advanced media product guide 2014

Advanced Media Trading LLC is one of the Middle East’s largest suppliers of broadcast, professional video and photography equipment and accessories. Headquartered and founded in Dubai, U.A.E in 2002, Advanced Media conducts business all over Middle East and North Africa and is engaged in every aspect of the broadcast, professional video and photography industry including sales, consultancy, installation, training,

service and maintenance.

Advanced Media’s showroom & o�ces are conveniently located at 4th �oor, Al Khaleej Center, Al Mankhoul Road, Bur Dubai. The showroom provides a ‘hands-on’ experience with the opportunity to test a wide range of products and associates are always on hand to o�er professional support and advice. Advanced Media deliver a ‘showroom’ shopping experience through their website, allowing customers to view and purchase a wide selection of products at their own convenience. Moreover, with a dedicated team of professional and certi�ed sta�, Advanced Media o�ers one of the best service centers in the Middle East for broadcast, professional

video and photo equipment and accessories.

أدفانسد ميديا هي احدى الرشكات الرائدة يف الرشق األوسط يف مجال تقديم الحلول

للمحطات التلفزيونية ولرشكات اإلنتاج التلفزيو� وجميع املتعامل� �عدات الصوت

والصورة، وذلك لتحقيق صورة أك� احرتافية باستخدام األدوات املبتكرة .

عن للباحث� مقصداً لتصبح ثابتة وبخطى ۲۰۰۲ عام تأسيسها منذ الرشكة انتقلت

معدات تصوير الفيديو أو التصوير الثابت، وعىل الدوام عمدنا لنقل املستجدات يف هذا

الحقل، ليجد الزائر لصالة العرض افكار جديدة ومتنوعة.

يتوزع إهت¼منا اآلن عىل تحديث وتطوير البيع عرب املوقع اإللكرتو� من خالل إضافة

كافة املعلومات الالزمة للحصول عىل تجربة مشابهة للرشاء من صالة العرض، باإلضافة

لتوسعة وتحديث مركز الصيانة والدعم الفني الذي أصبح وسيلة لتأكيد خدمة ما بعد

البيع وفق أعىل املعاير.

2

Contents

PhotographyDigital Camera 117

Studio Lighting 133Camera Flash 150

Lightmeter 153Tranceiver 154

Under Water Housing 184Professional Photo Supports 175

Studio Accessories 173Camera Cases 161

Heads 160Tripods 155

Lens 124

Broadcast & Professional VideoProfessional Video 4

Player / Recorder 13Memory Cards 18

Battery / Charger 19On - Camera Light 20

Optics 21Monitors 33

Heads 38Tripods 40

Camera Support System 44Chroma-key 67

Switchers / Mixers 68Teleprompter 73

Lighting 74Lighting Support 80

Professional Audio 87Interfaces 97

Video Routers 98Converters 100

Media Storage 101Software 104

Color Grading 105

Editing Solutions 107Workstations 106

On - Air 110Wireless Camera System 112

Up-Link / Wireless Video System 114

3

Professional Video

F65Super 35mm 8K CMOS sensor SRMASTER camera

Features:Super 35mm CMOS sensor with 20 Mega pixelsRobust upgrade path20 Megapixel image sensorAnamorphic excellence14 stops of latitudeHigh sensitivity, low noiseNatural color: S-GamutTaking controlRetaining maximum grayscaleACES color managementChoice of recording mode16-bit linear RAWSR File high de�nitionUp to 120 frames per secondRotary shutter optionFast, high-capacity SRMemory® cardsPL Lens mountThe Sony 4K universeSony cameras compared

PMW-F5Super 35mm 4K CMOS sensor compact CineAlta camera records HD/2Kon SxS memory plus 16-bit RAW 2K/4K output

Features:Super-sampling: Spectacular HD, 2K or 4K4K/2K RAW optionsVast exposure latitudeRetaining maximum grayscaleView�nders as revolutionary as the cameraModularity and versatilityChoice of recording formatsHigh speed: 240 fpsMore than just a pretty interfaceThe connections you needLong-life Olivine BatterySony’s 4K universeSony cameras comparedSony camera accessoriesConnectivity, �exibility and longer cables

PMW-F3KSuper 35mm Exmor CMOS sensor with 35mm, 50mm and 85mm lenses

Features:Exmor™ Super35 CMOS image sensorPL Mount Adapter for compatibility with 35mm Cine LensesSony F3 Original Mount for Zoom Lens23.98P Native Recording1920 x 1080 HD recording using the “MPEG-2 Long GOP” CodecMultiple-format recording - 1080/720 and Interlace/Progressive switchable operationSlow Shutter FunctionHigh-quality uncompressed audio recording(2) SxS Memory Card SlotGenlock and Timecode InterfaceExceptional work�ow �exibilityThe PMW-F3K uses XDCAM EX’s proven high-speed, intuitive work�ow o�ering seamless integration with leading nonlinear editing software. In addition, 10bit 4:2:2 HD-SDI output opens up hybrid recording possibilities with content simultaneously recorded on internal memory and, in uncompressed form, on a variety of external recording devices.

PMW-F55Super 35mm 4K CMOS sensor compact CineAlta camera records HD/2K/4K on SxS memory plus 16-bit RAW 2K/4K output

Features:Shoot spectacular HD, 2K or 4K4K on-board recording—and three other formats4K/2K RAW optionsElectronic frame image scanVast exposure latitudeS-Gamut color systemRetaining maximum grayscaleView�nders as revolutionary as the cameraModularity and versatilityHigh speed: 240 fpsMore than just a pretty interfaceReal-time 4K output and other vital connectionsLong-life Olivine BatterySony’s 4K universeSony cameras compared4K live production via �ber adapterSony camera accessoriesConnectivity, �exibility and longer cables

and 85mm lenses

Sony F3 Original Mount for Zoom Lens23.98P Native Recording

Codec

Slow Shutter Function

4

Professional Video

HSC-300RTThree 2/3-inch Power HAD FX CCD sensors portable HD / SD camera for digital triax operation and large lens optionsFeatures:Multi-format operationSophisticated 2/3-inch CCDsHigh-quality 16-bit A/D conversion and DSP LSIDigital Extender functionAuto Lens Aberration Compensation 2 (ALAC2) functionVersatile camera interfacesDigital triax operationLarge lens operationSimple and yet versatile system con�gurationPosition-adjustable shoulder padTwo types of Focus Assist functionsHD to SD down-converto HyperGamma

PMW-400K Three 2/3-inch type Exmor CMOS sensors with 16x zoom HD lens XDCAM camcorder recording Full HD 422 at 50 Mbps

PMW-400LThree 2/3-inch type Exmor CMOS sensors without lens XDCAM camcorder recording Full HD 422 at 50 Mbps

Key features: High sensitivity Full HD sensorsSupports all SD / HD 420 or SD / HD 422 on several types of memory cardsXAVC readyThe PMW-400K is future-proofed to support XAVC 10-bit HD422 recordings, including XAVC Intra frame 10-bit HD422 100Mbps and XAVC Long GOP 10-bit HD422 (low bit rate).Noise reductionHardware and software �ash band correctionWide gain selectionWiFi remoteHigh resolution 960 x 540 colour view�nderInterfaces include SD / HD-SDI and i.LinkDigital triax and �bre optional controlSupplied with 2/3-inch 16x zoom lensLow power consumption

HSC-100RTMultiformat Camera SystemFeatures:The HSC-100R is HD studio and system camera system that is equipped with three 2/3” CCD imagers and o�ers low-latency digital Triax transmission at 1080 @ 59.94i/50i and 720 @ 59.94P/50P.2/3” CCD imager16-bit A/D conversion and DSP LSI1.5G digital Triax operationVersatile system con�guration with HSCU-300RRobust magnesium-alloy casting bodyPosition-adjustable shoulder padFocus assist functionsHyperGamma

PMW-500Three 2/3-inch Power HAD FX CCD sensors XDCAM HD422 camcorder record ing full HD (plus SD option)

Features:2/3”-Type Power HAD CCDsXDCAM HD (MPEG-2 4:2:2 @ 50 Mb/s)Captures to SxS Memory CardRecords in UDF & FAT FormatsMXF or MP4 File WrappersHD/SD-SDISlow & Quick MotionPool Feed Input Recording50-Pin Rear InterfaceHypergamma

PMW-320K Three 1/2-inch type Exmor CMOS sensors XDCAM EX camcorder with 16x zoom HD lens recording full HD / SDThe PMW-320 o�ers all the advanced creative recording features of the PMW-EX1R compact camcorder, plus enhancements such as a Scene File System and 4 channel audio. The PMW-320L version is supplied without a lens to provide customers with more choice, while the PMW-320K version is supplied with a Fujinon HD lens.

Product Highlights3 1/2” Exmor CMOS SensorsFujinon 1/2” HD LensFull HD 1920 x 108023.98P Native RecordingHD/SD/DVCAM1080/720, Interlace/ProgressiveXDCAM EX Solid State Work�owUses SxS Memory CardsNTSC/PAL4-channel Audio

5

Professional Video

PMW-300K1 Three 1/2-inch Exmor™CMOS sensors semi-shoulder XDCAM camcorder with interchangeable 14x zoom HD lens system recording Full HD 422 at 50 Mbps

PMW-300K2 Three 1/2-inch Exmor™ CMOS sensors semi-shoulder XDCAM camcorder with interchangeable 16x zoom HD lens system recording Full HD 422 at 50 Mbps

The PMW-300K1 XDCAM HD Camcorder from Sony is designed to meet the demands of �eld video productions and professional studio applications. It is Sony’s �rst semi-shoulder mount camcorder to combine the low-light capabilities of three, 1/2” Exmor Full HD CMOS sensors with the broadcast-quality, Full HD MPEG HD422 codec.

Features:1/2” Exmor Full HD 3CMOS SensorMPEG HD422 at 50MbpsInterchangeable Lens Mount System3.5” 960 x 540 Color LCD View�nderDual ExpressCard/34 SxS Memory SlotsSD/HD-SDI & HDMI OutputsFour Channels of 24-bit 48kHz AudioSemi-Shoulder Mount DesignTimecode, Genlock, USB 2.0 Interfaces

PMW-150Three 1/3-inch Exmor CMOS sensors compact XDCAM camcorder recording Full HD 422 at 50 Mbps

Features:Three 1/3” Exmor CMOS SensorsSony 20x Power Zoom LensXDCAM HD422 Format at 50MbpsArticulated LCD with 852x480 ResolutionDVCAM for SD Recording and PlaybackTwo SxS Memory Card SlotsPlay and Record UDF and FAT CardsBuilt-in ND Filters (1/4, 1/16, 1/64)Signal-to-Noise Ratio 54 dBWi-Fi Remote Capability

PMW-100One 1/3” Exmor CMOS XDCAM HD422 Handy Camcorde

Features:1/2.9” CMOS Sensor (1920 x 1080)XDCAM 422 MPEG-2 Codec at 50 Mb/s10x Zoom Lens - 40-400mm (35mm Equiv)3.5” LCD Screen (852 x 480 Pixels)HD-SDI & HDMI OutputsDual XLR Inputs / Timecode & Genlock I/ODual ExpressCard SxS Card SlotsCompatible with XDCAM Disc & EX FormatsDVCAM RecordingLess Than 1.8 Kg with Battery & Card

PMW-200Three 1/2-inchExmorCMOS sensors XDCAM camcorder recording Full HD 422 at 50 Mbps

:Product HighlightsThree 1/2” Exmor CMOS SensorsMPEG HD422 at 50 MbpsHD422 1080p at 24 & 30 fpsHD422 720p at 24, 30 & 60 fpsFujinon Lens with 14x Zoom RatioFour Channels of 16-bit AudioArticulated LCD with 852x480 ResolutionTimecode & Genlock InputCache Recording Up to 15 SecondsDual ExpressCard SxS Memory Card Slots

The PMW-200 is equipped with three 1/2” Full HD 1920 x 1080 Exmor CMOS sensors, which support 1000 TV1 high resolution, F11 (2000 lx) high sensitivity, low 56dB noise and a wide dynamic range. It works for SD/HD recording and features a 14x zoom lens with a unique focus ring mechanism.

NEX-FS700 RH/E4K Super 35mm Exmor CMOS sensor NXCAM camcorder with 11x Zoom E-Mount lens and 4K/2K RAW recording optionsFeatures:4K Exmor Super 35mm CMOS SensorCapture 1920 x 1080/60p AVCHD Video4K/2K 12-Bit RAW to AXS-R5 Recorder18-200mm f/3.5-6.3 PZ OSS E-mount LensUp to 960 fps Super Slow MotionCineGamma Curves Including S-Log2ISO 320 to 64,0003.5” LCD Screen with VF AttachmentDual XLR, HDMI & 3G/HD-SDI ConnectivitySD/SDHC/SDXC and Memory Stick Duo Slots

6

Professional Video

NEX-FS100PKNXCAM Super 35mm Sensor Camcorder

Features:Includes 18-200mm Zoom LensExmor Super35 CMOS SensorE-Mount Interchangeable Lens SystemUncompressed 4:2:2 & RGB Output via HDMINXCAM Recording Format (AVCHD)Embedded Timecode3.5” XtraFine LCD Screen1920 x 1080p Slow & Quick MotionDual XLR AudioMemory Stick, SD/SDHC/SDXC Recording

HVR-Z7E1/3-inch typr 3 ClearVid CMOS sensor with Exmor technology HDV camcorder with interchangeable lens system recording HD / SD

Features:Switchable Recording and Playback- HDV1080i/DVCAM/DVBuilt-in Down-converter for SD Production1/3-inch type 3 ClearVid CMOS Sensor SystemEnhanced Functionality via the Technology of “Exmor”Wide Range of Lenses25p HDV Native Progressive Recording Modes25p Progressive Scan ModesA streamlined nonlinear editing work�ow for HDV

NEX-EA50EHNXCAM Large Format Sensor camcorder with E-mount lens system

Features:Includes 18-200mm Servo Zoom LensRecords Full HD 1080p up to 60 fpsExmor APS-C CMOS SensorLossless Digital Zoom E�ectAccepts E-mount LensesTwo XLR Audio InputsSD/MS Memory Card SlotFMU Slot for Flash Memory UnitStill Photographs at 16 MegapixelsHot Shoe for Traditional Flash Units

HVR-Z5E 1/3-inch type 3 ClearVid CMOS sensor HDV camcorder recording HD / SD

Features:3CMOS ClearVid Exmor SensorsminiDV Cassette1080p25p20x G-LensDual Record with 1.2MP Still CaptureHDV/DV SwitchableDual-Record ModeThe Sony HVR-Z5P Professional HDV PAL Camcorder is the highly-anticipated successor to the acclaimed HVR-Z1P. The camera improves upon its predecessor in a variety of areas, including overall performance and range of features.

HVR-S270EThe Sony HVR-S270P 1080i HDV PAL Camcorder is a PAL-system HDV camcorder designed for ENG applications. This high-quality, cost-e�ective camera incorporates all the bene�ts of HDV technology, while also taking advantage of standard-size MiniDV tapes for increased runtimes.

Features:1/3” Exmor 3CMOS SensorsZeiss 12x Interchangeable Zoom1080i, 25pHD-SDI, HDMIRecords to MiniDV & CompactFlashSolid State Memory Recording Unit

HXR-NX5EThree 1/3-inch Exmor CMOS sensors NXCAM AVCHD camcorder with GPS recording full HD / SD

Features:3 1/3” CMOS Sensors1080i/1080p/720p AVCHD (@24Mbps)Wide Angle 20x G-LensHD-SDI & HDMI OutputSMPTE Time Code In/OutDual XLR InputsSimultaneous HD/MPEG-2 SD CaptureUses Memory Stick PRO Duo / SDHC CardsBuilt-in GPS

7

Professional Video

HXR-NX3EThree 1/2.8-inch Exmor CMOS sensors Full HD AVCHD camcorder with 35mm full-frame format equivalent Sony G lens and 40x zoom with Clear Image Zoom

Features:Original Sony lens, sensor, and LSI technology for impressive imagery40x Clear Image Zoom (20x optical zoom and 2x Clear Image Zoom)AVCHD 2.0 (1080/50p) and DV recordingsSlow & Quick MotionDual media slots, Simul or Relay recording, and independent record controlWiFi/NFC (Near Field Communication) with PlayMemories™ Mobile remote controlTimecode and HDMI embedded timecode output

HXR-MC1500P Shoulder Mount AVCHD PAL Camcorder

Features:1/4” Exmor R CMOS Image SensorFast f/1.8-3.4 Lens with 12x Zoom RatioHD 1080/50i and 720/50p Resolution64GB of Internal MemoryMemory Stick and SD/SDHC/SDXC SlotAVCHD Compression FormatUser Con�gurable Manual Lens RingOptical SteadyShot with Active ModeMPEG-2 for SD Recording FormatDVDirect and Direct Copy

HXR-NX70PCompact Dust and Rain-proof Camcorder with 1/2.88-in Exmor R™ CMOS Sensor

Features:Rain & Dust ResistantFull HD 1920 x 1080 50/25pAVCHD Recording at 28MbpsUltra Wide 26.3mm Sony G LensBuilt-in 96GB Flash MemoryUses Memory Stick or SD CardsXtraFine 3.5” Touchscreen LCDAssignable Lens RingDetachable Handle with Dual XLR InputInfrared NightShot

HVR-HD1000E Features:1080iMiniDV CompatibleCMOS SensorPhoto ModeThe Sony HVR-HD1000P Digital High De�nition HDV PAL Camcorder is a PAL HDV camcorder speci�cally designed for videographers looking for an a�ordable shoulder-mounted camera. Ideal for event work and wedding videography, the camera is equipped with a ClearVid CMOS sensor, capable of recording 1080i high de�nition footage on a standard MiniDV tape! Additionally, the HVR-HD1000P comes �tted with a 10x Carl Zeiss Vario-Sonnar lens with Super SteadyShotTM image stabilization, ensuring operators get the perfect shot every time.

HXR-NX30P1/2.88-inch Exmor R CMOS sensor ultra-compact NXCAM camcorder recording full HD with Balanced Optical SteadyShot™

Features:1/2.88” ExmorR CMOS Image SensorUltra-Wide Zeiss 10x Optical Zoom LensShoots AVCHD Up to 1080/50p at 28 MbpsBalanced Optical SteadyShot StabilizerIntegrated View�nder & 3.0” LCD MonitorCapture Stills While Shooting Video2 x XLR Inputs & Pro Audio ControlsBuilt-In 96GB Flash Memory CapacitySD and Memory Stick Pro Duo Card SlotBuilt-In Projector & Built in Stereo MicPalm-sized camcorder with outstanding picture qualityAdvanced image stabilisation.

DSR-PD175PThree 1/3-inch Exmor ClearVid CMOS sensors 16:9/4:3 DVCAM camcorder

Features:DVCAM/DV Selectable RecordingProgressive Scan ModeSony’s Exclusive High-performance G LensNatural-touch Lens OperationCutting-edge Imaging System With Exmor TechnologyPicture Pro�leSmooth Slow RecShot Transition FunctionAssignable FeaturesXtraFine LCD PanelVersatile Audio Input Selection

8

Professional Video

FDR-AX1Digital 4K Video Camera Recorder

Features:Record 4K 3840 x 2160p Video at 60 fps1/2.3” Exmor R 8.3MP CMOS Image SensorSony G Lens with 20x Optical ZoomBuilt-In Microphone & Dual Pro XLR JacksDual XQD Card Slots for 4K RecordingXAVC-S Format for 150 Mbps 4K RecordingThree ND Filters & Five Paint FunctionsIndependent Zoom, Focus & Iris RingsSeven Assignable Buttons & HDMI OutputSupports TRILUMINOS Color Technology

Tell your story in four times the resolution of Full HD with the 4K camera that’s made for

NEX-VG30EHInterchangeable Lens HD Camcorder and Lens

Features:Sony 18-200mm f/3.5-6.3 Power Zoom LensExmor APS-C Sized 16.1MP CMOS SensorDirect Power Zoom with Variable SpeedXGA OLED Tru-Finder EVF with Eye SensorQuad Capsule Spatial Array MicrophoneMicrophone Jack with Audio Level ControlVegas Movie Studio Platinum 12 DownloadHigh Res 16MP RAW and JPEG Stills @ 6fpsCompatible with Sony E-Mount LensesComprehensive Manual Controls

NEX-VG900E Full-Frame Interchangeable Lens Camcorder

Features:24.3MP FullFrame 35mm Exmor CMOS SensorE-Mount Lens CompatibilityA-Mount Lens Compatibility via AdapterQuad Capsule Microphone & 5.1 SoundTru-Finder OLED Electronic View�nderCinematone Gamma / ColorPicture E�ect ModesSeesaw Lever Smooth ZoomUncompressed 1080 HDMI Output

Includes adapter for more lens options.

9

Professional Video

EOS-1D CCinema EOS Camera Features:18.1Mp CMOS Sensor4K Cinematic Quality Video1920 x 1080 Full HD VideoDual DIGIC 5+ Image Processors3.2” LCD ScreenEye-Level Pentaprism View�nderDual CF Card Recording MediaCanon EF Lens MountMagnesium Alloy Body61-Point High Density Auto Focus

The Canon EOS-1D C represents a breakthrough in cinematography in a DSLR speci�cally designed for video, that is incredibly �exible, rugged and compact.

XF105High De�nition Camcorder

Features:1/3” CMOS Sensor50Mbps MPEG-2 Recording4:2:2 Color Sampling60p/60i, 30p, 24pMXF File FormatDual CF Card Slots10x HD Zoom LensMultiple Bit Rates & ResolutionsDual XLR InputsHD/SD-SDI, SMPTE Time Code, Genlock

Compact in size, light weight and fully featured, the Canon XF105 Professional Camcorder can be tailored to �t a wide range of individual needs.

EOS C100Cinema EOS Camera

Features:Super 35mm 8.3MP CMOS SensorEF Lens Mount with EF ContactsHDMI Outputs a Non-Compression SignalDual SDHC/SDXC Memory Card SlotsISO 320 and up to ISO 20000Wide DR and Canon Log GammaReduced Rolling Shutter SkewsBuilt-in ND Filters with Manual ControlsTwo XLR Audio ConnectorsPeripheral Illumination Correction

EOS C500 / EOS C500 PLCinema EOS Camera

Features:4K RAW (4096 x 2160) OutputEF / PL Lens Mount for Broad Compatibility8.8 Mp Super 35mm-Size CMOS SensorAlso Puts Out 2K, Quad HD & Full HD2x 3G-SDI Outputs50 Mb/s Proxy HD Recording to CF Card10-Bit 4K RAW at Up to 60p10-Bit 4K Half RAW at Up to 120p12-Bit 2K 4:4:4 Signal at Up to 60pCanon Log Gamma

XF305High De�nition Camcorder

Features:3 Native 1920 x 1080 CMOS Sensors50Mbps MPEG-2 Recording4:2:2 Color Sampling60p, 60i, 30p, 24pMXF File FormatDual CF Card Slots18x HD L-Series ZoomMultiple Bit Rates, ResolutionsDual XLR InputsHD/SD-SDI, SMPTE Time Code, Genlock

EOS C300 / EOS C300 PLCinema EOS Camera

Features:Super 35mm-Size CMOS SensorEF / PL Lens Mount for Broad CompatibilityCanon XF Codec - 4:2:2 50 Mb/s MPEG-21920 x 1080i60 & True 24p RecordingRotating 4”, 1.23 Mp LCD MonitorHD-SDI Output, XLR InputsDual CF Card SlotsTimecode I/O, Genlock In & Sync OutCanon Log GammaModular Design: Removable Grip & Monitor

11

Professional Video

Blackmagic Design Cinema CameraHigh De�nition Camcorder Features:2.5K Image Sensor12-bit RAW, ProRes and DNxHD Formats13 Stops of Dynamic Range23.98, 24, 25, 29.97, 30p Frame RatesMFT Lens MountLCD Touchscreen with Metadata EntrySDI Video Output and Thunderbolt PortMic/Line Audio InputsRecords to Removable SSD DrivesIncludes DaVinci Resolve and UltraScope

Blackmagic Production Camera 4KWorld’s most portable 4K digital �lm camera! Features:4K Super 35mm Sensor with Global ShutterCanon EF Compatible Lens MountRecords 4K (3840x2160) & HD (1920x1080)Compressed CinemaDNG RAWApple ProRes 422 (HQ)Built-in SSD Recorder12 Stops of Dynamic Range6G-SDI Output for Ultra HD via One Cable5” Touchscreen LCD (800x480 Resolution)Includes DaVinci Resolve and UltraScope

Built-in SSD RecorderBlackmagic Cinema Camera features a built-in SSD recorder that allows 2.5K uncompressed CinemaDNG RAW 12-bit capture as well as Apple ProRes and Avid DNxHD compressed video formats. All �le formats are open standard and used by NLE software so you get the only camera designed from the ground up to be part of a whole post production work�ow! When you’ve �nished shooting, simply connect the SSD to your computer and edit or color your shots straight from the disk!

Available in Two Models- Blackmagic Cinema Camera EFChoose Blackmagic Cinema Camera EF for compatibility with a wide range of Canon EF and Zeiss ZE mount lenses. The EF mount model includes an electronic connection to the lens so you can control features such as iris accurately

- Blackmagic Cinema Camera MFTChoose the Blackmagic Cinema Camera MFT model when you want to take advantage of a wide range of Passive Micro Four Thirds manually operated lenses and adapters for other lens mounts such as PL mount via third party adapters.

