abyssinian: a gospel celebration - wynton...

Jazz at Lincoln Center’sRose TheaterFrederick P. Rose Halljalc.org

Please make certain your cellular phone,pager, or watch alarm is switched off.

Thursday–Saturday Evening, October 24–26, 2013, at 8:00

Wynton Marsalis, Managing and Artistic DirectorGreg Scholl, Executive Director

Abyssinian: A Gospel CelebrationJazz at Lincoln Center OrchestraWYNTON MARSALIS, Music Director, TrumpetRYAN KISOR, TrumpetKENNY RAMPTON, TrumpetMARCUS PRINTUP, TrumpetVINCENT GARDNER, Trombone, TubaCHRIS CRENSHAW, TromboneELLIOT MASON, TromboneSHERMAN IRBY, Alto and Soprano Saxophones, Flute, ClarinetTED NASH, Alto and Soprano Saxophones, Flute, Piccolo, ClarinetVICTOR GOINES, Tenor and Soprano Saxophones, Bb and Bass ClarinetsWALTER BLANDING, Tenor and Soprano Saxophones, ClarinetPAUL NEDZELA, Baritone Saxophone, Bb and Bass ClarinetsDAN NIMMER, PianoCARLOS HENRIQUEZ, BassALI JACKSON, Drums

and

Chorale Le ChateauDAMIEN LeCHATEAU SNEED, Conductor

with

REV. DR. CALVIN O BUTTS, III, Sermon

There will be a 20-minute intermission during this performance.Please turn off your cell phones and other electronic devices.

Jazz at Lincoln Center acknowledges the generous underwriters of the Abyssinian: A GospelCelebration tour, The Steward Family Foundation and Ray & Barbara Dalio.

Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM.

MasterCard® is the Preferred Card of Jazz at Lincoln Center.

Jazz at Lincoln Center

Chorale Le ChateauDamien LeChateau Sneed, Conductor

Rasul A-SalaamJustin Michael AustinMartin BakariDerrick BaskinJeanette BlakeneyClayton BrownQuinn BrownChenee CampbellJoe Caruncho Jr.Rafael ClarkLauren Michelle CriddleEmily DankworthTynan DavisJosh Adam DawsonLauren DawsonGeorge DowdySequina DubosePatrice EatonPatricia Pates EatonStephanie EstepChristine FanuelEustacia FosterShani FosterAyana George

Maryvel GonzalezJamal GreenAmber HarrisKaleb Alexander HopkinsCandice HoyesClinton IngramArielle JacobsMichael JahlilEdward JordanJonathan Kirkland Tesia KwartengLatoya LewisMarvin LoweMaria MarsalisAnn McCormackRichard McMichaelLynette Rhett McNeilJamal MooreBelinda MunroDjore NanceDarnell NormanJonathan OwensNicole PhiferMarquita Raley

John Rawlins IIIBrittany RobinsonCameron James RossTimothy SpringsQuiana SmithTravis SmithKaryn StevensonSharol StoneGabrielle StravelliElaine SturkeyBrandie SuttonLaina SweetneyJennalyn ThomasNathaniel ThompsonTonya ThompsonBobby W. WalkerJoanna WallfischMatia WashingtonMontavius WellsKortland WhalumKali WilderJorell WilliamsAllyson Wilson


Program

WYNTON MARSALIS The Abyssinian Mass

I. DevotionalII. Call to WorshipIII. The Lord’s PrayerIV. Processional

“We Are On Our Way”V. Invocation and ChantVI. Responsive Reading

Matthew 5:3-12 The BeatitudesVII. Gloria PatriVIII. Prayer

“Pastoral Prayer”IX. Choral Response

“Through Him I’ve Come to See”X. Anthem

“Glory to God in the Highest”

Intermission

XI. ScriptureIsaiah 56:7

XII. Meditation“Lord Have Mercy”

XIII. Sermon “The Unifying Power of Prayer”Part I. “This House is God’s House”Part II. “The Power of Prayer”Part III. “Everyone Has a Place”

XIV. Invitation“Come and Join the Army”

XV. Offertorya. The Fatherb. The Sonc. The Holy Ghost

XVI. DoxologyXVII. Recessional

“The Glory Train”XVIII. BenedictionXIX. Amen


Notes on the Programby Greg Thomas © 2013

Coming off a nine-state tour, WyntonMarsalis and the Jazz at Lincoln CenterOrchestra are joined in the House of Swingby the 70-member choir Chorale LeChateau, led by conductor Damien Sneed.Marsalis and Sneed have been collabo-rating since Marsalis first composed thiswork, a compositional re-enactment basedon the order of service of the AbyssinianBaptist Church, in honor of the historicHarlem church’s 200th anniversary in 2008.

The Abyssinian Mass continues Marsalis’aesthetic investigation of the power of spir-itual optimism to confront or transcend theblues, as first presented on the smallerensemble work, In This House, On ThisMorning (1992). This theme also inspiritedthe large-scale All Rise, featuring jazz bigband, symphony orchestra, and choir.

Tonight’s choir, says Sneed, is comprisedof top-flight artists from The MetropolitanOpera and Broadway, as well as standoutjazz and gospel singers.

I formed the choir back in January 2009for President Obama’s first inaugura-tion. Jazz at Lincoln Center wanted meto get a group of singers to go therewith them to sing in the Celebration ofAmerica program. So, I hand-selectedpeople that I’ve worked with over theyears, from going to high school inAugusta, Georgia to D.C. for gradschool, and people I’ve met whileworking at The Juilliard School or forother professional engagements.

Marsalis was drawn to Sneed’s musicaldepth:

Damien works well under pressure andis capable of performing a startlingrange of music from baroque and clas-sical pieces to romantic warhorses to

contemporary gospel songs. In additionto his stellar musical credentials, Mr.Sneed also possesses a sterling heart.He is an ambassador for classical andgospel music who brings positivity,optimism, and thoroughness to everyoccasion. His talent stretches acrosstraditional divisions. In the realestsense, he uses his artistry to make ourworld a better place.

Sneed and Marsalis harmonized theirvisions to refine the orchestration for thetour and tonight’s show, which will berecorded for possible release. Sneeddescribes the Abyssinian Mass as “inge-nious” and emphasizes Marsalis’ years ofstudy of Jewish and Christian religious his-tory and culture to write the Mass librettowith integrity. Going beyond pressaccounts in 2008 that aptly recalled theintegration of idiomatic big band tech-niques with gospel shouts and plaintivemoans, call and response vocalizations,and prayerful moments of quiet solitude,Sneed relates other qualities that maketonight’s rendition special.

Having grown up performing in the church,Sneed marvels at the keen manner in whichMarsalis devised each movement to cap-ture the emotional timbre and communalintent of a church service while stylizing theorchestration with his own fingerprint. The“Devotional” begins the Mass with openchoir voicing and harmony recalling earlymusic in Western history, coupled with adownward modulation as the vocal regis-ters ascend. “Lord’s Prayer” is eclectic,synthesizing European choral approacheswith jazz styling similar to Singers Unlimitedand Lambert, Hendricks, and Ross. The“Processional” features Basie-like swingwith primal choir stomps and hand claps,marching “down the streets of Glory land,”followed by “Invocation and Chant,” wherea member of the trombone section singsand improvises as the choir holds a hum inthe fashion of Ladysmith Black Mambazo.


“The effect is very ethereal and transcen-dent and uplifting. It really makes you feelthat it’s a chant taking you to a higherplace of existence within the service,”Sneed says.

