a digital anthology of early modern english drama...img: 1b sig: a1r ln 0001 ln 0002 ln 0003 ln 0004...

93
A Digital Anthology of Early Modern English Drama emed.folger.edu Discover over four hundred early modern English plays that were professionally performed in London between 1576 and 1642. Browse plays written by Shakespeare’s contemporaries; explore the repertoires of London’s professional companies; and download plays for reading and research. This documentary edition has been edited to provide an accurate and transparent transcription of a single copy of the earliest surviving print edition of this play. Further material, including editorial policy and XML files of the play, is available on the EMED website. EMED texts are edited and encoded by Meaghan Brown, Michael Poston, and Elizabeth Williamson, and build on work done by the EEBO-TCP and the Shakespeare His Contemporaries project. This project is funded by a Humanities Collections and Reference Resources grant from the NEH’s Division of Preservation and Access. Plays distributed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Upload: others

Post on 07-Jul-2020

16 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

A Digital Anthology of Early Modern English Drama

emed.folger.edu

Discover over four hundred early modern English plays that were professionally performed in London between 1576 and 1642. Browse plays written by Shakespeare’s contemporaries; explore the repertoires of London’s professional companies; and download plays for reading and research.

This documentary edition has been edited to provide an accurate and transparent transcription of a single copy of the earliest surviving print edition of this play. Further material, including editorial policy and XML files of the play, is available on the EMED website. EMED texts are edited and encoded by Meaghan Brown, Michael Poston, and Elizabeth Williamson, and build on work done by the EEBO-TCP and the Shakespeare His Contemporaries project. This project is funded by a Humanities Collections and Reference Resources grant from the NEH’s Division of Preservation and Access.

Plays distributed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Page 2: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

img: 1­asig: [N/A]

Page 3: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

THEWHITE DIVEL,

OR,The Tragedy of Paulo GiordanoUrsini, Duke of Brachiano,

WithThe Life and Death of Vittoria

Corombona the famousVenetian Curtizan.

Acted by the Queenes Maiesties Seruants.

Written by IOHN WEBSTER.

Non inferiora secutus.

LONDON,Printed by N. O. for Thomas Archer, and are to be sold

at his Shop in Popes head Pallace, neere theRoyall Exchange. 1612.

img: 1­bsig: A1rln 0001ln 0002ln 0003ln 0004ln 0005ln 0006ln 0007ln 0008ln 0009

ln 0010

ln 0011

ln 0012

ln 0013ln 0014ln 0015ln 0016

Page 4: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

img: 2­asig: A1v

Page 5: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

To the Reader.

A2 were

IN publishing this Tragedy, I do but

challenge to my selfe that liberty,

which other men haue tane before mee;

not that I affect praise by it, for, nos hæcnouimus esse nihil, onely since it wasacted, in so dull a time of Winter, pre­

sented in so open and blacke a Theater,

that it wanted (that which is the onely

grace and setting out of a Tragedy) a full and vnder­

standing Auditory: and that since that time I haue noted, most

of the people that come to that Play­house, resemble those ig­

norant asses (who visiting Stationers shoppes their vse is not

to inquire for good bookes, but new bookes) I present it to the

generall veiw with this confidence.

Nec Rhoncos metues, maligniorum,Nec Scombris tunicas, dabis molestas.If it be obiected this is no true Drammaticke Poem, I shall

easily confesse it, non potes in nugas dicere plura meas: Ip­se ego quam dixi, willingly, and not ignorantly, in this kindhaue I faulted: for should a man present to such an Auditory,

the most sententious Tragedy that euer was written, obser­

uing all the critticall lawes, as heighth of stile; and grauety

of person; inrich it with the sententious Chorus, and as it

img: 2­bsig: A2rln 0001

ln 0002ln 0003ln 0004ln 0005ln 0006ln 0007ln 0008ln 0009ln 0010ln 0011ln 0012ln 0013ln 0014ln 0015ln 0016ln 0017ln 0018ln 0019ln 0020ln 0021ln 0022ln 0023ln 0024

Page 6: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

To the Reader.

were life’n Death, in the passionate and waighty Nuntius: yetafter all this diuine rapture, O dura messorum ilia, thebreath that comes frō the vncapable multitude, is able to poi­

son it, and ere it be acted, let the Author resolue to fix to eue­

ry scœne, this of Horace,

— Hæc hodie Porcis comedenda relinques.To those who report I was a long time in finishing this

Tragedy, I confesse I do not write with a goose­quill, winged

with two feathers, and if they will needes make it my fault,

I must answere them with that of Eurypides to Alcestides,a Tragicke Writer: Alcestides obiecting that Eurypideshad onely in three daies composed three verses, whereas him

selfe had written three hundreth: Thou telst truth, (quoth he)

but heres the difference, thine shall onely bee read for three

daies, whereas mine shall continue three ages.

Detraction is the sworne friend to ignorance: For mine

owne part I haue euer truly cherisht my good opinion of other

mens worthy Labours, especially of that full and haightned

stile of Maister Chapman. The labor’d and vnderstandingworkes of Maister Iohnson: The no lesse worthy composuresof the both worthily excellent Maister Beamont, & MaisterFletcher: And lastly (without wrong last to be named) the righthappy and copious industry of M. Shake­speare, M. Decker,& M. Heywood, wishing what I write may be read by theirlight: Protesting, that, in the strength of mine owne iudge

ment, I know them so worthy, that though I rest silent in my

owne worke, yet to most of theirs I dare (without flattery) fix

that of Martiall.

— non norunt, Hæc monumenta mori.

img: 3­asig: A2v

ln 0025ln 0026ln 0027ln 0028ln 0029ln 0030ln 0031ln 0032ln 0033ln 0034ln 0035ln 0036ln 0037ln 0038ln 0039ln 0040ln 0041ln 0042ln 0043ln 0044ln 0045ln 0046ln 0047ln 0048ln 0049ln 0050ln 0051ln 0052

ln 0053

Page 7: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

THE TRAGEDYOF PAVLO GIORDANO

Vrsini Duke of Brachiano, and VittoriaCorombona.

Enter Count Lodouico, Antonelli and Gasparo.

LODOVICO.

B Of

BAnisht? ANTO. It greeu’d me much to heare the sentence.

LODO. Ha, Ha, ô Democritus thy GodsThat gouerne the whole world! Courtly re­ward, and punishment. Fortun’s a right whore.If she giue ought, she deales it in smal percels,That she may take away all at one swope.This tis to haue great enemies, God quite them:Your woolfe no longer seemes to be a woolfeThen when shees hungry. GAS. You terme those enemiesAre men of Princely ranke.

LOD. Oh I pray for them.The violent thunder is adored by thoseAre pasht in peeces by it. ANTO. Come my Lord,You are iustly dom’d; looke but a little backeInto your former life: you haue in three yearesRuin’d the noblest Earldome GAS. Your followersHaue swallowed you like Mummia, and being sickeWith such vnnaturall and horrid PhisickeVomit you vp ith kennell ANTO. All the damnable degrees

img: 3­bsig: B1rwln 0001wln 0002wln 0003wln 0004

wln 0005

wln 0006wln 0007wln 0008wln 0009wln 0010wln 0011wln 0012wln 0013wln 0014wln 0015wln 0016wln 0017wln 0018wln 0019wln 0020wln 0021wln 0022wln 0023wln 0024wln 0025wln 0026

Page 8: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

And

Of drinkings haue you, you staggerd through one CittizenIs Lord of two faire Manors, cald you masterOnly for Cauiare. GAS. Those noblemenWhich were inuited to your prodigall feastes,Wherin the Phænix scarce could scape your throtes,Laugh at your misery, as fore­deeminge you:An idle Meteor which drawne forth the earthWould bee soone lost ith aire. ANTO. Ieast vpon you,And say you were begotten in an Earthquake,You haue ruin’d such faire Lordships. LODO. Very good,This Well goes with two buckets, I must tendThe powring out of eather. GAS. Worse then these,You haue acted, certaine Murders here in Rome,Bloody and full of horror. LOD. Las they were flea­bytinges:Why tooke they not my head then? GAS. O my LordThe law doth somtimes mediate, thinkes it goodNot euer to steepe violent sinnes in blood,This gentle pennance may both end your crimes,And in the example better these bad times.

LOD. So, but I wonder then some great men scapeThis banishment, ther’s Paulo Giordano Orsini,The Duke of Brachiano, now liues in Rome,And by close pandarisme seekes to prostituteThe honour of Uittoria Corombona,Vittoria, she that might haue got my pardonFor one kisse to the Duke. ANTO. Haue a full man within you,Wee see that Trees beare no such pleasant fruiteThere where they grew first, as where the are new set.Perfumes the more they are chaf’d the more they renderTheir pleasing sents, and so afflictionExpresseth vertue, fully, whether trew,Or ells adulterate. LOD. Leaue your painted comforts,Ile make Italian cut­works in their gutsIf euer I returne. GASP. O Sir. LODO. I am patient,I haue seene some ready to be executedGiue pleasant lookes, and money, and growne familiarWith the knaue hangman, so do I, I thanke them,

img: 4­asig: B1v

wln 0027wln 0028wln 0029wln 0030wln 0031wln 0032wln 0033wln 0034wln 0035wln 0036wln 0037wln 0038wln 0039wln 0040wln 0041wln 0042wln 0043wln 0044wln 0045wln 0046wln 0047wln 0048wln 0049wln 0050wln 0051wln 0052wln 0053wln 0054wln 0055wln 0056wln 0057wln 0058wln 0059wln 0060wln 0061wln 0062wln 0063

Page 9: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exeunt.

Enter Brachiano, Camillo, Flamineo, Uittoria

Corombona.

(whisper

B2 quicke­

And would account them nobly mercifullWould they dispatch me quicklie, ANTO. Fare you well,Wee shall find time I doubt not to repealeYour banishment. LOD. I am euer bound to you:This is the worlds almes; pray make vse of it,Great men sell sheep, thus to be cut in peeces,When first they haue shorne them bare and sold their fleeces.

BRA. Your best of rest. VIT. Vnto my Lord the Duke,The best of wellcome, More lights, attend the Duke.

BRA. Flamineo. FLA. My Lord. BRA. Quite lost Flamineo.FLA. Pursew your noble wishes, I am prompt

As lightning to your seruice, ô my Lord!The faire Vittoria, my happy sisterShall giue you present audience, gentlemenLet the caroach go on, and tis his pleasureYou put out all your torches and depart.

BRA. Are wee so happy. FLA. Can’t be otherwise?Obseru’d you not to night my honor’d LordWhich way so ere you went shee threw her eyes,I haue dealt already with her chamber­maidZanche the More, and she is wondrous proudTo be the agent for so high a spirit.

BRA. Wee are happie aboue thought, because boue merrit.FLA. ’boue merrit! wee may now talke freely: ’boue merrit;

what ist you doubt, her coynesse, thats but the superficies of lustmost women haue; yet why should Ladyes blush to heare thatnam’d, which they do not feare to handle? O they are polliticke,They know our desire is increas’d by the difficultie of inioying; where a satiety is a blunt, weary and drowsie passion, ifthe buttery hatch at Court stood continually open their wouldbe nothing so passionat crouding, nor hot suit after the beuerage,

BRA. O but her iealous husband.FLA. Hang him, a guilder that hath his braynes perisht with

img: 4­bsig: B2r

wln 0064wln 0065wln 0066wln 0067 Enter

Senatewln 0068wln 0069wln 0070wln 0071wln 0072wln 0073

wln 0074wln 0075wln 0076wln 0077wln 0078wln 0079wln 0080wln 0081wln 0082wln 0083wln 0084wln 0085wln 0086wln 0087wln 0088wln 0089wln 0090wln 0091wln 0092wln 0093wln 0094wln 0095wln 0096wln 0097wln 0098wln 0099

Page 10: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Camillo,

Camillo

quicke­siluer is not more could in the liuer. The great Barriersmoulted not more feathers then he hath shed haires, by the con­fession of his doctor. An Irish gamster that will play himselfe na­ked, and then wage all downeward, at hazard, is not more ven­terous. So vn­able to please a woman that like a dutch doubletall his backe is shrunke into his breeches.Shrowd you within this closet, good my Lord,Some tricke now must be thought on to deuideMy brother in law from his faire bed­fellow,

BRA. O should she faile to come,FLA. I must not haue your Lordship thus vnwisely amorous,

I my selfe haue loued a lady and peursued her with a great dealeof vnder­age protestation, whom some 3. or 4. gallants that haueenioyed would with all their harts haue bin glad to haue bin ridof. Tis iust like a summer bird­cage in a garden, the birds that arewithout, despaire to get in, and the birds that are within despaireand are in a consumption for feare they shall neuer get out: awayaway my Lord,See here he comes, this fellow by his apparellSome men would iudge a pollititian,But call his wit in question you shall find itMerely an Asse in’s foot cloath,How now brother what trauailing to bed to your kind wife?

CAM. I assure you brother no, My voyage lyesMore northerlie, in a farre colder clime,I do not well remember I protest when I last lay with her.

FLA. Strange you should loose your Count.CAM. Wee neuer lay together but eare morning

Their grew a flaw betweene vs. FLA. T’had byn your partTo haue made vp that flaw.

CAM. Trew, but shee loathes I should be seene in’t.FLA. Why Sir, what’s the matter?CAM. The Duke your maister visits me I thanke him,

And I perceaue how like an earnest bowlerHee very passionatelie leanes that way,He should haue his boule runne

FLA. I hope you do not thinke

img: 5­asig: B2v

wln 0100wln 0101wln 0102wln 0103wln 0104wln 0105wln 0106wln 0107wln 0108wln 0109wln 0110wln 0111wln 0112wln 0113wln 0114wln 0115wln 0116wln 0117wln 0118wln 0119wln 0120wln 0121wln 0122wln 0123wln 0124wln 0125wln 0126wln 0127wln 0128wln 0129wln 0130wln 0131wln 0132wln 0133wln 0134wln 0135wln 0136

Page 11: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

B3 weare

CAM. That noble men boule bootie, Faith his cheekeHath a most excellent Bias, it would faine iumpe with my mistris.

FLA. Will you be an asse.Despight you Aristotle or a CocouldContrary to your EphemeridesWhich shewes you vnder what a smiling planetYou were first swadled,

CAM: Pew wew, Sir tell not meOf planets nor of EphemeridesA man may be made Cocould in the day timeWhen the Stars eyes are out. FLA. Sir God boy you,I do commit you to your pittifull pillowStuft with horne­shauings. CAM. Brother. FLA. God refuse meMight I aduise you now your onlie courseWeare to locke vp your wife. CAM. T’weare very good.

FLA. Bar her the sight of reuels. CAM. Excellent.FLA. Let her not go to Church, but like a hounde

In Leon at your heeles. CAM. Tweare for her honourFLA. And so you should be certayne in one fortnight,

Despight her chastity or innocenceTo bee Cocoulded, which yet is in suspence:This is my counsell and I aske no fee for’t.

CAM. Come you know not where my­night cap wringes mee.FLA. Weare it ath’ old fashion, let your large eares come

through, it will be more easy, nay I will be bitter, barre your wifeof her entertaynment: women are more willinglie & more glo­riouslie chast, when they are least restrayned of their libertie. Itseemes you would be a fine Capricious Mathematically iealousCoxcombe, take the height of your owne hornes with a Iacobsstaffe afore they are vp. These polliticke inclosures for paltrymutton, makes more rebellion in the flesh then all the pro­uocatiue electuaries Doctors haue vttered sence last Iubilee.

CAM. This doth not phisicke me,FLA: It seemes you are Iealous, ile shew you the error of it by

a familiar example, I haue seene a paire of spectacles fashiondwith such perspectiue art, that lay downe but one twelue penceath’ bord twill appeare as if there were twenty, now should you

img: 5­bsig: B3r

wln 0137wln 0138wln 0139wln 0140wln 0141wln 0142wln 0143wln 0144wln 0145wln 0146wln 0147wln 0148wln 0149wln 0150wln 0151wln 0152wln 0153wln 0154wln 0155wln 0156wln 0157wln 0158wln 0159wln 0160wln 0161wln 0162wln 0163wln 0164wln 0165wln 0166wln 0167wln 0168wln 0169wln 0170wln 0171wln 0172wln 0173

Page 12: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

CAM.

weare a paire of these spectacles, and see your wife tying hershooe, you would Imagine twenty hands were taking vp ofyour wiues clothes, and this would put you into a horriblecauslesse fury,

CAM. The fault there Sir is not in the eye­sightFLA. True, but they that haue the yellow Iaundeise, thinke

all obiects they looke on to bee yellow. Iealousy is worser,her fit’s present to a man, like so many bubles in a Bason ofwater, twenty seuerall crabbed faces, many times makes hisowne shadow his cocould­maker. * See she comes, what reasonhaue you to be iealous of this creature? what an ignorant asse orflattering knaue might he be counted, that should write sonnetsto her eyes, or call her brow the snow of Ida, or Iuorie of Co­rinth, or compare her haire to the blacke birds bill, when ’tisliker the blacke birds feather. This is all: Be wise, I will makeyou freinds and you shall go to bed together, marry looke you,it shall not be your seeking, do you stand vpon that by anymeanes, walk you a loofe, I would not haue you seene in’t, sistermy Lord attends you in the banquetting house, your husbandis wondrous discontented.

VIT. I did nothing to displease him, I carued to him atsupper­time

FLA. You need not haue carued him infaith, they say he isa capon already, I must now seemingly fall out with you. Shalla gentleman so well descended as Camillo. — a lousy slaue thatwithin this twenty yeares rode with the blacke guard in theDukes cariage mongst spits and dripping­pannes.

CAM. Now he begins to tickle her.FLA. An excellent scholler, one that hath a head fild with

calues braynes without any sage in them, — come crouchingin the hams to you for a nights lodging — that hath an itchin’s hams, which like the fier at the glasse house hath not gone outthis seauen yeares — is hee not a courtly gentleman, — whenhe weares white sattin one would take him by his blacke musselto be no other creature then a maggot, you are a goodly Foile,I confesse, well set out — but couerd with a false stone you con­terfaite dyamond.

img: 6­asig: B3v

wln 0174wln 0175wln 0176wln 0177wln 0178wln 0179wln 0180wln 0181wln 0182wln 0183 Enter Corom­

[***]a.wln 0184wln 0185wln 0186wln 0187wln 0188wln 0189wln 0190wln 0191wln 0192wln 0193wln 0194wln 0195wln 0196wln 0197wln 0198wln 0199wln 0200wln 0201wln 0202wln 0203wln 0204wln 0205wln 0206wln 0207wln 0208wln 0209wln 0210

Page 13: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

you

CAM. He will make her know what is in mee.FLA. Come, my Lord attends you, thou shalt go to bed to

my Lord. CAM. Now he comes to’t.FLA. With a relish as curious as a vintner going to taste new

wine, I am opening your case hard.CAM. A vertuous brother a my credit.FLA. He will giue thee a ringe with a philosophers stone in it.CAM. Indeede I am studying Alcumye.FLA. Thou shalt lye in a bed stuft with turtles feathers,

swoone in perfumed lynnen like the fellow was smothered inroses, so perfect shall be thy happinesse, that as men at Sea thinkeland and trees and shippes go that way they go, so both heauenand earth shall seeme to go your voyage. Shal’t meete him, tisfixt, with nayles of dyamonds to ineuitable necessitie.

VITTO. How shals rid him hence?FLA. I will put brees in’s tayle, set him gadding presentlie,

I haue almost wrought her to it, I find her comming, but mightI aduise you now for this night I would not lye with her, I wouldcrosse her humor to make her more humble.

CAMIL. Shall I, shall I?FLA: It will shew in you a supremacie of Iudgement.CAMIL. Trew, and a mind differing from the tumultuary

opinion, for quæ negata grata.FLA. Right you are the Adamant shall draw her to you,

though you keepe distance of:CAMIL. A philosophicall reason.FLA. Walke by her a’the noble mans fashion, and tell her

you will lye with her at the end of the ProgresseCAMIL. Vittoria, I cannot be induc’d, or as a man would say

incited. VITTO. To do what Sir?CAMIL. To lye with you to night; your silkeworme vseth to

fast euery third day, and the next following spinnes the better.Tomorrow at night I am for you.

VITTO. Youle spinne a faire thread, trust to’t.FLA. But do you heare I shall haue you steale to her chamber

about midnight.CAMIL. Do you thinke so, why looke you brother, because

img: 6­bsig: B4r

wln 0211wln 0212wln 0213wln 0214wln 0215wln 0216wln 0217wln 0218wln 0219wln 0220wln 0221wln 0222wln 0223wln 0224wln 0225wln 0226wln 0227wln 0228wln 0229wln 0230wln 0231wln 0232wln 0233wln 0234wln 0235wln 0236wln 0237wln 0238wln 0239wln 0240wln 0241wln 0242wln 0243wln 0244wln 0245wln 0246wln 0247

Page 14: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit Camillo.

Enter Brachiano.

Enter Cornelia

My

you shall not thinke ile gull you, take the key, locke me into thechamber, and say you shall be sure of me.

FLA. Introth I will, ile be your iaylor once,But haue you nere a false dore.

CAM. A pox on’t, as I am a Christian tell mee to morrowhow scuruelie shee takes my vnkind parting

FLA. I will. CAM. Didst thou not make the ieast of thesilke­worme? good night in faith I will vse this tricke often,

FLA. Do, do, do.So now you are safe. Ha ha ha, thou intanglest thy selfe in thineowne worke like a silke­wormeCome sister, darkenesse hides your blush, women are like curstdogges, ciuilitie keepes them tyed all day time, but they are letloose at midnight, then they do most good or most mischeefe,my Lord, my Lord

BRA. Giue credit: I could wish time would stand stillAnd neuer end this enteruew this hower,But all delight doth it selfe soon’st deuour.Let me into your bosome happy Ladie,Powre out in stead of eloquence my vowes,Loose me not Madam, for if you forego me I am lost eternallie.

VIT. Sir in the way of pittie I wish you hart­hole.BRA. You are a sweet Phisition.VIT. Sure Sir a loathed crueltie in Ladyes

Is as to Doctors many funeralls: It takes away their credit.BRA. Excellent Creature.

Wee call the cruell fayre, what name for youThat are so mercifull? ZAN. See now they close.

FLA. Most happie vnion.COR. My feares are falne vpon me, oh my heart!

My sonne the pandar: now I find our houseSinking to ruine. Earth­quakes leaue behind,Where they haue tyrannised, iron, or lead, or stone,But woe to ruine violent lust leaues none

BRA. What valew is this Iewell VIT. Tis the ornamentOf a weake fortune.

BRA. In sooth ile haue it; nay I will but change

img: 7­asig: B4v

wln 0248wln 0249wln 0250wln 0251wln 0252wln 0253wln 0254wln 0255wln 0256wln 0257wln 0258wln 0259wln 0260wln 0261wln 0262wln 0263wln 0264 Zāche brings out a Carpet

Spreads it and layes on it

two faire Cushions

wln 0265wln 0266wln 0267wln 0268wln 0269wln 0270wln 0271wln 0272wln 0273wln 0274wln 0275wln 0276wln 0277wln 0278wln 0279wln 0280wln 0281wln 0282wln 0283wln 0284

Page 15: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

C

My Iewell for your Iewell. FLAM. Excellent,His Iewell for her Iewell, well put in Duke.

BRAC. Nay let me see you weare it. VIT. Heare sir.BRAC. Nay lower, you shall weare my Iewell lower.FLAM. That’s better she must weare his Iewell lower.VIT. To passe away the time I’le tell your grace,

A dreame I had last night. BRAC. Most wishedly.VIT. A foolish idle dreame,

Me thought I walkt about the mid of night,Into a Church­yard, where a goodly Eu TreeSpred her large roote in ground, vnder that Eu,As I sat sadly leaning on a graue,Checkered with crosse­sticks, their came stealing inYour Dutchesse and my husband, one of themA picax bore, th’other a Rusty spade,And in rough termes they gan to challenge me,About this Eu. BRAC. That Tree.

VIT. This harmelesse Eu:They told me my entent was to root vpThat well­growne Eu, and plant i’th steed of itA withered blacke­thorne, and for that they vow’dTo bury me aliue: my husband straightWith picax gan to dig, and your fell DutchesseWith shouell, like a fury, voyded outThe earth & scattered bones, Lord how me thoughtI trembled, and yet for all this terrorI could not pray. FLAM. No the diuell was in your dreame.

VIT. When to my rescue there arose me thoughtA whirlewind, which let fall a massy armeFrom that strong plant,And both were strucke dead by that sacred EuIn that base shallow graue that was their due.

FLAM. Excellent Diuell.Shee hath taught him in a dreameTo make away his Dutchesse and her husband.

