accessories collection accessories collection
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#VITRAACCESSORIES
Introduction Dining Home Office & Stationery ClocksDecorative Objects Lighting Coat Racks & Shelves Pillows & BlanketsSmall Furniture
1 2 6
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1
New Vitra Accessories.
There’s no place like home – the only place where we can truly be ourselves. Our interiors reflect our personality: every object has its own story and is an expression of our individual identity. At Vitra, we believe in the principle of collage – the idea that a vibrant living space is not achieved by conforming to a unified plan, but rather gains character through a mix of old and new, classic and contemporary, favourite mementos and found objects.
The Vitra Accessories Collection embodies this conviction. It ranges from timeless creations by Charles and Ray Eames, Alexander Girard or George Nelson to the newest products by Ronan and Erwan Bouroullec, Stockholm based design studio Front or Raw-Edges.
Eames “Sea Things” Collection. Products available for a limited time only.
2 3D
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‘The role of the designer is that of a very good,
thoughtful host anticipating the needs of his guests.’
CHARLES EAMES
Dining 1
2
3
5
4
12345
High TraysRotary TraysTraysHerringbone BowlsHerringbone Trays
Morrison, 2017Morrison, 2014Morrison, 2017Raw-Edges, 2019Raw-Edges, 2019
Ø 300 x 140Ø 300 x 120
Ø 180/290/400Ø 195 x 120Ø 355 x 35
Item Designer mm
4 5
Din
ing
Din
ing
678
9101112
Round GeometricSquare GeometricRound Lace
Table RunnersCoffee MugsAngel Candle HoldersCandle Holder
Girard, 1961Girard, 1961Girard, 1961
Girard, 1964Girard, 1971Girard, 1953Girard, 1963
Ø 13001200 x 1200
Ø 1300
400 x 1500Ø 75 x 95
120 x 161Ø 94-103 x 30-55
11
13
14
12
15
16
17
1314151617
Paper Napkins smallPaper Napkins largeClassic Trays largeClassic Trays mediumClassic Trays small
Various, 1947-1972Various, 1947-1972Girard/Eames, 1947-1974Girard/Eames, 1947-1974Girard, 1952-1974
250 x 250400 x 400460 x 360360 x 280280 x 280
10
9
6
7
8
Tablecloths
7
Home Office & Stationery
‘Inspired by cartoons and sculptures, my office products add a cheerful touch that will
brighten up any setting.’MICHEL CHARLOT H
om
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Sta
tio
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ry
1234
ToolboxO-TidyS-Tidy
Morrison, 2018Levy, 2010Charlot, 2016Charlot, 2016
90 x 35/70/100327 x 167
Ø 220 x 80315 x 250
Item Designer mm
1
2
4
3
Hexagonal Container, set of 3
8 9H
om
e O
ffic
e &
Sta
tio
ne
ry
Ho
me
Off
ice
& S
tati
on
ery
5678910
Happy Bin LHappy Bin SGreeting Cards largeGreeting Cards squareGreeting Cards mediumGreeting Cards small
Charlot, 2016Charlot, 2016Various, 1955-1971Various, 1955 -1971Various, 1955 -1971Various, 1955 -1971
Ø 300 x 375Ø 235 x 295
150 x 220220 x 220
115 x 17082 x 120
7
5
6
10
9
8
11
11121314
Jongerius, 2016Jongerius, 2015Girard, 1966Girard, 1961-1971
Ø 37,5120 x 7940 x 80
370 x 400
Magnet Dots, set of 5
12
13
14
Key Ring ElephantKey Ring SunGraphic Bags
11
Clocks
‘The simple joy of taking an idea into one’s own
hands and giving it proper form – that’s exciting.’
