"A Fathers Burden"

by

Saye Taryor

Copyright ©2008 Saye Taryor

P.O. Box 3161Alpharetta, GA 30023678-691-5960401-441-8141Saye1up@hotmail.com

FADE IN:

A full moon shines over down town Chicago. As snow flakesswirl across the city, street corners are jammed with parkedcars. Through the window of a brick building, a flashinglight reads: "MRS. JOHNSON'S RESTAURANT."

INT. MRS. JOHNSON'S RESTAURANT - NIGHT

Customers socialize, eat and move about in a packedrestaurant. A CHUBBY MAN in a wrinkled suit sits around acrowded bar. Six men seated across from him rant as theireyes are glued to the television. The chubby man pulls outhis wallet and takes out cash. He places twenty dollars onthe bar as he looks up at the tv. He slides his wallet backinto his pocket.

MRS. JOHNSON, 55, a charismatic African American walkstowards the chubby man. She smiles as she places a beer mugand a plate of hot wings in front of him.

MRS. JOHNSONHere you go.

Mrs. Johnson picks up the twenty dollar bill and places itin her front pocket.

CHUBBY MANThanks...keep the change.

The chubby man picks up a wing and takes a bite as Mrs.Johnson watches. He quickly places the wing back on theplate and sips on his beer, as his eyes bulge out.

MRS. JOHNSON(smiles)

RACHEL made em extra hot just likeyou suggested.

The chubby man places the mug back on the table and nods hishead as he grabs a napkin and wipes his mouth.

CHUBBY MANYeah...that's how I like em.

Mrs. Johnson shakes her head and grins as she walks away.The six men surrounding the bar rant as they watch television.

On the opposite side of the bar, FIVE MEN and TWO WOMEN sitaround a table. The men are in suits while the women aredressed casually.

All eye's are locked on HENRY LIVINGSTON. Henry, 30, a welldressed and confident African American lawyer stands.

2.

Henry takes off his suit jacket and hands it to the WOMANseated next to him. He rolls up both sleeves as his tiehangs neatly around his collar.

ROMONA, 30, an attractive African American, places thejacket behind Henry's chair. The ENTOURAGE LAUGHS as Henrybends down to kiss her.

Henry stands and looks around as the group smiles in silence.

HENRYI would like to thank all of youfor your support during theMitchell case.

Romona smiles as she firmly holds Henry's left hand.

HENRYI'm sure my sister and mother arelooking forward to the money youtycoons will be spending tonight.

The group LAUGHS.

JASON, 32, a impudent Caucasian lawyer, grins as he takes asip of wine. He places the glass on the table and looks atHenry.

JASONHey, you're the big shot attorney.Why don't you give us all a breakand grab the tab for once.

HENRY(grins)

You're talking to the wrong person.Romona's in charge of the finances.

JASONLooks like she took over thegrooming and wardrobe department ifyou ask me.

LAUGHS and MUTTERS from the group.

ROMONA(smiles)

ok Jason. Save the standup act foramateur night.

JASON(gins)

Romona...where's the love? We'resuppose to be on the same team here.

3.

RACHEL, 35, beautiful slim head chef and big sister of Henry,walks towards the table. Every one turns and looks as Henryembraces her with a hug.

RACHELHey everyone. I just wanted towelcome y'all in person.

HENRYHey guys, I want you to meet Rachel.She's not only my big sis, butshe's the head chef and partialowner of this establishment.

Kudos from the group.

ROMONAI love this place Rachel. I'm surebusiness will thrive now that youall are in a central location.

RACHELI sure hope so girl. How's mylittle niece?

ROMONAShe's a hand full. I'll bring herby the house Sunday.

Henry looks down at his watch and walks towards the bar.Rachel smiles at the rest of the ENTOURAGE.

RACHELY'all enjoy the rest of the evening,I really need to head back to thekitchen.

The LADY FRIEND, Romona, Jason and the Three MALE LAWYER'Ssay farewell to Rachel. Rachel turns and walks away.

The LADY FRIEND looks at Romona and smiles.

LADY FRIENDSo, how long have you been with Henry?

ROMONA

We've been married for ten year's now, but we were actuallychild hood sweethearts.

4.

JASONHold up...don't tell me we have tosit here and listen to anotherrendition of how you fell in lovewith Henry?

The group CHUCKLES. Romona turns and looks at the LADY FRIEND.

ROMONA(whispers)

And he wonders why he's not married.

JASON(grins)

Hey, I heard that Romona.

Mrs. Johnson and Henry walk towards the table holding twopitchers of beer. MARK, 30, African American dressed inurban attire enters the restaurant.

Mark walks towards the group as Mrs. Johnson and Henry placepitchers on the table. Mark hugs Mrs. Johnson and kissesRomona on the cheek. Henry smiles and embraces Mark.

HENRYWhat took you so long man? Youwould be late for your own wedding.

MARKLooks like I'm right on time dog.

Mark picks up one of the Mugs recently filled by Mrs.Johnson and takes a sip, while Romona stands.

ROMONAMark, you can have my seat. I needto head out early so I can pick upLISA.

The group UTTERS in disappointment.

MARKWord? That's not a good look.

Mark sits down while Romona puts on her coat and hat. Henryhugs Romona and kisses her before he sits.

ROMONAYou guys have a wonderful eveningand don't drink too much.Congratulations honey.

Henry waves at Romona while Jason gulps down the wine fromhis glass.

5.

Romona hugs Mrs. Johnson and gives her a kiss on the cheek.She tucks her handbag and proceeds to exit. Mark sips beerfrom his mug as the others chat and view their menus.

HENRYMa, can you take our orders now?

MRS. JOHNSONOk gang, what'll we have?

INT. PARIS RESIDENCE - NIGHT

Two YOUNG GIRLS sit quietly on a plush couch watchingtelevision. LISA, 7 with pony tails, daughter of Romona, andRUSTY, a seven year old Caucasian, dig into a bowl ofpopcorn. KATHRYN PARIS, a 32 year old, slim Caucasianhousewife, leans from the kitchen into the living room tocheck on the girls.

RUSTYMom, can me and Lisa have more icecream?

KATHRYNNo Rusty. You two have had enoughsweets for one night.

The phone RINGS.

Kathryn leans back in the kitchen and walks towards thephone. She picks up the phone and puts the receiver to her ear.

KATHRYNHello...hey Romona...the girls aredoing just fine. I was just puttingaway the dishes.

Kathryn turns towards the counter and picks up a dish. Sheplaces the dish in the dishwasher and closes the door.

KATHRYNI know...tell Henry, Jay is sorryhe couldn't make it. The hospitalcalled him in again.

She walks out the kitchen and enters the living room. Shesits next to Lisa and Rusty.

KATHRYNShe's right here.

Kathryn hands the phone to Lisa. Lisa places the phone nextto her ear.

6.

LISAHello mommy...I love you too.

RUSTY(points at tv)

Hurry up Lisa, you're going to missthe best part.

LISAMommy...I gotta go. The best partof the movie's coming up.

Lisa hands the phone to Kathryn and resumes watchingtelevision. Kathryn places the phone to her ear.

KATHRYN(grins)

Aren't they a riot? I know...Seeyou in a minute.

Kathryn pats Rusty on the head and stands. She turns aroundand walks in the kitchen while holding the phone.

EXT. DOWNTOWN CHICAGO STREET - INTERSECTION -NIGHT

Romona sits in a black BMW. She watches two cars driveacross while she waits. She looks up at the red street lightand sighs. Romona then turns around and reaches for her handbag.

ROMONA(snaps fingers)

I knew I forgot something.

EXT. DOWNTOWN CHICAGO STREET - LATERAL ROAD - NIGHT - SAME

A DRUNK MAN, 24, gulps a bottle of whisky while recklesslydriving a black, 1997 Cherokee Jeep. HEAVY METAL VIBRATESfrom the car speakers as he continues to speed. As hecrosses a red light, he barely manages to elude a whiteToyota Sedan in the intersection. The DRIVER of the whiteToyota swerves and blows the HORN. The DRUNK MAN laughs andcontinues to drive.

EXT. DOWNTOWN CHICAGO STREET, INTERSECTION - NIGHT - SAME

As Romona places her handbag in the passenger seat, thestreet light turns green. She looks up and drives the carslowly into the street but is quickly blinded by brightheadlights from her right.

On the opposite side, The Drunk Man steps on the brakes as ablack BMW crosses his path. The jeep skids in full momentum.

7.

DRUNK MANOh shhh!

The black Cherokee Jeep RAMS into Romona's BMW and CRUSHESthe car from the side. Glass windows SHATTER and her handbagis thrown across the street. The car ALARM SOUNDS OFF assmoke fills the air.

INT. HOSPITAL - WAITING ROOM - NIGHT

Two FEMALE NURSES sit behind a counter as a DOCTOR and aYOUNG WOMAN walk by. Mrs. Johnson, Rachel and Mark remainseated while Henry paces about in front of a vendor machine.

TWO OLD MEN, ONE OLD WOMAN AND ONE MIDDLE CLASS WOMAN lookon, as Henry frantically walks towards the Two FEMALE NURSESbehind the counter.

HENRY(hands behind head)

Hey...I really need to know what'sgoing on with my wife. Where's DR.PARIS?

OLD NURSESir, DR. PARIS will be with you assoon as the surgery is complete.

The phone RINGS.

YOUNG NURSEHello, Cook County Hospital. May Ihelp you?

Henry folds his arms and frowns as he walks away from thecounter. Mrs. Johnson walks towards Henry and puts her armsaround him. She kisses him on the forehead.

MRS. JOHNSONBaby, you gotta believe in God andhave faith in him.

HENRYMa...She can't leave me now...Ican't go on without her.

MRS. JOHNSONHenry, I'm sure Romona will be justfine.

While Henry and Mrs. Johnson embrace one another, DR. JAYPARIS enters the room shaken and sad. He is a 35 year oldtall Caucasian with a beard. Henry walks towards him.

8.

HENRYJay...how's my wife? Is she ok?

Dr. Jay Paris tucks in his lips and raises his eye brows ashe looks at Henry. Mark, Mrs. Johnson and Rachel look on infear as they stand next to Henry.

DR. JAY PARIS(shakes head)

I'm so sorry Henry...Romona didn'tmake it.

Tears run down Henry's cheeks as he drops to his knees. Heplaces his hands on top of his head while everyone sadlylooks at him. He balls his fist and raises both arms in the air.

HENRY(in tears)

No! This can't be happening to me.No! Why me? Oh God, what am I goingto do? Ma, What am I going to do?

Dr. Jay Paris, Mark and Rachel stand in tears as Mrs.Johnson places her arms around Henry's his neck and embraceshim.

INT. MRS. JOHNSON'S HOME - LIVING ROOM - DAY

Mrs. Johnson lays across the couch as she watches tv. Shepicks up the remote and flips through the channels. The doorbell RINGS.

Mrs. Johnson gets up and walks towards the door. As sheopens the door, she raises her eye brows and shakes her head.

MRS. JOHNSONCome in SKIP...I have to admit, I'ma little surprised to see you.

SKIP, 56, handsome but poorly dressed African Americanenters as he kisses Mrs. Johnson on the cheek.

SKIPGood morning to you too. Now tellme what's so important, you had toinvite me over?

MRS. JOHNSONWe need to talk about Henry.

SKIPWhat about him? Is he ok?

9.

MRS. JOHNSONHe's taking Romona's death prettyhard and you not showing up at herfuneral didn't help.

SKIPWhat are you talking about?

Confused, Skip walks into the living room and takes a seaton the couch While Mrs. Johnson closes the door.

MRS. JOHNSONYou heard me...why didn't you showup at the funeral?

Mrs. Johnson walks over and sits next to Skip. The two lookat each other.

SKIPHey, this is all new to me. Ihaven't heard from anyone...Whathappened?

MRS. JOHNSONYou mean Rachel never called you tolet you know about Romona's caraccident.

SKIP(shakes head)

You expected Rachel to callme...You should have just called meyourself. Especially aboutsomething like this?

