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TRANSCRIPT
A Musical Banquet
Robert Dowland
Transcription by Alain Veylit
Separate lute and vocal parts
1. Lord Viscount Lisle's Galliard p. 12. My heavy sprite, opprest with sorrow's might p. 33. My heavy sprite, opprest with sorrow's might p. 54. Change thy minde, since she doth change p. 65. Change thy minde, since she doth change p. 76. O Eyes, leaue o& your weeping p. 87. O Eyes, leaue o& your weeping p. 98. Goe, my Flocke, goe get you hence p. 109. Goe, my Flocke, goe get you hence p. 1210. O Deere life, when shall it be? p. 1311. O Deere life, when shall it be? p. 1412. To plead my faith p. 1513. To plead my faith p. 1714. In a grove most rich of shade p. 1915. In a grove most rich of shade p. 2116. Farre from triumphing Court p. 2217. Farre from triumphing Court p. 2418. Lady if you so spight me p. 2519. Lady if you so spight me p. 2720. In darkness let me dwell p. 2921. In darkness let me dwell p. 3122. Si le parler et le silence p. 3323. Si le parler et le silence p. 3424. Ce penser qui sans fin tirannise ma vie p. 3525. Ce penser qui sans fin tirannise ma vie p. 3726. Vous que le bonheur rappelle p. 3827. Vous que le bonheur rappelle p. 3928. Passava amor, su arco dessarmado p. 4029. Passava amor, su arco dessarmado p. 4130. Sta no5e mi sognava p. 4231. Sta no5e mi sognava p. 4332. Vestros oios tienen d'Amor no se que p. 4433. Vestros oios tienen d'Amor no se que p. 4634. Se di farmi morire pensate p. 4735. Se di farmi morire pensate p. 4836. Dourò dunque morire? p. 4937. Dourò dunque morire? p. 5138. Amarilli mia bella p. 5239. Amarilli mia bella p. 5440. O bella più che le stelle p. 5541. O bella più che le stelle p. 57
Table of Contents
Copyright © 2015 by Alain Veylit
All rights reserved. �is book or any portion thereofmay not be reproduced or used in any manner whatsoeverwithout the express wri#en permission of the publisher.
Musickshandmade Publication
Printed in the United States of America2017, May 05
34
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Lord Viscount Lisle's Galliard
John Dowland
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My heavy sprite, opprest with sorrow's might
The Rt. Hon. George Earl of Cumberland Antony Holborne
3
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My heavy sprite, oppress'd with sorrow's might, of wearied limbs the burden sore sustains,
with silent groans and heart's tears still complains, yet I breathe still and live in life's despite.
Have I lost thee? All fortunes I accursebids, thee farewell, with thee all joys farewell, and for thy sake this world becomes my hell.
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T72
My heavy sprite, opprest with sorrow's might
The Rt. Hon. George Earl of Cumberland Antony Holborne
1. Eb on 5th course in original. E natural in bass part.
5
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3
Change thy mind since she doth change,Let not fancy still abuse thee.
Thy untruth cannot seem strangeWhen her falsehood doth excuse thee.
Love is dead and thou art free;She doth live, but dead to thee.
Whilst she lov'd thee best awhile,See how she hath still delay'd thee,
Using shows for to beguileThose vain hopes that have deceiv'd thee.
Now, thou see'st although too lateLove loves truth, which women hate.
Love no more since she is gone;She is gone and loves another.
Being once deceiv'd by one,Leave her love, but love none other.
She was false, bid her adieu;She was best, but yet; untrue.
Love, farewell, more dear to meThan my life which thou preservest.
Life, all joys are gone from thee,Others have what thou deservest.
O my death doth spring from hence;I must die for her o/ence.
Die, but yet before thou die,Make her know what she hath go1en.
She in whom my hopes did lieNow is chang'd, I quite forgo1en.She is chang'd, but changed base,
Baser in so vile a place.
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5
Change thy minde, since she doth change
The words by : the honourable Robert [Devereux] Earle of Essex Richard Martin
6
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The words by : the honourable Robert [Devereux] Earle of Essex Richard Martin
7
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7
1 O Eyes leaue o/ your weeping, Loue hath the thoughts in keeping, That may content you : Let not this misconceiuing, Where comforts are receiuing, Causelesse torment you.
2 Cloudes threaten but a shower, Hope hath his happy houre, Though long in lasting. Time needs must be a1ended, Loue must not be o/ended With too much hasting.
3 But O the painfull pleasure, Where Loue a1ends the leasure Of liues wretchednesse : Where Hope is but illusion, And Feare is but confusion Of Loues happinesse.
4 But happy Hope that seeth How Hope and Hap agreeth : Of life depriue me, Or let me be assured, When life hath death endured, Loue will reuiue me.
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O Eyes, leaue o3 your weeping
Robert Hales
1. Voice part transposed to Dm in original
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2 Leaue a wretch in whom all woe Can abide to keepe no measure. Merry flocke such one forgoe,
Vnto whom Myrth is displeasure, Onely rich in measures treasure.
3 Yet alas before you goe Heare your wofull Maisters story,
Which to stones I else would shew, Sorrow onely then hath glory
When tis excellently sorry.
