abbing, hans, and universiteit van . · pdf fileabbing, hans, and universiteit van amsterdam....

Abbing, Hans, and Universiteit van Amsterdam. From High Art to New Art

Inaugural Lecture Delivered on the Appointment to the Chair in Art

Sociology at the Universiteit van Amsterdam on Friday 17 March 2006.

Amsterdam: Vossiuspers UvA, 2006.

Abed Abdi. Abed Abdi: 50 Years of Creativity, 2010.

Aberdeen & the Slave Trade, n.d.

Aberdeen City Council. ‘The Oral History of Aberdeen’s Food’, Memories of

Food from Time Gone by, 1987. NE ABE 87.

Aberdeen Forward. ‘Scottish Master Composter Programme - Volunteer

Manual’, n.d. PE AF.

Aberdeenshire Towns Partnership. The Huntly Handbook, 2007.

Adams, Kim, and Sue Warn. Contemporary Case Studies: Cities and

Urbanisation. Philip Allan, 2006.

Agamben, Giorgio. The Coming Community. Minneapolis: University of

Minnesota Press, 1993.

Aladag, Zuli. Die Anderen, n.d.

Alain De Botton. The Art of Travel, Penguin, 2003

Alasdair Roberts. Scalan, Glenlivets Hidden College 1717-1799, n.d.

Albany. ‘Touring Scotland - with Town Plans and Index’. Albany, 2000.

Albert, Mitch, and Triangle Arts Trust. Triangle : Variety of Experience around

Artists’ Workshops and Residencies. London: Triangle Arts Trust, 2007.

Alec Finlay. A Company of Mountains, n.d.

———. Avant-Garde English Landscape, Yorkshire Sculpture Park, 2005

———. BYNAMES, Morning Star, 2003

———. Home to a King, n.d.

———. Justified Sinners, n.d.

———. Nose’s Point: A Coastal Walk, n.d.

———. Shared Writing, Renga Days, n.d.

———. Shared Writing; Renga Days, n.d.

———. Three Rivers Crossword, n.d.

———. White Peak | Dark Peak, n.d.

———. Wind Blown Cloud, n.d.

Alec Finlay and Guy Moreton. Football Haiku, n.d.

Alexander, Victoria D. Sociology of the Arts: Exploring Fine and Popular

Forms. Wiley-Blackwell, 2003.

Amponsah, George. The Fighting Spirit, 2007. (DVD)

Amponsah, George, and Cosima Spender. The Importance of Being Elegant,

2004. (DVD)

Anderson, Benedict R. O’G. Imagined Communities : Reflections on the Origin

and Spread of Nationalism. London; New York: Verso, 2006.

Andrews, Cecile. Slow Is Beautiful : New Visions of Community, Leisure and

Joie de Vivre. Gabriola Island BC: New Society Publishers, 2006.

Angus Carlyle & Cathy Lane. On Listening, Uniformbooks, 2013

Anna Malik. On The Transient and the Ephemeral. South London Gallery, 2009.

Armitage, Simon. The Twilight Readings. Barnsley, GB: Yorkshire Sculpture

Park, 2008.

———. Walking Home. 1st ed. London: Faber and Faber Ltd, 2012.

Arnheim, Rudolf. The Power of the Center: A Study of Composition in the Visual

Arts. University of California Press, 1983.

Art in Hospital., and Kirsty Stansfield. Object Scores. Glasgow: Art in Hospital,

2007.

Artlink., and Fruit Market Gallery. My Father Is the Wise Man of the Village :

Explorations in Collaborative Practice : FUSION Programme. Edinburgh:

Artlink : Fruitmarket Gallery, 2002.

Arts and Humanities Research Board, and Wendy Gunn. ‘Creativity and

Practice Research Papers’. Creativity and Practice Research Group, 2006.

Arts Council England. Arts and Regeneration : Creating Vibrant

Communities. London: Arts Council England, 2007.

Arts Professional. Arts Services Guide, 2010.

Ashley, Tamara, and Simone Kenyon. The Pennine Way: The Legs That Make

Us. UK: A Brief Magnetics Publication, 2007.

Ashrowan, Richard. Fingal’s Cave, 2008. (film)

A-Tipis Exhibition. ‘A-Tipis: Passport’. Victoria, 2005.

Austin, Clive. The Great Walk, 2012. (film)

Bacon, Jenny. The Event Safety Guide. Health and Safety Executive, 1999.

Balleng e, Brandon. Malamp : The Occurence of Deformities in Amphibians.

London: Arts Catalyst, 2010.

Banksy. BANKSY: Wall and Piece. London: Random House, 2006.

Barber, Peter, and British Library. Magnificent Maps : Power, Propaganda and

Art. London: British Library, 2010.

Barker, Emma. Contemporary Cultures of Display. New Haven: Yale University

Press, 1999.

Barnard, Malcolm. Fashion as Communication. 2nd ed. Routledge, 2002.

Barnes, Cyril. Huntly : Capital of Strathbogie : The Town of the Tower and the

Linden Tree. Edinburgh: Scottish Cultural Press, 1998.

Bas, Ania. A to Z Rodley Road Market A Unique Guide Created and Developed

with Local People, 2011.

———. PX Story A Project by Ania Bas with Contributions from 14 Individuals,

2013.

———. Stalls & Traders, 2011.

Ania Bas and Simone Mair. The Walking Reading Group on Participation,

(download)

Beasley, Mark, and Royal College of Art. Democracy! : Socially Engaged Art

Practice : Royal College of Art Galleries 14 April - 12 May 2000 : MA

Visual Arts Administration: Curating and Commissioning Contemporary

Art. [London]: Royal College of Art in association with the Arts Council of

England, 2000.

Becker, Howard Saul. Art Worlds. University of California Press, 1982.

Belfiore, Eleonora. The Social Impact of the Arts : An Intellectual History. New

York: Palgrave Macmillan, 2008.

Bell, Clive. Impressionists, n.d.

Benjamin, Walter. Illuminations. London: Pimlico, 1999.

Bennett, Tony. The Birth of the Museum: History, Theory, Politics. 1st ed.

Routledge, 1995.

Berry, Graham. Care, Diligence and Skill: A Coporate Governance Handbook

for Arts Organisations. 6th ed. Scottish Arts Council, 2008.

Bester, Rory. Claudette Schreuders. Munich: Prestel Art, 2011.

Beuys, Joseph. oseph Beuys, Multiples : Catalogue Raisonn Multiples and

Prints, 1965-80. 5th completely rev. ed. [New York]: New York University

Press, 1980.

Beuys, Joseph, and Volker Harlan. What Is Art?: Conversation with Joseph

Beuys. Clairview Books, 2007.

Beuys, Joseph. What Is Art? Clairview, 2004.

Bhalla, Atul. What Will Be My Defeat?, 2012.

Biennale, Venezia. Il Palazzo Enciclopedico The Encyclopedic Palace La

Biennale Di Venezia, 2013.

Billing, Johanna., Maria Lind, and Lars Nilsson. Taking the Matter into Common

Hands : On Contemporary Art and Collaborative Practices. London, UK:

Black Dog Publishing, 2007.

Binns, Polly., and St Edmunds Art Gallery. Bury. Surfacing : Monograph. Bury

St. Edmunds: Bury St Edmunds Art Gallery, 2003.

Bishop, Claire. Installation Art. Tate Publishing 2005

———. Participation. London  ;Cambridge Mass.: Whitechapel ;;MIT Press,

2006.

Black Dog. Book of Consequences, 2006.(film)

Blazwick, Iwona. Tate Modern the Handbook. Retirage avec nouvelles

photographies 2001. London: Trustees of the Tate Gallery, 2001.

Bloom, Brett, and Bonnie Fortune. ‘Refuse, Refuse’, Half letter press, 2007. DA

FOR 07.

Blyth, David. By Dandi, 2005.

———. Northern Krypt. Peacock Visual Arts, 2002.

Boettger, Suzaan. Earthworks, 2002.

Borda, Sylvia. EK Modernism: Celebrating Scotland’s First New Town. East

Kilbride Scotland: East Kilbride Arts Centre, 2006.

Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and

Literature. Repr. Cambridge: Polity Press, 1993.

Bourne, Stefanie, Aileen Campell, and et al. Chroni ue D’une Oeuvre

Annonc e. Rennes rue de l’Alma 5000 : 0mcube d., 2005.

Bourriaud, Nicolas. Postproduction - Culture as Screenplay: How Art

Reprograms the World. Repr. with new preface. New York [u.a.]: Lukas &

Sternberg, 2005.

———. Relational Aesthetics. i on : Les Presses du r el, 2002.

Bradley, Fiona. Scotland and Venice. 2003.2005.2007. Glasgow: Scottish Arts

Council, 2007.

Brown, Juanita, and David Isaacs. The World Cafe : Shaping Our Futures

through Conversations That Matter. San Francisco, CA: Berrett-Koehler

Publishers, 2005.

Brown, Katrina M., Rob. Tufnell, and Dundee Contemporary Arts (Art

center). Here + Now : Scottish Art, 1990-2001. Scottish Art since 1945.

[Dundee]: Dundee Contemporary Arts, 2001.

