a second chance musical overview

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A Second Chance Musical Overview Product Code: S2C000

To help you find the perfect musical for your next performance, we have provided this overview of the vocal and orchestral demands for this title. Solo Songs: Yes Ensemble/Large Chorus Songs: No Main Character Details: Jenna (w): age 45-55; G3-F5 vocals, moderate Dan (m): age 45-55; B3-G5 vocals, difficult Total Number of Songs: 23 Vocal Demands: Moderate Orchestral Demands: Moderate Size of Orchestra: Medium (5-8)

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The following pages contain copyright information and at least one page from a variety of songs within the show.

*** NOTICE ***The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISH-ING COMPANY, INC., without whose permission in writing no performance of it may be given. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admis-sion is charged. A play is performed any time it is acted before an audience. Current royalty rates, applications and restrictions may be found at our website: www.dramaticpublishing.com, or we may be contacted by mail at: THE DRAMATIC PUBLISHING COMPANY, INC., 311 Washington St., Woodstock, IL 60098.

COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR’S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscien-tious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright. No alterations, deletions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, videotape, film, or any information storage and retrieval system, without permission in writing from the publisher. It may not be performed either by professionals or amateurs without payment of royalty. All rights, including, but not limited to, the professional, motion picture, radio, television, videotape, foreign language, tabloid, recitation, lecturing, publication and reading, are reserved.

©MMXVIBook, music and lyrics by TED SHEN

Printed in the United States of AmericaAll Rights Reserved

(A SECOND CHANCE)

For inquiries concerning all other rights, contact.Abrams Artists Agency

275 Seventh Ave., 26th floor,New York, NY 10001 • Phone: (646) 486-4600

©Dramatic Publishing - NOT FOR PERFORMANCE

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1 î .ΤÏ Ï

I've been

î .Τ Î

JENNA: O-kay...

·Τ

Free tempo

JENNA:

Ï Ï Ï Ï Ï Ï Ïthink ing of Dan, for these

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23

JÏ Ï jÏ Î Ï Ïpast few weeks since I

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Ï Ï Ï Ï Ï Ï Ï Ïsaw him on my way home from work.

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5 î ä jÏ Ï ÏI like the

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6

Ï Ï Ï Ï Ï Ï Ï Ïway that he list ens and the

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7 Ï Ï Ï Î ä jÏway he speaks. Al

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8

Ï Ï Ï jÏ Ï jÏthough he's a bank er, he

wwwwww

9

Ï Ï Ï Ï ÎΤ Ï

is n't a "jerk." He's

úúúú ÎΤ Îúú ÎΤ Î

- - -

Piano-Vocal/Conductor

#3: PERFECTLY WRONG

Music and Lyrics by Ted Shen

Scene Change

25©Dramatic Publishing - NOT FOR PERFORMANCE

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10 Ï Ïn Ïn Ï Ï Ï Ï Ïasked me to see the Mar i

wwwnúún úwith energy

q = 128a tempo

Bs. (Pizz.)

11

JÏn Ï jÏn Ïn ä jÏin sky Bal let, but

jÏÏAn ÏÏnjÏn úún

úú ÏÏÏn Ï

12

Ïn Ï Ï Ï ä Ï jÏnhere’s a lit tle com pli

..úúnb ÏÏbúú Ï ÏÏnA

13

Ïn Ï Î ä jÏnca tion: their

ÏÏb ÏÏnn ä Ï Ï Ï

úún úúnn

- - - - - - - -

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JÏ Ïn jÏn Ï Ïb Ïsea son is still more than

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úúún ú

15

JÏn Ï jÏn Ïn Ï Ïn Ïsix months a way, so did he

JÏÏbn ÏÏn JÏn úúnúúún ÏÏÏn Ï

16

Ïn Ï Ï Ï Ï Ïn Ïmean that as a real in vi

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−Ï−ÏÏ−

- - - -

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b b b b b b

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17

Ïn Ï îta tion?

Don't answer that!

ÏÏÏb ..úúnnwwwn

18 î ä jÏn Ï ÏI ac tually

úú Î ÏÏÏnnúúú Ï ÏÏnn

- -

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##

# #

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19

Ïn Ï# Ï Ï Ï Ï ä jÏgave him my num ber; I'm

úú úúnÏÏn Ï ÏÏ# Ï

cresc.