GEORGE NELSON Clo
cks
1 2 3 4
5 6
123456
78910
111213
OrangeBeechMulticolouredRedBlack/BrassCherry
MulticolouredRedWalnutBlack
Asterisk ClockAsterisk Clock, BrassStar Clock
Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960
Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960
Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960
Ø 330Ø 330Ø 330Ø 330Ø 330Ø 330
Ø 470Ø 470Ø 470Ø 470
Ø 250Ø 250Ø 610
Item Ball Clock
Sunburst Clock
Designer mm
7
8 9 10
11 12 13
12 13
Clo
cks
Clo
cks
1415161718
192021222324
25262728293031323334353637
Polygon ClockSpindle ClockWheel ClockSunflower Clock birchSunflower Clock black ash/brassFlock of ButterfliesPopsicle ClockPetal ClockTurbine ClockFan ClockEye Clock
Night ClockNight Clock BlackTripod ClockDiamond ClockChronopakCone BaseCone ClockCeramic Clock, Model #1Ceramic Clock, Model #2Ceramic Clock, Model #3Elihu the ElephantOmar the OwlFernando the Fish
Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960
Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960
Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1953Nelson, 1953Nelson, 1953Nelson, 1965Nelson, 1965 Nelson, 1965
Ø 430Ø 577Ø 455Ø 750Ø 750
Ø 610Ø 350 Ø 448Ø 765Ø 384
760 x 340
105 x 150105 x 150110 x 165
255 x 170170 x 115170 x 135150 x 170130 x 190155 x 225150 x 170
320 x 320270 x 255280 x 250
15
18 19
212022
16
17
14
24
25 2726 28
29 30 31
35 36 3723
32 33 34
15
Decorative Objects
‘I suppose my fascination with figures began with my fondness for Nativity scenes when I was
a little boy. I guess I thought they were real people. There were
wonderful creches in the churches of Florence, and I started to
collect my own.’ALEXANDER GIRARD D
eco
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ve O
bje
cts
12345678
Plywood Mobile, APlywood Mobile, B Eames House BirdEames House Bird, walnutEames House WhaleEames Elephant (Plywood)Eames ElephantEames Elephant (small)
Eames, 1941Eames, 1941
Eames, 1945Eames, 1945Eames, 1945
320 x 400460 x 335 278 x 276278 x 276700 x 140785 x 415785 x 415390 x 210
1
2
3 4
56
7
8
Item Designer mm
16 17D
eco
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bje
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15
18 19
16 17
20
25
26
27
21
24
2223
AlgueL’Oiseau marble*L’Oiseau ceramicL’Oiseau natural mapleVessel plainVessel rippedNuage céramique largeNuage céramique mediumNuage céramique smallNuage largeNuage medium Nuage smallCork Bowl largeCork Bowl small
Bouroullec, 2004Bouroullec, 2019Bouroullec, 2011Bouroullec, 2011Raw-Edges, 2019Raw-Edges, 2019Bouroullec, 2017Bouroullec, 2017Bouroullec, 2017Bouroullec, 2016Bouroullec, 2016Bouroullec, 2016Morrison, 2020Morrison, 2020
257 x 320245 x 150 245 x 150 245 x 150125 x 320133 x 250 195 x 270 195 x 160195 x 80
195 x 300195 x 240195 x 130
Ø 600 x 90Ø 300 x 55
1415161718192021222324252627
14
De
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Ob
ject
sD
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bje
cts
9
10
11
12
13
910111213
Resting BearResting CatResting Cat, smallResting BirdResting Bird, small
Front, 2018Front, 2018Front, 2019Front, 2018Front, 2018
918 x 531343 x 264270 x 210138 x 218132 x 126
* Limited Edition* Colour Update
*
*
*
*
*
*
*
*
18 19
35
De
cora
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Ob
ject
s
2829303132333435363738394041
Girard Ornament, SunGirard Ornament, MoonGirard Ornament, HeartGirard Ornament, MouseGirard Ornament, DoveGirard Ornament, StarGirard Ornament, RabbitGirard Ornament, AngelMetal Wall Relief, HeartMetal Wall Relief, SunMetal Wall Relief, Little HeartMetal Wall Relief, DoveMetal Wall Relief, ArrowMetal Wall Relief, Snake
Girard, 1965Girard, 1965Girard, 1965Girard, 1965Girard, 1965Girard, 1965Girard, 1965Girard, 1965Girard, 1966Girard, 1966 Girard, 1966Girard, 1965Girard, 1966Girard, 1968
79 x 7979 x 8579 x 70
103 x 4297 x 4581 x 77
33 x 10183 x 76
430 x 380 Ø 600
270 x 240403 x 181
400 x 240966 x 99 D
eco
rati
ve O
bje
cts
45
424344
45
Love HeartFour Leaf CloverEyes
Quotes Posters
Girard, 1971Girard, 1971Girard, 1971
Eames, 1950
830 x 860830 x 1090830 x 446
500 x 700
42
44
43
Environmental Wall Hanging
28
29
30
31
32
36 37
34
40
41
38
33
39
20 21
4647
48495051525354
Silhouette Mermaid Silhouette Bull
Wooden DollsLittle DevilMother Fish & Child CatCat largeDog largeDog
Girard, 1965Girard, 1965
Girard, 1952Girard, 1952Girard, 1952Girard, 1952Girard, 1952Girard, 1952Girard, 1952
129 x 286129 x 279
80 x 145 – 45 x 305 46 x 140
180 x 52/125 x 3550 x 170
110 x 390110 x 39050 x 170
Wooden Dolls
48
49 50
46 47
51 52 53 54
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Ob
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Herringbone Collection
2019
Raw-Edges
Herringbone Collection
Raw-EdgesRaw-Edges
Created by Raw-Edges, the Herringbone Collection emerged from the studio‘s interest in the technique of immersion dyeing.