Brummelen, Lonnie van, and Siebren de Haan. ‘Monument of Sugar. How to

Use Artistic Means to Elude Trade Barriers’. Printing SSP, Amsterdam,

2007.

Buchanan, Roderick. Keep Her Lit, 2012.

———. Legacy. London: Imperial War Museum (Great Britain), 2011.

Bucher, Fran ois. The Second and a Half Dimension, an Expedition to the

Photographic Plateau, n.d.

B chler, Pavel. Small Sculptures, n.d.

Burnett, Charles J., Claudia Zeiske, and Duff House, eds. ‘The Blue Chamber.

2000’, n.d.

Cairngorms National Park Authority. Park - Cairngorms National Park Summer

2009, n.d.

Cairngorms National Park Authority., and James Carter. Sharing the Stories of

the Cairngorms National Park : A Guide to Interpreting the Area’s Distinct

Character and Coherent Identity. [Grantown-on-Spey?]: Cairngorms

National Park Authority, 2008.

Cameron, Mcneish. Munros : Scotland’s Highest Mountains. [S.l.]: Lomond

Books, 2011.

Caravan Gallery. Is Britain Great? Glasgow. Southsea [England]: Caravan

Gallery, 2009.

———. Is Britain Great? Portsmouth. Southsea [England]: Caravan Gallery,

2009.

Caravan Galley. Is Britain Great? Liverpool. Southsea [England]: Caravan

Gallery, 2009.

Carey, John. What Good Are the Arts? 1. publ., paperback ed. London: Faber

and Faber, 2006.

Carter, Paul. Edge FM 87.9 MHZ. Robert Gordon University, 2004.

CCW Grad School. Parade - Public Modes of Assembly and Forms of Address,

2011.

De Certeau, Michel. The Practice of Everyday Life. Berkeley: University of

California Press, 1984.

Cesar, Filipa. Between the First and Second Shots, n.d.

———. Labor Berlin 5. Haus der Kulturen der Welt, Berlin, 2011.

Champion, Sarah. 21: Discussions with Artists of Chinese Descent in the UK.

Chinese Arts Centre, 2008.

———. Vital: International Live Artists of Chinese Descent. Chinese Arts

Centre, n.d.

Chan, Wai-sze Teresa, ed. Art Container Project. Asia One, 2008.

Charles Dickens. Nightwalks, n.d.

Chartrand, Harry, and Conseil des arts du Canada.;Saskatchewan Society for

Education Through Art. Arts Education and the Bottom Line in a Post-

Modern Economy : Two Variations on a Theme. [Ottawa: Research &

Evaluation Canada Council], 1987.

Chatwin, Bruce. In Patagonia. London: Vintage, 1998.

———. The Songlines. 1st American ed. London: Picador, 1987.

Bruce Chatwin. What Am I Doing Here, n.d.

Chen, Huisi. Through the Horizon : The Travel ournal of the Art Container

Project (2007-2008). Hong Kong: (MIA) Mere Independent Artists, 2010.

Chen, Xingyu. BizArt: A Failed Art Center. Shanghai: BizArt, 2004.

Chen, Yong. Obstacle: Cheng Yong Solo Exhibition. Edited by Qibin Shen.

Shanghai: Shanghai Zendai Museum of Modern Art, n.d.

Chesler, Phyllis, Esther D. Rothblum, and Ellen Cole. Feminist Foremothers in

Women’s Studies, Psychology, and Mental Health. Routledge, 1995.

Chinese Arts Centre. Chinese Arts Centre Autumn & Winter 200/2010

Programme. Autumn & Winter 2009/2010. Chinese Arts Centre, 2009.

Chiu, Chun Nam. Beijing Series, n.d.

Christov-Bakargiev, Carolyn. Das Begleitbuch/The Guidebook, n.d.

Coleman, Kim, and Jenny Hogarth. ‘Staged’. Collective Gallery, 2010.

Collective 1984-2009. Revolver Publishing, n.d.

Collective Gallery (Edinburgh, Scotland). Collective 1984-2009. Berlin:

Revolver, 2010.

Collective Gallery (Edinburgh, Scotland), and Aleksandra Mir. The How Not to

Cookbook : Lessons Learned the Hard Way. Edinburgh: Collective Gallery,

2009.

Collins. ‘Touring Map Scotland’. Collins, 2004.

Colonel. Avoir L’Air. Edited by Line Rosenvinge and Marita Muukkonen. 900th

ed. Helsinki: NIFCA, 2002.

———. Made in Huntly, 2005.

Committe, Central. Mythogeography. Devon, UK: Triarchy Press, 2010.

Community Museum Project. From Trash to Treasure. Hong Kong Institute of

contemporary culture limited, 2010.

Cool, Applied Visual Arts in the North, n.d.

Cool, Applied Visual Arts in the North, n.d.

Cooper, Alan. Old Huntly. Ochiltree: Stenlake, 1999.

Cosgrove, James. Bellahouston; Art Works in the Park. House for an Art Lover,

2010.

Cosgrove, James, Glasgow School of Art, House for an Art Lover, and Land and

Environmental Services. Public Art Projects at Bellahouston Park. House

for an Art Lover, n.d.

Costello, Donal. The Economic and Social Impact of the Arts on Urban and

Community Development, 1997.

Coverley, Merlin. The Art of Wandering. Herts: oldcastlebook, 2012.

Craig, Maggie. Damn’ Rebel Bitches : The Women of the ’45. Edinburgh

[Scotland]: Mainstream Pub., 1997.

Cramb, Auslan. Who Owns Scotland Now? Edinburgh [Scotland]: Mainstream

Pub., 1996.

Creative Scotland. Investing in Scotland’s Creative Future - Creative Scotland

Corporate Plan 2011 - 2014. Creative Scotland, 2011.

Critchlow, Keith. Islamic Patterns. Thames & Hudson, 1976.

Critica Practice. Parade- Public Modes of Assembly and Forms of Address.

CCW Graduate School, 2011.

Crumley, Jim. A High and Lonely Place. Caitness: Whittles Publishing, 2000.

———. The Great Wood. Edinburgh: Birlinn Limited, 2011.

CulturesFrance. Encounters of Bamako 09, African Photography Biennial

(Guidebook), 2009.

Cwi, David, and Johns Hopkins University.;Springboard (Springfield,

Ill.);Sangamon State University. The Economic Impact of Ten Cultural

Institutions on the Economy of the Springfield, Illinois SMSA.

Springfield Ill.: Center for the Study of Middle-size Cities Sangamon State

University, 1980.

Dalziel + Scullion. More Than Us. Scottish Natural Heritage, n.d.

Dalziel, Matthew, Louise Scullion, and The Fruitmarket Gallery. Dalziel +

Scullion: Home. Edinburgh: Fruitmarket Gallery, 2001.

Dant, Adam. A Journey Through the Great Glen to the Library of Outlandia.

Arts Catalyst, 2010.

———. A Journey Through the Great Glen to the Library of Outlandia. Arts

Catalyst, 2010.

anto, Arthur. ‘The Artworld’. The Journal of Philosophy 61, no. 19 (15

October 1964): 571–584.

‘ ‘ as Magazin » Platzt er Kunst as Herz?’ Accessed 25 September 2008.

http://dasmagazin.ch/index.php/platzt-der-kunst-das-herz/.

David Bellingham. Ideas Leave Objects Standing, n.d.

David Evans. The Art of Walking, A Field Guide, n.d.

Davidson, Peter. The Idea of North. London: Reaktion Books Ltd, 2005.

De Ganay, Sebastien, and Haeusler Contemporary. Sebastien de Ganay:

Abstract Works. Haeusler Contemporary, n.d.

Dean, Ann. St. Margaret’s, Huntly : The Story of a Parish. [Insch?: A. Dean?],

2008.

———. St. Margaret’s, Huntly : The Story of a Parish. [Insch?: A. Dean?],

2008.

Dean, and M Morrison. The Spanish Gordons and Huntly, n.d.

Debbaut, Jan, Monique Verhulst, and Pieternel Vermoortel, eds. Out of the

Studio! - A Symposium on Art in Public Space. Limburg, Belgium: Z33 Art

Centre Hasselt and the Province of Limburg, 2008.

Deleuze, Gilles. A Thousand Plateaus : Capitalism and Schizophrenia.

Minneapolis: University of Minnesota Press, 1987.

Deller, Jeremy. English Magic, 2013.

Demarco, Laurence. Then It Is Only Kindness That Makes Sense

Anymore. Edinburgh [Scotland]: Senscot, 2012.

Deng, Ningzi. Oasis : Artists’ Studios in Hong Kong. Hong Kong: Asia One

Product & Pub., 2007.

Derrida, Jacques., and Anne. Dufourmantelle. Of Hospitality. Cultural Memory

in the Present. Stanford, Calif.: Stanford University Press, 2000.

Dickie, George. Art and the Aesthetic : An Institutional Analysis. Ithaca N.Y.:

Cornell University Press, 1974.

Dissanayake, Ellen. Art and Intimacy: How the Arts Began. University of

Washington Press, 2000.

Domela, Paul. The Unexpected Guest, n.d.