20

Ï Ï Ï Ï Ï ä jÏ#kind of ap palled. Now

úújÏÏ Ïn JÏ

ÏÏn ÏnÏÏ Ï &

21

Ï Ï# Ï Ï Ï Ï ä jÏtwen ty nine days la ter, he

úú úú#

ÏÏ Ï ÏÏn Ï

Fl. Clar.- - - - -

#3: PERFECTLY WRONG - p. 2Piano-Vocal/Conductor


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22 Ï Ï Ï Ï Ï ä jÏstill has n't called! Shouldúúú úúúú

ÏÏ# Ï ä Ï Ï Ï?

23 Ïb Ï Ïn Ïn Î Ï ÏI call him first? Get his

úúúbn úúúbÏÏn Ïn ÏÏ Ï

Ε

24 Ïb Ï Ï Ï ä jÏ Ïn Ïnum ber from Ben? No, that i

úúúbn úúúbÏÏn Ïn ÏÏn Ï

rit.

- - -

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25

Ï Ï Ïn Ïb ä jÏb Ï Ïdea is the worst! I'd come up

wwwn ,wwwbb ,

26 Ïn Ïb JÏb ! Ï Ïn Ïshort a gain be cause it's

úúúnjÏÏÏ

! Î .úúú#n# J

ÏÏÏ ! Î .

a tempoSlowly

- -

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Ï Ï Ï# Ï úper fect ly wrong.

ä ÏÏÏ# −ä ÏÏÏ, ÏÏÏ

ÏÏÏn ,ú Ïn Ï

Ο

26

Fl. Clar.

Bs.+Shaker δ's

28

ú Î Ïwell,

ä ÏÏÏ−ä ÏÏÏ, ÏÏÏ

ÏÏÏn ,ú Ï Ï

29

Ï Ï Ï Ï Ï Ï Ïwrong for me when I'm sup

ä ÏÏÏ ä ÏÏÏ ÏÏÏ ÏÏÏn

ú Ï Ïsim.

30 Ïn Ï Ï Ï Ïb Ï Ïposed to be search ing for my

ä ÏÏÏ ä ÏÏÏ ÏÏÏ ÏÏÏbb

ún Ïn Ïn

- - - -

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31

Ï Ï ä jÏ Ï Ï Ïper fect Mis ter Right.

ä ÏÏÏnn ä ÏÏÏ ÏÏÏ ÏÏÏn

ú Ï Ï

32 î À ÏnSo, he's

ä ÏÏÏ ä ÏÏÏ ÏÏÏ ÏÏn Ï

ú Ï Ï

33

Ï Ï Ï Ï úper fect ly wrong,


ú ÏÏ Ï

34

ú Î ÏToo


ú ÏÏ Ï

- - - -

#3: PERFECTLY WRONG - p. 3Piano-Vocal/Conductor


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1 ·

·

Î ä JÏ.Ï JÏ

Ï ÏÏ ...úúú

Ο

Brightly q = 128 2 ·

·Ï .úwww

3 ·

·

Î ä JÏ.Ï JÏ

Ïb ÏÏ...úúú

rit. 4 î Î ä jÏI

·Ï Ïb úúú

Τ

úúú úúΤ

JENNA:

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Ï Ï Ï Ï Ï Ï Ïlove to spend the day at mu -

î úúúú

JÏ.Ï úο

a tempo56 ú Î ä jÏse'ms, sur -

Î ä JÏÏÏÏ úúúú

JÏÏ JÏ ú

Cym.

7

Ï Ï Ï Ï Ï Ï Ïround-ed by this beau - ti - ful

î úúúú

JÏ.Ï ú

8 ú Î Ï Ïart. I a -


JÏÏ JÏ ú

Cym.

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Ï Ï Ï Î Ï Ïmuse my - self, I con -


Ï Ï Ï ú

10

Ïb Ï Ï Î Ïfuse my - self, I

Î ä JÏÏÏÏbbb úúúú

Ïb Ïb Ïb ú

11 Ï Ï Ï Ï Ï Ïlose my - self from the

wwwwnnnwww

ten.

Clars.

Bs. (Pizz.)Cym. OUT


#5: THE MUSEUM SONG

Music and Lyrics by Ted ShenScene Change


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12 .ú Îstart.

î Î ä jÏI

...ÏÏÏbb jÏb Ïb ÏA ÏbÏ

Ïb ÏÏb...úúúb &

DAN:

(JENNA):

·

Ï Ï Ï Ï Ï Ï Ïought to spend more time in mu -

Î ä JÏÏÏ úúú

Ï ÏÏ ...úúú?

ο

13

Bs. OUT

14 ·

ú Î ä jÏse'ms, sur -

Î ä JÏÏÏn ÏÏÏ Ï Ï

Ïb ÏÏb ...úúú &

Cym.