The transformations of diff erent materials and shapes when parts of them are dipped in a dye bath exert an almost magical
fascination on the design duo Shay Alkalay and Yael Mer.
In 2018, Raw-Edges conceived the furnishings and layout for an entire fl oor of the VitraHaus on the Vitra Campus. For this project, they developed a series of pillows and small, tree-like wooden objects with patterns based on the immersion dyeing
technique. These pieces met with great interest, which led to the decision to further refi ne the designs for mass production.
The resulting Herringbone Collection consists of the Herring-bone Pillows and the Herringbone Vessels. The colour scheme and sharpness of the pattern contours vary depending on the
respective material.
Q&A Raw-Edges
In one interview, I read that you prefer surprises over clear messages (similar to contemporary dance) – how is
this inscribed in the Herringbone Collection?
«Surprise can also mean not having full control over the design. For example, the ceramic Herringbone pieces for
Vitra are all made by hand in an uncontrolled process. Each item will end up looking slightly diff erent; the quality
of the glaze line will have an unpredictable result. One line will be straight while another turns out wavy and curled. It is a fascinating result for ‘industrial’ products that are normally supposed to end up identical, but in this case
the outcome is more organic.»
What was the motivation for using a wide palette of materials (wood, textile, ceramic) in the Herringbone Collection?
Was that because you wanted to achieve diff erent goals and end eff ects?
«When we develop a system, a principle with certain rules, the motivation is to see how far we can push it and where
it can be applied and on what materials and shapes. It’s almost like checking an algorithm on diff erent
applications, investigating the potential for surprises and anticipating where disappointing results might occur.
Here the rule was to work with materials that can ‘hold’ a layer of colour … wood, textile and ceramic being the
most obvious ones for home accessories.»
Credits:Interview by Eva Slunečková, published in ELLE Decoration Czech Republic 04/2019
Charles & Ray EamesRaw-Edges
Designer
Upon earning their degrees from the Royal College of Art in 2007, Israeli designers Shay Alkalay and Yael Mer founded the design studio Raw-Edges in London. They
develop furniture, installations and products, always placing an emphasis on playfulness and provocative
illusion. Colours, patterns and movement are essential elements in the design duo’s award-winning work for
customers across the globe.
Sea Things
Charles & Ray Eames
Sea Things Sea Things
Charles & Ray EamesCharles & Ray Eames
Sea Things is a pattern created by Ray Eames in 1945. It shows a lovingly designed undersea world full of starfi sh,
jellyfi sh, crustacea, algae and other whimsical creatures. The pattern is conceived so that it can be repeated
horizontally or vertically, or only used in part – still always forming a lively underwater universe.
Ray Eames submitted Sea Things together with her design Crosspatch to the ‘Competition for Printed Fabrics’ organised by the New York Museum of Modern Art in 1947.
Sea Things received an honourable mention and was included in the exhibition ‘Printed Textiles for the Home’.
Vitra is reviving the cheerful motif for a limited period in close collaboration with Eames Demetrios, grandson
of Charles Eames and Director of the Eames Offi ce: Sea Things in a blue-green colour will appear on the Paper
Napkins, Classic Trays and Table Runner, evoking a fresh, yet subtle ocean mood.
xi
Designer
Charles & Ray Eames
Charles and Ray Eames are counted among the most important fi gures of twentieth-century design.