4 Stella, fayrest Shepherdesse, Fayrest but yet cruelst euer,
Stella, whom the heau'ns still blesse, Though against me she perseuer,
Though I blisse inherit neuer.
5 Stella, hath refused mee : Stella, who more Loue hath proued
In this Cati/e hart to be Then can in good to vs be moued
Towards Lambe-kins best beloued.
6 Stella, hath refused mee Astrophel, that so well serued,
In this pleasant spring ( Muse ) see While in pride Flowers be preseru'd
Himselfe onely Winter-starued.
7 Why alas then doth she sweare That she loueth mee so deerely,
Seeing mee so long to beare Coales of Loue that burne so cleerely, And yet leaue me hopelesse meerely.
8 Is that Loue ? forsooth I trow If I saw my good Dogge griened
And a help for him did know My Loue should not be belieued But hee were by mee relieued.
9 No she hates mee ( well away ) Fayning Loue, somewhat to please mee,
Knowing, if she should display All her hate, Death soone would seize me,
And of hideous torments ease me.
10 Then my flocke now adew, But alas, if in your straying
Heauenly Stella meet with you, Tell her in your pi1ious blaying, Her poore slaues iust decaying.
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11
Goe, my Flocke, goe get you hence
Anonymous
10
1 Goe my flocke, goe get you hence Seeke some other place of feeding, Where you may haue some defence,
Fro the stormes in my breast breeding, And showers from mine eyes proceeding.
2 Leaue a wretch in whom all woe Can abide to keepe no measure. Merry flocke such one forgoe,
Vnto whom Myrth is displeasure, Onely rich in measures treasure.
3 Yet alas before you goe Heare your wofull Maisters story,
Which to stones I else would shew, Sorrow onely then hath glory
When tis excellently sorry.
4 Stella, fayrest Shepherdesse, Fayrest but yet cruelst euer,
Stella, whom the heau'ns still blesse, Though against me she perseuer,
Though I blisse inherit neuer.
5 Stella, hath refused mee : Stella, who more Loue hath proued
In this Catiffe hart to be Then can in good to vs be moued Towards Lambe-kins best beloued.
6 Stella, hath refused mee Astrophel, that so well serued,
In this pleasant spring ( Muse ) see While in pride Flowers be preseru'd
Himselfe onely Winter-starued.
7 Why alas then doth she sweare That she loueth mee so deerely,
Seeing mee so long to beare Coales of Loue that burne so cleerely, And yet leaue me hopelesse meerely.
8 Is that Loue ? forsooth I trow If I saw my good Dogge griened
And a help for him did know My Loue should not be belieued But hee were by mee relieued.
9 No she hates mee ( well away ) Fayning Loue, somewhat to please mee,
Knowing, if she should display All her hate, Death soone would seize me,
And of hideous torments ease me.
10 Then my flocke now adew, But alas, if in your straying
Heauenly Stella meet with you, Tell her in your pittious blaying, Her poore slaues iust decaying.
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Anonymous
12
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2 O if I my selfe finde not, By thine absence oH forgot,
Nor debarde from Beauties treasure: Let no Tongue aspire to tell In what high I shall dwell,
Onely Thought aymes at the pleasure.
3 Thought therefore will I send thee, To take vp the place for mee, Long I will not aHer tarry:
There vnseene thou mayst be bolde Those fayre wonders to behold,
Which in them my hopes doe carry.
4 Thought, see thou no place forbeare, Enter brauely euery where,
Seize on all to her belonging: But if thou wouldest guarded be,
Fearing her beames, take with thee, Strength of liking, rage of longing.
5 O my Thoughts, my thoughts, surcease, Your delights my woes increase,
My life fleetes with too much thinking. Thinke no more, but dye in mee
Till thou shalt receiued be At her lips my Nectar drinking.
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To plead my faith
The Right Honourable Robert,Earle of Essex: Earle Marshall of England. Daniel Bacheler
15
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To plead my faith
The Right Honourable Robert,Earle of Essex: Earle Marshall of England. Daniel Bacheler
17
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Astrophil with Stella sweet Did for mutual comfort meet, Both within themselves oppressed, But each in the other blessed.
Him great harms had taught much care, Her fair neck a foul yoke bare ; But her sight his cares did banish, In his sight her yoke did vanish.
Wept they had, alas the while,But now tears themselves did smile,While their eyes, by love directed,Interchangeably reflected.
Sigh they did, but now betwixt Sighs of woe were glad sighs mixt ; With arms crossed, yet testifying Restless rest, and living dying.
Their ears hungry of each word Which the dear tongue would a/ord ; But their tongues restrained from walking, Till their hearts had ended talking.
But when their tongues could not speak, Love itself did silence break : Love did set his lips asunder, Thus to speak in love and wonder.
Stella, sovereign of my joy, Fair triumpher of annoy ; Stella, star of heavenly fire, Stella, lodestar of desire ;
Stella, whose voice, when it speaks, Senses all asunder breaks ; Stella, whose voice, when it singeth, Angels to acquaintance bringeth ;
Stella, in whose body is Writ each character of bliss ; Whose face all, all beauty passeth, Save thy mind, which yet surpasseth ;
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In a grove most rich of shade
Sir Philip Sidney Guillaume Tessier
19
“ Grant, O grant ; but speech, alas, Fails me, fearing on to pass :
Grant-O me, what am I saying? But no fault there is in praying.
