesecoinsasthe immediate

    ngcaliphcoins,issuedinthe sameshortspan

    y Milestotheearlygold coinswithpurely

    esec opperissuesarefarf romthe enithofcoin

    enta certaine tentofdevelopmentawayfrom

    NosubstantiveB y antineinsc riptionseemstohave

    barbaricform,onanyArabSyriancopper.

    nofArabiclegendsmustberegardedas a

    epureimitationof B y antineissues.Atits

    coinagebecomescompletelybilingual,ason

    ustissueofH ims note19 . nc ontrast, there

    mitationsolidi, allwithidentifiableimperial

    enderingsofimperialGreekinscriptions,before

    Arabsolidus withArabicinscriptions note

    Arabs, hav ingdepartedsofarf romB y antine

    mentoftheircoppercoinage,shouldthenhave

    oseimitationof B y antineimagesand

    ldcoins donotthinkso.TheArabcopper

    nspirationmust,itseemstome, beregardedas

    nslightlysubse uenttotheintroductionof 

    Abdal-Malik.

    D amascusbeganstrikingcopperonlyunder

    rSyrianmintislikely tohaveprec eededit. nthe

    otherimperialstylemints,onecan onlysay

    t eachwassmallanditlooks asifthe

    yparalleltothatatDamasc us. A sane ample, let

    situation,theissuesofB aysan,Greek

    alestine.Thismintstruckunusualcoppers

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    datfirstby issuingforthemselvescoinageof 

    earlyandmiddleseventhcentury.This

    rthecopper,becauseB y antinecopper

    creasedconsiderablyin uantityafterthereign

    kelythattheArabsof Syriasawmuchofthe

    onis,whatdidtheArabs ofSyriadoforcoin-

    enthecon uestandtheintroductionofcoinage

    erewaspresumablyabodyofc oinageincirc ula-

    bsarrived.Thiscoinagecouldhaveremained

    ndefinitely,e ceptforaccidentalloss,forit

    torecallforremintingbytheB y antines. robably

    geingovernmentandchurchtreasurieswhich

    and placedincirculation.Afterwards,there

    non Syria scoinage,forinthe pre-U mayyad

    nopartof itsta revenuestoMedina note25 ,

    tropolitanprovinceofthe empireunder

    vernmentrevenueswouldhavebeenintoSyria,

    r,andleavingasidemerepresumption,hoard

    blythatB y antinegoldandcopperaswellas

    ansilverwereimportedintoSyriainthe

    entury note26 . H owandwhythesemonies

    otrelevanttothe present uestion.

    the oneproposedhereislikelyto arouse

    ot mynewdatingwillstandup againstits

    but itisto behopedthatitwill atleastinspire

    eearlyArab coinageofSyriahaslong

    e arliestA rabGoldCoinage, A NSMN13

    e e hi s T h e c o no g ra p hy o f U m a yy ad C o in a ge , a

    talogues A rsO rientalis3 1959 , p. 209.

    alogueof theMuhammadanCoinsintheB ritish

    gueof theA rab-B y antineand ost-Reform

    n do n , 19 5 6 .

    i i , x v i .

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    i - x x i i, 2 2, 3 0.

    heMonetaryReformsof A bdal-Malik:Their

    heir inancialReperc ussions, E SHO 3

    e p. 215.

    astheolderreverseused, at erusalemc ontinu-

    nitia lly .

    areattributedtothismint, eventhoughhecame

    and thecityfelltothe Arabsin642.Thecoins

    dduringthe briefrecon uestin645-46,butin

    emintoperateduptotheendofB y antinerule

    d, SeventhCenturyA rab mitationsof 

    ummia, A NSMN18 1972 , pp. 113-17.

    dhisnotesonindiv idualmints.

    alogueof theB y antineCoinsintheD umbarton

    theWhittemoreCollection, I : hoc asto

    2-717, Washington,1968 , t.1,p.22.

    4-5.

    7-26.