15 ·

Ï Ï Ï Ï Ï Ï Ïround-ed by this beau-ti-ful

Î ä JÏÏÏ úúú

Ï ÏÏ ...úúú?

&

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16 ·

ú ä jÏ Ïart. A few

Î ä jÏÏ ÏÏ ÏÏ

Ïb ÏÏ ÏÏÏb JÏÏÏ .Ï

Cym.

17 ·jÏ Ï jÏ Ï Ï

times I tried that

jÏ Ï− jÏÏ ÏÏÏÏ

Ï ÏÏ ÏÏÏ ÏÏÏ Ï ÏPerc. OUTBs.

18 ·jÏb Ï jÏ ä jÏ Ï Ï

au - dio guide, but I could

JÏÏb ÏÏb − JÏÏb ÏÏ ÏÏÏbbÏb ÏÏb ÏÏÏb J

ÏÏÏ .Ï

pronounced(au-di-o)

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Ï Ï Ï Ï jÏ ÏjÏ

nev-er de-cide where to

ÏÏn ÏÏ ÏÏ jÏÏ ...ÏÏÏjÏ Ï JÏ Ï Ï

20 ·

.ú Îstart.

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21 î ä jÏ Ï ÏSo are you

·wwwwnbn

Ïn Ï Ï Ï ú

poco rit.

Bs. OUT

Ï Ï Î îread-y?

·ÏÏÏ− ä J

ÏÏÏ úúúÏÏ− ä J

ÏÏ úúΟ

a tempo22

Fl. Clar.

Hi-Hat

23 î Î ÏThen

Ï Ï ä jÏ îI can't wait!ÏÏÏn − ä JÏÏÏ úúú

ÏÏ− ä JÏÏ úú

#5: THE MUSEUM SONG - p. 2Piano-Vocal/Conductor


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24 Ï Ï Ï Ï Îlet's be - gin...

î Î Ï...myÏÏÏ− ä J

ÏÏÏ úúúÏÏb −ä JÏÏ úú

(JENNA):

(DAN):

25 ·

Ï Ï Ï Ï Ï Ïfirst "ar - tis - tic date"!

ÏÏÏ− ä JÏÏÏ úúú

ÏÏ− ä JÏÏ úú

26 ·

·wÎ Ï Ï Ï Ï Ï ÏÏ ÏÏ ..úú

Hi-Hat OUT

Fl.

Clar.

27 î Î ä jÏI

·

Ï Ï ÏÏ úú

ÏÏÏ..úú

Bs.

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jÏ ä Ï Ï Ï Ï Ï Ïthought we'd start with the Im-

·

Î Ï ÏÏ ÏÏ ÏÏ

.Ï, JÏÏ ÏÏ ÏÏ

Faster ( q = 138 )28

Tri.Bs. OUT

29

Ï Ï jÏ ä îpres-sion-ists.

î ä jÏ Ï ÏLike that fan -

Î Ï ÏÏ ÏÏ ÏÏ

.Ï, JÏÏ ÏÏ ÏÏPerc. OUT

30 ·

Ï Ï Ï Ï Ï ä jÏtas-tic "Star-ry Night"by

Î ä JÏÏÏ ÏÏ−

ú, ÏÏ ÏÏ−

31 î Î ÏWell,

jÏ Ï jÏ Ï ÎVin-cent van Gogh?


ú, ÏÏ ÏÏ−

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32

Ï Ï Ï Ï Ï Ï Ï Ïhe came slight-ly la-ter, but his

·


ú, ÏÏ ÏÏ−

33

Ï Ï Ï Ï Ï Îworks are just a-head...

·


ú, ÏÏ ÏÏ−

34 ·

Ï Ï Ï Ï jÏ Ï jÏThat was Su-san's fa-v'rite you


ú, ÏÏ ÏÏ−&

35 ·Τ

ÏΤ ä jÀ jÀ À ä

know. ...My late wife.

wwΤ

wwΤ



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36

À ÎΤ îOh!

Î ÎΤ À À À Ï Ï3

An - y - way... Could you

îΤ î

îΤ î

(JENNA):

(DAN):

37 ·

Ï Ï Ï Ï Ï Ïplease ex - plain what makes


ÏÏÏ−ä jÏÏÏ úúú

Bs.Perc. OUT

38 ·

Ï Ï Ï Ï Ï ä jÏthese so spe - cial? It's



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39 ·

jÏ Ï jÏ Ï Ï Ïnot quite clear at first

ÏÏÏn − ä JÏÏÏ úúú


40 Î ä jÀ jÀ Î jÏWell! They

Ï Î îsight.