“Responsive Reading” is plaintive, soft,with a feeling akin to Lester “Pres” Young.“Gloria Patri” features familiar choral calland response juxtaposed with intricate sax-ophone section passages. After intermis-sion, one of the many highlights is the

“Recessional,” exhibiting not only masteryof train onomatopoeia, but relating Old andNew Testament history via a roll call of bib-lical characters set to the chords of AntonioCarlos Jobim’s “Waters of March” andScott Joplin’s “A Real Slow Drag” from theopera Treemonisha as they “ride up toheaven on the Glory train.”

Such catholic diversity is a musical reflec-tion of the meaning of tonight’s service:everyone has a place in the House of God.

LibrettoThe Abyssinian MassWYNTON MARSALIS

DEVOTIONAL

Hmm, hmm, hmmI didn’t hear nobody prayin’I didn’t hear nobody sayin’I didn’t hear nobodyCalling on the Lord

Yes, Yes, YesI didn’t hear nobody prayin’I didn’t hear nobody sayin’I didn’t hear nobodyCalling on the Lord

I didn’t hear nobody prayin’I didn’t hear nobody sayin’I didn’t hear nobodyCalling on the Lord

Lord, Lord, LordYes, Lord.Yes, Lord.Yes, my Lord.

CALL TO WORSHIP

God is great! And greatly to be praised!Worship the Lord in the beauty of Holiness.Fear before Him all, all, all, all the Earth!

THE LORD’S PRAYER

Our Father, Who art in heavenHallowed be Thy name.Thy Kingdom come.Thy will be done, On Earth as it is in Heaven.

Lord, give us this day our daily bread.And forgive us our trespasses,As we forgive those who trespass against us.

And lead us not into temptation,But deliver us from evilThank you, Lord

For Thine is the Kingdom,For Thine is the Kingdom,For Thine is the Kingdom,The power, the glory,Forever and ever and ever

In thy Holy name.

PROCESSIONAL

If you need Him,Raise your voice and tell Him so.If you seek Him,Raise your hand and let Him know.

When you praise Him,Lift your head up to the sky.When you find Him,Bare your soul and testify.

Oh! HallelujahWe are on our way


To the house of the LordTo the house of the Lord

We march onwardDown the streets of the Glory landSteady walkin’Right to the house of the Son of ManHe will greet us on the shores of GalileeThere’s no stopping this almighty Jubilee

LooyahGlory HallelujahGlory HallelujahYes! We’re on our way

Bah-bah dah dah dah deedah dah dah dah,Bah-bah dah dah dah deedah dee dah

We march onwardDown the streets of the Glory landSteady walkin’Right to the house of the Son of Man

He will greet us on the shores of GalileeThere’s no stopping this almighty Jubilee

To the House of the LordTo the House of the Lord

If you need Him,Raise your voice and tell Him soIf you seek Him,Raise your hand and let Him know

When you praise Him,Lift your head up to the skyWhen you find Him,Bare your soul and testify

Oh! HallelujahWe are on our way

We are marching to the House of the LordWe are marching to the House of the Lord

Hallelujah.

INVOCATION AND CHANT

Father, please come sit with us nowFather, please come teach us just howFather, how to live by your planFather, hold our souls in Your handFather, please be with us alwaysWith us please, through dark painful daysWith us now Lord, we sing in praise

RESPONSIVE READING

Blessed are the humble of spirit.Blessed are the humble and poor

Blessed are the humble of spiritHear me children,Knock, knock on the door

For theirs is the kingdom of HeavenYes Lord theirs, is the kingdom of Heaven

Blessed are they who mourn in ZionBlessed are they who mourn and weep

Blessed are they who mourn in ZionListen children,‘fore you speak

For they shall be comforted,For they shall be comforted

Blessed are the meek and quiet,Blessed are the quiet and meek

Blessed are the meek and quietHear me children,What I speak

For they shall inherit the earth,For they shall inherit the earth

Are they blessed who hunger afterrighteousness?Yes, my Lord

Are they blessed who hunger afterrighteousness?Yes, my Lord


For they shall be filled,For they shall be filled

Are the merciful blessed?Yes, Lord

Are the merciful blessed?Yes, Lord

For they shall obtain God’s mercy

Are they blessed, the pure in heart?Yes, my Lord

Are they blessed, the pure in heart?Yes, my Lord

For they shall see God,They shall see God

Blessed are the peacemakersBless them all who make the peace.Blessed are the peacemakersListen children, what I speak

For they shall be called the children of GodFor they shall be called the children of God

Oh! Blessed are the persecutedOh, blessed are, oh for righteousness sakeOh! Blessed are the persecutedHear me children, what I say

For theirs is the Kingdom of HeavenFor theirs is the Kingdom of HeavenFor theirs is the Kingdom of Heaven(And the Kingdom of Heaven, I say)

GLORIA PATRI

Oh glory beOh glory be

Glory be to the FatherAnd to the SonAnd to the Holy, Holy, Holy Ghost

As it was in the beginning,Is now and ever, ever shall be

World without end,Amen, AmenWorld without end,Amen, Amen

PRAYER

Before the hills in order stood,And Earth received its frame.From everlasting thou art God,To endless years the same.Oh Lord, we thank You

Lord we thank you for life itselfand for the privilege of being in the houseof prayer.Oh, Lord, we thank You

You’ve been good to us, Oh, LordBetter than we’ve been to ourselves.Lord, we want to thank You

You woke us up this morning,started us on our way.Thank you, Lord.

You put food on our tables,clothes on our backs.Lord, thank You.

You delivered us from danger,Seen and unseen.Lord we want to thank You.

If we had ten thousand tongues,we could not thank you enoughThank you, O Lord.

Recitation:

Now, Dear JesusPlease have Mercy,Come by here.Somebody needs You, Lord.We know you are a heart fixer and a mindregulator.Come by, Lord, and mend a broken heart.Wipe tears from eyes; turn some sinneraround.


Heal our bodies, Lord.Ease our troubling minds.Save our children.Stop by the hospitals.Set the wrongly imprisoned free.

O Lord, my Lord,How excellent is Thy name in all the Earth.How great Thou art,The God of my salvation.

Choir:

Our God He:Set his course through 42 generations,Plant Himself in Blessed Mary’s womb,Entered this world all bloody and sweaty,Wrapped up, wrapped up, wrapped up,wrapped up,Wrapped up in swaddling clothes.

Our Lord He:Grew in wisdom and stature,Was baptized by John in the Jordan stream,Tempted of the devil and delivered ofangels,Yes our Lord would reign supreme.

Our Lord He:Went out preaching the Kingdom,Feeding the hungry,Giving sight to the blind,Casting out devils,Healing the sick,Making the lame walk and raising the dead,Just on what he said.

Our Lord was loved by His friends,Hated by His enemies.

Our Lord was misunderstood,Falsely accused.

Our Lord was tried before Pilate,Hung on a Roman cross,Buried in a borrowed grave,Battled in Hell,(Battled in Hell)Two days.

Early Sunday morning,God raised him up from the dead.

Now he sits at the right hand of GodWaiting to judge the quick and the dead.

CHORAL RESPONSE

Oh, oh, oh, oh,Our Lord is my savior, butThrough him I’ve come to see

Just before I close my eyes,I whisper that, in praise,Oh Our Lord is my guiding light.With Him I long to be.

Our Lord gave with loving kindnessOn Mount Calvary.Oh, Jesus is my savior but,In Him all people free.

ANTHEM

Glory to God,Glory to God.