BRAC. Sweetly shall I enterpret this your dreame,You are lodged within his armes who shall protect you,

img: 7­bsig: C1r

wln 0285wln 0286wln 0287wln 0288wln 0289wln 0290wln 0291wln 0292wln 0293wln 0294wln 0295wln 0296wln 0297wln 0298wln 0299wln 0300wln 0301wln 0302wln 0303wln 0304wln 0305wln 0306wln 0307wln 0308wln 0309wln 0310wln 0311wln 0312wln 0313wln 0314wln 0315wln 0316wln 0317wln 0318wln 0319wln 0320wln 0321

Page 16: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit Zanche.

If

From all the feauers of a iealous husband,From the poore enuy of our flegmaticke Dutchesse,I’le seate you aboue law and aboue scandall,Giue to your thoughts the inuention of delightAnd the fruition, nor shall gouernmentDiuide me from you longer then a careTo keepe you great: you shall to me at once,Be Dukedome, health, wife, children, friends and all.

COR. Woe to light hearts they still forerun our fall.FLAM. What fury rais’d thee vp? away, awayCOR. What make you heare my Lord this dead of night?

Neuer dropt meldew on a flower here, tell now.FLAM. I pray will you go to bed then,

Least you be blasted. COR. O that this faire garden,Had all poysoned hearbes of Thessaly,At first bene planted, made a nurseryFor witch­craft; rather a buriall plot,For both your Honours. VIT. Dearest mother heare me.

COR. O thou dost make my brow bend to the earth,Sooner then nature, see the curse of childrenIn life they keepe vs fteqeuently in teares,And in the cold graue leaues vs in pale feares.

BRAC. Come, come, I will not heare you.VIT. Deere my Lord.COR. Where is thy Dutchesse now adulterous Duke?

Thou little dreamd’st this night shee is come to Rome.FLAM. How? come to Rome, VIT. The Dutchesse,BRAC. She had bene better,COR. The liues of Princes should like dyals moue,

Whose regular example is so strong,They make the times by them go right or wrong.

FLAM. So, haue you done? COR. Vnfortunate Camillo.VIT. I do protest if any chast deniall,

If any thing but bloud could haue alayed,His long suite to me.

COR. I will ioyne with thee,To the most wofull end ere mother kneel’d,

img: 8­asig: C1v

wln 0322wln 0323wln 0324wln 0325wln 0326wln 0327wln 0328wln 0329wln 0330wln 0331wln 0332wln 0333wln 0334wln 0335wln 0336wln 0337wln 0338wln 0339wln 0340wln 0341wln 0342wln 0343wln 0344wln 0345wln 0346wln 0347wln 0348wln 0349wln 0350wln 0351wln 0352wln 0353wln 0354wln 0355wln 0356wln 0357wln 0358

Page 17: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit Uictoria

Exit Brachiano.

C2 ’Gainst

If thou dishonour thus thy husbands bed,Bee thy life short as are the funerall tearesIn great mens. BRAC. Fye, fye, the womans mad.

COR. Bee thy act Iudas­like betray in kissing,Maiest thou be enuied during his short breath,And pittied like a wretch after this death.

VIT. O me accurst.FLAM. Are you out of your wits, my Lord

Ile fetch her backe againe? BRAC. No I’le to bed.Send Doctor Iulio to me presently,Vncharitable woman thy rash tongueHath rais’d a fearefull and prodigious storme,Bee thou the cause of all ensuing harme.

FLAM. Now, you that stand so much vpon your honour,Is this a fitting time a night thinke you,To send a Duke home without ere a man:I would faine know where lies the masse of wealthWhich you haue whoorded for my maintenance,That I may beare my beard out of the leuellOf my Lords Stirop. COR. What? because we are poore,Shall we be vicious? FLAM. Pray what meanes haue youTo keepe me from the gallies, or the gallowes?My father prou’d himselfe a Gentleman,Sold al’s land, and like a fortunate fellow,Died ere the money was spent. You brought me vp,At Padua I confesse, where I protestFor want of meanes, the Vniuersity iudge me,I haue bene faine to heele my Tutors stockingsAt least seuen yeares: Conspiring with a beardMade me a Graduate, then to this Dukes seruice,I visited the Court, whence I return’d:More courteous, more letcherous by farre,But not a suite the richer, and shall I,Hauing a path so open and so freeTo my preferment, still retaine your milkeIn my pale forehead, no this face of mineI’le arme and fortefie with lusty wine,

img: 8­bsig: C2r

wln 0359wln 0360wln 0361wln 0362wln 0363wln 0364wln 0365wln 0366wln 0367wln 0368wln 0369wln 0370wln 0371wln 0372wln 0373wln 0374wln 0375wln 0376wln 0377wln 0378wln 0379wln 0380wln 0381wln 0382wln 0383wln 0384wln 0385wln 0386wln 0387wln 0388wln 0389wln 0390wln 0391wln 0392wln 0393wln 0394wln 0395

Page 18: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit Cornelia.

Exit.

Enter Francisco de Medicis, Cardinall Mountcelso, Marcello,Isabella, young Giouanni, with little Iaques the Moore.

Set

Gainst shame and blushing.COR. O that I ne’re had borne thee,FLAM. So would I.

I would the common’st Courtezan in Rome,Had bene my mother rather then thy selfe.Nature is very pittfull to whooresTo giue them but few children, yet those childrenPlurality of fathers, they are sureThey shall not want. Go, go,Complaine vnto my great Lord Cardinall,Yet may be he will iustifie the act.Lycurgus wondred much men would prouideGood stalions for their Mares, and yet would sufferTheir faire wiues to be barren,

COR. Misery of miseries.FLAM. The Dutchesse come to Court, I like not that,

Wee are ingag’d to mischiefe and must on.As Riuers to finde out the OceanFlow with crooke bendings beneath forced bankes,Or as wee see to aspire some mountaines top,The way ascends not straight, but ImitatesThe suttle fouldings of a Winters snake,So who knowes policy and her true aspect,Shall finde her waies winding and indirect.

FRAN. Haue you not seene your husband since you ariued?ISAB. Not yet sir. FRAN. Surely he is wondrous kind,

If I had a such Doue­house as Camillo’sI would set fire on’t, wer’t but to destroyThe Pole­cats that haunt to’t, — my sweet cossin.

GIO. Lord vnkle you did promise mee a horseAnd armour. FRAN. That I did my pretty cossin,Marcello see it fitted. MAR. My Lord the Duke is here.

FRAN. Sister away you must not yet bee seene.ISAB. I do beseech you intreate him mildely,

Let not your rough tongue

img: 9­asig: C2v

wln 0396wln 0397wln 0398wln 0399wln 0400wln 0401wln 0402wln 0403wln 0404wln 0405wln 0406wln 0407wln 0408wln 0409wln 0410wln 0411wln 0412wln 0413wln 0414wln 0415wln 0416wln 0417wln 0418wln 0419wln 0420wln 0421wln 0422wln 0423wln 0424wln 0425wln 0426wln 0427wln 0428wln 0429wln 0430wln 0431wln 0432

Page 19: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit.

Enter Brachiano, and Flamineo.

C3 Your

Set vs at louder variance, all my wrongsAre freely pardoned, and I do not doubtAs men to try the precious Vnicornes horneMake of the powder a preseruatiue CircleAnd in it put a spider, so these armesShall charme his poyson, force it to obeyingAnd keepe him chast from an infected straying

FRAN. I wish it may. Be gone.

Void the chamber,You are welcome, will you sit, I pray my LordBee you my Orator, my hearts too full,I’le second you anon. MONT. E’re I beginneLet me entreat your grace forgo all passionWhich may be raised by my free discourse.

BRAC. As silent as i’th Church you may proceed.MONT. It is a wonder to your noble friends,

That you haue as ’twere entred the world,With a free Scepter in your able hand,And haue to th’use of nature well applyedHigh gifts of learning, should in your prime­ageNeglect your awfull throne, for the soft downeOf an insatiate bed. oh my Lord,The Drunkard after all his lauish cuppes,Is dry, and then is sober, so at length,When you awake from this lasciuious dreame,Repentance then will follow; like the stingPlac’t in the Adders tayle: wretched are PrincesWhen fortune blasteth but a petty flowerOf their vnweldy crownes; or raueshethBut one pearle from their Scepter: but alas!When they to wilfull shipwrake loose good FameAll Princely titles perish with their name.

BRAC. You haue said my Lord, MON. Inough to giue you tastHow farre I am from flattering your greatnesse?

BRAC. Now you that are his second, what say you?Do not like yong hawkes fetch a course about

img: 9­bsig: C3r

wln 0433wln 0434wln 0435wln 0436wln 0437wln 0438wln 0439wln 0440wln 0441wln 0442wln 0443wln 0444wln 0445wln 0446wln 0447wln 0448wln 0449wln 0450wln 0451wln 0452wln 0453wln 0454wln 0455wln 0456wln 0457wln 0458wln 0459wln 0460wln 0461wln 0462wln 0463wln 0464wln 0465wln 0466wln 0467wln 0468wln 0469

Page 20: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

BRAC

Your game flies faire and for you, FRAN. Do not feare it:I’le answere you in your owne hawking phrase,Some Eagles that should gaze vpon the SunneSeldome soare high, but take their lustfull ease,Since they from dunghill birds their pery can ceaze,You know Uittoria, BRA. Yes.

FRAN. You shift your shirt thereWhen you retire from Tennis. BRAC. Happely.

FRAN. Her husband is Lord of a poore fortuneYet she wears cloth of Tissue, BRAC. What of this?Will you vrge that my good Lord CardinallAs part of her confession at next Shrift,And know from whence it sailes. FRAN. She is your Strumpet,

BRAC. Vnciuill sir ther’s Hemlocke in thy breathAnd that blacke slander, were she a whore of mineAll thy loud Cannons, and thy borrowed SwitzersThy Gallies, nor thy sworne confederates,Durst not supplant her. FRAN. Let’s not talke on thunder,Thou hast a wife, our sister, would I had giuenBoth her white hands to death, bound and lockt fastIn her last winding sheete, when I gaue theeBut one. BRAC. Thou hadst giuen a soule to God then.

FRAN. True,Thy ghostly father with al’s absolution,Shall ne’re do so by thee. BRAC. Spit thy poyson,

FRAN. I shall not need, lust carries her sharpe whippeAt her owne girdle, looke to’t for our angerIs making thunder­bolts. BRAC. Thunder? in faith,They are but crackers. FRAN. Wee’le end this with the Cannon.

BRAC. Thou’lt get nought by it but iron in thy wounds,And gunpowder in thy nostrels. FRAN. Better thatThen change perfumes for plaisters, BRAC. Pitty on thee,’Twere good you’ld shew your slaues or men condemn’dYour new plow’d fore­head defiance, and I’le meete thee,Even in a thicket of thy ablest men.

MON. My Lords, you shall not word it any furtherWithout a milder limit. FRAN. Willingly.

img: 10­asig: C3v

wln 0470wln 0471wln 0472wln 0473wln 0474wln 0475wln 0476wln 0477wln 0478wln 0479wln 0480wln 0481wln 0482wln 0483wln 0484wln 0485wln 0486wln 0487wln 0488wln 0489wln 0490wln 0491wln 0492wln 0493wln 0494wln 0495wln 0496wln 0497wln 0498wln 0499wln 0500wln 0501wln 0502wln 0503wln 0504wln 0505wln 0506

Page 21: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Giouanni

Hee

BRAC. Haue you proclaimed a Triumph that you baite aLyon thus. MON. My Lord. BRAC. I am tame, I am tame sir.

FLAN. We send, vnto the Duke for conferenceBout leauyes ’gainst the Pyrates, my Lord DukeIs not at home, we come our selfe in person,Still my Lord Duke is busied, but we feareWhen Tyber to each proling passengerDiscouers flockes of wild­duckes, then my Lord’Bout moulting time, I meane wee shall be certaineTo finde you sure enough and speake with you. BRAC. Ha?

FLAN. A meere tale of a tub, my wordes are idle,But to expresse the Sonnet by naturall reason,When Stagges grow melancholike you’le finde the season

MON. No more my Lord, heare comes a Champion,Shall end the difference betweene you both,Your sonne the Prince Giouanni, see my LordsWhat hopes you store in him, this is a casketFor both your Crowns, & should be held like deere:Now is he apt for knowledge, therefore knowIt is a more direct and euen wayTo traine to vertue those of Princely bloud,By examples then by precepts: if by examplesWhom should he rather striue to imitateThen his owne father: be his patterne then,Leaue him a stocke of vertue that may last,Should fortune rend his sailes, and split his mast.

BRA. Your hand boy growing to souldier. GIO. Giue me a pike.FRAN. What practising your pike so yong, faire cous.GIO. Suppose me one of Homers frogges, my Lord,

Tossing my bul­rush thus, pray sir tell meeMight not a child of good descretionBe leader to an army: FRAN. Yes cousin a yong PrinceOf good descretion might. GIO. Say you so,Indeed I haue heard ’tis fit a GenerallShould not endanger his owne person oft,So that he make a noyse, when hee’s a horsebackeLike a danske drummer, ô ’tis excellent.

img: 10­bsig: C4r

wln 0507wln 0508wln 0509wln 0510wln 0511wln 0512wln 0513wln 0514wln 0515wln 0516wln 0517wln 0518wln 0519wln 0520wln 0521wln 0522wln 0523wln 0524wln 0525wln 0526wln 0527wln 0528wln 0529wln 0530wln 0531wln 0532wln 0533wln 0534wln 0535wln 0536wln 0537wln 0538wln 0539wln 0540wln 0541wln 0542wln 0543

Page 22: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Merite

Hee need not fight, me thinkes his horse as wellMight lead an army for him; if I liueI’le charge the French foe, in the very frontOf all my troupes, the formost man. FRA. What, what,

GIO. And will not bid my Souldiers vp and followBut bid them follow me. BRAC. Forward Lap­wing.He flies with the shell on’s head. FRAN. Pretty cousin,

GIO. The first yeare vnkle that I go to warre,All prisoners that I take I will set freeWithout their ransome. FRAN. Ha, without thier ransome,How then will you reward your souldiersThat tooke those prisoners for you. GIO. Thus my Lord,I’le marry them to all the wealthy widowesThat fals that yeare. FRAN. Why then the next yeare followingYou’le haue no men to go with you to warre.

GIO. Why then I’le presse the women to the war,And then the men will follow. MON. Witty Prince.

FRAN. See a good habite makes a child a man,Whereas a bad one makes a man a beast:Come you and I are friends. BRAC. Most wishedly,Like bones which broke in sunder and well setKnit the more strongly. FRAN. Call Camillo hitherYou haue receiued the rumor, how Count LodowickeIs turn’d a Pyrate. BRAC. Yes. FRA. We are now preparing,Some shippes to fetch him in: behold your Dutchesse,Wee now will leaue you and expect from youNothing but kind intreaty. BRAC. You haue charm’d mee.You are in health we see. ISA. And aboue healthTo see my Lord well, BRAC. So I wonder much,What amorous whirlewind hurryed you to Rome

ISA. Deuotion my Lord. BRAC. Deuotion?Is your soule charg’d with any grieuous sinne

ISA. ’Tis burdened with too many, and I thinkeThe oftner that we cast our reckonings vp,Our sleepes will be the sounder. BRAC. Take your chamber?

ISA. Nay my deere Lord I will not haue you angry,Doth not my absence from you two moneths,

img: 11­asig: C4v

wln 0544wln 0545wln 0546wln 0547wln 0548wln 0549wln 0550wln 0551wln 0552wln 0553wln 0554wln 0555wln 0556wln 0557wln 0558wln 0559wln 0560wln 0561wln 0562wln 0563wln 0564wln 0565wln 0566wln 0567wln 0568 Exeunt Fr.

Mon. Giou.wln 0569wln 0570wln 0571wln 0572wln 0573wln 0574wln 0575wln 0576wln 0577wln 0578wln 0579wln 0580

Page 23: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

D Hence­

Merit one kisse? BRAC. I do not vse to kisse,If that will dispossesse your iealousy,I’le sweare it to you. ISA. O my loued Lord,I do not come to chide; my iealousy,I am to learne what that Italian meanes,You are as welcome to these longing armes,As I to you a Virgine. BRAC. O your breath,Out vpon sweete meates, and continued Physicke.The plague is in them. ISA. You haue oft for these two lippesNeglected Cassia or the naturall sweetesOf the Spring­violet, they are not yet much whithered,My Lord I should be merry, these your frownesShew in a Helmet, louely but on me,In such a peacefull enterueiw me thinkesThey are to too roughly knit. BRA. O dissemblance.Do you bandy factions gainst me? haue you learn’t,The trick of impudent basenes to complaineVnto your kindred? ISA. Neuer my deere Lord.

BRAC. Must I be haunted out, or wast your trickTo meete some amorous gallant heere in RomeThat must supply our discontinuance?

ISA. I pray sir burst my heart, and in my deathTurne to your antient pitty, though not loue.

BRA. Because your brother is the corpulent Duke,That is the great Duke, S’death I shall not shortlyRackit away fiue hundreth Crownes at Tenis,But it shall rest vpon record: I scorne himLike a shau’d Pollake, all his reuerent witLies in his wardrope, hee’s a discret fellowWhen hee’s made vp in his roabes of state,Your brother the great Duke, because h’as gallies,And now and then ransackes a Turkish flye­boate,(Now all the hellish furies take his soule,)First made this match, accursed be the PriestThat sang the wedding Masse, and euen my Issue.

ISA. O to too far you haue curst. BRA. Your hand I’le kisse,This is the latest ceremony of my loue,

img: 11­bsig: D1r

wln 0581wln 0582wln 0583wln 0584wln 0585wln 0586wln 0587wln 0588wln 0589wln 0590wln 0591wln 0592wln 0593wln 0594wln 0595wln 0596wln 0597wln 0598wln 0599wln 0600wln 0601wln 0602wln 0603wln 0604wln 0605wln 0606wln 0607wln 0608wln 0609wln 0610wln 0611wln 0612wln 0613wln 0614wln 0615wln 0616wln 0617

Page 24: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Francisco, Flamineo, Montcello, Marcello, Camillo.

To

Hence­forth I’le neuer lye with thee, by this,This wedding­ring: I’le ne’remore lye with thee.And this diuorce shall be as truely kept,As if the Iudge had doom’d it: fare you well,Our sleeps are seuer’d. ISA. Forbid it the sweet vnionOf all things blessed; why the Saints in heauenWill knit their browes at that. BRA. Let not thy loue,Make thee an vnbeleeuer, this my vow,Shall neuer on my soule bee satisfiedWith my repentance: let thy brother rageBeyond a horred tempest or sea­fight,My vow is fixed. ISA. O my winding sheet,Now shall I need thee shortly, deere my Lord,Let me heare once more, what I would not heare,Neuer. BRA. Neuer?

ISA. O my vnkind Lord may your sins find mercy,As I vpon a woefull widowed bed,Shall pray for you, if not to turne your eyes,Vpon your wretched wife, and hopefull sonne,Yet that in time you’le fix them vpon heauen.

BRAC. No more, go, go, complaine to the great Duke.ISA. No my deere Lord, you shall haue present witnesse,

How I’le worke peace betweene you, I will makeMy selfe the author of your cursed vowI haue some cause to do it, you haue none,Conceale it I beseech you, for the wealeOf both your Dukedomes, that you wrought the meanesOf such a separation, let the faultRemaine with my supposed iealousy,And thinke with what a pitteous and rent heart,I shall performe this sad insuing part.

BRAC. Well, take your course my honourable brother.FRAN. Sister, this is not well my Lord, why sister,

She merits not this welcome. BRAC. Welcome say?Shee hath giuen a sharpe welcome. FRAN. Are you foolish?Come dry your teares, is this a modest course.

img: 12­asig: D1v

wln 0618wln 0619wln 0620wln 0621wln 0622wln 0623wln 0624wln 0625wln 0626wln 0627wln 0628wln 0629wln 0630wln 0631wln 0632wln 0633wln 0634wln 0635wln 0636wln 0637wln 0638wln 0639wln 0640wln 0641wln 0642wln 0643wln 0644wln 0645wln 0646wln 0647wln 0648wln 0649wln 0650wln 0651wln 0652wln 0653wln 0654

Page 25: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

D3 For

To better what is nought, to raile and weepe,Grow to a reconcilement, or by heauen,I’le nere more deale betweene you. ISA. Sir you shall not,No though Uittoria vpon that conditionWould become honest. FRAN. Was your husband loud.Since we departed. ISA. By my life sir no,I sweare by that I do not care to loose.Are all these ruines of my former beauty,Laid out for a whores triumph? FRA. Do you heareLooke vpon other women, with what patienceThey suffer these slight wrongs, with what iusticeThey study to requite them, take that course.

ISA. O that I were a man, or that I had powerTo execute my apprehended wishes,I would whip some with scorpions. FRAN. What? turn’d fury?

ISA. To dig the strumpets eyes out, let her lyeSome twenty monethes a dying, to cut offHer nose and lippes, pull out her rotten teeth,Preserue her flesh like Mummia, for trophiesOf my iust anger: Hell to my afflictionIs meere snow­water. by your fauour sir,Brother draw neere, and my Lord Cardinall,Sir let me borrow of you but one kisse,Hence­forth I’le neuer lye with you, by this,This wedding ring. FRA. How? nere more lie with him,

ISA. And this diuorce shall be as truly kept,As if in thronged Court, a thousand earesHad heard it, and a thousand Lawyers hands,Seal’d to the separation. BRAC. Nere lie with me?

ISA. Let not my former dotage,Make thee an vnbeleuer, this my vowShall neuer on my soule be satisfiedWith my repentance, manet alta mente repositum.

FRAN. Now by my birth you are a foolish, mad,And iealous woman. BRA. You see ’tis not my seeking.

FRAN. Was this your circle of pure Vnicornes horne,You said should charme your Lord; now hornes vpon thee,

img: 12­bsig: D2r

wln 0655wln 0656wln 0657wln 0658wln 0659wln 0660wln 0661wln 0662wln 0663wln 0664wln 0665wln 0666wln 0667wln 0668wln 0669wln 0670wln 0671wln 0672wln 0673wln 0674wln 0675wln 0676wln 0677wln 0678wln 0679wln 0680wln 0681wln 0682wln 0683wln 0684wln 0685wln 0686wln 0687wln 0688wln 0689wln 0690wln 0691

Page 26: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit.

Enter Camillo.

Enter Doctor.

by

For iealousy deserues them, keepe your vow,And take your chamber. ISA. No sir I’le presently to Padua,I will not stay a minute. MONT. O good Madame.

BRAC. ’Twere best to let her haue her humor,Some halfe daies iourney will bring downe her stomacke,And then she’le turne in post. FRAN. To see her come,To my Lord Cardinall for a dispensationOf her rash vow will beget excellent laughter.„ ISA. Vnkindnesse do thy office, poore heart breake,„Those are the killing greifes which dare not speake.

MAR. Camillo’s come my Lord.FRAN. Where’s the commission? MAR. Tis here.FRAN. Giue me the Signet.FLAM. My Lord do you marke their whispering, I will com­

pound a medicine out of their two heads, stronger then garlick,deadlier then stibium, the Cantarides which are scarce seene tosticke vpon the flesh when they work to the heart, shall not do itwith more silence or inuisible cunning.

BRAC. About the murder.FLAM. They are sending him to Naples, but I’le send him to

Candy, her’s another property to. BRAC. O the Doctor,FLA. A poore quackesaluing knaue, my Lord, one that should

haue bene lasht for’s letchery, but that he confest a iudgement,had an execution laid vpon him, and so put the whip to a non­plus.

DOCT. And was cosin’d, my Lord, by an arranter knauethen my selfe, and made pay all the coulourable execution.

FLAM. He will shoot pils into a mans guts, shall make themhaue more ventages then a cornet or a lamprey, hee will poysona kisse, and was once minded, for his Master­peece, because Ire­land breeds no poyson, to haue prepared a deadly vapour in aSpaniards fart that should haue poison’d all Dublin.

BRAC. O Saint Anthony fire:DOCT. Your Secretary is merry my Lord:FLAM. O thou cursed antipathy to nature, looke his eyes

bloud­shed like a needle a Chirurgeon stitcheth a wound with,let me embrace thee toad, & loue thee ô thou abhominable loth­some gargarisme, that will fetch vp lungs, lights, heart, and liuer

img: 13­asig: D2v

wln 0692wln 0693wln 0694wln 0695wln 0696wln 0697wln 0698wln 0699wln 0700wln 0701wln 0702wln 0703wln 0704wln 0705wln 0706wln 0707wln 0708wln 0709wln 0710wln 0711wln 0712wln 0713wln 0714wln 0715wln 0716wln 0717wln 0718wln 0719wln 0720wln 0721wln 0722wln 0723wln 0724wln 0725wln 0726wln 0727wln 0728

Page 27: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exeunt.