ÏÏÏn − ä JÏÏÏ úúú

ÏÏÏ−ä jÏÏÏ ÏÏÏ

Ï Ï Ï?

41

Ï Ï Ï Ï Ï Ïbroke all the rules with an

·

Ï Ï Ï ÏÏ Ï Ï Ï

.Ï JÏ.Ï

JÏClar.

Fl.

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42

Ï Ï Ï Ï Ï Ï Ïin - no - va - tive brush stroke, re -

·

Ï Ï Ï ÏÏ Ï Ï Ï

.Ï JÏ.Ï

JÏ

43

Ï# Ï Ï# Ï jÏ Ï jÏsult - ing in this bril-liance of

·

Ï# Ï# Ï# ÏnÏÏ## ÏÏ## ÏÏn ÏÏ#

.Ï JÏÏn Ï#

&

44 Ïn Ï# Ï Ï# îcol - or and light!

î Î ä jÏItÏÏ## ÏÏ## ÏÏ ÏÏ ÏÏ Î

...ÏÏÏ## JÏÏÏÏ#n## ÏÏÏÏ Î ?

ΕBells



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1

Ï Ï Ï Ï Ïb ä jÏtime we’re to-geth-er, I

úúúnn úúúbúú úú

Ο

Freely q = 126DAN:

ad libCym. (d/b only)Bs. (walking)

2 Ï Ïb Ï Ï Ï JÏ ä Ï Ïfeel I've come a- live, in mu -

úúúú úúúúú úúb

3 Ï Ï# Ï Ï Ï Ï ä Ï Ï3

se'ms or at the mov - ies, or just

ÏÏÏ# Ï# ÏÏÏ Ïúú# úúnnä Ï JÏ ä Ïn JÏBs. OUT

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&?

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4

Ï Ïn Ï Ï ä jÏsee- ing you smile. But

ÏÏÏn Ï Ï Ï ÏÏÏÏn ÏÏÏbbúúúb

JÏÏn .ÏBs.

5 jÏ Ï Ï Ïn Ï Ïb Ïonce I’m back a - lone, then my

úúú úúúnbúúú úúúb

6

JÏ Ïb JÏ jÏΤ ä Ï Ï

de-mons ar - rive and theyjÏÏN ÏÏb , jÏÏn úúúΤ

ÏÏÏ Ï úúúbbbτ

Ε Ο

poco rit.

Cym.

V

&?

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b

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7

JÏ Ï jÏ Ï Ï Ïfill me with guilt and re -

úúú úúúÏÏn Ï

ÏÏn Ï

a tempo

Bs. OUT

8

Ïb Î Î Ï Ïmorse for pur -

úúúbb ÏÏÏb ÏbÏb Ïb

ÏÏb Ï ÏÏb ÏBs.

Fl.

9

JÏ Ï jÏ Ï Ï Ïsu - ing my own self - ishjÏ .Ïn Ï Ï Ïúú úú.Ïn jÏ Ï ÏÏ Ï ú

Bs. OUT

Piano-Vocal/Conductor #9: DAMAGED GOODSMusic and Lyrics by Ted Shen

Segue from #8


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10

Ï ä jÀ À À À ä jÏ3

course (and, God, so soon!) byúúúúb úúúúbÏÏÏNbb Ï ÏÏb Ï

rit.

Bs.

11

Ï Ï Ï Ï Ï Ïb Ï Ïseek - ing a di - ver - sion from my

ÏÏÏb , ÏÏÏ, ÏÏÏ, ÏÏÏ,Î ä jÏb úww

a tempo12 ú Î ä jÏ

grief through

ÏÏÏ, ÏÏÏ, ÏÏÏ, ÏÏÏ,Î ä jÏ úww

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&

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b

13 Ï Ï Ï Ïb Ï Ï Ï Ïmo - ments spent with you, how - ev - er

ÏÏÏÏb ,ÏÏÏÏ,

ÏÏÏÏ,ÏÏÏÏ,

.Ïb jÏ úwwcresc.