“ Grant, O dear! on knees I pray” (Knees on ground he then did stay), “ That, not I, but since I love you,
Time and place for me may move you.
“ Never season was more fit, Never room more apt for it ;
Smiling air allows my reason ; These birds sing : now use the season.
“ This small wind, which so sweet is, See how it the leaves doth kiss ;
Each tree in his best attiring, Sense of love to love inspiring.
“ Love makes earth the water drink, Love to earth makes water sink ; And, if dumb things be so witty,
Shall a heavenly grace want pity?”
There his hands, in their speech, fain Would have made tongue's language plain ;
But her hands, his hands repelling, Gave repulse, all grace excelling.
Then she spake ; her speech was such, As not ears, but heart did touch ; While such wise she love denied,
As yet love she signified.
“ Astrophel,” said she, “ my love, Cease, in these effects, to prove ; Now be still, yet still believe me,
Thy grief more than death would grieve me.
“ If that any thought in me Can taste comfort but of thee,
Let me, fed with hellish anguish, Joyless, hopeless, endless languish.
“ If those eyes you praised, be Half so dear as you to me,
Let me home return, stark blinded Of those eyes, and blinder minded.
“ If to secret of my heart, I do any wish impart,
Where thou art not foremost placed, Be both wish and I defaced.
“ If more may be said, I say All my bliss in thee I lay ;
If thou love, my love content thee, For all love, all faith is meant thee.
“ Trust me, while I thee deny, In myself the smart I try ;
Tyrant Honour doth thus use thee, Stella's self might not refuse thee.
“ Therefore, dear, this no more move, Lest, though I leave not thy love, Which too deep in me is framed,
I should blush when thou art named.”
Therewithal away she went, Leaving him so passion, rent
With what she had done and spoken, That therewith my song is broken.
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Farre from triumphing Court
Sir Henry Lea John Dowland
22
Farre from triumphing Court and wonted glory,He dwelt in shadie unfrequented places,
Times prisoner now he made his pastime story,Gladly forgets Courts erst afforded graces,
That Goddesse whom hee servde to heav’n is gone,And hee one earth, In darknesse left to moane.
But loe a glorious light from his darke restShone from the place where erst this Goddesse dweltA light whose beames the world with fruit hath blest
Blest was the Knight while hee that light beheld:Since then a starre fixed on his head hath shinde,
And a Saints Image in his hart is shrinde.
Ravisht with joy so grac’t by such a Saint,He quite forgat his Cell and selfe denaid,
He thought it shame in thankfulnesse to faint,Debts due to Princes must be duely paid:
Nothing so hatefull to a noble minde,As finding kindnesse for to prove unkinde.
But ah poore Knight though thus in dreame he ranged,Hoping to serve this Saint in sort most meete,Tyme with his golden locks to silver changed
Hath with age-fetters bound him hands and feete,Aye mee, hee cryes, Goddesse my limbs grow faint,
Though I times prisoner be, be you my Saint.
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24
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Cesare Renaldi? John Dowland
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25
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27
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# �� g g g g f� f o e
29
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Lady if you so spight me
Cesare Renaldi? John Dowland
27
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28
28
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{
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# z f f g f g g g e ec
7
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18
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# e e� g dc e f f e e� f
20
In darkness let me dwell
John Dowland
29
" owoes,
z pAnd
p� �bed
qded
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qmy
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y eO,
{ l�let
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r
# e� e f f e e y z o q� q f | lh lh l�h
23
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# p� vr vr e f� g f� g
26
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# g� l�h g� g f { g g� lh g g f { g p
28
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y y
# f o� p q p q gc g g� l�h g l�h lh lh lh g p
30
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# z e e� f fc e gc { z
32
30
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19
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21
In darkness let me dwell
John Dowland
31
caac
Ŏa a
aaa
a
c c
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c
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b
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24
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Ŏ Ŏ34
32
" �� q�Si
vle
r qpar
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lh li li get
fle
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gNuit
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gno
ltre
h lh lh lh lheur
h lh g�é
lh ggale
fment,
# �� g� lh g� f g f g f f g g g f g g� lh g f
" �� g�Par
llons
h gdonc,
gma
li li li li gchère
fes
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gce,
gDu
li li li li fcoeur
# �� g� lh g� f g f g f g f f
4
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gdes
li li li li gyeux
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lh g�le
fment:
gA
gmour,
g�ce
lpe
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gdieu
fvo
# �� g f g g� vr q f q q qc� vr q g q� �
6
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g�ge,
fNous
gap
fprend
g�ce
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get
li li li li llan-
h lh f�ga
fge.
# �� l�h g g f g g f g f� g f f
8
Si le parler et le silence nuit à notre heur également, parlons donc, ma chère espérance, du coeur et des yeux seulement;
Amour ce petit dieu volage nous apprend ce muet langage.
Ne le regard vole et revole, messager des nos passions, et serve au lieu de la parole pour dire nos intentions.
Amour ce petit dieu volage nous apprend ce muet langage.