Glory to God in the highest,Glory to God in the highest.


Glory to God in the highest,Glory to God in the highest.

He spoke the light from darkness,He framed the open sky.He laid the earth’s foundation,Caused forest and field to thrive.


He set the bright stars in motion,Made all that swims and flies.Brought forth the animals that walk theground,He never blinked His eyes.


Glory to GodGlory to God.

He forged a man and woman,To be fruitful and multiply.Sat down on that seventh day,And heard them testify. Ooo!


Glory to God in the highest.

Glory to God in the highest.Glory to God.

SCRIPTURE

Soloist:

These I will bring to my holy mountain.And give them joy.

Chorus:

And give them joy,In my house of prayer.

Soloist:

In my house of prayer,In my house of prayer,In my house of prayer.

Chorus:For my house shall be calledA house of prayer for all, all, all, allnations.

MEDITATION

Mmm mmm mmm mmm mercyMmm mmm, MercyOn my, mmm

Ooo ooo ooo oooOoo ooo, Oh myOh my Lord

Ahh ahh ahh ahhAhh ahh was lostAhh I was, I oh Lord

SERMON PART 1

Yes, this house is God’s house,God’s house, God’s house,Yes, this house is God’s houseLong as it shall be.

Yes, this land is God’s land.God’s land, God’s land,Yes, this is God’s land,Far as we can see.

Yes this house is God’s house,Don’t belong to me.Yes, this land is God’s land,Far as we can see.

Oh! Yes, my soul is God’s soul,God’s soul, God’s soul.Yes, my soul is God’s soul,Don’t belong to me.

PART 2

Come togetherThrough the power of prayer.Be togetherIn the power of prayer.Stay togetherWith the power of prayer.We shall find peace of mindOver the Lord,Over the Lord.

Hallelujuah, Hallelujah, Hallelujah

PART 3

Everyone has a placeOh, everyone has a placeEveryone has a placeIn the House of God.

Our Lord spoke of what will beWhen He set the temple free,Free for all who seek Him


Everyone has a placeOh, everyone has a placeEveryone has a placeIn the House of God.

INVITATION

Join the army,Come join the army

Won’t you come and join the army of theJubilee,We’ll be carrying the banner cross theRed Red Sea.Won’t you come and join the army of theHoly Revelry,All the people dancin’, singin’, sayin'O-E O-E-OEOE, O-E-O-E-O!

Won’t you come and join the army of theJubileeWe are carryin’ the banner to Victory.Won’t you come and join the army of theHoly Revelry,All the people dancin’, singin’, sayin'O-E O-E-OEOE, O-E-O-E-O!

We gon’ lift up this heavy burden,Heavy for you and me.O I say we’re gonna lift up this heavy burden,Pick it up and let it be.

We gon’ march ‘round the tree of life,Circle with our golden shield.O, I say we’re gonna march ‘round thetree of life,Marching ‘round that old field.

Say, He’s gonna lay down His heavyhammer,Listen to that hammer ring.He’s gonna lay down his heavy hammer,Listen to that hammer sing.

O! Everybody sing,O! Hallelujah.O! Everybody sing,O! Hallelujah.

Won’t you come and join the army of theJubilee,Carrying the banner of the Prince of Peace.Come and join the army of the Holy revelry,All the people dancin’, singin’, sayin'O-E O-E-OEOE, O-E-O-E-O!

Lift up this heavy burden,Not gonna let it ride.Pick up this heavy burden,Not gonna let it slide.

We gonna march ‘round the tree of life,Carryin’ our golden shield.March ‘round the tree of life,Standin’ in that old field.

O! Everybody sing,O! Hallelujah.O! Everybody sing,O! Hallelujah.

Hallelujah, HalleluHallelujah, hallelujah, lelujah

DOXOLOGY

Praise God,From whom all blessings flow.Praise Him,All creatures here below.

Praise Him above,Ye heavenly host.Praise Father, Son,And Holy Ghost.

RECESSIONAL

I’m goin’ straight up to heaven,Straight up to heaven to see my Lord.I’m goin’ straight up to heaven,Straight up to heaven to see my Lord.

And it be beautiful,And it be glorious,And it be marvelous,And it be wonderful.


I’m goin’ ride up to heaven,Ride up to heaven on the Glory train.I’m goin’ right up to heaven,Straight up to heaven on the Glory train.

When I ride, I’m a ridin’ with my whiterobe on,My white robe on.Oooh, oooh, oooh.

I’m goin’ straight up to heaven,Straight up to heaven to see my Lord.I’m goin’ straight up to heaven,Straight up to heaven to see my Lord.

And yes the Lord will see,And He will smile at meAnd He will hold my hand,Up in the Glory land.

I’m on my way to heaven,Right past the pearly gates to see my Lord.I’m on my way up to heaven,Right past the pearly gates to see my Lord.

When I ride, I’m a ridin’ with my whiterobe on,My white robe on.Whoo, whoo, whoo.

I’m goin’ straight up to heaven,Straight up to heaven to see my Lord.I’m goin’ ride up to heaven,Ride up to heaven on the Glory train.I’m on my way to heaven, (on my)Right past the pearly gates to see my Lord.

I see Ezekial’s wheel,And Moses’ staff,And the thundering trumpets of Jericho.Done climbed Jacob’s ladderWith the patience of Job,And the faith of Father Abraham,

Sweet Mother Mary and Mary and Martha,John, John the Baptizer,John the Revalator,Even old Methusaleh standing thereWith Lazarus.

All the fountains of gold,Crystal rivers and streams.And the ringing of bells,Holy angels who tellsThe glory of Christ

Oh! The Lamb of GodThe Savior of man,Oh! The light of the world,I say, the Prince of Peace,The Redeemer, the Lord,And the bringer of mercy and kindnessand love.

Oh! That powerful love,That still brings a true healingTo this whole worldAs we sing, as we sing, as we sing, Ah-a-a!

I’m goin’ straight up to heaven,Straight up to heaven to see my Lord.I’m on my way, way way, up to heaven,Right past the pearly gates to see my Lord.

I’m going’ right up to heaven,Straight up to heaven on the Glory train.

And it be beautiful,And it be wonderful,And it be glorious,And it be marvelous.

And yes the Lord will see,And He will smile at me.And He will hold my hand,Up in the Glory land.Them Holy Bells will ring,And all those Angels sing.

When I ride,I’m-a ridin’ with my white robe on,My white robe on.Whoo, whoo, whoo.

BENEDICTION

Lord, from You, all things.Though we are many,In life and death,We are truly one.


Just the calling of Your Holy NameReleases us to perceiveThe oneness in all, of all.

You have given usthrough Your word,the Divine thought.

And the Divine thought isthe Divine manifestationIS Holy action.

Mighty is the healing of Thy nameO! Most High.Go forth and shout itIn kingdoms earthly and divine.

AMEN

Amen, amen, amenO Father we go forth in Thy Holy Name.

Oh, peace be unto you,Oh, peace be unto me.Oh, blessed be the name of the Lord.Almighty God,Amen.

Amen, amen, amenO Father we go forth in Thy Holy Name.

Blessed our sisters,And blessed our brothers.Blessed our mothers,Blessed our fathers in Thy Holy Name.

Amen, amen, amen

Blessed be Father,Blessed be.Blessed we go forthIn Thy Holy name.

Amen, amen, amen

Go in peace,Love and serve the Lord.Let usGo in peace,Love and serve the Lord.

Blessed our mothers,And blessed our fathersBlessed our brothers in Thy Holy Name.