Donachie, Jacqueline. Kenny’s Head. Glasgow: Visual Arts Projects, 1999.

Donachie, Jacqueline, and University of Glasgow. DM. Glasgow: University of

Glasgow, 2002.

Donachie, Jaqueline, and Darren G. Monckton. Tomorrow Belongs to Me.

Glasgow: University of Glasgow, 2006.

Donachie, Gill. Jerwood Gallery, 27.01 - 07.03.99.

Dopfer, Anita, and Haeusler Contemporary. Paperwork: Anita Dopfer. Haeusler

Contemporary, 2008.

Dougherty, Siobhan, and Fruit Market Gallery.;Duncan of Jordanstone College

of Art & Design. Heaven on Earth. Edinburgh: Fruitmarket Gallery, 2002.

Douglas, Anne, and Robert Gordon University. On the Edge: Culture and the

Arts in Remote and Rural Locations. Aberdeen: Robert Gordon University,

2002.

Douglas, Julia. Close Knit. Timespan, 2010.

Drobnick, Fisher, Jim, Jennifer. Civic Spectacle, 2012.

Dunbar, Robin. How Many Friends Does One Person Need? Dunbar’s Number

and Other Evolutionary Quirks. Faber and Faber Limited, 2010.

Duncan of Jordanstone College of Art and Design. Duncan of Jordanstone

College of Art and Design: Fine Art 2010. Duncan of Jordanstone College

of Art and Design, n.d.

Dunseath, Robin. Around the World in 80 Ways. London: The Alden Press,

2004.

Dupuis, Xavier, and France. Economie et Culture. Paris: ocumentation

fran aise, 8 .

E, Belfiore. The Social Impact of the Arts: An Intellectual History. Palgrave

Macmillan, 2008.

EAF. Edinburgh Art Festival 2010, n.d.

elizabeth grosz. Chaos, Territory, Art: Deleuze and the Framing of the Earth.

columbia university press, 2008.

Elsner, John. The Cultures of Collecting. London: Reaktion Books Ltd, 1994.

Enwezor, Okwui, and International Center of Photography. Archive Fever : Uses

of the Document in Contemporary Art. st ed. ew ork . .  ;G ttingen:

International Center of Photography ;;Steidl Publishers, 2008.

Esson, Michael. Imagine My Heart Was Yours. Drawings 1996-2005.

Multiculture Media and Trade, 2005.

Et Dukkehjem. Henie Onstad Kunstsenter, 2002.

European Biennal of Contemporary Art. Manifesta 8: Pocket Guide 09/10/10-

09/01/11, 2011.

Eyres, Erica, and Edinburgh College of Art. If You’ll Believe in Me, I’ll Believe

in You. Edinburgh: Edinburgh College of Art, 2008.

Farwell, Jodey. The Economic Impacts of Nonprofit Arts Organizations and Arts

Audiences on the Sun Valley, Idaho Area Economy, 1990.

Felshin, Nina. But Is It Art? The Spirit of Art as Activism. Seattle: Bay Press,

1995.

Feng, Boi, and Yongjin Luo. Districts, Dreamlands, Desire. Shanghai:

Haxiangning Art Museum, 2008.

Festival Sur Le Niger Creation & Developpement, 2012.

Fink, Larry. George MacDonald : Images of His World. Abilene Tex.: Pasture

Spring Press, 2004.

Finks, Publishing. Huntly Handbook: A Guide to the Town, Its People and

Business. Keith, Aberdeenshire: Finks, 2007.

Finlay, Alec. A Company of Mountains 14 Views on the Isle of Skye, 2013.

———. The Way to Cold Mountain : An Anthology of Mountains. Edinburgh:

Polygon, 2001.

———. White Peak, Dark Peak. Derbyshire Arts Development Group, 2010.

Finlay, Alec, and Baltic Centre for Contemporary Art.;Orchard Gallery.;Archive

of Wind Blown Clouds. Wind Blown Cloud. Edinburgh: Morning Star,

2003.

Fischer, Pat. Jaqueline Donachie: Somewhere to Stand. Talbot Rice Gallery,

Edinburgh, 2004.

Forbes, Anne L. Trials and Triumphs. The Gordons of Huntly in Sixteenth-

Century Scotland, 2012.

Fourie, Abrie. End of the World. [South Africa: s. n.], 2005.

———. Oblique: Labor Berlin 11, n.d.

Francesca Mila Nemni, Gayle Chong Kwan, Giulia Giannola. Invisible

Twinning, n.d.

Francisco, Rene. ‘Agua Benita’, ecember 2008. A FRA 06.

———. ‘Interprete’. Galeria Villa Manuela, 200 . A FRA 0 .

———. ‘Patio de in’, February 2006. A FRA 06.

Free Thought #1, 2011.

Freire, Paulo. Pedagogy of the Oppressed. 16th ed. London: Penguin Books,

1996.

Frost, Alex. Supplements. ArtSway, Milton Keynes Gallery and Sorcha Dallas,

n.d.

Fruitmarket Gallery, Edinburgh. Heaven on Earth Forum. London: Fruitmarket

Gallery, 2002.

Fuller, Sarah. My Banff - Sarah Fuller. Art Gallery of Alberta, 2010.

Fulton, Hamish. Footpaths. Japan: CCA, Glasgow, 2008.

———. Mountain Time Human Time. Gardners Books, 2004.

———. Mountain Time/human Time. Milano: Charta, 2010.

———. Sporthalle Und Schulraum Meggen, 2005.

———. The Uncarved Block : Ten Short Walks in the Himalayas, 1975-2009.

Baden  ;London: Lars M ller ;;Springer distributor , 20 0.

Fulton, Hamish, and Cantabria Comunidad Aut noma . Sonido de Las Olas :

exposici n . [Santander]: Gobierno de Cantabria, 2007.

Fulton, Hamish, and Center for Contemporary Art (Kitakyushu). Old Tree.

Kitakyushu Japan: Center for Contemporary Art, 2008.

Fulton, Hamish, and Exhibition Kora, Hamish Fulton 2008 - 2009,

Oslo>;Galleri Riis <Oslo> Kora Tibetan Kora - Circumambulation

of a Sacred Place Hamish Fulton [on the Occasion of the Exhibition Kora,

Hamish Fulton, Galleri Riis, Oslo, November 27 2008 - January 18 2009].

Stuttgart: Arnoldsche Art Publ., 2008.

Fulton, Hamish, and H usler Contemporary. Mindscape : Hamish Fulton, rgen

Partenheimer. M nchen: H usler Contemporary, 200 .

Fulton, Hamish, and Museion (Bolzano, Trentino-Alto Adige, Italy). Hamish

Fulton : Keep Moving. Milano: Charta, 2005.

Fulton, Hamish, and Museo Extreme o e Iberoamericano de Arte

Contempor neo Bada oz . Hamish Fulton - El Camino : Rutas Cortas Por

La Pen nsula Ib rica. Bada oz: Fundaci n Ortega Mu oz, 2008.

Fulton, Hamish, Ben Tufnell, Andrew Wilson, Bill McKibben, Doug Scott, and

Tate Britain (Gallery). Hamish Fulton : Walking ourney. London: Tate

Pub., 2002.

Fulton, Jennifer. Complete Idiot’s Guide to Upgrading and Repairing PCs. 3rd

ed. Indianapolis IN: Alpha Books, 1998.

Gadamer, Hans Georg, and Robert Bernasconi. The Relevance of the Beautiful

and Other Essays. Cambridge University Press, 1986.

Galleria Limiti inchiusi. F15 -Una Regressione Motivata, n.d.

Galloway, Susan. Changing Lives: The Social Impact of the Arts. Scottish Arts

Council, 1995.

GASWORKS. GASWORKS: Exhibitions, Talks and Events, Education, Artists’

Residencies (February - April 2011), 2011.

Gayle Chong Kwan. ‘Blind Vistas’, n.d.

———. The Grand Tour, n.d.

———. The Obsidian Isle, n.d.

Gear, Nicola, and Triangle Arts Trust. 3 Islands. Triangle Arts Trust, n.d.

Gebrekidan, Mulugeta. Wondering, 2011.

Gemuce. Money Crunch, 2010.

———. ‘Pompilio Hilario’, n.d.

———. Refugios Inviolaveis. Exposicao Indiviual de Artes Visuais, n.d.

Gibb, Lyndsey. Aberdeen Artists Society - Annual Exhibition Brochure, 2011.

Girardot, N. The Victorian Translation of China: ames Legge’s Oriental

Pilgrimage. Berkeley: University of California Press, 2002.

Goldsworthy, Andy, and Taigh Chearsabhagh Trust. North Uist Works. Loch

Nam Madadh: Taigh Chearsabhagh, 2008.

Gombrich, E. Art and Illusion a Study in the Psychology of Pictorial

Representation. [New York]: Pantheon Books, 1960.

Gow, Ian, and National Galleries of Scotland. Duff House. Edinburgh: National

Galleries of Scotland, 1995.

Grande, John K., and Edward Lucie-Smith. Art Nature Dialogues, 2004.

Gray’s School of Art. Gray’s School of Art Degree Show 2009. Gray’s School of

Art, n.d.