Mais si quelque âme est o/encée de nous voir discourir des yeux, nous parlérons de la pensée, comme les anges dans les cieux.
Amour ce petit dieu volage nous apprend ce muet langage.
Ainsi par un doux artifice nous trompérons les courtisans, et nous rirons de la malice de mille fâcheux médisans,
Ni n'en sauront pas d'avantage ignorant, ce muet langage.
" �� gA
gmour,
g�ce
lpe
h gtit
gdieu
fvo
gla
g�ge,
fNous
g�ap
fprend
g�ce
gmu-
get
li li li li llan-
h lh f�ga
ege.
# �� q q qc� vr q g q� � v�r q q p q q p q p� q p o
10
Si le parler et le silence
Pierre Guédron
33
bdca
Ŏ ð
a
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c
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c
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d
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Ŏ7
Si le parler et le silence nuit à notre heur également, parlons donc, ma chère espérance, du coeur et des yeux seulement;
Amour ce petit dieu volage nous apprend ce muet langage.
Ne le regard vole et revole, messager des nos passions, et serve au lieu de la parole pour dire nos intentions.
Amour ce petit dieu volage nous apprend ce muet langage.
Mais si quelque âme est o/encée de nous voir discourir des yeux, nous parlérons de la pensée, comme les anges dans les cieux.
Amour ce petit dieu volage nous apprend ce muet langage.
Ainsi par un doux artifice nous trompérons les courtisans, et nous rirons de la malice de mille fâcheux médisans,
Ni n'en sauront pas d'avantage ignorant, ce muet langage.
aZZZ
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a
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d
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c
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Si le parler et le silence
Pierre Guédron
34
" ��� pCe
vr vr vr vr ppen
oser,
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psans
p@n
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pni
ose
qma
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oe,
# ��� e p oc o f p e p p o f o o
" ��� f�Se
g fmon
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etel
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f�Ae
g# ��� o p f f p p p p p o p o o o
6
" ��� fctant
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lce
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# ��� q q f f f f� g f� g f f e f f e
11
" ��� f�Et
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eà
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fje
fle
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lh lh lh lh epa
# ��� e f f e g g f f e f e p f
15
" ��� eré.
f�Ae
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# ��� e e q q f f f f� g f� g f f e
19
" ��� fnui
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f�Et
g ftant
fmoins
eà
fmon
fbien
# ��� f f e e f f e g g f
23
" ��� fje
fle
lh lh lh lh fvois
fpré
lh lh lh lh epa
eré.
# ��� f e f e p f d
26
Ce penser qui sans @n tirannise ma vie
Pierre Guédron
35
Ce penser qui sans fin tirannise ma vie se montre tellement contre moi conjuré,
que tant plus jé m'efforce à dompter son ennuieat tant moins à mon bien je le vois préparé.
J'ai quitté la beauté dont il a pris naissance,espérant par l'oublie ses charmes décevoir
mais je trouve à la fin que la venue et l'absence sont tous deux différents, et d'un même pouvoir.
abdca
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d
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b
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bZZ
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10
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17
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d
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25
Ce penser qui sans @n tirannise ma vie
Pierre Guédron
37
" �� q�Vous
vs vs qque
qle
fbon-
qheur
qrap-
f�pel
fle,
gÀ
gun
gser-
gva-
li li li li gge
qan-
pcien,
# �� f q q f g g q g f g g g f g g� f
" �� gMou-
li li li li frez
qaux
ppieds
pde
qla
f�bel
gle
lAi
h lh lh l�h gvous
qdai
vs vs vs vs qgne
qfai
p�re
osien.
# �� f p g g� lh f g f� g f g f g g� f� e
3
Vous que le Bonheur rappelleà un servage ancien,
mourez aux pieds de la bellequi vous daigne faire sien.
Glorieuse en votre perte,honorez votre vainqueur, qui vous a la porte ouvertede la prison de son coeur.
Heureux venez vous donc rendreà celle qui vous a pris;
c'est honneur de se voir prendreà qui tient tout à mépris.
L'honneur d'un brave adversairehonore votre trépas,
heureux qu'en mourant peut faireque son nom ne meure pas.
" �� qMou-
vs vs vs vs prez
qaux
ppieds
pde
qla
f�bel-
gle
lAi
h lh lh lh gvous
qdai-
vs vs vs vs qgne
qfai-
p�re
osien.
# �� f p g g� lh f g f� g f g f g g� f� e
5
Vous que le bonheur rappelle
Pierre Guédron
38
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c
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ōaab
a
Ŏbdd
b
da
b
aZ
Ŏ
d
abb
db
c
bdca
ōdff
d
Ŏdd
b
aaccca
d cdca
ō3
aZZZ
ōabdca
ōcdda
ddf
d
Ŏabb
d
Ŏ ð
c
ŏabdca
ōaab
a
Ŏbdd
b
da
b
aZ
Ŏ
d
abb
db
c
bdca
ōdff
d
Ŏdd
b
aaccca
d cdca
ō
aZZZ
ō5
Vous que le bonheur rappelle
Pierre Guédron
39
" ��� { qPas
qsa
qva A
q�mor,
vsu
r q�ar
v�co
r vdes
r var
r pma
qdo,
{ qPas
qsa
qva A
q�mor,
vsu
r q�ar
v�co
r vdes
r var
r pma
pdo,
# ��� { q q q qc� vcr q� vr vr vr f g { q q q qc vcr vcr q� vr vr vr f f
" ��� gLos
fo
fjos
fba
gxos,
g�blan
ldo
h gy
g�muy
li li gmo
fdes
fto;
# ��� g p f p g g� lh g f g q q f
3
Passava Amor su arco elesarmado, los ojos baxos, blando y muy modesto;dexava m'ya atras muy descuidado.