Cym. roll

14 ú Î Ïbbrief. I

ÏÏÏb , ÏÏÏ, ÏÏÏ, ÏÏÏ,...ÏÏÏbbb JÏ JÏ

.Ï

poco accel.15 Ï Ï Ï Ï Ï Ïb Ï Ï

know I’ll be in tor - ment for a

...ÏÏÏb ,jÏÏÏ, ÏÏÏ ÏÏÏ,

....ÏÏÏÏbbb b ,JÏÏÏÏ, ÏÏÏÏ ÏÏÏÏ,

Cym. OUT

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16 Ï Ï Ï Ïb ä jÏb Ï Ïver - y long while, and in the

...ÏÏÏbb ,jÏÏÏ, ÏÏÏ ÏÏÏ,

....ÏÏÏÏbbb,

JÏÏÏÏ, ÏÏÏÏ ÏÏÏÏ

,Cym. roll

17 úb Ïb Îmean - time,

úúúbbb úúbÏÏÏbbb Ï Ï ÏÏÏb

Ïb

ε

rall.

Cym. OUT

18 Ïb Ïb Ï Ï jÏn ÏnΤ + jÏnall I have to of - fer is…

úúúbbb úúúúnn# ΤφφφφÏÏÏbbb Ï

úúú##nΤΟ

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&?

bb

bb

bb

19 jÏn Ï jÏ Ï Îdam-aged goods....ÏÏÏnnn J

ÏÏÏ úúú...ÏÏÏnnn JÏÏÏ ÏÏÏ Ï

a tempo

ο

Bs. OUT Bs.

Fl. Clar.

20 Î Ï Ïn Ïb Ï Ïb ÏbAll you’ll find in me is

wwwbwwwbb

21 jÏ Ï jÏ Ï Îdam-aged goods....ÏÏÏn J

ÏÏÏ úúú...ÏÏÏn JÏÏÏ ÏÏÏ Ï Ï

22 ä jÏ Ï Ï Ï Ï Ïb ÏWhat I’m re-signed to be is

wwwbwwwb

#9: DAMAGED GOODS - p. 2Piano-Vocal/Conductor


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23

JÏ Ï jÏ Ï Ï Ï3

some- one who’s stuck in his

úúúnn úúúwwnJÏ Ï JÏ ä Ï JÏ

Fl.

Pno. (+Bs. sust.)

24 ú îpast,

úúú ÏÏÏb ÏÏ

wwbä Ï JÏ ä Ï JÏ

Clar.

Bs.

25


try- ing to go no-whereúúú úúúwwJÏ Ï JÏ ä Ï JÏPno. (+Bs. sust.)

26 ú îfast.

JÏÏ ÏÏ JÏÏ úú

úúúb ÏÏÏÏ Ï Ï

Bs.

V

&?

bb

bb

bb

27

Ï Ï Ï Ï Ï ä jÏBuy-er, be-ware, there’s

Ï, ÏÏ Ï# , jÏ ÏÏ jÏ,.Ï JÏ .Ï JÏ

Clar.

28Ï Ï Ï Ï Ïn Ï Ïnoth-ing left for you here. I

jÏ ..ÏÏ ÏÏÏnn , Ï,.Ï JÏ .Ï JÏ

29

Ï Ï Ï ÏjÏ ä Ï Ï

know it’s un-fair, but we've

Ïb , ÏÏb Ïn , jÏ ÏÏ jÏn ,.Ï JÏ .Ï JÏ

30

Ï Ï Ï Ï Ï Ï Ïgot to face what's true here be-

jÏ ..ÏÏ úúúnb ,.Ï JÏ ú

Fl.

V

&?

bb

bb

bb

31 Ï Ï Ïb Ï Ïb Ï Ïfore we ev - er real - ly get

úúúbbb ÏÏb ÏÏb...ÏÏÏb jÏ ú

32

Ï Ï Î Î ä JÏstart-ed. I

úúúújÏn Ï JÏ

...ÏÏÏn

jÏ Ï Ï

33 Ï Ï Ïb Ïb Ï Ï Ï Ïjust can’t let go of my de -úúúbb ÏÏÏb ÏÏÏbb...ÏÏÏb

JÏ JÏ .Ï

34 jÏ .Ï JÏ .Ïpart-ed, lov-ing

úúúúnn ÏÏÏ ÏÏÏúúún úú

V

&

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bb

bb

bb

35

úb Î Ï Ïbwife, whom I

wb ÏÏb ÏÏb ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ

Ï Ïb Ï Ï Ï Ï Î.úb ÏbCym. (d/b only)

Bs.

36 jÏb .Ïb .Ïb JÏcan- not seem to

wÏÏb ÏÏb ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ

Î Ï Ïb Ï Ï Ïwwbb

37 Ïb Ï Ï Î Ï Ïsep - a - rate from my

wb ÏÏnb ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ

Ï Ïb Ï Ï Ï Ï Ïw



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bb

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38 jÏ .Ï Ïb Ï Ïb3

pres - ent eve - ry - day

ÏÏb ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ3

Ï Ïb Ï Ï Ï ú3

wwb

rit.39

wlife.