Greater Columbus Arts Council (Ohio). The Arts and the Greater Columbus

Economy. Columbus Ohio: Greater Columbus Arts Council, 1986.

Greenberg, Reesa, Bruce W Ferguson, and Sandy Nairne, eds. Thinking About

Exhibitions. London, New York: Routledge, 1996.

Greenslade, Colin R. Royal Scottish Academy 2012, n.d.

Gr tarsd ttir, Gudfr dur. Roni Horn : Vatnasafn = Library of Water. London:

Artangel, 2007.

Griffiths, Jay. Kith. The Riddle of the Childscape, n.d.

Hailes, Wester. Wester Hailes Social History Walks Code Book, n.d.

Hakansson, Henrick. ‘Henrick Hakansson - The End’, 2011.

Hamann, Sigune. Wave 28 Fbruary - 23 March 2013. Wellcome Collection,

2013.

Hamilton, Alexander. Stromata: A Touring Exhibition of Works By..., n.d.

Hamish Fulton, rgen Partenheimer - Mindscape  Contemporary, 2003.

Hans Ulrich Obrist. A Brief History of Curating. Documents 3. JRP Ringier &

Les Presses Du Reel, n.d.

Hao, Sophia adong. ‘e Labels’. Exhibitions & VRC at uncan of Jordonstone

College of Art & Design, January 2011.

Harding, Anna, ed. Magic Moments: Collaboration Between Artists and Young

People. London: Black Dog, 2005.

Harding, avid, and Pavel B chler, eds. Decadent: Public Art. Contentious

Term and Contested Practice. Glasgow: Foulis Press, 1997.

Harrington, Austin. Art and Social Theory: Sociological Arguments in

Aesthetics. Wiley-Blackwell, 2004.

Haviland, William A. Instructor’s Manual: Cultural Anthropology 4th Edition.

CBS College Publishing, 1983.

He & Deng. Family Museum Project, 2009.

Heath, Duncan., and Richard. Appignanesi. Introducing Romanticism. Duxford:

Icon, 1999.

———. Introducing Romanticism. Duxford: Icon, 1999.

Hebdige, Dick. Subculture the Meaning of Style. Taylor & Francis e-Library ed.

London ;; ew ork: Routledge, 2002.

Hegel, G. W. F., and F. P. B. Osmaston. The Philosophy of Fine Art. Thoemmes

Press, 1999.

Hegel, Georg Wilhelm Friedrich, and T. M. Knox. Aesthetics: Lectures on Fine

Art. Oxford University Press, 1998.

Heidelberger Kunstverein, ed. ‘Filmische Wahrheiten. 2 . .200 - 0.02.2008’.

Heidelberger Kunstverein, 2007.

Heidelberger Kunstverein. Filmische Wahrheiten : Ausstellung 24.11. -

10.02.2008. [Ausgabe in Kassette]. Heidelberg: Heidelberger Kunstverein,

2008.

Hein, Hilde. Public Art : Thinking Museums Differently. Lanham MD: AltaMira

Press, 2006.

‘Here and ow. Scottish Art 0-200 ’. undee Contemporary Arts, n.d.

Hill, Katie. English Lounge. 09, n.d.

Hillman-Chartrand, Harry. Art and Politics in an Post-Modern Economy : A

Personal View. Ottawa Ont.: Canada Council, 1988.

Hillman-Chartrand, Harry, and Conseil des arts du Canada. Recherche et

evaluation. Les Arts : Aptitudes Liees a La Consommation Dans L’economie

Postmoderne = The Arts : Consumption Skills in the Post-Modern

Economy Harry Hillman-Chartrand. Ottawa: Recherche et

evaluation Conseil des arts du Canada, 1986.

Historic Scotland., and Allan Rutherford. Huntly Castle. Edinburgh: Historic

Scotland, 2006.

Hogde, Stephen. A Mis-Guide to Anywhere. 2006th ed. Wrights & Sites, 2006.

———. An Exeter Mis-Guide. 2003rd ed. Wrights & Sites, 2003.

Hong Kong Arts Centre. Art School. White Tube. White Text 01. Vol. 03.

Xianggang : Xianggang yi shu zhong xin yi shu xue yuan, bai guan zi, bai

wen ben, 2005-, n.d.

———. White Text 02. Vol. 02. Xianggang : Xianggang yi shu zhong xin yi shu

xue yuan, bai guan zi, bai wen ben, 2005-, n.d.

———. White Text 03. Vol. 01. Xianggang : Xianggang yi shu zhong xin yi shu


———. White Text 04. Vol. 0 . Xianggang : Xianggang yi shu zhong xin yi shu


Hopfner, Michael. Outpost of Progress. Spector Books, 2011.

Hopkins, Tony. Pennine Way North : Bowes to Kirk Yetholm. London: Aurum,

2004.

Horn, Roni. Vatnasafn: Library of Water. London: Artangel, 2007.

Hunter, Kenny, and Strathclyde Fire Brigade. ‘Citizen Firefighter’. CCA,

Glasgow, 2002.

Hunter, Kenny, and Talbot Rice Gallery. Kenny Hunter: Freestyle

Monumental! Edinburgh: Talbot Rice Gallery, 2003.

Hunter, Norma. It’s Knot Magic. Deveron Arts, 2011.

———. Meandors, 2009.

Huws, Bethan. Reading Duchamp, n.d.

Ian Thompson. Jules Verne’s Scotland, n.d.

Illiich, Ivan D. Tools for Conviviality, 1973.

In Ethiopia, 2010.

Inagaki, Tatsuo. ‘Tatsuo Inagaki - Artist’s Statement’, n.d.

INIVA. Whose Map Is It? New Mapping by Artists. INIVA, 2010.

International Istanbul Biennial, Jens Hoffmann, Adriano Pedrosa, and Istanbul

Kültür ve Sanat Vakfi. Isimsiz (12. Istanbul Bienali), 2011 = Untitled (12th

Istanbul Biennial), 2011. The Catalogue. Sishane, Istanbul: Istanbul Kültür

Sanat Vakfi, 2011.

Investion in Scotland Creative Future, 2011.

Jacob, Mary. Learning Mind: Experience into Art. Chicago Ill.  ;Berkeley:

School of the Art Institute of Chicago ;;University of California Press, 200 .

Jacob, Mary Jane, and Jacquelynn Baas. Chicago Makes Modern, How Creative

Minds Changed Society. Chicago: The University of Chicago Press, 2012.

Jacques Ranciere. Dissensus on Politics and Aesthetics, 2010.

———. The Future of the Image. Verso, 2007.

Jaukkuri, Maaretta., and Vegar. Moen. Artscape Nordland. Nordland County:

Forlaget Press, 2001.

Jeremy Deller. Joy in People, n.d.

Joan Backes. Joan Backes, Images and Essays 2004-2012, n.d.

Joergensen, Elsebeth, and Sofie Thorsen. Vindueskarm. Window-Still.

Kopenhagen, 2001.

John D Hardgreaves. Aberdeenshire to Africa. North-East Scots & British

Overseas Expansion, n.d.

Johnstone, Stephen. The Everyday. London  ;Cambridge Mass.:

Whitechapel ;;MIT Press, 2008.

Jokela, Timo, and Marja Touminen. Talven Merkit Winter Signs, n.d.

Jorgensen, Elsbeth. Cinemagic Tour: Scenes from an Imaginary Place, 2006.

Jovis Verlag GMBH. Architecture Photography Art, n.d.

‘Juankoski Factory Guide - A Translation’, n.d.

Judd, Donald. Donald Judd. Edited by Tate Modern Gallery , ffentliche

Kunstsammlung Basel, and Kunstsammlung Nordrhein-Westfalen

(Germany). New York: D.A.P., 2004.

Kalteis, Fritz. Werfenweng, 2005.

Kant, Immanuel. Critique of Judgment. New York: Hafner Pub. Co., 1951.

Kawamata, Tadashi. Mémoire en demeure. Memory in Progress, 2004.

Kebede, Mihret. Slow Marathon. Huntly: Deveron Arts, 2012.

Kempe, Nick., Mark. Wrightham, Scottish Mountaineering Trust., and Scottish

Natural Heritage (Agency). Hostile Habitats : Scotland’s Mountain

Environment. [Edinburgh?]: Scottish Mountaineering Trust, 2006.

‘

Kester, Grant, ed. Art, Activism and Oppositionality: Essays from Afterimage.

Durham [NC]: Duke University Press, 1998.

Kester, Grant H. Conversation Pieces: Community and Communication in

Modern Art. 1st ed. University of California Press, 2004.

———. Conversation Pieces: Community and Communication in Modern Art.

1st ed. University of California Press, 2004.

Kibaru, Kore. La Revue Semestrielle Du Centre Culture Kore, 2011.

Kingston, Angela., and Functionsuite. Extraordinary Everyday : Explorations in

Collaborative Art in Healthcare. Edinburgh: Artlink, 2005.

Knight, Alanna. Destroying Angel : A Rose McQuinn Mystery. London: Allison

& Busby, 2007.

Knight, Cher. Public Art  : Theory, Practice and Populism. Malden MA:

Blackwell, 2008.