D3 Weare

by scruples.BRAC. No more, I must employ thee honest Doctor,

You must to Padua and by the way, vse some of your skil for vs.DOC. Sir I shall. BRAC. But for Camillo?FLAM. He dies this night by such a polliticke straine,

Men shall suppose him by’s owne engine slaine.But for your Dutchesse death. DOCT. I’le make her sure

BRAC. Small mischiefes are by greater made secure.FLAM. Remember this you slaue, when knaues come to pre­

ferment they rise as gallouses are raised i’th low countries, onevpon another shoulders.

MONT. Here is an Embleme nephew pray peruse it.’Twas throwne in at your window, CAM. At my window,Here is a Stag my Lord hath shed his hornes,And for the losse of them the poore beast weepesThe word Inopem me copia fecit. MON. That is.Plenty of hornes hath made him poore of hornes.

CAM. What should this meane. MON. Ile tell you, ’tis giuen outYou are a Cocould. CAM. Is it giuen out so.I had rather such report as that my Lord.Should keepe within dores. FRAN. Haue you any children.

CAM. None my Lord. FRA. You are the happierIle tell you a tale. CAM. Pray my Lord. FRAN. An old tale.Vppon a time Phœbus the God of lightOr him wee call the Sunne would neede be married.The Gods gaue their consent, and MercuryWas sent to voice it to the generall world.But what a pitious cry their straight aroseAmongst Smiths, & Felt­makers, Brewers & Cooks.Reapers and Butter­women, amongst FishmongersAnd thousand other trades, which are annoyedBy his excessiue heate; twas lamentable.They came to Iupiter all in a sweatAnd do forbid the banes; a great fat CookeWas made their Speaker, who intreates of IoueThat Phoebus might bee guelded, for if nowWhen there was but one, Sunne so many men,

img: 13­bsig: D3r

wln 0729wln 0730wln 0731wln 0732wln 0733wln 0734wln 0735wln 0736wln 0737wln 0738wln 0739wln 0740wln 0741wln 0742wln 0743wln 0744wln 0745wln 0746wln 0747wln 0748wln 0749wln 0750wln 0751wln 0752wln 0753wln 0754wln 0755wln 0756wln 0757wln 0758wln 0759wln 0760wln 0761wln 0762wln 0763wln 0764wln 0765

Page 28: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit.

I

Weare like to perish by his violent heate.What should they do if hee were marriedAnd should be more, and those childrenMake fier­workes like their father, so say I,Only I will apply it to your wife,Her issue should not prouidence preuent itWould make both nature, time, and man repent it.

MON. Looke you cossin.Go change the aire for shame see if your absence,Will blast your Cornucopia, MarcelloIs chosen with you ioint commissionerFor the relieuing our Italian coastFrom pirats. MAR. I am much honord int. CAM. But sirEre I returne the Stagges hornes may be sprouted,Greater then these are shed. MONT. Do not feare it,I’le bee your ranger. CAM. You must watch i’ch nights,Then’s the most danger. FRAN. Farewell good Marcello.All the best fortunes of a Souldiers wish,Bring you a ship­board.

CAM. Were I not best now I am turn’d Souldier,E’re that I leaue my wife, sell all shee hath,And then take leaue of her. MONT. I expect good from you,Your parting is so merry.

CAM. Merry my Lord, a’th Captaines humor rightI am resolued to be drunke this night.

FRA. So, ’twas well fitted, now shall we descerne,How his wisht absence will giue violent way,To Duke Brachiano’s lust, MONT. Why that was it;To what scorn’d purpose else should we make choiceOf him for a sea Captaine, and besides,Count Lodowicke which was rumor’d for a pirate.Is now in Padua. FRAN. Is’t true? MONT. Most certaine.I haue letters from him, which are suppliantTo worke his quicke repeale from banishment,He meanes to adresse himselfe for pention,Vnto our sister Dutchesse. FRAN. O ’twas well.We shall not want his absence past sixe daies,

img: 14­asig: D3v

wln 0766wln 0767wln 0768wln 0769wln 0770wln 0771wln 0772wln 0773wln 0774wln 0775wln 0776wln 0777wln 0778wln 0779wln 0780wln 0781wln 0782wln 0783wln 0784wln 0785wln 0786wln 0787wln 0788wln 0789wln 0790wln 0791wln 0792wln 0793wln 0794wln 0795wln 0796wln 0797wln 0798wln 0799wln 0800wln 0801wln 0802

Page 29: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exeunt.

Enter Brachiano with one in the habite of a Coniurer.

Enter

I faine would haue the Duke Brachiano runInto notorious scandale, for their’s noughtIn such curst dotage, to repaire his name,Onely the deepe sence of some deathlesse shame:

MON. It may be obiected I am dishonourable,To play thus with my kinsman, but I answere.For my reuenge I’de stake a brothers life,That being wrong’d durst not auenge himselfe.

FRA. Come to obserue this Strūpet. MON. Cursse of greatnes,Sure hee’le not leaue her. FRAN. There’s small pitty in’tLike mistle­tow on seare Elmes spent by weather,Let him cleaue to her and both rot together.

BRAC. Now sir I claime your promise, ’tis dead midnight,The time prefixt to shew me by your Art,How the intended murder of Camillo,And our loathed Dutchesse grow to action.

CON. You haue won me by your bounty to a deed,I do not often practise, some there are,Which by Sophisticke tricks, aspire that nameWhich I would gladly loose, of Nigromancer:As some that vse to iuggle vpon cardes,Seeming to coniure, when indeed they cheate.Others that raise vp their confederate spirits,’Bout wind­mils, and indanger their owne neckes,For making of a squib, and some their areWill keepe a curtall to shew iuggling trickesAnd giue out ’tis a spirit: besides theseSuch a whole reame of Almanacke­makers, figure­flingers.Fellowes indeed that onely liue by stealth,Since they do meerely lie about stolne goods,Thei’d make men thinke the diuell were fast and loose,With speaking fustian Lattine: pray sit downe,Put on this night­cap sir, ’tis charm’d, and nowI’le shew you by my strong­commanding ArtThe circumstance that breakes your Dutchsse heart.

img: 14­bsig: D4r

wln 0803wln 0804wln 0805wln 0806wln 0807wln 0808wln 0809wln 0810wln 0811wln 0812wln 0813wln 0814

wln 0815wln 0816wln 0817wln 0818wln 0819wln 0820wln 0821wln 0822wln 0823wln 0824wln 0825wln 0826wln 0827wln 0828wln 0829wln 0830wln 0831wln 0832wln 0833wln 0834wln 0835wln 0836wln 0837wln 0838

Page 30: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

A DVMBE SHEVV.Enter suspiciously, Iulio and Christophero, they draw a curtainewher Brachian’s picture is, they put on spectacles of glasse,which couer their eyes and noses, and then burne perfumnes afore the

picture, and wash the lips of the picture, that done, quenching the fire,

and putting off their spectacles they depart laughing.

Enter Isabella in her night­gowne as to bed­ward, with lights after her,Count Lodouico, Giouanni, Guid­antonio and others waightingon her, shee kneeles downe as to prayers, then drawes the curtaine of

the picture, doe’s three reuerences to it, and kisses it thrice, shee faints

and will not suffer them to come nere it, dies, sorrow exprest in Gio­uanni and in Count Lodouico, shees conueid out solemnly.

THE SECOND DVMBE SHEVV.

Vittoria Corombona.

Marcello

Enter Flamineo, Marcello, Camillo, with foure more as Captaines,they drinke healths and dance, a vauting horse is brought into the

roome, Marcello and two more whisper’d out of the roome, whileFlamineo and Camillo strip themselues into their shirts, as to vault,complement who shall beginne, as Camillo is about to vault, Flami­neo pitcheth him vpon his necke, and with the help of the rest, wriths

his necke about, seeme’s to see if it be broke, and layes him foulded

double as ’twere vnder the horse, makes shewes to call for helpe.

Marcello comes in, laments, sends for the Cardinall and Duke, whocomes forth with armed men, wonder at the act, commands the bodie

to be carried home, apprehends Flamineo, Marcello, and the rest,and go as ’twere to apprehend Vittoria.

BRAC. Excellent, then shee’s dead, CON. She’s poysoned,By the fum’d picture, ’twas her custome nightly,Before shee went to bed, to go and visiteYour picture, and to feed her eyes and lippesOn the dead shadow, Doctor IulioObseruing this, infects it with an oileAnd other poison’d stuffe, which presentlyDid suffocate her spirits. BRAC. Me thought I saw,Count Lodowicke there. CON. He was, and by my artI finde hee did most passionately doateVpon your Dutchesse, now turne another way,And veiw Camillo’s farre more polliticke face,Strike louder musicke from this charmed ground,To yeeld, as fits the act, a Tragicke sound.

BRAC. ’Twas quaintly done, but yet each circumstance, I tast not fully. CON. O ’twas most apparant,

You saw them enter charged with their deepe helthes

img: 15­asig: D4v

wln 0839wln 0840wln 0841wln 0842wln 0843wln 0844wln 0845wln 0846wln 0847wln 0848wln 0849wln 0850

wln 0851wln 0852wln 0853wln 0854wln 0855wln 0856wln 0857wln 0858wln 0859wln 0860wln 0861wln 0862wln 0863wln 0864

wln 0865wln 0866wln 0867wln 0868wln 0869wln 0870wln 0871wln 0872wln 0873

img: 15­bsig: E1r

wln 0874wln 0875wln 0876wln 0877

wln 0878wln 0879

Page 31: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Exit Brac.

Exit Con.

Enter Francisco, and Monticelso, their Chancellor

and Register.

Enter Flamineo and Marcello guarded, and a Lawyer.

E whether

You saw them enter charged with their deepe helthesTo their boone voyage, and to second that,Flamineo cals to haue a vaulting horseMaintaine their sport. The vertuous Marcello,Is innocently plotted forth the roome,Whilst your eye saw the rest, and can informe youThe engine of all. MAR. It seemes Marcello, and FlamineoAre both committed. CON. Yes, you saw them guarded,And now they are come with purpose to apprehendYour Mistresse, faire Uittoria; wee are nowBeneath her roofe: ’twere fit we instantlyMake out by some backe posterne: BRAC. Noble friend,You bind me euer to you, this shall standAs the firme seale annexed to my hand.It shall inforce a payment. CON. Sir I thanke you.Both flowers and weedes, spring when the Sunne is warme,And great men do great good, or else great harme.

FRAN. You haue dealt discreetly to obtaine the presence,Of all the graue Leiger EmbassadoursTo heare Vittorias triall. MON. ’Twas not ill,For sir you know we haue nought but circumstancesTo charge her with, about her husbands death,Their approbation therefore to the proofesOf her blacke lust, shall make her infamousTo all our neighbouring Kingdomes, I wonder If Brachiano will be here. FRA. O fye ’twere impudence too pal­

LAVV. What are you in by the weeke, so I will try now

wln 0880wln 0881wln 0882wln 0883wln 0884wln 0885wln 0886wln 0887wln 0888wln 0889wln 0890wln 0891wln 0892wln 0893wln 0894wln 0895wln 0896wln 0897wln 0898wln 0899wln 0900wln 0901wln 0902wln 0903wln 0904wln 0905wln 0906wln 0907

(pable

wln 0908wln 0909

Page 32: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Into

whether thy wit be close prisoner, mee thinke’s none should sitvpon thy sister but old whoore­maisters,

FLAM. Or cocoulds, for your cocould is your most terribletickler of letchery: whoore­maisters would serue, for none areiudges at tilting, but those that haue bene old Tilters.

LAVV. My Lord Duke and shee haue bene very priuate:FLAM. You are a dull asse, ’tis threatned they haue bene very

publicke.LAVV. If it can be proued they haue but kist one another.FLAM. What then? LAVV. My Lord Cardinall will ferit them,FLAM. A Cardinall I hope will not catch conyes.LAVV. For to sowe kisses (marke what I say) to sowe kisses, is

to reape letchery, and I am sure a woman that will endure kissingis halfe won.

FLAM. True, her vpper part by that rule, if you will win hernether part to, you know what followes.

LAVV. Harke the Embassadours are lighted,FLAM. I do put on this feigned Garbe of mirth,

To gull suspition.MAR. O my vnfortunate sister!

I would my daggers point had cleft her heartWhen she first saw Brachiano: You ’tis said,Were made his engine, and his stauking horseTo vndo my sister. FLAM. I made a kind of pathTo her & mine owne preferment. MAR. Your ruine.

FLAM. Hum! thou art a souldier,Followest the great Duke, feedest his victories,As witches do their seruiceable spirits,Euen with thy prodigall bloud, what hast got?But like the wealth of Captaines, a poore handfull,Which in thy palme thou bear’st, as men hold waterSeeking to gripe it fast, the fraile rewardSteales through thy fingers. MAR. Sir,

FLAM. Thou hast scarce maintenanceTo keepe thee in fresh shamoyes. MAR. Brother.

FLAM. Heare me,And thus when we haue euen powred ourselues,

img: 16­asig: E1v

wln 0910wln 0911wln 0912wln 0913wln 0914wln 0915wln 0916wln 0917wln 0918wln 0919wln 0920wln 0921wln 0922wln 0923wln 0924wln 0925wln 0926wln 0927wln 0928wln 0929wln 0930wln 0931wln 0932wln 0933wln 0934wln 0935wln 0936wln 0937wln 0938wln 0939wln 0940wln 0941wln 0942wln 0943wln 0944wln 0945wln 0946

Page 33: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona[·]

Enter Sauoy.

Here there is a passage of the Lieger Embassadours ouer

the Stage seuerally. Enter French Embassadours.

Enter English and Spanish

Exeunt.

THE ARAIGNEMENT OF VITTORIA.Enter Francisco, Montcelso, the sixe lieger Embassadours, Brachiano,

Uittoria, Isabella, Lawyer, and a guard.

E2 BRAC.

Into great fights, for their ambitionOr idle spleene, how shall we find reward,But as we seldome find the mistle­toweSacred to physicke: Or the builder Oke,Without a Mandrake by it, so in our quest of gaine.Alas the poorest of their forc’d dislikesAt a limbe proffers, but at heart it strikes:This is lamented doctrine. MAR. Come, come.

FLAM. When age shall turne thee,White as a blooming hauthorne. MAR. I’le interrupt you.For loue of vertue beare an honest heart,And stride ouer euery polliticke respect,Which where they most aduance they most infect.VVere I your father, as I am your brother,I should not be ambitious to leaue youA better patrimony. FLA. I’le think on’t, The Lord Embassadors.

LAVV. O my sprightly Frenchman, do you know him, he’s anadmirable Tilter.

FLAM. I saw him at last Tilting, he shewed like a peuter can­dlesticke fashioned like a man in armour, houlding a Tiltingstaffe in his hand, little bigger then a candle of twelue i’th pound.

LAVV. O but he’s an excellent horseman.FLAM. A lame one in his lofty trickes, hee sleepes a horse­

backe like a poulter,LAVV. Lo you my Spaniard.FLAM. He carries his face in’s ruffe, as I haue seene a seruing­

man carry glasses in a cipres hat­band, monstrous steddy for feareof breaking, He lookes like the claw of a blacke­bird, first saltedand then broyled in a candle.

MONT. Forbeare my Lord, here is no place assing’d you,This businesse by his holinesse is leftTo our examination.

img: 16­bsig: E2r

wln 0947wln 0948wln 0949wln 0950wln 0951wln 0952wln 0953wln 0954wln 0955wln 0956wln 0957wln 0958wln 0959wln 0960wln 0961wln 0962wln 0963wln 0964wln 0965wln 0966wln 0967wln 0968wln 0969wln 0970wln 0971wln 0972wln 0973wln 0974wln 0975wln 0976wln 0977wln 0978wln 0979wln 0980wln 0981wln 0982wln 0983

Page 34: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Come

BRA. May it thriue with you.FRAN. A Chaire there for his Lordship.BRA. Forbeare your kindnesse, an vnbidden guest

Should trauaile as dutch­women go to Church:Beare their stooles with them. MON. At your pleasure Sir.Stand to the table gentlewomen: now SigniorFall to your plea.Domine Iudex conuerte oculos in hanc pestem

mulierum corruptissimam. VIT. Whats he?FRAN. A Lawyer, that pleades against you.VIT. Pray my Lord, Let him speake his vsuall tongue

Ile make no answere else. FRAN. Why you vnderstand lattin.VIT. I do Sir, but amongst this auditory

Which come to heare my cause, the halfe or moreMay bee ignorant int’. MON. Go on Sir:

VIT. By your fauour,I will not haue my accusation clouded,In a strange tongue: All this assemblyShall heare what you can charge mee with. FRAN. Signior.You need not stand on’t much; pray change your language,

MON. Oh for God sake: gentlewoman, your creditShall bee more famous by it.

LAVV. Well then haue at you.VIT. I am at the marke Sir, Ile giue aime to you,

And tell you how neare you shoote.LAVV. Most literated Iudges, please your Lordships,

So to conniue your Iudgements to the viewOf this debausht and diuersiuolent womanWho such a blacke concatenationOf mischiefe hath effected, that to exterpeThe memory of’t, must be the consummationOf her and her proiections VIT. What’s all this

LAVV. Hould your peace.Exorbitant sinnes must haue exulceration.

VIT. Surely my Lords this lawier here hath swallowedSome Poticaryes bils, or proclamations.And now the hard and vndegestable wordes,

img: 17­asig: E2v

wln 0984 Laies a rich gowne

vnder him,wln 0985wln 0986wln 0987wln 0988wln 0989wln 0990wln 0991wln 0992wln 0993wln 0994wln 0995wln 0996wln 0997wln 0998wln 0999wln 1000wln 1001wln 1002wln 1003wln 1004wln 1005wln 1006wln 1007wln 1008wln 1009wln 1010wln 1011wln 1012wln 1013wln 1014wln 1015wln 1016wln 1017wln 1018wln 1019wln 1020

Page 35: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

E3 Out­

Come vp like stones wee vse giue Haukes for phisicke.Why this is welch to Lattin. LAVV. My Lords, the womanKnow’s not her tropes nor figures, nor is perfectIn the accademick deriuationOf Grammaticall elocution. FRAN. Sir your paynesShall bee well spared, and your deepe eloquenceBee worthely applauded amongst thoseWhich vnderstand you. LAVV. My good Lord. FRAN. Sir,Put vp your papers in your fustian bag,Cry mercy Sir, tis buckeram, and acceptMy notion of your learn’d verbosity.

LAVV. I most graduatically thanke your Lordship.I shall haue vse for them elswhere.

MON. I shall bee playner with you, and paint outYour folies in more naturall red and white.Then that vpon your cheeke. VIT. O you mistake.You raise a blood as noble in this cheekeAs euer was your mothers.

MON. I must spare you till proofe cry whore to that,Obserue this creature here my honoured Lords,A woman of a most prodigious spiritIn her effected. VIT. Honorable my Lord,It doth not sute a reuerend CardinallTo play the Lawier thus

MON. Oh your trade instructs your language!You see my Lords what goodly fruict she seemes,Yet like those apples trauellers reportTo grow where Sodom and Gomora stood.I will but touch her and you straight shall seeSheele fall to soote and ashes.

VIT. Your inuenom’d Poticary should doo’tMON. I am resolued.

Were there a second Paradice to looseThis Deuell would betray it. VIT. O poore charity!Thou art seldome found in scarlet.

MON. Who knowes not how, when seuerall night by nightHer gates were choak’d with coaches, and her roomes.

img: 17­bsig: E3r

wln 1021wln 1022wln 1023wln 1024wln 1025wln 1026wln 1027wln 1028wln 1029 Francisco speakes this

as in scorne.wln 1030wln 1031wln 1032wln 1033wln 1034wln 1035wln 1036wln 1037wln 1038wln 1039wln 1040wln 1041wln 1042wln 1043wln 1044wln 1045wln 1046wln 1047wln 1048wln 1049wln 1050wln 1051wln 1052wln 1053wln 1054wln 1055wln 1056wln 1057

Page 36: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Is

Out­brau’d the stars with seuerall kind of lights,When shee did counterfet a Princes Court.In musicke banquets and most ryotous surfetsThis whore, forsooth, was holy.

VIT. Ha? whore what’s that?MON. Shall I expound whore to you? sure I shal;

Ile giue their perfect character. They are first,Sweete meates which rot the eater: In mans nostrillPoison’d perfumes. They are coosning Alcumy,Shipwrackes in Calmest weather? What are whores?Cold Russian winters, that appeare so barren,As if that nature had forgot the spring.They are the trew matteriall fier of hell,Worse then those tributes ith low countries payed,Exactions vpon meat, drinke, garments sleepe.I euen on mans perdition, his sin.They are those brittle euidences of lawWhich forfait all a wretched mans estateFor leauing out one sillable. What are whores?They are those flattering bels haue all one tune:At weddings, and at funerals, your ritch whoresAre only treasuries by extortion fild,And empted by curs’d riot. They are worse,Worse then dead bodies, which are beg’d at gallowesAnd wrought vpon by surgeons, to teach manWherin hee is imperfect. Whats a whore?Shees like the guilty conterfetted coineWhich who so eare first stampes it bring in troubleAll that receaue it VIT. This carracter scapes me.

MON. You gentlewoman;Take from all beasts, and from all minerallsTheir deadly poison. VIT. Well what then? MON. Ile tell theeIle find in thee a Poticaries shopTo sample them all. FR. EMB. Shee hath liued ill.

ENG. and EMB. Trew, but the Cardinals too bitter.MON. You know what Whore is next the deuell; Adultry.

Enters the deuell, murder. FRAN. Your vnhappy husband

img: 18­asig: E3v

wln 1058wln 1059wln 1060wln 1061wln 1062wln 1063wln 1064wln 1065wln 1066wln 1067wln 1068wln 1069wln 1070wln 1071wln 1072wln 1073wln 1074wln 1075wln 1076wln 1077wln 1078wln 1079wln 1080wln 1081wln 1082wln 1083wln 1084wln 1085wln 1086wln 1087wln 1088wln 1089wln 1090wln 1091wln 1092wln 1093wln 1094

Page 37: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Terrifie

Is dead. VIT. O hee’s a happy husbandNow hee owes Nature nothing.

FRAN. And by a vaulting engine. MON. An actiue plotHee iumpt into his graue. FRAN. what a prodigy wast,That from some two yardes height a slender manShould breake his necke? MON. Ith’ rushes. FRA. And what’s Vpon the instant loose all vse of speach,All vitall motion, like a man had laineWound vp three dayes. Now marke each circumstance.

MON. And looke vpon this creature was his wife.Shee comes not like a widow: shee comes arm’dWith scorne and impudence: Is this a mourning habit.

VIT. Had I forknowne his death as you suggest,I would haue bespoke my mourning.

MON. O you are conning.VIT. You shame your wit and Iudgement

To call it so; What is my iust defenceBy him that is my Iudge cal’d impudence?Let mee appeale then from this Christian CourtTo the vnciuill Tartar. MON. See my Lords.Shee scandals our proceedings. VIT. Humbly thus.Thus low, to the most worthy and respectedLeigier Embassadors, my modestyAnd womanhood I tender; but withallSo intangled in a cursed accusationThat my defence of force like Perseus.Must personate masculine vertue to the point.Find mee but guilty, seuer head from body:Weele part good frindes: I scorne to hould my life.at yours or any mans intreaty, Sir,

ENG. EMB. Shee hath a braue spiritMON. Well, well, such counterfet Iewels

Make trew on’s oft suspected. VIT. You are deceaued.For know that all your strickt combined heads,Which strike against this mine of diamondes,Shall proue but glassen hammers, they shall breake,These are but faigned shadowes of my euels.

img: 18­bsig: E4r

wln 1095wln 1096wln 1097wln 1098wln 1099wln 1100

(more,

wln 1101wln 1102wln 1103wln 1104wln 1105wln 1106wln 1107wln 1108wln 1109wln 1110wln 1111wln 1112wln 1113wln 1114wln 1115wln 1116wln 1117wln 1118wln 1119wln 1120wln 1121wln 1122wln 1123wln 1124wln 1125wln 1126wln 1127wln 1128wln 1129wln 1130wln 1131

Page 38: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit Brachiano.

VIT.

Terrify babes, my Lord, with painted deuils,I am past such needlesse palsy, for your names,Of Whoore and Murdresse they proceed from you,As if a man should spit against the wind,The filth returne’s in’s face.

MON. Pray you Mistresse satisfy me one question:Who lodg’d beneath your roofe that fatall nightYour husband brake his necke? BRA. That questionInforceth me breake silence, I was there.

MONT. Your businesse? BRAC. Why I came to comfort her,And take some course for setling her estate,Because I heard her husband was in debtTo you my Lord. MONT. He was.