Blessed our mothers andBlessed our sisters,Blessed our brothers in Thy Holy name.

Amen, amen, amen

Oh, blessed be thy name,Forever Holy be,Forever blessed be Thy Holy Name,Forever be.

O Lord forever be,O Lord, oh blessed be,Forever blessed be Thy Holy Name,Forever be.

Amen, amen, amen


Meet the Artists

Wynton Marsalis (Music Director, Trumpet)is the managing and artistic director of Jazzat Lincoln Center and a world-renownedtrumpeter and composer. Born in NewOrleans, Louisiana in 1961, Marsalis beganhis classical training on trumpet at age 12,entered The Juilliard School at age 17, andthen joined Art Blakey and the JazzMessengers. He made his recording debutas a leader in 1982, and has since recordedmore than 60 jazz and classical recordings,which have won him nine GRAMMY®

Awards. In 1983 he became the first andonly artist to win both classical and jazzGRAMMYs® in the same year andrepeated this feat in 1984. Marsalis is alsoan internationally respected teacher andspokesman for music education, and hasreceived honorary doctorates from dozensof U.S. universities and colleges. He haswritten six books; his most recent areSqueak, Rumble, Whomp! Whomp!Whomp!, illustrated by Paul Rogers andpublished by Candlewick Press in 2012,and Moving to Higher Ground: How JazzCan Change Your Life with Geoffrey C.Ward, published by Random House in2008. In 1997 Marsalis became the firstjazz artist to be awarded the prestigiousPulitzer Prize in music for his oratorio Bloodon the Fields, which was commissioned byJazz at Lincoln Center. In 2001 he wasappointed Messenger of Peace by Mr. KofiAnnan, Secretary-General of the UnitedNations, and he has also been designatedcultural ambassador to the United States ofAmerica by the U.S. State Departmentthrough their CultureConnect program.Marsalis was instrumental in the HigherGround Hurricane Relief concert, produced

by Jazz at Lincoln Center. The event raisedmore than $3 million for the Higher GroundRelief Fund to benefit the musicians, musicindustry-related enterprises, and other indi-viduals and entities from the areas inGreater New Orleans who were impactedby Hurricane Katrina. Marsalis helped leadthe effort to construct Jazz at LincolnCenter’s home—Frederick P. Rose Hall—the first education, performance, andbroadcast facility devoted to jazz, whichopened in October 2004.

Damien Sneed (Conductor) A sought-afterpianist, organist, vocal coach, conductor,composer, arranger, lecturer, and producer,Damien Sneed is a native of Augusta,Georgia. Sneed’s professional affiliations(as a professor, performer, artistic consul-tant, and more) include the City Universityof New York (CUNY), The Juilliard School,the Martina Arroyo Foundation, Jazz atLincoln Center, New Brunswick TheologicalSeminary, and Yamaha. He served asmusical director for season four of BET’sGospel singing competition, Sunday Best.Sneed was the accompanist and arrangerfor Jessye Norman several times, mostnotably on the bicentennial of AbrahamLincoln’s birth, at a performance attendedby President and Mrs. Obama, andmore recently at the International AIDSConference at the Kennedy Center. He hasalso served as music director for RhondaRoss, including in 2013 at the secondInaugural Ball for President Barack Obama,and at a concert headlined by Diana Ross.Sneed led the world premiere of WyntonMarsalis’ Abyssinian Mass with the Jazz atLincoln Center Orchestra and 150-voicechoir at Jazz at Lincoln Center in 2008. Healso led a performance of Abyssinian Massat London’s Barbican Centre. In the gospel

Wynton Marsalis

DamienLeChateau Sneed

FRANK STEWART

QUE BROWN


genre and beyond, he has performed inEurope, Japan, the United States, VirginIslands, and South America. Sneed wasnominated for a 2010 GRAMMY® Award fortraditional gospel music album for his exten-sive work on Vickie Winans’ How I GotOver. In December 2012 he made hisCarnegie Hall debut as featured soloist inDiogo Pereira’s Fier Herzog and performedwith the Coro do Gospel de Madrid in Spain.Sneed recently joined Lawrence Brownleefor a recital of arias, art songs, and spirituals,and he recorded Spiritual Sketches, a CD ofhis arrangements of African-American spiri-tuals, released in June 2013 on his label,LeChateau Earl Records. This past spring,Sneed also conducted Nkeiu Okoye’s newopera Harriet Tubman at SUNY–Albany. Hislatest recording, LIVE in Baltimore, fea-turing his group The Levites, is due forrelease in early winter 2013. Join Sneed onNovember 9 when he hosts Jazz at LincolnCenter’s Jazz for Young People concert,Jazz Meets Gospel.

Chorale Le ChateauChorale Le Chateau is a musical groupdeveloping a remarkable reputation for itsvivid interpretations of vocal literature,from Renaissance vocal literature to jazz,spirituals, gospel, and avant-garde contem-porary music. Damien Sneed, the artisticdirector and founder, selected each singerfrom his personal experiences as a per-former, professor, and conductor overthe past 20 years. Members hail from var-ious parts of the world and come from per-forming arts institutions and venues suchas The Juilliard School, The MetropolitanOpera, Howard University, Yale University,The City University of New York, MorganState University, American Musical andDramatic Academy, and many more.Members include amateurs and profes-sionals, GRAMMY® Award winners, col-lege professors, and students. Chorale LeChateau has been featured at the KennedyCenter, Jazz at Lincoln Center’s RoseTheater, Columbia University, and the CityUniversity of New York. The choral group is

featured on Damien Sneed’s debut CD,Introspections LIVE, and will be recordingits own project to be released in 2014.

Reverend Dr. Calvin O. Butts, III Education and faith are the hallmarks of theministry of the Reverend Dr. Calvin O.Butts, III, infusing his life, his work, and histeachings. As pastor of the nationallyrenowned Abyssinian Baptist Church in theCity of New York, and president of theSUNY–College at Old Westbury, Dr. Butts’sincere commitment to enhancing thekingdom of God on earth is evidenced in aloyal attention to the daily activities andservices of the congregation, as well as thepervasive impact of the church on commu-nity development initiatives includinghomelessness, senior citizen and youthempowerment, cultural awareness, andecumenical outreach. Dr. Butts is ofteninvited to preach in distinguished pulpitsthroughout New York, nationally, and inter-nationally. He has traveled to Africa, China,Cuba, Europe, the Middle East, Netherlands,South America, and throughout theCaribbean. He has been recognized as aLiving Treasure by the New York CityChamber of Commerce and Industry.

Walter BlandingWalter Blanding (Tenor and SopranoSaxophones, Clarinet) was born into amusical family on August 14, 1971 inCleveland, Ohio. He began playing the saxo-phone at age six and by age 16, he was per-forming regularly with his parents at theVillage Gate. Blanding attended LaGuardiaHigh School of Music and Art andPerforming Arts and continued his studies atthe New School for Social Research wherehe earned a B.F.A. in 2005. His 1991 debutrelease, Tough Young Tenors, wasacclaimed as one of the best jazz albums ofthe year, and his artistry began to impresslisteners and critics alike. He has been amember of the Jazz at Lincoln CenterOrchestra since 1998 and has performed,toured and/or recorded with his own groupsand with such renowned artists as the Cab


Calloway Orchestra, Roy Hargrove, HiltonRuiz, Count Basie Orchestra, Illinois JacquetBig Band, Wycliffe Gordon, Marcus Roberts,Wynton Marsalis Quintet, Isaac Hayes, andmany others. Blanding lived in Israel for fouryears and had a major impact on the musicscene while touring the country with hisown ensemble and with U.S. artists such asLouis Hayes, Eric Reed, Vanessa Rubin, andothers invited to perform there. He taughtmusic in several Israeli schools and eventu-ally opened his own private school in TelAviv. During this period, NewsweekInternational called him a “Jazz Ambassadorto Israel.”