Nam poco espacio pude gozar esto.Fortuna de embidiosa dixo luego:
"Teneos, Amor; porque vays tam presto?
Bolvio do presto a mi el niño ciego, muy enojado en versé reprehendido
que no ha reprehensión do sta su fuego.
Ay prados, bosques, selvas, que criastes,tan libre corazón como ere el mio,
porque tan grande mal no te estorbastes.
" ��� fDe
g�xa
lva
h lm'ya
h la
h gtras
gmuy
ldes
h lcui
h gda
fdo,
fde
g�xa
lva
h lm'ya
h la
h ftras
fmuy
gdes
gcui
fda
edo.
¹¹
# ��� p q� vr vr vr q q lh lh g f p q� vr vr vr p f g g f e ¹¹
5
Passava amor, su arco dessarmado
Anonymous
40
Ŏbdda
Ŏbbdd
bdda
abd
Ŏ ð
d
ŏbbdd
Ŏ ð
b
ŏ
a d
abb
d
ōbbd
b
Ŏ
d
Ŏbdda
bbdd
bdda
abd
Ŏ ð
d
ŏbbdd
Ŏ ð
b
ŏ
a d
abb
d
ōbbd
b
bdd
a
Ŏbdda
ōde
d
dda
a
bdca
Ŏabc
Ŏ ð
d
ŏ
a
Ŏaba
d
ōabdca
Ŏaadcca
c
ŏd c
dca
ōbdda
Ŏ
a
def
Ŏ ð
a
ŏ
dd
bbdd
Ŏ
b
de
d
ŏ
a
cdca
Ŏdda
a
ō3
bdda
ōdef
Ŏ ð
a
ŏ
dd
bbdd
Ŏ
d
b
ōde
d
Ŏdda
a
ddc
aZZZ
c dda
a
a
õõõõõ
ō ð6
Passava amor, su arco dessarmado
Anonymous
41
" � q�Sta
vr p o�not
pte
pmi
vsog
s vs vs vs li li li li li li li li li li li vs vs vs vs vs vs vs vs vs
# � o o� p f f p p
" � ena
eva,
z gCh'all'
gin
gfer
lno
h lmesta
h g men
l�i li li li gte
li li li li gme
li li li li gn'an
li li li li fda
# � e y e f p q q f� f p
4
" � eva,
z fnon
gper
lh lh lh lh lh li
h gmi
g� lh lh lh gei
gpec
fca
eti
# � e o o q p� e e
7
" � z fma
fper
fve
fder
f�chi
gfan
f�no
gi
lh lh lh lh lh lh g lh lh lh lh lh lh
# � o p p o e e p f
11
" � lh lh lh lh lh lh lh lh gdan
g fna
eti,
z fma
lper
i li li li g lve
i li li li g lder
i li li li g l�chi
i li li li g
# � p f e e o p p o
14
Sta no1e mi sognavach'all'inferno mestamente me n'andava,
non per i miei peccati ma per veder chi fanno i dannati.
Stando la mi pareva che nel mezzo Plutone si sedeva,
tra quei spiriti infernali chi dan'al'alma tanti stragi mali.
" � gfan
lno
h lh lh lh lh lh gi
l�i li li li g g e li li li li li li li li li li li li li li li li gdan
g fna
eti.
# � o o p� q q q q q o o
17
Sta noDe mi sognava
Anonymous
42
aacc
Ōaacc
Ō ðaacc
ōacd
a
ō
c eb
aacc
Ōaacc
aa
c
Ōaacc
ōacd
a c
Ŏ
e
cdda
ōaacc
efec
efec
Ōaacc
Ōaacc
efec
Ŏc
ce
ō ðaabc
Ŏ
c
aacc
b
acc
a
Ōaacc
aacc
ōaab
a
ce
a
Ŏ
c
7
efec
Ōacd
a
aacc
ō
c
cd
e
acd
a
ef
c
Ŏa
ef
c
d
aac
a
Ōacc
Ōaacc
ōaab
a
ce
ō
a
c
Ŏ
c
efec
Ō12
acd
a
Ōaac
a
ō ð
c
Ŏ
e
Ŏ
a
aa
c e
aa
cc
a
b
aaccca
Ō17
Sta noDe mi sognava
Anonymous
43
" �� pVes
qtros
poj
qos
ptien
qen
pd'a
qmor
qno
p�se
pque,
pVes
qtros
poj
qos
ptien
qen
# �� p q p q f g f f f f p q p q f g
" �� fd'a
gmor
gno
f�se
fque,
gAe
gme
gye
glan,
gme
gro
gban,
gme
ghie
gren,
gme
f�ma
etan,
# �� f f f f f f� fc� gc gc g f� e
4
" �� gAe
gme
gma
gtan,
gme
gma
gtan
ga
ffé,
gque
gme
gma
gtan,
gme
g�ma
gtan
ga
ffé,
ga
# �� f g f q f f f f� f� f�
7
" �� f�fé,
ga
efé,
gque
g�me
gma
gtan,
gme
gma
g�tan
ga
efé.