Blackmagic Pocket Cinema CameraA true Super 16 digital �lm camerathat’s small enough to take anywhere!

Features:Super 16mm Sized Image SensorActive Micro Four Thirds Lens Mount13 Stops of Dynamic RangeRecords Full HD 1920x1080 CinemaDNG RAWApple ProRes 422 (HQ) at 220 MbpsPortable Design (5” Long and 12.5 oz)3.5” LCD Display with 800x480 ResolutionUses SDXC and SDHC Memory CardsEN-EL20 Compatible Rechargeable BatteryHDMI, LANC, 3.5mm Audio Input and Output

12

Player / Recorder

HDW-2000 HDCAM Studio Editing Recorder

Features:HDCAM native recording and playbackSupports 1080/59.94i, 23.98 PsF, 24 PsF, 29.97PsF, 50i, 25PsF and 1035/59.94iMulti-format playback of Digital Betacam, MPEG IMX, Betacam SX, Betacam SP and BetacamBuilt-in up-conversion and down-conversionMetadata handlingDolby-E, AC-3 compatibilityCompact Body, 4RU height and low power consumptionDynamic Motion Control (DMC)Pre-read editingStandard line conversion 1035/1080Records UMID (Unique Material Identi�er Data) as part of the Metadata stream

PMW-50 Dual SxS PRO rugged, portable deck

Features:Compact SxS portable playback/recording unit3.5-inch displayCompliant with the most popular video formats.The PMW-50 supports all formats, from XDCAM EX family and XDCAM HD422 as standard. (UDF & FAT 32 format HD422/420 & DVCAM). The unit is .MXF and .MP4 �les compliant, o�ering �exibility for broadcast and corporate operations.Direct recording on SxS cards via HD/SD-SDI inputsSD, MS , XQD cards and SxS Media supportMultiple inputs and outputsThe PMW-50 features HD/SD-SDI inputs along with a variety of outputs: analogue composite, HD/SD-SDI, HDMI, analogue audio, headphone, iLink and USB.

HDW-D1800 HDCAM recorder with CineAlta 24P record feature and MPEG IMX and Digital Betacam playback

Features:HDCAM recording and playbackSelectable frame ratesThe HDW-D1800 can record and replay at 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/23.98P and 1080/24P.Compatible replay of standard de�nition digital cassettesBuilt-in up and down convertersThe HDW-D1800 has a built in HD to SD downconverter and a built-in SD to Optional 1080/50i to 720/50P converterNew control panel with built-in LCD displayEditing via 9-pin remote controlBroadcast quality slow motionHigh quality picture search and jog Optional HDV input via i.LINKCompact chassisSurround sound.

HVR-M35E HDV compact recorder with native progressive recordingFeatures:HD/SD-SDI OutputMulti-format Playback/Recording CapabilityHDV1080i: 60i/50i/24p/30p/25pDVCAM/DV: 60i/50i* No i.LINK output for HDV720pDual-size Cassette MechanismFour Channel Audio Data PlaybackDown-conversion CapabilitiesHDV/DV IN TC2.7-inch LCD MonitorEdge Crop AdjustCustom Repeat

PMW-1000 Compact HD/SD SxS memory recording deck

Features:Record and playback on SxS memory cardsEnhanced XDCAM HD422 work�ow even in linear operationSupports network and non-linear operationsRecords XDCAM HD422 and HD420 at 50/35/25 MbpsXAVC HD recordings support PMW-F55 and PMW-F5 camerasSmooth SD to HD migrationReduction of storage costsCompact size unitBattery powered operationLower power consumption means long operating time.

HVR-1500 Digital HD Video Tape RecorderFeatures:Switchable Recording - HDV 1080i/ DVCAM/DV and 60i/50iPlayback Compatibility with DV (25 Mb/s) Family FormatsLong Recording TimeDown-conversion CapabilityHD-SDI InterfaceSD-SDI InterfaceAES/EBU Interfacei.LINK InterfaceAnalogue InterfacesRS-422A ControlHD and SD Reference InputsTime Code Input/OutputBuilt-in Signal GeneratorTape and Head Cleaner for Reliable OperationBuilt-in 2.7-inch LCD MonitorDigital Slow Motion and Jog Sound (in DVCAM mode)Audio Level Control

13

Player / Recorder

The Sony AXS-R5 Recorder enables 16-bit RAW 4K and 2K video recording on the PMW-F55 and PMW-F5 CineAlta cameras. With its “bolt-on” design, the recorder attaches to the rear of the camera for a sleek, tightly integrated form factor. Users can simultaneously record RAW �les to the AXS-R5 recorder and 2K/HD with the camera’s built-in recorder. You get matching time code, start frame, stop frame, �le names and other metadata for seamless conforming in post.

Sony AXS-CR1Compact card reader for AXS mediaWith USB 3.0 interface for easy read-only accessThe a�ordable AXS-CR1 AXS media reader makes it easy to input 4K RAW and 2K RAW �les at high speed on to a PC/Mac with a USB 3.0 interface. Users can transfer 4K RAW data recorded at up to 60 fps and 2K RAW at up to 240 fps. View RAW �les on PC/Mac Once on a PC, the RAW �les can be screened using Sony’s free RAW Viewer software. The AXS-CR1 is designed to read sleek, high capacity AXSM™ memory cards as used by the AXS-R5 recorder working with PMW-F55 and PMW-F5 camcorders.

Sony AXS-R5 RecorderFeatures:Enables 16-bit 4K and 2K RAW Recording“Bolt-Onto” PMW-F55 and F5 CamerasFacilitates “O�-Line/On-Line” Work�owsSupports High Speed Frame RatesUses AXSM Memory Cards

Sony XQD Card Reader Features:Transfers Data From XQD Card To PCData Transfer Speed: Up To 5.0 GbpsUSB 2.0 / 3.0 Compatible

The Sony XQD Card Reader enables you to quickly and easily transfer large amounts of data, such as RAW photos, from your Sony XQD memory card to your computer. This provides you with an e�cient work�ow. Enjoy blazing-fast data transfer speeds of up to 5.0 Gbps with SuperSpeed USB 3.0! The reader is also USB 2.0 compatible.

Sony 32GB QDN32/T XQD N Series Memory Card32GB Storage CapacityUp to 125 MB/s Data Read Speeds4k CompatibleEnhanced File SupportIncludes File Rescue SoftwareThe 32GB QDN32/T XQD N Series Memory Card from Sony features a 32GB storage capacity perfect for recording 4k quality video content, capturing hi-res photos, and more.

Sony 64GB QDS64/T XQD S Series Memory Card64GB Storage CapacityUp to 180 MB/s Data Transfer Speeds4k CompatibleEnhanced File SupportIncludes File Rescue SoftwareThe 64GB QDS64/T XQD Memory Card from Sony features a 64GB storage capacity perfect for recording 4k quality video content, capturing hi-res photos and more.

Sony 64GB QDN64/T XQD N Series Memory Card64GB Storage CapacityUp to 125 MB/s Data Read Speeds4k CompatibleEnhanced File SupportIncludes File Rescue SoftwareThe 64GB QDN64/T XQD N Series Memory Card from Sony features a 64GB storage capacity perfect for recording 4k quality video content, capturing hi-res photos, and more.

Sony 32GB XQD Memory Card S Series32GB Data Storage CapacityMax. Read / Write Speed: 168MB/sContinuous RAW Shooting up to 108 FramesThe Sony 32GB XQD Memory Card S Series is a high-speed, high-performance �ash memory card. Not only does it outpace traditional CompactFlash (CF) cards--even UDMA 7 compliant cards--it improves upon the H Series XQD card with an increased read/write speed of up to 168MB/s.

14

Player / Recorder

Highly portable tape replacement.

Features:The original ProRes recorderUnify formats - speed work�owsRS-422 Control10-bit, full raster recordingConnectivityKi Pro’s extensive connectivity ensures that you will be able to interface with virtually any gear in your production work�ow.Reliable storage mediaRemote con�guration and operationFamiliar controls and operationAutomatic Camera ControlEthernet �le transfer

4K/Quad HD/2K/HD Solid State Recorder.

Features:4K/Quad HD/2K/HD Solid State Video RecorderSupports 10-bit 4:4:4 and 10-bit 4:2:2RAW supportDebayer and ProRes encode to on-board SSDRealtime pass-through of RAW data via Thunderbolt™Uncompressed and debayered 4K monitoring outputDedicated HD monitoring via SDI and HDMIRecord to edit-friendly 4K, 2K, or HD ProRes �les on remov-able AJA Pak mediaO�oad ProRes �les to your non-linear edit system via AJA Pak Dock

From Lens to Post. In a Flash.Features:The fastest path from camera to editorialDesigned to mount easily to virtually any SDI or HDMI equipped video camera, Ki Pro Mini connects directly to your camera’s digital output and captures full quality footage to Compact Flash (CF) media in Apple ProRes 422 or Avid DNxHD formats.10-bit, full raster recordingApple ProRes and Avid DNxHDFamiliar controls and operationPlayback and edit on-setBroadcast-quality video and audio I/ORemote con�guration and operationAutomatic Camera Control

HyperDeck ShuttleThe world’s smallest uncompressed video recorder!

Features:Uses Most 2.5” SATA SSD DrivesRecords Avid DNxHD 200x 10-Bit CodecRecords Uncompressed HD QuickTime FilesHDMI & SD/HD/3G-SDI Input & OutputInternal Battery, 12V Power InputSimple Front Panel Playback ControlsMercury EXTREME PRO 6G SSD523 MB/s Sustained Write Speed

HyperDeck Shuttle bypasses your camera’s compression and records from SDI and HDMI direct into the highest quality video possible! SSDs are cheap and fast, so you can edit directly from the SSD media itself.

HyperDeck Shuttle dramatically improves the quality of vid-eo cameras and is the perfect portable �eld recorder for live production switchers! It’s also the ultimate solution for digital signage. HyperDeck Shuttle gives you the quality and �ex-ibility of compressed ProRes or DNxHD and uncompressed recording direct to common low cost SSDs in the smallest possible size! HyperDeck Shuttle is compact, a�ordable and battery powered so it’s perfect as a �eld recorder.

The ultimate tape alternative.

Features:1/3” CMOS SensorTransition to �le-based work�owsUnify formats - speed work�owsAJA’s high-quality up/down/cross-conversion makes it easy to unify SD, 720p, and 1080i and create a single desired format for your project.10-bit, 4:2:2 full raster recordingRS-422 ControlFamiliar controls and operationAutomationProfessional connectionsThe rear connections include SDI, HDMI, component analog, AES and analog XLR balanced audio, LTC, RS-422 and LAN.Ethernet �le transfer

15

Player / Recorder

HyperDeck Studio ProProfessional broadcast decks that use fast solid state disks

HyperDeck Studio Pro records 4:2:2 SD/HD and 2K, all in full uncompressed quality. Use ProRes or DNxHD compression for high quality HD video in �le sizes that provide 5 times longer recording. HyperDeck Studio Pro features 3Gb/s SDI, HDMI and analog component connections, plus professional XLR audio and built-in Thunderbolt connectivity. It includes a built-in power supply for convenience and the 1 rack unit size �ts easily into any studio or portable rack!Industry Standard FormatsCreate �les that are perfect for any broadcast and post pro-duction work�ow! HyperDeck Studio’s uncompressed video �les are recorded in QuickTime format to provide universal compatibility with leading video software. Both HyperDeck Studio models also support Apple ProRes and Avid DNxHD industry standard �le compression so you can record directly to your preferred video format. DNxHD and ProRes provide 5 times longer recording than uncompressed HD video, while maintaining 10-bit color.

HyperDeck StudioProfessional broadcast decks that use fast solid state disks

HyperDeck Studio disk recorders let you record the highest quality uncompressed and compressed ProRes and DNxHD video formats using fast 2.5” SSDs. Designed with familiar VTR controls, HyperDeck Studio includes innovative features that extend beyond the capabilities of traditional decks. Dual SSD slots let you record continuously, when one disk is full recording automatically continues on the next SSD. You can mount an SSD recorded using HyperDeck Studio on to any computer to access your �les, so you don’t need multiple decks to work with your media! There are two great Hyper-Deck Studio models to choose from.

Odyssey7QOLED Monitor and Professional Recorder

Features:7.7” 1280x800 Monitor w/ 3400:1 ContrastUpgradeable to High-Speed RAW RecorderCompressed DNxHD IncludedVectorscope, Waveform, RGB Parade, Etc.2 SDI In, 2 Out, 2 Bi-Directional, HDMIQuad Streaming, Monitoring and Recording8-Channel 48 KHz, 24-Bit Embedded AudioTouchscreen Interface / 2 Function KeysARRI, Canon, Sony LUT Support2 Slots for 2.5” Convergent Design SSDs

ARRIRAW \\ CANON C500 4K RAW \\ SONY FS700 RAW \\ 2K RAW \\ MULTI-STREAM HD

Odyssey7 RAW Monitor & Recorder

Features:7.7” 1280x800 Monitor w/ 3400:1 ContrastCompressed DNxHD IncludedVectorscope, Waveform, RGB Parade, Etc.SDI and HDMI Input / Output2-Channel 48 kHz, 24-Bit Embedded AudioTouchscreen InterfaceTwo Mechanical Function KeysARRI, Canon, Sony LUT Support2 Slots for 2.5” Convergent Design SSDsRemotely Operable via iPhone and Android

nano FlashnanoFlash is the world’s smallest, lightest, lowest-power, professional HD/SD recorder/player.

Features:Upgrade the video/audio quality of your existing camera: 4:2:0 to 4:2:2 (color)1440x1080 to 1920x1080 (full-raster)25/35 Mbps to 50/100/140/160/220 Mbps (bit-rate)Compressed 16-bit audioto Uncompressed 24-bit audioPortable HD/SD recorder for switcher outputReal-time DVD / Blu-Ray Encoding (.mpg �le)Field-proven in extreme locations: high/low temps, altitude, underwater, etc. Works with most cameras (HD-SD/SDI or HDMI output and compatible format)

16

Player / Recorder

NINJA-Blade HDMI On-Camera Monitor & Recorder

Features:1280 x 720 On-Camera Monitor & Recorder5” IPS/325 DPI Touchscreen DisplayWaveform, Vectorscope, Focus PeakingRecords 1080p, 10-bit, 4:2:2ProRes or DNxHD Encoding and PlaybackHDMI Input and Loop-OutputRecords to 2.5” HDDs/SSDsCut and Tag Editing Tool

The new Ninja Blade o�ers a stunning 1280 x 720 5” SuperAtom IPS touchscreen, at 325ppi 179-degree viewing, 400nit brightness and multi-frequency (48/50/60Hz) operation, you can expect crisp, super smooth monitoring and playback.

The Ninja Blade is the world’s most advanced smart production recorder, monitor and playback deck. Every part of its physical and operational design has been carefully crafted to deliver the ultimate in simple operation and mission critical reliability. The Blade combines multiple devices – external monitor, capture card, playback deck and cut edit suite – into a single a�ordable tool. It’s lightweight, tough and robust for operation in the �eld.

SAMURAI BLADE Camera-Mounted Recorder, Waveform monitor & Deck for HDMI CamerasFeatures:1280 x 720 On-Camera Monitor & Recorder325 DPIRecords 1080p, 10-bit, 4:2:2 from SensorProRes or DNxHD Encoding and Playback5” IPS Capacitive Touchscreen DisplaySDI Input and Loop-OutputHDMI Input via Optional Atomos ConverterStores to 2.5” HDDs/SSDsSupports ARRI and RED for MonitoringCut and Tag Editing ToolThe Atomos Samurai Blade 5” SDI Monitor & Recorder features a 1280 x 720 resolution monitoring display, substantially better than that of the original Samurai’s. Like the original, Blade can record up to 1080/30p/60i resolution directly from your camera’s sensor to an HDD or SSD in Apple’s ProRes or Avid’s DNxHD edit-ready codecs. Color precision records at a high 10-bit, even from an 8-bit sensor, and color sampling at 4:2:2.

SanDisk Extreme II Internal SSD (240GB)

240GB Storage CapacityVariable Read Speed Up To 550 MB/sRandom Read/Write Up to 95K/78K IOPSNo Moving PartsLow Power ConsumptionQuiet OperationFaster Boot and Load TimesSolid State Design Resists Data LossCompatible with SATA 1.5/3/6 Gb/s

SanDisk Extreme II Internal SSD (480GB)

480GB Storage CapacityVariable Read Speed Up To 545 MB/sRandom Read/Write Up to 95K/78K IOPSNo Moving PartsLow Power ConsumptionFaster Boot and Load TimesSolid State Design Resists Data LossCompatible with SATA 1.5/3/6 Gb/sA solid-state drive designed for replacing the conventional hard drive in your laptop or desktop computer.

HARD DRIVE DOCK 3.0

Easy to use, easy to install docking station for all internal 2.5” and 3.5” SATA hard drives. Fast and safe way to use your internal drive as an external USB 3.0 hard drive, without having to open your computer or an external enclosure. USB 3.0 interface, providing fast data transfer speeds. Prefectly suited for both professional and home use.

SBAC-US20SxS PRO solid state memory USB 3.0 & 2.0 reader/writer

Easy high speed transfers from SxS PRO cardsThe SBAC-US20 SxS PRO memory card reader/writer works on both Windows-based PCs and Macintosh computers via a USB 3.0 interface for high-speed transfer of audio-visual material. The reader is also compatible

with a USB 2.0 interface. This compact and portable device comes in handy in many situations on location, for desktop browsing and fully-�edged editing.

SxS PRO+ Memory Card

Features:128 / 64 GB CapacityMax. Read Speed: 1.6GbpsMax. Write Speed: 1.5GbpsOptimized for 4K Video CaptureUp to 400 min Recording TimeFits into ExpressCard SlotFor XDCAM or XDCAM EX Camcorders

SxS-1 Memory Card 32/64

Features:64 / 32 GB Data Storage CapacityMax. Read Speed: 1.2GbpsExpressCard Compliant

17

Memory Cards

SanDisk Extreme CompactFlash Memory CardsUDMA-enabled, with exceptional Full HD** video captureUp to 60MB/s** write speed for premium shot-to-shot performanceCapacities up to 64GB** accommodate high-volume �le formatsIdeal for HD camcorders and DSLR cameras

64GB Extreme Pro CompactFlash Memory Card64GB Storage CapacityOptimized for 4K Video RecordingUp to 160MB/s Read SpeedUp to 150MB/s Write SpeedCompatible with RAW & JPEG FormatsIncludes RTV Silicone Coating

SD Extreme Card 64GB64GB CapacityClass 10 / UHS-1Max. Read Speed: 45 MB/sMax. Write Speed: 45 MB/sWater / Shock / X-ray ProofBuilt-in Write-Protect SwitchAdvanced Error Correction CodeDownloadable RescuePRO Recovery Software

SD ExtremePro Card 64GB64 GB Data Storage CapacityClass 10 SpeedMax. Read Speed: 95 MB/sMax. Write Speed: 90 MB/sUltra High Speed Class 1Limited Lifetime Warranty

64GB SDXC Memory Card Elite 633x UHS-I64GB Data Storage Capacity633x Speed RatingRead Speed: 95MB/sWrite Speed: 45MB/sUltra High Speed Class 1

64GB SDXC Memory Card 600x UHS-I64GB Data Storage Capacity600x Speed RatingRead Speed: 90MB/sWrite Speed: 45MB/sUltra High Speed Class 1

32GB CompactFlash Memory Card 500x UDMA32GB Data Storage Capacity500x Speed RatingRead Speed: 75 MB/sWrite Speed: 40 MB/sUDMA 6 Compliant

64GB CompactFlash 1000x UDMA Memory Card64GB Data Storage Capacity1000x Speed RatingRead Speed: 150MB/sWrite Speed: 80MB/sUDMA 7 CompliantSupports Rapid-Fire RAW ShootingMade In The U.S.A.Lifetime Warranty

Wise S2 Express Card 64GB / 32GB Compatible Camera( DVCProHD, DVCPro50, DVCPro & HDV)

Features:Max Record Speed: 4.38 MB/sHigh-Speed USB 2.0 / Cable IncludedFor XDCAM EX series camcorders

The S2 card uses ExpressCard technology. It’s designed for XDCAM EX series camcorders without type record & long recording �exibility.Featuring high reliability and compact size, the card also o�ers a high transfer speed USB2.0 to PC or Mack without card reader.

SDHC Card32, 64, 128GB

Compliant with SD card association card 3.00 speci�cationSecure – Built in write protect switch prevents accidental data lossCompatible – SDHC host devices, not compatible with standard SD-enabled devices/readersFile Format – SDHC File Format – FAT32 High Speed Class Rating – Class 10 : 20MB/s minimum data transfer rate (200x)

18

Battery / Charger

S-8970Working well on HDV camera.Lithium-ion battery with build-inmultiple protective circuit design,without memory e�ect , accuratelycalculates remaining power withinminutes.Speci�cationVoltage 7.2V / Capacity 47.5Wh / Weight 0.28kg / Dimension 70.5 x 38.5 x 60mm / Applicable SONYHDV-FXIE HVR-Z1C DSR-PD190P DSR-PD150PCompatiblity Sony NP-970

S-8260S172Wh Heavy Duty V-mount BatteryNew high power Li-ion cellsMax 180W, 15A constant output14.4V, 172Wh capacityD-tap output socket4-level LED power indicatorV-mount plateMultiple circuit protections

S-3602F1. 2-channel charger: charge two batteriessimultaneously.2. 2-channel adaptor: supply power tocamera and focus light simultaneously.3. One channel charger and the otherchannel adaptor: charge one battery andsupply power to camera simultaneously.Input AC100~240V,50/60HzOutput(charger) DC 8.4V,2A x 2Output(Adaptor) DC 8.4V,2A x 2Weight 0.36KgDimension 136 x 110 x 47mmApplicable Batteries S-8970/8770;SONY NP- F970/770/550

S-8160S190Wh V-mount Battery14.4V, 190Wh large capacityD-tap output socket4-level LED power indicatorMetal V-mount plateWireless receiver mount

S-8110SVoltage: 14.4VCapacity: 126WhDimensions: 165 x 90 x 51mmWeight: approx. 0.9 KgOperation Temperatur: 0-40°C nt

S-8U63SWIT S-8U63 is fully compatible with SONY PMW-EX1, EX1R, EX3, F3, PMW 100/200, without DC cable, and can display remaining power info on cameras. The S-8U63 has 63Wh / 4.4Ah capacity, with a 4-level power indicator, and o�ers a D-tap DC output socket, a 5V/1A USB power output socket for extension use.

S-80801. Li-ion battery, no memory e�ect andenvironmental protection.2. Indicate the remaining power by LED.3. Build-in intelligent control circuit,multiple protections of temperature,current and voltage.Voltage 14.4VCapacity 88WhDimension 165 x 90 x 51mmWeight approx 0.8 KgOperation Temperatur 0-40 &degC

SC-304AGold Mount ChargerInput: AC 100V-240V 50/60HzOutput: DC 14V-20V, 1.9A×2Applicable battery: Goldmount batteryDimension: 223×230×66mmWeight: 1.6kg

SC-3802S2-channel Portable ChargerPortable two-channel sequential charger. With Power Adapter function.Works with SONY V-Lock mount batteries.Available for Ni-Cd, Ni-MH and Li-ion batteries.CE approved.

19

On-Camera Light

CM-LBPS900LED Light

Professional grade 5-LED lightTwo intensity levels switch250g Light weight (excluding battery)Switchable color temperature at 4500K or 3200K using the built-in �lterLong life LED light bulb about 10,000 hours usageBuilt-in top-mount cold shoe adapter

MLS500SSpectra500S-LED Light

videographers and photographers. Light is emitted with narrow beam angle (30°) and it has a constant colour temperature of 5600°K (daylight), with an illuminance of more than 300 LUX at a distance of 1m.

MLS900SSpectra900S-LED Light

anfrotto Spectra 900S is a lightweight and portable LED light, designed for the most demanding videographers and photographers. Despite being very compact, this LED device o�ers outstanding performance and it is very robust. Thanks to its slim and elegant design, Spectra 900S stands out from the crowd of existing standard LED panels.

CN-240CHBi-Color LED Video Light

Suitable for photo and video cameras White re�ector coating 240 super bright LEDs Power consumption: 7.2 watts Voltage: 7.2 to 8.4 volts LED lifetime: 50,000 hours (manufacturer) Integrated dimmer, adjustable from 0-100%

S-2040Chip Array LED80W equivalent outputSingle shadow, glarelessCool touch5000K color temperature5600K and 3200K �lterColor rendering index: 856-17V wide input voltageInterchangeable DV mount and batteryScrew and cold shoe mount

CM-LBPS1800LED Light

Professional grade 10-LED light420g Light weight (excluding battery)Switchable color temperature at 4500K or 3200K using the built-in �lterLong life LED light bulb about 10,000 hours usageMetal shoe.