úú Ï Ï Ï Ïb

ÏÏb Ï ÏÏ úúw

a tempo

Cym.

40

ú î

úú Ï Ï ÏÏ

ÏÏn Ï ÏÏ úúw &

rit.

V

&&

bb

bb

bb

41 jÏ Ï jÏ îPain and guilt,

...ÏÏÏn JÏÏ ÏÏ ÏÏjÏÏÏ Ï

jÏ Ï Ï Ï

a tempo

Fl.

Bs. OUTTri.

42 Î Ï Ï Ï Ï Ïb ÏbAll you’ll find in me is

...ÏÏÏb JÏÏ ÏÏ ÏÏjÏÏÏb Ï

jÏ Ï Ï Ï

Clar.

43 jÏ Ï jÏ îpain and guilt.

...ÏÏÏn JÏÏ ÏÏ ÏÏjÏÏÏn Ï

jÏ Ï Ï Ï

44 Î Ï Ï Ï Ï Ïb ÏBe- ing kind to me is

...ÏÏÏb JÏÏ ÏÏ ÏÏjÏÏÏb Ï

jÏ Ï Ï Ï

V

&

&

bb

bb

bb

45


some-thing you’ll come to re -úúúnn ÏÏÏ ÏÏÏ

Ï Ï Ïn Ï Ï Ï Ï ÏTri. OUT

Bs.(8vb)

46 Ï Î Î ä JÏgret. I’múúú ÏÏÏ ÏÏÏb

Ï ÏÏb Ï Ï Ï Ï Ï ?

47


some-one you need to for -

úúú ÏÏÏ ÏÏÏÏ Ï

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48 Ï Î Î ä jÏget. I

úúúú Ï Ï Ï Ï

wwwbΕCym. (d/b only)

V

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bb

bb

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49

Ï Ï Ï Ï .Ï jÏdon't claim to know just

JÏÏÏ

JÏn JÏ..ÏÏ

Ï Ï Ïn Ï ÏΟ

Fl. Clar.

50 Ï Ï Ï Ï Ïn Ï Ïwhat is right or wrong here. My

JÏÏÏ JÏ# JÏ

..ÏÏn

Ï Ï Ï Ï Ï

51

Ï Ï Ï Ï Ï ä jÏguilt seems to show I

JÏbÏÏ jÏ jÏ ..ÏÏ

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43

1 ú Ïn Ï

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with pedal

q = 132

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Cym. (brush)

2 ún Ï Ï

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3 ú Ï

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4

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5 ú Ïn Ï

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6 ún Ï

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8

ú Ï

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9 Ï ú

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ä jÏ ú.ú

Clar.

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13 úb Ï Ï

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Ε14 ú Ï Ï

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15 ú Ïb

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16.ú

Î Ï Ï Ï,.úb & ?

&

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17 úúb ÏÏ ÏÏb

Î úúú.úb

18 úú ÏÏÎ úúú.úb

Bs.

19 úúb ÏÏb

Î úúú.úb

20úú ÏÏ

Î úúú.úb


#11: WALTZ

Music and Lyrics by Ted ShenSegue from #10


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21 úúb ÏÏb

Î úúú.úb

Bells

22 úúb ÏÏ

Î úúú.úb

23 ..úúb

Î Ï Ï Ï.úb

24

Ïb=Ïb Ïb Ï Ïb Ïb

Î úúúbb.úb

&

poco accel.Solo

Cym. roll

&

&

bb

bb

25 ..úúb=

Ïb Ï Ïb Ïb Ï Ï?

ε

q = 136Slightly Faster

Sop. SaxClar.

Bs. OUT

26 úúb= Ï Ïb

Ïb Ï ÏÏ Ï Ï

&

27 úúb= Ïb

Ïb Ï Ïb Ïb Ï Ï?

28 ÏÏÏnn# = ÏÏÏ#nn = ÏÏÏnn# =ÏA= Ïb= Ïb=

Cym. roll

Bs.

&

?

bb

bb

29 Ïb .Ï jÏb..úúbn

Ïb Ïb úƒ

Clar. 30 ú Ïb..úú#n

Ïb Ïb ún

31 ú Ïb..úúb

Ïb Ïú

32 .ú ..úú#

ÏbÏ úb

&

?

bb

bb

33 Ï .Ï jÏb..úúnb

Ïb Ïb úsub. π

Fl. Clar.