BRAC. And ’twas strangely fear’d,That you would cosen her. MONT. Who made you ouer­seer?

BRAC. Why my charity, my charity, which should flowFrom euery generous and noble spirit,To orphans and to widdows. MONT. Your lust.

BRA. Cowardly dogs barke loudest. Sirrah Priest,Ile talke with you hereafter, — Do you heare?The sword you frame of such an excellent temper,I’le sheath in your owne bowels:There are a number of thy coate resembleYour common post­boyes. MONT. Ha?

BRAC. Your mercinary post­boyes,Your letters carry truth, but ’tis your guiseTo fill your mouth’s with grosse and impudent lies.

SER. My Lord your gowne.BRAC. Thou liest ’twas my stoole.

Bestow’t vpon thy maister that will challengeThe rest a’th houshold­stuffe for BrachianoWas nere so beggarly, to take a stooleOut of anothers lodging: let him makeValence for his bed on’t, or a demy foote­cloth,For his most reuerent moile, Monticelso,Nemo me Impune lacescit.

MONT. Your Champions gon.

img: 19­asig: E4v

wln 1132wln 1133wln 1134wln 1135wln 1136wln 1137wln 1138wln 1139wln 1140wln 1141wln 1142wln 1143wln 1144wln 1145wln 1146wln 1147wln 1148wln 1149wln 1150wln 1151wln 1152wln 1153wln 1154wln 1155wln 1156wln 1157wln 1158wln 1159wln 1160wln 1161wln 1162wln 1163wln 1164wln 1165wln 1166wln 1167wln 1168

Page 39: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

F VIT.

VIT. The wolfe may prey the better.FRA. My Lord there’s great suspition of the murder,

But no sound proofe who did it: for my partI do not thinke she hath a soule so blackeTo act a deed so bloudy, if shee haue,As in cold countries husband­men plant Vines,And with warme bloud manure them, euen soOne summer she will beare vnsauory fruite,And ere next spring wither both branch and roote.The act of bloud let passe, onely descend,To matter of incontinence. VIT. I decerne poison,Vnder your guilded pils.

MON. Now the Duke’s gone, I wil produce a letter,Wherein ’twas plotted, her and you should meete,At an Appoticaries summer­house.Downe by the riuer Tiber: veiw’t my Lords:Where after wanton bathing and the heatOf a lasciuious banquet. — I pray read it,I shame to speak the rest. VIT. Grant I was tempted,Temptation to lust proues not the act,Casta est quam nemo rogauit,

You reade his hot loue to me, but you wantMy frosty answere. MON. Frost i’th dog­daies! strange!

VIT. Condemne you me for that the Duke did loue mee,So may you blame some faire and christall riuerFor that some melancholike distracted man,Hath drown’d himselfe in’t. MON. Truly drown’d indeed.

VIT. Summe vp my faults I pray, and you shall finde,That beauty and gay clothes, a merry heart,And a good stomacke to feast, are all,All the poore crimes that you can charge me with:Infaith my Lord you might go pistoll flyes,The sport would be more noble. MON. Very good.

VIT. But take you your course, it seemes you haue beggerd me And now would faine vndo me, I haue houses,Iewels, and a poore remnant of Crusado’s,Would those would make you charitable. MON. If the deuillDid euer take good shape behold his picture.

img: 19­bsig: F1r

wln 1169wln 1170wln 1171wln 1172wln 1173wln 1174wln 1175wln 1176wln 1177wln 1178wln 1179wln 1180wln 1181wln 1182wln 1183wln 1184wln 1185wln 1186wln 1187wln 1188wln 1189wln 1190wln 1191wln 1192wln 1193wln 1194wln 1195wln 1196wln 1197wln 1198wln 1199wln 1200wln 1201wln 1202

(firstwln 1203wln 1204wln 1205wln 1206

Page 40: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Onely

VIT. You haue one vertue left,You will not flatter me. FRA. Who brought this letter?

VIT. I am not compel’d to tell you.MON. My Lord Duke sent to you a thousand duckets,

The twelfth of August. VIT. ’Twas to keepe your cosenFrom prison, I paid vse for’t. MON. I rather thinke’Twas Interest for his lust.

VIT. Who saies so but your selfe? if you bee my accuserPray cease to be my Iudge, come from the Bench,Giue in your euidence ’gainst me, and let theseBe moderators: my Lord Cardinall,Were your intelligencing eares as louingAs to my thoughts, had you an honest tongueI would not care though you proclaim’d them all.

MONT. Go to, go to.After your goodly and vaine­glorious banquet,I’le giue you a choake peare. VIT. A’ your owne grafting?

MON. You were borne in Uenice, honourably descended,From the Vittelli, ’twas my cossins fate,Ill may I name the hower to marry you,Hee bought you of your father. VIT. Ha?

MON. Hee spent there in sixe monthesTwelue thousand Dukets, and to my acquaintanceReceiu’d in dowry with you not one Iulio:’Twas a hard peny­worth, the ware being so light,I yet but draw the curtaine now to your picture,You came from thence a most notorious strumpet,And so you haue continued. VIT. My Lord.

MON. Nay heare me,You shall haue time to prate my Lord Brachiano,Alas I make but repetition,Of what is ordinary and Ryalto talke,And ballated, and would bee plaid a’th stage,But that vice many times findes such loud freinds.That Preachers are charm’d silent.You Gentlemen Flamineo and Marcello,The Court hath nothing now to charge you with,

img: 20­asig: F1v

wln 1207wln 1208wln 1209wln 1210wln 1211wln 1212wln 1213wln 1214wln 1215wln 1216wln 1217wln 1218wln 1219wln 1220wln 1221wln 1222wln 1223wln 1224wln 1225wln 1226wln 1227wln 1228wln 1229wln 1230wln 1231wln 1232wln 1233wln 1234wln 1235wln 1236wln 1237wln 1238wln 1239wln 1240wln 1241wln 1242wln 1243

Page 41: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

F2 My

Onely you must remaine vpon your suerties,For your appearance. FRA. I stand for Marcello.

FLA. And my Lord Duke for me.MON. For you Vittoria, your publicke fault,

Ioyn’d to’th condition of the present time,Takes from you all the fruits of noble pitty.Such a corrupted triall haue you madeBoth of your life and beauty, and bene stil’dNo lesse in ominous fate then blasing starresTo Princes heares; your sentence, you are confin’d,

VIT. Vnto a house of conuertites and your baud.FLA. Who I? MON. The Moore.FLA. O I am a sound man againe.VIT. A house of conuertites, what’s that?MON. A house of penitent whoores.VIT. Do the Noblemen in Rome,

Erect it for their wiues, that I am sentTo lodge there? FRAN. You must haue patience.

VIT. I must first haue vengeance.I faine would know if you haue your saluationBy patent, that you proceed thus. MON. Away with her,Take her hence. VIT. A rape, a rape. MON. How?

VIT. Yes you haue rauisht iustice,Forc’t her to do your pleasure. MON. fy shee’s mad

VIT. Dye with these pils in your most cursed mawes,Should bring you health, or while you sit a’th Bench,Let your owne spittle choake you. MON. She’s turn’d fury.

VIT. That the last day of iudgement may so find you,And leaue you the same deuill you were before,Instruct me some good horse­lech to speak Treason,For since you cannot take my life for deeds,Take it for wordes, ô womans poore reuengeWhich dwels but in the tongue, I will not weepe,No I do scorne to call vp one poore teareTo fawne one your iniustice, beare me hence,Vnto this house of what’s your mittigating Title?

MON. Of conuertites. VIT. It shal not be a house of conuertites

img: 20­bsig: F2r

wln 1244wln 1245wln 1246wln 1247wln 1248wln 1249wln 1250wln 1251wln 1252wln 1253wln 1254wln 1255wln 1256wln 1257wln 1258wln 1259wln 1260wln 1261wln 1262wln 1263wln 1264wln 1265wln 1266wln 1267wln 1268wln 1269wln 1270wln 1271wln 1272wln 1273wln 1274wln 1275wln 1276wln 1277wln 1278wln 1279wln 1280

Page 42: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Brachiano.

Enter Giouanni, Count Lodouico.

FRA.

My minde shall make it honester to meeThen the Popes Pallace, and more peaceableThen thy soule, though thou art a Cardinall,Know this, and let it somewhat raise your spight,Through darkenesse Diamonds spred their ritchest light.

BRA. Now you and I are friends sir, wee’le shake hands,In a friends graue, together, a fit place,Being the embleme of soft peace t’attone our hatred.

FRA. Sir, what’s the matter?BRA. I will not chase more bloud from that lou’d checke,

You haue lost too much already, fare­you­well.FRA. How strange these words sound? what’s the interpretatiō?FLA. Good, this is a preface to the discouery of the Dutches

death: Hee carries it well: because now I cannot counterfeit awhining passion for the death of my Lady, I will faine a maddehumor for the disgrace of my sister, and that will keepe off idlequestions, Treasons tongue hath a villanous palsy in’t, I will talkto any man, heare no man, and for a time appeare a pollitickemad­man.

FRA. How now my Noble cossin, what in blacke?GIO. Yes Vnckle, I was taught to imitate you

In vertue, and you must imitate meeIn couloures for your garments, my sweete motherIs, FRA. How? Where?

GIO. Is there, no yonder, indeed sir I’le not tell you,For I shall make you weepe. FRA. Is dead.

GIO. Do not blame me now,I did not tell you so. LOD. She’s dead my Lord.

FRA. Dead? MON. Blessed Lady;Thou art now aboue thy woes,Wilt please your Lordships to with­draw a little.

GIO. What do the dead do, vncle? do they eate,Heare musicke, goe a hunting, and bee merrie, as wee that liue?

FRAN. No cose; they sleepe.GIO. Lord, Lord, that I were dead,

I haue not slept these sixe nights. When doe they wake?

img: 21­asig: F2v

wln 1281wln 1282wln 1283wln 1284wln 1285wln 1286 Exit Uittoria.

wln 1287wln 1288wln 1289wln 1290wln 1291wln 1292wln 1293wln 1294wln 1295wln 1296wln 1297wln 1298wln 1299wln 1300wln 1301wln 1302wln 1303wln 1304wln 1305wln 1306wln 1307wln 1308wln 1309wln 1310wln 1311wln 1312wln 1313wln 1314wln 1315wln 1316wln 1317

Page 43: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Flamineo as distracted.

Enter Sauoy.

Enter the French.

F3 cursed

FRAN. When God shall please.Good God let her sleepe euer.

GIO. For I haue knowne her wake an hundreth nights,When all the pillow, where shee laid her head,Was brine­wet with her teares. I am to complaine to you Sir.Ile tell you how they haue vsed her now shees dead:They wrapt her in a cruell fould of lead,And would not let mee kisse her. FRAN. Thou didst loue her.

GIO. I haue often heard her say shee gaue mee sucke,And it should seeme by that shee deerely lou’d mee,Since Princes seldome doe it.

FRAN. O, all of my poore sister that remaines!Take him away for Gods sake. MON. How now my Lord?

FRAN. Beleeue mee I am nothing but her graue,And I shall keepe her blessed memorie,Longer then thousand Epitaphs.

FLA. Wee indure the strokes like anuiles or hard steele,Till paine it selfe make vs no paine to feele.Who shall doe mee right now? Is this the end of seruice? Iderather go weede garlicke; trauaile through France, and be mineowne ostler; weare sheepe­skin lininges; or shoos that stinke ofblacking; bee entred into the list of the fourtie thousand pedlarsin Poland.Would I had rotted in some Surgeons house at Venice, builtvpon the Pox as well as on piles, ere I had seru’d Brachiano.

SAV. You must haue comfort.FLA. Your comfortable wordes are like honie. They rellish

well in your mouth that’s whole; but in mine that’s woundedthey go downe as if the sting of the Bee were in them. Oh theyhaue wrought their purpose cunningly, as if they would notseeme to doe it of malice. In this a Polititian imitates thedeuill, as the deuill imitates a Canon. Wheresoeuer he comes todoe mischiefe, he comes with his backside towardes you.

FRE. The proofes are euident.FLA. Proofe! t’was corruption. O Gold, what a God art

thou! and ô man, what a deuill art thou to be tempted by that

img: 21­bsig: F3r

wln 1318wln 1319wln 1320wln 1321wln 1322wln 1323wln 1324wln 1325wln 1326wln 1327wln 1328wln 1329wln 1330wln 1331wln 1332wln 1333wln 1334wln 1335wln 1336wln 1337wln 1338wln 1339wln 1340wln 1341wln 1342wln 1343wln 1344wln 1345wln 1346wln 1347wln 1348wln 1349wln 1350wln 1351wln 1352wln 1353wln 1354

Page 44: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit.

Enter Flamineo.

Phisitians

cursed Minerall! You diuersiuolent Lawyer; marke him, knauesturne informers, as maggots turne to flies, you may catch gud­gions with either. A Cardinall; I would hee would heare mee,theres nothing so holie but mony will corrupt and putrifie it,like vittell vnder the line. You are happie in England, my Lord;here they sell iustice with those weights they presse men todeath with. O horrible salarie!

ENG. Fie, fie, Flamineo.FLA. Bels nere ring well, till they are at their full pitch,

And I hope yon Cardinall shall neuer haue the grace to praywell, till he come to the scaffold.If they were rackt now to know the confederacie! But yourNoblemen are priuiledged from the racke; and well may. Fora little thing would pull some of them a peeces afore they cameto their arraignement. Religion; oh how it is commeddled withpolicie. The first bloudshed in the world happened about re­ligion. Would I were a Iew. MAR. O, there are too many.

FLA. You are deceiu’d. There are not Iewes enough;Priests enough, nor gentlemen enough. MAR. How?

FLA. Ile proue it. For if there were Iewes enough, so manyChristians would not turne vsurers; if Preists enough, oneshould not haue sixe Benefices; and if gentlemen enough, somany earlie mushromes, whose best growth sprang from adunghill, should not aspire to gentilitie. Farewell. Let othersliue by begging. Bee thou one of them; practize the art of Wol­nor in England to swallow all’s giuen thee; and yet let one pur­gation make thee as hungrie againe as fellowes that worke insaw­pit. Ile go heare the scritch­owle.

LOD. This was Brachiano’s Pandar, and ’tis strangeThat in such open and apparant guiltOf his adulterous sister, hee dare vtterSo scandalous a passion. I must wind him.

FLA. How dares this banisht Count returne to Rome,His pardon not yet purchast? I haue heardThe deceast Dutchesse gaue him pension,And that he came along from PaduaI’th’ traine of the yong Prince. There’s somewhat in ’t.

img: 22­asig: F3v

wln 1355wln 1356wln 1357wln 1358wln 1359 Enter English

Embassador.wln 1360wln 1361wln 1362wln 1363wln 1364wln 1365wln 1366wln 1367wln 1368wln 1369wln 1370wln 1371wln 1372wln 1373wln 1374wln 1375wln 1376wln 1377wln 1378wln 1379wln 1380wln 1381wln 1382wln 1383wln 1384wln 1385wln 1386wln 1387wln 1388wln 1389wln 1390wln 1391

Page 45: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Antonelli.

Hath

Phisitians, that cure poisons, still doe workeWith counterpoisons.

MAR. Marke this strange incounter.FLA. The God of Melancholie turne thy gall to poison,

And let the stigmaticke wrincles in thy face,Like to the boisterous waues in a rough tideOne still ouertake an other. LOD. I doe thanke theeAnd I doe wish ingeniously for thy sakeThe dog­daies all yeare long.

FLA. How crokes the rauen?Is our good Dutchesse dead? LOD. Dead FLA. O fate!Misfortune comes like the Crowners businesse,Huddle vpon huddle. LOD. Shalt thou & I ioyne housekeeping?

FLA. Yes, content.Let’s bee vnsociably sociable.

LOD. Sit some three daies together, and discourse.FLA. Onely with making faces;

Lie in our clothes. LOD. With faggots for our pillowes.FLA. And bee lowsie.LOD. In taffeta lininges; that’s gentile melancholie,

Sleepe all day. FLA. Yes: and like your melancholike hareFeed after midnight.Wee are obserued: see how yon couple greue.

LOD. What a strange creature is a laughing foole,As if man were created to no vseBut onely to shew his teeth. FLA. Ile tell thee what,It would doe well in stead of looking glassesTo set ones face each morning by a sawcerOf a witches congealed bloud. LOD. Pretious gue.Weel neuer part. FLA. Neuer: till the beggerie of Courtiers,The discontent of church­men, want of souldiers,And all the creatures that hang manacled,Worse then strappado’d, on the lowest fellieOf fortunes wheele be taught in our two liues.To scorne that world which life of meanes depriues.

AN. My Lord, I bring good newes. The Pope on’s death­bed,At th’ earnest suit of the great Duke of Florence,

img: 22­bsig: F4r

wln 1392wln 1393wln 1394wln 1395wln 1396wln 1397wln 1398wln 1399wln 1400wln 1401wln 1402wln 1403wln 1404wln 1405wln 1406wln 1407wln 1408wln 1409wln 1410wln 1411wln 1412wln 1413wln 1414wln 1415wln 1416wln 1417wln 1418wln 1419wln 1420wln 1421wln 1422wln 1423wln 1424wln 1425wln 1426wln 1427wln 1428

Page 46: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Strikes him.

Exit Mar. & Flam.

Is

Hath sign’d your pardon, and restor’d vnto you —LOD. I thanke you for your news. Look vp againe

Flamineo, see my pardon. FLAM. Why do you laugh?There was no such condition in our couenant. LOD. Why?

FLAM. You shall not seeme a happier man then I,You know our vow sir, if you will be merry,Do it i’th like posture, as if some great manSate while his enemy were executed:Though it be very letchery vnto thee,Doo’t with a crabbed Polititians face.

LOD. Your sister is a damnable whore. FLAM. Ha?LOD. Looke you; I spake that laughing.FLAM. Dost euer thinke to speake againe?LOD: Do you heare?

Wil’t sel me fourty ounces of her bloud,To water a mandrake? FL. Poore Lord; you did vowTo liue a lowzy creature. LOD. Yes; FLA. Like oneThat had for euer forfaited, the day­light,By being in debt, LOD. Ha, ha?

FLAM. I do not greatly wonder you do breake:Your Lordship learn’t long since. But Ile tell you,

LOD. What? FLA. And’t shall sticke by you.LOD. I long for it.FLAM. This laughter scuruily becomes your face,

If you will not be melancholy, be angry.See now I laugh too.

MAR. You are to blame, Ile force you hence.LOD. Vnhand me:

That ere I should be forc’t to right my selfe,Vpon a Pandar. ANT. My Lord.

LOD. H’had bene as good met with his fist a thunderbolt.GAS. How this shewes!LOD. Vds’ death, how did my sword misse him?

These rogues that are most weary of their liues,Still scape the greatest dangers,A pox vpon him: all his reputation;Nay all the goodnesse of his family;

img: 23­asig: F4v

wln 1429wln 1430wln 1431wln 1432wln 1433wln 1434wln 1435wln 1436wln 1437wln 1438wln 1439wln 1440wln 1441wln 1442wln 1443wln 1444wln 1445wln 1446wln 1447wln 1448wln 1449wln 1450wln 1451wln 1452wln 1453wln 1454wln 1455wln 1456wln 1457wln 1458wln 1459wln 1460wln 1461wln 1462wln 1463wln 1464wln 1465

Page 47: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exeunt.

Enter Franciso and Monticelso.

G Lurking

Is not worth halfe this earthquake.I learnt it of no fencer to shake thus;Come, I’le forget him, and go drinke some wine.

MON. Come, come my Lord, vntie your foulded thoughts,And let them dangle loose as a brid’s haire.Your sister’s poisoned.

FRA. Farre bee it from my thoughtsTo seeke reuenge.

MON. What, are you turn’d all marble?FRA. Shall I defye him, and impose a warre

Most burthensome on my poore subiects neckes,Which at my will I haue not power to end?You know; for all the murders, rapes, and thefts,Committed in the horred lust of warre,He that vniustly caus’d it first proceed,Shall finde it in his graue and in his seed.

MON. That’s not the course I’de wish you: pray, obserue me,We see that vndermining more preuailesThen doth the Canon, Beare your wrongs conceal’d,And, patient as the Tortoise, let this CammellStalke o’re your back vnbruis’d: sleep with the Lyon,And let this brood of secure foolish micePlay with your nosthrils, till the time bee ripeFor th’bloudy audit, and the fatall gripe:Aime like a cunning fowler, close one eie,That you the better may your game espy.

FRA. Free me my innocence; frõ treacherous actes:I know ther’s thunder yonder: and I’le stand,Like a safe vallie, which low bends the kneeTo some aspiring mountaine: since I knowTreason, like spiders weauing nets for flies,By her foule worke is found, and in it dies.To passe away these thoughts, my honour’d Lord,It is reported you possesse a bookeWherein you haue quoted, by intelligence,The names of all notorious offenders

img: 23­bsig: G1r

wln 1466wln 1467wln 1468wln 1469wln 1470wln 1471wln 1472wln 1473wln 1474wln 1475wln 1476wln 1477wln 1478wln 1479wln 1480wln 1481wln 1482wln 1483wln 1484wln 1485wln 1486wln 1487wln 1488wln 1489wln 1490wln 1491wln 1492wln 1493wln 1494wln 1495wln 1496wln 1497wln 1498wln 1499wln 1500wln 1501wln 1502

Page 48: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit Monticelso.

FRA.

Lurking about the Citty, MON. Sir I doeAnd some there are which call it my blacke booke:Well may the title hold: for though it teach notThe Art of coniuring, yet in it lurke,The names of many deuils. FRAN. Pray let’s see it.

MON. I’le fetch it to your Lordship.FRA. Monticelso,

I will not trust thee, but in all my plotsI’le rest as iealous as a Towne besieg’d.Thou canst not reach what I intend to act.Your flax soone kindles, soone is out againe,But gold slow heat’s, and long will hot remaine.

MON. ’Tis here my Lord.FRA. First your Intelligencers pray let’s see.MON. Their number rises strangely,

And some of themYou’d Take for honest men.Next are Pandars.These are your Pirats: and these following leaues,For base rogues that vndo yong GentlemenBy taking vp commodities: for pollitick bankroupts:For fellowes that are bawdes to their owne wiues,Onely to put off horses and slight iewels,Clockes, defac’t plate, and such commodities,At birth of their first children. FRA. Are there such?

MON. These are for Impudent baudes,That go in mens apparell: for vsurersThat share with scriueners for their good reportage:For Lawyers that will antedate their writtes:And some Diuines you might find foulded there;But that I slip them o’re for conscience sake.Here is a generall catalogue of knaues.A man might study all the prisons o’re,Yet neuer attaine this knowledge. FRA. Murderers.Fould downe the leafe I pray,Good my Lord let me borrow this strange doctrine.

MON. Pray vse’t my Lord.

img: 24­asig: G1v

wln 1503wln 1504wln 1505wln 1506wln 1507wln 1508wln 1509wln 1510wln 1511wln 1512wln 1513wln 1514wln 1515 Enter Mont.

Fran. withwln 1516wln 1517wln 1518wln 1519wln 1520wln 1521wln 1522wln 1523wln 1524wln 1525wln 1526wln 1527wln 1528wln 1529wln 1530wln 1531wln 1532wln 1533wln 1534wln 1535wln 1536wln 1537wln 1538wln 1539

Page 49: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit Mont.

Enter Isabola’s Ghost.

G2 Imagination

FRAN. I do assure your Lordship,You are a worthy member of the State,And haue done infinite good in your discoueryOf these offendors. MON. Some­what Sir. FRA. O God!Better then tribute of wolues paid in England.’Twill hang their skinnes o’th hedge.

MON. I must make boldTo leaue your Lord­ship. FRA. Deerely sir, I thanke you,If any aske for me at Court, reportYou haue left me in the company of knaues.I gather now by this, some cunning fellowThat’s my Lords Officer, one that lately skiptFrom a Clerkes deske vp to a Iustice chaire,Hath made this knauish summons; and intendes,As th’Irish rebels wont were to sell heads,So to make prize of these. And thus it happens,Your poore rogues pay for’t, which haue not the meanesTo present bribe in fist: the rest o’th’ bandAre raz’d out of the knaues record; or elseMy Lord he winkes at them with easy will,His man growes rich, the knaues are the knaues still.But to the vse I’le make of it; it shall serueTo point me out a list of murderers,Agents for any villany. Did I wantTen leash of Curtisans, it would furnish me;Nay lawndresse three Armies. That so in little paperShould lye th’vndoing of so many men!’Tis not so big as twenty declarations.See the corrupted vse some make of bookes:Diuinity, wrested by some factious bloud,Draws swords, swels battels, & orethrowes all good.To fashion my reuenge more seriously,Let me remember my dead sisters face:Call for her picture: no; I’le close mine eyes,And in a melancholicke thought I’le frame

Her figure ’fore me. Now I — ha’te how strong

img: 24­bsig: G2r

wln 1540wln 1541wln 1542wln 1543wln 1544wln 1545wln 1546wln 1547wln 1548wln 1549wln 1550wln 1551wln 1552wln 1553wln 1554wln 1555wln 1556wln 1557wln 1558wln 1559wln 1560wln 1561wln 1562wln 1563wln 1564wln 1565wln 1566wln 1567wln 1568wln 1569wln 1570wln 1571wln 1572wln 1573wln 1574wln 1575wln 1576

Page 50: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

he writes

Enter seruant

Exit seruant.