Their work spans the fi elds of furniture design, fi lmmaking, photography and exhibition design.
The infl uence of Charles and Ray Eames was
fundamental to the development of Vitra. Its activity as a furniture manufacturer began in 1957 with the production of their designs. Yet it was not only the
products of Charles and Ray Eames that left their mark on Vitra. With their approach to and understanding of design, they made an ongoing contribution to the
values and goals of the company.
Cork & Marble
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Cork Marble
Marble is a natural stone that occurs in many parts of the world. Formed in the earth’s turbulent interior, each piece has a grain as unique as a fi ngerprint. Likewise, it comes in
a vast range of colours, from bright white to amber, emerald green to pink and even, more rarely, black. Although rela-
tively commonplace, marble is diffi cult to extract and cut, so is associated with the idea of luxury.
Because it is extremely hard and very resistant marble is perfect for domestic use. Like all carbonate stones, it can withstand temperatures as high as 600° C and its dense surface is easy to wipe and generates no dust, making it
ideal for those with allergies. And, in the unlikely event it is damaged, marble can be polished back to perfection time
and time again.
Cork is a natural renewable material obtained from the bark of cork oak trees. Cork oaks are indigenous to the western
Mediterranean region, can attain an age of 250 to 350 years, and have been protected as a species in Portugal since the thirteenth century. The properties of cork make it ideal for furniture and interior objects: the material is hard-wearing, lightweight, pleasant to touch, food-safe, fl ame retardant,
waterproof and does not absorb surrounding odours.
Vitra uses premium-grade recycled cork, whose coarse grain gives the material a lively surface pattern.
Cork Bowls & Cork Family by Jasper MorrisonL’Oiseau by Ronan & Erwan Bouroullec and
Occasional Table LTR by Charles & Ray Eames
20 21
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5455565758596061626364656667
Standard Chair
Organic ArmchairDCWLa ChaiseDSWRARButterfly StoolCoconut ChairLounge Chair & OttomanHeart-Shaped Cone Chair
Wiggle Side Chair
Prouvé, 1930Hans Coray, 1938Eames & Saarinen, 1940Eames, 1945Eames, 1948Eames, 1950Eames, 1950Yanagi, 1954Nelson, 1955Eames, 1956Panton, 1959Panton, 1959/1960Gehry, 1972Bouroullec, 2008
70 x 13590 x 125
130 x 15580 x 120
250 x 13580 x 135105 x 11580 x 70
160 x 140140 x 135130 x 14085 x 14065 x 145101 x 130
Miniatures Collection Designer mm
64
65 66 67
See the entire Miniatures Collection at vitra.com
54 55 56 57
58 59 60 61
62 63
Landi Chair
Vegetal, set of 3
Panton Chairs, set of 5
23
Lighting
(ABOUT AKARI LIGHT SCULPTURES) ‘The harshness of electricity is
transformed through the magic of paper back to the light of
our origin – the sun – so that its warmth may continue to fill our
rooms at night.’ISAMU NOGUCHI Li
gh
tin
g
123456789101112131415
1A1AD1AG1AY1N20N26N3A3AD3X7A9A9ADUF1-HYA2
Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951
250 x 430260 x 430260 x 430260 x 430250 x 390420 x 630350 x 610
280 x 560250 x 560230 x 380300 x 630440 x 690440 x 690200 x 510360 x 510
ItemAkari Light SculpturesTable Lamps
Designer mm
1 2 3 4
5 6 7
8 9 10 11
14 151312
24
25
BB3-55DDUF3-QBB3-33S14A10A13AUF4-33NUF4-L8UF4-L10 Li
gh
tin
g
Lig
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ng
25 26
29
3132
34 35
33
30
27
28
20 21
22 23 24
19
181716
Akari Light SculpturesFloor Lamps
Akari Light SculpturesCeiling Lamps
161718192021222324
Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951
530 x 1850560 x 1450750 x 1700510 x 1580530 x 1230490 x 1360470 x 1900410 x 1880480 x 1930
2526272829303132333435
45A55A75A120A75D55D26A21A15A70EN50EN
Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951
Ø 450Ø550Ø 750
Ø 1200740 x 690550 x 520450 x 250650 x 280880 x 330700 x 330500 x 250
26 27
Lig
hti
ng
42
44
16A23A33NE45XYP1
363738394041
Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951Noguchi, 1951
520 x 280320 x 700
470 x 1600480 x 2950
430 x 430500 x 380
37
36
38
39
40
4143
Petite PotencePotenceLampe de Bureau
424344
Prouvé, 1947Prouvé, 1950Prouvé, 1930
1040 x 3002030 x 755
240 x 225 Lig
hti
ng
29
Coat Racks & Shelves
Co
at
Ra
cks
& S
he
lves
‘The same way that we hang our belongings on a rock jutting from a cliff before diving into the sea,
we need small, informal storage in everyday life too.’
