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Locus Amoenus A Pleasant Place

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Page 1: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Locus AmoenusA Pleasant Place

Page 2: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Locus Amoenus• Garden• Pastoral landscape• Idyllic islands

• “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows, flowers and sweet refreshment and repose in shady groves, a land in which death and disease have no dominion and no-one lacks anything….”

• “The motif often blends realistic and unrealistic elements: nymphs and muses in habit such places as well as humanity”

Page 3: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Locus Amoenus• Lucretius : A place for philosophy, which

symbolises the goals of Epicureanism• Vergil and Arcadia: “the discovery of a realer and

more intense reality than life can offer, and its very timelessness and placelessness accommodate all time, past, present, and future, and all place.” (Marinelli, 1971, p.43)

Page 4: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Locus Amoenus• Horace: Country Farm- a philosophical retreat which gives otium- it embodies philosophical ideals

• Statius: The Rustic Villa - A place of calm away from urban hurly-burly- But manufactured equivalents replace natural

features- Luxury symbolises simplicity

Page 5: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Locus Amoenus• Four key features:

-mixture of real and unreal elements

-Elements desirable for life

-potential for encounter between the human and the mythical or divine

-Eschatological or teleogical function (the place where hopes, needs and expectations are fulfilled)

Page 6: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

The Book of Revelation 21:1-22:5

Greek and Roman “readers” might not know Jewish scriptures-They might well know the locus amoenus from literature (if educated)- Or from architecture.- Locus imagery was fashionable at the time

Page 7: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Public Architecture• Ara Pacis Augustae

Page 8: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Domestic Architecture• Garden fresco- Villa of Livia

Page 9: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Domestic Architecture• Villa of Poppaea

Page 10: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Revelation: Real and Unreal• “New” – heaven, earth, Jerusalem

• Unreal structure (21:16-17)• Luxurious manufacture (21:18-21)

• Like Statius- a mixture of nature (light, water, foliage) and technology

• Look how even the natural elements vary from normal earthly patterns ( no day/night; tree always in fruit etc)

Page 11: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Revelation: Desirable Elements• Holy

• Free of undesirable elements, emotions, experiences

• Water OF LIFE• Quality of light• Secure (despite unreal architecture)• Guarded by angels and God• Kings go there to give glory….

Page 12: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Revelation: Encountering the Divine• Holy• Permanent relationship promised with God• Sonship via adoption ( better than any usual

patron-client relationship)• High Quality relationship: Known to God by NAME• High Quality relationship: See God FACE to FACE• Lack of Temple: no place of mediation needed• Light comes from God

Page 13: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Revelation: Teleological & Eschatological• The end/ climax of the Book. This is where it all

ends….• Comparisons with the earthly churches ( Chapters

1-3- promises there are fulfilled here) and the earthly Jerusalem (e.g., Chapter 17)

• Scale of city, composition and guards all represent the fulfilment of hopes expressed in the OT prophets ( a bridge to Jewish Scriptures for Greeks and Romans)

• Throne, river, tree of life all indicate a return to Eden?

• No temple? But the design of the whole city functions as the temple and so it is the place where God dwells. No separate Temple needed….

Page 14: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

LA imagery in Church Architecture• Sant Apollinare in Classe . Italy 6th C. Mosaic

Page 15: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

• San Clemente Basilica (Rome)

Page 16: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

San Clemente Basilica Rome

Page 17: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

Abbey Church , Bath (UK)

Page 18: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

For Reflection 1• How does language of place still figure within our

communities?

• How can we use imagery of place to embody our Christian hopes?

• How can we use the common imagery to share our faith with those unfamiliar with our traditions.

Page 19: A Pleasant Place. Garden Pastoral landscape Idyllic islands “From the time of Homer onwards, poets described a land of music, dancing, sunny meadows,

For Reflection 2:Hungercloth – Jacques Chèry [Haiti]