Exit Mon.

Enter

Imagination workes! how she can frameThings which are not! me thinks she stands afore me;And by the quicke Idea of my minde,Were my skill pregnant, I could draw her picture.Thought, as a subtile Iugler, makes vs deemeThings, supernaturall, which haue causeCommon as sickenesse. ’Tis my melancholy,How cam’st thou by thy death? — how idle am ITo question mine owne idlenesse? — did euerMan dreame awake till now? — remoue this obiectOut of my braine with’t: what haue I to doWith tombes, or death­beds, funerals, or teares,That haue to meditate vpon reuenge?So now ’tis ended, like an old wiues story.States­men thinke often they see stranger sightsThen mad­men. Come, to this waighty businesse.My Tragedy must haue some idle mirth in’t,Else it will neuer passe. I am in loue,In loue with Corombona; and my suiteThus haltes to her in verse. —I haue done it rarely: ô the fate of Princes!I am so vs’d to frequent flattery,That being alone I now flatter my selfe;But it will serue, ’tis seal’d; beare thisTo th’house of Conuertites; and watch your leisureTo giue it to the hands of Corombona,Or to the Matron, when some followersOf Brachiano may be by. AwayHe that deales all by strength, his wit is shallow:When a mans head goes through each limbe will follow.The engine for my busines, bold Count Lodowicke:’Tis gold must such an instrument procure,With empty fist no man doth falcons lure.Brachiano, I am now fit for thy encounter.Like the wild Irish I’le nere thinke thee dead,Till I can play at footeball with thy head.Flectere si nequeo Superos, Acheronta mouebo.

img: 25­asig: G2v

wln 1577wln 1578wln 1579wln 1580wln 1581wln 1582wln 1583wln 1584wln 1585wln 1586wln 1587wln 1588wln 1589wln 1590wln 1591wln 1592wln 1593wln 1594wln 1595wln 1596wln 1597wln 1598wln 1599wln 1600wln 1601wln 1602wln 1603wln 1604wln 1605wln 1606wln 1607wln 1608wln 1609wln 1610wln 1611wln 1612wln 1613

Page 51: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter the Matron, and Flamineo.

Enter seruant.

Enter Brachiano.

G3 Who

MAT. Should it be knowne the Duke hath such recourse.To your imprison’d sister, I were likeT’incur much damage by it. FLA. Not a scruple.The Pope lies on his death­bed, and their headsAre troubled now with other businesseThan guarding of a Ladie.

SER. Yonder’s Flamineo in conferenceWith the Matrona. Let mee speake with you.I would intreat you to deliuer for meeThis letter to the faire Uittoria.

MAT. I shall Sir.SER. With all care and secrecie,

Hereafter you shall know mee, and receiueThankes for this curtesie. FLA. How now? what’s that?

MAT. A letter. FLA. To my sister: Ile see’t deliuered.BRA. What’s that you read Flamineo? FLA. Looke.BRA. Ha? To the most vnfortunate his best respected Uittoria

Who was the messenger? FLA. I know not.BRA. No! Who sent it?FLA. Vd’s foot you speake, as if a man

Should know what foule is coffind in a bak’t meateAfore you cut it vp.

BRA. Ile open’t, were’t her heart. What’s heere subscribed This iugling is grosse and palpable. I haue found out the conueyance; read it, read, it.

FLA. Your teares Ile turne to triumphes, bee but mine.

Your prop is fall’n; I pittie that a vine

Which Princes heretofore haue long’d to gather,

Wanting supporters, now should fade and wither.

Wine yfaith, my Lord, with lees would serue his turne.Your sad imprisonment lle soone vncharme,

And with a princelie vncontrolled arme

Lead you to Florence, where my loue and care

Shall hang your wishes in my siluer haire.

A halter on his strange æquiuocation.Nor for my yeares returne mee the sad willow,

img: 25­bsig: G3r

wln 1614wln 1615wln 1616wln 1617wln 1618wln 1619wln 1620wln 1621wln 1622wln 1623wln 1624wln 1625wln 1626wln 1627wln 1628wln 1629wln 1630wln 1631wln 1632wln 1633wln 1634wln 1635wln 1636wln 1637

(Florence?wln 1638wln 1639wln 1640 Reades the

letter,wln 1641wln 1642wln 1643wln 1644wln 1645wln 1646wln 1647wln 1648wln 1649wln 1650

Page 52: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Vittoria to Brachiano and Flamineo.

You

Who prefer blossomes before fruit that’s mellow.

Rotten on my knowledge with lying too long i’th bed­straw.And all the lines of age this line conuinces:

The Gods neuer wax old, no more doe Princes.

A pox on’t teare it, let’s haue no more Atheists for Gods sake.BRA. Vdsdeath, Ile cut her into Atomies

And let th’irregular North­winde sweepe her vpAnd blow her int’ his nosthrils. Where’s this whore?

FLA. That? what doe you call her?BRA. Oh, I could bee mad,

Preuent the curst disease shee’l bring mee to;And teare my haire off. Where’s this changeable stuffe?

FLA. Ore head and eares in water, I assure you,Shee is not for your wearing. BRA. In you Pandar?

FLA. What mee, my Lord, am I your dog?BRA. A bloud­hound: doe you braue? doe you stand mee?FLA. Stand you? let those that haue diseases run;

I need no plaisters. BRA. Would you bee kickt?FLA. Would you haue your necke broke?

I tell you Duke, I am not in Russia;My shinnes must be kept whole. BRA. Do you know mee?

FLA. O my Lord! methodically.As in this world there are degrees of euils:So in this world there are degrees of deuils.You’r a great Duke; I your poore secretarie.I doe looke now for a Spanish fig, or an Italian sallet daily.

BRA. Pandar, plie your conuoy, and leaue your prating.FLA. All your kindnesse to mee is like that miserable cur­

tesie of Polyphemus to Ulisses, you reserue mee to be deuour’dlast, you would dig turues out of my graue to feed your Larkes:that would bee musicke to you. Come, Ile lead you to her.

BRA. Do you face mee?FLA. O Sir I would not go before a Pollitique enemie with

my backe towards him, though there were behind mee a whirle­poole.

BRA. Can you read Mistresse? looke vpon that letter;There are no characters nor Hieroglyphicks.

img: 26­asig: G3v

wln 1651wln 1652wln 1653wln 1654wln 1655wln 1656wln 1657wln 1658wln 1659wln 1660wln 1661wln 1662wln 1663wln 1664wln 1665wln 1666wln 1667wln 1668wln 1669wln 1670wln 1671wln 1672wln 1673wln 1674wln 1675wln 1676wln 1677wln 1678wln 1679wln 1680wln 1681wln 1682wln 1683wln 1684wln 1685wln 1686wln 1687

Page 53: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Like

You need no comment, I am growne your receiuer,Gods pretious you shall bee a braue great Ladie,A statelie and aduanced whore. VIT. Say Sir.

BRA. Come, come, let’s see your Cabinet, discouerYour treasurie of loue­letters. Death and furies,Ile see them all. VIT. Sir, vpon my soule,I haue not any. Whence was this directed?

BRA. Confusion on your politicke ignorance.You are reclaimed; are you? Ile giue you the belsAnd let you flie to the deuill. FLA. Ware hawke, my Lord.

VIT. Florence! This is some treacherous plot, my Lord,To mee, he nere was louely I protest,So much as in my sleepe. BRA. Right: they are plots.Your beautie! ô, ten thousand curses on’t.How long haue I beheld the deuill in christall?Thou hast lead mee, like an heathen sacrifice,With musicke, and with fatall yokes of flowersTo my eternall ruine. Woman to manIs either a God or a wolfe. VIT. My Lord. BRA. Away.Wee’l bee as differing as two Adamants;The one shall shunne the other. What? do’st weepe?Procure but ten of thy dissembling trade,Yee’ld furnish all the Irish funerallsWith howling, past wild Irish. FLA. Fie, my Lord.

BRA. That hand, that cursed hand, which I haue weariedWith doting kisses! O my sweetest DutchesseHow louelie art thou now! Thy loose thoughtesScatter like quicke­siluer, I was bewitch’d;For all the world speakes ill of thee. VIT. No matter.Ile liue so now Ile make that world recantAnd change her speeches. You did name your Dutchesse.

BRA. Whose death God pardon.VIT. Whose death God reuenge

On thee most godlesse Duke. FLA. Now for tow whirlewindes.VIT. What haue I gain’d by thee but infamie?

Thou hast stain’d the spotlesse honour of my house,And frighted thence noble societie:

img: 26­bsig: G4r

wln 1688wln 1689wln 1690wln 1691wln 1692wln 1693wln 1694wln 1695wln 1696wln 1697wln 1698wln 1699wln 1700wln 1701wln 1702wln 1703wln 1704wln 1705wln 1706wln 1707wln 1708wln 1709wln 1710wln 1711wln 1712wln 1713wln 1714wln 1715wln 1716wln 1717wln 1718wln 1719wln 1720wln 1721wln 1722wln 1723wln 1724

Page 54: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

In

Like those, which sicke ’oth’ Palsie, and retaineIll­senting foxes ’bout them, are still shun’dBy those of choicer nosthrills. What doe you call this house?Is this your palace? did not the Iudge stile itA house of penitent whores? who sent mee to it?Who hath the honour to aduance UittoriaTo this incontinent colledge? is ’t not you?Is ’t not your high preferment? Go, go bragHow many Ladies you haue vndone, like mee.Fare you well Sir; let me heare no more of you.I had a limbe corrupted to an vlcer,But I haue cut it off: and now Ile goWeeping to heauen on crutches. For your giftes,I will returne them all; and I do wishThat I could make you full ExecutorTo all my sinnes, ò that I could tosse my selfeInto a graue as quickly: for all thou art worthIle not shed one teare more; — Ile burst first.

BRA. I haue drunke Lethe.Uittoria? My dearest happinesse? Vittoria?What doe you aile my Loue? why doe you weepe?

VIT. Yes, I now weepe poniardes, doe you see.BRA. Are not those matchlesse eies mine? VIT. I had rather.

They were not matches. BRA. Is not this lip mine?VIT. Yes: thus to bite it off, rather than giue it thee.FLA. Turne to my Lord, good sister.VIT. Hence you Pandar.FLA. Pandar! Am I the author of your sinne?VIT. Yes: Hee’s a base theif that a theif lets in.FLA. Wee’re blowne vp, my Lord,BRA. Wilt thou heare mee?

Once to bee iealous of thee is t’expresseThat I will loue thee euerlastingly,And neuer more bee iealous. VIT. O thou foole,Whose greatnesse hath by much oregrowne thy wit!What dar’st thou doe, that I not dare to suffer,Excepting to bee still thy whore? for that;

img: 27­asig: G4v

wln 1725wln 1726wln 1727wln 1728wln 1729wln 1730wln 1731wln 1732wln 1733wln 1734wln 1735wln 1736wln 1737wln 1738wln 1739wln 1740wln 1741wln 1742 She throwes her

selfe vpon a bed.wln 1743wln 1744wln 1745wln 1746wln 1747wln 1748wln 1749wln 1750wln 1751wln 1752wln 1753wln 1754wln 1755wln 1756wln 1757wln 1758wln 1759wln 1760wln 1761

Page 55: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

H first

In the seas bottome sooner thou shalt makeA bonefire. FLA. O, no othes for gods sake.

BRA. Will you heare mee? VIT. Neuer.FLA. What a damn’d impostume is a womans will?

Can nothing breake it? fie, fie, my Lord.Women are caught as you take Tortoises,Shee must bee turn’d on her backe. Sister, by this handI am on your side. Come, come, you haue wrong’d her.What a strange credulous man were you, my Lord,To thinke the Duke of Florence could loue her?Will any Mercer take an others wareWhen once ’t is tows’d and sullied? And, yet sister,How scuruily this frowardnesse becomes you?Yong Leuerets stand not long; and womens angerShould, like their flight, procure a little sport;A full crie for a quarter of an hower;And then bee put to th’ dead quat. BRA. Shall these eies,VVhich haue so long time dwelt vpon your face,Be now put out? FLA. No cruell Land­ladie ’ith’ world,VVhich lend’s forth grotes to broome­men, & takes vse for thẽ,VVould doe’t.Hand her, my Lord, and kisse her: be not likeA ferret to let go your hold with blowing.

BRA. Let vs renew right handes. VIT. Hence.BRA. Neuer shall rage, or the forgetfull wine,

Make mee commit like fault.FLA. Now you are ith’ way out, follow ’thard.BRA. Bee thou at peace with mee; let all the world

Threaten the Cannon. FLA. Marke his penitence.Best natures doe commit the grossest faultes,When they’re giu’n ore to iealosie; as best wineDying makes strongest vinneger. Ile tell you;The Sea’s more rough and raging than calme riuers,But nor so sweet nor wholesome. A quiet womanIs a still water vnder a great bridge.A man may shoot her safely. VIT. O yee dissembling men!

FLA. Wee suckt that, sister, from womens brestes, in our

img: 27­bsig: H1r

wln 1762wln 1763wln 1764wln 1765wln 1766wln 1767wln 1768wln 1769wln 1770wln 1771wln 1772wln 1773wln 1774wln 1775wln 1776wln 1777wln 1778wln 1779wln 1780wln 1781wln 1782wln 1783wln 1784wln 1785wln 1786wln 1787wln 1788wln 1789wln 1790wln 1791wln 1792wln 1793wln 1794wln 1795wln 1796wln 1797wln 1798

Page 56: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Thinke

first infancie. VIT. To ad miserie to miserie. BRA. Sweetest.VIT. Am I not low enough?

I, I, your good heart gathers like a snow­ballNow your affection’s cold. FLA. Vd’foot, it shall melt,To a hart againe, or all the wine in RomeShall run o’th lees for’t.

VIT. Your dog or hawke should be rewarded betterThen I haue bin. Ile speake not one word more.

FLA. Stop her mouth,With a sweet kisse, my Lord.So now the tide’s turne’d the vessel’s come aboutHee’s a sweet armefull. O wee curl’d­haird menAre still most kind to women. This is well.

BRA. That you should chide thus!FLA. O, sir, your little chimnies

Doe euer cast most smoke. I swet for you.Couple together with as deepe a silence,As did the Grecians in their wodden horse.My Lord supplie your promises with deedes.You know that painted meat no hunger feedes.

BRA. Stay ingratefull Rome.FLA. Rome! it deserues to be cal’d Barbarie, for our villainous BRA. Soft; the same proiect which the Duke of Florence,

(Whether in loue or gullerie I know not)Laid downe for her escape, will I pursue.

FLA. And no time fitter than this night, my Lord;The Pope being dead; and all the Cardinals entredThe Conclaue for th’ electing a new Pope;The Cittie in a great confusion;Wee may attire her in a Pages suit,Lay her post­horse, take shipping, and amaineFor Padua.

BRA. Ile instantly steale forth the Prince Giouanni,And make for Padua. You two with your old MotherAnd yong Marcello that attendes on Florence,If you can worke him to it, follow mee.I will aduance you all: for you Vittoria,

img: 28­asig: H1v

wln 1799wln 1800wln 1801wln 1802wln 1803wln 1804wln 1805wln 1806wln 1807wln 1808wln 1809wln 1810wln 1811wln 1812wln 1813wln 1814wln 1815wln 1816wln 1817wln 1818wln 1819wln 1820

(vsage.

wln 1821wln 1822wln 1823wln 1824wln 1825wln 1826wln 1827wln 1828wln 1829wln 1830wln 1831wln 1832wln 1833wln 1834wln 1835

Page 57: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exeunt.

Enter Francisco, Lodouico, Gasper, and sixe Embassadours.At another dore the Duke of Florence.

H2 Knight

Thinke of a Dutchesse title. FLA. Lo you sister.Stay, my Lord; I’le tell you a tale. The crocodile, which liues inthe riuer Nilus, hath a worme breds i’th teeth of’t, which puts itto extreame anguish: a little bird, no bigger then a wren, is bar­bor­surgeon to this crocodile; flies into the iawes of’t; pickes outthe worme; and brings present remedy. The fish, glad of easebut ingratefull to her that did it, that the bird may not talkelargely of her abroad for non payment, closeth her chaps inten­ding to swallow her, and so put her to perpetuall silence. But na­ture loathing such ingratitude, hath arm’d this bird with a quillor pricke on the head, top o’th which wounds the crocodile i’thmouth; forceth her open her bloudy prison; and away flies thepretty tooth­picker from her cruell patient.

BRAC. Your application is, I haue not rewardedThe seruice you haue done me. FLAM. No, my Lord;You sister are the crocodile: you are blemisht in your fame, MyLord cures it. And though the comparison hold not in eueryparticle; yet obserue, remember, what good the bird with thepricke i’th head hath done you; and scorne ingratitude.It may appeare to some ridiculousThus to talke knaue and madman; and sometimesCome in with a dried sentence, stuft with sage.But this allowes my varying of shapes,Knaues do grow great by being great mens apes.

FRA. So, my Lord, I commend your diligenceGuard well the conclaue, and, as the order is,Let none haue conference with the Cardinals.

LOD. I shall, my Lord: roome for the Embassadors,GAS. They’re wondrous braue to day: why do they weare

These seuerall habits? LOD, O sir, they’r KnightsOf seuerall Orders.That Lord i’th blacke cloak with the siluer crosseIs Knight of Rhodes; the next Knight of S. Michael,That of the golden fleece; the French­man thereKnight of the Holy­Ghost; my Lord of Sauoy

img: 28­bsig: H2r

wln 1836wln 1837wln 1838wln 1839wln 1840wln 1841wln 1842wln 1843wln 1844wln 1845wln 1846wln 1847wln 1848wln 1849wln 1850wln 1851wln 1852wln 1853wln 1854wln 1855wln 1856wln 1857wln 1858wln 1859wln 1860wln 1861wln 1862wln 1863wln 1864wln 1865wln 1866wln 1867wln 1868wln 1869wln 1870wln 1871wln 1872

Page 58: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

OMNES.

Knight of th’Annuntiation; the EnglishmanIs Knight of th’honoured Garter, dedicatedVnto their Saint, S. George. I could describe to youTheir seuerall institutions, with the lawesAnnexed to their Orders, but that timePermits not such discouery.

FRAN. Where’s Count Lodowicke?LOD. Here my Lord.FRA. ’Tis o’th point of dinnertime,

Marshall the Cardinals seruice, LOD. Sir I shall.Stand, let me search your dish, who’s this for?

SER. For my Lord Cardinall Monticelso,LOD. Whose this?SER. For my Lord Cardinall of Burbon.FRE. Why doth he search the dishes, to obserue

What meate is drest? ENG. No Sir, but to preuent.Least any letters should be conuei’d inTo bribe or to sollicite the aduancementOf any Cardinall, when first they enter’Tis lawfull for the Embassadours of PrincesTo enter with them, and to make their suitFor any man their Prince affecteth best;But after, till a generall election,No man may speake with them.

LOD. You that attend on the Lord CardinalsOpen the window, and receiue their viands.

A CAR. You must returne the seruice; the L. CardinalsAre busied ’bout electing of the Pope,They haue giuen o’re scrutinie, and are fallenTo admiration. LOD. Away, away.

FRAN. I’le lay a thousand Duckets you here newsOf a Pope presently, Hearke; sure he’s elected,Behold! my Lord of Arragon appeares,On the Church battlements.

ARRAGON. Denuntio vobis gaudium magnum. Reuerendissi­

mus Cardinalis Lorenso de Monticelso electus est in sedem Apostoli­cam, & elegit sibi nomen Paulum quartum.

img: 29­asig: H2v

wln 1873wln 1874wln 1875wln 1876wln 1877wln 1878wln 1879wln 1880wln 1881wln 1882 Enter ser­

uants with se­

uerall dishes

couered.

wln 1883wln 1884wln 1885wln 1886wln 1887wln 1888wln 1889wln 1890wln 1891wln 1892wln 1893wln 1894wln 1895wln 1896wln 1897wln 1898wln 1899wln 1900wln 1901wln 1902wln 1903 A Cardinal

on the Tarraswln 1904wln 1905wln 1906wln 1907wln 1908wln 1909

Page 59: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Monticelso in state.

Exeunt.

H3 Who

OMNES. Uiuat sanctus Pater Paulus Quartus.SER. Vittoria my Lord.FRAN. Wel: what of her? SER. Is fled the Citty, FRA. Ha?SER. With Duke Brachiano. FRA. Fled? Where’s the Prince SER. Gone with his father.FRAN. Let the Matrona of the Conuertites

Be apprehended: fled ô damnable!How fortunate are my wishes. Why? ’twas thisI onely laboured. I did send the letterT’instruct him what to doe. Thy fame, fond Duke,I first haue poison’d; directed thee the wayTo marrie a whore; what can be worse? This followes.The hand must act to drowne the passionate tongue,I scorne to weare a sword and prate of wrong.

MON. My Lord reportes Vittoria CorombonaIs stol’ne from forth the house of ConuertitesBy Brachiano, and they’re fled the Cittie.Now, though this bee the first daie of our state,Wee cannot better please the diuine power,Than to sequester from the holie ChurchThese cursed persons. Make it therefore knowne,Wee doe denounce excommunicationAgainst them both: all that are theirs in RomeWee likewise banish. Set on.

FRAN. Come deare Lodouico.You haue tane the sacrament to prosecuteTh’ intended murder. LOD. With all constancie.But, Sir, I wonder you’l ingage your selfe,In person, being a great Prince. FRAN. Diuert mee not.Most of his Court are of my faction,And some are of my councell. Noble freind,Our danger shall be ’like in this designe,Giue leaue, part of the glorie may bee mine.Why did the Duke of Florence with such careLabour your pardon? say.

LOD. Italian beggars will resolue you that

img: 29­bsig: H3r

wln 1910wln 1911wln 1912wln 1913

(Giouanniwln 1914wln 1915wln 1916wln 1917wln 1918wln 1919wln 1920wln 1921wln 1922wln 1923wln 1924wln 1925wln 1926wln 1927wln 1928wln 1929wln 1930wln 1931wln 1932wln 1933wln 1934wln 1935wln 1936wln 1937wln 1938wln 1939wln 1940wln 1941wln 1942wln 1943wln 1944wln 1945wln 1946

Page 60: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

And

Who, begging of an almes, bid those they beg ofDoe good for their owne sakes; or’t may beeHee spreades his bountie with a sowing hand,Like Kinges, who many times giue out of measure;Not for desert so much as for their pleasure.

MON. I know you’re cunning. Come, what deuill was thatThat you were raising? LOD. Deuill, my Lord?I aske you.

MONT. How doth the Duke imploy you, that his bonnetFell with such complement vnto his knee,When hee departed from you? LOD. Why, my Lord,Hee told mee of a restie Barbarie horseWhich he would faine haue brought to the carreere,The ’sault, and the ring galliard. Now, my Lord,I haue a rare French Rider. MONT. Take you heede:Least the Iade breake your necke. Doe you put mee offWith your wild horse­trickes? Sirra you doe lie.O, thou’rt a foule blacke cloud, and thou do’st threatA violent storme. LOD. Stormes are ’ith aire, my Lord;I am too low to storme. MONT. Wretched creature!I know that thou art fashion’d for all ill,Like dogges, that once get bloud, they’l euer kill.About some murder? wa’st not? LOD. Ile not tell you;And yet I care not greatly if I doe;Marry with this preparation. Holie father,I come not to you as an Intelligencer,But as a penitent sinner. What I vtterIs in confession meerely; which you knowMust neuer bee reueal’d. MONT. You haue oretane mee.

LOD. Sir I did loue Brachiano’s Dutchesse deerely;Or rather I pursued her with hot lust,Though shee nere knew on’t. Shee was poyson’d;Vpon my soule shee was: for which I haue sworneT’auenge her murder. MONT. To the Duke of Florence?

