a dialectic approach to film form
TRANSCRIPT
A Dialectic Approach to Film FormMatthew Hahn, Kyle Powell, Jessica Argueta,Joseph Ancheta, Quadir Johnson, Melissa Thompson
Art Consists of Dynamic ConceptsBeing-constant evolution from two oppositesSynthesis-opposition between thesis and antithesis
Montage and Rhythm● Everything has Rhythm● Shot and montage are the basis of
cinemaThe unrolling of an idea with single shotsshown sequentially to create rhythm
Irregularity● Spatial development of size and detail in correspondence to another creates meaning● Used by Grunewald and Renoir
Color● Gives Rhythm of Vibration● Every color has a physiological vibrationTwo conflicting colors give dynamism ● Perceive colors based on the colors
around it
Syntax (Film Grammar)Basic optical elements are used for deliberate compositions1. logical -fluid movement2. Illogical-ex. showing stills over time3. Emotions-ex. association montage
https://www.youtube.com/watch?v=DqW_5vTBAXw4. Liberation of the whole action from the definition of
the time and space- ex. point of view
Works CitedA Dialect Approach to film form, Eisensteinhttp://youtu.be/MzXFSBlQOe4http://geneticliteracyproject.org/wp-content/uploads/2015/02/what-color-dress-gold-white-blue-black-color-blind-why-do-i-see-twitter-tumblr-300x284.jpghttp://upload.wikimedia.org/wikipedia/commons/c/c5/Pierre-Auguste_Renoir_-_By_the_Water.jpg