34 .Ï jÏb Ï Ï..úúnn

Ïb Ïb ún

35 úú ÏÏb..úúnn

Ïb Ïú

36 ....úúúúb

ÏbÏ úb

&

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Ã

Ù~~~~~37 Î úúúnnnφφφ

..úúbbΟWinds

38 Î úúú#n#φφφ

.úbBs.

39 Î úúúnbnφφφ

..úúbb

rit. 40 Î úúúnn#φφφ

.úb

41 ...úúúbbn Τφφφ

.úbΤπ

END ACT ONE

#11: WALTZ - p. 2Piano-Vocal/Conductor


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44

44

44

1 ·

Î ÏÏÏ, úúú

Ï ÏÏÏ, úú

Ο

With Motion (q = 128)

Fl. Clar.

Bs. Pizz.

2 ·

Î ÏÏÏ, úúú

Ï ÏÏÏ, ..ÏÏ jÏ

3 ·

Î ÏÏÏ, úúú

Ï ÏÏÏ, úú

4 ·

Î ÏÏÏ, úúú

Ï ÏÏÏ, ÏÏ

Ï

rit.

Bells

V

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b

b

b

Ï Ï Ï Ï Ï Ï ÎYou don't have to wor - ry,

Ï Ï ÏÏ Ï jÏÏ .Ï

Ï ÏÏÏ ..ÏÏ jÏ

LH sim.

a tempo5DAN:

Clar.

6 Î Ï Ï jÏ .ÏI am ful - ly

Î Ï Ï jÏ .ÏÎ Ï ú

Ï ÏÏÏ ÏÏ Ï

7

.Ï jÏ úhere for you.

wÎ ÏÏb úúb

Ï ÏÏÏ úúb

8 î Î ä jÏOur

.ú ÎÎÏÏÏb úúúbb

Ï ÏÏÏ ..ÏÏb jÏ

Fl.

V

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b

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9

Ï Ï Ï Ï Ï Ï Îpasts should not di - vide us,

Ï Ï Ï Ï jÏ .ÏÎ Ï ú

Ï Ï ÏÏ ..ÏÏ jÏ

Clar.

10Î Ï Ï jÏ Ï jÏjust the pres-ent is

Î Ï Ï jÏ Ï jÏÎ Ï ú

Ï ÏÏÏ ÏÏ Ï

11

wtrue.

..ÏÏ jÏÏn# úú

Ï Ïn Ï# ä Ï Ï Ï

12 î Î Ï ÏYes, I

úúúúnä jÏ Ï Ï

Ï Ï ÏnÏ Ï Ï Ïn Ï

Piano-Vocal/Conductor #21: YOU DON'T HAVE TO WORRY

Music and Lyrics by Ted ShenSegue from #20


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13

JÏ Ï JÏ Ï ä Ï Ïndo have a past in its

jÏ Ï jÏ Ï ä Ï Ïn.ú ÎÏÏÏb úúú

, ÏÏÏΕ

(DAN): 14 Ï Ï Ï Ï Ïb Ïown spe-cial drawer, not a

Ï Ï Ï Ï Ïb Ï.ú ÎÏÏÏb úúú

, ÏÏÏ

15

JÏn Ï jÏ jÏ Ï# jÏpart of this time or this

úúún jÏ Ï# jÏÏÏÏ úúún , ÏÏÏ

16 .ún ä jÏplace. We'll

.ún ä jÏÏÏ## úú, ÏÏÏÏ#n ÏÏÏ

,Ï Ï Ïn Ïa Ï

V

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b

b

b

17

Ï Ï Ï Ïn Ïtry not to let it

ÏÏ# Ï Ï ..ÏÏn#jÏ

ÏÏÏ#n úúú, ÏÏÏ

Ο

18

Ï Ïb Ï Ï jÏ ä ÏA Ïhurt an- y - more, there's now

jÏ Ïb jÏÏb ..ÏÏjÏ

ÏÏÏbb úúú, ÏÏÏ

19 jÏ Ï jÏ Ï Ï Ïnoth-ing that we can-not

...ÏÏÏ jÏ Ï ÏÏÏÏ úúú

, ÏÏÏ

20

ú Î ä jÏface. So

wÏÏ##ÏÏ# ÏÏ# ÏÏ ÏÏ ÏÏ ÏÏAbúúú ú

ο

rit.

Fl.