LOD. To him I haue. MON. Miserable Creature!If thou persist in this, ’tis damnable.Do’st thou imagine thou canst slide on bloud

img: 30­asig: H3v

wln 1947 Enter Mon­

ticelso.wln 1948wln 1949wln 1950wln 1951wln 1952wln 1953wln 1954wln 1955wln 1956wln 1957wln 1958wln 1959wln 1960wln 1961wln 1962wln 1963wln 1964wln 1965wln 1966wln 1967wln 1968wln 1969wln 1970wln 1971wln 1972wln 1973wln 1974wln 1975wln 1976wln 1977wln 1978wln 1979wln 1980wln 1981wln 1982wln 1983

Page 61: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter seruant

& Francisco,

A passage ouer the stage of Brachiano, Flamineo, Marcello, Hor­tensio, Corombona. Cornelia, Zanche and others.

Day

And not be tainted with a shamefull fall?Or like the blacke, and melancholicke Eugh­tree,Do’st thinke to roote thy selfe in dead mens graues,And yet to prosper? Instruction to theeComes like sweet shewers to ouer­hardned ground:They wet, but peirce not deepe. And so I leaue theeWithall the Furies hanging bout thy necke,Till by thy penitence thou remoue this euill,In coniuring from thy breast that cruell Deuill.

LOD. I’le giue it o’re. He saies ’tis damable: Exit Mon.Besides I did expect his suffrage,By reason of Camillo’s death.

FRA. Do you know that Count? SER. Yes, my Lord,FRA. Beare him these thousand Duckets to his lodging;

Tell him the Pope hath sent them. HappilyThat will confirme more then all the rest. SER. Sir.

LOD. To me sir?SER. His holinesse hath sent you a thousand Crownes,

And will you if you trauaile, to make himYour Patron for intelligence. LOD. His creature euer to bee Why now ’tis come about. He rai’ld vpon me;And yet these Crownes were told out and laid ready,Before he knew my voiage. O the ArtThe modest forme of greatnesse! that do sitLike Brides at wedding dinners, with their look’s turn’dFrom the least wanton iests, their puling stomackeSicke of the modesty, when their thoughts are loose.Euen acting of those hot and lustfull sportsAre to ensue about midnight: such his cunning!Hee soundes my depth thus with a golden plummet,I am doubly arm’d now. Now to th’act of bloud,There’s but three furies found in spacious hell;But in a great mans breast three thousand dwell.

FLA. In all the weary minutes of my life,

img: 30­bsig: H4r

wln 1984wln 1985wln 1986wln 1987wln 1988wln 1989wln 1990wln 1991wln 1992wln 1993wln 1994wln 1995wln 1996wln 1997wln 1998wln 1999wln 2000wln 2001wln 2002wln 2003wln 2004

(commanded.

wln 2005wln 2006wln 2007wln 2008wln 2009wln 2010wln 2011wln 2012wln 2013wln 2014wln 2015wln 2016wln 2017

wln 2018wln 2019wln 2020

Page 62: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Duke Brachiano.

But

Day nere broke vp till now. This mariage.Confirmes me happy. HOR. ’Tis a good assurance.Saw you not yet the Moore that’s come to Court?

FLA. Yes, and confer’d with him i’th Dukes closet,I haue not seene a goodlier personage,Nor euer talkt with man better experienc’tIn State­affares or rudiments of warre.Hee hath by report, seru’d the VenetianIn Candy these twice seuen yeares, and bene cheifeIn many a bold designe. HOR. What are those two,That beare him company?

FLA. Two Noblemen of Hungary, that liuing in the Empe­rours seruice as commanders, eight yeares since, contrary to theexpectation of all the Court entred into religion, into the stricktorder of Capuchins: but being not well setled in their vnderta­king they left their Order and returned to Court: for which be­ing after troubled in conscience, they vowed their seruice againstthe enemies of Christ; went to Malta; were there knighted; andin their returne backe, at this great solemnity, they are resoluedfor euer to forsake the world, and settle themselues here in ahouse of Capuchines in Padua. HOR. ’Tis strange.

FLA. One thing makes it so. They haue vowed for euer toweare next their bare bodies those coates of maile they ser­ued in. HOR. Hard penance.Is the Moore a Christian? FLA. Hee is.

HOR. Why proffers hee his seruice to our Duke?FLV. Because he vnderstands ther’s like to grow

Some warres betweene vs and the Duke of Florence,In which hee hopes imployment.I neuer saw one in a sterne bold lookeWeare more command, nor in a lofty phraseExpresse more knowing, or more deepe contemptOf our slight airy Courtiers. Hee talkesAs if hee had trauail’d all the Princes CourtsOf Christendome; in all things striues t’expresse,That all that should dispute with him may know,Glories, like glow­wormes, a farre off shine bright

img: 31­asig: H4v

wln 2021wln 2022wln 2023wln 2024wln 2025wln 2026wln 2027wln 2028wln 2029wln 2030wln 2031wln 2032wln 2033wln 2034wln 2035wln 2036wln 2037wln 2038wln 2039wln 2040wln 2041wln 2042wln 2043wln 2044wln 2045wln 2046wln 2047wln 2048wln 2049wln 2050wln 2051wln 2052wln 2053wln 2054wln 2055wln 2056wln 2057

Page 63: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Brachiano, Florence disguised like Mulinassar; Lodouico, An­

tonelli, Gaspar, Farnese bearing their swordes and helmets.

I And

But lookt to neare, haue neither heat nor light.The Duke.

BRA. You’are nobly welcome. Wee haue heard at fullYour honourable seruice ’gainst the Turke.To you, braue Mulinassar, wee assigneA competent pension: and are inly sorrow,The vowes of those two worthie gentlemen,Make them incapable of our proffer’d bountie.Your wish is you may leaue your warlike swordesFor Monuments in our Chappell. I accept itAs a great honour done mee, and must craueYour leaue to furnish out our Dutchesse reuells.Onely one thing, as the last vanitieYou ere shall view, denie mee not to stayTo see a Barriers prepar’d to night;You shall haue priuate standings: It hath pleas’dThe great Ambassadours of seuerall PrincesIn their returne from Rome to their owne CountriesTo grace our marriage, and to honour meeWith such a kind of sport. FRAN. I shall perswade themTo stay, my Lord.Set on there to the presence

CAR. Noble my Lord, most fortunately wellcome,You haue our vowes seal’d with the sacramentTo second your attempts. PED. And all thinges readie.Hee could not haue inuented his owne ruine,Had hee despair’d with more proprietie.

LOD. You would not take my way. FRA. ’Tis better ordered.LOD. ’T’haue poison’d his praier booke, or a paire of beades,

The pummell of his saddle, his looking­glasse,Or th’handle of his racket, ô that, that!That while he had bin bandying at Tennis,He might haue sworne himselfe to hell, and strookeHis soule into the hazzard! O my Lord!I would haue our plot bee ingenious,

img: 31­bsig: I1r

wln 2058wln 2059wln 2060wln 2061wln 2062wln 2063wln 2064wln 2065wln 2066wln 2067wln 2068wln 2069wln 2070wln 2071wln 2072wln 2073wln 2074wln 2075wln 2076wln 2077wln 2078wln 2079wln 2080 Exeunt Brachiano, Flamineo,

and Marcello.wln 2081wln 2082 The Conspira­

tors here im­

brace.

wln 2083wln 2084wln 2085wln 2086wln 2087wln 2088wln 2089wln 2090wln 2091wln 2092wln 2093wln 2094

Page 64: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit Zanche

weather

And haue it hereafter recorded for exampleRather than borrow example. FRAN. There’s no wayMore speeding than this thought on. LOD. On then.

FRAN. And yet mee thinkes that this reuenge is poore,Because it steales vpon him like a theif,To haue tane him by the Caske in a pitcht feild,Led him to Florence! LOD. It had bin rare. — And thereHaue crown’d him with a wreath of stinking garlicke.T’haue showne the sharpnesse of his gouernment;And rancknesse of his lust.Flamineo comes.

MAR. Why doth this deuill haunt you? say.FLA. I know not.

For by this light I doe not coniure for her.Tis not so great a cunning as men thinkeTo raise the deuill: for heeres one vp allreadie,The greatest cunning were to lay him downe

MAR. Shee is your shame. FLA. I prethee pardon her.In faith you see, women are like to burres;Where their affection throwes them, there they’l sticke.

ZAN. That is my Country­man, a goodly person;When hee’s at leisure Ile discourse with himIn our owne language. FLA. I beseech you doe,How is ’t’ braue souldier; ô that I had seeneSome of your iron daies! I pray relateSome of your seruice to vs.

FRAN. T’is a ridiculous thing for a man to bee his owneChronicle, I did neuer wash my mouth with mine owne praisefor feare of getting a stincking breath.

MAR. You ’re too Stoicall. The Duke will expect otherdiscourse from you

FRAN. I shall neuer flatter him, I haue studied man to muchto do that: What difference is betweene the Duke and I? no morethan betweene two brickes; all made of one clay. Onely’t maybee one is plac’t on the top of a turret; the other in the bottomof a well by meere chance; if I were plac’t as high as the Duke,I should sticke as fast; make as faire a shew; and beare out

img: 32­asig: I1v

wln 2095wln 2096wln 2097wln 2098wln 2099wln 2100wln 2101wln 2102wln 2103 Exeunt Lodo­

uico Antonelli.wln 2104wln 2105 Enter Flamineo, Marcello,

and Zanche.wln 2106wln 2107wln 2108wln 2109wln 2110wln 2111wln 2112wln 2113wln 2114wln 2115wln 2116wln 2117wln 2118wln 2119wln 2120wln 2121wln 2122wln 2123wln 2124wln 2125wln 2126wln 2127wln 2128wln 2129wln 2130wln 2131

Page 65: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

I2 FLA.

weather equally.FLA. If this souldier had a patent to beg in Churches, then

hee would tell them stories, MAR. I haue bin a souldier too.FRAN. How haue you thriu’d? MAR. Faith poorely.FRAN. That’s the miserie of peace. Onely outsides are then

respected: As shippes seeme verie great vpon the riuer, whichshew verie little vpon the Seas: So some men i’th Court seemeColossusses in a chamber, who if they came into the feild wouldappeare pittifull. Pigmies.

FLA. Giue mee a faire roome yet hung with Arras, andsome great Cardinall to lug mee by th’ eares as his endearedMinion.

FRA. And thou maist doe, the deuill knowes what vilanie.FLA. And safely.FRA. Right; you shall see in the Countrie in haruest time,

pigeons, though they destroy neuer so much corne, the farmerdare not present the fowling peece to them! why? because theybelong to the Lord of the Mannor; whilest your poore sparro­wes that belong to the Lord of heauen, they go to the pot for’t.

FLA. I will now giue you some polliticke instruction. TheDuke saies hee will giue you pension; that’s but bare promise:get it vnder his hand. For I haue knowne men that haue comefrom seruing against the Turke; for three or foure moneths theyhaue had pension to buy them new woodden legges and freshplaisters; but after ’twas not to bee had. And this miserable cur­tesie shewes, as if a Tormenter should giue hot cordiall drinkesto one three quarters dead o’th’ racke, onely to fetch the misera­ble soule againe to indure more dogdaies.

How now, Gallants; what are they readie for the Barriers?Y. LORD. Yes: the Lordes are putting on their armour.HOR. What’s hee?FLA. A new vp­start: one that sweares like a Falckner, and

will lye in the Dukes eare day by day like a maker of Almanacks;And yet I knew him since hee came to th’ Court smell worse ofsweat than an vnder­tennis­court keeper.

HOR. Looke you, yonder’s your sweet Mistresse.

img: 32­bsig: I2r

wln 2132wln 2133wln 2134wln 2135wln 2136wln 2137wln 2138wln 2139wln 2140wln 2141wln 2142wln 2143wln 2144wln 2145wln 2146wln 2147wln 2148wln 2149wln 2150wln 2151wln 2152wln 2153wln 2154wln 2155wln 2156wln 2157wln 2158wln 2159 Enter Hortensio,

a yong Lord, Zanche, and two more.wln 2160wln 2161wln 2162wln 2163wln 2164wln 2165wln 2166wln 2167wln 2168

Page 66: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Cornelia.

Doe

FLA. Thou art my sworne brother, I’le tell thee, I doe louethat Moore, that Witch very constrainedly: shee knowes some ofmy villanny; I do loue her, iust as a man holds a wolfe by theeares. But for feare of turning vpon mee, and pulling out mythroate, I would let her go to the Deuill.

HOR. I heare she claimes marriage of thee.FLA. ’Faith, I made to her some such darke promise, and in

seeking to flye from’t I run on, like a frighted dog with a bottleat’s taile, that faine would bite it off and yet dares not looke be­hind him. Now my pretious Gipsie!

ZAN. I your loue to me rather cooles then heates.FLA. Marry, I am the sounder, louer, we haue many wenches

about the Towne heate too fast.HOR. What do you thinke of these perfum’d Gallants then?FLAM. Their sattin cannot saue them. I am confident

They haue a certaine spice of the disease,For they that sleep with dogs; shall rise with fleas.

ZAN. Beleeue it! A little painting and gay clothes,Make you loath me.

FLA. How? loue a Lady for painting or gay apparell? I’le vn­kennell one example more for thee. Esop had a foolish dog thatlet go the flesh to catch the shadow. I would haue Courtiers beebetter Diuers. ZAN. You remember your oathes.

FLA. Louers oathes are like Marriners prayers, vttered in ex­tremity; but when the tempest is o’re, and that the vessell leauestumbling, they fall from protesting to drinking. And yet amongstGentlemen protesting and drinking go together, and agree aswell as Shooemakers and West­phalia bacon. They are bothdrawers on: for drinke drawes on protestation; and protestationdrawes on more drinke. Is not this discourse better now thenthe mortality of your sun­burnt Gentleman.

COR. Is this your pearch, you haggard? flye to’th stewes.FLA. You should be clapt by th’heeles now: strike i’th Court.ZAN. She’s good for nothing but to make her maids,

Catch cold a nights; they dare not vse a bedstaffe,For feare of her light fingers. MAR. Your’e a strumpet.An impudent one. FLA. Why do you kicke her? say,

img: 33­asig: I2v

wln 2169wln 2170wln 2171wln 2172wln 2173wln 2174wln 2175wln 2176wln 2177wln 2178wln 2179wln 2180wln 2181wln 2182wln 2183wln 2184wln 2185wln 2186wln 2187wln 2188wln 2189wln 2190wln 2191wln 2192wln 2193wln 2194wln 2195wln 2196wln 2197wln 2198wln 2199wln 2200wln 2201wln 2202wln 2203wln 2204wln 2205

Page 67: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

I3 Louers

Do you thinke that she’s like a walnut­tree?Must she be cudgel’d ere shee beare good fruite?

MAR. Shee brags that you shall marry her. FLA. What then?MAR. I had rather she were pitcht vpon a stake

In some new­seeded garden, to affrightHer fellow crowes thence. FLA. Your a boy, a foole,Be guardian to your hound, I am of age.

MAR. If I take her neere you I’le cut her throate.FLA. With a fan of feathers? MAR. And for you; I’le whip

This folly from you. FLAM. Are you cholericke?I’le purg’t with Rubarbe. HOR. O your brother. FLA. Hang him.Hee wrongs me most that ought t’offend mee least,I do suspect my mother plaid foule play,When she conceiu’d thee. MAR. Now by all my hopes.Like the two slaughtred sonnes of Oedipus,The very flames of our affection,Shall turne 10 waies. Those words I’le make thee answereWith thy heart bloud. FLA. Doe like the geesse in the progresse,You know where you shall finde mee, MAR. Very good,And thou beest a noble, friend, beare him my sword,And bid him fit the length on’t. Y. LORD. Sir I shall.

ZAN. He comes. Hence petty thought of my disgrace,I neere lou’d my complexion till now,Cause I may boldly say without a blush,I loue you. FLA. Your loue is vntimely sowen,Ther’s a Spring at Michaelmas, but ’tis but a faint one, I am sunckIn yeares, and I haue vowed neuer to marry.

ZAN. Alas! poore maides get more louers then husbands,Yet you may mistake my wealth. For, as when Embassadoursare sent to congratulate Princes, there’s commonly sent alongwith them a rich present; so that though the Prince like not theEmbassadours person nor words, yet he likes well of the present­ment. So I may come to you in the same maner, & be better louedfor my dowry then my vertue. FLA. I’le thinke on the motion.

ZAN. Do, Ile now detaine you no longer. At your betterleasure I’le tell you things shall startle your bloud.Nor blame me that this passion I reueale;

img: 33­bsig: I3r

wln 2206wln 2207wln 2208wln 2209wln 2210wln 2211wln 2212wln 2213wln 2214wln 2215wln 2216wln 2217wln 2218wln 2219wln 2220wln 2221wln 2222wln 2223wln 2224wln 2225wln 2226wln 2227wln 2228 Enter Francisco the

Duke of Florence.wln 2229wln 2230wln 2231wln 2232wln 2233wln 2234wln 2235wln 2236wln 2237wln 2238wln 2239wln 2240wln 2241wln 2242

Page 68: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exeunt.

Enter Marcello and Cornelia.

Enter Flamineo,

reare

Louers dye inward that their flames conceale.FLA. Of all intelligence this may proue the best,

Sure I shall draw strange fowle, from this foule nest.

COR. I heare a whispering all about the Court,Your are to fight, who is your opposite?What is the quarrell? MRA. ’Tis an idle rumour.

COR. Will you dissemble? sure you do not wellTo fright me thus, you neuer look thus pale,But when you are most angry. I do charge youVpon my blessing; nay I’le call the Duke,And he shall schoole you. MAR. Publish not a feareWhich would conuert to laughter; ’tis not so,Was not this Crucifix my fathers? COR. Yes.

MAR. I haue heard you say, giuing my brother sucke,Hee tooke the Crucifix betweene his hands,And broke a limbe off. COR. Yes: but ’tis mended.

FLA. I haue brought your weapon backe.COR. Ha, O my horrour!MAR. You haue brought it home indeed.COR. Helpe, oh he’s murdered.FLA. Do you turne your gaule vp? I’le to sanctuary,

And send a surgeon to you. HOR. How? o’th ground?MAR. O mother now remember what I told,

Of breaking off the Crucifix: farewellThere are some sinnes which heauen doth duly punish,In a whole family. This it is to riseBy all dishonest meanes. Let all men knowThat tree shall long time keepe a steddy footeWhose branches spread no wilder then the roote.

COR. O my perpetuall sorrow! HOR. Vertuous Marcello.Hee’s dead: pray leaue him Lady; come, you shall.

COR. Alas he is not dead: hee’s in a trance.Why here’s no body shall get any thing by his death. Let me callhim againe for Gods sake. CAR. I would you were deceiu’d.

COR. O you abuse mee, you abuse me, you abuse me. Howmany haue gone away thus for lacke of tendance; reare vp’s head,

img: 34­asig: I3v

wln 2243wln 2244wln 2245wln 2246wln 2247wln 2248wln 2249wln 2250wln 2251wln 2252wln 2253wln 2254wln 2255wln 2256wln 2257wln 2258wln 2259wln 2260 Flamineo runnes

Marcello through.wln 2261wln 2262wln 2263wln 2264wln 2265wln 2266wln 2267 Enter Car. Hort.

Pedro.wln 2268wln 2269wln 2270wln 2271wln 2272wln 2273wln 2274wln 2275wln 2276wln 2277wln 2278wln 2279

Page 69: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

With

reare vp’s head; His bleeding inward will kill him.HOR. You see hee is departed.COR. Let mee come to him; giue mee him as hee is, if hee

bee turn’d to earth; let mee but giue him one heartie kisse, andyou shall put vs both into one coffin: fetch a looking glass, seeif his breath will not staine it; or pull out some feathers frommy pillow, and lay them to his lippes, will you loose him for alittle paines taking? HOR. Your kindest office is to pray for him.

COR. Alas! I would not pray for him yet. Hee may liue tolay mee ith’ ground, and pray for mee, if you’l let mee cometo him.

BRA. Was this your handy­worke?FLA. It was my misfortune.COR. Hee lies, hee lies, hee did not kill him: these haue

kill’d him, that would not let him bee better look’t to.BRA. Haue comfort my greiu’d Mother.COR. O you scritch­owle. HOR. Forbeare, good Madam.COR. Let mee goe, let mee goe.

The God of heauen forgiue thee. Do’st not wonderI pray for thee? Ile tell thee what’s the reason,I haue scarce breath to number twentie minutes;Ide not spend that in cursing. Fare thee wellHalfe of thy selfe lies there: and maist thou liueTo fill an howre­glasse with his mouldred ashes,To tell how thou shouldst spend the time to comeIn blest repentance. BRA. Mother, pray tell meeHow came hee by his death? what was the quarrell?

COR. Indeed my yonger boy presum’d too muchVpon his manhood; gaue him bitter wordes;Drew his sword first; and so I know not how,For I was out of my wits, hee fell with’s headIust in my bosome. PAGE. This is not trew Madam.

COR. I pray thee peace.One arrow’s graz’d allready; it were vaineT’lose this: for that will nere bee found againe.

BRA. Go, beare the bodie to Cornelia’s lodging:And wee commaund that none acquaint our Dutchesse

img: 34­bsig: I4r

wln 2280wln 2281wln 2282wln 2283wln 2284wln 2285wln 2286wln 2287wln 2288wln 2289wln 2290 Enter Brachiano all armed, saue

the beauer, with

Flamineo.

wln 2291wln 2292wln 2293wln 2294wln 2295wln 2296wln 2297 Shee runes to Flamineo

with her

knif drawne and

comming to

him lets it fall.

wln 2298wln 2299wln 2300wln 2301wln 2302wln 2303wln 2304wln 2305wln 2306wln 2307wln 2308wln 2309wln 2310wln 2311wln 2312wln 2313wln 2314wln 2315wln 2316

Page 70: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Lodouico sprinckles Brachiano’s beuer with a poison.

Exeunt.

Charges and shoutes, They fight at Barriers;

first single paires, then three to three.

Enter Brachiano & Flamineo with others.

Enter Armorer.

Ent. 2 Physitians:

You

With this sad accident: for you Flamineo,Hearke you, I will not graunt your pardon. FLA. No?

BRA. Onely a lease of your life. And that shall lastBut for one day. Thou shalt be forc’t each euening to renew it,or be hang’d. FLA. At your pleasure.

Your will is law now, Ile not meddle with it.BRA. You once did braue mee in your sisters lodging;

I’le now keepe you in awe for’t. Where’s our beauer?FRAN. Hee cals for his destruction. Noble youth,

I pitty thy sad fate. Now to the barriers.This shall his passage to the blacke lake further,The last good deed hee did, he pardon’d murther.

BRA. An Armorer? uds’ death an Armorer?FLA. Armorer; where’s the Armorer?BRA. Teare off my beauer. FLA. Are you hurt, my Lord?BRA. O my braine’s on fire,

The helmet is poison’d. ARM. My Lord vpon my soule.BRA. Away with him to torture.

There are some great ones that haue hand in this,And neere about me. VIT. O my loued Lord, poisoned?

FLA. Remoue the barre: heer’s vnfortunate reuls,Call the Physitions; a plague vpon you;Wee haue to much of your cunning here already.I feare the Embassadours are likewise poyson’d.

BRA. Oh I am gone already: the infectionFlies to the braine and heart. O thou strong heart!There’s such a couenant ’tweene the world and it,They’re loath to breake. GIO. O my most loued father!

BRA. Remoue the boy away,Where’s this good woman? had I infinite worldsThey were too little for thee. Must I leaue thee?What say you scritch­owles, is the venomne mortall?

PHYS. Most deadly. BRA. Most corrupted pollitick hangmā!

img: 35­asig: I4v

wln 2317wln 2318wln 2319wln 2320wln 2321wln 2322wln 2323wln 2324wln 2325wln 2326wln 2327wln 2328wln 2329wln 2330wln 2331wln 2332wln 2333wln 2334wln 2335wln 2336wln 2337wln 2338wln 2339wln 2340wln 2341wln 2342wln 2343wln 2344wln 2345wln 2346wln 2347wln 2348wln 2349wln 2350wln 2351wln 2352wln 2353

Page 71: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exeunt but Francisco and Flamineo.

K FRA.

You kill without booke; but your art to saueFailes you as oft, as great mens needy friends.I that haue giuen life to offending slauesAnd wretched murderers, haue I not powerTo lengthen mine owne a twelue­month?Do not kisse me, for I shall poyson thee.This vnction is sent from the great Duke of Florence.

FRA. Sir bee of comfort,BRA. O thou soft naturall death, that art ioint­twin,

To sweetest slumber: no rough­bearded Comet,Stares on thy milde departure: the dull OwleBeates not against thy casement: the hoarse wolfeSents not thy carion. Pitty windes thy coarse,Whilst horrour waights on Princes. VIT. I am lost for euer.

BRAC. How miserable a thing it is to die,’Mongst women howling! What are those. FLA. Franciscans.They haue brought the extreame vnction.