    42and . 6, andnotetono. 42.

    menswithasomewhatvaryingArabiclegend,

    esearee emplif iedbyWalker, p. 8, nos. ANS

    hasthesamereversedieasWalker, p. 9no. 26,

    elettersgamma-kappaontheobversewhich

    rpretastheGreeknumeral23 H . . Thedielink

    ariantasconstitutinga separateissue.

    herssentto MilesinO ctober,1967bythe

    agaQ edar.

    p. 11, no. . 4, pp. 15-16, nos. 43-51 ; B aalbek

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    os. 35-41 ; Tartus Walker, p. 19, nos. 55-56 ; and

    20-22, nos. 57-72 .

    omeofthecopperswithno mint-name,notably

    sw ithM Walker, pp. 16-17, nos. 52-53, . )

    w ithtransformedc ross Walker, p. 14, no. h.

    ascus.Thesemightcorrespondtothetwoandthree

    s Miles, GoldCoinage, pp. 207-10, nos.

    os.57-72.

    e, pp. 207-9, nos. 1-4, I . X L V , nos. 2, 4, 6, 8.

    nsonly,W alker,pp.1-2,nos.l-3ff. with

    alker,p. 2,no.B el.2.

    ow ick , E arlyA rab igureTypes, ' NC irc 78

    sthef irstof thesetobepublished.

    5-6.

    ggestedby owick,p.90,buthedoesnot go

    eas do,suggestingratherca.660-85.

    mc H istory , A . D. 600-750 A . M. 132 ; A New

    mbridge, 1971 , pp. 43-44.

    ishedgoldhoardis describedbyCecile

    r by a n ti n d e Ni k er t ai , R B N 1 18 1 9 72 , p p .2 9 -9 1 ,

    entioned,especiallyp.62 thisarticlealso

    ndcommentsontheeconomicconte tof Abd

    mwhichmightbeoverlookedbyspecialistsin

    .Twoimportantsilverhoardscontainingboth

    ancoinshavebeenpublishedbyMuhammad

    s h , T h e Si l ve r H o a r d of D a m a s cu s D a m a s cu s , 19 7 2 ,

    a r a al - i d di D a m a s cu s , 19 7 2 . S ev e n br o n e h o ar d s

    ans aswellasArabissueshavebeen

    nNumismaticSocietyinrecentyears.

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    velledoverthe highways,bywaysandgoattrailsofGreece,looking

    enceintheformof ufes ueornamentationonB y antine

    dmuchmorebesides.Thoseof usprivilegedtoseeand hear

    sthatemergedfromhistrips willremembermostvividly

    siasmandobviousaffectionforthelandand itspeople. or

    ufes ueinthe astbroughtrichrewards. TheWest, too, hasits

    hethemeofourf inalpaperbyR ic hard ttinghausen, arthistorianof 

    dsthe evork ianc hairof slamic artatNew orkUniversityand

    airmanofthe slamicD epartmentattheMetropolitanMuseum

    n ti n e Gr e ec e ,

    eMuslimWorld

    o-earlypassingdeprivedthelearnedworld

    randmanypersonsofa kindandloyalfriend,

    eoutstandingspecialistinthe fieldof slamic

    asane uallydistinguishedArabicepigra-

    wellasan e pertonMuslimhistoryanda

    lturalrelations.H isachievementsweremany,

    istin theshorttimeandspaceavailable.O ne

    be consideredhereandthestartingpointwill

    awordwhichMilesc oinedforthe nglishlanguage

    mindicates,itisa combinationof ufic,the

    ptusedintheMuslimworldfor inscriptionsin

    osaic,wood,andivoryoftheseventhcentury

    e,thegracefulcontinuousornamentemployed

    orldforalmostallmedia note2 . Milesused

    rpseudo- uf ic. tshouldbeunderstood,

    ed ualityof falseness or pretention

    thiscompoundwordrefersprimarilytothe

    ongerreadable,andnotnecessarilytothe

    canoftenstillberecogni edinshortcombina-

    cf ic e amplesf romtheB y antineperiodin

    ufes uec arvedinstoneorterracottainthe

    ofmanyecclesiasticalbuildings,intheform

    upsor ofcontinuousfrie es.Thistypeof 

    lsooccurredinpainting,mosaics,andevenin

    veforms werepopularonlyduringarelative-

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    thefirst uarteroftheeleventhcenturyand

    f thetwelf th, althoughthereisonee ample,

    phogus, whic hdatesf romabout1276 note3 .