Koloski-Ostrow, Ann Olga, and Claire L. Lyons. Naked Truths: Women,

Sexuality, and Gender in Classical Art and Archaeology. Routledge, 2000.

Kulturstiftung f r den Landkreis ordwestmecklenburg, and Ulrich

Rudolph. Kunst Und K nstler in Nordwestmecklenburg Ateliers,

Kunstvereine, Galerien. Grevesm hlen: Kulturstiftung f r den Landkreis

Nordwestmecklenburg, 2007.

Kuluncic, Andreja. On the State of the Nation, n.d.

Kurokawa, Kish . Das Kurokawa-Manifest : Texte Zum Symbiotischen Denken.

Berlin: Jovis, 2005.

Kwon, Miwon. One Place After Another: Site-Specific Art and Locational

Identity. 1st MIT Press pbk. ed. Cambridge Mass.: MIT Press, 2004.

Lacy, Suzanne. Mapping the Terrain: New Genre Public Art. 2. print.

Seattle Wash: Bay Press, 1996.

Laetitia Catoir & Koyo Kouoh. 1:54 Contemporary African Art Fair, n.d.

Leffman, David., and Simon Lewis. The Rough Guide to China. London: Rough

Guides, 2008.

Legge, James. ‘The Chinese Classics’, 8 .

Lehigh University Art Galleries. Howard Finister (1916 - 2001). Lehigh

University Art Galleries/Museum Operation, n.d.

Lewis. Fisherman’s Map of Salmon Pools on the River Deveron, n.d.

Lilley, Clare, and Brass Art (Artist group). Brass Art : Skyscraping. West

Bretton: West Yorkshire Sculpture Park, 2008.

Limousine Bull. ‘Pro ect - A Restrospective’. Limousine Bull Artists’

Collective Aberdeen, 2006.

Lindman, Pia. Poison and Play, n.d.

Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to

1972 ... Berkeley: University of California Press, 1997.

———. The Lure of the Local : Senses of Place in a Multicentered Society. New

York: New Press, 1997.

Li ka, Pavel. Dorota Nieznalska : Nr. 44 Artists in Residence I anl lich Der

Projektausstellung Nr. 44 von Dorota Nieznalska Als Ergebnis Des

Studienaufenthaltes Im Artists-in Residence-Programm 2005 2006].

Regensburg: Kunstforum Ostdt. Galerie, 2006.

Littlejohn, William, and Royal Scottish Academy. William Littlejohn : For the

Exhibition at the Royal Scottish Academy : 1 November - 14 December

2008. Edinburgh: Royal Scottish Academy of Art & Architecture, 2008.

Liu, Hu. ‘ 2 Aberdeen Street: Hu Liu Solo Exhibition’. Shin Hwa Gallery, Hong

Kong, 2008.

Liu, Xinyi. Xinyi Liu 10.2008 - 03.2009, n.d.

———. Xinyi Liu’s Installations 2006-2008, n.d.

Liu Yue. Absolute Zero, 2008.

Liversidge, Peter. Bloomberg Proposals. London: Bloomberg SPACE, 2009.

———. Proposals for Cardiff, 2010.

———. Proposals for Huntly. Deveron Arts, 2011.

Liversidge, Peter, and British Council. Proposals for Barcelona. Brussels:

British Council, 2007.

———. Proposals for Brussels. Brussels: British Council, 2007.

———. Proposals for Brussels. Brussels: British Council, 2007.

Liversidge, Peter, and Centre d’Art Santa M nica Barcelona . Proposals for

Barcelona. Barcelona: Centre d’Art Santa M nica, 2008.

Liversidge, Peter, and Ingleby Gallery. Ingleby Proposals. Edinburgh: Ingleby

Gallery, 2010.

Liversidge, Peter, and Scottish National Gallery of Modern Art

(Edinburgh). Proposals for the Scottish National Gallery of Modern Art.

Edinburgh: Ingleby Gallery on behalf of Scottish National Gallery of

Modern Art, 2010.

Lobban, Peter. Peacock 21 : A Celebration of 21 Years Collaboration between

Artists and Printers. Aberdeen: Peacock Printmakers, 1996.

Long, Moore, Nicholas, Henrietta. Sociality: New Directions, 2013.

López. Polder Cup. Utrecht: Post Editions, 2011.

Lopez, Maider. Coches, n.d.

———. Football Field, n.d.

———. How Do You Live This Place?, 2011.

———. How Do You Live This Place? Keith, Aberdeenshire: Deveron Arts, n.d.

———. Maider Lopez, n.d.

L pez, Maider. Playa. San Sebasti n : M. L pez, 2006.

L pez, Maider, and Artium, Centro-Museo Vasco de Arte Contempor neo

Vitoria, Espa a . Maider L pez : Coches : exposici n 19-10-2005, 08-01-

06, ARTIUM. Vitoria-Gasteiz: Artium Centro-Museo Vasco de Arte

Contempor neo, 2005.

L pez, Maider, and istrito Cu tro, Galer a de Arte. Maider L pez :

exposici n. Madrid: istrito Cu tro Galer a de Arte, 2005.

Lowenstein, Oliver, and Dalziel Scullion. Dalziel Scullion : Some Distance

from the Sun. Aberdeen: Peacock Visual Arts, 2007.

———. Dalziel Scullion : Some Distance from the Sun. Aberdeen: Peacock

Visual Arts, 2007.

Lowndes, Dr Sarah. Social Sculpture: The Rise of the Glasgow Art Scene. Luath

Press Ltd, 2010.

Lowndes, Sarah. Studio 58 Women Artists in Glasgow since World War II.

Glasgow School of Arts, 2012.

Lu, Carol Yinghua. The Temperament of Detail. Beijing, China: The Red

Mansion Foundation, 2007.

Lu, Carol Yinghua, Ding Liu, Liu Hu, Luyan Wang, Wei Wang, and Xiaojun

Wu. ‘The Temperament of etail’. The Red Mansion, 200 .

Lynch, Tessa. ‘Alexandrite’. Collective Gallery, 2010.

Macdonald, George. A Hidden Life, and Other Poems,. Prime Classics Library,

2004.

MacDonald, George. 3000 Quotations from the Writings of George MacDonald.

Grand Rapids Mich.: Fleming H. Revell, 1996.

Macfarlane, Robert. The Old Ways : A ourney on Foot. London; New York:

Hamish Hamilton, 2012.

———. The Wild Places. London: Granta publications, 2008.

MacGee, Anderson, Jack Mottram, and Alexander Kennedy. Anderson MacGee.

5th ed. Hong Kong: Limousine Bull Artists’ Collective Aberdeen, n.d.

Macgillivray, William. A Walk to London. Acair ldt, 1998.

MacLean, iane. ‘Lovely Weather. iane MacLean’. Edited by Judith ashby.

Macdonald Stewart Art Centre, Peterborough Digital Arts and Crawford

Arts Centre, n.d.

Maclean, Will, and Dundee Contemporary Arts (Art center). Will Maclean:

Driftworks. Dundee: Dundee Contemporary Arts, 2002.

Maibach, Edward. ‘Social Marketing for the Environment: Using Information

Campaigns to Promote Environmental Awareness and Behavior

Change’. Health Promot. Int. 8, no. 3 (1 January 1993): 209–224.

doi:10.1093/heapro/8.3.209.

Makrolab, n.d.

Manlove, Colin. From Alice to Harry Potter: Children’s Fantasy in England.

Christchurch N.Z.: Cybereditions, 2003.

———. Scottish Fantasy Literature: A Critical Survey. Edinburgh: Canongate

Academic, 1994.

Mao, Tse-Tung. Quotations from Mao Tse-Tung. Foreign Languages Press,

Peking, n.d.

Matarasso, Francois. ‘Use or Ornament? The Social Impact of Participation in

the ARts’. Comedia, .

Matarasso, Fran ois. Where We Dream: West Bromwich Operatic Society & the

Fine Art of Musical Theatre, n.d.

Matarasso, Fran ois, and ottingham England. . The Art of Regeneration.,

1996.

Matheson. The Search for Wardhouse, 2003.

Maurin, Sylvette. Les Numineuses Oeuvres de Joe Ouakam. unknown, 2011.

Mayenberg, Erick. Labor Berlin 2, n.d.

MC ADAM, SCOTT, Stuart, Neil. Descent, 2012.

———. Union, 2012.

McCourt, Frances. Greenlands: Exploring Rural Landscape. RIAC, 2004.

McDonald, Ewen. The Story of Strathbogie Church, n.d.

McKean, Charles., and Royal Incorporation of Architects in Scotland. Banff &

Buchan: An Illustrated Architectural Guide. Architectural Guides to

Scotland, 9. Edinburgh: Mainstream, 1990.

McKenzie Smith, Woods, Watson. Peacock 21. Aberdeen: Peacock Printmakers,

1996.

McKibben, Bill. Hamish Fulton. London: Tate, 2002.

McLaren, Duncan. The Strangled Cry of the Writer-in-Residence. [Windermere]:

Grizedale Books, 2002.

McManus, Clare. Yorkshire Artspace Residency Programme 2008 - 2009, n.d.