RONAN & ERWAN BOUROULLEC
1234
Hang it allCorniches largeCorniches mediumCorniches small
Eames, 1953Bouroullec, 2012Bouroullec, 2012Bouroullec, 2012
505 x 370455 x 86352 x 88210 x 116
Item Designer mm
1
2
3
4
30C
oa
t R
ack
s &
Sh
elv
es
567
Uten.Silo IUten.Silo II
Jongerius, 2013Becker, 1969Becker, 1969
Ø 50670 x 870520 x 680
6
7
5
Coat Dots, set of 3
33P
illo
ws
& B
lan
kets
Pillows & Blankets
‘If you design a textile you don't have to design an entirely new piece. The skin alone can make the design new. That’s
why I find textiles interesting and also an important subject for
the future.’HELLA JONGERIUS
123
456
7
EyesSnake, ultramarineLove, red
Home Sweet HomeDouble Heart 2Double Heart
Herringbone Pillows
Girard, 1961Girard, 1961Girard, 1961
Girard, 1952Girard, 1952Girard, 1952
Raw-Edges, 2019
400 x 300400 x 400400 x 400
400 x 300400 x 300400 x 400
400 x 400
1 2 3
4 5 6
Embroidered Pillows
Designer mmItemGraphic Print Pillows
7
34 35P
illo
ws
& B
lan
kets
Pil
low
s &
Bla
nke
ts
8
910111213
141516
Millerstripe multicolored brightFacets, black/whiteGeometric black/whiteQuatrefoil pinkSmall Dot Pattern DocumentSmall Dot Pattern Document reverseArabesque, pink orangeMinicheck, black/whiteArabesque, crimson pink
Girard, 1947-1973
Girard, 1947-1973Panton, 1947-1973Girard, 1947-1973Eames, 1947-1973Eames, 1947-1973
Girard, 1947-1973Girard, 1947-1973Girard, 1947-1973
400 x 400
400 x 400400 x 400400 x 400400 x 400400 x 400
400 x 300400 x 300400 x 300
Classic Pillows Maharam
8 9 10
11 12 13
14 16
15
171819
Colour Block BlanketsEames Wool BlanketsSeat Dots
Jongerius, 2016Eames, 1947Jongerius, 2016
2040 x 13002000 x 1350
Ø 380
17
18
19
37
Small Furniture
‘It’s about continually striving to make products better than
what already exists. That’s not always possible, but it’s what
motivates me.’JASPER MORRISON S
ma
ll F
urn
itu
re
* outdoor
1
2
3
5 6
4
7
9
10
11
8
1234567891011
Leather Side Table smallLeather Side Table mediumMetal Side Table smallMetal Side Table small*Metal Side Table mediumMetal Side Table medium*Metal Side Table largeMetal Side Table large*Wooden Side Table smallWooden Side Table mediumWooden Side Table large
Bouroullec, 2014Bouroullec, 2014Bouroullec, 2004Bouroullec, 2004Bouroullec, 2004Bouroullec, 2004Bouroullec, 2004Bouroullec, 2004Bouroullec, 2015Bouroullec, 2015Bouroullec, 2015
330 x 380415 x 445315 x 380315 x 380
400 x 445400 x 445700 x 355700 x 355315 x 390
400 x 445700 x 365
Item Designer mm
38 39
Sm
all
Fu
rnit
ure
12
1314151617181920
NesTable Morrison, 2007
Eames, 1950Eames, 1950Eames, 1950Eames, 1950Eames, 1950Eames, 1950Eames, 1950Eames, 1950
500 x 574-770
392 x 250392 x 250392 x 250392 x 250392 x 250392 x 250392 x 250392 x 250
Occasional Table LTR
12
13
14
17 19
24
15
16
18
Sm
all
Fu
rnit
ure
212223
2425
Table 35Table 45Table 55
Prismatic TablePanton Junior
Morrison, 2016Morrison, 2016Morrison, 2016
Noguchi, 1957Panton, 1959/60
Ø 500 x 350Ø 500 x 450Ø 500 x 550
410 x 375376 x 628
21
22
23
25
20
MarbleGoldHPL blackHPL white American walnutSmoked oakNatural oakAmerican cherry
Occasional Low Table
40
Sm
all
Fu
rnit
ure 26
272829303132
Elephant StoolHocker
Tabouret Solvay
Yanagi, 1954Herzog & de Meuron, 2005Yanagi, 1954Yanagi, 1954Prouvé, 1941Eames, 1960Morrison, 2004
515 x 370 395 x 421420 x 390 420 x 390400 x 450