MRS. JOHNSONExcuse me, but I was to busyconsoling our son and running arestaurant.

SKIPI'm just saying...You know the kidsand I don't see eye to eye, so anynews I hear about them has to comefrom you.

MRS. JOHNSONAnd that's the problem Skip. Youhave to take more initiative to bein their lives...You're still theirfather.

10.

SKIP(sighs)

So what's going on with Henry?

MRS. JOHNSONSince Romona passed, he hasn't beenhimself. He's currently on a leaveof absence at the firm.

SKIPSo what do you expect from me? Theboy and I haven't spoken in yearsand he's grieving the lost of his wife.

MRS. JOHNSONAll I'm asking is that you try toreach out to him. He needs as muchsupport as he can get.

Skip stands.

SKIPOk...I ain't making no promises,but I'll see what I can do.

INT. MALL - FOOD COURT - DAY

Henry sits at a table alone while reading a book. He sips ona mug and looks up. As he looks around, he zooms in on aYOUNG MAN and other WOMEN walking with their DAUGHTERS. Heturns and stares at a COUPLE as they walk by holding handsand smiling. He frowns and goes back to reading his book.

Mark is walking and notices Henry siting alone. He walkstowards him and touches Henry's shoulder. Henry closes hisbook and looks up.

MARKLong time no see. Where you beenplayer?

HENRYYou know...I've just been takingtime off putting things intoperspective.

Mark pulls out a chair and takes a seat at the table.

MARKI can feel that... Man, I spoke toyour mother the other day and shesaid she hadn't heard from you.

11.

HENRYTo be honest, I really haven'tspoken to anyone.

MARKYou don't have to deal with thisalone. If you ever need someone totalk to, you can always holler atme...So how's Lisa?

HENRYShe's doing well. She's with my in-laws...How's the wife?

Mark stands.

MARKShe's good...you know she's a fewmonths due. Listen, I'm glad I raninto you but I'm actually in a rush.Hey, let's keep in touch.

Henry stands as he and Mark hug.

HENRYThanks. I'll come over when thingssettle down.

Mark turns and walks away as Henry sits. Henry takes a sipfrom his mug and reopens his book.

INT. MRS. JOHNSON'S RESTAURANT - NIGHT

Customers socialize, eat and move about. WILL, 15, AfricanAmerican wearing baggy clothes and his friend JOE, 15, enter.Will directs Joe to the bar and continues towards the kitchen.

INT. MRS. JOHNSON'S RESTAURANT - KITCHEN - NIGHT - SAME

Will enters. Rachel turns and looks at him.

RACHELBoy, What took you so long?

WILLMa. I told you me and Joe wouldn'tbe back until seven.

RACHELDid you stop by your grandmotherlike I told you?

12.

WILLYeah ma. She wants you to call hertoo. She's upset you didn't tellgrandpa about Romona's funeral.

Rachel pulls out a knife and begins to cut the onions on thetable.

RACHELI don't know why, It's not like hewould've showed up.

WILLCan me and Joe get something to eat?

Rachel puts the chopped onions in a frying pan.

RACHELDo you and Will have money to payfor it? If not, y'all can help dothe dishes.

WILLCome on Ma. Stop buggin.

RACHEL(smiles)

Who's buggin. You the one trying toeat me out a restaurant.

Will shakes his head as Rachel kisses him on the forehead.Joe enters.

JOEHello Mrs. Livingston.

RACHELHey Joe.

Joe walks over to Will.

JOESo what's up? Your mother going tohook us up or what?

Rachel looks at the two young men and smiles.

WILL(shakes head)

Joe, you don't even wanna know whatshe just said.

13.

INT. HOWIE'S BAR - NIGHT

Customers socialize and move about in a smoked filled roomwith dim lights. Skip downs a beer while seated alone. Heplaces a beer bottle on the table next to six other emptybottles. He looks across the room towards HOWIE. HOWIE, 56,burley bar owner poor's alcohol in a glass.

SKIPHey Howie!

Howie looks up and stares in Skips direction.

SKIPSend two beers my way when you geta chance!

HOWIEHaven't you had enough all ready?

SKIP(smiles)

How long have you known me? Youshould know I'm just getting started.

Skip takes out a lighter and a pack of cigarettes. Heremoves a cigarette and places it between his lips thensparks it with the fire from the lighter. He inhales andblows out smoke.

Skip looks up only to see Howie heading towards him holdingthree beers. Howie arrives at the table and places two beersin front of skip. He sits down in the empty chair acrossfrom skip and takes a sip from the bottle.

HOWIESo how did the visit go with the exwife?

SKIPShe's just now telling me our sonswife passed away and she want's meto reach out to him.

HOWIESorry to hear that. So what's wrongwith her asking that?

SKIPI ain't spoke to Henry or hissister in years...but she expectsme to initiate this.

14.

HOWIEShe does have a point here...You'rethe parent.

Skip takes a sip from one of the beers then takes a pullfrom the cigarette.

SKIPWhen those kids were little, Ivowed never to let them see me downand out. Once I lost my job andtheir mother left me, I vowed tostay out of their lives until I wasback on top.

HOWIEWhat happened?

Skip takes another sip of beer and places the cigarette inthe ash tray.

SKIP(smiles)

Never got back on top.

HOWIESo what you gonna do besides drinkup all my beers?

SKIPDon't know. I'm thinking aboutpaying him a visit, but I have noidea what to say.

Skip frowns and proceeds to gulp the remainder of the beerin the bottle.

INT. INDOOR SOCCER FIELD - DAY

TWENTY TWO LITTLE GIRLS run around playing an organized gameof soccer as parents are seated on benches beside the field.Kathryn and Dr. Jay Paris are seated among NINE WOMEN andSIX MEN.

ELEVEN GIRLS on Rusty and Lisa's team sport blue uniformswhile ELEVEN GIRLS on the opposite team run around in reduniforms. Lisa kicks the ball between two girls and directsthe ball to Rusty. Kudos and APPLAUDS from the PARENTS, onboth sides of the field, as the REFEREE directs the girls.

Rusty weaves through a wide open lane and kicks the ballthrough the goal as the goalie on the red team dives in vain.

15.

Kathryn and Jay quickly jump from their seat and proceed toclap. Henry walks around the corner in smiles. He sits nextto the two and shakes their hand.

HENRYSorry I'm late...looks like thegirls are doing well.

KATHRYNWe're just glad you made it. Howare things coming along with you?

HENRYI'm hanging in there. The wayLisa's handled it all has made itmuch easier on me.

DR. JAY PARISShe really misses you Henry. I'msure she will be thrilled to see you.

HENRYI miss her as well. Don't worryabout dropping her off with myinlaws...I want to spend some timewith her.

The Horn sounds off and the girls end play on the field. Thescoreboard displays a final score of 2-1. Lisa and Rustyjump around with their teammates in a victory celebration asthe girls in opposition slowly walk off the field towardstheir PARENTS on the opposite side.

Lisa spots Henry as he looks on and jogs towards him.

LISADaddy, you made it!

Lisa jumps on Henry and hugs him.

HENRYGood game sweetheart. I see yougirls won another one.

LISADaddy, are we going home or are youdropping me off at GRANDMA RETTA'Sagain?

HENRYDaddy needs more time for himself,but I promise things will get backto normal soon.

16.

Henry holds on the Lisa's hand as the two walk away. Kathryn,Dr. Jay Paris and Rusty waive towards Henry and Lisa as thefamilies head towards the exit. Henry and Lisa waive back.

EXT. CHICAGO SUBURBAN STREET - DAY - SAME

Henry drives as Lisa sits in the passenger seat of a red 2007BMW 5-series 530i. Cars and PEDESTRIANS are on the movearound them.

LISADaddy, are you mad at me?

Henry looks confused as he looks at Lisa.

HENRYNo honey...what made you ask me that?

LISASince mom died, it's like you don'twant me around anymore.

HENRYThat's not it sweetheart...I justreally miss your mommy right nowand I need some time alone.

LISAI miss mommy too, but I feel betterwhen I'm with you.

Shaken, Henry bites his bottom lip as his eyes glass up.

HENRYSo how are things with GRANDMA RETTA?

LISAIt's ok, but I'm ready to come home.She keeps saying I lost a mommy anda daddy.

HENRYWhat!

Angrily, Henry puts his left hand over his mouth and slid'sit down his chin. He turns and looks at Lisa.

HENRYGuess what baby?

LISAWhat?

17.

HENRYWe're going to pick up your thingsfrom GRANDMA RETTA and you'removing back home.

Lisa brightens up as Henry leans her way. Lisa leans towardshim and kisses Henry on the cheek.

LISA(smiles)

For real?

Henry grins as he nods his head.

LISAThank you daddy!

INT. GRANDMA RETTA'S LIVING ROOM - DAY - SAME

DAVID MALONE, 55, alsO known as GRANDPA, sits on a love seatas he reads a magazine. He straitens his eye glasses asLORETTA MALONE, 55, also known as GRANDMA RETTA, watchestelevision.

The two look up as the doorbell RINGS. David Malone placesthe magazine on the coffee table and jumps out of his seatto open the door. He smiles as Lisa and Henry enter.

DAVID MALONELook who's here. My my myHenry...How you doing?

Lisa and Henry hug David as Grandma Retta walks towards thegroup.

LISAGuess what grandpa?...Daddy'staking me home today!

Grandma Retta and Henry stare at each other seriously whileDavid continues to smile.

DAVID MALONEGood for you. Did you gals win again?

LISARusty kicked the winning goal. Youshould have been there grandpa.

HENRYLisa, go upstairs and pack yourthings...Let me talk to your grandparents.

18.

LISAOk.

Lisa hugs Grandma Retta and heads upstairs. Henry looks atGrandma Retta.

HENRYMrs. Malone, why would you tell mydaughter she does not have a father?

GRANDMA RETTAShe doesn't. Since my daughter diedyou've neglected that little girl.Do you think you're the only onegrieving?

David Malone heads back to his love seat as Henry andGrandma Retta stand in confrontation.

HENRYI just needed some time to figureout what I needed to do...If it'sbeen such a burden for you to keepher, you should have told me earlier.

GRANDMA RETTAHaving my granddaughter has notbeen a burden at all. As a matterof fact, I don't think you'restable enough to take her back.

HENRYI don't have to stand here andlisten to this.

Henry looks towards the stairs as David looks on from his seat.

HENRYHoney, hurry up lets go!

GRANDMA RETTAYou don't have to take her. All I'masking you is to spend more timewith her.

HENRYSo you figure telling her shedoesn't have a father helps thesituation.

Lisa walks down the stairs dragging a large suitcase. Henrywalks towards her and picks up the luggage. David leaves hisseat and walks towards the group.

19.

GRANDMA RETTA(shakes head)

Lisa, come give Grandma some sugar.

Henry walks towards the door as Lisa hugs and kisses hergrand parents.

DAVID MALONEHenry, it was good seeing you son.

Henry turns around and looks at David.

HENRYThanks...That means a lot..Sorryabout...

DAVID MALONEDon't worry about all that. Justtake care of our grand daughter andkeep in touch.

Grandma Retta angrily walks away as Henry and Lisa exit.David closes the door and heads back to his seat.

INT. MRS. JOHNSON'S BED ROOM - NIGHT

Mrs. Johnson is vertical on her bed while wearing a whitenight robe. She picks up a pair of reading glasses on thetable next to the bed and places it above her nose. Sheleans over and picks a red scrap book. She opens the bookand smiles.

MRS. JOHNSONBoy does time fly.

There is a picture of Mrs. Johnson and Skip embracing oneanother several years earlier. Mr's Johnson turns the pageand there is a picture of her and Skip with their armsaround two young children.

Mrs. Johnson smiles as she slides her finders across thepicture. She closes the scrap book and looks at the ceiling.Mrs. Johnson leans over and places her reading glasses andscrap book on the table. She turns off the table lamp andthe room is pitch dark.

EXT. MRS. JOHNSON'S RESTAURANT - DAY

Skip stands in front of the door holding a small black box.The sign on the door reads "closed". He looks through aglass window and then looks at his watch. He is casually andneatly dressed.