ML840H Maxima-84Hybrid LED Panel

84 LED BulbsFlash Function for Shooting PhotosBuilt-In Rechargeable Lithium BatteryColor Temperature: 5600KGels & Di�user Included670 Lux at 3.3’For Video DSLR CamerasBall Mount for Hot Shoe or 3/8”-16 ScrewVertical or Horizontal Mounting

LedPro Z6 (tunable bi-color)Color temperature adjustable 3200°K - 5600°KLight Source: 84 LED (High Bright output)Power Source: 4x 1.5V (AA-Alkaline Batteries)External Power Supply: DC5V-18VLow Power Consumption: approx.8WTunable bi-color LED from Tungsten to daylightAdjustable Brightness (continuous dimming)Built-in On/O� SwitchEasy PortabilityWeight: 290 g/ 0.6 lb (w/o battery)Dimensions: 110 (L) x 50 (W) x 155 (H) mm

HVL-LBPLED Battery Video Light

The new HVL-LBP LED Light Systemfeatures a wider uniform light for 16:9aspect and 600 lx @ 1m brightness!Powered by InfoLithium “L Series”battery, the battery operation time isapproximately 3 hours with theNP-F970 battery! Supplied accessoriesinclude Di�user/Condensing lenssystem and battery adaptor.

20

Optics

Compact Prime CP.2 LensesCompact and Lightweight lenses with Interchangeable Mount System.

Compact Zoom CZ.2 LensesLightweight and compact zoom lenses featuring the Interchangeable Mount System (PL, EF, F, MFT, E).

The Compact Prime and Zoom lenses are the world‘s �rst cine lenses designed for all types of cameras (HDSLR to high-end digital movie cameras). The interchangeable mount guarantees high �exibility for present and future use in any situation and for a wide range of camera platforms.

- Interchangeable Mount- Full frame coverage (CP.2 18mm only APS-H)- Robust cine style housing with the ability to utilize follow-focus- Standard focus and iris gear positions- Five di�erent mounts available (PL, EF, F, E and MFT mount)- Conistent front diameter (except of 50 Macro)- Longer focus rotation and a manual focus and iris- Calibrated focus scales

ApplicationSwitching between traditional �lm and digital PL cine cameras and HDSLR cameras is no longer an issue. The Compact Prime CP.2 lenses’ improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction, longer focus rotation and a manual focus, thereby providing the �exibility users demand. With precision and speed - Compact Prime CP.2 lenses are the perfect tool for Independent �lmmakers, professional still photographers expanding their services or large studios using HDSLR’s as a second camera for TV and feature �lm productions.

The new Compact Zoom CZ.2 lenses are as versatile as they are powerful and incorporate features never seen before on lenses of this kind. They are handy, compact, ready for 4k and even o�er full-frame coverage. With their zoom lengths of 28-80 and 70-200 mm, they give you a wide range of creative options.Their compact size and light weight make them the ideal companions for even the most ambitious applications, including handheld, Steadicam and projects in con�ned spaces. And thanks to their robust, cine-style housing (which also allows for the use of a follow-focus system), their full-frame coverage and interchangeable mounts, they will be reliable partners for years to come.

Interchangeable mountFull-frame coverage (36 x 24 mm)No focus shift over the zoom rangeRobust cine-style housingCircular shape of irisGreat �are suppressionCalibrated focus scale4K capabilityColormatched with all ZEISS Prime lenses.

ApplicationThe size and weight of the Compact Zoom CZ.2 make the lens perfect. Both Zoom Lenses are colormatched not just to eachother, they �t perfectly to all ZEISS prime lenses.The Zoom lenses are ideal for top-quality movies, feature �lms productions and documentaries. With their outstanding color matching, typical for ZEISS, they make an optimal addition Master Prime, Ultra Prime and Compact Prime.

Why should I go for the Compact Zoom CZ.2 70-200mm T/2.9 or the CZ.2 28-80mm instead of a photo zoom lens?The Compact Zoom CZ.2 70-200mm T/2.9 comprises all the features of a cine-style lens. Extra-long focus throw, constant T-stop of 2.9 across the entire zoom range and easy-to-read markings. But the main di�erence to a regular photo zoom lens is a phenomenon called “focus shift”. When zooming in on an object with a photo zoom lens you always have to adjust focus. As soon as you change the image frame the position of the sharp plane of focus changes as well. In still photography this is not a problem. But in motion picture it is a big issue because your details might be out of focus. Your scene is ruined.

21

Optics

Compact Prime CP.2 15 mm/T2.9 Aperture range T 2.9 to T 22Close focus distance 1 0.3 m / 12”Horizontal angle of viewFull-Frame 100°APS-H 90°Super 35 79°Normal 35 73°APS-C 73°MFT 60°Length 86 mm / 3.39’’Front diameter 114 mm / 4.5”Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 25 mm/T2.9 Aperture range T 2.9 to T 22Close focus distance 0.17 m / 7”Horizontal angle of viewFull-Frame 72°APS-H 62°Super 35 53°Normal 35 47°APS-C 48°MFT 38°Length 80 mm / 3.15”Front diameter 114 mm / 4.5”Weight 0.9 kg / 2.0 lbs


Compact Prime CP.2 18 mm/T3.6 Aperture range T 3.6 to T 22Close focus distance 1 0.3 m / 12”Horizontal angle of viewFull-Frame2 –APS-H 80°Super 35 69°Normal 35 63°APS-C 64°MFT 51°Length 80 mm / 3.15”Front diameter 114 mm / 4.5”Weight 0.9 kg / 2.0 lbs


Compact Prime Macro CP.2 50 mm/T2.1 Aperture range T 2.1 to T 22Close focus distance 0.24 m / 10”Horizontal angle of viewFull-Frame 40°APS-H 34°Super 35 28°Normal 35 25°APS-C 25°MFT7 20°Length 132 mm / 5.19”Front diameter 134 mm / 5.3”Weight 1.35 kg / 3.0 lbs


Compact Prime CP.2 35 mm/T2.1

Aperture range T 2.1 to T 22Close focus distance 0.3 m / 12”Horizontal angle of viewFull-Frame 54°APS-H 47°Super 35 39°Normal 35 35°APS-C 35°MFT 28°Length 80 mm / 3.15”Front diameter 114 mm / 4.5”Weight 1.0 kg / 2.2 lbs

Compact Prime CP.2 85 mm/T2.1 Aperture range T 2.1 to T 22Close focus distance 1 m / 3’3”Horizontal angle of viewFull-Frame 24°APS-H 20°Super 35 17°Normal 35 15°APS-C 15°MFT7 12°Length 80 mm / 3.15”Front diameter 114 mm / 4.5”Weight 0.9 kg / 2.0 lbs

22

Optics

Compact Prime CP.2 100 mm/T2.1 CFAperture range T 2.1 to T 22Close focus distance 0.7 m / 2’6”Horizontal angle of viewFull-Frame 20°APS-H 17°Super 35 14°Normal 35 13°APS-C 13°MFT7 10°Length 132 mm / 5.19”Front diameter 114 mm / 4.5”Weight 1.49 kg / 3.3 lbs

Compact Prime CP.2 50 mm/T1.5Super Speed Aperture range T 1.5 to T 22Close focus distance 0.45 m / 18”Horizontal angle of viewFull-Frame 40°APS-H 34°Super 35 28°Normal 35 25°APS-C 25°MFT7 20°Length 80 mm / 3.15”Front diameter 114 mm / 4.5”Weight 0.9 kg / 2.0 lbs

Compact ZoomCZ.2 28–80 mm/T2.9 Aperture range T 2.9 to T 22Focal range 28–80 mmClose focus distance 0.83 m / 2’8”Horizontal angle of viewFull-Frame 25–66°APS-H 21–57°Super 35 18–48°Normal 35 16–43°APS-C 16–43°MFT 5–14°Length 196 mm / 7.72”Front diameter 95 mm / 3.7”Weight 2.5 kg / 5.5 lbs

Compact Prime CP.2 135 mm/T2.1 Aperture range T 2.1 to T 22Close focus distance 1 m / 3’3”Horizontal angle of viewFull-Frame 15°APS-H 13°Super 35 11°Normal 35 9°APS-C 9°MFT7 7°Length 149 mm / 5.86”Front diameter 114 mm / 4.5”Weight 1.6kg / 3.5 lbs

Compact Prime CP.2 85 mm/T1.5Super Speed Aperture range T 1.5 to T 22Close focus distance 1 m / 3’3”Horizontal angle of viewFull-Frame 24°APS-H 20°Super 3 17°Normal 35 15°APS-C 15°MFT 12°Length 80 mm / 3.15”Front diameter 114 mm / 4.5”Weight 0.9 kg / 2.0 lbs

Compact ZoomCZ.2 70–200 mm/T2.9 Aperture range T 2.9 to T 22Focal range 70–200 mmClose focus distance 1.52 m / 5’Horizontal angle of viewFull-Frame 10–29°APS-H 9–24°Super 35 7–20°Normal 35 6–18°APS-C 6–18°MFT 5–14°Length 250 mm / 9.84”Front diameter 95 mm / 3.7”Weight 2.8 kg / 6.2 lbs

Compact Prime CP.2 35 mm/T1.5Super Speed Aperture range T 1.5 to T 22Close focus distance 0.3 m / 12”Horizontal angle of viewFull-Frame 54°APS-H 47°Super 35 39°Normal 35 35°APS-C6 35°MFT7 28°Length8 91 mm / 3.58”Front diameter 114 mm / 4.5”Weight 1.1 kg / 2.4 lbs

Compact ZoomCZ.2 28–80 mm/T2.9 Aperture range T 2.9 to T 22Focal range 28–80 mmClose focus distance 0.83 m / 2’8”Horizontal angle of viewFull-Frame 25–66°APS-H 21–57°Super 35 18–48°Normal 35 16–43°APS-C 16–43°MFT 5–14°Length 196 mm / 7.72”Front diameter 95 mm / 3.7”Weight 2.5 kg / 5.5 lbs

Compact Prime CP.2 LensesInnovative 14 blade aperture construction allow nearly circular shape of iris.

23

Optics

Optimo 25-250 SPECIFICATIONSAperture: f/3.2 - T3.5Zoom ratio: 10 XWeight (approx.): 7.3 kg (16 lbs)Length: 377.4 mm (PL) 372.3 mm (Panavision)MOD: 1.22 m (4 feet)Image coverage: S35 + : 31.4mm diagonal

• Optimized optical quality with low chromatic aberration, telecentricity and low distortion, ideal for high performance S35 digital cameras• Internal focus with minimal breathing• Image circle of 31.4mm diagonal for perfect illumination of the S35 sensors• Very robust and precise zoom and focus mechanics with Angénieux unique rod guiding system design• Precise focus marks with easily interchangeable focus scale ring from feet to meters• Integrated filter holder for standard screw in filters• Integrated net holder• Optional front protective glass• Designed for easy maintenance•Itechnology metadata interface *• Standard PL mount lens. Panavision, Canon EF or Nikon F mounts optional* Iis a registered trademark of Cooke Optics Limited

Optimo 16-42SPECIFICATIONSAperture: f/2.6 - T2.8Zoom ratio: 2.7XWieight (approx.): 4.2 lbs - 1.92kgLength: 190 mmMOD: 2 ft - 0.6 mImage coverag: S35 + 31.4mm diagonal

. Perfect homogeneity of colorimetry, contrast and resolution.. Compact and very light (< 1.9 Kg).. Intended for economical digital cameras; not compatible with re�ex cameras.. Constant diaphragm over the totality of the course of the zoom (no ramping), no breathing, very bright for a 2.7x ratio.. Precise, ergonomic focus ring, in feet or meters on request.. Image Coverage S35+ format (31.4 mm diagonal).. Available in PL mount.. Compatible with the Optimo 0.75x Wide Angle accessory.. Exists in matched pairs of zoom lenses, rapid tracking adjustment lever.. The precise display of zoom settings and the high-precision mechanism, both as regards �uidity and ergonomics, optimise operators’ reaction time so that they can stay as close as possible to the action.

Optimo 30-80SPECIFICATIONSAperture: f/2.6 - T2.8Zoom ratio: 2.7XWeight (approx.): 4.2 lbs - 1.92kgLength: 184 mmMOD: 2 ft - 0.6 mImage coverage: S35 + 31.4mm diagonal

. Perfect homogeneity of colorimetry, contrast and resolution.. Compact and very light (< 1.9 Kg).. Intended for economical digital cameras, not compatible with re�ex cameras.. Constant diaphragm over the totality of the course of the zoom (no ramping), no breathing, very bright for a 2.7x ratio.. Precise, ergonomic focus ring, in feet or meters on request.. Image Coverage S35+ format (31.4 mm diagonal).. Available in PL mount.. Exists in matched pairs of zoom lenses, rapid tracking adjustment lever.. The precise display of zoom settings and the high-precision mechanism, both as regards �uidity and ergonomics, optimise operators’ reaction time so that they can stay as close as possible to the action.

24

Optics

14.5–45mm / T2.0 (HK3.1x14.5) Application: PL Mount HD and Film CamerasFocal length 14.5 - 45 mmZoom ratio 3.1 ×T-No. 2.0M.O.D. from image plane 0.71 m Object dimensions at M.O.D.16 : 9 Aspect ratio 14.5 mm 693 × 390 mm 45 mm 215 × 121 mmAngular �eld of view16 : 9 Aspect ratio 14.5 mm 79°13’ 45 mm 29°52’Diameter × Length 136 × 310 mmWeight 6.5 kg

75–400mm / T2.8 - T3.8 (HK5.3x75) Application: PL Mount HD and Film CamerasFocal length 75 - 400 mmZoom ratio 5.3 ×T-No. 2.8 (75 - 270 mm) 3.8 (400 mm)M.O.D. from image plane 2.0 mObject dimensions at M.O.D.16 : 9 Aspect ratio 75 mm 580 × 326 mm 400 mm 113 × 64 mmAngular �eld of view16 : 9 Aspect ratio 75 mm 18°11’ 400 mm 3°26’ Diameter × Length 136 × 444 mmWeight 8.9 kg

18-85mm / T2.0 (HK4.7x18)Application: PL Mount HD and Film CamerasFocal length 18 - 85 mmZoom ratio 4.7 ×T-No. 2.0M.O.D. from image plane 0.82 m Object dimensions at M.O.D.16 : 9 Aspect ratio 18 mm 656 × 369 mm 85 mm 139 × 78 mmAngular �eld of view16 : 9 Aspect ratio 18 mm 67°23’ 85 mm 16°04’Diameter × Length 136 × 352 mmWeight 6.9 kg

14-35mm Cabrio / T2.9 (ZK2.5x14)Application: PL Mount CamerasDesigned using the latest proprietary optical simulation software, the PL 14-35 mm wide angle lens o�ers exceptional optical performance in the center of the image and in the corners of the frame. The digital servo’s 16-bit encoding assures operators that all lens data output—including the position of the zoom, iris, and focus—is extremely accurate. The PL 14-35mm lens supports Lens Data System (LDS) and /i metadata formats, and can be controlled using cinema industry standard wireless controllers as well as existing FUJINON wired and wireless units.The PL 14-35mm Cabrio lens has a detachable digital servo drive. The Cabrio can be used as a self-contained ENG-style lens or cine style lens. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. The 14-35mm lens is lightweight and comfortable to use with today’s smaller 4K cameras. For shooters looking for a lightweight zoom that can be used as a handheld, capturing wide angles in tight spaces, it’s ideal.

19-90mm Cabrio / T2.9 (ZK4.7x19B)Application: PL Mount CamerasThe 19-90mm Cabrio (ZK4.7x19B) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK4.7x19B also features �ange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 19-90mm focal range and weight of only 2.85kg including servo motors, this lens has the longest focal range available in a light weight zoom.Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter.

85-300mm Cabrio / T2.9 -4.0 (ZK3.5x85B)Application: PL Mount CamerasWhile the PL 85-300 is similar in size and weight as the PL 19-90, its longer focal length makes it ideal for shooting documentaries, nature and wildlife, and car commercials, among other demanding production scenarios. The PL 85-300 o�ers a focal length of 85-218mm at T2.9 and 300mm at T4.0, with 200-degree focus rotation.Designed using the latest optical simulation technology, the PL 85-300 Cabrio not only o�ers exceptional optical performance in the center of the image but in the corners of the frame as well. Like the highly acclaimed PL 19-90 Cabrio, the PL 85-300 is equipped with the same indispensable features including �ange focal distance adjustment, a MOD of 1.2m, a macro function for objects as close as 97cm (38-inches), and covers a 31.5mm diagonal sensor size.

24–180mm / T2.6 (HK7.5x24)Application: PL Mount HD and Film CamerasFocal length 24 - 180 mmZoom ratio 7.5 ×T-No. 2.6M.O.D. from image plane 1.24 m Object dimensions at M.O.D.16 : 9 Aspect ratio 24 mm 924 × 520 mm 180 mm 119 × 67 mmAngular �eld of view16 : 9 Aspect ratio 14.5 mm 79°13’45 mm 29°52’Diameter × Length 136 × 405 mmWeight 8.9 kg

25

Optics

HJ22ex7.6B SeriesENG Lenses

The HJ22ex7.6B is the longest focal length portable HDTV production lens o�ered by Canon (without an image stabilization system). It is a smaller and lighter replacement for the former highly popular HJ21ex7.8B lens. It is a strategic member of the family of HD portable EFP lenses – that collectively o�ers an unusually broad range of creative options.

KJ17ex7.7B SeriesENG Lenses

The KJ17ex7.7B is speci�cally designed for users whose foremost priority is a lens that delivers a generous range of focal lengths combined with a wide �eld of view in a lightweight mobile package. The lens design is a �ne compromise between the demands for ruggedness and mobility in a handheld camera system and the high imaging performance requirements for HD News and lower budget HD productions. An important aspect of this lens is the cost optimized design concept.

KJ20x8.2B IRSDENG Lenses

The KJ20x8.2B is Canon’s widest (8.2 mm) lens in the a�ordable 20x zoom class, and it covers a generous range of focal lengths, particularly when combined with its built-in 2x extender expanding its 8.2mm-164mm focal length to 16.4mm-328mm.

Canon �rst introduced its HDgc series of HD portable lenses �ve years ago to provide high optical performance at competitive prices for the then-emerging generation of lower-cost portable HD video cameras designed for ENG and other types of programming.


The HJ17ex7.6B is a cost-e�ective new 2/3-inch portable HD lens speci�cally intended to support the emerging industry interest in high de�nition electronic newsgathering.

It is a key new member of a family of HD portable lenses intended to support the broadening of HDTV production. This particular lens is intended for producers and broadcasters having as their foremost priority an a�ordable lens-camera system that o�ers performance tailored for HDTV newsgathering.

KJ22ex7.6B SeriesENG Lenses

The KJ22ex7.6B is part of a new family of second generation 2/3-inch HDgc portable HD lenses. The new design re�ects design re�nements to the �rst generation line of HDgc lenses originally introduced in 2006.The HDgc line of lenses had been speci�cally developed to achieve a price performance ratio that was commensurate with the new line of cost-e�ective HD camcorders being introduced by all major camera manufacturers in response to the broadcast industry’s rapidly growing interest in transitioning to HDTV newsgathering, HD reality shows, and other lower-budget HD productions.

KJ20x8.2B KRSDENG Lenses

As HD camera equipment continues to spread to all facets of professional video production, Canon has been expanding its HDgc lineup of cost-e�ective lenses for advanced professionals. To help meet this increasing demand for a�ordable high-quality HD ENG lenses, Canon is proud to introduce the KJ20x8.2B KRSD, achieving outstanding optical performance with a light weight of 1.25 kg and wider-angle focal length of 8.2mm.


The HJ14ex4.3B is the new successor to the long-acclaimed wide angle HJ11ex4.7B portable HDTV production lens o�ered by Canon. The enthusiastic acceptance of the latter all over the world since its introduction in 2001 encouraged Canon to pursue a further expansion of creative capabilities with a new-generation lens that facilitated an even wider angle of view, while also extending the focal range. Imaging performance has been signi�cantly advanced by mobilizing the most contemporary of optical glasses, optical coating materials and processes, and powerful new optical design tools.

KJ10ex4.5B IRSEENG Lenses

The world’s major professional video manufacturers have introduced a diverse range of low-cost tapeless HD camcorders and tape-based HDV professional camcorders. Various design strategies have been adopted by the manufacturers to decisively drive down the costs of these HD acquisition systems. They include di�erent image format sizes, subsampled imagers, and contemporary digital recording techniques. In support of these products Canon designed an entire family of cost-e�ective HD ENG/EFP lenses that seek to match both the performance and the costs of these diverse and still-emerging HD acquisition systems.

KJ13x6B KRSENG Lenses

The world’s major professional video manufacturers have introduced a diverse range of low-cost tapeless HD camcorders and tape-based HDV professional camcorders. Various design strategies have been adopted by the manufacturers to decisively drive down the costs of these HD acquisition systems. They include di�erent image format sizes, subsampled imagers, and contemporary digital recording techniques. In support of these products Canon designed an entire family of cost-e�ective HD ENG/EFP lenses that seek to match both the performance and the costs of these diverse and still-emerging HD acquisition systems.

26

Optics

MTF EFFECTA modular Electronic Canon EF adaptor system

A modular Electronic Canon EF adaptor system. EF Full Exposure Control TerminalOne box, with a choice of 3 mounts, Sony PMW-F3, Sony NEX FS–100 and Panasonic AG-AF 101 (these 3 mounts are sold seperately)Designed and built in EnglandAdjusts aperture in 1/8th stop increments.Displays focal length as well as aperture.Displays focal length while zoomingDisplays aperture ramping while zooming (for lenses with non constant aperture)Powered by standard AA batteries, enough for a full days shooting

MTF EFFECT Control Unit 2 MTF EFFECT 2EF Full Exposure Control Terminal

One box, with a choice of 3 mounts:Sony FZ (such as the Sony F3/F5/F55),Sony E (such as the FS100/FS700)Micro Four Thirds (such as the Panasonic AG-AF101 and the Blackmagic Cinema Camera mFT/Pocket Cinema Camera).

Designed and built in EnglandAdjusts aperture in 1/8th stop increments.Displays focal length as well as aperture.Displays focal length while zoomingDisplays aperture ramping while zooming (for lenses with non constant aperture)External power via D-Tap or 4-pin HiroseIlluminated displayPowers lens stabilisationCompatible with most Canon EF lenses, ALL Ziess lenses and most third party lenses

Canon EF to Micro 4/3 adaptorWith our own stainless steel Micro 4/3 mount, this adaptor will allow the use of ANY Nikon mounted lens on the Panasonic Lumix GH1, Olympus E-P1, Panasonic AG-AF100 camera and the new Blackmagic Cinema Camera mFT/Pocket Cinema Camera

Nikon G to 1/3” bayonet adaptorThe worlds �rst Nikon G to 1/3” bayonet adaptor.Perfect for shooting extreme telephoto, this adaptor allows the use of the full range of Nikon and Nikon mounted lenses.This adapter works with the following cameras:JVC GY-HD 100 or 200JVC GY-HM700. Sony HVR-Z7Sony HVR-S270Panasonic HPX300 and the new AG-HPX370

Nikon G to Sony E Mount AdaptorThe worlds �rst Nikon G to Sony E Mount adaptor.With the introduction of the Sony NEX stills cameras, and NEX-VG10 camcorder later this year, and working closely with Sony UK, we have designed some new products to suit.This Product allows the use of any Nikon mounted lens on the Sony NEX-3, NEX-5 and the new NEX-VG10

Nikon G to Sony PMW-EX3 AdaptorThe worlds �rst Nikon G to EX3 adaptor.Simply turn the blue ring to adjust aperture. This adaptor incorporates a built in control ring allowing you to visually adjust lens aperture. (Patent pending)Although designed for G series lenses, this adaptor is compatible with ALL Nikon lenses including DX series.

Nikon G to Sony PMW-F3The worlds �rst Nikon G to Sony PMW-F3 adaptor.Simply turn the blue ring to adjust aperture.This adaptor incorporates a built in control ring allowing you to visually adjust lens aperture. (Patent pending)Although designed for G series lenses, this adaptor is compatible with ALL Nikon lenses including DX series.Technical Details

28

Optics

Canon EF Lens to Sony NEX Smart Adapter (Mark III)This Smart AdapterTM has the following features:True electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes.Powered by camera body. No external power source required.Wide open button (opposite of depth-of-�eld preview function) makes manual focusing easy.The tripod foot is detachable and compatible with Arca Swiss, Markins, Photo cam ball heads.High performance 32-bit processor and e�cient switched-mode power supply.

Nikon G to BMCC Speed BoosterNikon-G/F to Micro-4/3 mount Speed BoosterTM adapters designed exclusively for the Blackmagic 2.5k Cinema Camera (BMCC). Note that the new Speed Boosters will only attach to Blackmagic cameras equipped with a Micro-4/3 mount. They cannot be attached to standard Micro 4/3 cameras.The new 0.64x Speed Booster reduces the full-frame crop factor of the BMCC from 2.39x to 1.53x, thus e�ectively transforming it into a Super-35 format cine camera. In addition, the speed of any attached lens is increased by 11/3 stops, with a maximum output aperture of f/0.80. For example, a 50mm f/1.2 becomes a 32mm f/0.80, and Sigma’s new 18-35mm f/1.8 will become an 11.5-22.5mm f/1.1.