    orwastobringtogetheralargebodyof uf ic-

    ariousmediaofthe B y antineworld,buthe

    al uestionswhenheasked: Whatwerethe

    esofallthesemotifs,whatwerethemedia,and

    dtoGreece Althoughheaddsinhis usual

    heseare uestionsforanotherpaperanddoubt-

    heneverthelessconcludedhiswide-ranging

    sinanswertothe issueswhichheraised. n

    sfurther, intendtotakeupatleastoneaspec t

    stigateaproblemposedbyGeorgeMiles.

    plesfromGreece,thereisonegroup,whichal-

    lwaysc onsistentinitsformation note4 . tis

    oframinguprightssettothe rightandleft,

    tiveadditionsthewedgesorhooksofornate

    perends, whilebetweenthemalower, moree -

    nan archedorhollowed-outbase.Amarble

    rtheTowerofW indsinAthensis atypical

    f terMiles . Thereareotherstonec arv ingsof this

    y antineMuseum. notherpiec es, themotif is

    nreviewingthesefinds,itbecomesclear

    hichisvariablefrom casetocase itcandiffer

    of thesamefrie easinthismarbleborderin

    m F ig. 2, af terMiles , althoughthebasic struc -

    hispersistentidentityestablishedthese

    which,forbrevity ssakewemaycallthe

    e.

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    rnamentsisfurtherunderlinedbythe

    otifintheart ofmediaeval uropewhereitis

    any, nglandand taly . Thefac tthatA rabic

    dintheornamentationofChristianpeopleof 

    eenobservedinapioneerarticleofde ongperier

    45 note5 andmuchmaterialhassinc ebeen

    speciallyinasystematicsurveyby rdmann,

    amples,manyofthemwithmoreorless

    es note6 ig. 3 . H eshowedthataf tera

    century,this ufic-derivedtypeofornamen-

    mmoninthetwelfthcentury,flourishedinthe

    asedmarkedlyinthefourteenthcentury,part-

    hemorerecentArabicwritinginNaskhf 

    estigationofthepublishedmaterialmakesit

    hee amplesadducedbyMiles, the uropean

    elminglyofplayfulvariantsofthetall-short-tall

    preferencemakesitimperativetoestablish

    meaningofthisubi uitousmotif.

    efutedtheassumptionofMar uetdeV asselot

    beencreatedin uropebyreducingacertain

    stoformthisc ombination note7 . nstead, he

    sthavebeen takenoverfromNear astern

    docc urredintheveryearliest uropeane -

    A poc alypseofSt. Seversur1 A dour note8

    ntedtoitsuseintheNear ast, althoughhewasable

    sewhereit appearsasoneoftwomarkingson

    elinawallpaintinginTemple V inB a ak lik,

    ineseTurkestan,whichbelongstothe

    ldbedatedtoaboutthetenthc entury note9

    edbyGeorgeMiles,itcanalso bestatedthat

    enth-centuryGreece,sothatthecontemporary

    nee amplesmustgoback tothesamesource, whichin

    belookedforintheMuslim ast. Noristhe

    ranceofthemotifineleventh-century rance

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    rldfortuitous,becausebothareasbordered

    seSpain, intheotherSyriaandthe a frah, a

    litateditsimport. nthecaseofGreece,

    oventhat,on thebasisofevidenceofthree

    ficinscriptions,theremusthavebeena

    s,probablyartisansortraders,whowere

    endof thetenthc entury note10 .

    onisfullysupportedbythefac tthatour

    otherinstancesthatbelongtodifferent

    he slamic world. O f these, wantto uote ust

    illsuff ic etodemonstratetheubi uityandgreat

    earlieste amplecomesfromtenth-century

    formof thedesignandhereappliedto theedge

    ottery f romNishapur note11 ig. 6 . The

    oreevolved, ifnot baro ue versionsof the

    natureis identified,oneeasilyrecogni esthat

    rmorec omple nature, f itintotheseries. irst

    angularcavettoofthemihrabof theB ey

    secondhalfof thethirteenthc entury f rom onya,

    atolia, whic hisnow inthe slamic Museumin

    2 . nthisc ase, allelementsc omefromtheworldof 

    wotall unitsconsistofaforkedhalf leafwhile

    entralpartis astyli edfloralformwhichrests

    etheB y antinee amplesof igs. 1and2 F ig.