# �� f g e q qc q qc pc f e
10
" �� gPor
g�que
lh f gme
gmi
f�rays
g�con
ftan
lta
h lh f�a
g5ic
fción,
# �� g e f f f f f g f
12
" �� gy
g�al
lh fmi
gcor
ga
f�zón
g�Me
la
h lh f�pri
gsion
fays?
gAe
fsi
fvos
gme
gmi
f�rays
# �� g e f f f f g f g p p q� g f
14
" �� gyo
fos
la-
h lh f�cu-
gsa-
fre.
gAe
gme
gye
glan,
gme
gro
gban,
gme
ghie
# �� g p g f g f f f� fc� gc
17
Vestros oios tienen d'Amor no se que
Anonymous
44
" �� gren,
gme
f�ma
etan,
gAe
gme
gma
gtan,
gme
gma
gtan
ga
ffé,
# �� gc g f� e f g f q f f
19
" �� gque
gme
gma
gtan,
gme
g�ma
gtan
ga
ffé,
ga
f�fé,
ga
efé,
gque
g�me
# �� f f� f� f� f g e q qc
21
" �� gma
gtan,
gme
g�ma
gtan
ga
efé.
gPor
g�que
lh f gme
gmi
f�rays
# �� g gc fc p o q o p p
24
" �� g�con
ftan
lta
h lh f�a
g5ic
fción,
gy
g�al
lh fmi
gcor-
ga-
f�zón
# �� f f f g f g e f f
26
" �� g�Me
la
h lh f�pri
gsion
fays?
gAe
fsi
fvos
gme
fmi
g�rays
gyo
fos
la
h lh f�cu
gsa
fre.
# �� f f g f g p p q� g f g p g f g f
28
45
abc
ō
a
Ŏdda
ō
a
Ŏ
d
ōdba
Ŏ
a
ōbdc
Ŏ
baa
c
ōacc
a
abc
ō
a
Ŏdda
ō
a
Ŏ
d
ōdba
Ŏ
a
ōbdc
Ŏ
baa
c
ōacc
a
ab
a
Ŏa
a
dd
aZ
b d
c
b
Ŏd
ab
a
d
c ddf
d
Ō
d
a
Ŏb d
ac
cd
adda
a
b aba
d
ō5
d
Ŏaba
a
Ŏbdc
b
c
aa
ca
c
ab
c
Ŏaa
a
acc
Ō
bc
Ŏ
d a b
c
a
a
dc
aZZZ
b aa
ō8
a
Ŏd b
dca
Ŏabc
a
Ōbd
a
Ŏ
baa
c
ō
c
Ŏaa
d
ab
c
ca
ō
a
Ŏdda
ōbdca
Ŏabc
a
Ōbd
a
Ŏ
baa
c
ō
c
Ŏab
a
acd
a
cdd
ō12
a
Ŏdda
da
ō
e
Ŏ
c
cdca
ō
a
Ŏabc
ōbdca
Ŏ
c
aab
a
acc
ōab
a
Ŏa
a
dd
aZ
b d
c
17
b
Ŏd
ab
a
d
c ddf
d
Ō
d
a
Ŏb d
ac
cd
adda
a
b aba
d
ō
d
Ŏaba
20
a
Ŏbdc
b
c
aa
ca
c
ab
c
Ŏaa
a
acc
Ō
bc
Ŏ
d a
Ŏ
b
c
a
a
dc
aZZZ
b aa
ō
a
Ŏ23
d
Ŏbdca
Ŏabc
a
Ōbd
a
Ŏ
baa
c
ō
c
Ŏaa
d
ab
c
ca
ō
a
Ŏdda
ōbdca
Ŏabc
a
Ōbd
a
Ŏ
baa
c
ō26
c
Ŏab
a
acd
a
cdd
ō
a
Ŏdda
ō
ae
Ŏ
c
cdca
ō
a
Ŏabc
ōbdca
Ŏ
c
aab
a
acc
ō30
Vestros oios tienen d'Amor no se que
Anonymous
46
" �� f�Se
gdi
pfar
qmi
g�mo
g�ri
lh vr vr vr vr pre,
{ qCon
p�cru
qdel
ptá
q� vpen
r
# �� f� g f q q e f f g g f� g p
" �� psa
pte,
qCer
vto
r vche
r qv'in
v gan
s vs vr q�na
vr p ete.
¹¹ ¹¹ { pChe
vde
r vla
r p�cru
qdel
# �� p p q vr vr q q o o ¹¹ ¹¹ p f� g f
4
" �� otá
qnas
vco
r vno
r pl'i
p�re,
vE
r vda
r ql'i
vre
r vlo
r fsdeg
# �� g lh lh p p f p p q vr v�r p
7
" �� pno,
vChe
r v scac
r vcia
r v�A
r pmor,
| v�che
r v�scac
r v cia A
r
# �� lh lh lh l�h p | v�r v�r v�r p
9
" �� pmor,
| lDal
h lsuo
h l�su
h gper
lbo
i li lh preg
eno.