20.

A black Navigator pulls up and parks on the corner. Mrs.Johnson opens the door from the driver seat wearing dark sunglasses. She walks around the car with keys dangling fromher hands.

MRS. JOHNSONWhen you start being on time Skip?

SKIPI'm a little nervous about meetingwith Henry. Did you tell him Iwould be here.

MRS. JOHNSONNope.

Mrs. Johnson and Skip embrace. She opens the door and thetwo walk in the building.

INT. MRS. JOHNSON'S RESTAURANT - DAY - SAME

Mrs. Johnson turns on the lights as the two walk towards thebar.

MRS. JOHNSONYou look nice.

SKIPYou know I can clean up when I want to.

MRS. JOHNSON(smiles)

For what it's worth, I'm glad youdecided to do this.

SKIPWhat about Rachel? Is she coming intoo?

MRS. JOHNSON(shakes head)

Her shift doesn't start until later.

Mrs. Johnson looks at the clock on the wall. The time is 7:45AM.

MRS. JOHNSONI told Henry to come early so heshould be arriving any minute now.

Skip places the box on the bar counter and sits down. Hestretches his fingers and places his hands over his mouth.

21.

SKIPWhat about getting me a cold oneout of the fridge?

Mrs. Johnson looks at Skip and frowns. She shakes her headin disgust. She grabs an apron from the wall and places itaround her neck.

MRS. JOHNSONNo. I'm not supporting your habits.

SKIPHabits? What are you talking about?I just want a beer.

MRS. JOHNSONSkip...your a alcoholic asking mefor a beer before eight in the morning.

SKIP(smiles)

Thanks for the reminder.

MRS. JOHNSONI just think you should be soberbefore you talk to Henry. That'sone of the reasons why our marriagedidn't work.

The door opens as Henry enters. His smile quickly turns intoa frown as he looks at Skip.

HENRYWhat are you doing here?

Skip stands up and looks at Henry. Mrs. Johnson backs awayinto the kitchen.

SKIPHello son. I heard what happened toRomona and I just wanted to give mycondolences.

Henry shakes his head with a smirk on his face.

HENRYI see some things never change. Asusual your timing is perfect...Thefuneral was a month ago.

Skip walks towards Henry.

22.

SKIPSon...I don't want you to think fora minute that I ever stopped lovingyou and your sister.

HENRYIt all sounds good Skip, butsee...actions speak louder then words.

Henry shakes his head and folds his arms. He looks at Skipwith a smirk.

HENRYHere's the funny part. After youleft, every day, me and my sisterwould rush home from schoolexpecting you to be there...and weboth know how that turned out.

SKIPI regret walking out on you kidsand your mother...and that'ssomething I will have to live withfor the rest of my life. Listen,you have a right to be angry...I'mjust asking for is a second chance.

Mrs. Johnson walks out the kitchen holding a dirty whitetowel. Henry looks at Mrs. Johnson and grins.

HENRYMa, listen to this fool. He walksout on us, we never hear from himunless he needs money for liquorand smokes, he contact's me a monthafter my wife's funeral, and hewant's me to open up to him? What ajoke!

MRS. JOHNSONHenry, don't disrespect your fatherlike that. Can't you see he'strying to reach out to you?

SKIPSon...your mother thought it wouldbe a good idea for me to reach outto you since you were being distantfrom everyone...especially yourdaughter.

Henry looks at Mrs. Johnson with disgust.

23.

HENRYThat's what this is all about?Listen, I don't need him Ma.

Henry turns towards Skip and looks him in the eye.

HENRYI made it through law school andbecame an associate without you andyou damn sure can't advise me onfamily values, so this conversationis over.

Henry turns around and heads towards the door.

MRS. JOHNSONHenry wait!

Henry opens the door and exits. Skip looks at the smallblack box and hands it over to Mrs Johnson.

SKIPI told you this wasn't a good idea.

MRS. JOHNSONGive him some time. He's goingthrough a lot right now.

SKIPI need to run a few errands.

Skip looks at the black box being held by Mrs. Johnson.

SKIPGive that to Henry when you get achance.

MRS. JOHNSONok...and thanks for coming downtoday. It really meant a lot...justgive em some time.

Skips and Mrs. Johnson embrace and he exits.

INT. CITY TRAIN - DAY

Skip sits among commuters as he views the city through awindow. The train comes to a complete stop and the doorslides open. 2 MALE COMMUTERS exit while Jason and 3 WELLDRESSED GENTLEMEN enter. Jason and the 3 gentlemen sit inthe empty seats across from Skip.

24.

GENTLEMAN ONEWhat's the deal with the Hendersoncase?

GENTLEMAN TWOI think that's Henry's.

Skip turns his attention towards the group.

JASONNot any more. ALLEN tossed it on mydesk yesterday.

GENTLEMAN THREEHave any of you heard from him?

JASONNope...but I spoke with his sisterabout a week ago. He's still havinga hard time dealing with his wife'sdeath.

GENTLEMAN THREEYou didn't hear it from me, but thefirm is thinking about letting him go.

JASONAre you serious? Where did you hearthat.

GENTLEMAN THREEI heard Allen and some of the otherbig wigs talking about his lack ofcommunication and production.

GENTLEMAN TWOThat's crazy, he's one of the bestlawyers at the firm.

GENTLEMAN ONEYou know what they say. Nobodycares about the past and it's allabout what you've donelately...Henry been M I A for sometime now.

JASONI need to see if I can get him backin the office.

Skip stands and walks towards the group.

25.

SKIPWould you gentleman happen to betalking about Henry Livingston?

Stunned, the group turns towards Skip.

JASONYes...Who are you?

The train comes to a complete stop.

SKIP(smiles)

I'm his father

The door opens and Skip exits. 5 COMMUTERS enter as Jasonand the 3 GENTLEMEN gaze among themselves in disbelief.

EXT. POOR CHICAGO NEIGHBORHOOD - CHURCH GROUNDS - DAY

A cab pulls up next to a small white building. Skip exitsthe cab and closes the door. He looks up at the building ashe cover both hands over his mouth and blows into his hands.He removes his hands from his mouth and rubs them togetheras he walks through the snow towards the entrance of thebuilding. A sign on a building reads: "FELLOWSHIP BAPTISTCHURCH."

INT. FELLOWSHIP BAPTIST CHURCH - OFFICE - DAY - SAME

PASTOR JONES, 65, a gray haired African American wearing eyeglasses is seated in front of a computer when Skip enters.PASTOR JONES, with wide eyes and a bright smile, stands andhugs Skip.

PASTOR JONESIt's been a while since you've beenaround Skip...how's life treatingyou son?

Skip removes his arms from around Pastor Jones and looksdown at the floor with a sad face as the Pastor looks on.

SKIPI don't know where to begin PastorJones. It hasn't been easy.

Pastor Jones sits on top of his desk with his arms folded ashe looks at Skip.

PASTOR JONESHave a seat and talk to me.

26.

Skip sits in a chair placed in front of Pastor Jones. Hetakes off his hat and unzips his jacket.

SKIPIt seems like no matter how hard Itry, I can't do anything right.I've lost my kids, my wife and myjob. What have I done to deserve this?

PASTOR JONESListen son, as long we live, we'llexperience trials and tribulations.The important thing is how werespond when those situations occur.

SKIPNo matter what I do, it's always wrong.

PASTOR JONESMaybe you should examine what it isthat you're doing. Last time youand I spoke, you were running awayfrom your family to keep fromhurting them and you had turned toalcohol for support and comfort.

SKIPGod knows I love my children, butthey do not want anything to dowith me. Who can blame them...I'm acomplete failure.

PASTOR JONESMaybe you should stop focusing onyourself and start focusing on thepeople you love. Relationshipsaren't based around self pity.

Skip looks at Pastor Jones with wide eyes.

SKIPWhat do you mean?

PASTOR JONESJust like you want people toforgive you and to understand yourtrials and tribulations, you haveto be willing to listen to othersand to be there for them whenthey're down.

Skip stands up and places his hat on his head.

27.

SKIPWhat should I do?

PASTOR JONESThat's between you and God. Justpray about it son...God never fails.

SKIPThanks Pastor Jones.

PASTOR JONES(smiles)

You're welcome in the house of Godanytime Skip...Don't be a stranger.

Skip and Pastor Jones embrace before he turns around and exits.

EXT. DOWNTOWN CHICAGO - LAW FIRM - DAY

Henry, holding a brief case, walks towards a tall skylinebuilding. Pedestrians roam about.

JASON (OS)Henry!

Henry turns around. He is approached by Jason and 3 welldressed gentlemen.

JASONI didn't know you were coming intoday...It's good to see you man.

HENRYWhat's up fellas?

Jason and the three well dressed men acknowledge Henry whilenodding heads.

JASONFellas...could you guys excuse us?I'd like to have a word with Henry.

The three well dressed men turn away and head towards theentrance of the building.

JASONDon't know how to tell you this butI have some bad news.

HENRYWhat's the problem?

28.

JASONThe guys upstairs put me in chargeof the Henderson case and they arethinking about replacing you.

HENRYReplace me...Are you serious?

JASONAs a heart attack. I'm glad youdecided to come in today.

HENRYJason, there is no way I can workeffectively under these conditions.I was actually coming in today tograb some information on theHenderson case to take home.

JASONI don't know what to say man. Thepartners want you in the office orthey'll find a replacement.

Jason pats Henry on the back before he turns and walkstowards the building.

EXT. CEMETERY - DAY

A red 2007 BMW 5-series 530i weaves around a hill and stops.Henry steps out the car and heads towards a tombstone. Hedrops to his knees with tears falling down his eyes. Thetombstone reads: "IN LOVING MEMORY OF ROMONA LIVINGSTON, 1977TO 2007."

Henry places his fingers across the words on the tombstone.

HENRY(in tears)

I love you baby...I miss you somuch...I miss you.

INT. HOWIE'S BAR - NIGHT

Customers socialize and move about in a smoked filled, dimlight environment. Skip enters and heads towards Howie.

HOWIEWhat's up man. You'll never believewho's in here.

SKIPWho?

29.

Howie, points across the bar. Henry is passed out at a tablealone.

SKIPIs that Henry? What the hell is hedoing in here?

The two men walk towards Henry. Whisky and beer bottles arescattered across the table.

HOWIEDoes this remind you of anyone?

SKIPThis is ridiculous. How could youallow him get twisted like this?

HOWIEHey, he handed over his car keys,his wallet and demanded I continueto serve him. I didn't have a choice.

Howie hands over a set of keys and a wallet to Skip. The twoman look at Henry as he continues to lean over the table.

SKIPHey, do me a favor and help takehim out to the car.

Skip and Howie remove Henry from the table and carry him outthe bar.

INT. HENRY'S HOME - BED ROOM - NIGHT

Skip looks on as Henry lays sound asleep under his covers.Skip flips the light switch and closes the door.

INT. HENRY'S HOME - LIVING ROOM - NIGHT - SAME

Skip enters and looks around. He looks at a picture of Henry,Rachel and Mrs. Johnson. He picks up a frame with a pictureof Romona, Henry and Lisa. He smiles as he places the frameback on the table.

Skip walks towards the wall, where a laminated bachelordegree from the University of Illinois hangs. Skip smiles ashe looks on with teary eyes.

INT. HENRY'S HOME - BED ROOM - DAY - SAME

Henry yawns and stretches his arms while slowly opening hiseyes. He sits up and quickly removes the covers. He jumpsout of bed wearing a wife beater and a pair of boxers. Heopens the door and rushes across the hall.

30.

He opens a door, only to find an empty room with pink wallcovers.

HENRYOh God, what have I done?

Henry panicky rushes back to his room and picks up thetelephone. He begins to dial numbers as he places the phoneto his ear.

HENRYHello Ma, it's Henry...did you pickup Lisa yesterday?

Henry looks across the dresser and picks up a sheet of paper.

HENRYHold up ma...let me call you backin a minute.

Henry hangs up the phone and lifts the note closer to be read.