    mpleisanenamelledglassmos uelampoftheMamluk

    entury gyptwiththenameofSultanH asan

    eretheuprightshavebeengivenaslanting

    nterspersedsuspensionloops inaddition,

    sbeennearlylostunder thewealthoffloral

    otherwiseusuallylowintermediaryelement

    ossiblesi eandbeenmadeintoa comple

    3 ig. 8 . inally , themainborderofsi teenth-

    all-patternedH olbeinrugs usuallyc onsistsofa

    yndrome,although,intheseinstances,the

    interspersedlittlehe agonsandsecondby

    smirrorimageplac edupsidedown F ig. 9 .

    es ueforcarpetbordersisactuallymucholder.

    oundina representationofacarpetina four-

    miniatureinaB idpaimanusc riptintheU nivers-

    . nterestinglyenough, itusesoursyndromeintwo

    ntwodifferentdirectionsandare combined

    ed u f es u e n o te 1 4 i g . 1 0 . u f es u e

    otuncommonly,incarpetsshownin

    hef if teenthc entury note15 . tw illbenoted

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    ependentlyofde oreyand rdmann, , too, have

    stformulatedbyde orey in1938and c an

    cessaryepigraphicevidence.

    oofisprovidedbytombstonesfromvarious

    istingreatprofusion. Numerouse amplesf rom

    A rtinCairoc anbefoundinthesi volumes

    awary , HusseinRac hedandGastonWiet

    hiscataloguecomprisesthedatesfrom31 to

    bstonesarenearlyalldated,onecanreadthe

    decadetodecadeandcaneasilyestablish

    esebelongtheuseofa conspicuousrounded

    ordAllahwhichbreaksupthe straight

    helams,particularlyintheintroductory

    c urredf irstinamarbletombstoneof191H. /A . D.

    11 andisthenfoundinotherstelaeof theninthc en-

    rationofthe motifisfoundin atombstoneof 

    reasmallstarisf i edtothetopof therounded

    eelaborateisthee ampleof224H. /A . D. 839, where

    partitearch,thecenterofwhichispointed and

    whilethesideunitsareround note20 ig.

    /A .D . 857hasnotonlybeautifulraised uf ic w ith

    etall lettersbutalsoshowsa high,polylobed

    n note21 ig. 13 . O ntheotherhand, intwo

    ar thecenterofthewordAllahis rendered

    nted,horseshoearchin doubleoutlinewhile

    hasmallf leur-de- lys note22 ig. 14 . The

    nsoftheninthcenturyare foundinyetanother

    /A.D.858 showingahighpolylobedarchwhich

    noneof 245H ./A.D.860, wherethefleuron

    higherthanthef raminglams note23 ig.

    theninthcentury,thearchedintersection

    nagainofasimplerform note24 however,

    ontombstoneswhichdateaslateas 484

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    02and539/1144 note25 .

    atafromthisArabicmaterialwiththe charton

    es uec harac tersbasedonthemediaeval

    as i t w as p r ep a re d b y r d ma n n F i g . 16 , w e r ea l i e

    uesoc curin slamandthe atinWestand, as

    antineGreeceaswell. ventheordinary formof 

    U -U

    J

    oselyreproducetheunadornedcenterofthe

    deredbyfirstpresentingthe initiallam,while

    am,theconnectinglinetothefinalha hasbeen

    keanalif see ig. 16, la . Thisformofa

    sentlypreservedintheWestandB y antine

    neintheformali edpatternsintheMuslimworld.

    secondaryornamentalfeature,which,asinthe

    uallyhasacurved,triangularortwo-cornered

    nat thebottomandcarriesadecorative

    omcasetocase.