Nikon G to E mount Speed BoosterIndustry’s best aperture ring covers a 8-stop range with half-stop markings, clearly indicating actual number of f-stops. No more guesswork! (Patent pending).Compatible with both Nikkor G lens & F lens (include non-AI & AI lens mounts).Increase maximum aperture by 1 stop.Increase MTF.Makes lens 0.71x wider.Optics designed by Caldwell Photographic in the USA (patent pending).The tripod foot is detachable and compatible with Arca Swiss, Markins, Photo cam ball heads.

Canon EF Lens to Sony NEX Speed BoosterIncrease maximum aperture by 1 stop.Increase MTF.Makes lens 0.71x wider.Optics designed by Caldwell Photographic in the USA (patent pending).Electronic integration of aperture diaphragm, controlled by or from the camera body.Partial autofocus support for late-model (post-2006) Canon-brand lenses.Powered by camera body. No external power source required.The tripod foot is detachable and compatible with Arca Swiss, Markins, Photo cam ball heads.High performance 32-bit processor and e�cient switched-mode power supply.

Nikon G to BMPCC Speed BoosterNikon-G/F to Micro-4/3 mount Speed BoosterTM adapters designed exclusively for the Blackmagic Pocket Cinema Camera (BMPCC). Note that this new 0.58x Speed Boosters will only attach to BMPCC equipped with a Micro-4/3 mount. They cannot be attached to standard Micro 4/3 cameras.The new 0.58x Speed Booster reduces the crop factor of the BMPCC from 2.88x to 1.75x, and produces the largest aperture optics currently available, with a maximum output aperture of f/0.74. For example, a 50mm f/1.2 now becomes a 29mm f/0.74, and the Sigma 18-35mm f/1.8 becomes the world’s fastest zoom lens at 10.5-20.3mm f/1.0 with stunningly sharp performance.

Smart Adapter™ for mounting EF and EF-S mount lenses on Sony NEX cameras.Smart Adapter™ III is now also compatible with the full-frame NEX camera VG900, with auto-crop support so that both full-frame and cropped lenses can be used without any con�guration. This is not a Speed Booster™ but maximum aperture and focal length remain unchanged. It retains existing features such as a detachable AS-style quick release plate, chrome-plated brass for all mounting surfaces, EXIF, autofocus and image stabilization (IS) lens support. Since its advent in 2012, the Metabones® Smart Adapter™ has become an indispensable tool for the most demanding cinematographers and other professionals, and it has been continuously re�ned based on customer input.

29

Optics

LAFZB1FZ to B4 lens adapter for F5 & F55

Compatible with most B4-mount (2/3-inch) lensesNo loss of angle of view (no croppinng)12-pin connector provides bidirectional communication between lens and camera.Displays lens data: Focus, Zoom and Iris Lens metadata data is recorded, real time onto compressed and/or RAW digital stream.Lens metadata is simultaneously output via SDI following SMPTE RDD18 speci�cationALAC-2 (H&V Automatic Chromatic Aberration Compensation) with lenses in camera database.Return video button becomes assignable for calling useful functions such as Expanded Focus, last clip review etc. on the view�nder.

LAFZB1FZ to B4 lens adapter for F5 & F55

Compatible with most B4-mount (2/3-inch) lensesNo loss of angle of view (no croppinng)12-pin connector provides bidirectional communication between lens and camera.Displays lens data: Focus, Zoom and Iris Lens metadata data is recorded, real time onto compressed and/or RAW digital stream.Lens metadata is simultaneously output via SDI following SMPTE RDD18 speci�cationALAC-2 (H&V Automatic Chromatic Aberration Compensation) with lenses in camera database.Return video button becomes assignable for calling useful functions such as Expanded Focus, last clip review etc. on the view�nder.

OIC-35 Director’s View�nderThe director’s view�nder OIC-35 (Optical Image Control) is an indispensable device for every DOP or Director.The OIC-35 is a precision device, which was conceived for daily �lm set use. The housing is of light alloy and �tted with a 54 PL - mount. The optical light path inconnection with the interchangeable Arri�ex 435/535 ground glasses allows the operator to see the complete format unrestricted in the eyepiece.

The Mark Vb Director’s View�nderThe Mark Vb Director’s View�nder accurately de�nes choice of lenses, angles and coverage in a wide variety of formats for both �lm and video. It enables �lmmakers to communicate their visions to each other quickly and with complete accuracy, allowing the time saved to be used on the art of �lmmaking.Zoom RangesFilm16mm �lm: 8.5-100mmSuper 16 �lm: 10.5-125mm35mm �lm: 18-200mm35 Anamorphic �lm: 35-420mmVideo2/3” video: 8.5-75mm

The Pocket Mini - 11x Telescoping Director’s View�nderThe Pocket Mini Director’s View�nder is a proven, versatile accessory for directors, cinematographers, production designers, set builders and location scouts in the �lm and television industry. Used as recommended this instrument will improve creativity and �exibility in de�ning choices of lenses, angles, and coverage on the set or location.

Speci�cationsAspect Ratios: TV (4:3), 1.66, 16:9, 1.85, 2:35, 2.55S16 range: 10mm - 114mm35mm range: 18mm - 200mmAnamorphic range: 35mm - 400mm1/3” sensor range: 3.9mm - 44mm1/2” sensor range: 5.2mm - 58mm2/3” sensor range: 7.2mm - 80mm

Z-Finder Pro 2.5x for 3.2” Screens Features:DSLR Optical View�nderFits 3” LCD Screens2.5x Magni�cation-4.75 Diopter CorrectionIdeal for Nearsighted Shooters40mm Diameter LensAnti-fog CoatingLightproof EyecupGorilla Plate & Mounting FrameExtender Frames

C100 Z-Finder Pro Features:Optical View�nder for Canon C100 LCD40mm Diameter Lens Magni�es LCD by 1.8xDiopter for Corrected EyesightExtender Frames for Extended CorrectionAnti-Fog Coated Protective CoverSnaps On and O� Mounting FrameZ-Band Add Support at Any Angle

30

Optics

Kits and light-weight supports for Sony PMW F5 and F55Chrosziel camera accessories o�er many advantages over similar brands in terms of material, machining and design quality. With Chrosziel light-weight supports for Sony‘s brand-new PMW F5 and F55 for example, it is exceptionally easy to switch fast between 15 mm support systems and 19 mm studio base plates. That is because both light-weight supports also serve as an adapter for base plate Digi Cine (401-F235) featuring 19 mm studio rods.The PMW F55 kit contains:MatteBox MB 602 with four-�lter stage (which can be adjusted extremely precise even during �lming), a foldable french �ag with a pair of adjustable side wings, a 165 mm diameter rear plate, and a 165:142,5 mm intermediate ring (610-14),two 5.65 x 5.65“ �lterholder inserts (610-01-565),a 114 mm diameter rubber bellows ret. ring (610-66),a 110 mm rubber bellows ret. ring (610-11),a 136 mm diameter ring (for typical Digi Cine zoom lenses) (410-58),complete bridge plate DigiCine with 19 mm diameter rods made of steel or carbon �ber (no extra costs) (401-F235), andbase plate LWS Sony F5/F55 (401-96-01).

CMB-R20 Sunshade for Sony PMW-EX3The CMB-R20 system brings professional shading and �ltering solutions to the Sony PMW-EX3. The a�ordably priced CMB-R20 mattebox is loaded with the bene�ts operators have come to expect from Chrosziel.The CMB-R20 is a true 16:9 housing sporting a sleek rectangular design. A full-size French Flag is included for more precise manipulation of light.Dual Rotating Filterstages The CMB-R20 mattebox comes complete with a dual �lterstage for two independently rotating 4x4 �lters, making it large enough for most DV/HDV camera lenses, yet compact enough for handheld work.

MatteBox MB 450W Super WideMatteBox 450W Super Wide MatteBox for wide-angle lenses, with Double-Rotating Filter Stage, incl. french �ag (450-11), 2 �lterholders multiformat 4x4/4x5.650 (410-31), bracket for Ø15mm rods & clamp adapter Ø130mm.

Kit for Sony PMW – F3Kit for Sony PMW-F3, for lenses with outer Ø 95-125mm:MatteBox 456 Academy Double, for cameras with full format chip, with Double - Rotating-Filter Stage, french �ag (402-26),2 �lterholders multi-format 5x5/4x5.650 (510-01), 16:9 matte insert, bracket for Ø15 mm rods and clampadaptor Ø130mm.401-415HD Heavy Duty rod support and 411-68 Flexi-Insertring. This Mattebox also has a clamp-on-mount Ø 130mm for lens diameter 95mm to 125mm. (image shows FollowFocus and SR-R1 recorder adapter, not included in the kit)

MB 456 Academy - compactThree �lters, up to 14mm focal length Academy format.

Production MatteBox for cameras with 16x22mm chip or �lm format. Carbon-Design, lightweight and impact resistant. Lightweight and ultra compact, ideal for handheld shooting. But also no compromise due to the Triple-Rotating-Filterstage, equipped with 3 equally sized multiformat �lter holders (510-01) 5x5” / 4x5.65”. True 14mm MatteBox - By using 5x5 �lters, two rotate unrestrictedly and the �rst one can be rotated by 40°. The front stages (�rst and the second one respectively) are automatically held in place when the nextfurther back is rotated.

The MB 456 Academywith rod adaptor andSunShade function,clamp-on Ø 130mm.

The new Carbon-Design, lightweight and impact resistant.

31

Optics

The wireless remote follow focus.

DigiFOX is a reliable companion for recording with a moving camera. Whether using a crane, dolly or stabilizer, the DigiFOX wireless remote follow focus is simply and quickly ready to use. It transmits the control signal as a digital data package to motors with incremental encoders.Only the DigiFOX also controls internal focus motors as well as the start/stop signal of the Panasonic HDV camcorder HVX200, HPX171 and others.16 transmission channels are selectable within the 434 MHz – frequency band (US & UK versions 457 MHz)Range* approx. 300m/330yards outdoors and approx. 80m / 90yards in buildingsLight weight, compact receiver (8x4x9.5 cm / 3x1.6x3.7 inch, weight 260 g / 9.2 ounces)Compatible with external motors with incremental decoders and internal focus servo motors of many EB lenses from Canon and FujinonAutomatic calibration of the end settings and power provision for the motor dependent on the lens’s mechanical performanceResolution 32 bit, integrated ON/OFF or start/stop recording function“Electronic gear” for spreading or compressing of the translation ratio between the hand wheel and motor reaction

Memory of the last settings if the battery must be changed.Also controls the dimmer module from the Aladin systemIntegrated serial interface RS 232 for easy software upgrades or connecting to PC or PDA1.5 V D-cell includedLowest power consumption, a battery usually last for an entire day.Option: Rechargeable battery, charger for 110-240 V AC, 33 VA, with all international plug adapters

MagNumthe �rst truly ergonomic wireless lens control system

MagNum o�ers a striking new concept for remote lens control systems. It is a focus puller’s dream come true: Ergonomics perfectly tuned to the requirements of 1st AC‘s turn long days on the set into pure joy. A dual band frequency selector ensures transmission reliabillity. Intuitive handling guided by menus.

Features o�ered by each MagNum version:Ergonomically optimized hand unitSymmetrical design, ensuring left-handers enjoy the full bene�t from MagNum’s ergonomics as wellCompact-sized transmitter and receiverMinimum weight - the two-channel receiver is only 262g, the transmitter only 577g when fully equippedTransmission in the 2,4 GHz frequency band which is freely available world-wideMenu-guided intuitive handling through membrane keys and colour OLED displayFour freely assignable hotkeysSpectrum analyzer, identifying the best transmission channelOptional lens calibration through receiver (controller)Fluid-dampened hand wheelElectronic “Hold” to capture settings and keep themIndicator LED for all functions on the receiver (controller)Magni�er function for “near” and “remote” , allowing to spread the range around the nearest or the inde�nite lens setting without losing the option to move to the other end stop

StudioRig Cine Single complete

StudioRig Cine Single Wheel, Follow Focus with 1 handwheel, incl. scale + focus lever.For smooth and precise focus moves due to our �uid damping module and gear units and bearings with the lowest tolerances: It allows play and jerkfreefocus moves even for permanent direction changes.

ALADIN MKII8 channel wireless remote control system

ALADIN MKII’s has set it’s mark in the high competitive domain of S3D and Steadicam. At the heart of it’s multipurpose powers, lays an ease to use, sophisticated layout promising the world renown German precision engineering. No wonder camera pros, distributors and even competitors testing Chrosziel‘s new remote lens control have agreed that ALADIN MKII leads the pack.

Feature List

Future proof robust hardware design8 freely assign able motor sockets also useable as spare sockets in case of a defective channelMenu driven setup with a multi color OLED DisplayModularity of the components meets the needs of the di�erent users and allows later upgradesRf-communication at the 400/800 MHz band allowing save connection, also over long distancesControlled Functions: Focus/Iris/Zoom Base(Inter Axial), Angulation (Convergence),with highly precise digital encoder motors plus Start & Stop

Smooth zoom movements with precise joystick controlFluid-like focus hand wheel and iris sliderControl of a local eye-light through a motor channel and interface possibility to a DMX-sourceBuild-In features for S3D- applications (lens & RIG control)Meta data logging to USB to a *.cvs �leInternal synchronize able time code generatorInternal power supply for powerful motor controlAutomatic maximum power level adjustment during end-stop calibration to handle sti� or easy-going lensesAdjustable backlash compensation for each single motorUSB & 2x RS232/RS422 InterfaceEasy Software update via USB- StickDi�erent levels for motor torque pre-selectable

Chrosziel FollowFocus StudioRig

Studio Rig Follow Focus, versions for video and �lm lenses.For smooth and precise focus moves due to our �uid damping module and gear units and bearings with the lowest tolerances: It allows play and jerkfree focus moves even for permanent direction changes. We abstain from using switchable gear boxes for the sake of play-free preciseness. Instead, we use two gear boxes for the di�erent focus markings of �lm and video lenses. Film lenses, prime lens and “Cine style” video lenses typically display an adjustable range of 200º from close-up to in�nity. The Studio Rig Cine translates the rotation on the hand wheel in a way to lens focus ring that approx. one turn covers the range. The focus of the video lenses rotate onlyapprox. 100º to 145ºbetween close-up and in�nity.

32

Monitors

LMD-A17017-inch cost-e�ective, lightweight Full HD high grade LCD monitor for studio and �eld use

The LMD-A170 17-inch LMD-A Series LCD monitor o�ers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series o�ers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user bene�ts when both types of monitor are used in the same network.

LMD-2110W21.5-inch entry-level LCD monitor

1920 x 1080170°/160° Viewing AnglesNTSC/PAL10-bit Signal Processing109% Peak WhiteChromaTRU Color MatchingColor Temperature & Gamma Mode SettingsComposite, Y/C, RGB, Component, HDMISD-SDI Support via Optional Adapter

The Sony LMD-2110W is a 21.5” professional LCD monitor that’s capable of tackling a wide range of viewing scenarios.


The LMD-A220 22-inch LMD-A Series LCD monitor o�ers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series o�ers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user bene�ts when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the �eld. These include DC operation, VESA mount and yoke-mount holes.

LMD-1530WThe LMD-1530W is equipped with the latest generation of LCD panel providing high contrast pictures, detailed images with an excellent viewing angle. It o�ers same picture height as previous Sony CRT 14-inch which makes this product ideal for CRT replacement for entry level applications.

Colour Temperature/Gamma SelectionProtected ControlsThe key-inhibit function helps prevent inadvertent operation from the control panel.

LMD-1510W15.6-inch Widescreen Entry-level LCD Monitor

The LMD-1510W is a 15.6-inch WXGA (1366 x 768) multi-format professionalmonitor speci�cally designed to provide reference video monitoring solution for entry-level video applications. A 10-bit processor ensures accurate picture reproduction with less image artefacts.Combined with a high purity �lter, the LMD-1510W provides excellent colour depth for precise colour reproduction. Equipped with a HDMI interface as standard, this entry-level monitor is an ideal match for professional and semi-professional High De�nition applications

LMD-941WFull-HD 9-inch LCD monitorwith 2x 3G/HD/SD-SDI inputs and smart functions.

The LMD-941W is a 9-inch*, Full HD resolution (1920 x 1080 pixels) high performance LCD monitor incorporating 10-bit signal processing and Sony’s unique ChromaTRU™ technology to deliver superb picture performance and consistency. It also o�ers a convenient compact size with the mobility and smart functions required for both indoor and outdoor use. The LMD-941W is ideal for a wide range of professional monitoring applications, including use in an editing studio, for outside broadcast, acquisition, �eld production, and much more.

33

Monitors

PVM-7417.4-inch TRIMASTER EL OLED monitor with 2x 3G/HD/SD-SDI inputs and smart functions.

The PVM-741 is a high-performance, 7.4-inch (188-mm)* OLED (organic light-emitting diode) monitor backed by TRIMASTER EL™ technology. By optimally combining Sony’s OLED display panel technology with a 10-bit panel driver and Sony’s processing technology, the PVM-741 monitor achieves superb picture quality – unparalleled black performance, a wide colour gamut, and quick pixel response with virtually no motion blur.

PVM-A17017-inch TRIMASTER EL™ OLED high grade picture monitor

16.5” Diagonal Screen Size10-Bit OLED with 1920 x 1080 Resolution3G-SDI, HDMI and Composite InputsLoop-Out for Both SDI Inputs89° Angle of View at > 10:1 ContrastBlack Pixels Switch O� CompletelyOSD Waveform and Vector ScopeRecessed Rear ConnectorsSerial and Parallel Remote PortsPortable Design with Built-In Handle

The Sony PVMA170 17” Professional OLED Production Monitor is suitable for both �eld and studio use.


The LMD-A240 24-inch LMD-A Series LCD monitor o�ers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series o�ers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user bene�ts when both types of monitor are used in the same network.

PVM-A25025-inch TRIMASTER EL™ OLED high grade picture monitor

24.5” Diagonal Screen Size10-Bit OLED with 1920 x 1080 Resolution3G-SDI, HDMI and Composite InputsLoop-Out for Both SDI Inputs89° Angle of View at > 10:1 ContrastBlack Pixels Switch O� CompletelyOSD Waveform and Vector ScopeRecessed Rear ConnectorsSerial and Parallel Remote PortsPortable Design with Built-In Handle

PVM-1741A16,5-inch TRIMASTER EL™ OLED professional picture monitor with wide viewing angleThe PVM-1741A is an all-in-one OLED picture monitor, delivering unparalleled picture quality with the performance features and functions found in more expensive monitors, all contained in a compact, stylish design.PVM-1741A �exible mount options make the 16.5-inch monitor ideal for desktop editing, o�ce viewing, studio monitor walls and OB vans. The colour shift depending on the viewing angle has reduced to less than half compared to a conventional OLED panel. It allows several people to evaluate the image with extreme accuracy at the same time, increasing the monitor’s versatility in top end monitoring solutions.

PVM-X30030-inch 4K TRIMASTER™ LCD professional monitor

The PVM-X300 has a 30-inch 4K LCD panel (4096 x 2160) capable of displaying over four times Full HD resolution in a single screen. The professional LCD monitor incorporates Sony’s exclusive TRIMASTER™ technology architecture, achieving excellent colour and picture quality reproduction, which makes this monitor ideal for 4K cinema production (onset monitoring, dailiesand editing), 4K live production (camera control, program preview) and real-time 4K presentation.

34

Monitors

SmartView DuoBlackmagic Design SmartView Duo Rackmountable Dual 8” LCD Monitors

3G/HD/SD-SDI Inputs, Both with Loop-OutIntegrated Tally for Live BroadcastEthernet Input for AdjustmentsUpgradeable Firmware via USB2K, 1080i/p, 720p & 50/60 Hz SD Support10-Bit Color & 4:2:2 / 4:4:4 Sampling800 x 480 Resolution

SmartScope Duo 4KBlackmagic Design Smartscope Duo 4K Rack Mounted Dual 6G-SDI Monitors

Supports SD/HD/3G/6G-SDIAuto Format Sensing & Selection1 x Loop Through SDI I/O per MonitorSelect Video, Waveform, VectorscopeRGB Parade, YUV Parade, HistogramAudio Phase & LevelsSoftware Control via EthernetIndustry Compatible Tally System3 Rack Unit Size for MountingAuto Orientation Sensing & Image Flip

S-1090H 8.9-inch 3GSDI&HDMI LCD monitor

Features:- 8.9-inch LCD- 1280×RGB×768- 16:9 / 4:3 adjustable- 3G/HD/SD-SDI, HDMI, Composite video, Stereo audio- SDI embedded audio output via 3.5mm earphone socket and speaker- Front and rear 3-color TALLY light- Underscan / Overscan switch- Canon DLSR scale zoom-in- Video �ip- Customer editable video TITLE

S-1070C 7” LCD Monitor7-Inch HDMI TFT Monitor

Speci�cation:Input:1 HDMI: HDMI in1 BNC: Composite in2 RCA: L, R stereo audio inOutput:1 BNC : Composite loop through outSignal format:HDMI: 480I / 576I / 480P / 576P / 1080I50 / 1080I60 / 720P50 / 720P60 / 1080P50 / 1080P60Composite: PAL/ NTSCLCD panel

S-1071HF7-inch waveform HDSDI/HDMI monitor

Features:1024×RGB×600 - 16:9 / 4:3 adjustableHD/SD-SDI, HDMI, Composite video inputsHDMI converted to SDI output by a Build-in ConverterWaveform (Y/Cb/Cr/R/G/B), with full scaleVector scope - R G B HistogramPeaking focus assist (red/blue switch)False color, Blue only, ZebraUnderscan / Overscan switchCanon DLSR scale zoom-inCustomer editable video TITLEAudio meter (SDI 16-ch, HDMI 2-ch)SDI time code

M-1071Arack mount Audio/Video LCD monitor

Speci�cation:- 7-inch LCD, 1024×RGB×600- 16:9 / 4:3 adjustable- HD/SD-SDI, HDMI, CVBS input- 3.0-inch antimagnetic coaxial speaker- 16-ch VU/PPM audio meters display- Lissajous patterns display- Audio peak wave display- Pair audio Selectable output- 3-color TALLY light- Underscan / Overscan switch- Customer editable video TITLE- Video zoom-in- Video �ip- 19-inch 3RU rack mount

35

Monitors

SmartView HDBlackmagic Design 17” SmartView HD Studio Monitor

Supports SD/HD/3 Gbps SDI FormatsResolution -1920 x 10803 Gb/s SDI Video InputsIntegrated Tally for Live BroadcastFully Digital AdjustmentsBuilt-in EthernetCentralized Network Based ControlFor Multi-monitor InstallationsFree Firmware Updates6 RU Compact Design

DVFL700LCD 7” FULL HD Monitor

7-inch LCD View�nder/Monitor with Full HD 1920x1080 resolution.Digital view�nder Interface3G-SDI input plus 4-pin DC input for use as monitor.LCD screen o�ers 1000:1 contrast ratio; 10x higher contrast than previous similar size LCD panels.Bright, 300cd/m2 screen; 850cd/m2 in High Brightness modeContrast, Peacking, Focus Magni�cation and high Brightness function controlsTally IndicatorSupplied Flexible positioning arm for most comfortable operation.

DVF-L350LCD 3.5-inch colour HD digital view�nder

960 x 540 Resolution1000:1 Contrast Ratio270 Nit BrightnessFlip-Up Eyecup with Adjustable DiopterContrast, Image Reversal, Focus ControlsAdjustable Mounting Arm Included

The Sony DVF-L350 3.5” LCD View�nder for F5 & F55 features a 3.5” TFT LCD with a 960 x 540 resolution and a �ip-up eyecup with an adjustable diopter. An adjustable mounting arm is included for comfortable positioning.

DVF-EL100OLED 0.7-inch colour HD digital view�nder

Self-Emitting OLED Technology1280 x 720 Resolution1000:1 Contrast RatioDisplays 13.28 StopsNearly 14 Stop Exposure LatitudeNo Smear or Blur26-Pin Digital InterfaceAdjustable Mounting Arm Included

The Sony DVF-EL100 .7” OLED View�nder for F5, F55, and F65 is a high-resolution, high-contrast eyecup OLED view�nder that faithfully reproduces sharp images. An adjustable mounting arm is included for comfortable positioning.