BRA. On paine of death, let no man name death to me,It is a word infinitely terrible,Withdraw into our Cabinet

FLA. To see what solitarinesse is about dying Princes. Asheretofore they haue vnpeopled Townes; diuorst friends, andmade great houses vnhospitable: so now, ô iustice! where aretheir flatterers now? Flatterers are but the shadowes of Princesbodies the least thicke cloud makes them inuisible.

FRA. There’s great moane made for him.FLA. ’Faith, for some few howers salt water will runne most

plentifully in euery Office o’th Court. But beleeue it; most ofthem do but weepe ouer their step­mothers graues.

FRA. How meane you?FLA. Why? They dissemble, as some men doe that liue

within compasse o’th verge.FRA. Come you haue thriu’d well vnder him.FLA. ’Faith, like a wolfe in a womans breast; I haue beene

fed with poultry; but for money, vnderstand me, I had as good awill to cosen him, as e’re an Officer of them all. But I had notcunning enough to doe it.

img: 35­bsig: K1r

wln 2354wln 2355wln 2356wln 2357wln 2358wln 2359wln 2360wln 2361wln 2362wln 2363wln 2364wln 2365wln 2366wln 2367wln 2368wln 2369wln 2370wln 2371wln 2372wln 2373wln 2374wln 2375wln 2376wln 2377wln 2378wln 2379wln 2380wln 2381wln 2382wln 2383wln 2384wln 2385wln 2386wln 2387wln 2388wln 2389wln 2390

Page 72: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Lodouico.

Still

FRAN. What did’st thou thinke of him; ’faith speake freely.FLA. Hee was a kinde of States­man, that would sooner

haue reckond how many Cannon bullets he had dischargedagainst a Towne, to count his expence that way, than how manyof his valiant and deseruing subiects hee lost before it.

FRAN. O, speake well of the Duke. FLA. I haue done.Will’t heare some of my Court wisedome?To reprehend Princes is dangerous: and to ouer­commend someof them is palpable lying. FRAN. How is it with the Duke?

LOD. Most deadly ill.Hee’s fall’n into a strange distraction.Hee talkes of Battailes and Monopolies,Leuying of taxes, and from that descendsTo the most brain­sicke language. His minde fastensOn twentie seuerall obiects, which confoundDeepe Sence with follie. Such a fearefull endMay teach some men that beare too loftie crest,Though they liue happiest, yet they dye not best.Hee hath conferr’d the whole State of the DukedomeVpon your sister, till the Prince arriueAt mature age. FLA. There’s some good lucke in that yet.

FRAN. See heere he comes.There’s death in’s face allready.

VIT. O my good Lord! BRA. Away, you haue abus’d mee.You haue conuayd coyne forth our territories;Bought and sold offices; oppres’d the poore,And I nere dreampt on’t. Make vp your accountes;Ile now bee mine owne Steward. FLA. Sir, haue patience.

BRA. Indeed I am too blame.For did you euer heare the duskie rauenChide blacknesse? or wast euer knowne, the diuellRaild against clouen Creatures. VIT. O my Lord!

BRA. Let mee haue some quailes to supper. FLA. Sir, you shal.BRA. No: some fried dog­fish. Your Quailes feed on poison,

That old dog­fox, that Polititian Florence,Ile forsweare hunting and turne dog­killer;Rare! Ile bee frindes with him. for marke you, sir, one dog

img: 36­asig: K1v

wln 2391wln 2392wln 2393wln 2394wln 2395wln 2396wln 2397wln 2398wln 2399wln 2400wln 2401wln 2402wln 2403wln 2404wln 2405wln 2406wln 2407wln 2408wln 2409wln 2410wln 2411wln 2412 Enter Brachiano, presented in a bed

Uittoria and others.wln 2413wln 2414wln 2415wln 2416 These speches

are seuerallkinds of di­stractions andin the actionshould ap­peare so.

wln 2417wln 2418wln 2419wln 2420wln 2421wln 2422wln 2423wln 2424wln 2425wln 2426wln 2427

Page 73: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

K2 It

Still sets another a barking: peace, peace,Yonder’s a fine slaue come in now. FLA. Where?

BRA. Why there.In a blew bonnet, and a paire of breechesWith a great codpeece. Ha, ha, ha,Looke you his codpeece is stucke full of pinnesWith pearles o’th head of them. Doe not you know him?

FLA. No, my Lord. BRA. Why ’tis the Deuill.I know him by a great rose he weares on’s shooeTo hide his clouen foot. Ile dispute with him.Hee’s a rare linguist. VIT. My Lord heer’s nothing.

BRA. Nothing? rare! nothing! when I want monie,Our treasurie is emptie; there is nothing,Ile not bee vs’d thus. VIT. O! ’ly still, my Lord

BRA. See, see, Flamineo that kill’d his brotherIs dancing on the ropes there: and he carriesA monie­bag in each hand, to keepe him euen,For feare of breaking’s necke. And there’s a LawyerIn a gowne whipt with veluet, stares and gapesWhen the mony will fall. How the rogue cuts capers!It should haue bin in a halter.’Tis there; what’s shee? FLA. Uittoria, my Lord.

BRA. Ha, ha, ha. Her haire is sprinckled with Arras powder,that makes her looke as if she had sinn’d in the Pastrie. What’shee? FLA. A Diuine my Lord.

BRA. Hee will bee drunke: Auoid him: th’ argument isfearefull when Church­men stagger in’t.Looke you; six gray rats that haue lost their tailes, crall vp thepillow, send for a Rat­cather.Ile doe a miracle: Ile free the CourtFrom all foule vermin. Where’s Flamineo?

FLA. I doe not like that hee names mee so often,Especially on’s death­bed: ’tis a signeI shall not liue long: see hee’s neere his end.

LOD. Pray giue vs leaue; Attende Domine Brachiane,FLA. See, see, how firmely hee doth fixe his eye

Vpon the Crucifix. VIT. O hold it constant.

img: 36­bsig: K2r

wln 2428wln 2429wln 2430wln 2431wln 2432wln 2433wln 2434wln 2435wln 2436wln 2437wln 2438wln 2439wln 2440wln 2441wln 2442wln 2443wln 2444wln 2445wln 2446wln 2447wln 2448wln 2449wln 2450wln 2451wln 2452wln 2453wln 2454 Brachiano

seemes heare

neare his end.

Lodouico &

Gasparo in

the habit of

Capuchins

present him

in his bed

with a Cru­

cifix and hal­

lowed candle.

wln 2455wln 2456wln 2457wln 2458wln 2459wln 2460wln 2461wln 2462wln 2463wln 2464

Page 74: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

BRA.

It settles his wild spirits; and so his eiesMelt into teares.

LOD. Domine Brachiane, solebas in bello tutus esse tuo clypeo,

nùnc hunc clypeum hosti tuo opponas infernali.

GAS. Olim hasta valuisti in bello; nùnc hanc sacram hastam vi­

brabis contra hostem animarum.

LOD. Attende Domine Brachiane si nunc quòque probas ea quæ

acta sunt inter nos, flecte Caput in dextrum.

GAS. Esto securus Domine Brachiane: cogita quantum habeas

meritorum denique memineris meam animam pro tua oppignoratem si

quid esset periculi.

LOD. Si nùnc quoque probas ea quæ acta sunt inter nos, flecte ca­

put in leuum.

Hee is departing: pray stand all apart,And let vs onely whisper in his earesSome priuate meditations, which our orderPermits you not to heare. GAS. Brachiano.

LOD. Deuill Brachiano.Thou art damn’d. GAS. Perpetually.

LOD. A slaue condemn’d, and giuen vp to the gallowesIs thy great Lord and Master. GAS. True: for thouArt giuen vp to the deuill. LOD. O you slaue!You that were held the famous Pollititian;Whose art was poison. GAS. And whose conscience murder.

LOD. That would haue broke your wiues necke downe thestaires ere she was poison’d. GAS. That had your villanous

LOD. And fine imbrodered bottles,And perfumesEqually mortall with a winter plague

GAS. Now there’s Mercarie. LOD. And copperesseGAS. And quicke­siluer.LOD. With other deuelish potticarie stuffe

A melting in your polliticke braines: do’st heare.GAS. This is Count Lodouico. LOD. This Gasparo.

And thou shalt die like a poore rogue. GAS. And stinkeLike a dead flie­blowne dog.

LOD. And be forgotten before thy funerall sermon.

img: 37­asig: K2v

wln 2465wln 2466wln 2467 [*]y the Cru­

[**]fixwln 2468wln 2469wln 2470 By the Ho­

[***]wed taper.wln 2471wln 2472wln 2473wln 2474wln 2475wln 2476wln 2477wln 2478wln 2479wln 2480 Heare the rest

being departed Lo­

douico and Gasparo discouer them­

selues.

wln 2481wln 2482wln 2483wln 2484wln 2485wln 2486wln 2487wln 2488wln 2489wln 2490

(salletswln 2491wln 2492wln 2493wln 2494wln 2495wln 2496wln 2497wln 2498wln 2499wln 2500wln 2501

Page 75: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Vittoria and the attend.

Brachiano is strangled

Exit Vittoria.

K3 Not

BRA. Uittoria? Uittoria! LOD. O the cursed deuill,Come to himselfe a gaine. Wee are vndone.

GAS. Strangle him in priuate. What? will you call him To liue in treble torments? for charitie,For Christian charitie, auoid the chamber.

LOD. You would prate, Sir. This is a true­loue knotSent from the Duke of Florence.

GAS. What is it done?LOD. The snuffe is out. No woman­keeper i’th’ world,

Though shee had practis’d seuen yere at the Pest­house,Could haue done’t quaintlyer. My Lordes hee’s dead.

OMN. Rest to his soule.VIT. O mee! this place is hell.FLO. How heauily shee takes it. FLA. O yes, yes;

Had women nauigable riuers in their eiesThey would dispend them all; surely I wonderWhy wee should wish more riuers to the Cittie,When they sell water so good cheape. Ile tell thee,These are but Moonish shades of greifes or feares,There’s nothing sooner drie than womens teares.Why heere’s an end of all my haruest, hee has giuen mee nothingCourt promises! Let wisemen count them curstFor while you liue hee that scores best paies worst.

FLO. Sure, this was Florence doing. FLA. Very likelie.Those are found waightie strokes which come from th’hand,But those are killing strokes which come from th’head.O the rare trickes of a Machiuillian!Hee doth not come like a grosse plodding slaueAnd buffet you to death: No, my quaint knaue,Hee tickles you to death; makes you die laughing;As if you had swallow’d downe a pound of saffronYou see the seat, ’tis practis’d in a triceTo teach Court­honestie, it iumpes on Ice.

FLO. Now haue the people libertie to talkeAnd descant on his vices. FLA. Miserie of Princes,That must of force bee censur’d by their slaues!

img: 37­bsig: K3r

wln 2502wln 2503wln 2504wln 2505

(againe

wln 2506wln 2507wln 2508wln 2509wln 2510wln 2511wln 2512wln 2513wln 2514wln 2515wln 2516wln 2517wln 2518wln 2519wln 2520wln 2521wln 2522wln 2523wln 2524wln 2525wln 2526wln 2527wln 2528wln 2529wln 2530wln 2531wln 2532wln 2533wln 2534wln 2535wln 2536wln 2537wln 2538

Page 76: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit Flamineo.

Enter the Moore.

MOORE.

Not onely blam’d for doing things are ill,But for not doing all that all men will.One were better be a thresher.Vds’death, I would faine speake with this Duke yet.

FLO. Now hee’s dead?FLAM. I cannot coniure; but if praiers or oathes

VVill get to th’speech of him: though forty deuilsVVaight on him in his liuery of flames,I’le speake to him, and shake him by the hand,Though I bee blasted. FRA Excellent Lodouico!VVhat? did you terrifie him at the last gaspe?

LOD. Yes; and so idely, that the Duke had likeT’haue terrified vs. FRA. How?

LOD. You shall heare that heareafter,See! yon’s the infernall, that would make vp sport.Now to the reuelation of that secret,Shee promi’st when she fell in loue with you.

FLO. You’re passionately met in this sad world.MOO. I would haue you look vp, Sir; these Court teares

Claime not your tribute to them. Let those weepeThat guiltily pertake in the sad cause.I knew last night by a sad dreame I hadSome mischiefe would insue; yet to say truthMy dreame most concern’d you.

LOD. Shal’s fall a dreaming?FRA. Yes, and for fashion sake Ile dreame with her.MOO. Mee thought sir, you came stealing to my bed.FRA. VVilt thou beleeue me sweeting; by this light

I was a dreampt on thee too: for me thoughtI saw thee naked MOO. Fy sir! as I told you,Me thought you lay downe by me.

FRA. So drempt I;And least thou should’st take cold, I couer’d theeVVith this Irish mantle. MOO. Verily I did dreame,You were somewhat bold with me; but to come to’t.

LOD. How? how? I hope you will not go to’t here.FRA. Nay: you must heare my dreame out.

img: 38­asig: K3v

wln 2539wln 2540wln 2541wln 2542wln 2543wln 2544wln 2545wln 2546wln 2547wln 2548wln 2549wln 2550wln 2551wln 2552wln 2553wln 2554wln 2555wln 2556wln 2557wln 2558wln 2559wln 2560wln 2561wln 2562wln 2563wln 2564wln 2565wln 2566wln 2567wln 2568wln 2569wln 2570wln 2571wln 2572wln 2573wln 2574wln 2575

Page 77: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit the Moore.

Enter Moore.

Purge

MOORE. VVell, sir, forth.FRA. VVhen I threw the mantle ore thee, thou didst laugh

Exceedingly me thought. MOORE. Laugh?FLA. And cridst out,

The haire did tickle thee. MOO. There was a dreame indeed.LOD. Marke her I prethee, shee simpers like the suddes

A Collier hath bene washt in.MOO. Come, sir; good fortune tends you; I did tell you

I would reueale a secret, IsabellaThe Duke of Florence sister was impoison’d,By a ’fum’d picture: and Camillo’s neckeWas broke by damn’d Flamineo; the mischanceLaid on a vaulting horse. FRA. Most strange!

MOO. Most true. LOD. The bed of snakes is broke.MOO. I sadly do confesse I had a hand

In the blacke deed.FRA. Thou kepts their counsell, MOO. Right,

For which, vrg’d with contrition, I intendThis night to rob Vittoria. LOD. Excellent penitence!Vsurers dreame on’t while they sleepe out Sermons.

MOO. To further our escape, I haue entreatedLeaue to retire me, till the funerall,Vnto a friend i’th country. That excuseWill further our escape, In coine and iewelsI shall, at least, make good vnto your vseAn hundred thousand crowns. FRA. O noble wench!

LOD. Those crownes we’le share. MOO. It is a dowry,Me thinkes, should make that sun­burnt prouerbe false,And wash the Ethiop white. FRA. It shall, away

MOO. Be ready for our flight. FRA. An howre ’fore day.O strange discouery! why till now we knew notThe circumstance of either of their deaths.

MOO. You’le waight about midnightIn the Chappel. FRA. There.

LOD. Why now our action’s iustified,FRA. Tush for iustice.

What harmes it Iustice? we now, like the partridge

img: 38­bsig: K4r

wln 2576wln 2577wln 2578wln 2579wln 2580wln 2581wln 2582wln 2583wln 2584wln 2585wln 2586wln 2587wln 2588wln 2589wln 2590wln 2591wln 2592wln 2593wln 2594wln 2595wln 2596wln 2597wln 2598wln 2599wln 2600wln 2601wln 2602wln 2603wln 2604wln 2605wln 2606wln 2607wln 2608wln 2609wln 2610wln 2611wln 2612

Page 78: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exeunt.

Enter Flam. and Gasp. at one dore, another way

Giouanni attended.

Exit Giou.

Enter Courtier.

in

Purge the disease with lawrell: for the fameShall crowne the enterprise and quit the shame.

GAS. The yong Duke: Did you e’re see a sweeter Prince?FLA. I haue knowne a poore womans bastard better fauor’d,

This is behind him: Now, to his face all cõparisons were hateful:Wise was the Courtly Peacocke, that being a great Minion, andbeing compar’d for beauty, by some dottrels that stood by, tothe Kingly Eagle, said the Eagle was a farre fairer bird thenherselfe, not in respect of her feathers, but in respect of her longTallants. His will grow out in time,My gratious Lord. GIO. I pray leaue mee Sir.

FLA. Your Grace must be merry: ’tis I haue cause to mourne,for wot you what said the little boy that rode behind his fatheron horsebacke? GIO. Why, what said hee?

FLA. When you are dead father (said he) I hope then I shallride in the saddle, O ’tis a braue thing for a man to sit by himselfe:he may stretch himselfe in the stirrops, looke about, and see thewhole compasse of the Hemisphere, you’re now, my Lord, ithsaddle. GIO. Study your praiers, sir, and be penitent,’Twere fit you’d thinke on what hath former bin,I haue heard griefe nam’d the eldest child of sinne.

FLA. Study my praiers? he threatens me diuinely,I am falling to peeces already, I care not, though, like AnacharsisI were pounded to death in a mortar. And yet that death werefittter for Vsurers gold and themselues to be beaten together, tomake a most cordiall cullice for the deuill.He hath his vnckles villanous looke already,In dicimo sexto. Now sir, what are you?

COVR It is the pleasure sir, of the yong DukeThat you forbeare the Presence, and all roome,That owe him reuerence.

FLAM. So, the wolfe and the rauen are very pretty fools whenthey are yong. Is it your office, sir, to keepe me out?

COVR. So the Duke wils.FLA. Verely, Maister Courtier, extreamity is not to bee vsed

img: 39­asig: K4v

wln 2613wln 2614wln 2615wln 2616wln 2617wln 2618wln 2619wln 2620wln 2621wln 2622wln 2623wln 2624wln 2625wln 2626wln 2627wln 2628wln 2629wln 2630wln 2631wln 2632wln 2633wln 2634wln 2635wln 2636wln 2637wln 2638wln 2639wln 2640wln 2641wln 2642wln 2643wln 2644wln 2645wln 2646wln 2647wln 2648wln 2649

Page 79: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Florence.

Cornelia, the Moore and 3. other Ladies discouered, winding

Marcello’s Coarse. A song.

L Hath

in all offices: Say that a gentlewoman were taken out of herbed about midnight, and committed to Castle Angelo, to theTower yonder, with nothing about her, but her smocke: wouldit not shew a cruell part in the gentleman porter to lay clame toher vpper garment, pull it ore her head and eares; and put her innak’d? COVR. Very good: you are merrie

FLA. Doth hee make a Court eiectment of mee? A flamingfirebrand casts more smoke without a chimney, then withint. Ilesmoore some of them.How now? Thou hart sad.

FRAN. I met euen now with the most pitious sight.FLA. Thou metst another heare a pittifull

Degraded Courtier. FRAN. Your reuerend motherIs growne a very old woman in two howers.I found them winding of Marcello’s coarse;And there is such a solemne melodie’Tweene dolefull songes, teares, and sad elegies:Such, as old grandames, watching by the dead,Were wont t’out­weare the nights with; that beleeue meeI had no eies to guide mee forth the roome,They were so ore­charg’d with water. FLA. I will see them.

FRAN. ’Twere much vncharety in you: for your sightWill adde vnto their teares. FLA. I will see them.They are behind the trauers. Ile discouerTheir superstitious howling.

COR. This rosemarie is wither’d, pray get fresh;I would haue these herbes grow vp in his graueWhen I am dead and rotten. Reach the bayes,Ile tye a garland heere about his head:’Twill keepe my boy from lightning. This sheetI haue kept this twentie yere, and euerie daieHallow’d it with my praiers, I did not thinkeHee should haue wore it. MOO. Looke you; who are yonder.

COR. O reach mee the flowers.MOO. Her Ladiships foolish. WOM. Alas! her grief

img: 39­bsig: L1r

wln 2650wln 2651wln 2652wln 2653wln 2654wln 2655wln 2656wln 2657wln 2658wln 2659wln 2660wln 2661wln 2662wln 2663wln 2664wln 2665wln 2666wln 2667wln 2668wln 2669wln 2670wln 2671wln 2672wln 2673wln 2674wln 2675wln 2676wln 2677wln 2678wln 2679wln 2680wln 2681wln 2682wln 2683wln 2684wln 2685wln 2686

Page 80: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

to Flamineo.

Exeunt Cornelia and Ladies.

I can­

Hath turn’d her child againe. COR. You’re very wellcome.There’s Rosemarie for you, and Rue for you,Hearts­ease for you. I pray make much of it.I haue left more for my selfe. FRAN. Ladie, who’s this?

COR. You are, I take it, the graue­maker. FLA. So.MOO. ’Tis Flamineo.COR. Will you make mee such a foole? heere’s a white hand:

Can bloud so soone bee washt out? Let mee see,When scritch­howles croke vpon the chimney tops,And the strange Cricket ith ouen singes and hoppes,When yellow spots doe on your handes appeare,Bee certaine then you of a Course shall heare.Out vpon’t, how ’tis speckled! h’as handled a toad sure.Couslep­water is good for the memorie: pray buy mee 3. oun­ces of’t. FLA. I would I were from hence. COR. Do you heere, Ile giue you a saying which my grandmother Was wont, when she heard the bell tolle, to sing ore vnto her lute

FLA. Doe and you will, doe.COR. Call for the Robin­Red­brest and the wren,

Since ore shadie groues they houer,

And with leaues and flowres doe couer

The friendlesse bodies of vnburied men.

Call vnto his funerall Dole

The Ante, the field­mouse, and the mole

To reare him hillockes, that shall keepe him warme,

And (when gay tombes are rob’d) sustaine no harme,

But keepe the wolfe far thence: that’s foe to men,

For with his nailes hee’l dig them vp agen.

They would not bury him ’cause hee died in a quarrellBut I haue an answere for them.Let holie Church receiue him duly

Since hee payd the Church tithes truly.

His wealth is sum’d, and this is all his store:This poore men get; and great men get no more.Now the wares are gone, wee may shut vp shop.Blesse you all good people,

FLA. I haue a strange thing in mee, to th’ which

img: 40­asig: L1v

wln 2687wln 2688wln 2689wln 2690wln 2691wln 2692wln 2693wln 2694wln 2695wln 2696wln 2697wln 2698wln 2699wln 2700wln 2701

(sir?wln 2702wln 2703wln 2704wln 2705wln 2706 Cornelia doth this

in seuerall formes

of distraction.

wln 2707wln 2708wln 2709wln 2710wln 2711wln 2712wln 2713wln 2714wln 2715wln 2716wln 2717wln 2718wln 2719wln 2720wln 2721wln 2722wln 2723

Page 81: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Exit Francisco.

Exit.

Enter Francisco, Lodouico, and Hortensio.

L2 LOD.

I cannot giue a name, without it beeCompassion, I pray leaue mee.This night Ile know the vtmost most of my fate,Ile bee resolu’d what my rich sister meanesT’assigne mee for my seruice: I haue liu’dRiotously ill, like some that liue in Court.And sometimes, when my face was full of smilesHaue felt the mase of conscience in my brest.Oft gay and honour’d robes those tortures trie,„Wee thinke cag’d birds sing, when indeed they crie.Ha! I can stand thee. Neerer, neerer yet. Enter Brachia. Ghost.What a mockerie hath death made of thee? thou look’st sad.In what place art thou? in yon starrie gallerie,Or in the cursed dungeon? No? not speake?Pray, Sir, resolue mee, what religions bestFor a man to die in? or is it in your knowledgeTo answere mee how long I haue to liue?That’s the most necessarie question.Not answere? Are you still like some great menThat onely walke like shadowes vp and downe,And to no purpose: say: —What’s that? O fatall! hee throwes earth vpon mee.A dead mans scull beneath the rootes of flowers.I pray speake Sir, our Italian Church­menMake vs beleue, dead men hold conferenceWith their familiars, and many timesWill come to bed to them, and eat with them.Hee’s gone; and see, the scull and earth are vanisht.This is beyond melancholie. I doe dare my fateTo doe its worst. Now to my sisters lodging,And summe vp all these horrours; the disgraceThe Prince threw on mee; next the pitious sightOf my dead brother; and my Mothers dotage;And last this terrible vision. All theseShall with Vittoria’s bountie turne to good,Or I will drowne this weapon in her blood.

img: 40­bsig: L2v

wln 2724wln 2725wln 2726wln 2727wln 2728wln 2729wln 2730wln 2731wln 2732wln 2733wln 2734 In his lea­

ther Cassoc[*]& breeches

bootes, a coo[*]a pot of lilly

flowers with

a scull int.

wln 2735wln 2736wln 2737wln 2738wln 2739wln 2740wln 2741wln 2742wln 2743wln 2744 The Ghost

throwes ear[**]vpon him a[**]

shewes him

the scull.

wln 2745wln 2746wln 2747wln 2748wln 2749wln 2750 Exit Ghost.

wln 2751wln 2752wln 2753wln 2754wln 2755wln 2756wln 2757wln 2758wln 2759wln 2760

Page 82: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

VIT.

