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The museum acquired 193 objects in 2002. Each adds unique quality to the

collection, but even among them a few stand out as extraordinary. Grant

Wood completed fewer than 40 paintings in his mature style, and the oppor-

tunities to acquire them have been rare ever since the artist first came to

prominence after the exhibition of his instantly iconic American Gothic. The

museum has owned major prints by Wood, but not a painting—until this

year, when, miraculously, the great 1940 composition January became avail-

able. Not only is this a stunning work in its own right, and one of Wood’s

last completed works (he died in 1942), it also relates to a Grant Wood litho-

graph in the collection. Other major painting acquisitions included Oedipus

at Colonus, the masterpiece of Fulchran-Jean Harriet, a leading figure at the

time of the French Revolution whose career was stunted by his early death

before the age of 30; Éva Meurier in a Green Dress, by the Symbolist Maurice

Denis; and the Surrealist parody Le Déjeuner sur l’Herbre by Max Ernst.

The decorative arts and sculpture collections were enriched by a late

18th-century marble, Figure of a Young Girl by François-Nicolas Delaistre,

and a striking Limoges vase designed by Georges de Feure in about 1903.

A small, elegant 18th-century sword from Switzerland joined the arms and

armor collection.

Louise Bourgeois’s 1984 white marble sculpture Blind Man’s Buff adds a

new dimension to the contemporary collection, and Martin Puyear’s red

cedar and pine sculpture Alien Huddle, 1993–95, familiar to many because it

was on loan to the museum for a number of years, was officially welcomed

as an acquisition, thanks to the generosity of Agnes Gund and Daniel

Collections

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Shapiro. This addition simultaneously enhances the contemporary

sculpture collection and strengthens the museum’s holdings of works by

African-American artists. Another sculpture visitors will notice is Tony

Smith’s Source, from 1967, a large-scale sculpture of geometric forms now

on view on the southeast lawn. The museum received the sculpture as a gift

from the Metropolitan Bank & Trust in 2001 but postponed its installation

until the 1916 building renovation was completed.

Jacques-Louis David’s 1813 sketch Cupid and Psyche provides an inter-

esting foil for the large painting of the same title that has been a visitor fa-

vorite for decades. Jan van Goyen’s drawing Landscape with a Wainwright

Mending Wheels by a Village Road from 1651 enriches the collection of Dutch

works on paper. And Richard Serra’s Khora from 2000 does the same for the

contemporary collection.

Max Ernst (German,1891–1976). LeDéjeuner sur l’Herbre,1944; oil on canvas;68 x 150 cm; LeonardC. Hanna Jr. Fund2002.55

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Louise Bourgeois(American, b. France,1911). Blind Man’sBuff, 1984; whitemarble on woodbase; 92.7 x 88.9 x63.5 cm; Leonard C.Hanna Jr. Fund2002.29

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An impressive group of prints included an anonymous German hand-

colored woodcut Pietà from 1435–50, now the earliest print in the collection.

Also important are a gift from the Print Club of Cleveland, a double por-

trait lithograph by Johann Anton Ramboux, and an especially beautiful im-

pression of Rembrandt’s etching and drypoint The Blindness of Tobit.

A wonderful array of photographs joined the collection, with a notable

group coming in a single purchase: The Charles Isaacs and Carol Nigro

Collection of American Photography is a spectacular group of early Ameri-

can photographs whose acquisition provides a stronger cornerstone for the

American photography holdings than could ever have been built through

individual acquisitions, bringing it onto a par with the museum’s fine hold-

Anonymous (German).Pietà, 1435–50;woodcut, colored byhand with watercolor;38.7 x 28.8 cm;Severance MillikinTrust 2002.4

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ings in early French and British photography. Twentieth-century photo-

graphs included works by Eugène Atget, Alfred Stieglitz, Gordon Parks,

Carl Chiarenza, Jayne Hinds Bidaut, and Abelardo Morell.

The collection of art of the ancient Americas was particularly enriched

by the addition of Vessel with Deity Mask, an Olmec-style ceramic, from be-

tween 1200 and 900 BC. This haunting ceramic embodies the remarkable

inventiveness of Mexico’s first great art style.

Several centuries earlier, across the Atlantic, a statue of a female wor-

shiper was made in Crete. The small bronze is a fine and exceedingly rare

example of the Middle Minoan III–Late Minoan I production between

about 1600 and 1500 BC, and makes a wonderful addition to the museum’s

notable holdings of small bronzes from antiquity.

From Asia, notable additions included two 18th-century Indian minia-

tures, a 15th-century storage jar and a contemporary incense burner from

Japan, and Mirror with Jade Disk Inset, made in China 2,000 to 2,500 years

ago. Finally, the magnificent Feathered Panel, made in Peru between AD 600

and 900, joined the textiles collection.

The conservation department, charged with preserving the works of art

in the collection so that future generations may enjoy them, undertook a

number of major projects in addition to its ongoing activity. The major fo-

cus in the paper conservation lab was on the research of past conservation

treatment of the Cleveland impression of Pollaiuolo’s Battle of the Nudes in

conjunction with the related exhibition. The research helped the curator

Female Worshiper.Crete, Middle MinoanIII–Late Minoan I,c. 1600–1500 BC;bronze; h. 14 cm;Purchase from theJ. H. Wade Fund2002.89

Vessel with DeityMask. CentralMexico, Olmec style;1200–900 BC;darkware ceramic,traces of pigment;17.9 x 16.5 x 15.3cm; Purchase from theJ. H. Wade Fund2002.67

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Fulchran-Jean Harriet(French, 1778–1805).Oedipus at Colonus,1798; oil on canvas;157 x 134 cm; Mr.and Mrs. William H.Marlatt Fund 2002.3

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better understand the image and enlightened the conservation field with

the nature of past treatments. The results of the research were placed on the

museum’s Web site—the equivalent of 60 pages of text and 84 images, in-

cluding magnifications of each. The department encountered unusual chal-

lenges in preparing for Into the Light, with its array of vintage (1960s–70s)

film projection and video equipment and various experimental multimedia

fabrications. Major paintings treatments included works by Gros, Titian,

Girodet, and Rembrandt.

During the year, the museum also loaned works from its collection to

special exhibitions in about 50 other institutions in all corners of the globe,

among them many of the world’s major museums, from the Art Gallery of

New South Wales in Sydney, Australia and the Kyoto National Museum in

Japan, to the Musée des Beaux Arts in Lyon, France and the Royal Academy

of Arts in London, to the Smithsonian Institution in Washington, the Mu-

seum of Contemporary Art in Los Angeles, and the Metropolitan Museum

of Art in New York City.

The collection of the Cleveland Museum of Art is a resource that is re-

nowned and in demand the world over. But it resides here in Cleveland, so

that anyone can walk in, free of charge, and stand face-to-face with some of

the greatest creative achievements of all time.