V

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b

b

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Ï Ï Ï Ï Ï Ï Îyou don't have to worry,

ÏÏ Ï ÏÏ Ï jÏÏ .Ï

Ï ÏÏÏ Ï ..ÏÏ jÏ

Ο

a tempo2122Î Ï Ï Ï Ï Ï

all your doubts should be

Î ÏÏ Ï ÏÏ Ï Ï

Ï ÏÏÏ Ï JÏÏ .Ï

23

.Ï jÏ Ï Îgone at last.

wÎ ÏÏb úúb

Ï ÏÏÏ Ï ..ÏÏb jÏ

24ä jÏ Ï Ï jÏ Ï jÏYou must be-lieve that I

wÎÏÏÏb úúúbb

Ï ÏÏÏ Ï

ÏÏbÏ

V

&

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b

b

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25

Ï Ï Ï Ï Ï Ï Înev- er could be- tray you

Ï Ï Ï Ï jÏ .ÏÎ Ï ú

Ï ÏÏÏ Ï ..ÏÏ jÏ

26ä jÏ Ï ÏjÏ Ï jÏ

by ev-er long-ing for

Î Ï Ï jÏ Ï jÏÎ Ï ú

Ï ÏÏÏ Ï ÏÏ Ï

27 jÏ Ï jÏb Î Ï Ïbsome-one else in the

úúúb ÏÏÏbb ÏÏÏb

jÏb Ïb JÏb JÏ .Ïb

28

Ï Ïb Ï Ï îpres - ent or past.

jÏÏÏb ÏÏÏbbjÏÏÏ ÏÏÏÏÏÏ

Ïb Ïb JÏ .Ïb

#21: YOU DON'T HAVE TO WORRY - p. 2Piano-Vocal/Conductor


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29 Ï Ï Ï Ï .Ï JÏThere will be no ghosts to

Ï Ï Ï Ï .Ï jÏúún úúúúúnn ä Ï Ï Ï

Ε

Fl.

(DAN): 30 Ï Ï Ï Ï Ï ä JÏhaunt you each day, I'll

...ÏÏÏ jÏÏÏ úúúÏÏÏ Ï ÏÏ Ï

31 Ï Ï Ï Ï Ï Ïal-ways be right at your

Ï Ï Ï Ï Ï Ïúú úúúú ä Ï Ï Ï

32

ú Î . jÏside. Just

úúú úúúbbbÏÏbb Ï ÏÏ Ï

V

&

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b

b

33 Ï Ï Ï Ï Ï Ï Ï Ïlook in - to the fu - ture, and your

ÏÏ ÏÏ ÏÏ ÏÏ ..ÏÏ JÏ

ÏÏÏÏÏ ÏÏ ÏÏ

Cym. roll

34 Ïb Ï Ï Ïfears will fade a -

ÏÏÏÏbbbb ÏÏÏÏb ÏÏÏ ÏÏÏúúb úúbb

35

wway.

wÎÏÏÏÏNN , ÏÏÏÏ Ï

Ï Ï

Ï ÏÏÏNN , ..ÏÏ jÏ

Ο

36

.ú Î

Î ÏÏÏÏ, ÏÏÏÏb Ï

Ï Ï

Ï ÏÏÏ, úú

V

&

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b

b

b

#

#

#

37 ·

Î ÏÏÏb , ÏÏÏbbÏb Ï Ïb

Ï ÏÏÏb , úúbb

38 ·

ÏÏÏÏnn , ÏÏÏÏ, úúúnb ,

JÏÏn .Ïn ÏÏ# Ï

ο

rit.

Bells

Ï Ï Ï Ï Ï Ï ÎYou don't have to wor - ry

ÏÏÏÏ Ï ÏÏÏÏ Ï úúú

Ï ÏÏÏ, ..ÏÏ jÏ

Ο

a tempo3940ä Ï Ï Ï Ï ä JÏ

though some may act un-

Î ÏÏÏ Ï úúú

Ï ÏÏÏ, ÏÏ

Ï

V

&

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#

#

#

41

.Ï jÏ úkind to us.

Î ÏÏÏn, úúúbnb

Ï ÏÏÏ, úú

Cym.

42

ú Î ä jÏWe'll

Î ÏÏÏn , úúúb

Ï ÏÏÏ, úúbn

sim.

43

Ï Ï Ï Ï Ï Ï Îkeep our tru - est friend-ships

ÏÏÏÏ Ï ÏÏÏ Ï úúúú

Ï Ï ÏÏ, ..ÏÏJÏ

#21: YOU DON'T HAVE TO WORRY - p. 33



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