# �� | vr vr vr q q o o
10
Se di farmi morire pensate
Domenico Maria Megli
47
aabcca
ō ðaab
Ŏaabcca
ōaab
a
Ŏcaa
c
aabcca
Ōefec
ōdfec
Ŏdf
c
Ŏabb
dc
b
d
cdda
ōdabacd
Ōda
c
a
Ŏ
a
ŏc
c
aa
d
Ŏ
a
ffec
ōe
a
Ŏ
d
aaccca
õõõõõ
õõõõõ
Ōaabcca
ō
cd
Ŏ
cbc
ōaab
Ŏ
a
ŏ
d
d
c
Ŏ ðb
ŏa
d
Ŏ
d
ŏ
ba
b a
Ŏ5
ba
d
Ŏ ð
d
ŏa
d
Ŏdŏ
d
abd
a
Ŏcaa
c
ŏ
e
a
bcca
a a c efec
ŏ
c c e
ddef
ō ŏ
dce
a
dce
b
a
c
ō8
ŏ
bc
a
bc
a
d
c
a
d
h f
a
d caa
c
Ŏa
b
ŏ
c e
aZZ
f ed
aaccca
Ō10
Se di farmi morire pensate
Domenico Maria Megli
48
" q�Dov
q rò
p� dun
pque
qmo
ori
ore?
qPria
l che
h ldi
h g�nuo
lvo io
h g� mi
g�ri,
g�Voi
lbra
h
# q q q� vr vr p� p o f fc f g g g g f
" gma
lta
h lca
h g�gion
lde
h g�miei
l mar
h f ti
eri.
g�Mio
lper
h f�du
# f f e ecq� q p
4
" g�to
lte
h fso
fro,
gnon
l po
h l�trò
h gdir
gvi
gpria
g ch'io
f mo
g ra,
g "Io
# g q p� p p p p� q p
6
" fmo
gro;
gio
emo
e ero."?
eO',
f�o',
gmi
# g g p e e ec e p f
8
" fser
gia in
g au
edi
fta;
f�Non
lpo
h lter
h gdir
ga
f�voi,
e"Mor
g lro,
h lmia
h
# g g p e f p p f� g g g g lh lh v�r vr g g�
11
" evi
eta,"
l�O
h li f gmi
f seria
gin
gau
gdi
lh lh lh lh lh lh eta,
# e e p f p q� q p p f fc
14
" gnon
l po
h lter
h gdir
ga
gvoi,
g"Mo
g ro,
g mia
evi
fta,"
fnon
g lpo
h lter
h gdir
ga
f�voi,
f"Mo
# g q q vr vr g g f f fc f p p f� g g g g
17
Dourò dunque morire?
Giulio Caccini deDo Romano
49
" f"Mo
g lro,
h lmia
h evi
fta;
emo
fro,
# lh vr v�r vr g g� e p p p f�
20
" f l� �mi
h li ga
l�vi
h li li li lh l�h li li lh lj lj lj lj e d ta."
# f f f f e n
22
50
aa
c
Ŏ
adff
a
e
ŏ
c
ca
b
ōabc
a
ce
ō
e
Ŏa
efec
Ōdf
c
ōcd
c
Ŏcd
a
abc
a
aa
c
eeec
e
ab
a
ōaa
c
Ŏ
af
ec
ō
e
Ŏ
c
aabc
Ōdff
Ŏd
e
d
c
c dda
Ŏ
b
c
ŏa a
cd
Ŏ
d
ŏa
efec
ōaabc
4
a
c
e
ō
dca
ō ð
c
Ŏaabc
ōaabc
ōacc
Ŏa a
accca
Ōaa
c
Ŏa
e c efec
ō
a
aacc
Ōaa
c
ōa
c
e
7
cdca
Ŏ
c
a
e
e
aaa
c
ōe
Ŏ
d
aac
a
ōaacc
acc
e
ca
b
aa
c
Ŏ
ac
e c
aac
a
ŏ
c be
ea
c
Ŏca
b
11
aaa
c
ōe
Ŏ
d
aac
a
Ōaa
c
ōea
c
Ŏ
f
a
c
e
db
aacc
aa
e
ōa
e
Ŏa
e
aaa
c
e
ŏc e
fec
ō14
da
c
Ŏac
e
ŏa
c
da
Ŏa
e
ŏd
c
c
a
Ŏa
c
e
cdca
ōaaa
c
ōea
a
aac
a
aa
c
acc
e
ōca
b
aa
c
Ŏ
a
acc
e c
17
aac
a
ŏ
c be
ea
c
Ŏc
b
aaa
c
ōe
Ŏ
d
aacc
ōda
c
c
a
a
d
ea
c
ōa
ea
c
a aaa
c
ōe
Ŏ
d
aaccca
ŋ20
Dourò dunque morire?