Mirror with Jade DiskInset. Late WarringStates (475–221 BC) toEarly Western Han(206 BC–AD 8) periods;bronze with nephriteand turquoise; diam.15.3 cm; Gift ofvarious donors to thedepartment of ChineseArt (by exchange)2002.5

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Art of the Ancient AmericasVessel with Deity Mask. Central Mexico, Olmecstyle; 1200–900 BC; darkware ceramic, traces ofpigment; 17.9 x 16.5 x 15.3 cm; Purchase fromthe J. H. Wade Fund 2002.67Double-Spouted Vessel. Peru, Wari style; 500–900; ceramic, slip; h. 20.3 cm, diam. 16.5 cm;James Parmelee Fund 2002.94

Chinese ArtMirror with Jade Disk Inset. Late Warring States(475–221 BC) to Early Western Han (206 BC–AD 8) periods; bronze with nephrite andturquoise; diam. 15.3 cm; Gift of variousdonors to the department of Chinese Art (byexchange) 2002.5

Contemporary ArtLouise Bourgeois (American, b. France, 1911).Blind Man’s Buff, 1984; white marble on woodbase; 92.7 x 88.9 x 63.5 cm; Leonard C. HannaJr. Fund 2002.29Allan McCollum (American, b. 1944). MoreVisible Markers in Twelve Exciting Colors, 2000;painted Hydrocal; 12 sculptures, each 4.5 x10.3 cm; Dorothea Wright Hamilton Fund2002.95.1–12Martin Puryear (American, b. 1941). AlienHuddle, 1993–95; red cedar and pine; 134.6 x162.5 x 134.6 cm; Gift of Agnes Gund andDaniel Shapiro 2002.65Tony Smith (American, 1912–1980). Source,1967; painted steel; 335.2 x 899.1 x 1036.3 cm;Gift of the Metropolitan Bank & TrustCompany 2001.256

Decorative Arts and SculptureBox in the Form of a Book. France; about 1865–80; wooden box covered in leather with giltmetal enameled mounts; 8 x 58.5 x 47 cm; Giftof the Trideca Society in honor of HenryHawley 2002.104Chair. Designed by Jens Risom (American, b.Denmark, 1916–1977) about 1942; modified byKnoll Associates Inc. about 1946; birch, cottonwebbing; 78.7 x 44.5 x 50.8 cm; Gift of Mr. andMrs. Peter Loughrey 2002.109Sauceboat. England, Chelsea; about 1755–56;porcelain; 10.2 x 16.2 x 10.8 cm; Gift of theFoster Family Foundation 2002.73Vase. Designed by Georges de Feure (French,1868–1943); made by Gérard, Dufraissex, andAbbot, Limoges, about 1903; porcelain withcolor glazes and gilding; 25.1 x 14 x 10.9 cm;John L. Severance Fund 2002.15François-Nicolas Delaistre (French, 1746–1832).Figure of a Young Girl, 1787–93; marble; 170 x85.4 x 49.5 cm; The Severance and GretaMillikin Purchase Fund 2002.53

ACQUIS IT IONS

François-NicolasDelaistre (French,1746–1832). Figureof a Young Girl,1787–93; marble;170 x 85.4 x 49.5cm; The Severanceand Greta MillikinPurchase Fund2002.53

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DrawingsWilliam Bailey (American, b. 1930). Untitled(Still Life), 2000; graphite; 33.8 x 48.2 cm; Giftof The Print Club of Cleveland 2002.117Jacques-Louis David (French, 1748–1825).Cupid and Psyche, 1813; gray wash and pen andblack ink with white paint and traces of blackchalk; 16.7 x 22.4 cm; Andrew R. and MarthaHolden Jennings Fund 2002.91Till Freiwald (German, b. Peru, 1963). Untitled,2001; watercolor over graphite; 76.8 x 54 cm;Gift of the artist and Jack Shainman Gallery2002.13. Untitled, 2001; watercolor overgraphite; 228.4 x 154.8 cm; John L. SeveranceFund 2002.16Paul Gauguin (French, 1848–1903). Mother andChild (recto), 1870s; black chalk; Profile Bust of aMan (verso); graphite; 26.8 x 20.4 cm; Gift ofMr. and Mrs. Charles Hickox 2002.110a–bJan van Goyen (Dutch, 1596–1656). Landscapewith a Wainwright Mending Wheels by a VillageRoad, 1651; black chalk and brown wash; 17.4 x27.6 cm; Andrew R. and Martha HoldenJennings Fund 2002.90

Carl Grossberg (German, 1894–1940). BerlinPower Plant under Construction, 1930; graphite,framing lines in graphite; 37.5 x 51.9 cm; AnneElizabeth Wilson Memorial Fund 2002.7Grace Hartigan (American, b. 1922). Untitled,1959; oil with collage; 57.5 x 72.4 cm; John L.Severance Fund 2002.80Friedrich Preller (German, 1804–1878). Self-Portrait, 1838; graphite; 21.2 x 17.1 cm; Gift ofthe Helen Greene Perry Charitable Trust andJohn L. Severance Fund 2002.56Ernest David Roth (American, b. Germany,1879–1964). Gift of Carole W. and Charles B.Rosenblatt. Fécamp; graphite; 20.5 x 20.1 cm;2002.115. Plaza de Ponce de Leon, Sevilla; blackcrayon; 26.6 x 36.5 cm; 2002.113. RouenCourtyard; graphite; 24.3 x 24.3 cm; 2002.114Sevilla, 1920; pen and black ink with pen andblue ink; 35.7 x 26.6 cm; 2002.112. Street inSiena; graphite; 32 x 21.3 cm; 2002.111Charlotte Salomon (German, 1917–1943).Dinner Party (recto), 1940–42; gouache; DinnerParty with Presumed Portrait Study of PaulaLindberg (verso), 1940–42; graphite; 29.3 x 19.9cm; Mr. and Mrs. Richard W. Whitehill ArtPurchase Endowment Fund 2002.8.a–bRichard Serra (American, b. 1939). Khora, 2000;melted paintstick; 78 x 102.4 cm; Delia E.Holden Fund 2002.96

Greek and Roman ArtFemale Worshiper. Crete, Middle Minoan III–Late Minoan I, c. 1600–1500 BC; bronze; h. 14cm; Purchase from the J. H. Wade Fund2002.89

Indian and Southeast Asian ArtRaga Suramananda, from a “Ragamala” series.India, Bilaspur, about 1750; ink and color onpaper; 23.8 x 19.1 cm; Gift of Dr. NormanZaworski 2002.116Rama and Sita Being Taken to the Priest to Fix theWedding Date, from the Ramayana. India,Pahari Hills, Kulu, Shangri Style IV, c. 1700–1710; ink and color on paper; 18.5 x 28.7 cm;Norman O. Stone and Ella A. Stone MemorialFund 2002.6

Richard Serra(American, b. 1939).Khora, 2000; meltedpaintstick; 78 x 102.4cm; Delia E. HoldenFund 2002.96

Rama and Sita BeingTaken to the Priest toFix the Wedding Date,from the Ramayana.India, Pahari Hills,Kulu, Shangri Style IV,c. 1700–1710; inkand color on paper;18.5 x 28.7 cm;Norman O. Stoneand Ella A. StoneMemorial Fund2002.6