    tthatthe ufic-derivedmotiffoundwide

    etwelfthcenturyaftera veryrestrictedstartin

    o,hasstressedthat hisGreeke amplesare

    ytwelfthcenturies.Thismakestheeleventh

    icalperiodforthe Muslimworld. tcanbe

    rlyinthetwelfthcentury,wereapparentlythe

    mentofthemedialelaboration.Thisisborne

    mplesfoundintherec entpublic ationon slamic

    Schimmelwhichincludeaneleventh-century

    ainSpain note26 andtwosplendidversionsof 

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    fromtheotherend oftheMuslimworld,

    arinthesanc tuaryof mam hurdinSar- i ulin

    Sc himmel, p. 12, n aswellasarenditionf romthe

    hiof theearly thirteenthc entury Sc himmel, p. 18,

    bletopointto arepresentativecasefromthe

    c anrefertoanundatedtombstonenowplac edin

    a l - O m a r iy y a in M o su l . r n st H e r f e ld , t he

    les,andminetoo,placedit intheeighth

    .D.on accountoftheTurkishname— B ilghe-i

    personburied, butitmayverywellbeearlier note

    nodoubtaboutthedateofourne te ample, the

    efromtheMausoleumofB uyanQ ulf hanin

    1357inthe astB erlinMuseum itpresentsa

    egla eonac arvedtur uoisegla edbac kground

    h thek ingdombelongstoGod ) . Whilethe

    n astraightforwardfashionandshowsonly

    upperpartsofthetall letters,thewordlillahis

    byapointedarc hintheusualfashion F ig. 18 .

    atesthepersistenceofanepigraphicidiosyncra-

    earlyninthcentury.Asamatterof fact,the

    emiddleportionofthewordAllah andthe

    ecomeevidentevenwhennoactualornamen-

    tothe uficletters.Thisisbroughtout bya

    Medreseof640H. /A . D. 1242in onyawhere

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    attachedfashionoverthemedialsectionof 

    bv iously , the slamic c ustomwastostressand

    neway oranotherinbuildinginscriptions,

    oranmanuscriptsthewordA llahwasrenderedin

    te twaswrittenin blackink.Thetall-short-

    ndWestistheornamentaldistillateof this

    nwhichneedtobeansweredinordertogaina

    phenomenonherediscussed. irst,whilethe

    edformofthewordAllahin theMuslimworld

    mbstonesandbuildinginscriptions,itis its

    ec tswhic histhemorelikely linkw ith atinand

    hee amplesf romthevarious slamic dec orative

    erredareofsomesignific anc e F igs. 6, 8, 9 . Still,

    atenth-c enturypieceof ersianpottery ,

    ichwasrarely,ifever,broughtto urope,

    es, an gyptianlampandtherenditionsof 

    turesofthefourteenthandfifteenthcenturies,

    ephenomenonineleventh-andtwelfth-century

    evenmoreto theTurkishcarpetofthe

    rovethetransferf rom asttoWestmore

    arytoproduc eamovable slamic ob ec tofan

    entsmerchandiseoftenbroughttomediaeval

    keothersbeforehim,haspointedto te tilesas

    asternideasandthisis indeedthemedium

    ampleofthephenomenonhereinvestigated.

    oandlinentapestryof theninthc entury inwhich

    terclearlymarkedwitharoundedunit which

    note28 ig. 20 .

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    beposedpertainsto thefirstoccurrenceofthe

    ofarobservedin urope,theApocalypseofSt.

    ury ranc e F ig. 4 . rdmannhadalready

    esinthis manuscript,naminginparticular

    e ufes ueletters, anditisindeedtoSpain,

    try,thatonehas tolookforfurtherevidence.

    edivorybo intheV ictoriaandAlbert

    to rnst uhnel, wasmadeinthec aliphal

    ahra about962 note29 ig. 21 . H erethe

    markedbyatrilobedarch,whichimpliesan

    ativeform.

    gressbrieflybecause,whileina seconduseof 

    rked whichisnotunusual , trilobedarc hesdo

    amelyrahmat betweenmtmandtheta

    ihi betweenyaandha . Thisindic atesthatthe

    derstoodasane clusivelydistinguishingmark

    uallythecase,butratheras ameansof 

    egiven space. uhnelhadcertaindoubts

    hepiece,partlyonaccountofthis epigraphic

    ioninhis corpuswithatenth-centurydate

    thathefinallyaccepteditas genuine, ustas

    dedfootnote. nanycase,theuseof thearch

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    her wordshadalreadyoccurredinthe