Chris CrenshawChris Crenshaw (Trombone) was born inThomson, Georgia on December 20, 1982.Since birth, he has been driven by and sur-rounded by music. When he started playingpiano at age three, his teachers and fellowstudents noticed his aptitude for the instru-ment. This love for piano led to his first gigwith Echoes of Joy, his father Casper’sgroup. He picked up the trombone at 11 andhasn’t put it down since. He graduated fromThomson High School in 2001 and receivedhis bachelor’s degree with honors in jazzperformance from Valdosta State Universityin 2005. He was awarded Most OutstandingStudent in the VSU Music Department andCollege of Arts. In 2007 Crenshaw receivedhis Master’s degree in Jazz Studies fromThe Juilliard School where his teachersincluded Dr. Douglas Farwell and WycliffeGordon. He has worked with Gerard Wilson,Jiggs Whigham, Carl Allen, Marc Cary,Wessell Anderson, Cassandra Wilson, EricReed, and many more. In 2006 Crenshawjoined the Jazz at Lincoln Center Orchestraand in 2012 he composed “God’sTrombones,” a spiritually-focused workwhich was premiered by the orchestra atJazz at Lincoln Center.

Vincent GardnerVincent Gardner (Trombone, Tuba ) was bornin Chicago in 1972 and was raised in

Hampton, Virginia. After singing, playingpiano, violin, saxophone, and French horn atan early age, he decided on the trombone atage 12. He attended Florida A&M Universityand the University of North Florida. He sooncaught the ear of Mercer Ellington, whohired Gardner for his first professional job.After graduating from college, he moved toBrooklyn, New York, completed a world tourwith Lauryn Hill in 2000, then joined the Jazzat Lincoln Center Orchestra. Gardner hasserved as instructor at The Juilliard School,as visiting instructor at Florida StateUniversity and Michigan State University,and as adjunct instructor at The New School.He has contributed many arrangements tothe Jazz at Lincoln Center Orchestra andother ensembles. In 2009 he was commis-sioned by Jazz at Lincoln Center to write“The Jesse B. Semple Suite,” a 60- minutesuite inspired by the short stories ofLangston Hughes. Gardner is featured on anumber of notable recordings and hasrecorded five CDs as a leader forSteeplechase Records. He has performedwith The Duke Ellington Orchestra, BobbyMcFerrin, Harry Connick, Jr., The SaturdayNight Live Band, Chaka Khan, A Tribe CalledQuest, and many others.

Victor GoinesVictor Goines (Tenor and SopranoSaxophones, Bb and Bass Clarinets) is anative of New Orleans, Louisiana. He hasbeen a member of the Jazz at Lincoln CenterOrchestra and the Wynton Marsalis Septetsince 1993, touring throughout the worldand recording more than 20 albums. As aleader, Goines has recorded seven albumsincluding his most recent release Twilight(2012) on Rosemary Joseph Records. Agifted composer, Goines has more than 50original works to his credit. He has recordedand/or performed with many noted jazz andpopular artists including Ahmad Jamal, RuthBrown, Dee Dee Bridgewater, Ray Charles,Bob Dylan, Dizzy Gillespie, Lenny Kravitz,Branford Marsalis, Ellis Marsalis, DianneReeves, Willie Nelson, Marcus Roberts,


Diana Ross, Stevie Wonder, and a host ofothers. Currently, he is the director of jazzstudies/professor of music at NorthwesternUniversity. He received a bachelor of musicdegree from Loyola University in NewOrleans in 1984, and a master of musicdegree from Virginia CommonwealthUniversity in Richmond in 1990.

Carlos Henriquez Carlos Henriquez (Bass) was born in 1979 inthe Bronx, New York. He studied music at ayoung age, played guitar through junior highschool and took up the bass while enrolled inThe Juilliard School’s Music AdvancementProgram. He entered LaGuardia High Schoolof Music & Arts and Performing Arts andwas involved with the LaGuardia ConcertJazz Ensemble which went on to win firstplace in Jazz at Lincoln Center’s EssentiallyEllington High School Jazz Band Competitionand Festival in 1996. In 1998, swiftly afterhigh school, Henriquez joined the WyntonMarsalis Septet and the Jazz at LincolnCenter Orchestra, touring the world and fea-tured on more than 25 albums. Henriquezhas performed with artists including ChuchoValdes, Paco De Lucia, Tito Puente, theMarsalis Family, Willie Nelson, Bob Dylan,Stevie Wonder, Lenny Kravitz, MarcAnthony, and many others. He has been amember of the music faculty atNorthwestern University School of Musicsince 2008, and was music director of theJazz at Lincoln Center Orchestra’s culturalexchange with the Cuban Institute of Musicwith Chucho Valdes in 2010.

Sherman IrbySherman Irby (Alto and Soprano Saxophones,Flute, Clarinet) was born and raised inTuscaloosa, Alabama. He found his musicalcalling at age 12. In high school, he playedand recorded with gospel immortal JamesCleveland. He graduated from Clark AtlantaUniversity with a B.A. in Music Education. In1991 he joined Johnny O’Neal’s Atlanta-based quintet. In 1994 he moved to NewYork City then recorded his first two albums,

Full Circle (1996) and Big Mama’s Biscuits(1998), on Blue Note. Irby toured the U.S.and the Caribbean with the Boys Choir ofHarlem in 1995, and was a member of theJazz at Lincoln Center Orchestra from 1995to 1997. During that tenure, he also recordedand toured with Marcus Roberts, was part ofBetty Carter’s Jazz Ahead Program and RoyHargrove’s groups. After a four-year stintwith Roy Hargrove, Irby focused on his owngroup in addition to being a member of ElvinJones’ ensemble and Papo Vazquez’s PiratesTroubadours. Since 2003 Irby has been theregional director for JazzMasters Workshop,mentoring young children, and a boardmember for the CubaNOLA Collective. Heformed Black Warrior Records and releasedBlack Warrior, Faith, Organ Starter, and Liveat the Otto Club under the new label.

Ali Jackson Ali Jackson (Drums ) developed his talent ondrums at an early age. In 1993 he graduatedfrom Cass Tech High School and in 1998was the recipient of Michigan’s prestigiousArtserv Emerging Artist award. As a child,he was selected as the soloist for the“Beacons Of Jazz” concert which honoredlegend Max Roach at New SchoolUniversity. After earning an undergraduatedegree in music composition at the NewSchool University for Contemporary Music,he studied under Elvin Jones and MaxRoach. Jackson has been part of YoungAudiences, a program that educates NewYork City youth on jazz. He has performedand recorded with artists including WyntonMarsalis, Dee Dee Bridgewater, ArethaFranklin, George Benson, Harry Connick, Jr.,KRS-1, Marcus Roberts, Joshua Redman,Vinx, Seito Kinen Orchestra conductor SeijiOzawa, Diana Krall, and the New York CityBallet. His production skills can be heard onGeorge Benson’s GRP release Irreplaceable.Jackson is also featured on the WyntonMarsalis Quartet recordings The Magic Hour(Blue Note, 2004), and From the Plantationto the Penitentiary (Blue Note, 2007).Jackson collaborated with jazz greats Cyrus


Chestnut, Reginald Veal, and James Carteron Gold Sounds (Brown Brothers, 2005) thattransformed songs by indie alternative rockband Pavement into unique virtuosic inter-pretations with the attitude of the churchand juke joint. He has been a member of theJazz at Lincoln Center Orchestra since 2005.Jackson currently performs with theWynton Marsalis Quintet, Horns in theHood, and leads the Ali Jackson Quartet. Healso hosted “Jammin’ with Jackson,” aseries for young musicians at Jazz at LincolnCenter’s Dizzy Club Coca-Cola. He is alsothe voice of “Duck Ellington,” a character inthe Penguin book series Baby Loves Jazzthat was released in 2006.