Giulio Caccini deDo Romano
51
" � p�A
qma
pril
q�li
qmia
pbel
qla,
q Non
q cre
q di ò
q� del
v mio
r
# � f f� f g g� f g g g� lh g g
" � fcor
f�dol
lce
h lde
h fsi-
fo,
f� D'es
gser
ftu
# � g g f g� g f f g g� f f
3
" � g ll'a
h lmor
h f mi
eo,
f�Cre
ldi
h llo
h fpur,
| l�è
h lse
h lti
h
# � g� g f e f g� g� f fc
5
" � gmor
g�t'as
fsa
ele,
g�Pren
ldi
h gques
lto
h l�mio
h f stra
fle,
# � f f f fc g g f g g f
7
" � f�A
lpri
h lm'il
h f pet
lto
h l�è
h lve
h ldrai
h gscrit
g to il
f co
fre:
{ l�A
h lma
h
# � f g g f fc f f fc f
9
" � f�ril
l� �h lj lj f�li,
{ lA
h lma
h g�ril
f lh li li fli,
{ l�A
h lma
h
# � f f fc f f f f f
11
" � f�rilli
l�e'l mio
h l a
i e mo
ere,
f� Cre
ldi
h llo
h
# � f� f e e f g� g�
13
Amarilli mia bella
Guarini? Giulio Caccini
52
" � fpur,
| l�è
h lse
h lti
h gmor
g� t'as
f sa
ele,
g�pren
ldi
h g ques
l to
h l� mio
h
# � f fc f f e f f
15
" � f stra
fle,
f�A
lprim
h l i'il
h fpet
lto,
h l�è
h lve
h ldrai
h g scrit
g to il
f co
# � f f f g g f fc f f
17
" � fre:
{ l�A
h lma
h f�ril
l� �h lj lj f�li,
{ lA
h lma
h g�ril
f l�h lj lj
# � fc f f f f f f f
19
" � fli,
{ l�A
h lma
h f�rilli
l�e'l mio
h l a
i emo
fre.
gA
gma
# � f f f� f e f f
21
" � fril
| li li l�h lh f�li
l�e'l mio
h l� a
i l� �mo
h li l�h li li li li li li li li li e e
# � g g f f� f� f f e e
23
53
da
c
ōca
b
Ŏ
d
aa
c
ōcaa
c
Ŏa
d
d
a
a
c
ōefec
Ŏcdf
c
cdda
Ŏ ðcdda
ŏcdda
Ŏaa
c
ef
c
Ŏ
a
dab
d
c a
d
d
c
dda
c
ddf
d
ō
b
Ŏca
b
aabc
ddf
c
ōa
cd
Ŏcbd
a
ŏa
ea
c
ae
aZZ
d
aac
a
Ōaabc
ōaa
d
Ŏ
d
a
a
c
ōef
aZZ
ŏa a c
4
da
c
Ŏa a
ce
e
ŏa
efec
ō
aZZ
aabcca
ōea
c
Ŏa a
bcca
c
ŏc e
fec
ōdabacd
ōdab
d
Ŏcbd
a
ŏa
ef
c
ō
aZZ
ŏa a c
7
da
c
Ŏa
ec
ŏa
ec
aab
aZZ
ōaa
c
abc
ō
a
Ŏa a
a
c
aZZ
ōea
c
aa
c
ō
a
Ŏa
cdca
ōcce
c
10
aa
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Ō23
Amarilli mia bella
Guarini? Giulio Caccini
54
" oO
pBel-
v�la
r vs gpi-
epiu,
z fO
f�bel-
gla
fpiu
fche
e�la
fstel-
fla
fDi-
# o f p e z f f� g p f o� f g� lh q q
" f�a-
g ena,
z fChi
fpa-
f ri-
f nan-
f si
e de
e la
f mia
g pa-
g tro-
g g g� lh
# o o e f� g f p o e f p e
4
" e-na
z fmi
e re-
e gi-
e na,
z fdol-
f ce
f mi_a
l� mo-
h li lh lh l�h li lh lh ere;
# o z p q� vr q q o o z p q� vr q q o o
7
" z { gpie-
gtà,
g cor
g mi-
g a
e pie-
età,
{ gnon
fpiù
edo-
flo-
fre
gBe
lne
h lmio
h gca-
g ro,
gCo-
lre
h lmio
h lbel-
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h lbel-
h lla
h
# o p� q g� lh q q o p p e o p f q� vr g� lh
10
" gtu
l sei
h l la
h l ma-
h l la
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h l te
h g mia,
gla
l frets
h la
h lchi
h l�mi
h gpas
gil
fco-
ere
z { gpie-
gta,
gcor
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ga
# q q f g� lh g f g f e o p� q
13
" g�pie-
l�h f eta
z fnon
gpiu
ldo-
h lh lh lh lh lh lh lh lh lh lh lh lh lh flo-
fre
# q� vr g g e e e o e
15
" gbe-
lne
h lmio
h gca-
gro-
gco-
lre
h lmio
h lbel-
h lla
h lbel-
h lla
h gtu
lse
h lla
h lma-
h lla
h lmor-
h lte
h
# f p g� lh q� vr g g p
17
O bella più che le stelle
Anonymous
55
" gmio
qla
lfrets
h la
h lchi
h l�mi
h gpas
gil
fco-
li li l�i li li li li li li li li li li li li li li li li li l�h li ere.
# g� lh g f g d e
18
56
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O bella più che le stelle
Anonymous
57