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Japanese and Korean ArtStorage Jar: Tamba Ware. Muromachi period(1392–1573), 1400s; stoneware with natural ashglaze; h. 45 cm, diam. 39 cm, The Severanceand Greta Millikin Purchase Fund 2002.66Ken Matsuzaki (Japanese, b. 1950). IncenseBurner; stoneware with applied and naturalash glaze; 20 (with lid) x 14.5 x 9 cm; Gift ofBernie and Sue Pucker in honor of Gerald P.Bonder 2002.61a–b

Medieval ArtSmall Sword. Switzerland, Geneva(?) (blade:Germany, Solingen), around 1790–1800; hilt:gold with translucent enamel, blade: bluedand gilded steel; l. 97 cm; Purchase from theJ. H. Wade Fund 2002.1Simon Bening (Flemish, 1483–1561). Single Leafwith Scenes from the Last Supper, about 1525–30;tempera with liquid gold and silver on vellum;wooden board; 17 x 12.5 cm; Gift of BruceFerrini, Pamela Ferrini, associates, and friendsin memory of Matthew Ferrini 2002.52

PaintingsGeorges Daniel de Monfreid (French 1856–1929). Mater Dolorosa (The Virgin MaryMourning), 1897; painted plaster, wood; 73.7 x59.1 x 17.8 cm; John L. Severance Fund 2002.54Maurice Denis (French, 1870–1943). ÉvaMeurier in a Green Dress, 1891; oil on canvas; 55x 38 cm; Mr. and Mrs. William H. Marlatt Fund2002.92Max Ernst (German, 1891–1976). Le Déjeunersur l’Herbre, 1944; oil on canvas; 68 x 150 cm;Leonard C. Hanna Jr. Fund 2002.55Anne-Louis Girodet de Roucy Trioson (French,1767–1824). Aurora and Cephalus, about 1810;oil on canvas; 22.8 x 16.8 cm; Gift of thePainting and Drawing Society of TheCleveland Museum of Art 2002.101Fulchran-Jean Harriet (French, 1778–1805).Oedipus at Colonus, 1798; oil on canvas; 157 x134 cm; Mr. and Mrs. William H. Marlatt Fund2002.3Grant Wood (American, 1892–1942). January,1940; oil on Masonite panel; 45.7 x 60.1 cm;Purchase from the J. H. Wade Fund 2002.2

PhotographyEugène Atget (French, 1857–1927). TheSeverance and Greta Millikin Purchase Fund.Nymphéa, 1922–23, from Atget numberingseries Landscape Documents #1196; albumenprint, gold-toned; 22.2 x 17.6 cm; 2002.69. ThePark at Sceaux (April 1925, 7 a.m.) (Parc deSceaux [Avril 1925, 7 h. matin]), 1925, fromAtget numbering series Sceaux #37; arrowrootprint, gold-toned; 22.9 x 17.6 cm; 2002.68William H. Bell (American, 1830–1910). LookingSouth into the Grand Canyon, Colorado River,Sheavwitz, 1872; albumen print from wetcollodion negative; 27.5 x 20.3 cm; John L.Severance Fund 2002.48Jayne Hinds Bidaut (American, b. 1965).Oriental Goliath Beetle (Goliathus orientalis), 1998(printed 2002); tintype; ed. 5/13; 25.5 x 20.3cm; Gift of Jayne Hinds Bidaut and Ricco/Maresca Gallery, NYC 2002.146Keith Carter (American, b. 1948). Atlas Moth,1990; gelatin silver print, toned; 3/50; 37.1 x37.2 cm; Gift of William S. Lipscomb inmemory of his father, James S. Lipscomb2002.147Carl Chiarenza (American, b. 1935). Noumenon503/401, 1984–85; gelatin silver prints(diptych); 50.5 x 79.3 cm (overall); Gift of AlisaLuxenberg in honor of her parents, Herbertand Marianna Luxenberg 2002.84.a–bAlvin Langdon Coburn (American, 1882–1966). Grand Canyon, 1912; platinum print; 41 x31.4 cm; John L. Severance Fund 2002.51Thomas Eakins (American, 1844–1916). CrowellChildren at Avondale, 1885–90; platinum print; 9x 11.2 cm; John L. Severance Fund 2002.49Emmet Gowin (American, b. 1941). Edith,Newton, Pennsylvania, 1999; gelatin silver print;12.9 x 12.8 cm; Gift of Friends of Photography2002.102William Henry Jackson (American, 1843–1942).Mystic Lake, M.T., about 1870; albumen printfrom wet collodion negative; 23.3 x 50.7 cm;John L. Severance Fund 2002.47Thomas H. Johnson (American, active 1860s–1870s). Inclined Plane F, Delaware and HudsonCanal Co., about 1860; albumen print from wetcollodion negative; 30.5 x 38.5 cm; John L.Severance Fund 2002.42John R. Johnston (American, 1820–1872).Salted paper prints from wet collodionnegatives; John L. Severance Fund. John R.Johnston with Painting; 20 x 14.8 cm; 2002.39.Mrs. John R. Johnston, before 1857; 18.8 x 15.1cm; 2002.38Judith K. McMillan (American, b. 1945). OpticExploration: Poppy and Columbine (Papaver andAquilegia), 1998 (printed 1999); gelatin silverprint, toned, from x-ray film; 47.2 x 37.1 cm;Gift of Linda Butler 2002.83Abelardo Morell (American, b. Cuba, 1948).Book with Wavy Pages, 2001; gelatin silver print,ed. 10/30; 61 x 50.8 cm; Judith K. and S.Sterling McMillan III Photography PurchaseFund 2002.12Karen Ollis (American, b. 1958). ViktorSchreckengost, 2000 (printed 2002); colorprocess print (Cibachrome); 50.8 x 40.6 cm; Inmemory of Janet Delaware Ollis 2002.85Timothy H. O’Sullivan (American, 1840–1882).Albumen prints from wet collodion negatives;John L. Severance Fund. Iceberg Canyon,Colorado River Looking Above, about 1871; 20.2 x

Storage Jar: TambaWare. Japan,Muromachi period(1392–1573), 1400s;stoneware with naturalash glaze; h. 45 cm,diam. 39 cm; TheSeverance and GretaMillikin Purchase Fund2002.66

Georges Daniel deMonfreid (French1856–1929). MaterDolorosa (The VirginMary Mourning),1897; painted plaster,wood; 73.7 x 59.1 x17.8 cm; John L.Severance Fund2002.54