LOD. My Lord vpon my soule you shall no further:You haue most ridiculously ingag’d your selfeToo far allready. For my part, I haue paydAll my debts, so if I should chance to fallMy Creditours fall not with mee; and I vowTo quite all in this bold assemblieTo the meanest follower. My Lord leaue the Cittie,Or Ile forsweare the murder.

FRAN. Farewell Lodouico.If thou do’st perish in this glorious act,Ile reare vnto thy memorie that fameShall in the ashes keepe aliue thy name.

HOR. There’s some blacke deed on foot. Ile presentlyDowne to the Citadell, and raise some force.These strong Court factions that do brooke no checks,In the cariere of’t breake the Riders neckes.

FLA. What are you at your prayers? Giue o’re.VIT. How Ruffin?FLA. I come to you ’bout worldly businesse:

Sit downe, sit downe: Nay stay blouze, you may heare it,The dores are fast inough. VIT. Ha, are you drunke?

FLA. Yes, yes, with wormewood water, you shall tastSome of it presently. VIT. What intends the fury?

FLA. You are my Lords Executrix, and I claimeReward, for my long seruice. VIT. For your seruice

FLA. Come therfore heere is pen and Inke, set downeWhat you will giue me.

VIT. There, FLA. Ha! haue you done already,’Tis a most short conueyance. VIT. I will read it.I giue that portion to thee, and no otherWhich Caine gron’d vnder hauing slaine his brother.

FLA. A most courtly Pattent to beg by.VIT. You are a villaine.FLV. Is’t come to this? the say affrights cure agues:

Thou hast a Deuill in thee; I will tryIf I can scarre him from thee: Nay sit still:My Lord hath left me yet two case of IewelsShall make me scorne your bounty; you shall see thē.

img: 41­asig: L2v

wln 2761wln 2762wln 2763wln 2764wln 2765wln 2766wln 2767wln 2768wln 2769wln 2770wln 2771wln 2772wln 2773wln 2774wln 2775wln 2776wln 2777 Enter Vitto­

ria with abooke in herhand. Zanke,Flamineo,followingthem.

wln 2778wln 2779wln 2780wln 2781wln 2782wln 2783wln 2784wln 2785wln 2786wln 2787wln 2788 Shee writes.wln 2789wln 2790wln 2791wln 2792wln 2793wln 2794wln 2795wln 2796wln 2797wln 2798

Page 83: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Which

VIT. Sure hee’s distracted. ZAN. O he’s desperateFor your owne safety giue him gentle language.

FLA. Looke, these are better far at a dead lift,Then all your iewell house. VIT. And yet mee thinkes,These stones haue no faire lustre, they are ill set.

FLA. I’le turne the right side towards you: you shall seehow the will sparkle. VIT. Turne this horror from mee:What do you want? what would you haue mee doe?Is not all mine, yours? haue I any children?

FLA. Pray theee good woman doe not trouble meeWith this vaine wordly businesse; say your prayers,I made a vow to my deceased Lord,Neither your selfe, nor I should out­liue him,The numbring of foure howers. VIT. Did he enioyne it.

FLA. He did, and ’twas a deadly iealousy,Least any should enioy thee after him;That vrg’d him vow me to it: For my deathI did propound it voluntarily, knowingIf hee could not be safe in his owne CourtBeing a great Duke, what hope then for vs?

VIT. This is your melancholy and dispaire. FLA. Away,Foole, thou art to thinke that PolititiansDo vse to kill the effects of iniuriesAnd let the cause liue: shall we groane in irons,Or be a shamefull and a waighty burthenTo a publicke scaffold: This is my resolueI would not liue at any mans entreatyNor dye at any’s bidding. VIT. Will you heare me?

FLA. My life hath done seruice to other men,My death shall serue mine owne turne; make you ready

VIT. Do you meane to die indeed.FLA. With as much pleasure

As e’re my father gat me. VIT. Are the dores lockt?ZAN. Yes Madame.VIT. Are you growne an Atheist? will you turne your body,

Which is the goodly pallace of the souleTo the soules slaughter house? ô the cursed Deuill

img: 41­bsig: L3r

wln 2799 He enterwith twoof pistols.

wln 2800wln 2801wln 2802wln 2803wln 2804wln 2805wln 2806wln 2807wln 2808wln 2809wln 2810wln 2811wln 2812wln 2813wln 2814wln 2815wln 2816wln 2817wln 2818wln 2819wln 2820wln 2821wln 2822wln 2823wln 2824wln 2825wln 2826wln 2827wln 2828wln 2829wln 2830wln 2831wln 2832wln 2833wln 2834wln 2835

Page 84: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Two

Which doth present vs with all other sinnesThrice candied ore; Despaire with gaule and stibium,Yet we carouse it off; Cry out for helpe,Makes vs forsake that which was made for Man,The world, to sinke to that was made for deuils,Eternall darkenesse. ZAN. Helpe, helpe. FLA. I’le stop your With Winter plums, VIT. I prethee yet remember,Millions are now in graues, which at last dayLike Mandrakes shall rise shreeking. FLA. Leaue your prating,For these are but grammaticall laments,Feminine arguments, and they moue meAs some in Pulpits moue their AuditoryMore with their exclamation then senceOf reason, or sound Doctrine. ZAN. Gentle MadamSeeme to consent, onely perswade him teachThe way to death; let him dye first.

VIT. ’Tis good, I apprehend it,To kill one’s selfe is meate that we must takeLike pils, not chew’t, but quickly swallow it,The smart a’th wound, or weakenesse of the handMay else bring trebble torments. FLA. I haue held itA wretched and most miserable life,Which is not able to dye. VIT. O but frailty!Yet I am now resolu’d, farewell affliction;Behold Brachiano, I that while you liu’dDid make a flaming Altar of my heartTo sacrifice vnto you; Now am readyTo sacrifice heart and all. Fare­well Zanche.

ZAN. How Madam! Do you thinke that I’le out­liue you?Especially when my best selfe FlamineoGoes the same voiage. FLA. O most loued Moore!

ZAN. Onely by all my loue let me entreat you;Since it is most necessary none of vsDo violence on our selues; let you or IBe her sad taster, teach her how to dye.

FLA. Thou dost instruct me nobly, take these pistols,Because my hand is stain’d with bloud already:

img: 42­asig: L3v

wln 2836wln 2837wln 2838wln 2839wln 2840wln 2841

(throatewln 2842wln 2843wln 2844wln 2845wln 2846wln 2847wln 2848wln 2849wln 2850wln 2851wln 2852wln 2853wln 2854wln 2855wln 2856wln 2857wln 2858wln 2859wln 2860wln 2861wln 2862wln 2863wln 2864wln 2865wln 2866wln 2867wln 2868wln 2869wln 2870wln 2871wln 2872

Page 85: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

VIT.

Two of these you shall leuell at my brest,Th’other gainst your owne, and so we’le dye,Most equally contented: But first sweareNot to out­liue me. VIT. & MOO. Most religiously.

FLA. Then here’s an end of me: fare­well day­lightAnd ô contemtible Physike! that dost takeSo long a study, onely to preserueSo short a life, I take my leaue of thee.These are two cupping­glasses, that shall drawAll my infected bloud out,Are you ready? BOTH. Ready.

FLA. Whither shall I go now? O Lucian thy ridiculous Pur­gatory to finde Alexander the great cobling shooes, Pompey tag­ging points, and Iulius Cæsar; making haire buttons, Haniball sel­ling blacking, and Augustus crying garlike, Charlemaigne sellinglists by the dozen, and King Pippin crying Apples in a cart drawnwith one horse.Whether I resolue to Fire, Earth, water, Aire,Or all the Elements by scruples; I know notNor greatly care, — Shoote, shoote,Of all deaths the violent death is best,For from our selues it steales our selues so fastThe paine once apprehended is quite past.

VIT. What are you drop’t.FLA. I am mixt with Earth already: As you are Noble

Performe your vowes, and brauely follow mee.VIT. Whither to hell, ZAN. To most assured damnation.VIT. O thou most cursed deuill. ZAN. Thou art caughtVIT. In thine owne Engine, I tread the fire out

That would haue bene my ruine.FLA. Will you be periur’d? what a religious oath was Stix

that the Gods neuer durst sweare by and violate? ô that wee hadsuch an oath to minister, and to be so well kept in our Courts ofIustice. VIT. Thinke whither thou art going. ZAN. And remēberWhat villanies thou hast acted. VIT. This thy death,Shall make me like a blazing ominous starre,Looke vp and tremble. FLA. O I am caught with a springe!

img: 42­bsig: L4r

wln 2873wln 2874wln 2875wln 2876wln 2877wln 2878wln 2879wln 2880wln 2881 Shewing t[**]

pistols.wln 2882wln 2883wln 2884wln 2885wln 2886wln 2887wln 2888wln 2889wln 2890wln 2891wln 2892wln 2893wln 2894 They shoot

and run to

him & tr[**]vpon him.

wln 2895wln 2896wln 2897wln 2898wln 2899wln 2900wln 2901wln 2902wln 2903wln 2904wln 2905wln 2906wln 2907wln 2908wln 2909

Page 86: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Enter Lod. Gasp. Pedro, Carlo.

Church­men

VIT. You see the Fox comes many times short home,’Tis here prou’d true. FLA. Kild with a couple of braches.

VIT. No fitter offring for the infernall furiesThen one in whom they raign’d while hee was liuing.

FLA. O the waies darke and horrid! I cannot see,Shall I haue no company? VIT. O yes thy sinnes,Do runne before thee to fetch fire from hell,To light thee thither.

FLA. O I smell soote, most sinking soote, the chimneis a fire,My liuers purboil’d like scotch holly­bread;There’s a plumber, laying pipes in my guts, it scalds;Wilt thou out­liue mee? ZAN. Yes, and driue a stakeThrough thy body; for we’le giue it out,Thou didst this violence vpon thy selfe.

FLA. O cunning Deuils! now I haue tri’d your loue,And doubled all your reaches. I am not wounded:The pistols held no bullets: ’twas a plotTo proue your kindnesse to mee; and I liueTo punish your ingratitude, I knewOne time or other you would finde a wayTo giue me a strong potion, ô MenThat lye vpon your death­beds, and are hauntedWith howling wiues, neere trust them, they’le re­marryEre the worme peirce your winding sheete: ere the SpiderMake a thinne curtaine for your Epitaphes.How cunning you were to discharge? Do you practise atthe Artillery yard? Trust a woman; neuer, neuer; Brachiano beemy president: we lay our soules to pawne to the Deuill for a lit­tle pleasure, and a woman makes the bill of sale. That euer manshould marry! For one Hypermnestra that sau’d her Lord andhusband, forty nine of her sisters cut their husbands throates allin one night. There was a shole of vertuous horse­leeches.Here are two other Instruments.

VIT. Helpe, helpe.FLA. What noise is that? hah? falce keies i’th Court.LOD. We haue brought you a Maske. FLA. A matachine it

By your drawne swords.

img: 43­asig: L4v

wln 2910wln 2911wln 2912wln 2913wln 2914wln 2915wln 2916wln 2917wln 2918wln 2919wln 2920wln 2921wln 2922wln 2923wln 2924wln 2925 Flamineo

riseth.wln 2926wln 2927wln 2928wln 2929wln 2930wln 2931wln 2932wln 2933wln 2934wln 2935wln 2936wln 2937wln 2938wln 2939wln 2940wln 2941wln 2942wln 2943wln 2944wln 2945

(seemes,wln 2946

Page 87: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

M When’t

Chuch­men turn’d reuellers. CON. Isabella, Isabella,LOD. Doe you know vs now? FLA. Lodouico and Gasparo.LOD. Yes and that Moore the Duke gaue pention to

Was the great Duke of Florence. VIT. O wee are lost.FLA. You shall not take Iustice from forth my hands,

O let me kill her. — Ile cut my saftyThrough your coates of steele: Fate’s a Spaniell,Wee cannot beat it from vs: what remaines now?Let all that doe ill, take this president:Man may his Fate foresee, but not preuent.

And of all Axiomes this shall winne the prise,’Tis better to be fortunate then wise.

GAS. Bind him to the pillar. VIT. O your gentle pitty:I haue seene a black­bird that would sooner flyTo a mans bosome, then to stay the gripeOf the feirce Sparrow­hawke. GAS. Your hope deceiues you.

VIT. If Florence be ith Court, would hee would kill mee.GAS. Foole! Princes giue rewards with their owne hands,

But death or punishment by the handes of others.LOD. Sirha you once did strike mee, Ile strike you

Into the Center.FLA. Thoul’t doe it like a hangeman; a base hangman;

Not like a noble fellow, for thou seestI cannot strike againe. LOD. Dost laugh?

FLA. Wouldst haue me dye, as I was borne, in whining.GAS. Recommend your selfe to heauen.FLA. Noe I will carry mine owne commendations thither.LOD. Oh could I kill you forty times a day

And vs’t foure yeere together; ’tweare to little:Nought greeu’s but that you are to few to feedeThe famine of our vengeance. What dost thinke on?

FLA. Nothing; of nothing: leaue thy idle questions;I am ith way to study a long silence,To prate were idle, I remember nothing.Thers nothing of so infinit vexationAs mans owne thoughts. LOD. O thou glorious strumpet,Could I deuide thy breath from this pure aire

img: 43­bsig: M1r

wln 2947wln 2948wln 2949wln 2950wln 2951wln 2952wln 2953wln 2954wln 2955wln 2956wln 2957wln 2958wln 2959wln 2960wln 2961wln 2962wln 2963wln 2964wln 2965wln 2966wln 2967wln 2968wln 2969wln 2970wln 2971wln 2972wln 2973wln 2974wln 2975wln 2976wln 2977wln 2978wln 2979wln 2980wln 2981wln 2982wln 2983

Page 88: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Onely

When’t leaues thy body, I would sucke it vpAnd breath’t vpon some dunghill. VIT. You, my Deaths man;Me thinkes thou doest not looke horrid enough,Thou hast to good a face to be a hang­man,,If thou be doe thy office in right forme;Fall downe vpon thy knees and aske forgiuenesse.

LOD. O thou hast bin a most prodigious comet,But Ile cut of your traine: kill the Moore first.

VIT. You shall not kill her first. behould my breast,I will be waited on in death; my seruantShall neuer go before mee. GAS. Are you so braue.

VIT. Yes I shall wellcome deathAs Princes doe some great Embassadors; Ile meete thy weaponhalfe way. LOD. Thou dost tremble,Mee thinkes feare should dissolue thee into ayre.

VIT. O thou art deceiu’d, I am to true a woman:Conceit can neuer kill me: Ile tell thee what,I will not in my death shed one base teare,Or if looke pale, for want of blood, not feare.

CAR. Thou art my taske, blacke fury. ZAN. I haue bloodAs red as either of theirs; wilt drinke some?’Tis good for the falling sicknesse: I am proudDeath cannot alter my complexion,For I shall neere looke pale. LOD. Strike, strike,With a Ioint motion. VIT. ’Twas a manly blowThe next thou giu’st, murder some sucking Infant,And then thou wilt be famous. FLA. O what blade ist?A Toledo, or an English Fox.I euer thought a Cutler should distinguishThe cause of my death, rather then a Doctor.Search my wound deeper: tent it with the steele that made it.

VIT. O my greatest sinne lay in my blood.Now my blood paies for’t. FLA. Th’art a noble sisterI loue thee now; if woeman doe breed manShee ought to teach him manhood: Fare thee well.Know many glorious woemen that are fam’dFor masculine vertue, haue bin vitious

img: 44­asig: M1v

wln 2984wln 2985wln 2986wln 2987wln 2988wln 2989wln 2990wln 2991wln 2992wln 2993wln 2994wln 2995wln 2996wln 2997wln 2998wln 2999wln 3000wln 3001wln 3002wln 3003wln 3004wln 3005wln 3006wln 3007wln 3008wln 3009wln 3010wln 3011wln 3012wln 3013wln 3014wln 3015wln 3016wln 3017wln 3018wln 3019wln 3020

Page 89: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Vittoria dyes.

Dyes.

Enter Embassad: and Giouanni.

M2 ENG.

Onely a happier silence did betyde themShee hath no faults, who hath the art to hide them.

VIT. My soule, like to a ship in a blacke storme,Is driuen I know not whither. FLA. Then cast ancor.„Prosperity doth bewitch men seeming cleere,„But seas doe laugh, shew white, when Rocks are neere.„Wee cease to greiue, cease to be fortunes slaues,„Nay cease to dye by dying. Art thou gonneAnd thou so neare the bottome: falce reporteWhich saies that woemen vie with the nine MusesFor nine tough durable liues: I doe not lookeWho went before, nor who shall follow mee;Noe, at my selfe I will begin and end:„While we looke vp to heauen wee confound„Knowledge with knowledge. ô I am in a mist.

VIT. O happy they that neuer saw the Court,„Nor euer knew great Man but by report.

FLA, I recouer like a spent taper, for a flashAnd instantly go out.Let all that belong to Great men remember th’ ould wiues tra­dition, to be like the Lyons ith Tower on Candlemas day, tomourne if the Sunne shine, for feare of the pittifull remainder ofwinter to come.’Tis well yet there’s some goodnesse in my death,My life was a blacke charnell: I haue coughtAn euerlasting could. I haue lost my voiceMost irrecouerably: Farewell glorious villaines,„This busie trade of life appeares most vaine,„Since rest breeds rest, where all seeke paine by paine.Let no harsh flattering Bels resound my knell,Strike thunder, and strike lowde to my farewell.

ENG. and E. This way, this way, breake ope the doores, this way.LOD. Ha, are wee betraid;

Why then lets constantly dye all together,And hauing finisht this most noble deede,Defy the worst of fate; not feare to bleed.

img: 44­bsig: M2r

wln 3021wln 3022wln 3023wln 3024wln 3025wln 3026wln 3027wln 3028wln 3029wln 3030wln 3031wln 3032wln 3033wln 3034wln 3035wln 3036wln 3037wln 3038wln 3039wln 3040wln 3041wln 3042wln 3043wln 3044wln 3045wln 3046wln 3047wln 3048wln 3049wln 3050wln 3051wln 3052wln 3053wln 3054wln 3055wln 3056wln 3057

Page 90: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

Vittoria Corombona.

Hæc fuerint nobis præmia si placui.

FINIS.

ENG. Keepe backe the Prince, shoot, shoot,LOD. O I am wounded.

I feare I shall be tane. GIO. You bloudy villaines,By what authority haue you committedThis Massakre. LOD. By thine. GIO. Mine?

LOD. Yes, thy vnckle, which is a part of thee enioyn’d vs to’t:Thou knowst me I am sure, I am Cout Lodowicke,And thy most noble vnckle in disguiseWas last night in thy Court. GIO. Ha!

CAR. Yes, that Moore thy father chose his pentioner.GIO. He turn’d murderer;

Away with them to prison, and to torture;All that haue hands in this, shall tast our iustice,As I hope heauen. LOD. I do glory yet,That I can call this act mine owne: For my part,The racke, the gallowes, and the torturing wheeleShall bee but sound sleepes to me, here’s my rest„I limb’d this night­peece and it was my best.

GIO. Remoue the bodies, see my honoured Lord,what vse you ought make of their punishment.Let guilty men remember their blacke deedes,

Do leane on cruthes, made of slender reedes.

In stead of an Epilogue onely this of Martial sup­plies me.

For the action of the play, twas generally well, and I dare affir­me, with the Ioint testimony of some of their owne quality, (forthe true imitation of life, without striuing to make nature a mon­ster) the best that euer became them: whereof as I make a gene­rall acknowledgement, so in particular I must remember thewell approued industry of my freind Maister Perkins, and con­fesse the worth of his action did Crowne both the beginningand end.

img: 45­asig: M2v

wln 3058wln 3059wln 3060wln 3061wln 3062wln 3063wln 3064wln 3065wln 3066wln 3067wln 3068wln 3069wln 3070wln 3071wln 3072wln 3073wln 3074wln 3075wln 3076wln 3077wln 3078wln 3079

ln 0001ln 0002ln 0003

ln 0001ln 0002ln 0003ln 0004ln 0005ln 0006ln 0007ln 0008ln 0009

Page 91: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

img: 45­bsig: [N/A]

Page 92: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

1. 147 (5­b) : The regularized reading boy comes from the original boy, thoughpossible variants include be w’.

2. 183 (6­a) : The regularized reading Corombona is supplied for the originalCorom[***]a.

3. 342 (8­a) : The regularized reading frequently is amended from the originalfteqeuently.

4. 420 (9­a) : The regularized reading Monticelso is amended from the originalMountcelso.

5. 474 (10­a) : The regularized reading prey is amended from the original pery.6. 509 (10­b) : The regularized reading FRANCISCO is amended from theoriginal FLAN..

7. 517 (10­b) : The regularized reading FRANCISCO is amended from theoriginal FLAN..

8. 649 (12­a) : The regularized reading Monticelso is amended from the originalMontcello.

9. 841 (15­a) : The regularized reading Brachiano’s is amended from the originalBrachian’s.

10. 886 (15­b) : Erroneous speech prefix.11. 979 (16­b) : The regularized reading Monticelso is amended from the original

Montcelso.12. 1182 (19­b) : The regularized reading her comes from the original her, though

possible variants include he.13. 1253 (20­b) : Some editions move the semi­colon before ’heares’.14. 1254 (20­b) : Some editions give this line to Monticelso not Vittoria.15. 1515 (24­a) : This unusual stage direction is expanded in some editions to:

Enter Monticelso [and presents] Francisco with [a book].16. 1860 (28­b) : The regularized reading Gasparo is amended from the original

Gasper.17. 2003 (30­b) : The regularized reading will comes from the original will,

though possible variants include wills.18. 2047 (31­a) : The regularized reading FLAMINEO is amended from the

original FLV..19. 2061 (31­b) : The regularized reading Gasparo is amended from the original

Gaspar.20. 2222 (33­b) : The regularized reading ten comes from the original 10, though

possible variants include two.21. 2230 (33­b) : Erroneous speech prefix. Suggest: Francisco.22. 2239 (33­b) : Erroneous speech prefix. Suggest: Francisco.23. 2244 (34­a) : Erroneous speech prefix. Suggest: Francisco.24. 2248 (34­a) : The regularized reading Your comes from the original Your,

though possible variants include You.25. 2267 (34­a) : Some editions give Lodovico in place of Carlo.26. 2277 (34­a) : Some editions give this speech to Lodovico.27. 2456 (36­b) : The regularized reading Rat­catcher is amended from the

original Rat­cather.28. 2467 (37­a) : The regularized reading By is supplied for the original [*]y.29. 2467 (37­a) : The regularized reading Crucifix is supplied for the original

Cru[**]fix.

Textual Notes

Page 93: A Digital Anthology of Early Modern English Drama...img: 1b sig: A1r ln 0001 ln 0002 ln 0003 ln 0004 ln 0005 ln 0006 ln 0007 ln 0008 ln 0009 ln 0010 ln 0011 ln 0012 ln 0013 ln 0014

30. 2470 (37­a) : The regularized reading Hallowed is supplied for the originalHo[***]wed.

31. 2516 (37­b) : Florence is another name for Francisco de Medici, Duke ofFlorence.

32. 2557 (38­a) : Moor refers to Zanche.33. 2639 (39­a) : The regularized reading fitter is amended from the original

fittter.34. 2659 (39­b) : The regularized reading art is amended from the original hart.35. 2734 (40­b) : The regularized reading Cassock is supplied for the original

Cassoc[*].36. 2734 (40­b) : The regularized reading cowl is supplied for the original coo[*].37. 2744 (40­b) : The regularized reading earth is supplied for the original

ear[**].38. 2744 (40­b) : The regularized reading and is supplied for the original a[**].39. 2777 (41­a) : The regularized reading Zanche is amended from the original

Zanke.40. 2794 (41­a) : The regularized reading they is amended from the original the.41. 2799 (41­b) : The margins are trimmed, resulting in lost text. A potential

alternate reading is: He enters with two case of pistols.42. 2805 (41­b) : The regularized reading they is amended from the original the.43. 2808 (41­b) : The regularized reading thee is amended from the original theee.44. 2881 (42­b) : The regularized reading the is supplied for the original t[**].45. 2894 (42­b) : The regularized reading tread is supplied for the original tr[**].46. 2918 (43­a) : The regularized reading sinking comes from the original sinking,

though possible variants include stinking.47. 2947 (43­b) : The regularized reading Churchmen is amended from the

original Chuch­men.48. 3064 (45­a) : The regularized reading Count is amended from the original

Cout.49. 3079 (45­a) : The regularized reading crutches is amended from the original

cruthes.