    . 807inCairo F ig. 11 , sothattheoc c urrence

    eSpanishbo wouldnotbeob ec tionablebut

    sm.TheremusthavebeenotherSpanish-

    mediale tensions,asthephenomenonisstill

    enturye amplef romSaragossa seenote26 ,

    n themostcomple fashion.

    edifficulttoanswer,maybeformulatedin

    tentwasthetall-short-tallsyndromestill

    rmas anabbreviationofthewordAllah,or

    lost, in slamorlaterintheGreekand atin

    nswerforthe slamic worldisprov idedbythe

    chcontaintheAllah-derivedmotifineithera

    orm e. g., ig. 9 . Thesepiec esshouldbe

    onwiththelegalopinionwhichthewell-known

    fal-Dfhal-Subkhfrenderedin1351whichhasbeen

    donby ran R osenthal note30 . H ere

    estionisreproducedorgivenas paraphrasedby

    nc erningaman splac inghisfootupona

    ewovensomelettersof thealphabet

    ordssuc has blessing, bliss,

    ' sitpermissibleforamantosteponthepor-

    esewords arefound

    clinedtoconsiderit forbiddenforaman

    althoughhesaysheis unabletooffer

    rhisopinion— L etters...werecreatedin

    softheir properarrangement,theword

    oftheother prophetsandtheangelsas

    esirable,orpermissibleutterances.There

    orrectnessoftheassumptionthatthe fact

    ortheproductionofsomethingnecessary

    atoryuponhumanbeingsto honorand

    opinionoflawyers,a pieceofpapercontain-

    otbeusedforwritingon itsecularstories

    ofcourse,thesituation isclearsincethe

    utwhatifit isacaseof ordinaryletters

    ducinganywordintheworld nthiscase

    caseforsimilar prohibition....

    writingdowneithergoodwordsorevil

    epurposeforwhichitwas createdandfor

    edisforwritingonitthe oran, the ro-

    herusefulkinds ofknowledge.Werea

    uponwhichnothinghadasyetbeen

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    nfullknowledgeofthefactthat allpaper

    ctioncouldbeclassifiedasa forbidden

    e lettersofthealphabet.Thosewho

    htheletterswere createdarenotper-

    s admitsmakingane ceptionforper-

    seof writing,inconformitywiththewide-

    tonlyknowledgeofthefactthat anaction

    missionacrime.

    udes,onlythosewhoareawareof the

    purposeofwritingas statedherecommit

    suchlettersasarefoundon thecarpet.

    notalwaysbea crime,itcouldinanycase

    n,andthepersonignorantof thesituation

    etter.

    akesit evidentthatthesteppingona carpet

    of thewordAllahwasrenderedwould

    denandregardedasacrime,had theorigin

    motifbeenknown. tmightevenbe uestioned

    erswerestillunderstoodtobe derivedfrom

    thatwerethecase,they,too,wouldhave been

    uslim astthetruenatureof thec arpetborders

    ementswasnotrec ogni ed, noteventhefactthat

    ters,althoughitis fairlyevidenttoaW estern

    isnon-recognitionmustremainmerespecu-

    iedmirrorimagesandinsertionsin theborders

    gedfromregularscriptthattheir characterwas

    ctthattheseletters werefoundoncarpetsdid

    association.Thephenomenoncanperhapsbe

    seofmispronouncedwords,whendifferent

    olonger understoodbythelistener.

    the ufes uesyndromewasthusnolonger

    mbinationstillretaineda religiousaura,oreven

    esclearfromablue-gla edob ectofpossibly

    eleventhortwelfthcenturyandnowpartof a

    ork.Apparentlyitisan amuletwithtwoloops

    riginallysuspendedfroma person sneckor

    ersonorawomaninlabor F ig. 22 . Theraised

    pleand couldbeoftheninth century,butthe

    cedoesnotallowsuch anearlydatingandone

    writingasanarc hai inginscription. tc ontains

    cededbythewordya,whichisthe common

    asusedbeforeA llah. Henc e, therewasan

    ort-tallsyndromewasasymbollikeAllahand

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    person inneed.H avingsuchastatus,the

    ecorationfora mos uelamp,althoughits

    olvedbyknottedandvegetalelements F ig. 8 .