Ryan Kisor Ryan Kisor (Trumpet) was born on April 12,1973 in Sioux City, Iowa, and began playingtrumpet at age four. In 1990 he won firstprize at the Thelonious Monk Institute’sfirst annual Louis Armstrong TrumpetCompetition. Kisor enrolled in ManhattanSchool of Music in 1991 where he studiedwith trumpeter Lew Soloff. He has per-formed and/or recorded with the MingusBig Band, the Gil Evans Orchestra, HoraceSilver, Gerry Mulligan, and Charlie Haden’sLiberation Music Orchestra, the CarnegieHall Jazz Band, the Philip Morris Jazz All-Stars, and others. In addition to being anactive sideman, Kisor has recorded severalalbums as a leader including Battle Cry(1997), The Usual Suspects (1998), andPoint of Arrival (2000). He has been amember of the Jazz at Lincoln CenterOrchestra since 1994.

Elliot Mason Elliot Mason (Trombone) was born inEngland in 1977 and began trumpet lessonsat age four with his father. At age seven, heswitched his focus from trumpet to trom-bone. At 11 years old, he was performing invarious venues, concentrating on jazz andimprovisation. By 16, Mason left England tojoin his brother Brad Mason at the BerkleeCollege of Music on a full tuition scholar-

ship. He has won the following awards:Daily Telegraph Young Jazz Soloist (under25) Award, the prestigious Frank RosolinoAward, the International TromboneAssociation’s Under 29 Jazz Trombonecompetition, and Berklee’s Slide HamptonAward in recognition of outstanding perfor-mance abilities. He moved to New York Cityafter graduation and in 2008, Mason joinedNorthwestern University’s faculty as thejazz trombone instructor. Mason has per-formed with Count Basie Orchestra, theMingus Big Band, the Maria SchneiderOrchestra, and the Maynard Ferguson BigBop Nouveau. A member of the Jazz atLincoln Center Orchestra since 2006,Mason also continues to co-lead the MasonBrothers Quintet with his brother. TheMason Brothers released their debutalbum, Two Sides, One Story in 2011.

Ted Nash Ted Nash (Alto and Soprano Saxophones,Flute, Piccolo, Clarinet) was born into amusical family in Los Angeles. His father,Dick Nash, and uncle, the late Ted Nash,were both well-known jazz and studio musi-cians. The younger Nash exploded onto thejazz scene at eighteen, moved to New Yorkand released his first album, Conception(Concord Jazz). He is co-leader of the JazzComposers Collective and is constantlypushing the envelope in the world of “tradi-tional jazz.” His group Odeon has oftenbeen cited as a creative focus of jazz. Manyof Nash’s recordings have received criticalacclaim, and have appeared on the “best-of” lists in the New York Times, New Yorker,Village Voice, Boston Globe, and Newsday.His recordings, The Mancini Project(Palmetto Records) and Sidewalk Meeting(Arabesque Recordings), have been placedon several “best-of-decade” lists. His albumPortrait in Seven Shades was recorded bythe Jazz at Lincoln Center Orchestra andwas released in 2010. The album is the firstcomposition released by the JLCO featuringoriginal music by a band member other thanbandleader Wynton Marsalis.


Paul Nedzela Paul Nedzela (Baritone Saxophone, Bb andBass Clarinets) was born in New York Cityin 1984 and has quickly become one of thetop baritone saxophone players around.After graduating with honors and a degreein mathematics from McGill University in2006, Nedzela received the Samuel L.Jackson scholarship and continued hismusical studies at The Juilliard School. Hehas studied with baritone saxophone leg-ends Joe Temperley, Gary Smulyan, andRoger Rosenberg, and has played withrenowned artists and ensembles includingWess Anderson, Paquito D’Rivera, BennyGolson, Roy Haynes, Christian McBride,and The Temptations. Nedzela also per-formed in Twyla Tharp’s Broadway show,Come Fly Away, as well as at major festi-vals, such as The Monterey Jazz Festivaland The Banff Music Festival.

Dan Nimmer Dan Nimmer (Piano) was born in 1982 inMilwaukee, Wisconsin. With prodigioustechnique and an innate sense of swing, hisplaying often recalls that of his own heroesOscar Peterson, Wynton Kelly, Erroll Garner,and Art Tatum. Nimmer studied classicalpiano and eventually became interested injazz. He began playing gigs with renownedsaxophonist and mentor Berkley Fudge.Nimmer studied music at Northern IllinoisUniversity and became one of Chicago’sbusiest piano players. A year after moving toNew York City, he became a member of theJazz at Lincoln Center Orchestra and theWynton Marsalis Quintet. Nimmer hasworked with Norah Jones, Willie Nelson,Dianne Reeves, George Benson, FrankWess, Clark Terry, Tom Jones, BennyGolson, Lewis Nash, Peter Washington, EdThigpen, Wess “Warmdaddy” Anderson,Fareed Haque, and many more. He hasappeared on The Tonight Show with JayLeno, The Late Show with David Letterman,The View, The Kennedy Center Honors, Livefrom Abbey Road, and PBS’ Live from

Lincoln Center, among other broadcasts. Hehas released four of his own albums on theVenus label (Japan).

Marcus Printup Marcus Printup (Trumpet) was born andraised in Conyers, Georgia. His first musicalexperiences were hearing the fiery gospelmusic his parents sang in church. Whileattending the University of North Florida on amusic scholarship, he won the InternationalTrumpet Guild Jazz Trumpet competition. In1991 Printup’s life changed when he met hismentor, the great pianist Marcus Roberts.Roberts introduced him to Wynton Marsalis,which led to Printup’s induction into the Jazzat Lincoln Center Orchestra in 1993. Printuphas recorded with Betty Carter, DianneReeves, Eric Reed, Madeline Peyroux, TedNash, Cyrus Chestnut, Wycliffe Gordon, andRoberts, among others. He has recordedseveral records as a leader: Song for theBeautiful Woman, Unveiled, Hub Songs,Nocturnal Traces, The New Boogaloo, Peacein the Abstract, Bird of Paradise, LondonLullaby, Ballads All Night, and A Time forLove. He made his screen debut in the 1999movie Playing by Heart and recorded on thefilm’s soundtrack. August 22 has beendeclared “Marcus Printup Day” in his home-town of Conyers, Georgia.