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27.3 cm; 2002.46. Sand Dunes, Carson Desert,Nevada, 1867; 19.7 x 27 cm; 2002.45Gordon Parks (American, b. 1912). Gelatinsilver prints; Norman O. Stone and Ella A.Stone Memorial Fund by exchange. Untitled(Malcolm X), 1963; 21.8 x 32.5 cm; 2002.72.Untitled (Muhammad Ali with Children), about1970; 22.9 x 33.7 cm; 2002.71. Young GangLeader, Harlem, about 1948; 22.1 x 33.4 cm;2002.70William H. Rau (American, 1855–1920).Hemlock Forest, Lehigh Valley Railroad, about1895; albumen print from wet collodionnegative; 43.2 x 51.8 cm; John L. SeveranceFund 2002.50Frederick DeBourg Richards (American, 1822–1903). First Bank of the United States,Philadelphia, 1859; salted paper print from wetcollodion negative; 20.4 x 15.5 cm; John L.Severance Fund 2002.41H. N. Roberts (American). Francis WaylandSherman at the Age of 2 Years 10 Months, 1862;albumen print from wet collodion negative;18.6 x 13.3 cm; John L. Severance Fund 2002.34Arthur Rothstein (American, 1915–1985).Gelatin silver prints (printed 1981) fromArthur Rothstein portfolio; Gift of Alan andMonah L. Gettner. Dust Storm Cimarron County,Oklahoma, 1936; 22.8 x 22.6 cm; 2002.82.1.Gamblers, Las Vegas, Nevada, 1947; 23.2 x 22.5cm; 2002.82.6. Hotel de Paris, Interior,Georgetown, Colorado, 1939; 30.5 x 22.5 cm;2002.82.4. John Dudeck, Dalton, New York, 1937;30.5 x 20.5 cm; 2002.82.2. Mississippi RiverFlood, St. Louis, Missouri, 1943; 23 x 30.5 cm;2002.82.3. Shoeshine Man, New York City, 1937;30.8 x 22.8 cm; 2002.82.5Fazal Sheikh (American, b. 1965). Rohgul,Afghan Refugee Village, Nasirbagh, NorthwesternFrontier Province, Pakistan, 1996; gelatin silverprint (printed 1997); 27.5 x 21.2 cm; Gift ofFriends of Photography 2002.103Albert Sands Southworth (American, 1811–1894) and Josiah Johnson Hawes (American,1808–1901). Medallion Portrait of a Woman,about 1850; daguerreotype, whole-plate; 20 x15 cm; John L. Severance Fund 2002.30

Alfred Stieglitz (American, 1864–1946). Poplars,Lake George, 1934; gelatin silver print; 24.2 x19.1 cm; Bequest of Dorothy Norman 2002.81Unidentified photographer (American). Artistwith His Palette and Brushes, about 1850s;daguerreotype, sixth-plate; 8.3 x 7 cm; John L.Severance Fund 2002.36Unidentified photographer (American). Childwith Drum, 1850s; daguerreotype, quarter-plate; 8.3 x 7 cm; John L. Severance Fund2002.33Unidentified photographer (American). DeadChild on a Sofa, about 1855; daguerreotype,quarter-plate; 6.3 x 8.7 cm; John L. SeveranceFund 2002.35Unidentified photographer (American). Motherand Child, about 1855; daguerreotype, sixth-plate; 8.3 x 7 cm; John L. Severance Fund2002.31Unidentified photographer (American). TheMusic Teacher and His Wife, about 1850s;daguerreotype; quarter-plate; 10.8 x 8.3 cm;John L. Severance Fund 2002.37Unidentified photographer (American). St.Anthony’s Falls from across the River, about1850s; daguerreotype, half-plate; 10.8 x 16.5cm; John L. Severance Fund 2002.40Unidentified photographer (American). TwoChildren with Toys, about 1855; daguerreotype,quarter-plate; 10.8 x 8.3 cm; John L. SeveranceFund 2002.32Céline van Balen (Dutch, b. 1965). Muazez,1998; chromogenic process color print; 33.2 x26.3 cm; Gift of Friends of Photography2002.11Carleton E. Watkins (American, 1829–1916).The Domes, from the Sentinel Domes, Yosemite,about 1865–66; mammoth albumen print fromwet collodion negative; 39.6 x 52.4 cm; John L.Severance Fund 2002.44Charles Leander Weed (American, 1824–1903).Yosemite Valley from Mariposa Trail, about 1865;mammoth albumen print from wet collodionnegative; 39.7 x 51.7 cm; John L. SeveranceFund 2002.43

Timothy H. O’Sullivan(American, 1840–1882). Sand Dunes,Carson Desert,Nevada, 1867;albumen print from wetcollodion negative;19.7 x 27 cm; John L.Severance Fund2002.45

Albert Sands Southworth(American, 1811–1894)and Josiah JohnsonHawes (American,1808–1901). MedallionPortrait of a Woman,about 1850;daguerreotype, whole-plate; 20 x 15 cm;John L. Severance Fund2002.30

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PrintsAnonymous (German, 15th century). Pietà,1435–50; woodcut, colored by hand withwatercolor; 38.7 x 28.8 cm; Severance MillikinTrust 2002.4Clinton Adams (American, 1918–2002). Colorlithographs from Venus in Cíbola; 16 x 19 cm;Gift of Bob Stana in memory of Susan andJoseph Stana. Untitled (Venus in Cíbola I), 1968;Tamarind 2519; 2002.88.1. Untitled (Venus inCíbola II), 1968–69; Tamarind 2521; 2002.88.2.Untitled (Venus in Cíbola III), 1969; Tamarind2526; 2002.88.3. Untitled (Venus in Cíbola IV),1968; Tamarind 2518; 2002.88.4. Untitled (Venusin Cíbola V), 1967–68; Tamarind 1731; 2002.88.5.Untitled (Venus in Cíbola VI), 1968–69;Tamarind 2516; 2002.88.6. Untitled (Venus inCíbola VII), 1968–69; Tamarind 2520; 2002.88.7.Untitled (Venus in Cíbola VIII), 1967; Tamarind1730; 2002.88.8. Untitled (Venus in Cíbola IX),1968; Tamarind 2517; 2002.88.9. Untitled (Venusin Cíbola X), 1969; Tamarind 2522; 2002.88.10Sybil Andrews (Canadian, b. England, 1898–1992). Red Cedars, about 1975; color woodcut;56 x 38.5 cm; Gift of various donors to thedepartment of Prints and Drawings 2002.57William Bailey (American, b. 1930). The PrintClub of Cleveland Publication No. 80, 2002.Gift of The Print Club of Cleveland. Untitled(Still Life), 2001; 27.7 x 37.7 cm; etching,aquatint, and softground etching; 2002.118.BAT, 2002.119. State proof 1, etching,2002.120.1. State proof 7, etching, 2002.120.2.State proof 9, etching and aquatint, 2002.120.3.State proof 14, etching and aquatint, withpencil additions, 2002.120.4. State proof 15,etching and aquatint, 2002.120.5. State proof28, etching and aquatint with blue pencilcorrections, 2002.120.6Leonard Baskin (American, 1922–2000). LouisJacques Mandé Daguerre, 1998; woodcut; 27.5 x18.5 cm; Gift of 21st: The Journal ofContemporary Photography 2002.145