    houghttobe appropriatetoreplacethe

    X I V , 35 whichisusually foundonsuc hlamps. This

    efindsthesyndromeonwomen sglassbangles

    serveasthesole decoration,withapossible

    r note31 ig. 23 . inally , thisisthereason

    pliedtotheload ofacamelina CentralAsiatic

    twassupposedtoguardtheshipmentduringthelong

    t, ustastheblue donkeybeads of ranare

    tiveeffectforhorsesand donkeys.Thatallthis

    ositionisindicatedbyatwelfth-century

    ngin eningradinwhichaChristianmatyrc arries

    es ueinscriptionwhichc onsistsofnolessthan

    yndrome F ig. 24, afterMiles . nc onnec tion

    tions,GeorgeMilesri ghtlyaskedwhether

    apotropaicmeaningwhich,tomymind,they

    ver,inmanyinstances,theoriginalsignificance

    ed asinthecaseof thetenth-centurybowl

    robablyin thatofthethirteenth-century

    ig. 7 . H eretheesthetic fac torof thesimple

    armonyofthemotifmighthave beenthe

    ation. ncertaininstances,itis,however,

    romewasnot understood.Thisis,forinstance,

    rintingte tilesfromabouttwelfth-century

    tB erlinMuseum, whichhasinitsc entralbanda

    r V ic tory ) F ig. 25 . Thiswordisusually

    w ishorthewordlisahibihi toitsowner ) ,

    tif,whichwasusedonlyasaspacefiller,

    heoriginalmeaningof thesymbol note32 .

    ndfinal uestion:howthetruemeaningof 

    dbeso easilyforgotten.H ere canonlystate

    gthis ufes uemotif isnotauni uec ase.

    econtentofan incipientsymbolbecamelost

    nedeitherto becomedevoidofmeaningorto

    onc eptsofadif ferentnature note33 . The

    edinthemihrab-likearchesof prayercarpetsare

    e amples note34 . Theyoriginally ref lec ted

    w h ic h s ta t es :

    avenandtheearth alikenessofhislight

    eisa lamp,thelampisin aglassandthe

    yshiningstar...

    nglampbecameaflowervaseand itwaseven-

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    t thebottomofthearch.W hatisremarkable

    otifisthefactthat itpreservedacertain

    tamagic,apotropaic uality.Thisassuredita

    ili ationofitsorigin,but inmanycountriesof 

    hotherwiseknewlittleof slamandcertainly

    toapplythedivine nameusedinarival

    ldingsandholy ob ects.

    y antiumandtheA rabs:RelationsinCreteand

    P 1 8 1 9 64 , p . 2 0.

    A rabeske. Wiesbaden, 1949. An nglishtrans-

    forthcoming.

    m, p p . 22 , 2 6.

    n M il e s, B y a n ti u m, a r e hi s f ig u re s G , , 1 9 ,

    64,and66.

    r, D e1 emploidesc arac teresarabesdans

    lespeuplesChretiensde1 O c c ident, R evA rc h

    06.

    bisc heSc hrift eic henalsO rnamenteinder

    desMittelalters Main , A kademieder

    iteratur.AbhandlungenderGeistes-und

    en lasse, ahrgang1953, Nr. 9 . Main -

    . 467-513 thegivennumbersarethoseof the

    tpublicationtodealw iththesub ec tisWalter

    ueWoodenDoorsofA uvergne New ork , 1974 ,

    referencesonpp.31-32.

    a s s e lo t , e s C ro s se s l im o us i ne s d u X H I e s i ec l e.

    24 rdmann, A rabisc heSc hrift eic hen, p. 512.