Ø 280 x 380Ø 310 x 330
2627
28 29
30
32
31
Butterfly Stool, maple naturalButterfly Stool, palisander
Stools A/B/CCork Family A/B/C/D/E
Imp
rin
t
All of the designs shown in this publication are protected by copyright. Vitra and the Vitra Design Museum have authorisation from the owners of the intellectual property rights to manufacture and distribute these designs and hold the exclusive worldwide rights for their production and sale. The following restrictions apply: Charles & Ray Eames → Worldwide distribution for the Organic Chair, La Chaise, Eames Elephant, Plywood Mobile, Classic Trays, Paper Napkins, Eames Quotes Posters, Eames Wool Blankets and for the Miniatures Collection, distribution rights for all other designs exclusively for Europe and the Middle East. For other regions, please contact Herman Miller Inc. | Alexander Girard → Worldwide distribution rights, with the exception of the Environmental Wall Hangings, for which the distribution rights are restricted to Europe and the Middle East. For other regions, please contact Herman Miller Inc. | George Nelson → Worldwide distribution rights for all clocks and Miniatures Collection; distribution rights for other designs exclusively for Europe and the Middle East. For other regions, please contact Herman Miller Inc. | Isamu Noguchi → Distribution rights for Akari Light Sculptures restricted toVitra holds the distribution rights in Australia, Austria, Belgium, Czech Republic, Denmark, Finland, Germany, Greece, Iceland, Ireland, Italy, Liechtenstein, Luxembourg, Malta, the Netherlands, Norway, Portugal, Sweden, Switzerland, Turkey and the United Kingdom. Distribution rights for the Coffee Table held by Herman Miller Inc. for North America; distribution rights for the Dining Table held by Knoll Inc. for North America. | Sori Yanagi → Distribution rights for the Butterfly Stool restricted to Europe, Africa and North and South America. | Classic Pillows → Distribution rights for Europa and Japan. For other regions, please contact Maharam Inc.
The design of the Panton Chair and the Panton name are registered trademarks.® All copyrights and intellectual property rights, including trademarks, patents
and copyrights, remain the property of Vitra and are explicitly reserved.
Vitra International AG strives to respect the rights of third parties at all times. If we have inadvertently used material without acknowledgement, we will correct the omission immediately upon notification. No part of this brochure may be reproduced without prior written permission from Vitra.
Prices valid until 31 December 2020; prices subject to change without notice.
Vitra International AG, Klünenfeldstrasse 22, CH–4127 Birsfelden+41 61/377 00 00, [email protected], www.vitra.com
Art Direction:Benjamin Sprich
Concept:Apartamento Studios
Photography: Connie Hüsser (styling), Lorenz Cugini (interiors), Marc Eggimann (products), © Eames Office, LLC, © Mark Cocksedge
2020, art. no. 9187904
VITRA.COM
Alexander GirardArik Levy
Charles & Ray EamesDorothee Becker
FrontGeorge NelsonHella Jongerius
Herzog & de MeuronIsamu NoguchiJasper Morrison
Jean ProuvéMichel Charlot
Raw-EdgesRonan & Erwan Bouroullec
Sori YanagiVerner Panton
VINT
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