Domenico Beccafumi (Italian, 1484–1551). SaintPeter, about 1547; chiaroscuro woodcut printedin four shades of brown; 41.2 x 21.4 cm;Bartsch 14; Severance and Greta MillikinPurchase Fund 2002.9Fred Becker (American, b. 1913). Brown Forest,1965; color woodcut; 76.2 x 60.9 cm; Gift ofvarious donors to the department of Prints andDrawings 2002.76Norbertine Bresslern-Roth (American, b.Austria, 1891–1978). Blue Throated Warbler;color woodcut; 12.9 x 12.4 cm; Gift of CaroleW. and Charles B. Rosenblatt 2002.133Remigio Cantagallina (Italian, 1582/3–1656).Naval Combat Represented on the Arno River inFlorence, for the Marriage of Cosimo di MediciPrince of Tuscany, and Maria Maddalena ofAustria, in 1608 (after Jacopo Ligozzi), 1608;two etchings; John L. Severance Fund.Periclemene (Lobster); 17.4 x 27.1 cm; Bartsch36; 2002.21. Evrito Echione E Etalide (Evrito,Echione, and Etalide), 19.7 x 26.9 cm; Bartsch 37;2002.22Elizabeth Catlett (Mexican, b. USA, 1919).Magic People, 2002; color linocut; 25.7 x 24.4cm; Gift of the artist 2002.64Ada Gilmore Chaffee (American, 1883–1955).A Modern Pilgrim’s Print Book: Sandpipers, 1935;linocut; 18.5 x 11 cm; Gift of various donors tothe department of Prints and Drawings2002.77.kOliver Chaffee (American, 1881–1944). AModern Pilgrim’s Print Book: 3 Central, 1935;linocut; 7.5 x 14.7 cm; Gift of various donors tothe department of Prints and Drawings2002.77.dEdgar Chahine (French, 1874–1947). Gift ofCarole W. and Charles B. Rosenblatt. The PoorOnes (Les Pauvresses), 1902; etchings anddrypoint; 11 x 22.1 cm; Tabanelli 83, state I/IV;2002.131. State III/IV; 2002.132. Venice: TheGossips (Venise: Le Ciacolone [Les Bavardes]),1922; drypoint and chine collé; 31.8 x 21.7 cm;Tabanelli 348, state III/III; 2002.130

Jacques-Louis David(French, 1748–1825).Cupid and Psyche,1813; gray wash andpen and black inkwith white paint andtraces of black chalk;16.7 x 22.4 cm;Andrew R. andMartha HoldenJennings Fund2002.91

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Jean Baptiste Camille Corot (French, 1796–1875). Willows and Poplars (Saules et peupliersblancs), 1871; lithograph with chine collé; 25.7x 39.4 cm; Delteil 30, state II/II; Gift of RobertM. Light in honor of Louise S. Richards2002.14Robert Cottingham (American, b. 1935). RollingStock #42, 1993; color lithograph; 45.4 x 34 cm;Gift of Elizabeth Carroll Shearer in memory ofFred Schmidt 2002.143Stuart Davis (American, 1892–1964). TwoFigures and El (Sixth Avenue El, No. 2), 1931;lithograph; 28 x 38.1 cm; Cole and Myers 17;Gift of various donors to the department ofPrints and Drawings 2002.97Albert Christoph Dies (Austrian, 1755–1822).St. Rocco Waterfall and Bridge at Tivoli (Cascata ePonte di St. Rocco a Tivoli), 1795; etching inbrown ink; 36.8 x 27.5 cm; Andresen 27; Gift ofSusan Schulman in memory of Fred Schmidt2002.105Burgoyne Diller (American, 1906–1965).Untitled, 1932; linocut; 15.1 x 20.2 cm; John L.Severance Fund 2002.17Edwin Reeves Euler (American, b. 1896). AModern Pilgrim’s Print Book: ProvincetownStudio, 1935; linocut; 12.7 x 10.2 cm; Gift ofvarious donors to the department of Prints andDrawings 2002.77. jPaolo Farinati (Italian, 1522–1606). TheMagdalen; etching; 20.4 x 14.5 cm; Bartsch 2;John L. Severance Fund 2002.18Paul Gachet (French, 1828–1909). Six Etchings(Six Eaux-Fortes), 1895; Gift of ElizabethCarroll Shearer in memory of Robert LundieShearer. Frontispiece; etching; 21 x 17.1 cm;2002.142.1. Head of a Kitten (Tête de jeune chat);etching and drypoint; 13 x 10 cm; 2002.142.2.Notre Dame, Pontoise (Notre Dame dePontoise); etching; 21 x 17 cm; 2002.142.6.Notre Dame Street, Pontoise (Rue Notre Dame,Pontoise); etching; 15.5 x 12.7 cm; 2002.142.7.The Thatched Bakery, Auvers (Les Chaumes deFour, Auvers); etching; 12 x 16.9 cm;2002.142.3. Tréport (Le Tréport); etching,roulette, and drypoint; 8.7 x 15.6 cm;2002.142.4. Vesnots, Auvers on the Oise (LesVesnots, Auvers sur Oise); etching; 12 x 17 cm;2002.142.5William Giles (British, 1872–1939). Swans andCygnets, 1911; color woodcut; 30.9 x 38.7 cm;Gift of various donors to the department ofPrints and Drawings 2002.79John Grillo (American, b. 1917). UntitledAbstraction, 1955; woodcut; 26.6 x 17.7 cm; JohnL. Severance Fund 2002.27Katsunori Hamanishi (Japanese, b. 1949).Division-Work No. 100, 2002; mezzotint withgold leaf; 59.7 x 45.1 cm (left); 59.6 x 44.7 cm(center); 59.7 x 45.1 cm (right); Gift of Gloriaand Leon Plevin in memory of Fred Schmidt2002.106.a–cYosuke Imai (Japanese, b. 1965). A Boat for theEast “Mebaru, Port,” 2000; color etching,aquatint, and chine collé; 19.9 x 20 cm (plate 1);8 x 8.1 cm (plate 2); Mr. and Mrs. William E.Ward Collection Fund 2002.98Charles Kaeselau (American, b. Sweden, 1889).A Modern Pilgrim’s Print Book: WellfleetOysterman, 1935; linocut; 13.2 x 9.5 cm; Gift ofvarious donors to the department of Prints andDrawings 2002.77.c