EVF-035W-3GSpeci�cations:Magnesium Housing-Light WeightRetina LCD Display; 3,54” (960x640, 16:9)160˚(H) / 160˚(V)HDMI Input & OutputVarious Scan ModeLens Shutter for protection of the EVF LCD MonitorInternal Colourbar + Pluge PatternHDMI~HDMI A. Loop ThroughSDI~SDI A. Loop ThroughPhone Jack for Calibration

EVF Flip-Up Electronic View Finder Features:External Monitor for DLSR Video Shoots3.2” (8cm) High Res Monitor:384,000 DotsEnhances Stability for Shooting VideoScaling Function2 HDMI Standard Ports3 Assignable Function ButtonsBrightness / Contrast AdjustmentsAudio Meter IndicatorBlack Sun Protection Disk Included

36

Heads

MaximaPayload Capacity : 52 kgWeight : 15 kgPan range: 360Tilt range: +/- 90Counter balance: ContinuousFluid darg: ContinuousBowl diameter: Mitchell/150 mmtemp, range: -40°/+60°C(-40°/+158°F

DELTAPayload Capacity : 22 kgWeight : 3,5 kgPan range: 360Tilt range: +/- 90 with sliding base plate +70/-60 with qiuck attachment plateCounter balance: ContinuousFluid darg: ContinuousBowl diameter: 100 mmtemp, range: -40 /+60 C (-40 /,+158 F)

FOCUS HDPayload Capacity : 12 kgWeight : 2.5 kgPan range: 360Tilt range: +/- 90Counter balance: ContinuousFluid darg: ContinuousBowl diameter: 100 mmtemp, range: -40 /+60 C (-40 /,+158 F)

MASTERFOR SONY/CANON

Payload Capacity : 30 kgWeight : 6,5 kgPan range: 360Tilt range: +/- 90Counter balance: ContinuousFluid darg: ContinuousBowl diameter: Flat Mitchell/150 mmtemp, range: -40 /+60 C (-40 /,+158 F)

GAMMAPayload Capacity : 16 kgWeight : 3,5 kgPan range: 360Tilt range: +/- 90 with sliding base plate +90/-70 with qiuck attachment plateCounter balance: ContinuousFluid darg: ContinuousBowl diameter: 100 mmtemp, range: -40 /+60 C (-40 /,+158 F)

Delta RossoPayload Capacity : 22 kgWeight : 3.5 kgPan range: 360Tilt range: +/- 90° with sliding base plate; +70°/-60° with quick attachment plateCounter balance: ContinuousFluid darg: ContinuousBowl diameter: 100 mmtemp, range: -40 ~ 158°F (-40 ~ 60°C)

C60S / C40SPayload Capacity : 40 kgPayload Capacity C60S: 50 kgWeight : 11 kgPan range: 360Tilt range: +/- 65Counter balance: 7 STEPS + 0Counter balance: 4 STEPS + 0Fluid darg: 7 + 7Bowl diameter: Flat Mitchell/150 mmtemp, range: -40 /+60 C (-40 /,+158 F)

LASERPayload Capacity : 12 kgWeight : 3 kgPan range: 360Tilt range: +/- 90Counter balance: ContinuousFluid darg: ContinuousBowl diameter: 100 mmtemp, range: -40 /+60 C (-40 /,+158 F)

LASERPayload Capacity : 12 kgWeight : 3 kgPan range: 360Tilt range: +/- 90Counter balance: ContinuousFluid darg: ContinuousBowl diameter: 100 mmtemp, range: -40 /+60 C (-40 /,+158 F)

38

Heads

509HD

Load Capacity up to 29 lb (13.1 kg)100 mm Half Ball4-Step Counterbalance MechanismErgonomic AdjustmentsBridging TechnologyAdvance Balancing Recorder

MVH500A Pro Fluid Video HeadSupports 5 kgWide Platform for Camcorders & HDSLRs60 mm Half Ball for LevelingSpring-loaded CounterbalanceIntegrated Bubble LevelSide Lock Quick Release SystemIncludes Long Quick-release Plate1/4” and 3/8” Camera Tie-Down ScrewsLeft and Right Mounting RosettesAdditional 3/8” Accessory Connection

MVH502AH PRO VIDEO HEAD FLAT BASE-MSIZE

5.5 kg Weight CapacityCounterbalance Supports 4 kgBridging TechnologySpring-Loaded Counter BalanceContinuously Adjustable Pan/Tilt DragPan Bar & Sliding Plate Included

Full smoothness control while shooting thanks to the variable �uid mechanisms. Ideal for latest camcorder and HDSLR cameras supplied with external accessories (4kg max capacity). The head can be combined with all photo tripods, thanks to the 3/8” female thread.

504HD SYSTEMS

Supports 16.5 lbs (7.5kg)Unique Bridge Architecture75mm Half Ball4-step Counterbalance SystemIlluminated Bubble Level

MVH502APRO VIDEO HEAD 75MM -M SIZE

5.5 kg Weight CapacityCounterbalance Supports 8.8 lbBridging TechnologySpring-Loaded Counter BalanceContinuously Adjustable Pan/Tilt DragPan Bar & Sliding Plate Included

526526 Professional Fluid Video Head

The 526 Professional Fluid Video Head directly addresses the heavy-duty, high-end ENG and EFP video market by o�ering a feature-packed �uid video head that borrows all the combined bene�ts of our 500 series heads with the ability to support top weight loads over 6.8 kg. The 526 features a replaceable and removable pan arm rosette so if any damage occurs to the side castings, only a small part needs to be replaced; large rubber padded knobs for better grip and all the controls (tilt and pan lock, tilt drag) are located on the left side so they can be easily found.

MVH500AH Fluid Video Head5 kg Weight CapacityWide Platform for HDSLRsSide Lock System for Safer MountingAluminum Alloy ConstructionSpring-loaded CounterbalanceIncludes Long Quick-release Plate1/4” and 3/8” Camera AttachmentAdditional 3/8” Accessory Connection

HI HAT 529BHead Fixing 100 mmMaximum Height 7.7” (19.5 cm)Minimum Height 5.7” (14.4 cm)Weight 5.5 lb (2.5 kg)

The Manfrotto 529B facilitates shots from the lowest possible position. The feet are rubber padded to protect delicate surfaces, and have a hole so that it can be screwed down to a ladder, apple box, or sheet of plywood.

39

Tripods

351MVB2 / 351MVCFLIGHTWEIGHT VIDEO TRIPOD

maximum height: 150 cm minimum height: 63cmweight: 3.5 kgload capacity: 13 kg closed length: 70.5 cm

515MVB / 350MVBLIGHTWEIGHT VIDEO TRIPOD

maximum height: 156 cm weight: 3.5 kgload capacity: 15 kg minimum height: 32 cmclosed length: 72 cm

546GBK / 351MVBLIGHTWEIGHT VIDEO TRIPOD

maximum height: 156 cm weight: 3.5 kgload capacity: 15 kg minimum height: 32 cm closed length: 72 cm

509HD, 545BK KITHead: 509 HD, Tripod: 545 BK

maximum height: 168.5 cmweight: 7.3 kgload capacity: 13 kg minimum height: 44.5 cm

542ART / 532ARTART CARBON FIBER PRO VIDEO TRIPOD

maximum height: 152 cm weight: 4 kgload capacity: 15 kg minimum height: 40 cmclosed length: 73 cm

504HD,546GBK KITHead: 504HD, Tripod: 546GBK


40

Tripods

509HD, 545GBK KITHead: 509HD, Tripod: 545GBK


MVH500AH,755XBKMVH500AH Fluid Head & 755XB Tripod

Flat Base Fluid Head with 11 lb PayloadWide Platform Ideal for DSLRs-70° / +90° Tilt & 360° PanAccepts Camera Plates from Above500PLONG Camera Plate Included2-Stage Aluminum TripodFlip-Lever Lock ClampsAdjustable and Removable Center-Column65” Max Height w/ Center-Column RaisedPadded, Zippered Over-the-Shoulder Bag

MVH 502A, 546 BK KITHead: 502HD, Tripod: 564GBK


504HD, 536K KITHead: 504HD, Tripod: 536K


502, 546GB 502HD Ball Base Fluid Head / 546GB Tripod

75mm Ball Base Head with 12.2 lb PayloadCounterbalance Supports 8.8 lbContinuously Adjustable Pan / Tilt DragQR Plate & Pan Bar Included2-Stage Aluminum Tripod62.4” Max HeightSpiked Feet with Rubber OvershoesTelescopic Ground-Level SpreaderPadded, Zippered, Shoulder Bag

41

Tripods

561BVIDEO MONOPOD

maximum height: 217.5 cmweight: 6.1 kgload capacity: 9 kgminimum height: 40.0 cm

557BPro Video Monopod with 3272 Sliding Quick Release Plate

maximum height: 164.1 cmweight: 1.1 kgload capacity: 11.97 kgminimum height: 66.8 cm

PORTABLE DOLLY 114MVDiameter 1120 weight: 6.1 kgload capacity: 9 kg Height: 1.5cm

MVM500AVIDEO MONOPOD

Maximum Height: 6.6’ (200 cm)Weighs Just 4.6 lbsFluid Head IncludedLong Sliding PlateSide Lock System for Safety3 Mini Legs at Base for Added StabilitySupports up to 11 lb

558BVideo Monopod with 501PL Sliding

Q.R. Plate

maximum height: 159.0 cmweight: 1.08 kgload capacity: 7.98 kgminimum height: 65.02 cm

VIDEO DOLLY 127Diameter 1120 weight: 6.1 kgload capacity: 9 kg Height: 11.5cm

562B-1Fluid Video Aluminum Monopod w/ Plate

maximum height: 193.0 cmweight: 1.4 kgload capacity: 8 kgminimum height: 69.0 cm

VIDEO DOLLY 114Diameter 1120 weight: 6.1 kgload capacity: 9 kg Height: 11.5cm

BASIC DOLLY 127VSDiameter 1120 weight: 6.1 kgload capacity: 9 kg Height: 1.5cm

42

Tripods

FOLDING AUTODOLLY

181BDiameter 1120 weight: 6.1 kgload capacity: 9 kg Height: 11.5cm

MVR-901ECEXREMOTE CONTROL FOR SONY EX1

The 521EX Sony PMW EX1 Remote Control features:Zoom: professional“wheel” zoom for �ner adjustments and smoother progressionsZoom Reverse Control - Invertible zoom direction: zoom in/out can beinverted (left to right or right to left)Zoom Speed ControlFast Zoom: preset fast zoomDedicated plug

MVR - 901 ECLAFOR SONY/CANON

Advanced remote control for Lanc (Canon/Sony)cameras. - Stand-by pushbutton - REC/STOP pushbutton - Zoom and focusdirection knob (by software ) - Multi-speed Zoom and Focus knob Focus/Zoom knob - Max-speed zoom potentiometer - Rec, Zoom and Focus indicator LED’s

521LXLANC REMOTE CONTROL

Works w/ Canon & Sony Camcorders w/ LANCAttaches to Tripod Pan HandleControl Any LANC-Addressable Parameter(5) User-Programmable ButtonsThumb Joystick Controls Zoom/Iris/FocusBacklit LCD Menu w/ Thumbwheel ControlUpdate Firmware via USB Port

MVR - 901 EPLAFOR SONY/CANON

Pan-bar remote control for cameras with Lanc (Sony and Canon). REC/STOP - Zoom direction switch -Max-speed zoom potentiometer Stand-by push button - RET push buttons (play back latest 5s) - REC, Zoom and Focus indicator LED’s - Zoom and focus direction knob (by software) - Multi-speed Zoom and Focus knob - Focus/Zoom switch Auto/Man Focus switch

Pedestal P20Maximum Pressure : 13.0 atm(250 psi)Maximum Capacity : 25 kgTotal Weight: 15 kg“Non-shot” Stroke: 40 cmStreeing Wheel Diameter: 26 cmMinimum Hight: 74 cmMaximum Hight: 161 cmWheels: 3*2 CoupledWheel Diameter: 100 mmDoorway Tracking Width min: 67 cmDoorway Tracking Width max: 97 cm

MVR - 901 EPEXINTELLIGENT ZOOM REMOTE CONTROL FOR ENG LENSES 524CFi

LANC Control on Standard Pan BarFor LANC (Sony and Canon) CamerasThe Manfrotto RC Pan Bar EX Remote Control for LANC Cameras comes mounted with a standard pan bar and is compatible with LANC (Sony and Canon) cameras.

MVR - 901 ECPLFOR SONY/CANON

Remote control can be set-up for Lanc (Canon/Sony) and Panasonic cameras.Lanc/Panasonic switchStand-by push button (for Lanc only) - REC/STOP push button Multi-speed Zoom knob - Zoom-direction switch - REC/STOP LED (for Lanc only) - Zoom direction knob (by software)

Pedestal P70Maximum Pressure P50: 17.0 atmMaximum Pressure P70: 12.2 atmMaximum Capacity P50: 55 kgMaximum Capacity P70: 65 kgTotal Weight: 28 kgTotal Weight: 28 kg“Non-shot” Stroke: 50 cmDolly Leg Radius: 50 cmStreeing Wheel Diameter: 45 cmMinimum Hight: 75 cmMaximum Hight: 140 cmWheels: 3*2 CoupledWheel Diameter: 125 mmDoorway Tracking Width: 100 cm

43

Camera Support System

MICRODOLLY Jib SystemThe unique MICRODOLLY Jib System is truly a product of the aerospace age. Designed for the crew that must travel light, the Basic Jib weighs just over 10 pounds (4.5 kg) and can easily carry camera gear loads up to 50 pounds (22.7 kg). It can be mounted on most professional tripods or hi-hats. When needed, the Jib can also be mounted upside down.For low maintenance, heavy-duty use, interior parts are permanently lubricated with baked-on Te�on.As with the MICRODOLLY Camera Dolly and Dolly Track System, the Basic Jib comes in a padded Soft Case only 34 inches (86 cm) long. Set up time is usually less than two minutes.

CARTONI JIBDesign to carry up to 10 kg the CARTONIJIB is one of the most versatile and coste�ective lightweight portables jibs.

Speci�cationsPayload Capacity : 10 kgWeight : 9 kgPan range: 360Maximum extension: 2 mt (78”)Minimum extension: 1 mt (38”)Bowl diameter: 100 mm

CAMERA SUCTION MOUNTThis CAMERA SUCTION MOUNT is ideal to safely attach a camera on a moving vehicle, aircraft, train or boat. This innovative KIT uses three strong suction cups, six universal joint clamps and a set of three 12 inch and three 18 inch rods that connect in seconds to a camera plate to position a camera or light almost anyplace. A lighting spud and stainless steel safety cable are also included.The MOUNT weighs just six pounds. (3.5.kg) Total holding force is 200 pounds. (90kg) Maximum camera weight is 50 pounds. (22.5 kg)

CARTONI JIBODThe new portable 3 section CARTONI JIBO is designed to be one of the most versatile and cost e�ective lightweight Jibs, carrying up to 15 kg (33 lbs) and �ts into a practical lightweight case on wheels. The JIBO‘s innovative unique feature of the 3 easy mounting sections provides fast and easy operational �exibility and can be assembled or disassembled in less than 3 minutes. JIBO adds the bene�t of diagonal tracking and elevation to the traditional pan and tilt movement of a standard Fluid Head. This new lightweight Jib weighs only 12 Kg (25 lbs) and folds down to 1 meter (38”) in length and allows shooting from absolute ground level to 2 meters (78”) in height.JIBO interfaces with any 100mm bowl base tripod and for heavier set-ups a Mitchell base adapter is available for sturdier use.

Dolly Track SystemThe portable MICRODOLLY Basic Kit Camera Dolly and Dolly Track System is purpose built for crews that must travel light and set up quick. It weighs only10 pounds (4.5 kg) and �ts into a Soft Case only 34 inches (86 cm) long.The Track is spring loaded and snaps together as it is unfolded.The Dolly with 13 feet (4 m) of Track can be set up in less than two minutes and will carry a video camera or �lm camera weighing up to 100 pounds (45 kg). Silent, smooth, bump free camera moves can be accomplished much quickerthan with conventional dollies and dolly equipment.

44


KC-Lite 8.0 Camera Crane The Kessler KC-Lite 8.0 has been designed to be the best “economy” crane on the market. For the �lmmaker shooting on a tight budget, using a lighter digital video or DSLR camera under 10 pounds, we feel the KC-Lite is the highest quality camera crane / jib in the sub $400 price range.

Technical SpecsCamera capacity: Up to 10 lbs. (4.5kg)Unit weight: 11.5 lbs. (5.2 kg)Folded length: 48 inches. (122cm)Extended length: 8 ft. (2.4m)Distance from tripod to camera: 5.5 ft (1.7m)Total vertical movement: 10.5 ft. (3.2m) Counter Weight Required: 7.5 lbs + (1.8 X payload weight) (3.4kg)

Kessler Pocket Jib PRO The Pocket Jib PRO has been designed for a greater weight capacity when larger cameras and rigs are being used. With its heavy duty arms, the PJ PRO can handle up to 50 lbs. in any length con�guration. This is perfect for RED’s, ALEXA’s or any other rig weighing up to 50 lbs. (We recommend the regular Pocket Jib for cameras under 20 lbs.)

Technical SpecsUnit Weight: 25 lbs.Weight Capacity: 50 lbs. (at any length)Collapsed Length: 46”Fully Extended Length: 83.5” (to end of ball relocator)Fully Extended Length: 76” (to end of platform)

Kessler Multi-Angle Mounting Plate

The Kessler Multi-Angle Mounting Plate is designed to work in conjunction with the Kessler Low Pro�le Ball Head. The mounting plate can be attached in a 45° or 90° con�guration and, coupled with the range of movement of the Low Pro�le Ball Head, will allow for con�guring you camera at just about any angle you desire. The ability to mount to the LP Ball Head in a 90° con�guration is ideal for doing vertical slider moves. With the optional Multi-Angle Cheese Plate, you can also attach various accessories and mounts; even another Multi-Angle Mount. Weight Capacity: 18 Kg

Pocket Jib TravelerThe Pocket Jib Traveler is Kessler’s newest and most compact Pocket Jib designed for shooters that require an ultra-portable jib solution. The Pocket Jib Traveler is 27 inches in length when collapsed and has a circular travel distance of 72 inches when fully extended. It surpasses other ultra-portable jibs through is unique design and light footprint, providing shooters with the perfect travel companion as they trek through extreme environments to capture the perfect shot.

Weight: 5.5 lbs. Collapsed Length: 27” Circular Travel: 72” Weight Capacity: 10 lbs. Total Vertical Movement: 62.3”

45


DollyCraneA multi-award winning, counter-balanced, multi-function, multi-angled camera platform combining the function of the slider, camera crane, Mini Jib and tower. Once set up, the system can instantly change its function from slider to dolly crane / Mini Jib and back thanks to its unique construction.

The DollyCrane can be assembled quickly by just one operator using standard heavyweight tripod. The DollyCrane will carry payload up to 12kg.

AnglesDollyCrane supports various angle operations. Uniquely designed counterbalance system ensures smooth and �rm camera operation in every angle. DollyThe mobile counterweight allows the camera to reach as far as 160 cm which is much more than in other products. Also the angles of operations are virtually unlimited – up to 60 degrees and 90 degrees vertical. CraneThe crane con�guration gives such possibilities as the movement of the camera parallel to the ground in 3 axis. Mini JubThe camera crane working as a jib gives the span of operation of 160 cm horizontally plus 360 degree scope of movements of the jib arm. There is also the possibility to tilt or pan the camera. TowerThe camera crane jib can also be used as a Tower with the help of the system of two handles which can be simply removed and repositioned. Table TopThe DollyCrane has the Table Top con�guration as well.

MotionControl MotionControl - Developed speci�cally for use with the DollyCrane and DollyCrane HD, you’ll enjoy endless possibilities of camera movement and control. MotionControl allows manual and programmed movements. Every movement, manual or programmed, may be recorded and stored for later use. There are nine persistent banks and one volatile bank available. Each movement can be repeated up to 999 times and extended “time extension” up to 99 times, allowing the user more than enough opportunity to get that perfect shot. You’ll really appreciate the wide range of speed settings from 0-20cm/sec. and a speed ramp range from 0.5-2.5 seconds. Due to the patent pending, precision counter balance system on DollyCrane and DollyCrane HD family, only one motor is required for all functions of the motion control. The MotionControl System allows the use of the mutli-angled slider to achieve a wide range of unique shots.

DollyCrane HDThe new heavy duty DollyCrane HD features the same revolutionary design features as the standard DC but will accommodate camera and head combinations of up to 32kg, mak ing in an ideal grip companion to more traditional feature, drama and commercial shooting packages. With the increased weight capacity, the DC HD can be used with fully built studio digital cameras such as the Arri Alexa, Sony F35 and Panavision Genesis, as well as traditional 16mm & 35mm �lm cameras.

The unique counterweighted slider can be operated at almost any angle, including vertical, and also doubles as a mini-jib.

The DC HD can be ordered with a MOY or 150mm BOWL �tting for use with your existing heavy duty MOY legs or bazooka.

Pan & Tilt Head ADAPTER The new, low pro�le plate for the FloatCam DollyCrane and DollyCrane HD, car mount systems, and many other devices, provides a stable platform when �uid movement is not required. Quite often, when doing timelapse or motion control imaging, it is important to keep the camera steady in a predetermined, locked-down position. The Low Pro�le Plate allows you to make precise positioning to both pan and tilt functions before securing the camera to begin your shooting sequence. It lowers the center of gravity on the camera package to ensure stable, solid imaging. The Low Pro�le Tilt Plate can also be used on car mount systems and other applications where camera lock-down is preferred over camera movement.

46


SC-SUPERJIB12Very responsive head with smooth movement, matching the level of famous brand in crane and remote head industry. Slip ring installed for pan movement allows remote head could pan unlimited. Remote head has max payload of 20kg, and it is compatible with most ENG camera with either Canon or Fuji lens.

Speci�cationsArm reach: 10 mDistance from the column to end: 2 m Max. lens height: 8.3 mMin. lens height: 6.9 mHeight of column (with tripod & dolly): 1.8 mTilt range: -55^ / 45^Dolly width: 0.82 mShipping Weight: 275 kg

SC-TravelerJIBENG6

Very responsive head with smooth movement, matching the level of famous brand in crane and remote head industry.Slip ring installed for pan movement allows remote head could pan unlimited. The HD signal can go through the slip ring, which means the remote head can output HD signal.

Speci�cationsArm reach: 3.38 mMax. lens height: 4.69 mMin. lens height: -2.69 mTilt range: -70^ / 60^Tripod Height Range: 1.47 - 1.75 m

SC-TravelerJIBDV6

Very responsive head with smooth movement, matching the level of famous brand in crane and remote head industry.Slip ring installed for pan movement allows remote head could pan unlimited. The HD signal can go through the slip ring, which means the remote head can output HD signal.

Speci�cationsArm reach: 4.38 mMax. lens height: 4.69 mMin. lens height: -2.69 mTilt range: -70^ / 60^Tripod Height Range: 1.47 - 1.75 m

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Travel SeriesThe world-famous CamMate Travel Series is a more economical version that consists of four-foot sections packed in durable hard cases for frequent location traveling. In addition to our strong aerospace design, the Travel series features 15 minute set up times; con�guration changes in 10 minutes and electronic head inversions in less than 30 seconds. All of these design features make your job on location faster and easier.

2000 SeriesamMate’s world famous 2000 Series is for applications requiring extended camera height and reach. The NEW CamMate 2000 Series will provide quality, precision moves, and control, allowing you to reach new heights.Constructed with our high strength 6 foot extensions, the CamMate 2000 Series gives you more combinations with greater weight limits. With all the same electronics features as our famous Travel Series, combined with a much greater camera reach, the CamMate 2000 series can’t be beat!

T 18 CamMate Travel Series

Speci�cationsLens Height:18ft - 5.49mReach: 13ft - 3.96mTotal Length: 16’5” - 5.00mBallast Needed: 132 lbs. - 59.87 kilosWeight of Crane: 82 lbs - 37.19 kilos


Speci�cationsLens Height: 11ft - 3.35mReach: 5ft - 1.52mTotal Length: 8’5” - 2.57mBallast Needed: 9 lbs. - 4.08 kilosWeight of Crane: 53 lbs - 24.04 kilos


Speci�cationsLens Height:21ft - 6.40mReach: 17.5ft - 5.31mTotal Length: 21’5” - 6.53mBallast Needed: 219 lbs. - 99.34 kilosWeight of Crane: 100 lbs - 45.36 kilos


Speci�cationsLens Height: 15ft - 4.57mReach: 9ft - 2.74mTotal Length: 12’5” - 3.78mBallast Needed: 61 lbs. - 27.67 kilosWeight of Crane: 67 lbs - 30.39 kilos


Speci�cationsLens Height:25ft - 7.62mReach: 21ft - 6.40mTotal Length: 25’5” - 7.75mBallast Needed: 247 lbs. - 112.04 kilosWeight of Crane: 126 lbs - 57.15 kilos17.5ft - 5.31m

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2024 CamMate 2000 SeriesSpeci�cationsLens Height:24’ 1” - 7.34mReach: 20’ 1” - 6.12mTotal Length: 25’ 2” - 7.67mBallast Needed: 326 lbs. - 147.87 kilosWeight of Crane: 144.5 lbs. - 65.54 kilos

2012 CamMate 2000 SeriesSpeci�cationsLens Height:13’ 5” - 4.09mReach: 7’ 3” - 2.21mTotal Length: 12’ 4” - 3.76mBallast Needed: 41 lbs. - 18.60 kilosWeight of Crane: 84 lbs. - 38.10 kilos



2018 CamMate 2000 SeriesSpeci�cationsLens Height:18’ 9” - 5.72mReach: 13’ - 4.17mTotal Length: 18’ 9” - 5.72mBallast Needed: 128 lbs. - 58.06 kilosWeight of Crane: 114.25 lbs. - 51.82 kilo

2039 CamMate 2000 SeriesLens Height:34’ 9” - 10.59mReach: 32’ 11” - 10.03mTotal Length: 41’ - 12.50mBallast Needed: 465 lbs. - 210.92 kilosWeight of Crane: 262 lbs. - 118.84 kilos

2050 CamMate 2000 SeriesLens Height:45’ 5” - 13.84mReach: 45’ 9” - 13.94mTotal Length: 53’ 10” - 16.41mBallast Needed: 905 lbs. - 410.50 kilosWeight of Crane: 358.25 lbs. - 162.5 kilos

Dutch Roll Cradle360 degree Dutch Roll Head

CamMate Dutch Roll Cradle is the upgrade you need to create more artistic moves that include a variety of Dutch angles. Thanks to our exclusive slipring mechanism, you can now roll your camera 360 degrees and still achieve 360 degree pan moves at the same time.