INSERT - THE NOTE

SKIP (VO)"Hello son. Don't worry about Lisa.She's with your inlaws. Your walletand car keys are on the kitchencounter...Son, I know I haven'tbeen much of a father to you and Iapologize. When you and your sisterneeded love, support and guidance,I was no where to be found andthere is nothing I can do to changethat. My selfishness was the blameand I hope you can find it in yourheart to forgive, but I don'texpect you to forget. I'm proud ofthe man you have become and I hopewe can build a new relationshipmoving forward...I love you son."

BACK TO SCENE

Henry gently places the note back back on the dresser andsits on the edge of his bed. He slides his left hand overhis mouth and chin and sighs.

EXT. LISA'S SCHOOL - DAY

Grandma Retta drives as Lisa sits in the passenger seat of asilver 2007 Nissan. Cars and STUDENTS are on the move aroundthem. Grandma Retta stops the car and kisses Lisa on he cheek.

31.

GRANDMA RETTAHave a nice day sweety... Love you.

LISAI love you to grandma.

Lisa removes her seat belt and exits the car. She closes thedoor and Grandma Retta drives away. As Lisa heads towardsthe building, she is approached by Rusty.

RUSTYLisa, you think your dad will letyou sleep over this weekend?

LISAGotta ask my grandma...I'm backwith her again.

RUSTYWhy?

LISAWho cares? My dad doesn't.

Lisa and Rusty walk up the final stairs and open the door asthe two kids enter the building.

EXT. HENRY'S HOME - DAY

Henry walks away from the front door and is headed towardshis red BMW when a silver Nissan pulls up in the driveway.Henry looks on as Grandma Retta steps out the car and walkstowards him.

HENRYBefore you say anything, I want youto know that you were right and Ithink you should keep Lisa until Iwork out my problems.

GRANDMA RETTAThanks for not making this moredifficult then what it alreadyis...I just came to pick up her things.

HENRYI apologize for not picking her upyesterday...I was just goingthrough so much.

32.

GRANDMA RETTAYou should tell that to yourdaughter...for what it's worth, Ihope you work out whatever issuesyou have soon. Your daughter lovesyou and she needs you now more thenever.

Henry looks at Grandma Retta and smiles.

HENRYThanks.

INT. MRS. JOHNSON'S HOME - LIVING ROOM - EVENING

Will sits on the couch smashing buttons on a joystick as heplays a video game. He is glued to the television until hehears a KNOCK on the door. He turns and looks towards the door.

RACHEL (OS)Will! Get the door.

Will puts the joystick down and walks towards the door. Heopens the door.

WILLHey grandpa.

SKIPHey son.

Skip enters and the two embrace.

RACHEL (OS)Who is it?

The two gentlemen walk in the living room.

WILLIt's grandpa!

Skip and Will sit on the couch as will picks up the joystickfrom the floor.

SKIPWhat's that?

WILLWhat you know about video games?Its the new madden on PS3.

SKIP(laughs)

I don't know nothing about that...

33.

Rachel enters the room wearing a white robe and a head scarf.She angrily looks at Skip.

RACHELWhat are you doing here Skip? Will,cut that game off and go wash thosedishes.

Will puts down the joystick and nods at Skip as he exits.

SKIPSweety, I just want to apologizefor not being a good father toyou...just want to reach out.

RACHELSpare me the sermon Skip. Mom isnot here and I don't have any money.

SKIPHey, I can't blame you for feelingthe way you do, but that is not whyI'm here.

Rachel shakes her head and smirks.

RACHELYou abandon me, Henry and Ma, andall of a sudden we're suppose towelcome you with open arms?

SKIPNo...and I don't expect you to. AllI'm asking is for you to forgive mefor being selfish and for hurtingyou all these years.

Rachel looks on with tears.

RACHELYou have no idea what we wentthrough...why should I forgive you?

SKIPBecause I love you and I'm willingto do whatever it takes to be thebest father I can be moving forward.

Rachel puts her hands over her mouth as tears stream downher eyes. she turns around and walks out the room. Skipfrowns as Will slowly enters.

34.

WILLDon't worry about itgrandpa...she'll come around.

Skip walks over to Will and gently places his arms aroundhis shoulders.

SKIPI hope you're right son...I really do.

INT. CITY NIGHT CLUB - EVENING

Henry sits alone while the music BUMPS. The dance floor ispacked. As he sips a beer, a BEAUTIFUL WOMAN, MIA, gives himeye contact. He takes another sip as MIA walks towards him.

MIAAre you alone tonight?

HENRY(nods)

Yes.

MIAWhat a coincidence, so am I. Do youmind if I join in?

HENRYNot at all.

The woman grabs a chair from the table across from Henry andplaces it next to him. She sits.

MIAThe name's Mia...So tell me...

HENRYHenry.

MIA(smiles)

Ok Henry...what's a handsome manlike yourself doing in this dumpall alone?

HENRY(smiles)

you know...sometimes you just wantto get out and get away. How aboutyourself?

MIAEvery now and then a lady has needs.

35.

Mia smiles and licks her lips as she stares at Henry.

MIAIt's a little crowded in here. Letssay we head out and go some place alittle more private.

Henry grins as he sips on his beer.

INT. HENRY'S HOME - BED ROOM - NIGHT

Henry and Mia enter the room kissing and taking each othershirts off. Henry lays on the bed as Mia climbs on top ofhim. She kisses him on his neck and chest while he squeezesher bottom. She reaches for the zipper on his pants. Hegrabs her hand and sits up.

HENRYI'm sorry Mia...but I don't thinkthis is a good idea.

Mia puts the cover over her chest and sits up.

MIAWhat?

HENRYI don't know what I was thinking...Itruly apologize, I just can't do this.

Henry picks up his shirt and puts it on. Mia sits on the bedshaking her head looking puzzled as Henry buttons up his shirt.

MIAunbelievable!

INT. MARK'S HOME - KITCHEN - DAY

Mark sits at a table with two glasses filled with orangejuice reading a newspaper. TERRI, his pregnant wife, walksover holding two plates with pancakes, eggs and links. Sheplaces one of the plates in front of Mark and picks up oneof the glasses of orange juice. She takes a sip afterplacing the second plate down, and slowly sits down acrossfrom Mark.

MARKStill need for me to change the oilin your car?

TERRINo. I took it to the shop last week.

36.

MARKWhat? I told you I was gonna to befree this week...

There is a KNOCK on the door. Terri and Mark look at each other.

MARKWonder who that is.

Mark slides his chair from under the table and stands. Terriwaves at Mark to sit down.

TERRISit down honey, I'll get it. Lordknows I can use the exercise.

Mark sits as Terri slowly slides from her seat. There isanother KNOCK, as Terri exits. Mark cuts into the pancakesand takes a bite. He takes a sip of orange juice. Terrireturns in the kitchen holding Henry's hand.

TERRILook who the wind blew in.

Mark stands and embraces Henry. Henry looks at Terri andputs his hand on her stomach.

HENRYTerri, you the only woman I knowwho can walk around pregnant andstill turn heads.

MARKDon't get her started.

TERRIWhatever...Henry, you had breakfastyet?

HENRYNaw...but I don't want to impose.

TERRIImpose? Spare me...sit down let mefix you a plate.

Henry and Mark sit down at the table.

MARKWhat's up?

37.

HENRYI'm not going to lie. It hasn'tbeen easy. Lisa is back with my in-laws.

Terri pours a glass of orange juice for Henry and places theglass next to him.

HENRY(looks up)

Thanks.

MARKSo what's wrong?

HENRYI'm just overwhelmed right now.First Romona then my job. Now it'sLisa and my father.

Terri slides a plate with pancakes, eggs and links in frontof Henry.

TERRII think I'll head out so you twocan talk...Henry, it was goodseeing you again...Don't be a stranger.

HENRYThanks Terri. Next time you're atthe restaurant, tell my mother toput the bill on my tab.

Terri smiles. She picks up a glass of orange juice and herplate.

TERRII'll hold you to that.

MARKI don't know dog...as much as shepigs out, that might not be a goodidea.

TERRIShut up Mark.

Terri exits. Henry looks towards the hall to make sure Terrican not be seen.

HENRYEarlier this week, I got drunk atHowie's and my father brought meback to the house.

38.

MARKWhat? How that happen?

HENRYI went to confront Skip about allmy feelings over the years, and Iknew Howie's was his spot. I windedup drinking the night away whilewaiting for him.

MARK(smiles)

Word...That's wild. So did y'allget to talk?

HENRYNot really, but he left a notetelling me how proud he was of me.The funny thing is, I don't know ifI should be upset or not.

MARKGive him a chance man. At leasthe's trying to reach out.

HENRYYeah...but I can't forgive him forall of those years just because hewrites one pity note.

MARKI'm going to be honest with you. Ithink you need to be a man and gotalk to your father. Let him knowhow you feel.

HENRYYou're right...Hey, I forgot totell you, I had someone over thehouse last night.

MARK(shrugs head)

What?...isn't it a little too earlyfor all that?

HENRYNothing happened. I couldn't stopthinking about Romona...couldn'teven get it up.

MARK(laughs)

What? Was she hot?

39.

HENRYShe was fine as all outdoors...sheLeft the house disgusted though.

Mark shakes his head and laughs while Henry takes a sip oforange juice and eats a link.

MARKIf I know you like I think I do,you'll be straight. Just talk toyour father and give Lisa a lot ofattention. Oh, and make sure tokeep in touch with the firm...letem know what's up till you ready togo back.

INT. MRS. JOHNSON'S RESTAURANT - DAY

Customers socialize and eat. Mrs Johnson walks out thekitchen holding a tray of food and beverages. She walks overto a MAN and WOMAN and places the items on the table. Thecouple smile and nod their heads as she walks away. Shewalks behind the bar and takes a sip of water. Rachel walksthrough the front door.

MRS. JOHNSON(frowns)

You're late.

RACHELSorry Ma, it wont happen again.

Rachel grabs her apron and heads to the kitchen as Mrs.Johnson looks on. TWO ROWDY MEN stand up and begin to bicker.

ROWDY MAN 1Screw you...she's still my wife!

ROWDY MAN 2It's not my fault. I sleep withwhoever I want to and so does she!

Everyone in the room turns towards the two men as Skipenters. The two rowdy men begin to scuffle.

Skip runs over and removes Rowdy Man 1 off of Rowdy Man 2.Skips shoves Rowdy Man 1 out the building. He walks towardsRowdy Man 2.

SKIPSir, exit the building or I'll haveher to call the police.

40.

Skip points towards Mrs. Johnson. Rowdy Man 2 shakes hishead and exits the building. Rachel and Mrs. Johnson walktowards Skip while the CUSTOMERS in the restaurant CLAP.

MRS. JOHNSONFool, you could have gottenyourself hurt. What are you doing here?

RACHELI asked him to come Ma. I was withhim this morning...that's why I waslate.

Rachel looks at Skip.

RACHELAre you ok?

SKIPI'm fine, thanks for asking sweety.

Skip looks at Mrs. Johnson.

SKIPCan I at least get a thank you. Youknow I'm a little too old for thiskind of foolishness.

Mrs. Johnson rolls her eyes and smiles.

MRS. JOHNSONThank you Skip.

Mrs. Johnson puts her arms around him and kisses him on thecheek. Rachel looks at Skip and turns away towards thekitchen. Mrs. Johnson walks towards the bar as Skip follows.

MRS. JOHNSON(smiles)

Am I misssing something? When didyou two start communicating?

SKIPI paid her a visit the other night,and she contacted me this morning.

MRS. JOHNSONI want the details stupid. What didyou guys talk about?

41.

SKIP(smiles)

Hey, that's between me and mydaughter...We still have a long wayto go, but just say, the line ofcommunication has just opened up.

Mrs. Johnson nods her head and smiles.

MRS. JOHNSONOk, that sounds real good. So whydid she ask you to come here?

SKIPShe told me that you guys neededsome help around here and that if Iwas serious about having arelationship with her, I shouldcome help out.

Mrs. Johnson raises her eyebrows while holding a smirk.