Daniel Kelly (American, b. 1947). Nene, 2002;woodcut, colored by hand with white paint;77.5 x 94 cm; Gift of Gloria and Leon Plevin inmemory of Fred Schmidt 2002.107Otto Karl Knaths (American, 1891–1971). AModern Pilgrim’s Print Book: Gathering Quahogs,1935; linocut; 14.2 x 8.9 cm; Gift of variousdonors to the department of Prints andDrawings 2002.77.bBlanche Lazzell (American, 1878–1956). Gift ofvarious donors to the department of Prints andDrawings. Four Petunias, 1945; colormonotype; 20.3 x 15 cm; 2002.59. A ModernPilgrim’s Print Book: My Studio, 1935; linocut;13.7 x 10.1 cm; 2002.77.eTod Lindenmuth (American, 1855–1976). AModern Pilgrim’s Print Book: Fisherman, 1935;linocut; 13.7 x 9.7 cm; Gift of various donors tothe department of Prints and Drawings2002.77. aEl Lissitzky (Eleazar Markovich Lissitzky)(Russian, 1890–1941). For the Voice (Dliagolosa), 1923; book containing 61 pages withletterpress designs printed in red and blackink, cover printed in red and black ink onorange paper; 18.5 x 13 cm (pages), 18.7 x 13.4cm (cover); Gift of various donors to thedepartment of Prints and Drawings 2002.60Charles Wheeler Locke (American, 1899–1983).Tramp Steamer, 1939; lithograph; 23.6 x 31.2 cm;Gift of Carole W. and Charles B. Rosenblatt2002.129Nat Lowell (American, b. Latvia, 1880–1956).Untitled (New York) etching; 30.3 x 21.3 cm; Giftof Carole W. and Charles B. Rosenblatt2002.128Reginald Marsh (American, b. France, 1898–1954). Locos, 1948; engraving; 20 x 24.9 cm;Sasowsky 232, state II/II; Gift of Carole W. andCharles B. Rosenblatt 2002.126Hiroshi Maruyama (Japanese, b. 1953). BlueShadow-Lattice, 2000; color woodcut; 40.6 x 50.6cm (irregular); Mr. and Mrs. William E. WardCollection Fund 2002.99Robert McChesney (American, b. 1913).Untitled Abstraction S-2, 1951; color screenprint;33.6 x 59 cm; John L. Severance Fund 2002.28Mildred McMillen (American, 1884–about1940). The Outskirts or The Fisherman’s Quarter,1919; woodcut; 35 x 41.8 cm; Gift of variousdonors to the department of Prints andDrawings 2002.78John Hamilton Mortimer (British, 1740–1779).Richard II, 1775; etching in brown ink; 39.9 x32.4 cm; Gift of various donors to thedepartment of Prints and Drawings 2002.58Kyoko Murakami (Japanese, b. 1972). A-19Door, 2000; color aquatint; 55.4 x 49.9 cm; Mr.and Mrs. William E. Ward Collection Fund2002.100Karl Ochman (undocumented). Times Square;etching; 27.3 x 19.6 cm; Gift of Carole W. andCharles B. Rosenblatt 2002.127José Clemente Orozco (Mexican, 1883–1949).Leaders (Zapatistas), 1936; lithograph; 32.2 x41.3 cm; Hopkins 29; John L. Severance Fund2002.25

Gabor Peterdi (American, b. Hungary, 1915–2001). Arctic Night IV, 1965; color etching; 61.2x 90.7 cm; Gift of Janet and Donald Fribourg inmemory of Arthur Fribourg 2002.62. MuanaLoa, 1969; color etching and aquatint; 109.9 x80 cm; Gift of Janet and Donald Fribourg inmemory of Marion Neumark 2002.87Charles Adams Platt (American, 1861–1933).Cape Ann Farm, 1890; drypoint; 22.7 x 30.7 cm;Rice 113; Gift of Carole W. and Charles B.Rosenblatt 2002.125Gloria Plevin (American, b. 1934). MeadowOverlook II, 2001; color monotype; 24.6 x 24.8cm; Gift of Michael Verne 2002.108Johann Anton Ramboux (German, 1790–1866).Double Portrait of the Brothers Konrad and FranzEberhard, Painter and Sculptor in Munich, 1822;lithograph printed in black and gray; 31.7 x34.2 cm; Winkler 2; Gift of The Print Club ofCleveland 2002.63V. B. Rann (American, 1897–1956). A ModernPilgrim’s Print Book: Low Tide, 1935; linocut;12.9 x 10.2 cm; Gift of various donors to thedepartment of Prints and Drawings 2002.77.gRembrandt van Rijn (Dutch, 1606–1669). TheBlindness of Tobit: The Large Plate, 1651; etchingand drypoint; 15.8 x 12.9 cm; White and Boon42, state I/II; Severance and Greta MillikinFund 2002.10Ernest David Roth (American, b. Germany,1879–1964). Etchings; Gift of Carole W. andCharles B. Rosenblatt. Campo San Boldo, Venice,1924; 23.7 x 26.8 cm; Whitmore 79; 2002.139.The Buttress, Ponte Vecchio, Florence, 1907; 22.9 x20 cm; Whitmore 17; 2002.135. Doorway, Or SanMichele, Florence, 1912; 30.2 x 20 cm; Whitmore34; 2002.136. Pont Neuf Paris, 1914; 20.8 x 31.4cm; Whitmore 58; 2002.138. Street in Assisi,1935; 25.2 x 18.8 cm; not in Whitmore;2002.134. Venice from the “Redentore,” 1913; 20.1x 27.7 cm; Whitmore 45; 2002.137. Veterans,1936; 30.2 x 25.1 cm; not in Whitmore; 2002.140Jan Saenredam (Dutch, 1565–1607). TheAnnunciation to the Shepherds (after AbrahamBloemaert), 1599; engraving; 55.1 x 39.6 cm;Hollstein 24, state I/IV, John L. SeveranceFund 2002.20Jean-Claude-Richard de Saint-Non (French,1727–1791). View of the Rotunda with Stairs onthe Tiber (Vue de la Rotonde avec escaliers surla Tibre) (after Hubert Robert), 1766; aquatintand etching printed in brown; 30.9 x 30.3 cm;not in Le Blanc; John L. Severance Fund2002.23Anthonis Sallaert (Belgian, about 1590–1658).A Scene from Classical Mythology; monotype;12.4 x 9.7 cm; not in Hollstein; John L.Severance Fund 2002.19Shelby Shackelford (American, 1899–1987). AModern Pilgrim’s Print Book: Winter, 1935;linocut; 10 x 15 cm; Gift of various donors tothe department of Prints and Drawings2002.77.iPhyllis Sloane (American, b. 1921). TheSteinbergs, 1970; linocut; 31.7 x 36.8 cm; Gift ofPhyllis Sloane in memory of Lillian and HenrySteinberg 2002.124Harumi Sonoyama (Japanese, b. 1950). d’encresm (Ink Cans m), 1979; color lithograph; 86.5 x62.7 cm; Gift of the Cunningham family inmemory of Peggy Cunningham 2002.141