No other system will give you this range of motions with the same smooth results. And the CamMate Dutch Roll Cradle can be added to the Standard L Head or the HD Fiber Optic L Head .

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Spreading Wings S1000

The new DJI S-1000 Octo Copter is speci�cally designed for heavy lift operations. When combined with the new Zenmuse Z15 for the Canon 5D mark II or mark III you have the ultimate in an aerial photography platform.A unique folding design increases portability and allows for a quick set up and pre-�ight on the job site.

Part of Specs:Spreading Wings S1000Flight Time: 15min with Z15-5D Gimbal, 15000mah Battery (1.8kg);

Spreading Wings S800

Spreading Wings S800 is a professional Hex-Rotor Platform Big Aircraft, designed for commercial aerial photography (AP) and experienced model enthusiasts. It has the advantage of stable �ight, large load weight and long �ight time. Combined with DJI WooKong-M multi-rotor autopilot system, S800 can easily perform precise hovering, constant-speed cruise and big maneuverability turning.

FeaturesThe Professional Hex-rotor PlatformCircuit-integrated Center Frame

Flight Time: 19min with Z15-5D Gimbal, 20000mah Battery (2.4kg); Retractable Landing GearOptimized Installation Space for DJI A2 Multi-rotor Autopilot System;

Take-o� Weight: 10kg;Carbon-pipe Frame Arms, Foldable;Aircraft Weight:4.3kg;Diagonal Wheelbase: 1100mm;4114 Motor;15in Foldable Propellers;XT90 Plug for Battery Connection;

High-integrated Frame Arms DesignIntegration Design Of ESCThe High Perormance Brushless Motors

WooKong-M IMU installation position has been reserved in the Centre Frame. In addition, signs on the slot of the Centre Frame clarify the channels’ numbers of the WooKong-M IMU, which helps users to install the autopilot system correctly and rapidly.

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Zenmuse Z15Plain and simple…gone are the days of shaky, unstable footage! Whether you are shooting a movie or commercial, or performing a search and rescue mission, shaky footage is the number one problem plaguing the aerial photography industry. After all, what good is a view from the sky if it’s unusable? Through the use of 3-axis gyros, inertial measurement unit feedback, and special Direct Drive modules, the Zenmuse line of camera gimbals achieve sub-pixel stabilization. This performance was previously only achieved in the most expensive full-scale helicopter gimbals; most of which cost upwards of $500,000. Now, for less than 1% of that cost, you can achieve perfectly stable footage every �ight…even in windy conditions!

Zenmuse gimbal with the speci�ed camera mounted has to be combined with DJI professional autopilot system.

The Spreading Wings S800 hex-rotor platform and Zenmuse Z15 gimbal are a perfect match.

ZENMUSE Z15-5DThe DJI Zenmuse Z15-5D gimbal, based on the technology of the Zenmuse Z15 series gimbal, inherited its predominant strength/weight ratio because of its unique structural design. This release marks another breakthrough in gimbal systems and the precision range of the control angle is within ±0.02°. When used with DJI A2 professional �ight controller and an Octo-copter, it will remain stable and precisely with the highest level of stability in controlling any camera equipment even if the aircraft is in strong wind or at high speed. Undeniably, it is the top choice in professional �lming or aerial photography.

Functions:3-axis stabilizationShutter controlRecord controlThe maximum angular velocity:Pan 130°/sTilt 130°/sRoll 30°/sSupported camera and lens:EOS 5D Mark II + EF 24mm f/2.8 ISUSMEOS 5D Mark III + EF 24mm f/2.8 ISUSM

The Zenmuse Gimbal system o�ers three types of control modes. Orientation-locked control mode, Non Orientation-locked control mode and Back to Mid-point mode (Horizontal mode). These three modes can be switched both quickly and easily to support the many di�erent requirements of aerial photography.

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Phantom 2 VisionQuadcopter with Integrated FPV

14 MP Stills and 1080p Video2.4 GHz Wi-Fi Downlink for SmartphonesUp to 25 Minutes Flying TimeiOS/Android App for Monitoring/ControlSmartphone Mounts to Controller for FPVGPS-Based Autopilot with Return to HomeIntelligent Orientation Control (IOC)Supports Dual Flight Control ModesLED Indicators & Low Voltage ProtectionSelf-Tightening Prop Design

ZENMUSE H3-2DPLUG AND PLAY, TAKE THE GOPRO TO NEW HEIGHTS

2-AXIS Professional Gimbal With High PerformanceEasy to install, Plug and PlayCustomized for GoPro Hero3Compatible with DJI �ight control systemsThe Core Technology Inherited from the ZenmuseIndependent IMU moduleExtremely light weight with solid mechanical designIdeal Choice for Phantom and Flame WheelOnline Upgrade

Phantom 2Quadcopter with Phantom 2 Gimbal and Transmitter

Phantom 2 Gimbal for GoPro HERO3/ HERO3+6-channel, 2.4GHz Wi-Fi TransmitterUp to 3,280’ Line-of-Sight Wi-Fi RangeUp to 22 Minutes Flying TimeNaza-M V2 Flight Control SystemGPS-Based Autopilot with Return to HomeIntelligent Orientation Control (IOC)Supports Dual Flight Control ModesLED Indicators & Low Voltage ProtectionSelf-Tightening Propeller Design

FLAME WHEEL ARF KITMULTIROTOR FLYING PLATFORM FOR ENTERTAINING AND AMATEUR AP.

ULTRASTRENGTH MATERIALFrame Arms adopt PA66+30GF ultrastrength material design, providing better crashworthiness.

INTEGRATED PCB WIRINGThe use of high strength compound PCB frame board, makes wiring of ESCs and battery safer and easier.HUGE ASSEMBLY SPACEOptimized frame design, which provides abundant assembly space for autopilot systems.ATTRACTIVE FRAME ARMSProvide di�erent color frame arms: red, white, black, which makes your �ight more colorful.A TOTAL SOLUTION FOR HOBBYISTSThe DT7 RC system works perfectly with DJI �ight control systems requiring only a single D-Bus cable, and provides two switches and a gimbal pitch control slider. Combined with a Naza-M �ight control system, Flame Wheel series �ight platform and an H3-2D gimbal, it creates the best total solution for hobbyists.

Phantom FC40Quadcopter with FPV Camera and Transmitter

Detachable First-Person View CameraCapture 720p, 30 fps Aerial ShotsWide-Angle, 100° Field of View LensNaza-M V2 Flight Controller with IOC6-channel, 5.8GHz Wi-Fi Transmitter2.4GHz Wi-Fi Downlink for Mobile DevicesUp to 984’ Transmitter & 328’ FPV RangeMonitor/Control Camera Using Mobile AppBattery Provides up to 12 Minutes FlyingSelf-Tightening Propeller Design

Phantom Quadcopter with GoPro Mount

8” Self-Tightening Propeller BladesAdd Exciting Aerial Shots to Your MoviesMount is Compatible with GoPro CamerasIntegrated GPS Flight ControlNaza-M V2 Autopilot with FailsafeMax Horizontal Flight Speed of 10m/sMax Vertical Flight Speed of 6m/sIntelligent Orientation Control (IOC)Supports Dual Flight Control ModesLED Indicators & Low Voltage Protection

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GF-PrimoAs the deluxe model, the GF-Primo Base has a central “one touch” selector allowing for immediate, one handed, switch over to crab, front or rear wheel steering. Its telescopic and inclining steering rod perfects the GF-Primo’s manoeuvrability and puts it in a league of its own.

GF-Primo DollyGF-Primo Dolly

FeaturesElectromechanical column with 48 Volt digital electronic.Column is rotatable and can be separated from the base dolly.The battery connection is a “drop and go” system where the batteries are simply slotted into position, secured and ready to go.The multifunctional turnstile mount accepts four adapters to provide a wider range of seating and camera positions e.g. two persons, two cameras.The stable, multifunctional platform set is machined to give a selection of threaded and non-threaded holes for mounting various adapters such as lighting stands, monitor holders, seat arm extensions etc. as well as providing a solid base for the operators to stand on.Constructed of the highest quality CNC machined parts with Hard Coated ® �nish.Rotatable & Removable Column

Because of the quiet and smooth bearing located in the chassis of both the GF-Primo and GF-Secondo Base Dollies, the 48 Volt electromechanical column is 360 degree rotatable and can be separated from the base dolly for easy transportation.This feature also allows the base dollies to be �tted with Base Plates witheither Euro-adapters or turnstile mountsMultifunctional Turnstile Mount

The multifunctional turnstile mount accepts four adapters to provide more seating and camera positions than other central column dollies e.g. two persons, two cameras. By attaching standard GFM accessories such as the Combi-rig, high/low rigs, o�-set brackets etc directly onto the turnstile mount, changing the camera position in relationship to the camera operator is a simple matter. This function combined with the rotatable column enables position adjustments of the camera or operator to be made without any great e�ort, creating a �exible and comfortable working situation.The turnstile bracket is machined from solid, high grade aluminium and provides a selection of threaded (12 mm & 3/8”) and non-threaded holes (12, 25 & 28 mm). The perfect tool for mounting various adapters such as low shot plates, lighting stands, monitor holders, seat arm extensions, counter weight rods etc.

The Ultimate Platform System

The GF-Primo’s and GF-Secondo’s patented, multifunctional platform system is machined from high grade aluminium and provides a selection of threaded (12 mm & 3/8”) and non-

threaded holes (12, 25 & 28 mm).It’s the perfect tool for mounting a wide range of adapters with special clamps available for attaching sca�old tubes, o�ering even more rigging options. As well as providing a solid base for the operators to stand and walk on, when used in conjunction with seat arm extensions, steps or low platforms can be built allowing alternative standing positions at higher or lower levels. The GF-Platforms are easy to handle and have an integrated carry grip. The unique locking system utilizes the bases carry handles, ensuring a fast, quiet and no-play connection.

The GF-Low Platform System

GFM’s Low Platform System compliments the standard system by o�eringvariable platform heights plus an extension of the standing room on the dolly base.The multifunctional platform set is machined from high grade aluminium and also has a selection of threaded (12 mm & 3/8”) and non-threaded holes (12, 25 & 28 mm) as well as elongated slots.Low shot plates, lighting stands, monitor holders, seat arm extensions, counter weight rods, sca�old adapters etc can all be mounted. Track or skateboard wheels can be attached for use on straight track.It is a 2 part construction. The main section of the platform to be combined with the standard platform set providing a larger standing area. The Low Platform is also available in a simpler version excluding the multifunctional features but providing variable heights etc.

Pneumatic “BIG” Wheels

The all terrain, quick release, pneumatic “BIG” wheels are a unique featurewith GFM dollies. They attach to the standard studio wheels, without the use of tools, and are clamped to them in seconds through a special locking claw. The standard wheel brake is used to secure and lock o� the base on slopes etc. Due to their stability and extra ground clearance, the dolly can not only be transported over rough terrains but also used for shooting on rougher surfaces than with normal pneumatics.

GF-Primo Dolly Speci�cations

Duration of compl. lift range max speed 2,5 secondsLift range 70cm / 27”Minimum column height 70cm / 27”Maximum column height 140cm / 54”Lift capacity (extended) 250kg / 550lbsLift capacity (retracted) 900kg / 1980lbsNumber of column lifts 200 (approx.)Transport dimensions 107 x 53 x 70cmTransport weight Base 80kg / 176lbsTransport weight Column w/o batteries 68kg /149lbsOperational weight with batteries 60kg / 352lbs

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GF-Secondo Dolly

FeaturesSelection of front, rear and crab steering.Four steering positions.The telescopic steering rod provides comfortable manoeuvrability and control of dolly moves.Ergonomic hand control unit with full control display.Electromechanical column with 48Volt digital electronicStarting position on the column is 72cm / 27”, with a lift range of 70cm / 27” extending to a maximum height of 142cm / 55” in a fast, 2.5 seconds.Column is rotatable and can be separated from the base dolly.The battery connection is a “drop and go” system where the batteries are simply slotted into position, secured and ready to go.The multifunctional turnstile mount accepts four adapters to provide a wider range of seating and camera positions e.g. two persons, two cameras.The stable, multifunctional platform set is machined to give a selection of threaded and non-threaded holes for mounting various adapters such as lighting stands, monitor holders, seat arm extensions etc. as well as providing a solid base for the operators to stand on.Constructed of the highest quality CNC machined parts with Hard Coated ® �nish.

GripKit Dolly

Expanding the Grip Kit system to provide a lightweight, tracking dolly function for standard or narrow guage dolly track (62cm / 24.5” or 38cm / 15”) requires regular Grip Kit components i.e.Bazooka Base Centre Plate, 4 x Extra Long Legs 41cm / 16” 4 x 4 Skateboard Wheels.By using the 21cm / 8” legs the base can be �tted to narrow guage track.A, 2 part, hard coated aluminium platform is available for standard track whereas a 1 part platform can be used for narrow guage. A turnstile mount is also available in addition to the standard Euro-adapter mount.The skateboard wheels, designed and produced by GFM, o�er a smooth and easy tracking movement enhancing the Grip Kit’s use as a multi-functional rigging tool.

GripKitDolly with turnstile mount, seat and riser

GF-Track

Standard lengths 90cm / 3ft160cm / 5ft230cm / 7.5ft

GF-Track is a dolly and crane track system that perfectly combines the advantages of both aluminium and stainless steel as the working materials.Standard widths are 62cm (24,5”) and 100cm (39”).Curves are available in 62cm (24,5”) width and can be connected to straight track in either a left or righthand curve.There are 2 circle sizes available:

Small circle:Inside diameter 360 cm (11’ 9”) / Outside 480 cm (16’)Standard circle:Inside diameter 480 cm (16’) / Outside 600 cm (20’)The TÜV Süddeutschland have safety type tested and approved theGF-Track according to European guidelines for the scope of applicationunder EC directives.This certi�cation is based on state-of-the-art-technology.

GF-Quad Dolly

Designed to provide the ultimate in mobilty and versatility. Withit’s 3 way steering system the GF-Quad manouvres on small setslike no other platform dolly

FeaturesFront wheel steeringRear wheel steering4 wheel inverted steeringSmallest circle = 80cm / 31”- Straight wheel lock ofQuick release pneumatic, track or skateboard wheelsSteering transmission lock o�Removeable steering rod with angle adjusterMounts on standard dolly track (62cm / 24,5”)Hard coated aluminium construction

Duration of compl. lift range max speed 2,5 secondsLift range 70cm / 27”Minimum column height 72cm / 28Maximum column height 142cm 55”Lift capacity (extended) 250kg capacity (retracted) 900kg Number of column lifts 200 (approx.)Transport dimensions 79 x 68,5 x 72cmTransport weight Base 69kg Transport weight Column w/o batteries 68kg Operational weight with batteries 149kg

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Skateboard wheels GF-T rack wheels Steering transmission lock o�

GF-HiLo Swivel Brackets

GF-HiLo Swivel Bracket Kit (rotates 360°)41cm/16” with speed clamp adjustment AL-237625cm/10” with speed clamp adjustment AL-2377

The new GF-HiLo Swivel Brackets enable a change of camera position from high to low or underslung to overslung within seconds.

GF-HiLo Swivel Brackets

The speed clamps have an automatic engage and disengage locking mechanism. When released, the bracket can be rotated and �xed at each 10 degree angle allowing 360° rotation. Both brackets have 2 female Euro-mounts for �tting an extension tube or Euro-adapter. The brackets can be used on most dollies and the modular concept accepts not only GFM accessories but also accessories from other manufacturers.

Removeable steeringrod with angle adjustment

Steering mode changeover

Side platform, snap lock

GF-HiLo Swivel Clamp with automatic engage and disengage locking mechanism

41cm/16” bracket as o�/set arm with Double ended Euroadapter

Connect camera mount and rotate as required

41cm/16” bracket with 35cm extension tube

41cm/16” bracket and 25cm/10” bracket with 35cm extension tube

Extension tubes

O�-set 4 way levellers

With an O�-set Ball Adapter

Front wheel steering

4 wheel steering

Rear wheel steering

Quick release system

O�-set 3 way levellers

O�-set ball adapters

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Poise SwiftCam G2for GoPro Hero 3Designed to enhance the video quality ofhandheld GoPro shooting!

The Handled 2- axis BL Gimbal stabilizes your GoPro withbuilt-in 2-axis gyro, provides wider and adjustable shootingangles by simply pressing buttons on the pole. Go outdoorexercising, skateboarding, downhill cycling with theSwiftCam G2 and experience how cool your life can be. No matter how jolted your journey is, the SwiftCam G2will smoothen it and record your bittersweet memoriesalong the way.

Features:Standard attachment point for GoPro cameras.Light weight, high strength anodized aluminum pole.Built-in 2-axis gyro system.Remote control angle adjust design.Durable Brushless motors provides ultimate response to every move you made.Rechargeable battery pack and charger included.

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SMOOTH SHOOTERPROFESSIONAL CAMERA STABILIZATION SYSTEM

The GLIDECAM SMOOTH SHOOTER is the World’s most sophisticated and a�ordable body mounted Camera Stabilization System designed for Cameras weighing up to 6 pounds when used with the Glidecam 2000 Pro, or for Cameras weighing from 4 to 10 pounds when used with the Glidecam 4000 Pro. The GLIDECAM SMOOTH SHOOTER system will allow you to walk, run, go up and down stairs, shoot from moving vehicles and travel over uneven terrain without any camera instability or shake.

The SMOOTH SHOOTER system works by isolating your body’s motion from your camera, while your camera is balanced in a relatively motionless and isolated state.

GLIDECAM HD-2000PROFESSIONAL CAMERA STABILIZATION SYSTEM

The amazingly advanced and totally re-engineered Glidecam HD-Series™ from Glidecam Industries represents the top of the line in hand-held Camera Stabilization.

The lightweight and state-of-the-art Glidecam HD-1000, HD-2000 and HD-4000 hand-held Camera Stabilizers will transform your hard to watch, shaky camera footage into hypnotically smooth, professional footage.The Glidecam HD-Series o�ers advanced features and a degree of sophistication never before seen in a line of Hand-held Camera Stabilizers.With the Glidecam HD-Series hand-held Stabilizers your camcorder seems to �oat, always balanced, isolated from your hands undesirable motions. Now you are free to move with your camera - panning, tilting, booming or running without any camera instability or shake.

THE GLIDECAM X-10PROFESSIONAL CAMERA STABILIZATION SYSTEM

The GLIDECAM X-10 is a highly advanced, professional camera stabilization system designed for cameras weighing up to 6 pounds when used with the Glidecam 2000 Pro, or for Cameras weighing from 4 to 10 pounds when used with the Glidecam 4000 Pro. The GLIDECAM X-10 system will allow you to walk, run, go up and down stairs, shoot from moving vehicles and travel over uneven terrain without any camera instability or shake.

The GLIDECAM X-10 is very similar in design to the Glidecam Smooth Shooter; however the X-10 comes with both sections of its support arm being able to move vertically, whereas the Smooth Shooter comes with only the front section of its support arm being able to move vertically. Also, the X-10 comes with a trimmable Arm-to-Vest Connector, whereas the Smooth Shooter’s Arm-to-Vest Connector is not trimmable.

GLIDECAM X-20PROFESSIONAL CAMERA STABILIZATION SYSTEM

The GLIDECAM X-20 is a highly advanced, professional camera stabilization system designed for �lm and video cameras weighing from 10 to 20 pounds. The GLIDECAM X-20 System incorporates advanced engineering and precision machining, making it the most sophisticated and versatile system in its price range.

The GLIDECAM X-20 system will allow you to walk, run, go up and down stairs, shoot from moving vehicles and travel over uneven terrain without any camera instability or shake. The complete X-20 system is comprised of a Support Arm, a Support Vest and a Support Sled.

The GLIDECAM X-20 system works by isolating your body’s motion from your camera, while your camera is balanced in a relatively motionless and isolated state. The GLIDECAM X-20’s Support Arm can be boomed up and down, as well as pivoted in and out, and side-to-side. It is the combined low friction booming and pivoting action of the Support Arm that isolates your body’s motions from the camera enabling you to create super smooth moving camera footage.

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MŌVI M10A Stabilized Gimbal Born inTha Sky Reimagined For The Ground

Introducing a handheld 3-axis digital stabilized camera gimbal, so advanced, it rede�nes the possibilities for camera movement. The heart of the gimbal is Free�y’s proprietary high performance IMU and brushless direct drive system. The gimbal is 100% custom designed in-house by our engineering team. No compromises were made to accommodate o�-the-shelf brushless motors, motor drives or IMUs. Creating the gimbal from scratch allowed Free�y to precisely execute our vision for the next generation of stabilized camera gimbals.

FEATURES:MAJESTIC MODE (PAN/TILT)Patent pending Majestic Mode allows for a single operator to intuitively control the pointing of the gimbal by moving the handles without compromising the stabilization of the image.TRANSLATION COMPENSATIONREMOTE FIRMWARE UPDATABLEDRIFT FREE HORIZONSILENT DRIVESHOT RECORDECUSTOM DIRECT DRIVE MOTORSUSER ADJUSTABLE SHAKEY CAM

MŌVIM5A Stabilized Gimbal Born inTha Sky Reimagined For The Ground

Bring big-budget camera moves to your productions. The MōVI M5 draws on the advanced stabilization technology developed for the MōVI M10 allowing for amazingly smooth footage in even the most demanding situations. The compact form factor and lightweight nature of the MōVI M5 allows camera movement that would be impossible in the past. With the release of the MōVI M5, Free�y aims to bring big budget caliber camera moves to a wider range of productions. Introducing a handheld 3-axis digital stabilized camera gimbal, so advanced, it rede�nes the possibilities for camera movement. The heart of the gimbal is Free�y’s proprietary high performance IMU and brushless direct drive system.

FEATURES:MAJESTIC MODE (PAN/TILT)LIVE WIRELESS TUNING & GRAPHINGREMOTE FIRMWARE UPDATABLESILENT DRIVECUSTOM DIRECT DRIVE MOTORSUSER ADJUSTABLE SHAKEY CAM

MŌVI MRIntroducing a new multirotor 3-axis digital stabilized camera gimbal so advanced it rede�nes the possibilities for aerial camera movement. The heart of the gimbal is Free�y’s proprietary high performance IMU and brushless direct drive system. The gimbal is 100% custom designed in-house by our engineering team. No compromises were made to accommodate o�-the-shelf brushless motors, motor drives or IMUs. Creating the gimbal from scratch allowed Free�y to precisely execute our vision for the next generation of stabilized camera gimbals. In creating this camera gimbal, we aim to empower a new era of stabilized aerial cinematography.

Additional MōVI MR Features:Majestic ModeTranslation CompensationLive wireless tuning & graphingRemote Firmware UpdatableDrift Free HorizonSilent DriveShot RecorderCustom Direct Drive Motors

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FS700 shoulder rig kitExcellent accessory can improve the camera’s operation. It should be simple and practical without unnecessary attachment. Movcam meticulously developed this kit for Sony NEX-FS700 camera, which brings out more potential of the camera in di�erent shootings.Modular design, lightweightIncluding standard 15mm LWS baseplateIncluding shoulder pad for convenient shooting on shoulderCompletely compatible with 19mm systemCompatible with Movcam LDP (LWS dovetail sliding plate)Easy setup with no requirement for any modi�cation of the camera body Obstruction-free operation after setupColor: silver and black

1DC Support KitManufactured in the highest quality by Movcam, a world leading company dedicated in camera support systems.Works with Canon EOS 1D C/1D X DSLR.Kit include:IDC base plateSide bracketTop palteTop handlerod clamprod clamp5D riser plateLWS Dovetail

Blackmagic Pocket Cinema Camera CagesExcellent accessory can improve the camera’s operation. It should be simple and practical without unnecessary attachment. Movcam meticulously developed this kit for Blackmagic Pocket Cinema camera, which brings out more potential of the camera in di�erent shootings.Kit include:HandleBMPCC CageRiser BlockLens Mount SupportPlate Base LWS

C300/C500 Shoulder RigManufactured in the highest quality by Movcam, a world leading company dedicated in camera support systems.Works with Canon EOS C300 and Canon EOS C500.Kit include:Top ExtensionC300/C500 LWS BPSide HandleHandgrip UnitLWS quick-release shoulder padRosette bracket8” 15mm rod x2Battery bracket12” 15mm rod x2LWS Dovetail Plate

Blackmagic Pocket Cinema Camera Cage Kit V2Manufactured in the highest quality by Movcam, a world leading company dedicated in camera support systems.Works with Black Magic Design Cinema Camera (BMCC) and Black Magic Design Production Camera 4K (BMPC 4K).Kit include:Top Handle KitSide HandleRiser BlockHandgrip (L)Handgrip (R)Base PlateLWS Base PlateRossette Bracket

SIX (RD) STARTER PACKAGE (BMC)The six rough diamond starter package is a ultimative compact and lighweight support solution for the blackmagic design cinema camera.It consists of the six rd top base (bmc), 15mm rods, six rd top handle, cold shoe and the mounting accessories (screws and allen key).The six rough diamond top base is especially designed for the blackmagic design cinema camera. The base can be screwed on the upper side of the camera with three screws.