INT. HENRY'S HOME - LIVING ROOM - DAY

Henry walks in the room holding a black box. He sits down onthe couch and opens the box. Inside are old newspaperclippings. The first clipping reads: "HENRY LEADS COUGARS TO5A STATE CHAMPIONSHIP." Below the headline is a black andwhite photograph of a football player eluding a tackler.

Henry smiles and shuffles the article to the bottom of thepile. He picks up the second clipping. The second clippingreads: "FORMER HIGH SCHOOL ALL-AMERICAN NOW SUCCESSFULLAWYER." Below the headline is a black and white photographof Henry standing between Four WHITE MEN, all dressed in suits.

HENRY(grins)

Wow...My first case.

Henry looks down at the box and raises his eyebrows. Heplaces the article down and picks up a photograph stickingout from underneath the remainder of the newspapers. Thephotograph shows him in a graduation gown shaking the handof an OLDER MAN while receiving a certificate. Henry turnsthe photograph and the words on the back read: "THE PROUDESTDAY OF MY LIFE, HENRY GRADUATES FROM LAW SCHOOL."

Henry places the photograph in the box and dazedly looks upat the ceiling.

42.

INT. FELLOWSHIP BAPTIST CHURCH - PULPIT - DAY

Skip, Mrs. Johnson, Rachel and Will sit among theCONGREGATION as Pastor Jones stands behind the pulpit.

PASTOR JONESToo many times, we stereotype thedevil as an ugly creature withhorns on top of his head. Inactuality...the devil can also be awell dressed, handsome fellow, whocan quote scripture word from word.

Skip looks on as the CHURCH WOMAN in front of him claps.

CHURCH WOMANPreach it reverend!

PASTOR JONESSee, the devil likes to see usangry and upset with each other. Helikes it when we only care aboutour immediate family. Turn to Lukechapter six verses thirty twothrough thirty five.

Pastor Jones takes a sip of water and wipes his forehead.

PASTOR JONESFor if ye love them which love you,what thank have ye? for sinnersalso love those that love them. Andif ye do good to them which do goodto you, What Thank have ye? forsinners also do even the same.

Mrs. Johnson nods as Rachel and Skip give eye contact.

PASTOR JONESAnd if ye lend to them of whom yehope to receive, what thank have ye?for sinners also lend to sinners toreceive as much again.

CHURCH WOMAN(claps)

Tell it!

43.

PASTOR JONESBut love ye your enemies, and dogood, and lend, hoping for nothingagain; and your reward shall begreat, and ye shall be the childrenof the highest: for he is kind untothe unthankful and to the evil!

The CONGREGATION applauds as several stand to their feetclapping including Mrs. Johnson. The CHOIR behind thepreacher stands up and the HEAVY LADY sitting in front ofthe piano begins to play. A SHORT WOMAN standing in front ofthe choir begins to sing.

SHORT WOMANAMAZING GRACE, HOW SWEET THESOUND...THAT SAVED A RECK LIKEME...I ONCE WAS LOST, BUT NOW I'MFOUND...WAS BLIND BUT NOW I SEE.

CHOIRAMAZING GRACE...

SHORT WOMANAMAZING GRACE...

CHOIRHOW SWEET THE SOUND...

SHORT WOMANHOW SWEET THE SOUND...

CHOIR & SHORT WOMANTHAT SAVED A RECK LIKE ME...

CHOIRI ONCE WAS LOST...

SHORT WOMANI ONCE WAS LOST...

CHOIRBUT NOW I'M FOUND...

CHOIR & SHORT WOMANWAS BLIND BUT NOW...I SEE.

Skip and Rachel hug as Skip kisses Rachel on the forehead.Mrs. Johnson and Will smile as they look on.

HEAVY LADYThank you Jesus!

44.

INT. GRANDMA RETTA'S LIVING ROOM - DAY

Grandma Retta sits on the couch as Lisa enters the room.Lisa looks sad.

GRANDMA RETTAYour father called earlier...hey,what's with the sad face?

LISAI don't wonna talk to him.

GRANDMA RETTAWhat's wrong? Don't you want tospend time with your father?

LISANope...He doesn't care about me...Ihate him.

Grandma Retta walks over to Lisa and hugs her. She kissesher on the head as she embraces her. She holds her hand andleads her to the couch. The two take a seat next to one another.

GRANDMA RETTABaby, your father loves you. He'sjust going through a lot right now.

LISAIf he loves me, why doesn't he wantme around?

GRANDMA RETTAIt's not that he doesn't want youaround. He just needs some timealone to resolve some complicatedproblems.

Grandma Retta puts her arms around Lisa.

GRANDMA RETTALisa, we all make mistakes. I waswrong when I said some of thosethings about your father. I wasangry and mad at the time...and Iknow you don't really hate your father.

Grandma Retta gently slides her fingers through Lisa's hairand smiles at her.

GRANDMA RETTAJust give it some time...he'll comearound. He loved your mother and heloves you.

45.

Lisa looks at Grandma Retta and the two embrace.

INT. MRS. JOHNSON'S HOME - LIVING ROOM - DAY

Skip, standing, looks at the antique's on the wall, as Mrs.Johnson enters holding a glass of water. She hands it to him.

SKIPThanks.

Skip takes a sip from the glass and glances back at the wall.

SKIPYou always did have taste.

MRS. JOHNSON(smiles)

I don't know about that...after all,I married you.

As Skip turns around. He laughs as he walks closer to Mrs.Johnson.

MRS. JOHNSONHey, I just wanted you to know thatI'm proud of how you've beendealing with the kids lately...itfelt good having you in church withus today.

SKIPI'm the one who should be thankingyou. Despite all the times I'vehurt you, you've always been therefor me.

Skip and Mrs. Johnson draw closer and lock eye's but Mrs.Johnson draws back.

MRS. JOHNSONIt's a little too quiet in here.

Mrs. Johnson turns towards the stereo and presses a button.An old classic THUMPS through the speakers. Skip smiles ashe walks towards Mrs. Johnson.

SKIPRemember when we use to go dancingon Fridays?

MRS. JOHNSONI sure do...that was a long time ago.

46.

SKIPWhy don't you grant me a dance forold time sake.

Mrs. Johnson smirks at Skip and slowly walks into his arms.The two slow dance together as Mrs. Johnson leans her headon skip shoulders, and closes her eyes.

SKIPFor what it's worth, I neverstopped loving you.

Mrs. Johnson opens her eyes while the two continue to dance.

MRS. JOHNSONI see you still have two left feet.

Skip and Mrs. Johnson grin as the two continue to dance.

CUT TO:

INT. LOCAL GYM - DAY

Rachel jogs around a track as Will, Joe, and three otherYOUNG MALES engage in a game of basketball. Skip is drenchedin sweat as he looks on from a bench, with a towel aroundhis neck. Rachel jogs towards him and takes a seat. Shepicks up a white towel and wipes her sweaty face.

SKIPWill's a great kid...you've done agreat job raising him.

RACHELI try...he reminds me of Henry athis age.

Skip frowns as he takes the towel from his neck and wipeshis face with it.

RACHELSo tell me dad, what drove you awayfrom us all these years.

Skip looks at Rachel and puts the towel back around his neck.

SKIPI'm sure you're tired of hearingexcuses...

RACHELNo...I want to know.

47.

SKIPAfter winning a few big cases, Istarted trying to live up toeverybody's expectations. Workbecame more important thenfamily...The first time I lost backto back cases, I felt like I was afailure and I just wanted to get away.

Rachel sadly stares at Skip as he turns his head away fromher and looks down with a frown.

SKIPOnce it was obvious alcohol hadtaken over, your mother and Idecided it would be best for us togo our separate ways.

RACHELBut why didn't you come see us?Didn't you care what was going onwith us.

SKIPOf course I cared, I stayed intouch with your mother all the time.I even attended some of yourvolleyball games and some ofHenry's football games. I was justtoo embarrassed to show my face.

RACHELWhy didn't she tell us?

SKIPMy drinking became so bad, we justdecided it would be best that Icleaned up first before I came backinto you and your brotherslives...I never lived up to theagreement but I never stoppedloving you and your brother.

Rachel walks over to Skip and the two embrace. Will looksover at the two from the basketball court and smiles.

INT. MRS. JOHNSON'S HOME - LIVING ROOM - NIGHT

Mrs. Johnson looks towards the door as Will enters holding abasketball in one hand. Mrs. Johnson smiles as Will locksthe door, and places the basketball on the floor. Will walksover to Mrs. Johnson and kisses her on the cheek. He sits onthe couch next to her.

48.

MRS. JOHNSONWhere's your mother?

WILLShe had to drop grandpa off.

Mrs. Johnson raises her eyebrows in surprise.

WILLWhy aren't you with grandpa?

MRS. JOHNSONSomething's just aren't meant to be.

WILLI don't know, you seem awfullyhappy when he's around. I see howyou two look at each other.

MRS. JOHNSON(grins)

We did have something special, butthat was a long time ago.

Mrs. Johnson gives a glaze stare.

WILLIt's just good to see him and momfinally getting along.

MRS. JOHNSON(nods head)

Hopefully the same can happen withhim and your uncle.

EXT. POOR CHICAGO NEIGHBORHOOD - PROJECT HOUSING GROUNDS -NIGHT

A black Ford Navigator with tinted windows stops at thecorner. Cars are parked, but the street is silent. LOUDMUSIC and CRIES of a baby ECHO out of the building. Rachellooks at Skip as he places a white towel in his bag and zips it.

SKIP(frown)

Thanks for the lift...I reallyenjoyed spending time with you andWill today.

RACHELSame here...hey, you feeling ok?You look a little sick.

49.

SKIPI'm ok...was just thinking...maybewe should try to get Henry and Lisato come along next time.

RACHEL(raises eyebrows)

Oh...I see.

SKIPI've tried...

RACHELHey, I know...I'll talk to him...hejust needs some time.

SKIP(smiles)

Thanks.

Skip and Rachel embrace. Skip grabs his bag and exits thevehicle. As Rachel drives away, he looks on.

INT. MALL - FOOD COURT - DAY

Henry sits at a table alone while reading a book. Jasonwalks towards him and touches Henry's shoulder. Henrycloses his book and looks up.

HENRY(smiles)

Have a seat man. What took you so long?

Jason sits directly in front of Henry.

JASONTraffic was pretty bad. So what's up?

HENRYI've been thinking long and hardabout this.

Jason looks at his watch with a smirk.

JASONabout what?

HENRYHow would you like to partner withme and start our own practice?

JASON(grins)

You're kidding right?

50.

HENRY(shakes head)

No, I'm serious as a heart attack.

JASONWow...that sounds interesting...giveme some time to think about that.

HENRY(smiles)

Hey, take your time. If anyoneunderstands time and patience, it's me.

JASON(laughs)

That's an understatement.

HENRY(smirk)

anyway, I know we've talked aboutthis in the past, and ever sinceRomona passed, I've realized lifeis too short to wait for ourdreams...we have to grab it beforeit's too late.

Henry and Jason are interrupted by a loud RING. Henryreaches for the cell phone in his pocket and answers the phone.

HENRYWhat's up sis? Yea, I'm actuallymeeting with Jason right now...

Henry looks at Jason and smiles.

HENRYRachel says you still owe her fromyour last tab.

Jason grins and waves off the notion with his right hand.

HENRYHey, I'm pretty busy rightnow...umh...ok, I'll come by withLisa when we're through.

Henry places the phone back in his pocket and looks at Jason.

HENRYJust look at it this way...We'vehad some success at the firm earlyon, but it'll take time before wemake partner.

51.

JASONWhat about getting clients?

HENRYThe resume speaks for itself. Nametwo better associates then us?

JASONWow...this is the Henry I know.Always living life on the edge.Gotta say...happy to see you back.

HENRYThanks...I'm getting there but Ihave a few more things I need toget in order. Just think about it,and let me know if you're on board.

Henry and Jason stand up and the two men shake hands.

JASONSure thing...you'll be hearing fromme soon.