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Rufino Tamayo (Mexican, 1899–1991).Butterflies (Mariposa), 1974; embossedlithograph; 56.2 x 76 cm; Gift of William E.Ward in memory of his wife, Evelyn SvecWard 2002.86Rosemarie Trockel (German, b. 1952). WhiteCarrot, 1991. Gift of members of the Print Clubof Cleveland and other friends in memory ofFred Schmidt. Portfolio containing porcelainicicle, 52.4 x 6.5 cm; 2002.144.1; photograph;23.8 x 17.7 cm; 2002.144.2. Ten photoetching,aquatint, and embossing: Sandstorm nearHoover Dam; 18.5 x 19.3 cm; 2002.144.3. 19th-century Photograph Depicting March Wind; 20.2 x18.4 cm; 2002.144.4. London Fog; 18.9 x 20.7 cm;2002.144.5. Man with Lantern Guiding Bus inLondon Fog; 22.6 x 16.9 cm; 2002.144.6. Cloudsabove Landscape; 21.4 x 19.4 cm; 2002.144.7.Eclipse; 16.3 x 14.7 cm; 2002.144.8. Clouds; 17 x17 cm; 2002.144.9. Clouds; 23.3 x 17 cm;2002.144.10. Two Men in Snowstorm; 21.5 x 17.1cm; 2002.144.11. Nighttime Sky with Moonthrough Clouds; 24.7 x 19.5 cm; 2002.144.12Charles Turzak (American, 1899–1985). Manwith Drill, about 1935; woodcut; 30.6 x 23.5 cm;John L. Severance Fund 2002.24Claire Van Vliet (American, b. Canada, 1933).Gift of M. Lindsay Kaplan and Norman Eisen.Before Rain, 1973; color lithograph; 43 x 51.4cm; 2002.122. Grey Cloud, 1974; lithographprinted in black and gray; 42.4 x 59.3 cm;2002.123. Untitled, about 1980; paper pulp; 45.5x 62 cm; 2002.121

Agnes Weinrich (American, 1873–1946). AModern Pilgrim’s Print Book: Fish Shacks, 1935;linocut; 14.2 x 9.1 cm; Gift of various donors tothe department of Prints and Drawings2002.77.fNeil Welliver (American, b. 1929). Stump, 2000;color woodcut; 76.2 x 76.4 cm; Carole W. andCharles B. Rosenblatt Endowment Fund2002.74John von Wicht (American, 1888–1970). WhiteLines on Black, about 1955; lithograph withcollage; 37.9 x 27 cm; John L. Severance Fund2002.26Grant Wood (American, 1892–1942). February,1940; lithograph; 22.6 x 30 cm; Cole 17; Gift ofvarious donors to the department of Prints andDrawings 2002.75Saul Yalkert (undocumented). A ModernPilgrim’s Print Book: House in the Hollow, 1935;linocut; 12.6 x 10.2 cm; Gift of various donorsto the department of Prints and Drawings2002.77.h

Textiles and Islamic ArtFeathered Panel. Peru, Far South Coast, PampaOcoña; AD 600–900; Papagayo macaw feathersknotted onto string and stitched to cottonplain-weave cloth, camelid fiber plain-weaveupper tape; 81.3 x 223.5 cm; Andrew R. andMartha Holden Jennings Fund 2002.93

Rembrandt van Rijn(Dutch, 1606–1669).The Blindness of Tobit:The Large Plate,1651;etching and drypoint;15.8 x 12.9 cm;White and Boon 42,state I/II; Severanceand Greta MillikinFund 2002.10

Johann AntonRamboux (German,1790–1866). DoublePortrait of the BrothersKonrad and FranzEberhard, Painter andSculptor in Munich,1822; lithographprinted in black andgray; 31.7 x 34.2 cm;Winkler 2; Gift of ThePrint Club ofCleveland 2002.63

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Aside from the sparkling gleam of thecleaned and restored south facadeof the museum’s 1916 building, theclearest signal that the restoration ofthe original building’s exterior andterraces was nearing completion wasthe reappearance in May of Rodin’sfamiliar Thinker on a pedestal in frontof the south steps.

A close examination reveals a fewimprovements in the Thinker’s circum-stances. First, the black marble pedestalthat had been installed in the early1970s is gone, replaced by whitegranite to match the stonework of theterraces. A bomb detonated in 1970shattered the original concrete base,

and the new base was designed tocomplement the statue, which wasreturned to its place with the bomb’sdamage intact, evident in shards ofshredded bronze where the figure’s feetonce had been.

When the museum was consideringwhether to keep the black granite baseor build a new one, another issue thathad been debated in the aftermath ofthe bombing came up again. The Rodinestate had indicated in 1971 that themuseum could commission a new castof the Thinker from the same mold asthe original, provided the existing sculp-ture was destroyed. In 2002, as in1970, the decision was made to forgothis option, however. Rodin’s philosophywas that a sculpture changes with time,and that everything that happens to itbecomes a part of the work of art.

The new base is a 15,000-poundblock of solid marble. “It took a specialcrane to lower it into place and ourentire installation crew of 15 to level it,”recalls Randall Von Ryan, associatedirector of architecture and construction.“A monolithic block holds up muchbetter against the elements than some-thing constructed out of pieces of stone.Everything out there was built to last acouple hundred years.”

The sculpture was cleaned andtreated by museum conservators, aswere all the other outdoor pieces thatpopulate the south terrace. Some madebrief public appearances during the res-toration project as part of the exhibitionConserving the Past for the Future andin an Object in Focus show.

One improvement shows up onlyafter the sun goes down: unobtrusivelights installed flush with the pavingstones shine up on the Thinker, makinghis inspiring figure visible from acrossthe Fine Arts Lagoon, day or night.

The Return ofthe Thinker

Rodin’s The Thinkereases onto a newperch on the southterrace.

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Japan Society Gallery, New York; The BritishMuseum, LondonKazari: Decoration and Display in Japan, 15th–19th Centuries

Kimbell Art Museum, Fort Worth; Los AngelesCounty Museum of ArtBartolomé Esteban Murillo: Paintings fromAmerican Collections

Kyoto National Museum, Japan; StäelschesKunstinstitut, Frankfurt am MainRembrandt Rembrandt

Kyoto National Museum; Tokyo NationalMuseum (organizing institution)Sesshþ, Master of Ink and Brush: 500thAnniversary Exhibition

The Metropolitan Museum of Art, New York;Los Angeles County Museum of ArtThe Legacy of Genghis Khan: Courtly Art andCulture in Western Asia 1256–1353

Musée Fabré, Montpellier, France; Musée desBeaux-Arts, Rouen; Musée des Beaux-Arts,Lyon; Musée des Beaux-Arts, Rennes;Minneapolis Institute of Arts (organizinginstitution)Sacred Symbols: Four Thousand Years of NativeAmerican Art

Musea Antwerpen, Rubens House, AntwerpMarvels of Delight: Early Netherlandish Drawingsfrom Jan van Eyck to Hieronymus Bosch

Museé des Beaux-Arts, LyonL’Ecole de Barbizon

Museum of Contemporary Art, Los Angeles;San Francisco Museum of Modern Art;National Gallery of Art, WashingtonWillem de Kooning: Tracing the Figure

Naples Museum of Art, Florida; YaleUniversity Art Gallery, New HavenFrankenthaler: The Woodcuts

National Gallery of Art, WashingtonThe Flowering of Florence: Botanical Art for theMedici, 1550–1750

National Gallery of Art, Washington; DallasMuseum of Art (organizing institution); TheFrick Collection, New York; Centre de la Viellede Charité, Marseille, FranceAnne Vallayer-Coster: Still-Life Painting in theAge of Marie Antoinette