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Stinger For Canon C100-C300-C500The Stinger for Canon C100-C300-C500 is an in-line system best used on long shooting days. It is a balanced shoulder mounted rig. It features our C300 Studio Baseplate which attaches to the camera with 3/8” 16 and ¼” 20 screws. This baseplate features a pair of 15mm rods that are 12” long running through the length of the baseplate. You can quickly reposition the rods for various lens lengths by loosening the 2 levers, one on each side of the baseplate. On each side of the baseplate there is a set of 15mm lightweight holes. The side holes take 15mm female rods that are locked via an Allen screw. You can add an arm, a rod or an EVF Mount. Or you could add two short female/female rods and mount a Zwiss Plate V2 with professional batteries o� of the side when shooting on a tripod for better balance.

SIX SHOULDER RIG “HEAVY DUTY” (DSLR)The six shoulder rig “heavy duty” for dslr cameras allows to operate the camera comfortable from the shoulder. It gives you a variety of con�guration possibilities - you can use it with external monitors or you can operate the camera by the camera-display. You can also use 15mm lws-accessories over the 15mm lws-adapter.This package includes:Six reaper + camera adapterSix module heavy dutySix shoulder padSix 15mm lightweight adapter2X six 15mm rods (150mm)2X six masterkey handle packageNoga arm short

SIX (RD) BULLIT PACKAGE 1 (BMC)The six bullit (bmc) o�ers plenty of possibilities as a cage system and do not limit the functions and handle of the camera in any way. All sides to the camera - for connectors, memory cards and the camera buttons - are freely accessible. Six bullit (bmc) is crowned by many as the best cage system on the market.

The six (rd) bullit package (bmc) includes: Six (rd) baseSix (rd) starter package (bmc)Six (rd) bullit for bmcSix 15mm rods

ScorpionThe Scorpion rig is the ultimate solution to DSLR shoulder mounted shooting with an EVF. At the center of the Scorpion is our highly adjustable DSLR Baseplate, which allows you to mount any DSLR to the rig and mount your rig onto a tripod. The baseplate attaches to your tripod using the standard tripod plate screws; (2) 1/4” 20 and (1) 3/8” 16. You can also easily quick release your camera from the rig by turning the red knob on the side of the baseplate and pulling up on your camera. This unique feature allows you to quickly switch between using the camera on its own or as part of your rig.

Z-Focus with ZipGear Prime Lens Kit Zacuto’s Z-focus is an extremely accurate follow focus that allows the operator or assistant to pull focus. The mechanism utilizes a set of gears that connect to and spin the focus ring or a Zacuto ZipGear Universal on the camera lens. This kit is our Z-Focus with four ZipGear Universal. The ZipGears are cut to �t the circumference of your lens and tighten with a connector and Allen key. These straps are pitched to .8 and are 13.5” long.

SIX SHOULDER RIG “HEAVY DUTY” (C100/C300/C500)The six shoulder rig “heavy duty” for the c100, c300 and c500 allows to operate the camera comfortable from the shoulder. You can also use 15mm lws-accessories over the 15mm lws-adapter.This package includes: Six reaperSix module heavy duty + adapterSix shoulder padSix 15mm lightweight adapter (for c100/c300/c500)2X six 15mm rods (150mm)2X six masterkey handle packageNoga arm short

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UB3 RecoilShoulder Rig for Flat-Bottomed CamerasProvides Correct Rod to Lens DistanceContoured Shoulder PadViscoelastic Rubber Cushioned PadQR PlateAdjustable Arms and HandgripsQuick Con�guration ChangeAluminum Construction

The UB3 Recoil Shoulder Rig is a stable rig for various �at-bottom video cameras. It includes a universal baseplate, a QR shoulder pad, and the Recoil handgrip kit - a unique mechanical handgrip follow focus set up. At the center of this rig is the Z-UB3 universal baseplate with 12” rods. The low-pro�le baseplate allows for �at-bottom cameras.

Z-DriveFollow Focus for Shoulder-Mounted Rigs60° Curved DesignSingle 15mm Rod Port0.8 Pitch, 1.75” Diameter GearStandard Accessory Port for Whips/CranksNo Internal Gears for Zero Play

The Zacuto Z-Drive is a follow focus unit designed for single-operator shoulder mounted rigs. It attaches to a single 15mm rod and features a curved design that creates space and distance from the lens. This extra space provides for more comfortable use when the camera rig is on your shoulder.

Sony F5/F55 RecoilShoulder Support Rig for Sony F5/F55Provides Correct Rod to Lens DistanceIncludes Two 15mm RodsContoured Shoulder PadViscoelastic Rubber Cushioned PadQR PlateAdjustable Arms and HandgripsQuick Con�guration ChangeAluminum Construction

The Zacuto Recoil Shoulder Rig for Sony F5/F55 features a base plate speci�cally designed for the Sony F5/F55, Zacuto’s QR shoulder pad, and Zgrips V3 lightweight handgrips. This system allows you to quickly and easily move from shoulder rig con�guration to tripod-mounted camera and back again.

DSLR RecoilThe DSLR Recoil is the perfect rig for starting to build your Recoil rig. It includes our Mini DSLR Baseplate with 6.5” rods, a QR Shoulder Pad, and the Recoil Handgrip Kit – a unique mechanical handgrip follow focus set up. This Recoil kit is designed to be used with an o�set monitor or view�nder like the Zacuto EVF. (Not included.) Want to attach our Zacuto Z-Finder EVF Pro? Add an Axis EVF Mount.

The Mini DSLR Baseplate* attaches to your camera with a single ¼ 20 screw and has one (1) ¼ 20 and one (1) 3/8 16 screw underneath for tripod attachment.

Half CageMounts 15mm Rods Independently of CameraLeaves One Side of Camera Open5.5” - 9” Camera ClearanceHand-Fitting, Maple Wood Handle1/4” Accessory ThreadsSingle-Rod, 15mm Rod PortDouble-Sided Top Z-RailMagnetically Holds Included Allen Key

The Zacuto Half Cage mounts onto 15mm rods in front or behind your camera, independently of the camera or baseplate, and leaves one side of the camera completely open.

MarauderFor DSLR Cameras or Small CamcordersFoldable DesignAdjustable Camera Support ArmGunstock with Angle AdjustmentArticulating HandgripZacuto Gorilla Plate V2 Included

The Zacuto Marauder Foldable Camera Rig provides stable camera support for run-and-gun, gorilla-style shooting with DSLR cameras or small camcorders. The Marauder was designed to o�er the same type of support as Zacuto’s Striker model, but in an all-in-one, fold-away design.

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FIGRIG SYSTEMThe Fig Rig Stabilizer from Manfrotto is non-traditional in design, yet simple and e�ective. It’s a modular system that smoothly supports the DV camera and acts as a frame to mount all the accessories.

A circular frame with a crossbar to mount most mini DV cameras, allows the Fig Rig to become part of the body to produce smooth, steady traveling shots. As the operator walks, his/her muscles and tendons absorb all the shocks, transferring only �uid movements to the camera. As there are no straps or harnesses attached to the Fig Rig, quick and wide movements can be made within the same shot - from ground level to overhead, in one smooth movement.

MVA525WKSympla Lightweight Shoulder Mounted Rig

The Manfrotto SYMPLA Lightweight Shoulder Mounted Rig is a ready-to-go solution that includes all the necessary pieces inside one box, even the counterbalance weight. The Lightweight Shoulder Mounted Rig is the Manfrotto lightweight solution that allows support of camera equipment on your shoulder, with swivel-joint handles for control and �exibility . This rig is for use with HDSLRs featuring fast camera connection thanks to the RC2 quick-release plate.

Aero SD LiteCamera Slider

Portable Mini Dolly / SliderProduce Smooth Tracking ShotsPerfect for DSLR VideoSelf-lubricating 10mm RailsAnodized AluminumSetup in Less Than 30 SecondsLight and StrongSupports Up to 8.8 lbs (4kg)Lenght 1.0 m / 0.64 m

HD AeroProCamera Slider

Lenght 1.0 m / 0.64 mThe Glidetrack HD AeroPro system is perfect for those �lming with DSLR’s and camcorders. The Glidetrack Aero Pro carriage is a beautiful CNC machined carriage which runs on 4 precision machined wheels with 8 precision bearings. Two of the wheels are mounted on a custom designed cam system for precise adjustment of the wheels to eliminate any play in the carriage. The carriage also features an adjustable friction screw on the side which can also be used for temporary locking of the carriage to the rail.

HD Aero System Camera Slider

Incorporates both sliding AND roller bearingsIndustrial grade rail SystemAdjustable high grip, non marking rubber feetCan be used for huge variety of shots including; horizontally, vertically, at inclines and even upside down!includes Manfrotto 500AH Video HeadLenght 1.0 m / 1.5 m / 2.0 m

SYMPLA Shoulder Support System

Highly Adjustable DSLR Shoulder RigCamera Can Be Adjusted Along 3 AxesHandles Adjust into Most Any PositionHandles Can Be Used as Pan BarsFeatures Fittings for Lights / Monitors

The Manfrotto SYMPLA Shoulder Support System combines several SYMPLA components into a highly adjustable DSLR shoulder rig.

SYMPLA is built for �exibility and speed, so you can change anything and everything easily and quickly: hand grip positions, counterbalance, camera body, lens, accessories, �lters, light-shielding angle; shoulder-supported, hand-held, or tripod/monopod-mounted… whatever you need to get the shot, the second you need it.SYMPLA is quick to �ne-tune, so even when you need to make changes to your rig on-location and mid-shoot, SYMPLA’s minimal locks and tool-free adjusters will let you get back to shooting quickly.

Thanks to our revolutionary camera remotes which �t the rig handgrips, SYMPLA allows precise �ngertip control of framing and camera functions without losing the grip position and keeping your eyes on the frame, helping you capture stable, usable, creative footage. And SYMPLA can quickly be extended: whether you start from one of our kits, or from single components, you can build the exact rig you need for the shot, as soon as you need it.

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Kessler CineSlider w/ Soft Case - 5ft The Kessler CineSlider 5ft version, is a heavy duty portable mini-dolly / linear slider system for camera rigs weighing up to 80 pounds. Weighing in at only 12 pounds, with a length of 60.5 inches, 5 inches wide, and a total camera travel distance or 51 inches, the CineSlider is a very portable solution to get those quick, smooth short-run dolly movements, without having to transport a large dolly system.

elektraDRIVE BUNDLE PACKAGE with BASIC Controller for CineSliderItems included in bundle:Basic Controller 2.0Motor MountElektraDRIVE Motor PodBecor 7.2 ah Battery12v DC Power Adapter

Philip Bloom Pocket Dolly™ Traveler Kit (Length 29.5” - BLACK / RED)

The Philip Bloom Signature Series Pocket Dolly™ is a hybrid slider that combines the lightweight portable rail & carriage system of our standard Pocket Dolly™ with the adjustable arc diameter handle and drag control of our CineSlider™.

Features include drag control and locking, handle with adjustable arc diameter for ultimate movement control, smooth rolling precision stainless steel ball bearing wheels, and multple mounting options.

Philip Bloom Pocket Dolly™ Standard Kit (Length 41.5” - BLACK / RED)

The Philip Bloom Signature Series Pocket Dolly™ is a hybrid slider that combines the lightweight portable rail & carriage system of our standard Pocket Dolly™ with the adjustable arc diameter handle and drag control of our CineSlider™.

Features include drag control and locking, handle with adjustable arc diameter for ultimate movement control, smooth rolling precision stainless steel ball bearing wheels, and multple mounting options.

elektraDRIVE BUNDLE PACKAGE with BASIC Controller

Items included in bundle:Basic Controller 2.0Motor MountElektraDRIVE Motor PodBecor 7.2 ah Battery12v DC Power Adapter

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Pocket Dolly v2.0 - Traveler (Length - 27.5”)

The TRAVELER length is a shorter, 27.5” long & 6 lbs version of our standard length Pocket Dolly™. We developed this after feedback from our customers that stated they loved our Pocket Dolly™, but would like to have a shorter version that they could easily throw in a backpack or bag for easier traveling. Cameras weighing up to 15 pounds are supported. Because of the shorter length, the TRAVELER size Pocket Dolly™ can be center mounted to any sturdy tripod �uid head with a quick plate that attaches with a standard 3/8” mount.

Cinema Skater Dolly SystemThe Kamerar Cinema Skater is the perfect tool for quick cinematic camera movements. The unique articulating three wheels allow smooth tracking movements from side to side, forward / back, and rotational tracking that basic linear sliders cannot perform. The extra large platform can mount large video �uid heads, and heavy camera equipment.Features:All CNC made Aircraft Aluminum constructionMade with high quality bearing and three adjustable locking skater wheels.Overall length 10.2”

47” Video Camera SliderKamerar’s K-47 Video camera slider o�ers almost 4 Feet of tracking in a lightweight unit. Custom designed from the ground up, the all metal slider is machined with a black anodized �nish to provide lasting durability. The red anodized carrier slides using Kamerar’s compound friction bearings for smooth noise-free operation.Features Black Anodized Linear Rail Red Anodized Slider Carrier w/ Bubble Level Compound Friction Bearings for Low Noise Tracking Adjustable Feet for Leveling

P&C Prime Video Shoulder Rig - Kamerar BundleThe P&C Prime Video Shoulder Rig Kit (Kamerar Bundle) from PhotographyandCinema.com is a solid foundation for video shooters looking to start out in 15mm Rail systems. The Prime Rig Kit can be con�gured as a basic lightweight camera stabilizer.

REV 2 Pan and Tilt Head Originally, when we designed version one of this product, it was to be used in the underslung position on cranes. However, because of the ability to use it for shooting a time-lapse, people started to use it in the over-slung position. In this position, the centre of gravity is higher. This forces you to ensure your base is secure because as your setup gets higher, the more unstable it becomes.

ORACLE Control System The ORACLE Control System is the core of our elektraDRIVE line of products. Almost two years in development, we set out to make the ultimate multi-function controller for our line of electronic products. The ORACLE Control System is interchangeable between multiple products, like our REVOLUTION Pan / Tilt System, elektraDRIVE motor pods for the CineSlider & Pocket Dolly, and other products to be released in the future.

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Kamerar Tank TK-2 cage with rods supportThe Tank DSLR video cage provides an in�nite combination of mounting points for virtually any setup you can think of. A great platform for mounting preview monitors, microphones, sound recorders, lights, and more. Features: Quality CNC all Metal Construction Tough built for long last The Tank video cage provides (23) 1/4-20 threaded mounting points on the Top plate along with (2) 3/8” sized female threads The Side handles of the Tank incorporate the P&C Swiss Rod design allowing access to more than 60 possible mounting points

7” Tough Friction ArmThe KAMERAR ‘TOUGH’ Friction Magic Arm was exclusively designed from the ground up. Every section of the ‘Tough’ Arms were improved over other existing arms on the market. The stainless steel accents and black anodized �nish provide both a professional aesthetic and an extremely long lasting durable �nish.

11” Tough Friction ArmFeatures: Each side provides 1/4-20 male threaded stud with knurled textured locking discs Center Joint with thrust bearing locking knob Stainless Steel Ball Joints with Micro Textured Surface

Skater Mini Video DollyAt just 7” long and at just 5” wide, the Skater Mini is our smallest table top rotating camera dolly. It allows small video cameras such as the iPhone or Compact Point and Shoot cameras to create cinematic movements on any smooth surface. The Skater Mini can easily perform side-to-side (tracking), forward/back (push-pull), to unique rotational tracking movements.

Skater Mini Pro Video DollyThe SKATER MINI PRO is a tool for creating �uid and dynamic video footage; compatible with all cameras and a�ordable to all videographers. This SKATER MINI PRO has a small footprint while still o�ering the same smooth, �uid tracking, and rotational dolly shots that normally can only be achieved with very large and expensive systems.

Kamerar FF-3 Follow Focus w/ 15mm Quick Release Rods Clamp

The Kamerar FF-3 Follow Focus mounts with a single 15mm Quick Release Rod Clamp and can be quickly removed from the rail system, making it easier to change lenses and gear positions. The FF-3 has a removable dry erase marking disc to mark your A/B Points for accurate repeating focus pulls.

Matte Box MAX-1The Kamerar MAX-1 Video Matte Box is constructed from aluminum and molded plastic. It can support a non-rotating single 4x4 Neutral Density Filter through a removable locking tray. The adjustable metal side and top �ags shade the camera lens and can be removed easily for easy transporting.

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Chroma Key

Re�ecmediaChromatte™Chromatte is a fabric designed speci�cally for use as a background for chroma key production. Unlike conventional chroma key fabrics that are usually blueor green in colour, in ambient light Chromatte is grey to the eye. The fabric contains millions of tiny glass beads that act as re�ectors: when any light - such as the directional light from Re�ecmedia’s lens-mounted LiteRing – hits the fabric, it is returned on the same path back into the camera’s lens. This retro-re�ectice process means the camera ‘sees’ the apparently grey fabric as a perfectly even blue or green background.

LiteRingChromatte fabric is designed to work in conjunction with a LiteRing. The LiteRing features Light Emitting Diodes (LEDs) that are arranged in a circular casing that is positioned in front of the camera lens. This provides all the light required to illuminate the Chromatte background for chroma key production.

LiteRings are available in green and blue and in three sizes to �t di�erent size lenses. Each size has a series of adapters to ensure maximum compatibility. These specially designed adapter rings simply screw into the �lter thread on the front of the lens and then the LiteRing is placed on to the adapter and locked with a single screw, signi�cantly reducing the set-up time associated with conventional chroma key.

ChromaFlex™ / ChromaFlex EL™ChromaFlexTM / ChromaFlex EL TM ImageChromaFlex provides all the bene�ts of Re�ecmedia’s revolutionary Chromatte fabric in the most portable form, making it easier and more a�ordable than ever to take chroma key production out of the studio and into any controlled lighting environment. The results are as good as those achieved in a dedicated studio, but this way you can take your chroma key

BaseMatte - specialist Chromatte �ooringBaseMatte - specialist Chromatte �ooring ImageBasematte is speci�cally designed for use as �ooring. It is Chromatte cloth laminated to a close cell, high density, resilient neoprene rubber base to provide a �at, even and non-slip surface. It forms easily to most carpets and solid �oors. When used with ChromaFlex or a Chromatte curtain, it enables the cameraman to frame full body shots. And should an accident happen in the studio, it is easy to replace BaseMatte - unlike a studio �oor.

MVS-3000AA�ordable compact SD / HD video switcher

2 M/Es, 4 Keyers per M/E with Chroma Key32 Inputs and 16 Outputs2.5D ResizersColor CorrectionMulti-Viewer OutputA choice of 16 or 24 button control panels optionOLED Mnemonic DisplaysSelf-Contained 4RU ProcessorBackground Transition E�ectsMKS-6570 - DME Board ( optional )

The Sony MVS-3000APAC HD/SD Multi-format Switcher with 24-Button Control Panel is ideally suited for production studios, stadiums, houses of worship, and OB vehicles requiring multiple inputs in a limited space. It comes with two mix e�ects (M/Es), four keyers per M/E (each with chroma key), 2.5D resizers, color correction, and more.

AWS-750Anycast Touch portable live content producer

Features:All-in-One Live Production SolutionTouchscreen Viewing and Control Displays6 Video and 5 Audio InputsOutputs to Displays and to the WebConnections Include SDI, XLR, and RJ-45Audio Mixer with EQ, Limiter, and MoreMulti-Language TitlerStores E�ects and Scene ListsApplies Multiple E�ects Simultaneously192GB Internal SSD

The Sony Anycast Touch Live Content Producer is a portable live production solution with a 15.6” viewing display and 10.6” control display, both touchscreen.

MCS-8M2D / 3D compact SD / HD audio and video switcher

Features:6-Channel Audio MixerBuilt-In Frame SynchronizerIntegrated Multi-ViewerSingle-Channel Frame Memory OutputInput Freeze, Snapshot FunctionsSDI With Embedded Audio, HDMI, DVI1920 x 1080, 1280 x 1024 ResolutionImport Still Images Via USB Port3D Mode Function, Preset E�ectsCreative AUX MIX Function

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Switchers / Mixers

ATEM Software Control PaneFor the ultimate in portability, every ATEM production switcher includes beautifully designed control panel software for Mac and Windows, so you can even use your switcher from your laptop! ATEM software control provides a professional M/E work�ow control panel with parameter adjustments in simple to use palettes. You can manage the switcher media pool and set all adjustments, and switcher control includes full keyboard shortcuts! Only ATEM lets you start at a lower cost because you’re not forced to buy a hardware control panel!

ATEM 1 M/E Broadcast PanelFeatures:Ideal for 24/7 Production EnvironmentsHigh Quality Buttons / Knobs / ControlsConnection using an Ethernet CableLoop Thru ConnectionRack Mountable

The Blackmagic Design ATEM 1 M/E Broadcast Panel gives you full control over the ATEM 1 M/E Production Switcher for switching cameras and for applying transitions, keyers, fader, DVE control, etc. Designed to ful�ll requirements of 24/7 production environments, the 1 M/E broadcast panel features high quality buttons, knobs, and controls for an easy operation with a professional outcome. Using an Ethernet cable for connection, it includes a loop thru connection for more than one panel or computer.

ATEM 1 M/E Broadcast PanelFeatures:(8) Inputs - (4) HDMI, (4) HD/SD-SDIPasses Video Only/Strips Embedded AudioAnalog Video & Audio InputHD/SD-SDI, HDMI & Analog Program Outputs(3) Aux Outputs(7) KeyersDownconverted SDI & Composite OutputsSDI & HDMI Multi-View OutputATEM Control Panel Software (Mac/PC)

ATEM 2 M/E Production SwitcherFeatures:(16) Total Video InputsHD/SD-SDI, HDMI & Analog Audio InputsHD/SD-SDI & HDMI Program Outputs(6) SDI Aux Outputs(13) KeyersDownconverted SDI & Composite Outputs(2) SDI & HDMI Multi-View OutputsSuperSource Compositing EngineATEM Control Panel Software (Mac/PC)

ATEM 2 M/E Broadcast PanelFeatures:Professional Panel for Live SwitcherHigh-Quality Buttons / Knobs / ControlsEthernet Connection to SwitcherLoop Output for EthernetUSB Input for Firmware UpdatesAerospace-Certi�ed Embedded OSTri-Color LED Crosspoint ButtonsRGB Bitmap Crosspoint LabelsRedundant Power SupplyThe Blackmagic Design ATEM 2 M/E Broadcast Panel is a perfect companion to a professional live switcher, such as Blackmagic Design’s ATEM 2 M/E Production Switcher (not included). With a broad �eld populated by high-quality buttons, knobs, T-bars, and a 3-axis joystick, you’ll be able to customize your panel’s operation to your exact needs and preferences – without compromise.

ATEM 1 M/E Production Studio 4KFeatures:Supports NTSC/PAL/HD/UltraHD 4K @ 10-bitSupports 4K Resolution Over SDI or HDMI10 x 6G-SDI & 1 x HDMI Inputs (SD/HD/4K)Tri-Sync/Blackburst Ref. Sync Input10 x Built-In Frame SynchronizersMultiview Monitoring in HDProgram Outputs in SD/HD/4K HD4 x Keyers Total: 3 x Luma, 1 x Chroma12 x Channel Audio MixerHardware or Software Mac/PC Control

ATEM Production Studio 4K Live SwitcherFeatures:Supports NTSC/PAL/HD/UltraHD 4K @ 10-bitSupports 4K Resolution Over SDI or HDMI4 x 6G-SDI & 4 x HDMI Inputs (4k/HD/SD)Tri-Sync/Blackburst Ref. Sync Input8 x Built-in Frame SynchronizersMultiview Monitoring in HDProgram Outputs in SD/HD/4K HD4 x Keyers Total: 3 x Luma, 1 x ChromaAudio: 10 x Input, 2 Channel MixerHardware or Software Mac/PC Control

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Switchers / Mixers

ATEM Studio Converter Features:4 Bi-Directional Converters in 1RU UnitOptical Fiber Signal Range 28 MilesConnects up to 4 ATEM Camera Converters4 x Fiber to SDI 10 bit Converters4 x Switchable SD/HD-SDI OutputsCamera Talkback with Select, Vol & MuteConnect to ATEM Switchers/ConvertersSupports SDI Switcher Tally OutputSend PGM Feed to Fiber Connected Cameras

AG-HMX100HD/SD and 3D Compatible Digital AV MixerFeatures:Multi-Format Video Switcher/Audio MixerFrame Synchronizer/Digital E�ectorDual SDI Input 3D Switcher12-bit Internal Processing Speed4:2:2:4 Broadcast-grade Component7 Video Inputs / 6 Video OutputsOver 100 Wipe Patterns & Mixes10 Audio Inputs (AUX & MIC)Audio Level as Multi-view Overlay50/60Hz Switchable / Supports PAL & NTSC

HVS-390HS Video SwitcherFeatures:Main Unit of the HVS-390 System16 SDI Inputs / 8 SDI and 1 HDMI OutputsInputs 13 - 16 Resize from SD to HDUpgradeable to 24 Inputs and 13 Outputs4:2:2 Processing / 10-Bit QuantizationSupports up to 1.5G and 1080/59.94i/50i4 Keyers Each with Bus/Luminance/DVE2 Multi-Viewers Each with 16-SplitsStores 100 Events / One-Button RecallHighly Upgradeable

ATEM Television Studio Production SwitcherFeatures:(6) Inputs - Multiple HDMI and HD/SD-SDIProfessional M/E-Style SwitcherReal-Time H.264 Encoding for Web OutputHD/SD-SDI & HDMI Program Outputs(3) Keyers, Including Chroma KeySDI & HDMI Multi-View OutputFrame Sync for Each InputATEM Control Panel Software (Mac/PC)

ATEM Camera ConverterEnables Extension of SDI/HDMI CamerasTransmission Distance - 28 miles (45km)Internal BatteryTalkback Function12V Power Connection2 Tally LEDsIntegrated Belt Clip / Camera MountMicrophone InputsAircraft-grade Aluminum ConstructionBuilt-in Button Pad

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Switchers / Mixers

Mobile StudioStudiCase is a Compact, Light Weight and carry-on All-in-one solution designed by Advanced Media Engineers to answer the needs of the market. Including the High Quality products from well-known brands.