INT. GRANDMA RETTA'S LIVING ROOM - DAY

Lisa looks out the window while sipping on a soda. Shesmiles as Henry drives his red 2007 BMW 5-series 530i infront of the house.

LISAGrandma, dad's here!

Lisa places the soda on the coffee table and walks towardsthe door as Grandma Retta walks down the steps. The car hornHONKS as Lisa opens the front door.

GRANDMA RETTAHey speed racer...aren't you goingto give your granny some sugarbefore you leave?

Lisa turns around and walks towards Grandma Retta.

LISASorry grandma.

Lisa and Grandma Retta hug and Grandma Retta kisses her onthe forehead.

GRANDMA RETTATell your dad to bring me back somewings from Mrs. Johnson's.

52.

LISAYes mam.

Lisa turns around and walks out the door, as Grandma Rettalooks on.

EXT. GRANDMA RETTA'S HOME - DAY

Lisa opens the door and hugs Henry.

LISAHey Daddy.

HENRYHey pumpkin, ready to have some funtoday?

LISAYelp.

Henry and Lisa wave to grandma Retta as Lisa closes the doorand fastens her seat belt. Grandma Retta waves back. Henrydrives away with Lisa as Grandma Retta looks on.

EXT. CHICAGO SUBURBAN STREET - DAY

Henry puts his right hand on top of Lisa's head and rubs itas he smiles.

HENRYSo how's daddy's little girl?

LISAI'm ready to come home.

Henry places both hands on the steering wheel as he looksstraight forward.

HENRYI know...I want you back home too.

Lisa looks up at Henry with a smirk.

HENRYGuess what? Daddy has a specialgift for you.

LISA(smiles)

Yeah, what is it?

HENRYOpen the glove compartment.

53.

Lisa opens the glove compartment and picks up a small whitebox. She takes the lid off the box and pulls out a diamondring hanging on a thin silver necklace. Lisa eyes and mouthare wide open. Henry looks on and smiles.

HENRYThat ring belonged to yourmother...It belongs to you now.

Henry squints his eyes and curls his lips while Lisa marvelsat the ring.

LISAIt's beautiful.

HENRYHold on to it and never forget howmuch she loved you.

Lisa puts the gift back in the box and puts the lid back ontop. She puts the box in the compartment and closes it. Shelooks up at Henry.

LISADaddy...I love you.

Henry looks at Lisa and kisses her on the forehead.

HENRYI love you too pumpkin.

Henry gloats as he continues to drive. Cars and PEDESTRIANSare on the move around them.

INT. MRS. JOHNSON'S HOME - KITCHEN - DAY

Mrs. Johnson slices carrots with a steak knife when thedoorbell RINGS. She looks up and wipes her eyebrows with herforearm.

MRS. JOHNSONWill, see who's at the door baby!

Mrs. Johnson picks up the sliced carrots and tosses them ina pot. She picks up an onion and begins to slice it whenRachel enters wearing a robe.

RACHELHey Ma. Who's at the door?

Will, Lisa, and Henry enter. Every one bears a smile asHenry hugs and kisses Rachel. Mrs. Johnson puts aside herknife and wipes her hand, as Rachel hugs Lisa and kisses heron the forehead.

54.

MRS. JOHNSONCome give your granny some sugar.

Lisa walks towards Mrs. Johnson. Mrs. Johnson bends down andgives Lisa a hug and kisses her on the top of the head.

MRS. JOHNSONLook at you. Just as beautiful asyour mother.

RACHELAin't she?

Mrs. Johnson stands erect as Henry walks towards her. Thetwo embrace as Henry kisses her on the cheek. Henry looks atthe stove.

HENRYIs that vegetable stew I smell?

MRS. JOHNSONUmh hum. Just like you like it.Rachel already baked some chickenand made some cornbread.

WILLYea, and I made the lemonade.

HENRY(grins)

Guess I'll be drinking water today.

Will lunges a soft punch at Henry's arm. Henry pretends tobuckle.

RACHELWill, take Lisa and let her checkout your Nintendo.

WILLIt's not a Nintendo...It's a PS3 Ma.

RACHELWhatever, you know what I'm talkingabout boy.

WILL(grins)

Come on Lisa.

Lisa walks towards Will and the two exit.

55.

RACHELLet me go put on some clothes. I'llbe back in a minute.

Lisa softly taps Henry on the shoulder and exits. Mrs.Johnson picks up the knife and begins to slice an onion.

MRS. JOHNSONIt's good to see you spending timewith your daughter.

HENRYI try.

MRS. JOHNSONHave you taken her to see your father.

HENRY(shakes head)

Ma...don't start with me today. Icame to have a good time.

MRS. JOHNSONYou know Rachel and Will have beenspending a lot of time with him lately.

Henry eyes widen as he walks towards Mrs. Johnson. Mrs.Johnson places the knife down and dumps the onions in thepot. She rinses her hands in the sink.

HENRYIs that right? So what does he wantnow?

Mrs. Johnson turns around and looks at Henry as she driesher hand with a dish towel.

MRS. JOHNSONA second chance to love, and to beloved by his family.

Rachel enters as Mrs. Johnson and Henry look on.

RACHELHey you two, I miss anythinginteresting?

HENRYNope...but obviously I have.

RACHEL(puzzled)

ok...what's going on...

56.

MRS. JOHNSONHey, you two need to step outside.Rachel, talk to your brother.

RACHELooh...I think I know where this isgoing. We'll be back in a minute.

EXT. MRS. JOHNSON'S HOME - DAY - SAME

Henry closes the door as Rachel sits on the top step. Henrystands in front of Rachel with one foot on the bottom step.

HENRYSo what's this I hear about you andSkip hanging out now?

RACHELEver since Romona passed, it's beenall about you. You've been actingas if you were the only oneeffected by her death.

HENRY(vexed)

What does my wife's death have todo with you and Skip.

RACHELIt's about not feeling sorry foryourself all the time. About lovingthe people around you.

HENRYYou should go tell that to Skip...

RACHELI'm telling it to you...I don'tknow if you noticed, but you'vebecome what Skip use to be.

HENRY(shocked)

What?

RACHELThat's right. I heard about yougetting drunk and leaving Lisastranded.

Rachel stands.

57.

RACHELRunning away from your family andneglecting your job...We get it.Bad shit happens to good people too,but walking around feeling sorryfor yourself ain't gonna change shit.

Rachel walks towards Henry and pokes his chest with her finger.

RACHELWhen we were kids we agreed wewould never be like him...Well, youbroke that promise.

HENRYSo what have you two been talkingabout?

RACHELHe's changed Henry. He's reallytrying hard...I think you shouldgive him a chance.

Henry looks up at the sky.

HENRYI've really been an ass ugh?

Rachel hugs Henry.

RACHELHey, we all make mistakes. That'swhy it's important to forgive andgive people a chance to right theirwrongs. Now let's go inside and getour grub on.

Mrs. Johnson looks out the window as Rachel and Henry walkup the steps and enter the house.

EXT. CHICAGO SUBURBAN STREET - NIGHT

A red 2007 BMW 5-series 530i strolls in the rain. Henrynavigates the vehicle as Lisa silently sits in the passengerseat. The windshield wipers glide back and forth as Henrystares straight.

LISALet's stop by moms tomb?

HENRY(arched eyebrows)

But it's pouring out.

58.

LISAI know, but since you gave me thering...I've been thinking about herall day.

Henry looks at Lisa and smiles as he taps her knees with hisright hand.

EXT. CEMETERY - NIGHT - SAME

The rain pours as Lisa kneels in front of a tomb. Henrystands behind Lisa as she pulls a white box from her pocket.Lisa opens the white box and lifts the thin silver chain. Asthe diamond ring dangles in the rain, Lisa kisses the tomband places the chain around her neck. Henry walks towardsLisa as she stands. Henry places his hands around Lisa andthe two stand soaked in front of the tomb. Lisa looks up atHenry.

LISA(smiles)

Thank you Daddy...I'll never forgetthis day.

Henry smiles and two turn and walk away.

EXT. MRS. JOHNSON'S RESTAURANT - DAY

Skip stands behind the bar as CUSTOMERS move about. As Mrs.Johnson chats with an OLDER CUSTOMER. Delighted, Skip lookson. Jason enters and walks directly to the bar.

SKIPYou look familiar...have we met?

JASONYea, on the train a while back. I'ma friend of Henry's.

SKIPoh, that's right. Well, how can Ihelp you young man?

JASONA beer will do...Sir do you mind ifI ask you a question?

SKIPShoot.

JASONIs it true that you won over ahundred straight cases before theLexington trial?

59.

Skip eyebrows arch.

SKIPHow did you know about that?

JASONLet's just say I've studied a lotof cases.

Mrs. Johnson turns behind the bar and walks towards the twomen as Skip hands Jason a mug of beer. Mrs. Johnson standsnext to Skip, in front of Jason.

MRS. JOHNSONLooks like you two don't need anintroduction. What brings you by Jason?

JASONI was hoping we could chat for aminute.

MRS. JOHNSONOh, what's on your mind?

JASONYou know Henry and I have alwaystalked about starting our own lawfirm...well, he approached me aboutleaving the firm and becoming partners.

Skip looks on with interest as Mrs. Johnson slaps her handstogether and moves them under her chin.

MRS. JOHNSONWhat, that's a wonderful idea. Haveyou two finalized this?

JASONNo, but you know how he is. Hewants me to let him know right away.

SKIPSo how are things at the firm?

JASONSince Henry took leave, leadershiphas gotten really sloppy andunprofessional. I'm starting tofeel we can do better on our own.

MRS. JOHNSONSkip, so what you think?

60.

SKIP(grins)

What, he asked you, not me.

JASONHey, I'm almost sold...Justweighing a few pro's and cons.

SKIPYou have any experience son?

JASONLet's just say I plan to shatteryour accomplishments one day sir.

SKIP(grins)

Confidence, that's a good start.

MRS. JOHNSONOh my God. Wait until I tell Rachel.

Jason picks up the mug and sips as Mrs. Johnson walks away.Skip nods and smiles.

INT. LOCAL GYM - DAY

Henry peddles on a stationary bike, while head phones areattached to his ears. Six HEALTHY WOMEN and four HEALTHY MENwork out around him. Dr. Jay Paris enters with a towelaround his neck. His eyebrows arch as he notices Henry. Dr.Jay Paris walks over to Henry and taps his shoulder. Henrystops peddling and smiles as he removes his head phones.

DR. JAY PARISLong time no see. How are you?

HENRYI can't complain. How's the family?

DR. JAY PARISThe family's fine...It's just thisrecent incident at the hospitalthat has me worried.

HENRYWhat's the problem?

DR. JAY PARISHey...you have enough to worryabout on your own. Let's just sayI'm looking for a good lawyer.

61.

HENRY(smiles)

So what am I?

DR. JAY PARIS(grins)

You're an excellent lawyer, wholast time we spoke, was out onleave from his occupation.

Dr. Jay Paris pats him on the back.

DR. JAY PARISWell, it was good seeing you man.Let's keep in touch.

The two shake hands.

HENRYOh, you'll be hearing back from mesoon. I'm interested in knowingmore about your little incident.

DR. JAY PARISThat's fine...but believe me,there's nothing little about it. Myreputation is at risk.

Henry looks on as Dr. Jay Paris walks away. Henry puts hisheadphones back in his ears and begins to peddle.

INT. CITY TRAIN - DAY

Will and Joe toss a basketball back and forth as thePASSENGERS quietly look on. The train stops as Will and Joeexit.

EXT. DOWNTOWN CHICAGO STREET, INTERSECTION - DAY - SAME

Will dribbles the ball as the two walk along. PEDESTRIANSwalk the street.

JOESo what's the deal with yourgrandfather? He and Mrs. Johnsonhooking back up or what?

WILLShe's digging him and all, but Idon't know about all that.

JOEYour moms seem to be cool with it.

62.

WILLI know right...It's just good tosee her happy again. Yo, what youworried about that for? The realquestion is how you gonna stop mefrom draining them scuds.