McMullan, Shauna. Travelling the Distance. Crown, 2007.

Mda, Zakes. And the Girls in Their Sunday Dresses: Four Works. Johannesburg,

South Africa: Witwatersrand University Press, 1993.

Mehra, Priya Ravish. Making the Invisible Visible, n.d.

Melville, Jennifer. From Van Gogh to Vettriano, Hidden Gems from Private

Collections. First. Aberdeen: Aberdeen City Council, 2011.

Melville, Jennifer, and Aberdeen (Scotland). Aberdeen Art Gallery : A History.

[Aberdeen]: Aberdeen City Council, 2010.

Merriam, Alan. ‘Art and Economics in Basongye Raffia Basketry.’ African

Arts. (1968).

Merz, Eva. Country Living, 2003.

———. Get A Fucking Job: The Truth About Begging. Edited by New Social

Art School (Organization). Keith, GB: New Social Art School, 2006.

———. ‘Portraetter 6- 8’. Tono Grafisk, DK, n.d.

———. Some Secret : Catalogue. [S.l.]: Eva Merz, 2002.

———. Space/Retail/Magic, 2005.

———. Tillydrone. Keith, GB: Peacock Visual Arts, 2007.

Merz, Eva, and Glasgow School of Art. You, Me, Us and Them. Glasgow School

of Art, 2011.

Merz, Eva, and New Social Art School. No Mean Streets: Cycling in the City of

Glasgow, n.d.

Mesch, Claudia. Joseph Beuys: The Reader. I.B. Tauris & Co Ltd, 2007.

Mesch, Claudia., and Viola Maria. Michely. oseph Beuys : The Reader.

Cambridge, MA: MIT Press, 2007.

Mi ge, Bernard. Problems Which the Development of National and International

Cultural Industries Presents for Artistic and Intellectual Creation. [Paris?]:

Unesco, 1982.

Mihaltianu, Dan. Plaques Tourantes. LP, n.d.

Miller, Colin, and Gordon District Tourist Board. Walks around Huntly and

District. [Inverurie?]: Gordon District Tourist Board, 1993.

Milne, Louise. Grey Matter. Centre for Visual & Cultural Studies, ECA, 2009.

Moffat, Alexander. RSA: NC RSA New Conemporaries, n.d.

Möntmann, Nina, and Yilmaz Dziewior. Mapping a City. Hamburg-Kartierung.

1st ed. Hatje Cantz Verlag, 2004.

Morris, Frances. Tate Modern: The Handbook. [Rev. and updated ed.] /. London:

Tate Pub., 2006.

Morrison, John. Painting the Nation : Identity and Nationalism in Scottish

Painting, 1800-1920. Edinburgh: Edinburgh University Press, 2003.

Morrison, Tony. The Bluest Eye. Croydon: Chatto & Windus, 1970.

Morrison-Bell, Cynthia. Walk On: 40 Years of Art Walking. Sunderland, UK: Art

Editions North, 2013.

Mouanda, Baudouin. From SAPE to SWAGGER. Deveron Arts, 2011.

Mozambique Tourist Board. Tourist Guide to Mozambique, 2009.

Mulholland, Hugh., British Council., Arts Council of Northern Ireland., and

Biennale di Venezia. The Nature of Things: Artists from Northern Ireland.

s.l.: British Council, 2005.

Mullock, Yvonne, and Walter Rothschild Zoological Museum (Tring,

England). Zoo-Graphy : A Collection of New Art Works, as Artist in

Residence at the Walter Rothschild Zoological Museum. [S.l.: s.n.], 2003.

Mulunech, Aida. Fana Wogi 2012 (Exhibition Catalogue), n.d.

Newby, Howard. Green and Pleasant Land? : Social Change in Rural England.

London: Hutchinson of London, 1979.

———. Green and Pleasant Land? : Social Change in Rural England. London:

Wildwood House, 1985.

———. The Deferential Worker : A Study of Farm Workers in East Anglia.

London: Allen Lane, 1977.

HS, Grampian. ‘Health Walks Map Pack’. NHS, Grampian, 2011.

Nicholson, Geoff. The Lost Art of Walking. 2nd ed. Chelmsford, Essex, UK:

Harbour Books Ltd, 2011.

Niven, Robert. Epithetic. 3/20 ed., 2003.

ottingham England. ., and Fran ois Matarasso. The Art of Regeneration.,

1996.

O’ oherty, Brian. Inside the White Cube : The Ideology of the Gallery Space.

1st book ed. Santa Monica: Lapis Press, 1986.

O’ eill, Paul. Curating and the Educational Turn. Amsterdam: Open Editions,

2010.

———. , ed. Curating Subjects. London: Open Editions, 2007.

———. , ed. Curating Subjects. London: Open Editions, 2007.

Obrist, Hans Ulrich. A Brief History of Curating. Documents 3. JRP Ringier &

Les Presses Du Reel, n.d.

Obrist, Hans-Ulrich. Dontstopdontstopdontstopdontstop. New York: Sternberg,

2006.

Onwin, Glen. RSA:NC RSA New Contemporaries, n.d.

Orbach, Susie. Bodies. London: Profile, 2009.

Orta, Lucy, and Jorge Orta. Collective Space: 70 X 7 Connective Strategies for

Urban Locations. Birmingham: ARTicle Press, Ixia PA Ltd., 2006.

OS. ‘OS Landranger - Elgin and ufftown’. Ordnance Survey, 2002. (map)

———. ‘OS Landranger 0 - Fraserburgh Peterhead & istrict’. Ordnance

Survey, 1987. (map)

———. ‘OS Landranger 36 - Grantown & Aviemore’. Ordnance Survey, 2007.

(map)

———. ‘OS Landranger 8 - Aberdeen’. Ordnance Survey, 2002. (map)

———. ‘OS Landranger - Kelso & Coldstream’. Ordnance Survey, 2008.

(map)

———. ‘OS Landranger 80 - Cheviot Hills & Keilder Water’. Ordnance Survey,

2007. (map)

Pahl, R. Readings in Urban Sociology,. st ed. . Oxford ; ew ork: Pergamon

Press, 1968.

Parker, Mike. Map Addict (A Tale of Obsession, Fudge & the Ordnance Survey).

London: Collins, 2009.

Parsons, Sara-Jayne. Is Britain Great? 3. Portsmouth: Cornerhouse & Cavaran

Gallery, 2011.

Paths around Dufftown, n.d.

Paul Bonaventura and Stephen Farthing. A Cirriculum for Artists, n.d.

Paul Shepheard. How to Like Everything; A Utopia, n.d.

Payne, Moira. RSA: NC RSA New Contemporaries, n.d.

Peakock Visual Arts, and Aberdeen Art Gallery, eds. ‘Some istance From the

Sun. alziel and Scullion’. Peacock Visual Arts, 2007.

Peljhan, Marko, and Projekt Atol Institute. Makrolab : North 056 48ʹ 182ʺ West

003 58ʹ 299ʺ Elevation 1276ft. London  ;L ubl ana Slovenia: The Arts

Catalyst ;;Zavod Pro ekt Atol, 200 .

Peter Bonell, Jack Lewis, Josepha Sanna. Artsway’s New Forest Pavilion, n.d.

Peterson, Steven, and University of Idaho. Impacts of Nonprofit Arts

Organizations and Arts Audiences on the Sandpoint Area Economy.

Moscow Idaho: Center for Business Development and Research College of

Business and Economics University of Idaho, 1990.

———. The Impact of Nonprofit Arts Organizations on the Idaho Economy : A

Statewide Technical Report. Moscow Idaho: Center for Business

Development and Research College of Business and Economics University

of Idaho, 1990.

Pettinen, Albert. ‘Musiiki aytelmaan Ra asusi’, n.d. PM PET.

Pigott, Jeff, and Julia Warin. Kiosk Newport Indoor Market, 2011.

Poulton-Smith, Anthony. Beeching 50 Years On. The History Press, 2013.

Prizeman, John. European Interiors, n.d.

Prlja, Nada. Foreign Language for Beginners. Manifesta 8, 2010.

Proenca, Demeuse, Hernandez Chang Cuy. Weather Permitting, n.d.

Public Art at the Community School of Auchterarder. PACE, n.d.

Pujol, Ernesto. Contact Sheet. New York: Light Work, 2008.

———. Sited Body, Public Visions - Silence, Stillness & Walking as

Performance Practice. New York, 2012.

Putter, de, Jos. Meeting John Berger. DVD, 2012.

PYMCA, and Ted Polhemus. Unordinary People: British Youth Culture 1960-

2009. First Edition, Limited to 300. Pymca, 2009.

Rackham, Oliver. Woodlands. London: Collins, 2006.

Rainbird, Sean. oseph Beuys and the Celtic World : Scotland, Ireland and

England, 1970-85. London: Tate, 2005.

Ramischwili, Koka. KOKA Ramischmili - A Collection of Bad and Wrong

Words, 1994.

Ranciere, Jacques. Dissensus on Politics and Aesthetics, 2010.

———. The Future of the Image. Verso, 2007.

Ranulph Fiennes. Mad, Bad & Dangerous to Know, n.d.

