a model for orientally applied digital music technology
TRANSCRIPT
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A Model for Orientally Applied Digital Music Technology
Joel Kivelä
University of Jyväskylä
Department of Mathematical Information Technology
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Personal Background
● Advanced Music Theory ● Eastern Ethnomusicology ● Musical Instrument Development● Music Software Development● (~10 years of work experience with music
and musicians)
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Research Background● Currently widely used data protocol (MIDI)
between digital music software and hardware supports only western twelve-tone equal temperament tuning system and thus is unable to present/handle any other tuning systems.
● Alternative protocols to replace MIDI (1983) should be developed in order to implement any other musical system by digital means.
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Research Question● What kind of (an abstract) model is needed to
develop and what aspects are needed to study in depth for a protocol or a part of a protocol that implements popular alternative tuning systems as a fundamental feature ?
● Synthetic analysis of tuning systems, MIDI protocol and the requirements of technical features with a study of alive protocol platforms.
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Work Structure, so far● Introduction ● Tuning systems in general (music theory
part)● MIDI (history, specifications, use)● Alt. systems and MIDI (proving stuff)● Model requirements analysis● Analysis of on-going protocol projects and
possible platforms for the model● Conclusions
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MIDI & Western System
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Some idea of Alt. tuning systems
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i.e. South-indian melakarta system
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i.e. Chinese music system
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About MIDI
● Standardized in 1983, and no changes made since.
● Virtually all modern hardware and software are based on MIDI protocol by their data communication.
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Open Sound Control (OSC)
● Currently most active project developing an alternative protocol.
● Network based system● Symbolic data● Already supported by many software and
some hardware
● Also a new “MIDI” protocol HD-Midi is said to be under development (NAMM 2013)
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Something weird & interesting
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Reference Material
● Lots of music science papers (too many?)● Computer science papers about musical
interface design theory (Pennycoock, Hoadley, Obrenovic, etc..)
● OSC specification research papers (Freed & Schmeder)
and few technical textbooks: ● Introduction to Music Technology (Hosken)● Electronic & Computer Music (Manning)
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Thanks
For the interested:
● Microtonal wiki at http://xenharmonic.wikispaces.com/
● OSC protocol project at http://opensoundcontrol.org