Will smiles as he flips his wrist to rotate the ball in theair. Joe grabs the ball while it's in the air and begins todribble the ball away from Will. Will laughs as he chases Joe.

INT. MRS. JOHNSON'S RESTAURANT - DAY

Skip stands near the pool table when the phone RINGS acrossthe room. Mrs. Johnson walks towards the phone as Skip picksup the eight ball and tosses it into the corner pocket. Mrs.Johnson picks up the phone and places the receiver to her ear.

MRS. JOHNSON(smiles)

Hey, we were just talking about you.

Skip looks at Mrs. Johnson as he picks up a pool stick.

MRS. JOHNSONHe was just here...ok...ok...I'lllet him know...Love you.

Skip walks towards Mrs. Johnson as she hangs up the phone.

SKIPWho was that?

MRS. JOHNSON(smiles)

It was your son...He wants you tocome to the church at seven tonight.

SKIPFellowship?

Mrs. Johnson continues to smile as she nods her head.

MRS. JOHNSONYelp...Looks like you two have alot to talk about.

SKIP(smiles)

I guess we do.

63.

EXT. FELLOWSHIP BAPTIST CHURCH - NIGHT

Henry stands alone holding a black box as Skip walks towardshim. Henry does not notice, as Skip closes in.

SKIPHello son.

HENRY(startled)

Hey...you caught me off guard there.How are you?

SKIPI have to say, I'm pleasantlysurprise that you wanted to talk to me.

HENRYHope you don't mind the location,but you and I know this has beenlong over due.

Skip looks down at the box in Henry's hand.

SKIPI see you got my little gift...Sowhat's on your mind?

Henry walks towards the steps and sits. He places the box inhis lap.

HENRYwhen I was young I use to think Ihad the greatest dad in theworld...I was the envy of all myfriends.

Skip places his hands in his pockets as he looks on.

HENRYSome friends didn't know who theirfathers were, and others hadfathers who had abandoned them...butnot me. My old man was a big timelawyer.

SKIPSon, I've always loved you and...

HENRYJust listen for a change Skip...hearme out.

64.

Skip raises his hands and tilts his head, letting Henry knowhe will concur.

HENRYWhen you left, I lost my bestfriend...for some time, I blamed myself...thought I had done somethingwrong to run you away.

Henry places the box on the step.

HENRYEvery night Rachel and I waited foryou to come back but finally ittook it's toll. Can you imaginewhat it felt like for me to have tododge my friends, so I wouldn'thave answer questions about you?

SKIPI can't...but I would like toapologize for not being a father toyou. I don't expect you to forgetwhat happened, I just ask that yougive me a second chance to createnew memories.

HENRYI understand things got rough foryou...hell, I'm going through a fewthings myself...but why didn't youkeep in touch? How could you justwalk away from your family?

Skip slides his hand over his mouth.

SKIPI was a coward selfishly thinkingabout myself. By the time Irealized how long I had been away,I was too shame to make thatjourney back home.

Skip shakes his head as Henry looks on.

SKIPI managed to convince myself thatyou all would be better off without me.

HENRYHow?

65.

SKIPI don't know son. If you forceyourself, you can believe anythingthat you want to...no matter howstupid it is.

HENRYRachel told me I was behaving justlike you the other day.

SKIPHey, things happen...The real testof a man is how he bounces back upafter he falls.

HENRYFor what it's worth...I wish wewould have had this conversationsooner.

SKIP(smiles)

There's an old saying...

Skip walks towards Henry and sits next to him.

SKIPBetter to loose the game on thefield then to lose it in the bleachers.

HENRYWhat does that mean?

SKIPAt least we're giving ourselves achance to iron this thing out. Tohave continued not talking wouldn'thave solved anything.

Henry opens the black box and picks up a newspaper clipping.

SKIPI've never stopped loving you son,and I'm proud of all youraccomplishments...You showed a lotof character calling me out here.

HENRYIt wont be easy, but I'll try towork this thing out. It's just thatI have so many unanswered questionsand built up anger...but I'm gladyou showed up.

66.

EXT. CHICAGO SUBURBAN STREET - DAY

Henry drives his red BMW as PEDESTRIANS are on the movearound him. He slows down and parallel parks in front of Mrs.Johnson's home. Will and Joe are seated on the steps. Henryexits the car and walks towards the house.

HENRYHow are you guys doing?

Henry and Joe fist bump.

WILLwe're good.

HENRYAre the ladies in?

WILLYeah...their in the kitchen.

Henry walks between the two and enters the house.

INT. MRS. JOHNSON'S HOME - LIVING ROOM - DAY

Henry enters while Rachel and Mrs. Johnson are seated on thesofa. The two ladies smile as Henry bends over to hug each.

RACHELSo how did it go?

HENRYI said what I had to say...it wasnothing more.

MRS. JOHNSONWell, I'm glad to see the two ofyou talking again. That's a start.

HENRYI actually came over to talk to youtwo about something else.

RACHELLet me guess...Does it haveanything to do with Jason.

Henry looks at Mrs. Johnson.

HENRYSo what you think Ma?

67.

MRS. JOHNSONI love the idea...what's moreimportant, is how you feel about it.

HENRYThe other day when I had Lisa, Irealized we have to live in themoment. We can't just expect thatthings will happen automatically.

RACHELSo what's the problem?

HENRYSince I spoke with Jason, I've hadtime to reevaluate the whole thing.If I stay at the firm for a littlelonger, I maintain a definiteincome and can save for an easiertransition later.

RACHELI never thought about that.

HENRYNot to mention strengthening theresume, and beefing Lisa's collegefund.

MRS. JOHNSONWhen Jason first told me, I thoughtit was a wonderful idea...and Istill do. Like you said, there arepro's and cons. You have to bewilling to live with whateverdecision you make.

Henry kisses Mrs. Johnson on the cheek.

INT. HOWIE'S BAR - DAY

Howie removes four chairs from on top of a table and neatlyslides them under the table when Skip enters. Howie is awarethat someone has entered but does not turn around.

HOWIEWe're not open till noon.

SKIPIt's me man.

Howie turns around with a smile as Skip walks towards him.

68.

HOWIEYou've been M I A. What's going on?

The two embrace.

SKIPI work at the restaurant with mydaughter and my ex now.

HOWIEGet out of here. How's your boy doing.

SKIPWe're finally beginning to iron outa few things.

HOWIEI'm glad to hear that. Wantsomething to drink? It's on the house.

SKIPI'll pass. It's way too early forthat. I just came to thank you forbeing a good friend all theseyears...you know...

HOWIEWho's the impostor in front of me?This is not the Skip Iknow...seriously, I'm just glad tosee things are finally working outfor you.

SKIPIt's just good to have my kids backin my life...I'll have to inviteyou over to meet the grand kidssometime.

Howie walks over to the next table and removes a chair tothe floor.

HOWIEAny time buddy, any time.

EXT. MARK'S HOME - DAY

Mark pushes a lawnmower as Henry arrives in the drive way.Henry parks the car and heads toward Mark holding two bottlewaters. Mark stops the lawnmower and wipes his forehead withhis forearm. Henry grins and tosses Mark a bottle water.Mark catches it with one hand.

69.

MARKGood timing...What brings you by?

HENRYWhat if I told you I was going topartner with someone from the firmand we were going to start our ownpractice. Who would you think I wasreferring to?

MARKJason seems like a heads upguy...Why, is there something Ineed to know?

HENRYYou've always been one to play itsafe...What do you think about mewalking away from the firm andstarting a practice with Jason?

MARKI wouldn't jump into it unless Ihad a big case and a wealthy clientalready onboard.

HENRYWhy?

MARKThe expenses of finding a location,the cost of marketing andadvertising, and building areputation could make things prettydifficult in the beginning.

HENRYTrue.

MARKWith everything you and Lisa's beenthrough, are you mentally ready forthe hard work and time you willhave to put into it to make itsuccessful?

Henry places his left arm across his chest and places hisright hand on his chin as he looks down. Mark opens thebottle water and takes a sip.

70.

MARKIf you guys can't leave the firmwith a client and a big case inplace, it'll be best to stay at thefirm and fatten up the resume whilesaving money.

HENRYA big client ugh?

MARKHey...regardless of what I say,it's something you have to decideon your own. Just think about thetransition for Lisa.

HENRY(smiles)

You're ok with me man. I don'tbelieve all of those bad thingspeople have been saying about you.

MARK(grins)

What people? The only peopletalking bad about me is you and Terri.

The two men laugh. Henry opens his bottle water and takes asip while Mark pours the one he holds over his head.

INT. HENRY'S HOME - LIVING ROOM - NIGHT

Henry sits on the couch wearing pajamas and a robe. Lisaenters wearing pajamas, holding a doll. She sits next toHenry as she wears the silver chain with the diamond ringaround her neck.

HENRYI see you still haven't found aplace for that chain.

LISAI have...I just felt like wearing it.

HENRYHey, I'm thinking about leaving thefirm and starting my own practice.

LISAAre you happY?

HENRYI feel good about it.

71.

LISAThen you should do it.

HENRYYour mother and I use to talk aboutdoing it all the time. She wasgoing to run the office while Iwould add an extra partner. Wenever got a chance to....

LISADaddy...you still have me...I'llrun the office.

Henry laughs and places his arm around Lisa as he kisses heron top of the head.

HENRYIn due time...Just continue to getgood grades in school for right now.

LISADoes this mean I'll be staying withyou from now on?

HENRYWhy not? I think it's about time Istarted acting like your father again.

Lisa places both hands around Henry's neck as she sits onhis lap.

INT. MALL - FOOD COURT - DAY

Henry sits at a table alone. Jason walks towards him and thetwo embrace. Jason sits across from him.

JASONSo this is like your official spot now.

HENRYIt never crossed my mind...I guessyou can say that.

JASON(smiles)

I'm on board.

HENRYAfter we spoke, I had some time tothink the whole thing over, and Ihave two mandatory conditions.

72.

JASONShoot.

HENRYOne, we find a client and have acase lined up before we turn in ourresignations, and two, we bothunderstand that my daughters needscome first, before any client.

JASON(smiles)

Sounds like a winner to me.

The two men extend their hands and shake on it.

JASONYou know we can't take on any ofthe active clients from the firm.You have any in mind.

HENRYIt's funny you said that because Iactually do have a client in mind.Meet me at the house later tonight.I want you to meet someone.

INT. MRS. JOHNSON'S HOME - LIVING ROOM - DAY

Mrs. Johnson lays across the couch as she watches tv. Thedoor bell RINGS. She gets up and walks towards the door. Asshe opens the door, she raises her eye brows and shakes herhead. Skip enters holding beautiful red roses. Skip kissesMrs. Johnson on the cheek.

SKIPThese are for you.

Mrs. Johnson takes the roses from Skip and hugs him.

MRS. JOHNSONHow beautiful...What's the specialoccasion?

SKIPI just wanted to thank you foreverything you've done over thelast few months.

Mrs. Johnson walks over to place the roses in a vase whileHenry sits on the couch. She turns off the television andsits next to him.

73.

MRS. JOHNSONI'm proud of you for reaching outto our children...They both loveyou very much.

The two smile as they look eye to eye.

SKIPDo you still love me?

MRS. JOHNSONI never stopped loving you Skip.

SKIPI've gotten my second chance fromthe kids...how about their mother?

MRS. JOHNSONIt depends...

The two begin to kiss passionately. Skip falls on the couchwith Mrs. Johnson on top of him.

EXT. CHICAGO SUBURBAN STREET - DAY

Rachel drives as Will sits in the passenger seat of a blackFord Navigator. Cars and PEDESTRIANS are on the move aroundthem.

RACHELI know I've been really busy at therestaurant, but I just wanted tospend a little time with you.

WILL(grins)

A little Q T?

RACHELYou know you can come to me aboutanything...So what's been up with you?

WILLI'm cool...since you and granddadstarted talking, you smile more.It's good to see you happy.

RACHEL(grins)

So what you saying, I was a grouchbefore?

74.

WILLI'm just saying, at least one of ushas our father back in our life.