Nationalmuseum, Stockholm; Statens Museumfor Kunst, CopenhagenImpressionism, Post-Impressionism, and theNordic Countries

National Palace Museum, Taipei, Taiwan,ChinaArt under Emperor Ch’ien-lung

Palais des Beaux-Arts, Lille, France; FondationPierre Gianadda, Martigny, SwitzerlandRétrospective Berthe Morisot

Palazzo dei Diamante, Galleria d’ArteModerna e Contemporanea, Ferrara, Italy;Los Angeles County Museum of Art (co-organizers); Denver Art MuseumSargent and Italy

Palazzo Grassi, VeniceI Faraoni

LOANS TOOTHERINST ITUT IONS

Albright-Knox Art Gallery, Buffalo; KimbellArt Museum, Fort Worth; Los Angeles CountyMuseum of ArtModigliani and the Artists of Montparnasse

American Federation of Arts, New York andArthur M. Sackler Gallery, SmithsonianInstitution, Washington; Dallas Museum ofArt; The Cleveland Museum of ArtThe Sensuous and the Sacred: Chola Bronzes fromSouth India

Antikensammlung Berlin; Martin-Gropius-Bau, BerlinDie Griechische Klassik: Idee oder Wirklichkeit

The Baltimore Museum of Art; Saint Louis ArtMuseumPainted Prints: The Revelation of Color inNorthern Renaissance and Baroque Engravings,Etchings, and Woodcuts

Centre National d’Art et de Culture GeorgesPompidou, ParisLa Révolution Surréaliste

China Institute Gallery, New YorkCircles of Reflection: The Carter Collection ofChinese Bronze Mirrors

Dallas Museum of Art; Museum ofContemporary Art, Los Angeles; TheMetropolitan Museum of Art, New York;Museum of Contemporary Art ChicagoThomas Struth

Fogg Art Museum, Harvard University ArtMuseums, CambridgePoussin and 17th-Century French Painting

Fondation de l’Hermitage, LausanneL’Impressionisme Américain 1880–1915

Frederick R. Weisman Art Museum, Universityof Minnesota, Minneapolis; PennsylvaniaAcademy of the Fine Arts, PhiladelphiaOn the Edge of Your Seat: Popular Theatre andFilm in Early 20th-Century American Art

Freer Gallery of Art and Arthur M. SacklerGallery, Smithsonian Institution, Washington;Brooklyn Museum of Art; Victoria and AlbertMuseum, London; Museum Rietberg, ZurichThe Adventures of Hamza

The Frick Collection, New York; J. Paul GettyMuseum of Art, Los AngelesGreuze, The Draftsman

Fundacion Juan March, MadridGeorgia O’Keeffe: Naturalezas Intimas

The Governor’s Residence Foundation,Columbus, OhioLong-term loan to governor’s mansion

Groeningemuseum, Bruges, BelgiumJan van Eyck, Early Netherlandish Painting andthe South of Europe

Hallie Ford Museum of Art, Salem, Oregon;Boise Art Museum, IdahoIn the Fullness of Time: Masterpieces of EgyptianArt from American Collections

Hokkaido Museum of Modern Art, JapanVincent and Theo van Gogh

Isabella Stewart Gardner Museum, BostonCosmè Tura and Ferrara: Painting and Design inRenaissance Ferrara

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French Regional & AmericanMuseums Exchange

The American FRAME museums arethe Cleveland Museum of Art, DallasMuseum of Art, Fine Arts Museums ofSan Francisco, the Minneapolis Instituteof Arts, Portland Art Museum, SaintLouis Art Museum, Sterling & FrancineClark Art Institute, Virginia Museumof Fine Arts, and Yale University ArtGallery. French FRAME museums arethe Fine Arts Museums of Bordeaux,Grenoble, Lille, Lyon, Rennes, Rouen,and Strasbourg, plus the AugustinsMuseum, Toulouse, and the FabreMuseum, Montpellier.

In September, Cleveland Mayor JaneL. Campbell presided over a ceremonyhonoring the FRAME program. Attendeesincluded Elizabeth Rohatyn and repre-sentatives of French museums as wellas museum staff and members of themedia. During the last week in October,the museum played host to representa-tives from all the French and Americanmuseums and FRAME director FrançoiseCachin for a four-day conference.

The Phillips Collection, Washington; Museumof Fine Arts, HoustonOver the Line: The Art and Life of Jacob Lawrence

Royal Academy of Arts, LondonThe Aztecs

San Diego Museum of Art; El Paso Museum ofArt, TexasIdol of the Moderns: Pierre-Auguste Renoir andAmerican Painting

San Diego Museum of Art; Hood Museum ofArt, Hanover, New Hampshire (organizinginstitution)José Clemente Orozco in the United States, 1927–1934

Shimane Art Museum, Japan; The Museum ofFine Arts, Gifu, Japan (organizing institution)Odilon Redon—Le souci de l’absolu (Search for theAbsolute)

Sociedad Estetal para la Accion CulturalExterior, Madrid; Universidad de Salamanca,Escuelas Menores, SalamancaErasmus in Spain: Humanism in Spanish EarlyRenaissance

Tate Britain, LondonLucien Freud

Tate Britain, London; Pennsylvania Academyof the Fine Arts, Philadelphia; MinneapolisInstitute of ArtsAmerican Sublime

The Textile Museum, WashingtonThe Classical Tradition in Anatolian Carpets

Timken Museum of Art, San DiegoThe Portraits of Bartolomeo Veneto

University of Michigan Museum of Art, AnnArbor; Davis Museum and Cultural Center,Wellesley, MassachusettsWomen Who Ruled: Queens, Goddesses, Amazons,1500–1650

The Walters Art Museum, BaltimoreThe Book of Kings: Art, War, and the MorganLibrary’s Medieval Picture Bible

Western Reserve Historical Society, ClevelandJefferson in Paris: Fashion on the Eve of the FrenchRevolution

University of Salamanca, SpainErasmus in Spain: Humanism in Spanish EarlyRenaissance

In August, the museum was pleased tobe the first and only U.S. venue forRaphael and His Age: Drawings from thePalais des Beaux-Arts, Lille, which wason view August 25 to November 3. Theshow featured renowned drawings byRaphael, borrowed from one of themajor collections of drawings by theItalian Renaissance master.

This exhibition was the result of theFrench Regional & American MuseumsExchange (FRAME), an initiative ofElizabeth Rohatyn, wife of former U.S.ambassador to France Felix G. Rohatyn,and Françoise Cachin, former directorof French Museums. Founded in 1999,this consortium of nine American andnine French museums was created togenerate cooperative projects and opentheir outstanding collections to a widerpublic in the United States and Europe.Raphael and His Age was the first FRAME

exhibition at the Cleveland Museum ofArt; it will open at the Palais des Beaux-Arts in May 2003.

Mayor Jane L.Campbell presentsan official procla-mation from theCity of Cleveland toElizabeth Rohatyn inrecognition of theFRAME program.

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