    , eleventhc entury . A f terA hmed ik ry , ' A rt

    enc esislami ues P aris, 1934 , p. 266, f ig. 333a

    Schrift eichen,pp.512-13,fig.1,detailafter

    P einturemusulmaneoupeintureiraniene, R evue

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    9 38 , p . 24 , p l. X V I I I , n o . 7.

    fromthesethreefragments,referstothe

    y antium, pp. 19-20, f igs. 15-17.

    ope, TheCeramic Artin slamic Times, A

    . e d . A .U . o p e L o n do n /N e w o r k, 1 9 38 , p l .

    e a r d, a C er a mi u e a rc ha i u e d e ' I s l am e t s es

    s , 19 2 0 , p l . X C V I , u p pe r r ig h t.

    phof thismonumentandof igs. 9, 18, 25tothe

    mar nderlein, A ctingDirec torof the slamic

    syofSmithsonian nstitution, reerGalleryof 

    f terA rmenagB eySak isian, aMiniature

    I I e s i ec l e P a r is / B r u ss e ls , 1 92 9 , p l . V I . T h e

    nthereistooearly.

    onwithproperillustrationshasbeen collect-

    mu r id C a rp e ts , A r s s l am i ca 1 9 40 , f i gs . 9 , 15 ,

    7, 38,40,41,42,46,47, 49,53-56,64-69,and

    p et s I , A r s s l am i ca 1 9 46 , f i gs . 8 , 10 , a nd

    Sc hrift eic hen, p. 513, note1.

    aryandHusseinRac hed, Stelesfuneraires

    MuseeArabeduCaire . Cairo, 1932 , pl. V I , no.

    ed, Stelesfuneraires , pl. X I X , no. 2721/45.

    ed, Stelesfuneraires , pl. X X X V I , no. 2721/4.

    elesfuneraires I Cairo, 1936 , pl. X , no.

    neraires I , pls. X , no. 9820andX I I , no. 1271.

      C  r  e  a

      t  i  v  e  C  o  m  m  o  n  s  A  t  t  r  i  b  u  t  i  o  n -  N  o  n  C  o  m  m  e  r  c  i  a  l -  S  h  a  r  e  A  l  i  k  e

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    e ra i re s I , p l s. X V I , n o . 39 0 4 an d X X I V , n o .

    dialdecorationbesidestheoneshere uoted

    ryandRac hed, Stelesfuneraires , pls. X X I , no.

    , no .2 72 1/ 20 X X V I I I , no .1 26 7 X X X I I , no .2 72 1/ 6 X X X I I I ,

    n o. 1 45 4 X L V , n o. 1 26 8 , n o. 1 50 6/ 36 0 X I I I , n o.

    f un e ra i re s I , p l s. , n o .2 8 20 X X I I I , n o .1 0 88 3

    I I I , n o . 83 2 1 H a s s an H a w a r y an d H u s s ei n R a c h ed ,

    C a i r o, 1 9 39 , p l s. V , n o . 3 1 50 / 92 X X V I , n o .

    te l es f u ne r ai r es V C ai r o, 1 9 36 , p l . X V I I I , n o .

    erairesV Cairo, 1937 , pls. X I I I , no. 2721/461

    unerairesV I Cairo, 1939 , pls. X X I X , no.

    71 6 X X X V I , n o. 1 23 36 /1 .

    slamic Calligraphy L eiden, 1970 , pl. .

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    iet B erlin, 1911-20 , pp. 285-86, f ig. 275.

    ofArt,R ogers und,no.27.170.79.

    uhnel, D ie slamisc hen lfenbeinskulpturen.

    h ru n de r ts B e r l i n, 1 9 71 , p . 3 3, n o. 2 1 , pl . X , n o . 2 1 c.

    Signific antU sesofA rabic Writing, A rs

    p p . 15 - 16 r e pr i nt e d in h i s o u r s s ay s o n Ar t a nd

    L . A . MayerMemorialStudiesin slamic A rtand

    L e i de n , 19 7 1 , p p .5 1 -5 2 .

    ntury , erusalem. . A . MayerMemorialNo.

    st uhnel, slamisc heStof feausagyptisc hen

    hen unstabteilungundinderStaff-Sammlung

    erlin, 1927 , p. 85, wheretheyareattributedto

    sen, The WadeCup intheClevelandMuseum

    ec oration, A rsO rientalis 1957 , p. 356.

    sen, Mauric eS. Dimand, ouiseW. Mac kieand

    ayerRugs Washington, D. C . , 1974 , pp. 19-23,

    dX X V I I .

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