Rebecca Solnit. The Faraway Nearby, n.d.

Recontres de Bamako 09, African Photography Biennial, 2009.

Red Mansion Foundation (London). The Temperament of Detail : Hu Liu, Wang

Luyan, Wang Wei, Wu Xiaojun. London: Red Mansion Foundation 2007.,

2007.

Reeves, Michelle, and Arts Council of England. Measuring the Economic and

Social Impact of the Arts : A Review. London: Arts Council of England,

2002.

Reiss, Julie. From Margin to Center: The Spaces of Installation Art.

Cambridge MA: MIT Press, 1999.

Reynolds, Reynold. The Secrets Trilogy, n.d.

Richard Ashrowan. Fingal’s Cave, n.d.

Richard Long. Selected Walks, n.d.

Ride, Lindsay. Biographical Note. Hong Kong: Hong Kong University Press,

1960.

Rio de Janeiro Map, n.d.

Rivington Place. ‘Rivington Place Exhibitions and Events Spriing/Summer

20 0’, 20 0. A RIV 0.

Robert Gordon University. Grays School of Art Degree Show 2011, 2011.

Robert MacFarlane. Mountains of the Mind, n.d.

Roberts, Jo. ‘Field Studies’, 200 . OR ROB 0 .

———. ‘Finding A Way Through’, n.d. A ROB 0 .

Robinson, Hilary. Feminism-Art-Theory: An Anthology, 1968-2000. Wiley-

Blackwell, 2001.

Room 13. Room 13 - Annual Report 2007. Room 13, 2007.

Rosenthal, Mark, Sean. Rainbird, Claudia. Schmuckli, Joseph. Beuys, Tex.)

Menil Collection (Houston, and Tate Modern (Gallery). oseph Beuys :

Actions, Vitrines, Environments. Houston; New Haven, Conn.: Menil

Collection ; istributed by ale University Press, 200 .

Ross, Donnie. Art and Wellbeing - The Healing Environment, 2010.

———. ‘Grampian Hospitals Art Trust - Annual Review 200 ’, 200 .

Ross, Janet. LEO: Back to Nai-Cha, n.d.

———. Visual Artists in Rural Communities: 2000-2010, n.d.

Ross, Maureen. Day Month. Poems. 16. Koo Press, 2006.

———. Day Moth. [Portlethen?]: Koo Press, 2006.

Rowles, Sarah. 12 Gallerists: 20 Questions. London: Q-Art, 2008.

Royal Scottish Academy. RSA:NC : RSA New Contemporaries : 14-25 February

2009. Edinburgh: Royal Scottish Academy, 2009.

———. RSA:NC : RSA New Contemporaries : 3-21 April 2010. Edinburgh:

Royal Scottish Academy, 2010.

Royal Scottish Academy., and Calum Colvin. Calum Colvin : Natural Magic,

Natural Magic. Edinburgh: Royal Scottish Academy, 2009.

Royal Scottish Academy., and Beth Fisher. Beth Fisher : Grisaille Legacy : Tilly

in the Unicorn Tapestry, Letting Go and Other Work. Edinburgh: Royal

Scottish Academy, 2010.

———. Beth Fisher : Grisaille Legacy : Tilly in the Unicorn Tapestry, Letting

Go and Other Work. Edinburgh: Royal Scottish Academy, 2010.

Royal Sottish Academy. RSA New Contemporaries. Royal Scottish Academy of

Art & Architecture, 2009.

RSA. RSA 2010, n.d.

———. RSA: NC RSA New Contemporaries 13 April - 8 May 2013, 2013.

———. William Littlejohn. Royal Scottish Academy of Art & Architecture,

2008.

RSA: NC RSA New Contemporaries, 2012.

Rudd-Jones, Nicholas. Pathways. Guardianbooks, 2011.

Rudolph, Ulrich, and Kulturstiftung f r den Landkreis

Nordwestmecklenburg. Kunst Und K nstler in Nordwestmecklenburg

Ateliers, Kunstvereine, Galerien. Grevesm hlen: Kulturstiftung f r den

Landkreis Nordwestmecklenburg, 2007.

Ruukki. ‘Ruukin Patruuna’ n.d. .

Ryan, Genevieve. Let Me Take You down Cause Im Going to Strawberry Fieds

Forever, 2010.

Sacramento, Nuno. ARTocracy : Art, Informal Space and Social Conse uence :

A Curatorial Handbook in Collaborative Practice. Berlin: Jovis, 2010.

Sammlung Alfons Walde. Dächer & Dachlandschaften, n.d.

Sandell, Richard. Museums, Society, Inequality. 1st ed. Routledge, 2002.

Sarah Worden. David Livingstone: Man, Myth and Legacy, n.d.

Scherübl, Wilhelm. Visible Growth. Munderfing: Aumayer Druck und Verlag,

2004.

Scherubl, Wilhelm., Martin. Hochleitner, Gail. Schamberger, Ausstellung, and

Ausstellung. Wilhelm Scherubl: Visible Growth. Kataloge Der

Obersterreichischen Landesmuseen, N.S. 22. Weitra: Publ. P No 1,

Bibliothek der Provinz, 2004.

Schreuders, Claudette. Claudette Schreuders, The Long Day: Lithographs. The

Long Day, Lithographs, 2007, n.d.

Schuler, Marco, and St dtische Galerie Villingen-Schwenningen.;St dtische

Galerie Reutlingen. Marco Schuler, Waldmeister. Villingen-Schwenningen:

Stadt Villingen-Schwenningen, 2008.

Scott, Patrick W. Place Names of the Parish of Huntly, n.d.

———. The History of Strathbogie. XL Publishing Services, 2003.

Scottish National Gallery of Modern Art (Edinburgh), and Peter

Liversidge. Proposals for the Scottish National Gallery of Modern Art.

Edinburgh: Ingleby Gallery on behalf of Scottish National Gallery of

Modern Art, 2010.

Senac, Gérard. DAK’ART 2012 (Catalogue). Sénégal, Dakar: La Rochette, 2012.

———. DAK’ART 2012 (Guide). La Rochette, 2012.

Serota, Nicholas. Donald Judd. Londres: Tate Publishing, 2004.

Shannon Jackson. Social Works. Performing Art, Supporting Publics, n.d.

Sharifian, Vahid. 2HB Vol. 11. Centre for Contemporary Arts, Glasgow, 2011.

Sharjah Art Foundation. Sharjah Art Foundation, 2009.

Shehadeh, Raja. Palestinian Walks. London: Profile Books Ltd, 2008.

Sheoherd, Nan. The Living Mountain. Canongate Books, 1977.

Shepheard, Paul. The Cultivated Wilderness, or What Is Landscape? London:

MIT Press, 1997.

Sherry, David. Health and Safety Effects. Deveron Arts, 2010.

Sidibe, Malick. Les carnets de la Creation, n.d.

Silesian Institute. XX 20th Year of the Institute of Creative Photography, n.d.

Sinclair, Ross. Ross Sinclair: If North was South and East was West. Karlsruhe:

Badischer Kunstverein, 2004.

———. We Love Real Life Scotland, 2012.

SKOR Kunstprojecten. Kunst en Ruimtelijke (Ont)ordening. SKOR

Kunstprojecten 1-4. Vol. 1–4. 4 vols., n.d.

———. Kunst en Ruimtelijke (Ont)ordening. SKOR Kunstprojecten 1-4. Vol. 1–

4. 4 vols., n.d.

Slavin, Neal. Britons, n.d.

Slezsk univerzita. Dvac t Rok Institutu Tv r Fotografie FPF Slezsk

Univerzity v Opav  : Katalog 1 = The Twentieth Year of the Institute of

Creative Photography, Silesian University in Opava : Catalogue. Opava

 ;Praha: Slezsk univerzita v Opav  ;;KA T, 20 0.

Smi, Phil. A Sardine Street Box of Tricks. UK: Triarchy Press, 2012.

Smith, Damien. This Is Central Station.com. CenSta Ltd, 2010.

SMITH, Helem. Fold, 2012.

Smith, Phil. Counter-Tourism: A Pocketbook. Triarchy Press, n.d.

———. Crab Step Cards And Maps. Triarchy Press, 2013.

———. Walkwalkwalk:stories from the Exeter Archive, 2009.

Solnit, Rebecca. A Field Guide to Getting Lost, 2005.

———. Wanderlust: A History of Walking, 2001.

Sotheby’s Firm , and Iwona Blazwick. The Whitechapel Auction : Defining the

Contemporary. London: Sotheby’s, 2006.

Souleymane Keita, n.d.

South London Gallery. The Cat Came as a Tomato. South London Gallery,

2011.

Stan’s Cafe., and Edward imsdale. Of All the People in All the World, Stan’s

Cafe, 18 June--10 July 2005, Wagenhalle, Innerer Nordbahnhof, Stuttgart.

1st ed. Birmingham, 2005.

Stenersen Museum. Beauty and Pleasure in South African Contemporary

Art. Oslo: Stenersen Museum, 2009.

Stephen, Ian. Mackerel & Creamola - Stories and Recipes. Pocket Books, 2001.