RACHELBaby I'm...

WILLHey, we've had this conversationbefore ma. I was raised by two ofthe strongest women in the world,and the men in my life have allbeen positive role models...can'task for anything more.

Rachel smiles as she pats Will on the leg.

RACHELYou're a good Kid.

WILL(smile)

Remember that when it's time to getmy license...and a new car.

RACHELWhatever...You need to grab somehours in the restaurant and startsaving up.

EXT. HENRY'S HOME - NIGHT

Dr. Jay Paris walks to the door and KNOCKS. Henry opens thedoor and invites him in. Henry closes the door behind him.

INT. HENRY'S HOME - LIVING ROOM - NIGHT - SAME

Jason is seated, but stands as Henry and Dr. Jay Paris enter.

HENRYJason, meet my neighbor, Dr. Jay Paris.

Jason and Dr. Jay Paris shake hands, and the three gentlemensit.

JASONHenry tells me you are one of thebetter surgeons in the midwest.

DR. JAY PARISI try...how about yourself?

Jason looks at Henry and points with a smirk.

75.

JASONI work with this guy at the firm.

DR. JAY PARIS(grins)

OOh...I think I know what this isabout.

HENRYYou got it...So have you found alawyer yet.

DR. JAY PARISI've spoken to a few people, butI'm really looking for the bestrepresentation that money can buy.

HENRYThat's why I planned this gathering.So what's going on? What happenedat the hospital?

The door bell RINGS.

HENRYJust one minute you guys. Let mesee who's at the door.

Henry heads to the door. When he opens the door, Skip standssmiling. Henry eyebrows arch.

SKIPHey son. Can I come in?

HENRYI'm sorry, you caught me offguard...Of course you can come in.

Skip steps in and Henry closes the door.

SKIPBad timing?

HENRYDon't worry about it.

The two enter as Dr. Jay Paris and Jason stand.

HENRYFellas, meet my dad.

Jason and Skip look astonished at Henry's response.

76.

HENRYYou've met Jason, and this is myneighbor, Dr. Jay Paris.

Skip shakes hands with Jason and Dr. Jay Paris.

HENRYHe was the doctor with Romona thenight of the accident.

The four man sit.

HENRYDoc needs a lawyer and was justabout to tell us about his situation.

DR. JAY PARISReceived medical malpractice claimfrom an amputated trauma patient Ioperated on.

SKIPAren't protocols and procedures inplace before these decisions are made?

DR. JAY PARISNormally, but this guy came inunconscious with no identification.

JASONHow bad was the injury?

DR. JAY PARISHe had already lost a lot ofblood...had lot of deep cut wounds.

HENRYI don't get it, what led to theamputation?

DR. JAY PARISTurns out the patient has softtissue tumors...Instead of justpatching things up, I practicallysaved his life with the amputation.

SKIPWhat's the problem here?

DR. JAY PARISUnconscious patients and theirfamilies have the right to makethese decisions.

77.

HENRYDoctor makes life and deathdecision for unconscious patientwith no identification. Sued formalpractice.

Jason stands.

JASONSo who did you have in mind torepresent you on this one?

DR. JAY PARISI've been talking to some guys atClifford Change.

SKIPThat megafirm in the UK?

DR. JAY PARISYea.

SKIPWere talking seven hundred andfifty an hour...If you ask me,these guys can win this case formuch less.

Henry, with arched eyebrows quickly looks at skip with asmile. He smiles and looks back at Dr. Jay Paris.

HENRYHe's right...Jason and I havedecided to start our own firm andwould love to have you as a client.

Jason looks on and nods.

DR. JAY PARISWow...when did this happen?Hey...I'm interested. I tell youwhat, let me go home and discussthis with Kathryn.

All four stand as Dr. Jay Paris stands and shakes hands withall.

DR. JAY PARISYou guys will be hearing from me soon.

EXT. HENRY'S HOME - NIGHT - SAME

Dr. Jay Paris walks to his home as Skip, Henry and Jasonlook on. Jason turns to Skip.

78.

JASON(smiles)

It's good to get your recommendationafter you grilled me earlier.

SKIPI was talking about Henry...I'mstill worried about you blowing thecase.

The three men laugh. Jason looks at his watch and turns toHenry.

JASONI'm about to head out. It's alittle past my bedtime...I'll talkto you guys later.

Jason points at Skip.

JASONYou keep it up, we might have tomake you an equity partner.

Skip and Jason laugh as Henry looks on with a friendly smirk.Jason walks towards a red sports car. Henry and Skip faceeach other.

SKIPYou know that was the first timeI've heard you call me dad, sincelord knows when.

JASONReally, don't recall...but hey,thanks for the pitch...I think yougot us our first client.

Skip stands with a look of minor disappointment.

SKIPAnything I can do to help son...It'sgetting a little late...I'd betterhead out myself.

Skip and Henry shake hands. Skip walks away as Henry looks on.

INT. FELLOWSHIP BAPTIST CHURCH - PULPIT - DAY

Pastor Jones enters while Skip kneels in prayer. Skip openshis eyes and stands as Pastor Jones greets him with a handshake.

PASTOR JONESHow are things coming along?

79.

SKIPWhat can I say...God isgreat...Thank you for all theprayers and lectures reverend.Seems like things are finallyturning for the better.

PASTOR JONESHey, just continue to keep thefaith. The lord never gives up onus...We just have to believe inourselves and continue to ask forguidance.

SKIPWe're throwing Henry a party at therestaurant Saturday...I'm extendingyou a personal invite.

PASTOR JONESSounds fun...Think I'll take you upon this one.

SKIPSure thing. There will be lots offood...hey, we'll even heat you upa pitcher of apple cider.

PASTOR JONES(laughs)

Now that's an offer I can't refuse.

Skip and Pastor Jones shake hands.

INT. MRS. JOHNSON'S HOME - LIVING ROOM - DAY

Rachel enters while Mrs. Johnson is seated on the sofa.

MRS. JOHNSONWhat happened?

Rachel walks towards Mrs. Johnson with a frown. Rachel pumpsher fist and smiles.

RACHELI got it...You are looking at a newhome owner.

Mrs. Johnson stands and the two women embrace.

RACHELIt should be ready in about a weekor two.

80.

There is a KNOCK at the door. Rachel turns around and opensthe door. Skip enters and hugs her. The two gather aroundMrs. Johnson.

MRS. JOHNSONYou're looking at a first time homeowner.

SKIPWhat? Well I'll bedamn...congratulations.

RACHEL(smile)

Thanks...You two have to excuse me,but I need to make a phonecall...oh, I might need some helppacking too.

Rachel exits as Skip and Mrs. Johnson sit on the sofa.

SKIPLooks like someone is going to havea house all to themselves.

MRS. JOHNSON(smiles)

Maybe.

SKIPI'm looking for a roommate.

MRS. JOHNSONHow about a soulmate?

SKIPWhat's going on here. I thought yousaid some things were just notmeant to be.

MRS. JOHNSONSome time things change. Let's takeit slow and see where it leads us.

Skip holds Mrs Johnson hands.

SKIPHey...I have nothing to lose andeverything to gain.

EXT. DOWNTOWN CHICAGO - DAY

Pedestrians and cars roam about among the cities beautifulskyline.

81.

Parked cars are lined up on a street in front of Mrs.Johnson's restaurant.

INT. MRS. JOHNSON'S RESTAURANT - DAY

Customers socialize as Rachel roams the room. Lisa and Rustyare seated together across from Mark and Terri. GrandmaRetta and David Malone sit at a corner table. Joe and Willplay pool as Skip and Pastor Jones look on. The chubby manin a wrinkled suit sits around the crowded bar. Mrs Johnsonplaces a mug of beer and a plate of hot wings in front ofthe man.

MRS. JOHNSONJust the way you like it...thisones on the house.

CHUBBY MANThat's why I love this place.

The chubby man picks up a wing and takes a bite as Mrs.Johnson walks away. The banner on the wall reads: "J & HATTORNEY AT LAW." Skip walks over to Mrs. Johnson and placeshis arm around her shoulders. Rachel places a cake on top ofan empty table next to Grandma Retta and David Malone.

WILLHey...here they come!

The room is silent as Henry, Jason, Kathryn and Dr. JayParis enter. Everyone claps as the four are embraced by thegroup.

CHUBBY MAN(yells)

What's the verdict?

HENRYInnocent, we won.

Dr. Jay Paris smiles as he pumps one fist in the air whilethe other arm hangs around Kathryn's waist. Lisa embracesHenry while Rusty joins her parents.

JASONWe didn't even have to put him onthe stand. It was an open andclosed case.

HENRYRachel, turn to channel nine...thereshould be some footage on the news.

82.

Rachel grabs the remote and turns up the VOLUME on thetelevision.

RACHELshhh! Here it goes, listen.

The entire room is silent.

NEWS REPORTER (ON TV)Once again, trauma surgeon, Dr. JayParis has been cleared of allcharges after being sued formalpractice by a former amputeepatient. Ironically, his legal teamwere former associates at theprosecutors firm, and have gone onto start their own firm. Many whowitnessed the trial feel Dr.Paris's dream team legal defensemade a clear cut case of hisinnocence.

Kudos from the crowd as Jason and Henry raise their hands inthe air.

JASONSomebody hand me a beer. It's timeto party!

LOUD MUSIC fills the room as the CUSTOMERS go back tosocializing. Rachel hands Jason a pitcher of beer and anempty mug.

RACHEL(smiles)

Make sure we don't have to driveyou home.

Jason points at Rachel.

JASONThat shouldn't be a problem...Nowthat you're a homeowner, I can justcrash at your place.

RACHEL(smirk)

No sir. I need to keep my carpetstain free.

JASONCan a white guy get a break here?

83.

RACHEL(grins)

That unpaid tab is all the breakyou get around here...Congratulationssilly.

Jason grins and pours beer in his Mug.

JASONI still got it baby...still got it.

Smiling, Rachel shakes her head and walks away.

EXT. MRS. JOHNSON'S RESTAURANT - DAY - SAME

Skip stands on the sidewalk smoking a cigarette. He pacesback and forth when Henry steps outside. Skip tosses thecigarette and steps on it.

HENRYWhat's up with you? Everything ok?

SKIPI'm fine son...I'm just soakingthis moment in.

HENRYThe trial was a success wasn't it?

SKIPYes, but more importantly...I'mproud of the loving parents andsuccessful entrepreneurs you andyour sister have become.

Skip takes his hands out of his pockets and looks in sidethe restaurant. He quickly looks at Henry.

SKIPYour mother did a wonderful Jobraising you...I wish more motherscould be like her, and less fatherslike I use to be.

HENRYNo matter how angry I was after youleft, I always wanted to be a bigtime lawyer like you.

SKIPWhy is that?

84.

HENRYI hated you for leaving, but a partof me always held on to thememories when you were around...someof my best times of my childhoood.

SKIPIf I had a do over, I would havestarted my own practice, just likeyour doing right now. I would havehad more time for my family.

SKIPSon, sorry I wasn't there for youafter you lost your wife. I canimagine what you've been going through.

HENRYHey, it's life. We reconcile,cherish, and enjoy the ones who arearound.

SKIPAnd all this time I've been away,I've missed out on you two, alongwith my grand kids...no way tobring back those years.

HENRYAfter Romona died, I think Iunderstood how you felt for a while.I just wanted to get away...awayfrom everyone.

SKIPGood thing you didn't make the samemistake I made.

HENRYI know right...after talking toRachel, she sorta put things intoperspective.

SKIPHow's that?

HENRY(smiles)

Let's just say it's good to haveyou back around...Dad.

Henry smiles and the two hug. Howie walks around the corner.

85.

HOWIEHey, congratulations young blood.

Henry and Skip turn around and let go of one another.

HENRYThanks.

HOWIEWell, what are you dead beats doingout here? It's suppose to be a party.

SKIPCome on in, want you to meet mygrand kids.

Howie looks at Henry and laughs.

HOWIELooking much better then the lasttime I seen you, son.

The three men laugh as they enter the building.

FADE OUT.

The End