Kenny Rampton Kenny Rampton (Trumpet) joined the Jazz atLincoln Center Orchestra in 2010. He alsoleads his own sextet in addition to per-forming with the Mingus Big Band, TheMingus Orchestra, The Mingus Dynasty,George Gruntz’ Concert Jazz Band, and TheManhattan Jazz Orchestra (under the direc-tion of Dave Matthews). In 2010 Ramptonperformed with The Scottish National JazzOrchestra at the Edinburgh InternationalFestival, and was the featured soloist on theMiles Davis/Gil Evans classic version ofPorgy and Bess. He toured the world withThe Ray Charles Orchestra in 1990 and withthe legendary jazz drummer Panama Francis,


The Savoy Sultans, and The Jimmy McGriffQuartet, with whom he played for 10 years.As a sideman, Rampton has performed withMingus Epitaph (under the direction ofGunther Schuller), Bebo Valdez’ Latin JazzAll-Stars, Maria Schneider, the Afro-LatinJazz Orchestra, Charles Earland, Dr. John,Lionel Hampton, Jon Hendricks, IllinoisJacquet, Geoff Keezer, Christian McBride,and a host of others. Most recently, he washired as the trumpet voice on SesameStreet. Some of his Broadway creditsinclude Finian’s Rainbow, The Wiz, Chicago:The Musical, In The Heights, Hair, YoungFrankenstein, and The Producers.

Jazz at Lincoln Center Jazz at Lincoln Center is dedicated toinspiring and growing audiences for jazz.With the world-renowned Jazz at LincolnCenter Orchestra and a comprehensivearray of guest artists, Jazz at Lincoln Center

advances a unique vision for the continueddevelopment of the art of jazz by producinga year-round schedule of performance, edu-cation, and broadcast events for audiencesof all ages. These productions include con-certs, national and international tours, resi-dencies, weekly national radio programs,television broadcasts, recordings, publica-tions, an annual high school jazz band com-petition and festival, a band directoracademy, jazz appreciation curriculum forstudents, music publishing, children’s con-certs and classes, lectures, adult educationcourses, student and educator workshops,and interactive websites. Under the leader-ship of Managing and Artistic DirectorWynton Marsalis, Chairman Robert J. Appel,and Executive Director Greg Scholl, Jazz atLincoln Center produces thousands ofevents each season in its home in New YorkCity, Frederick P. Rose Hall, and around theworld. For more information, visit jalc.org.

Interactive Home for JazzJazz at Lincoln Center’s official YouTube channel:

Watch exclusive video footage from our home in New York City along with artist-curated playlists, bringing the best of jazz to audiences around the globe.Subscribe now to our new channel on YouTube—your interactive home for jazz.

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Karen and Tom KeatingElizabeth and Dean KehlerAmy S. Khoudari andFrances Greenstein

Risa Schifter and Edward A. Kirtman

Anthony C. KiserJane and Charles KleinPat and John KlingensteinTheresa KnightChikako and Tomo KodamaPeggy A. KoenHitoshi KondoIsobel KoneckyDiane KranzBarbara and Marvin KushnickDerek KwanWendy and Jerry LabowitzNancy and Jeffrey LaneThe Leonard and EvelynLauder Foundation

Bonnie and FrankLautenberg

Elizabeth LeckieLaurie Zucker Ledermanand David Lederman

Jonathan O. Lee andBarbara Lee

Nyssa and Christen LeeSandra Shahinian LeitnerJoan Weberman and Roy W. Lennox

Pamela Sweeny and Peter Levenson

Audrey Silver and Henry Levin

Karen Collias and Geoffrey Levitt

Susie and Ira LevyMemrie LewisLoida Nicolas LewisCarol Sutton Lewis andWilliam M. Lewis

Mary K. and John LibbyRita Fishman and Leonard Lichter

Sharon Horn and Jeffrey Lichtman

Lynn Staley and Marty Linsky

Tina and Michael LobelAndy M. LottmanLynn Davidson and Jon Lukomnik

Ninah and Michael LynneChristine and Richard MackLinda and Harry MackloweAnne and Sean MaddenJames MangesKatina and Ken ManneNancy and AlanManocherian

Susan and Morris MarkCarol and Arthur MaslowRobert MatloffValerie and Paul MariniLady Va and Sir DeryckMaughan

Steven MazzuchelliMary and R. LawrenceMcCaffrey

Merridith and RobertMcCarthy

Sandy and MichaelMcManus

Joyce F. MenschelLybess Sweezy and Ken Miller

Irene Weiss Miller andJeffrey D. Miller

Jennifer and Scott MillerCheryl and Philip Milstein

Cheryl and Michael MinikesMarcia and Richard MishaanNancy and Joseph MissettAdriana and Robert MnuchinKimberly and Nicholas MooreSusan and Alan MorrisJohn MorrisRichard MoylanMary and Roger MulvihillMarion and Timothy MurphyGaya and Vinay NairMary Kathryn andAlexander Navab

Metin NegrinJudith NeisserLynn NesbitNancy E. NeumanSusan and Peter NitzeJosiane and Thierry NoufeleJoan O’ConnorMary OklessonLaura and John OlsonRobert G. O’MeallyPaula and WilliamOppenheim

Judy and Steven OrichPamela and Edward PantzerClaudine and BernardParisot

Janet and Charles ParkerSaundra ParksSusan and Alan PatricofMargot Bridger andJoseph G. Paul

Michael PefferMary and Edwin PeissisDara PerlbinderLisa and Richard PerryPaula and Dominic PetitoCaroline Wamsler andDeWayne Phillips

Jerome and Christine PonzJane PooleMark G. PrentissRobert PressHarold PrinceKaren and Timothy ProctorJudith Garson and Steven Rappaport

Cheryl and Louis RaspinoCaryl RatnerPixie and Jimmy ReissPaula and Ira ResnickJennifer and Tim RiceBarbara J. RileyDanea RileyRalph G. Roberts, Jr.Alicia and William RobertsonDonna and Benjamin M.Rosen

Carla and H. DavidRosenbloom

Judith Zarin and Gerald Rosenfeld

Laura and James RossJames RubinEthel RubinsteinSusan Cluff and Neil Rudolph

James RyanStuart SaalGeorge H. Sands, MDPhyllis W. Bertin andAnthony M. Saytanides

Cynthia and Brian ScanlanBarbara and James SchadtAmy Katz and Irving ScherKarenna Gore Schiff andAndrew N. Schiff

Irwin SchlossJune and Paul SchorrAnnette Mitchell ScottRobin and Enrique SeniorBennett Shapiro

Ronald ShearRobert B. SheplerDr. David ShermanPatricia W. ShifkeRandall Eron ShyJerome SiegelJohn SiffertCarla Emil and Richard Silverstein

Ann and James SitrickCarra SleightDana Anderson and Aaron Smidt

Elizabeth Smith-MalikHelena and Steve SokoloffYuriko and Leonard SolondzChang and Lisa SpaideRobert E. SpattJimmie E. SpearsJane and Gilbert SpitzerLouise SpringerDeirdre StanleyJoan and Michael SteinbergLeonore and Walter SternJames StevensJennifer and Joel StevensLeila and Melville StrausAudrey StraussBonnie and Thomas StraussSabin C. StreeterBarbra StreisandFoundation, Inc.

Betsy Miller and Stuart Sucherman

Becky and Mark W. SwiftMark TallmanGloria and Philip TalkowJay TanenbaumLynne TarnopolKendall ThomasTiffany & Co.Billie TischThe Wilma S. and LaurenceA. Tisch Foundation

Barbara and Donald ToberJean and Raymond TroubhMichael Tuch Foundation,Inc.