Stevenson, Robert Louis. Dreams of Elsewhere. Glasgow: The In Pinnn, 2002.

Steyerl, Hito. ‘In Free Fall’. Collective Gallery, September 2010.

Stokes, Matt. Lost in the Rhythm. Sunderland: Art Editions North, 2007.

Stone, Jeffrey C. The Pont Manuscript Maps of Scotland. Map Collector

Publications, 1989.

Sworn, Corin. Unsettling Provenance, 2013.

Tabraham, Chris. The Huntly Castle, 1985.

Tadashi Kawamata : Memoire En Demeure = Memory in Progress. [s.l.]:

Eternal etwork ;;a.p.r.e.s editions, 2005.

Tamagni, Daniele, Paul Smith, and Paul Goodwin. Gentlemen of Bacongo.

Trolley, 2009.

Tarland, Way. Along The Tarland Way. Tarland Development Group, n.d.

———. Take the Tarland Way, n.d.

Teasdale, Chris, and Jan Williams. Is Britain Great? Portsmouth: Aspex Visual

Arts Trust, 2007.

The Arts Catalyst. Makrolab, 2003.

‘ ‘The Blue Chamber. 2000’, n.d.

‘The Blue Chamber. 2000’, n.d.

The House Is Sincere - Communitarian Artistic Residency and Talent Exchange,

2008.

The Stenersen Museum. Beauty and Pleasure in South African Contemporary

Art, 2009.

Thomas A Clark. Distance and Proximity, n.d.

Thompson, Gail. ARTworks: Royal Aberdeen Children’s Hospital 2006-2009.

Royal Aberdeen Children’s Hospital, 200 .

———. ARTworks: Royal Aberdeen Children’s Hospital 2006-2009. Royal

Aberdeen Children’s Hospital, 200 .

Tim Ingold. Lines, n.d.

———. Making, n.d.

———. The Perception of the Environment, Essays on Livelihood, Dwelling and

Skill, n.d.

Tim o Jokela , Glen Couttes, Maria Huhmarniemi, Elina Harkonen. Cool,

Applied Visual Artsw in the North, n.d.

T nnies, Ferdinand. Community & Society (Gemeinschaft Und Gesellschaft).

East Lansing: Michigan State University Press, 1957.

Tramway. Common Work - A Conference Exploring Socially Engaged Arts

Practice. Tramway, 2007.

Triscott & La Frenais. Zero Gravity: A Cultural User’s Guide. The Arts

Catalyst, 2005.

———. Zero Gravity: A Cultural User’s Guide. The Arts Catalyst, 2005.

Tufnell, Ben. Land Art. London; ew ork: Tate ; istributed in the U.S. by

Harry N. Abrams, 2006.

Tyndall, Kate. The Producers: Alchemists of the Impossible. Edited by Arts

Council England and Jerwood Charitable Foundation. London: Allander,

2007.

———. The Producers: Alchemists of the Impossible. Edited by Arts Council

England and Jerwood Charitable Foundation. London: Allander, 2007.

Tyndall, Kate., Arts Council England., and Jerwood Charitable Foundation. The

Producers : Alchemists of the Impossible. London; Arts Council England:

Jerwood Charitable Foundation, 2007.

UNESCO. The World’s Heritage, a Complete Guide to the Most

Extraordinary Places, n.d.

Utopia Group. Palace of Puzzles, 2010.

Velton, Ross. Mali. USA: The Globe Pequot Press Inc, n.d.

Vergara, Carlos. Liberdade, n.d.

Verne, Jules. Backwards to Britain, n.d.

Vicki Kuyper. Wonderlust, A Spiritual Travelogue for the Adventurous Soul, n.d.

VILLAIN, Serge. Souleymane Keita, n.d.

Visual Production Co., Ltd. Visual Production. Vol. Vol 2–3/2008, n.d.

Vuijsje, Herman, Marijke van Grafhorst, Paul van Oosten, Nico van der Perk,

and Colin Huizing. De Samaritaan Barmhartigheid nu. Amsterdam:

Stichting Kunstprojecten De Samaritaan/SKOR, 2008.

———. De Samaritaan Barmhartigheid nu. Amsterdam: Stichting

Kunstprojecten De Samaritaan/SKOR, 2008.

Wakeford, Nina, Said Business school., and Paolo Quattrone. Imagining

Business : An Interdisciplinary Exhibition. Newcastle upon Tyne: Platform

Projects, 2008.

‘Walk in Scotland’, 20 2. (guide)

Wallinger, Mark. Art for All? Their Policies and Our Culture. London: PEER,

2000.

———. Art for All? Their Policies and Our Culture. London: PEER, 2000.

Ward, Ossian. The Artist’s Year Book 2006. Thames and Hudson, 2006.

———. The Artist’s Yearbook 2006: All the Information and Advice You Need

to Get Ahead in the UK Art World. London: Thames & Hudson, 2005.

———. The Artist’s Yearbook 2006: All the Information and Advice You Need

to Get Ahead in the UK Art World. London: Thames & Hudson, 2005.

———. The Artists’ Yearbook 2007. London: Thames & Hudson, 2006.

———. The Artists’ Yearbook 2007. London: Thames & Hudson, 2006.

Warr, Tracey. Setting the Fell on Fire : Allenheads Contemporary Arts :

Contemporary Art in a Rural Context. Allenheads Northumberland

 ;Sunderland  ;Manchester: Allenheads Contemporary Arts ;;Art Editions

orth ;; istributed by Cornerhouse Publications, 2009.

Warwick, Rhona. Arcade: Artists and Place-Making. London: Black Dog, 2006.

———. , ed. Arcade: Artists and Place-Making. London: Black Dog, 2006.



Wassall, Gregory, and Connecticut Commission on the Arts. The Impact of

Artistic and Cultural Activities on Connecticut’s Economy, 1975. Hartford:

Connecticut Commission on the Arts, 1978.

Wassall, Gregory, and New England Foundation for the

Arts.;Massachusetts. The Arts in the Massachusetts Economy : A Report for the

Great and General Court, Commonwealth of Massachusetts

... [Cambridge Mass.]: The Foundation, 1989.

Watson, Karen, and Jon Wakeman. ‘Social Club Review 0 ’. East Street Arts,

2008. SE ESA 07.

Welcome to Iraq. Ruya Foundation for contemporary culture in Iraq and Okon

Gallery, 2013.

Wendt, Selene. Beauty and Pleasure in South African Contemporary Art. Oslo:

Stenersen Museum, 2009.

Wendt, Selene, and Henie-Onstad kunstsenter. Et

Dukkehjem. Høvikodden Norway: Henie Onstad Kunstsenter, 2002.

White Text (01 - 04). 4 vols. Hong Kong: White Tube, 2005.

White Tube. White Text (01 - 04). 4 vols., 2005.

Wild, Clyde, and Griffith University. The Global Environment : The State of the

Earth. Gold Coast Qld.: School of Environmental and Applied

Sciences Griffith University, 2006.

Williams, Jan. Leisure Landscape Lifestyle,

Williams, Jan, Chris Teasdale, and Caravan Gallery. Is Britain Great? V. 2.

Southsea [England]: Caravan Gallery, 2009.

Winckler, Julia. Retracing Heinrich Barth: [stories from Agadez: Life as It Is

Now]. London: foldedsheet in association with the Brunei Gallery School

of Oriental and African Studies University of London, 2008.

Witherick, M, and K Adams. Cities & Urbanisation. Deddington: Philip Allan

Updates, 2006.

Wolfson, Rutger, ed. This Is the Flow: The Museum as a Space for Ideas.

Amsterdam: Valiz, n.d.

Yates, Simon. The Wild Within, Climbing the World’s Most Remote Mountains.

Vertebrate Publishing, 2012.

Yorkshire Sculpture Park. Kenny Hunter: Natural Selection. West Yorkshire:

Yorkshire Sculpture Park, 2006.

Yu, Gao. Yu Gao. Beijing: 3/4 Gallery, 2007.

‘ uck um Zine’, Autumn 2011.

Zeiske, Claudia, ed. Artists at Glenfiddich 02. Glenfiddich, n.d.

———. , ed. Artists at Glenfiddich 02. Glenfiddich, n.d.

———. , ed. Artists at Glenfiddich 03. Glenfiddich, 2003.






———. Artists at Glenfiddich 07. Glenfiddich, 2007.



Zeiske, Claudia, and Glennfiddich Distillery (Dufftown, Scotland). Artists at

Glenfiddich. Dufftown: William Grant and Sons, 2004.

Zeiske, Claudia. ARTocracy : Art, Informal Space and Social Conse uence : A

Curatorial Handbook in Collaborative Practice. Berlin: Jovis, 2010.

Zhang Wei. Zhang Wei 1997 - 2007, n.d.

Zijlmans, Kitty. World Art Studies : Exploring Concepts and Approaches.

Amsterdam: Valiz, 2008.

Zijlmans, Kitty, and Wilfried van Damme, eds. World Art Studies. Exploring

Concepts and Approaches. Amsterdam: Valiz, 2008.

———. , eds. World Art Studies. Exploring Concepts and Approaches.

Amsterdam: Valiz, 2008.