Thomas TuftSandra and Bruce TullyJade Netanya UllmanAnn and Thomas UnterbergJacqueline T. UterCheryl VollweilerMary Ellen and Karl Vonder Heyden

Margaret and GeorgeVranesh

Tanna and Michael WallCathy and James WallickEllen and Barry WagenbergFaye WattletonJane L. Overman and Paul Weltchek

Joan and Howard WeinsteinMildred WeissmanRobert C. Wesley, Jr.Lola C. WestCindy and Kenneth WestWestern Oil & Gas J. V. IncKatherine C. WickhamMaria and David WildermuthMichael E. WilesShelley and Robert WillcoxJanice Savin Williams andChristopher Williams

Richard M. Winn IIIBenjamin WinterThe Craig E. WishmanFoundation

Wolfensohn FamilyFoundation

Karen WoodAnne Youngblood

UPCOMING EVENTSJazz at Lincoln Center’sFrederick P. Rose Hall

November 2013ROSE THEATER

Family Concert: Jazz Meets GospelNovember 9 at 1pm & 3pmA mainstay of Jazz at Lincoln Center's programmingsince 1992, the perennially popular Jazz for YoungPeople® series teaches key musical concepts andother fundamentals via hour-long, interactive, family-friendly concerts that illuminate the subject at handwith a light, amusing touch, while delving into atheme from another major performance of theseason. The subject of this family concert is "JazzMeets Gospel," in which the dynamic young pianistand conductor Damien Sneed explores the deep andsoulful connections between these two iconicgenres, drawing on the music of giants such as DukeEllington, Charles Mingus, and Wynton Marsalis todemonstrate how the styles have been combined tocreate important works. Free pre-concert activities at 12:15pm and 2:15pm.

Music From Pakistan: Sachal JazzEnsemble & JLCO with Wynton MarsalisNovember 22–23 at 8pmThe Sachal Jazz Ensemble is a group of virtuosicmaster musicians from Pakistan who incorporateEastern instruments such as sitar, sarod, tabla, anddholak into new interpretations of jazz standards thatare informed by their own rich musical tradition. Inthis ground-breaking collaboration, the Jazz at LincolnCenter Orchestra with Wynton Marsalis and theSachal Jazz Ensemble will create and then premiereentirely new arrangements, blending the sonoritiesof modern and ancient instruments and using the jazzform to integrate American values of blues and swingwith sophisticated and highly-evolved Eastern musictraditions. Oscar-winning director Sharmeen Obaid-Chinoy is filming the remarkable Sachal JazzEnsemble for a documentary to be released in 2014,which will conclude with this highly anticipated JLCOcollaboration. This project furthers JALC’s commit-ment to cross-cultural understanding.Free live music and tastings, nightly 6pm.Free pre-concert discussion, nightly, 7pm.

THE ALLEN ROOM

Ladies Sing The BluesNovember 8–9 at 7pm & 9:30pmVocalists Catherine Russell, Brianna Thomas, andCharenee Wade will channel the independent, liber-ated spirits, and pioneering vocalizations of 1920sblues divas Bessie Smith (“the Empress of theBlues”), Mamie Smith (“the Queen of the Blues”),Ma Rainey (“the Mother of the Blues”), and of thelegendary icon of stage and film, Ethel Waters.Featuring arrangements of this era, pianist MarkShane takes the reins as Music Director, enliveningthis important strain of American music and demon-strating the ageless relevance of this century-oldtranscendence of love’s follies through innuendo,revelation, and stomping the blues away. These per-formances also feature trumpeter Jon-Erik Kellso,saxophonist and clarinetist Mark Lopeman, trom-bonist Harvey Tibbs, guitarist Matt Munisteri, bassistTal Ronen, and drummer Mark McLean.

Jim Hall: Modern Jazz GuitarNovember 22 at 7pmNovember 23 at 9:30pmAt 82, the universally influential guitarist and NEAJazz Master Jim Hall, recently appointed Chevalier byFrance’s prestigious Order of Arts and Letters,remains committed to the experimentation andboundary- breaking that has defined his career. Hallperforms with his exemplary trio and in two or threeguitar combinations with the spectacular PeterBernstein and John Abercrombie, both of whomhave been deeply influenced by Hall.Free live music and tastings, nightly, 6pm.

Chris Potter’s Underground OrchestraNovember 22 at 9:30pmNovember 23 at 7pmProtean saxophonist Chris Potter, called “one of themost studied (and copied) saxophonists on the planet”by DownBeat Magazine and “one of the best musi-cians around” by saxophone legend Dave Liebman,leads Underground, one of the freshest units of jazztoday. The plugged-in quartet will present an expandedversion of their works with acoustic elements.Free live music and tastings, nightly, 6pm.

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Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor

Tickets starting at $10To purchase tickets call CenterCharge: 212-721-6500 or visit: jalc.org. The Jazz at Lincoln Center Box Officeis located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm.

For groups of 15 or more: 212-258-9875 or jalc.org/groups.For more information about our education programs, visit jalc.org/learn.

For Swing University and WeBop enrollment: 212-258-9922.Find us on Facebook, Twitter, YouTube, and Foursquare.

UPCOMING EVENTS

Jazz at Lincoln Center’sFrederick P. Rose Hall

In deference to the artists, patrons of Dizzy’s Club Coca-Colaare encouraged to keep conversations to a whisper during the performance.

Artists and schedule subject to change.

Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor New York.

Reservations: 212-258-9595 or jalc.org/dizzys; Group Reservations: 212-258-9595 or jalc.org/dizzys/group-sales.Nightly Artist sets at 7:30pm & 9:30pm.

Late Night Session sets Tuesday through Saturday at 11:30 pm.

Cover Charge: $20–40. Special rates for students with valid student ID. Full dinner available at each artist set.

Rose Theater and The Allen Room concert attendees, present your ticket stub to get 50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays.

Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theaterand The Allen Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours.

Dizzy’s Club Coca-Cola gift cards now available.

Find us on Facebook, Twitter, YouTube, and Foursquare.

October 2013Christian McBride Triowith Christian Sands and Ulysses Owens, Jr.October 22–277:30pm & 9:30pm

Judy Carmichael QuartetI Love Being Here With Youwith Harry Allen, Chris Flory, Jay Leonhart, andMike RenziOctober 287:30pm & 9:30pm

Antonio Sanchez and Migrationwith David Binney, John Escreet, Matt Brewer, andThana AlexaOctober 29–307:30pm & 9:30pm

Ted Nash Big BandChakra CD ReleaseOctober 31–November 37:30pm & 9:30pm

November 2013Manhattan School of Music Afro-Cuban Orchestraconducted by Bobby SanabriaNovember 47:30pm

Myron Walden Momentum with Darren Barrett, Eden Ladin, Yasushi Nakamura,and Mark Whitfield, Jr.November 5–67:30pm & 9:30pm

Jacky Terrasson Quartet with Cécile McLorin Salvant (11/10 only)November 7–107:30pm & 9:30pm

Monday Nights with WBGOJon Cowherd Mercy CD ReleaseNovember 117:30pm & 9:30pm

The Danny Mixon Quartetwith Lisle Atkinson, George Gray, and JamesStewartNovember 127:30pm & 9:30pm

Niels Lan Doky TrioScandinavian Standards CD Releasewith Gary Peacock and Jeff “Tain” WattsNovember 137:30pm & 9:30pm

George Cables Trio Featuring Victor Lewis:A Birthday CelebrationNovember 14–157:30pm & 9:30pm

The George Cables Songbook Featuring Victor Lewis:A Birthday Celebrationwith Essiet Essiet, Steve Kroon, Steve Wilson, and Sarah Elizabeth CharlesNovember 16–177:30pm & 9:30pm

Manhattan School of Music Jazz EnsembleNovember 187:30pm & 9:30pm

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