Highlights8-Channel HD/SD Video Mixer 6-Channel Audio MixerBuilt-In Frame SynchronizerIntegrated 24” Multi-ViewerSDI With Embedded Audio, HDMI, DVIImport Still Images Via USB PortDigital Hi-Quality Recorder / Player Integrated Intercom and Tally systemLight weight and Portable Carry-on

The MCS8M Compact Audio Video Mixing Switcher from Sony is an A/V switcher with an integrated audio mixer and frame synchronizer. A user-friendly device, it boasts numerous preset DME wipe patterns, a built-in multi-viewer, single-channel frame memory output, and an Input Freeze function for every source. It also features the ability to import still images using a USB port, plus a 3D Mode function, six-channel audio mixer, AUX MIX and more! Designed for easy, intuitive operation, the MCS8M contains tools ideal for content creation and event programming. Here is a powerful, versatile and a�ordable switcher, great for small live productions, church presentations, school sports, corporate events, weddings, �y packs, music videos, conferencing and more.

HyperDeck Studio disk recorders let you record the highest quality uncompressed and compressed ProRes and DNxHD video formats using fast 2.5” SSDs. Designed with familiar VTR controls, HyperDeck Studio includes innovative features that extend beyond the capabilities of traditional decks. Dual SSD slots let you record continuously, when one disk is full recording automatically continues on the next SSD. You can mount an SSD recorded using HyperDeck Studio on to any computer to access your �les, so you don’t need multiple decks to work with your media! There are two great HyperDeck Studio models to choose from.

Mobile Studio

Advanced Media is proud to introduce StudiRack as a versatile, �exible and expandable Mobile Studio in a 14RU portable Rack. Up to 16 inputs of HD-SDI, Fibre Optic connectivity, Dual Multiviewer, Built-in Recorder / Player, ability of adding CG and Logo inserter in the same unit are only some of the great features of StudiRack.

By adding Teranex to this setup you are free to handle any kind of signals and/or standard formats from or to other devices. Whenever you have 3G/4G signals we can integrate Teradek Bond along with a Cube to go On-Air live through cellular network up to 6Mbps, without a need for a costly satellite uplink.The most advanced broadcast grade production switchers is in heart of StudiRack.Fast and user friendly ATEM switchers include advanced technology with powerful unique features all built into a familiar M/E setup. With an advanced broadcast SDI based design, ATEM also includes bunch of HDMI connections for connecting low cost HDMI consumer cameras!Now with world’s cost e�ective solution you can start the live production and produce professional video contents in the fastest way!

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Switchers / Mixers

�berbrik adapter for Duplex Optical ConnectorBlackmagic Design Camera Converter to Duplex optical Connector

Features:�berbrik adapter features a custom Rosenberger OSI Duplex™ chassis connector: now you can connect Rosenberger OSI Duplex cable connector straight to Blackmagic Design Camera Converter™

�berbrik adapter only changes the sensitive LC Duplex connection into a very robust Rosenberger OSI Duplex connection; all features of Camera Converter remain completely unchanged

�berbrik adapter is a robust all aluminum solution, built around a milled out block completely covering and protecting the vulnerable LC connections to the SFP of Camera Converter�berbrik adapter only covers the LC connectors of Camera Converter, leaving all other Camera Converter connectivity completely free and accessible�berbrik adapter mounts to the back of Camera Converter using the four taps of its housing; no customizing whatsoever, no drilling, no glueing, and you can use the mounting hole and the belt clip as you did before

DUPLEX CONNECTOR (RDC)Robust connector system with screwed coupling mechanism for 2 �bers. It is designed for robust applications and outdoor use.With the use of components of the N-coax connector according to MIL-PRF-39012, the receptacle can easily replace a coax type. Mated or with attached protection cap, plug and receptacle are sealed according to EN 60529 IP67. Captive protection caps are available.multimode or singlemodecaptive protection capsApplicationsoutdoor userobust applications

Schill HT 380 RM BlackSchill HT 380 RM Cable Drum, Steel frame with intergrated handle and brake, Solid PVC Drum with steel sides thomann and steel winding handle, will �t upto 30 meter cable with a maximum of 18mm diameter, Colour Black

�berbrik Panel for Duplex Optical ConnectorBlackmagic Design Studio Converter to Duplex optical Connector

Features:

�berbrik panel is a robust 19 inch rack mount connector panel,steel with black �nish, 1RU height, to be mounted directly above or below Blackmagic Design Studio Converter™ �berbrik �berbrik panel features four Rosenberger OSI Duplex™ chassis connectors: now you can connect four Rosenberger OSI Duplex cable connectors to Blackmagic Design Studio Converter

�berbrik panel uses connectors with integrated bend-insensitive LC patch cables that connect straight to the �ber connectors of Studio Converter; they are short length to prevent any cable clutter

�berbrik panel does not change anything to the functionality of Blackmagic Design Studio Converter, it simply bridges from the vulnerable LC standards to the very robust RDC standard!

Modern media technology permits high-resolution motion pictures for almost all end devices. And for sport events almost always live and in real-time. Vast amounts of data must be processed on site in the mobile production unit and delivered in the shortest time from the place of origin to the consumer’s screen.The special challenge for optical �ber cabling is to be found in the incredible number of mating cycles, the very complex connectors are subjected to. Above that consider the rough treatment of cables on site. The conditions for which ourHeavy Duty Series are predestinated for.

Fiber Optic Studio Solution

71

Teleprompter

ENT-1717PT Entry-level VGA Studio Prompter (17”)

Features:17’’ LCD Display with 10’ VGA CableWide-angle Trapezoidal AssemblyEasy-mount Support SystemSliding Rear CounterbalanceSXGA resolution - 1280 x 1024Brightness - 300 cd/m2Contrast Ratio - 2000:1Aspect Ratio - 4:3For over 10 lb (4.5 kg) ENG CamerasViewing Angle - 160° (H/V)

PW-10DVCTeleprompter for Tablet Computers

Features:Works with Most 6.2 - 7.5” TabletsFree PromptWare PLUS Software DownloadIncludes Camera Mounting HardwareCompact Folding Hood with Side ShadesReadable From up to 15’ AwayWireless QWERTY Keyboard Controller

PW-04 Listec PromptWare

The Listec PromptWare PW-04 is a 4.0” teleprompter that attaches to your small video camera via one of the 5 included lens adapter rings. Professional quality prompting, formerly available only in large studios is now available in the �eld or on the road in a handheld model.

Handheld or Tripod MountUse Droid as Prompting SourceUse iPhone, iPod Touch as SourceIncludes Software9 Lens AdaptersRemote Control

73

Lighting

STUDIO LED X4Entry-level VGA Studio Prompter (17”)

QUARTZCOLOQUARTZCOLOR introduces STUDIO LED X4, �nally a high performing professional LED fresnel spotlight for the television and thelighting industry.One-for-one replacementThe STUDIO LED X4 light output is equivalent to a traditional halogen source and permits a one-for-one replacement withoutcompromises in the quality of the light: same brightness, same smoothness, same even and shadowless illumination as you expect from a traditional fresnel spotlight.DMX RDM controlThe STUDIO LED X4 is RDM, providing bi-directional feedback and the possibility to assign and address all �xtures remotely in aDMX network.Electronic dimming 16 bitThe STUDIO LED X4 is fully dimmable 0-100, up to 16 bit for a more accurate and precise dimming.On-board controlA local potentiometer allows to control light intensity manually with rapidity and precision. The dimming level is shown in the display.

COSMOKIT BASIC WITH 2 COSMOBEAMS 2000W - 3200KIncludes: (2) Cosmolight RC 200, (2) Cosmolight RC 202C/R, Cosmolight RC 207, Cosmolight RC 201, Cosmolight RC 212B and HARD CASE RK-1/200

Cosmolight COSMOKIT BASIC WITH 2 COSMOBEAMS 2000W - 3200K is the perfect partner for photographers, reporters and video makers that need quick set-up when shooting on location. It is equipped with a wide range of accessories that enable multiple applications but it can also be customized according to operator’s requirements to meet their speci�c needs. It is o�ered in a variety of con�gurations with di�erent sizes and contents. Standard Cosmokits are available with one and two cosmobeams, with basic and full accessories con�guration, with hard case, with or without wheels.

COSMOKIT BASIC WITH 3 COSMOBEAMS 800/1000W - 3200KIncludes: (3) Cosmolight RC 80F, (3) Cosmolight RC 103C/R, Cosmolight RC 211B, Cosmolight RC 201, Lamps and HARD CASE RK-2

Cosmolight COSMOKIT BASIC WITH 3 COSMOBEAMS 800/1000W - 3200K is the perfect partner for photographers, reporters and video makers that need quick set-up when shooting on location. It is equipped with a wide range of accessories that enable multiple applications but it can also be customized according to operator’s requirements to meet their speci�c needs. It is o�ered in a variety of con�gurations with di�erent sizes and contents.

COSMOKIT BASIC 300/650W - 3200KIncludes: Cosmolight RC 1650V, Cosmolight RC 1653, Cosmolight RC 211B and HARD CASE RK-3U

Cosmolight COSMOKIT BASIC 300/650W - 3200K is the perfect partner for photographers, reporters and video makers that need quick set-up when shooting on location. It is equipped with a wide range of accessories that enable multiple applications but it can also be customized according to operator’s requirements to meet their speci�c needs. It is o�ered in a variety of con�gurations with di�erent sizes and contents.

RC/BR 255Features:Compact aluminium housing, robust and lightweight.Highly engineered special re�ex optical re�ector shape.User-friendly digital display.Metal clamps to prevent loosening due to heat and consequent risk of lamp falling.Built-in power supply system utilizing high frequency �icker free electronic ballast, 40K Hz at 100% luminous �ux.Superior CRI (95) levels for excellent color rendering.Dimming 0%-100% @230V.A complete set of accessories available to create e�ects and control the light.Four con�gurations: 2 lamps, 4 lamps, 6 lamps, 8 lamps.Available in both manual and pole operated versions.

74

Lighting

RC/BR 455MAIN FEATURESCompact aluminium housing, robust and lightweight.Highly engineered special re�ex optical re�ector shape.User-friendly digital display.Metal clamps to prevent loosening due to heat and consequent risk of lamp falling.Built-in power supply system utilizing high frequency �icker free electronic ballast, 40K Hz at 100% luminous �ux.Superior CRI (95) levels for excellent color rendering.Dimming 0%-100% @230V.A complete set of accessories available to create e�ects and control the light.Four con�gurations: 2 lamps, 4 lamps, 6 lamps, 8 lamps.Available in both manual and pole operated versions.

Flo-Box 4 Bank 4ftCapacity 75Wx4Input voltage 90-250Vweight 4.7kgBulb type T12-48 in.(1200mm)Color Temp. 5600 K/3200 kStirrup 16mm(5/8 in.) socketLamp holder G13

RC/BR 655MAIN FEATURESCompact aluminium housing, robust and lightweight.Highly engineered special re�ex optical re�ector shape.User-friendly digital display.Metal clamps to prevent loosening due to heat and consequent risk of lamp falling.Built-in power supply system utilizing high frequency �icker free electronic ballast, 40K Hz at 100% luminous �ux.Superior CRI (95) levels for excellent color rendering.Dimming 0%-100% @230V.A complete set of accessories available to create e�ects and control the light.Four con�gurations: 2 lamps, 4 lamps, 6 lamps, 8 lamps.Available in both manual and pole operated versions.

Daylight Fresnel 575W SECapacityLamp Bulb VoltageFresnel LensWeight (without barndoor)Weight (with barndoor)Lamp TypeLamp HolderStirrupClass / IP RatingMax. Surface Temp.Max. Ambient Temp.Min. Distance to Illuminated ObjectMin. Distance to Flammable ObjectOperating Range

575W95VØ130mm (5-1/8 in.)6.4 kg7.0 kg575W SE 5600KG22Ø28mm (1-1/8 in.) Spigot1 / 23160 ºC45 ºC1 m0.5 m45º - 0º - 45º

Daylight Fresnel 1200W SECapacity: 1,200WLamp Bulb Voltage: 100VFresnel Lens: Ø175mm (6-7/8 in.)Weight (without barndoor): 9.7 kgWeight (with barndoor): 10.7 kgLamp Type: 1200W SE 5600KLamp Holder: G38Stirrup: Ø28mm (1-1/8 in.) SpigotClass / IP Rating: 1 / 23Max. Surface Temp.: 180 ºCMax. Ambient Temp.: 45 ºCMin. Distance to Illuminated Object: 2 mMin. Distance to Flammable Object: 0.5 mOperating Range: 45º - 0º - 45º

Flo-Box 4 Bank 2ft

Capacity 75Wx4Input voltage 90-250Vweight 3.7kgBulb type T12-24 in.(590mm)Color Temp. 5600 K/3200 kStirrup 16mm(5/8 in.) socketLamp holder G1

76

Lighting

Daylight Fresnel 2500W SECapacityLamp Bulb VoltageFresnel LensWeight (without barndoor)Weight (with barndoor)Lamp TypeLamp HolderStirrupClass / IP RatingMax. Surface Temp.Max. Ambient Temp.Min. Distance to Illuminated ObjectMin. Distance to Flammable ObjectOperating Range

2,500W115VØ250mm (9-7/8 in.)17.1 kg18.8 kg2500W SE 5600KG38Ø28mm (1-1/8 in.) Spigot1 / IP 23160 ºC45 ºC8 m1 m45º - 0º - 45º

Tungsten Fresnel 650W JuniorCapacityLamp Bulb VoltageFresnel LensWeight (without barndoor)Weight (with barndoor)Lamp TypeLamp HolderStirrupClass / IP RatingMax. Surface Temp.Max. Ambient Temp.Min. Distance to Illuminated ObjectMin. Distance to Flammable ObjectOperating Range

650W220V or 110VØ112mm (4-3/8 in.)3.0 kg3.5 kg650W SE 3200KGY9.5Ø16mm (5/8 in.) Socket1 / 23190 ºC45 ºC1 m0.5 m45º - 0º - 45º


150W220V or 110VØ50mm (2 in.)1.4 kg1.5 kg150W SE 3200KGX6.35Ø16mm (5/8 in.) Socket1 / 23190 ºC45 ºC0.5 m0.5 m45º - 0º - 45º

Tungsten Fresnel 1000W StudioCapacityLamp Bulb VoltageFresnel LensWeight (without barndoor)Weight (with barndoor)Lamp TypeLamp HolderStirrupClass / IP RatingMax. Surface Temp.Max. Ambient Temp.Min. Distance to Illuminated ObjectMin. Distance to Flammable ObjectOperating Range

1,000W220V or 110VØ175mm (6-7/8 in.)6.5 kg7.5 kg1000W SE 3200KG22Ø28mm (1-1/8 in.) Spigot1 / 23190 ºC45 ºC1.5 m0.5 m45º - 0º - 45º


300W220V or 110VØ80mm (3-1/8 in.)2.3 kg2.6 kg300W SE 3200KGY9.5Ø16mm (5/8 in.) Socket1 / 23190 ºC45 ºC1 m0.5 m45º - 0º - 45º

Tungsten Fresnel 2000W StudioCapacityLamp Bulb VoltageFresnel LensWeight (without barndoor)Weight (with barndoor)Lamp TypeLamp HolderStirrupClass / IP RatingMax. Surface Temp.Max. Ambient Temp.Min. Distance to Illuminated ObjectMin. Distance to Flammable ObjectOperating Range

2,000W220V or 110VØ250mm (9-7/8 in.)12.2 kg13.9 kg2000W SE 3200KG38Ø28mm (1-1/8 in.) Spigot1 / 23190 ºC45 ºC2 m1 m45º - 0º - 45º

77

Lighting

Power LED 240WCapacityInput Voltage

Input Current

Color Temp.CRIDimming RangeStirrupClass / IP RatingMax. Surface Temp.Max. Ambient Temp.Weight

240W220V or 110V15V - 36V DC1.2A @220V 50Hz AC2.4A @110V 60Hz AC8A @30V DC3200K / 5600K / Bi-color>900 - 100%Ø28mm (1-1/8 in.) Spigot1 / IP 2260 ºC (140°F)45 ºC (113°F)14.0 kg

Power LED 360WCapacityInput Voltage

Input Current

Color Temp.CRIDimming RangeStirrupClass / IP RatingMax. Surface Temp.Max. Ambient Temp.Weight

360W220V or 110V15V - 36V DC1.75A @220V 50Hz AC3.5A @110V 60Hz AC12A @30V DC3200K / 5600K / Bi-color>900 - 100%Ø28mm (1-1/8 in.) Spigot1 / IP 2270°C (158°F)45°C (113°F)16.5 kg

Space Light 2000WCapacityVoltageLamp Type

Lamp HolderClass / IP RatingMax. Surface Temp.Max. Ambient Temp.Min. Distance to Illuminated ObjectMin. Distance to Flammable ObjectWeight (Lamphead)Weight (with black & silk skirt and target)

2,000W220V or 110V1000W 230V 3200K (P2/20)800W 230V 3200K (P2/11)R7s1 / 20180 ºC45 ºC1.5 m0.5 m5.0 kg10.4 kg

Space Light 6000WCapacityVoltageLamp Type

Lamp HolderClass / IP RatingMax. Surface Temp.Max. Ambient Temp.Min. Distance to Illuminated ObjectMin. Distance to Flammable ObjectWeight (Lamphead)Weight (with black & silk skirt and target)

6,000W220V or 110V1000W 230V 3200K (P2/20)800W 230V 3200K (P2/11)R7s1 / 20220 ºC45 ºC5 m1.5 m9.4 kg18.3 kg

Daylight Par 400w Mini Par Kit

Lamp Head Capacity 400wVoltageProtective Lens Par Lens WeightLamp TypeLamp HolderStirrup

(L00400dm)400w220-240v0130mm(5-1/8 In.)0130mm(5-5/8 In.)3.2kg400w Sf 5600kCzz9.516mm (5/8 In.) Socket

Daylight Par 200w Mini Par Twins Set

Lamp Head Capacity 400wVoltageProtective Lens Par Lens WeightLamp TypeLamp HolderStirrup

(L00200dm)200w220-240v0112mm(4-3/8 In.)0112mm(4-3/8 In.)1.7kg200w Se 5600kGy9.516mm (5/8 In.) Socket

78

Lighting

÷

Flo-box 4b2f Twin Kit

Capacity Input voltageweightBulb typeColor Temp. StirrupLamp holder

75Wx4 (x2)90-250V3.7kg (Each)T12-24 in.(590mm)5600 K/3200 k16mm(5/8 in.) socketG13

Rigging SystemsMod. 1082/100/200/300/400/500 • Rail H 82

Rail in aluminium 6060 T6. It is designed for lighting suspension systems in television studios and for theatre, auditoriums and conference rooms applications.

Thanks to its wide range of accessories, it is possible to design systems of any shape and length by connecting several rails.It is available with following dimensions:1 mt, 2 mt, 3 mt, 4 mt, 5 mt, and can be supplied on customer’s speci�cs.

Mod. 2080040 • Carriage with four wheels for rail H 82Carriage in steel with four wheels for rail h 82. It can be used both with linear and curved rail. Connection with socket 29 mm (1-1/8”). Pole operated brake.Complete with safety pin with stainless steel holding cable.Weight Dim. packaging Max load1,350 kg 28x21x10 cm 90 kg

Mod. 2080041 • Detachable carriage with four wheels for rail H 82Detachable carriage in steel with four wheels for rail h 82. It can be used both with linear and curved rail. It can be easily mounted on the rail in addition to carriages already installed. Connection with socket 29 mm(1-1/8”). Pole operated brake. Complete with safety pin with stainless steel holding cable.Weight Dim. packaging Max load1,550 kg 28x21x10 cm 90 kg

Flo-box 4b4f Twin Kit

Capacity Input voltageweightBulb typeColor Temp. StirrupLamp holder

75Wx4 (x2)90-250V4.7kg (Each)T12-48 in.(1200mm)5600 K/3200 k16mm(5/8 in.) socketG13

79

Lighting Support

Mod. 2080060 • Carriage with six wheels for rail H 82Carriage in steel with six wheels for rail h 82.It can be used with linear rail. Connection with socket 29 mm (1-1/8”). Pole operated brake. Complete with safety pin with stainless steel holding cable.Weight Dim. packaging Max load1,600 kg 28x21x10 cm 90 kg

Mod. 3080010 • Ceiling bracket for rail H 82Ceiling bracket for rail h 82. It is used to �x the rail directly to the ceiling.The kit includes: the bracket, two clamps, nuts, bolts and washers.Weight Dim. packaging Max load0,570 kg N.A. 200 kg

Mod. 2080061 • Detachable carriage with six wheels for rail H 82Detachable carriage in steel with six wheels for rail h 82. It can be used with linear rail.It can be easily mounted on the rail in addition to carriages already installed.Connection with socket 29 mm (1-1/8”). Pole operated brake. Complete with safety pin with stainless steel holding cable.Weight Dim. packaging Max load1,850 kg 28x21x10 cm 90 kg

Mod. 3080011-12-13 • Extension bracket for rail H 82Extension bracket to place the rail h 82 at a distance from the ceiling or existing grids.The kit includes: extension bracket, two clamps, nuts, bolts and washers. Available in the following lengths: 25 cm (mod. 3080011), 50 cm (mod. 3080012), 65 cm (mod. 3080013) and on customer’s speci�cs.Code Length Weight Max load (cm) (kg) (kg)3080011 25 1,9 2003080012 50 3,0 2003080013 65 3,6 200

Mod. 2080062 • Double carriage with six wheels for rail H 82Double carriage with six wheels for rail h 82.It is used to move the rail h 82 in any direction. Pole operated brake.Weight Dim. packaging Max load1,900 kg 28x21x10 cm 200 kg

Mod. 3080050 • End stops kit for rail H 82End stops kit for rail h 82. It must be mounted at the end of the rail to avoid the carriages to get out of the rail.Weight: 0,042 kg

Mod. 2080020 • Cable carriage for rail H 82Double carriage with six wheels for rail h 82.It is used to move the rail h 82 in any direction. Pole operated brake.Weight Dim. packaging Max load1,900 kg 28x21x10 cm 200 kg

Mod. 3080030 • Connection flanges for rail H 82Flanges in steel to connect two o more rails among them. The kit includes: two �anges, nuts, bolts and washers.Weight: 0,280 kg

80

Lighting Support

Niki junior • Manual Pantograph

Compact and light manual aluminium pantograph (P-Al MgSi UNI3569).It is ideal for applications in small and medium TV studios. It can cope with loads up to 12 kg using only the patented friction device and up to maximum 18 kg by using

optional springs. The balance of suspendedloads can be regulated adjusting the friction by turning the coloured notched ring.The friction system allows the loads from 1 to 18 Kg to remain stable when set in position and at the same time to move the pantograph smoothly up an down.

Series Niki SS 3/4/5/6 • Pole Operated Pantograph Single Scissors

Pole Operated Pantograph Single Scissors Compact and light pole operated pantograph.Designed to suspend luminaires with loads of up to 40 kg. It is ideal for small, medium and large studios. The mechanism system with single scissor and double

ropes ensure stability and great performances.It is equipped with a top and bottom end stop safety system.The pantograph is compliant with DIN 15560-46Features• Modern and attractive design• 40 kg max load• Mechanical top and bottom limits

• Two independent lifting ropewith leveling system• Double stabilizing device to avoid lateral sway• Extremely smooth and silent movement

Series Niki DS 3/4/5/6 • Pole Operated Pantograph double scissors

Pole Operated Pantograph double scissors Compact and light pole operated pantograph.Designed to suspend luminaires with loads of up to 40kg. It is ideal for medium and large studios. The mechanism system with double scissors and double ropes ensure stability and great performances. It is equipped with a top and bottom end stop safety system.The pantograph is compliant with DIN15560-46

Series Niki DSM 3/4/5/6 • Motorized Pantograph

Motorized version of Niki pantograph, it allows quick, easy, and precise positioning of lighting �xtures in a studio or stage. Designed to suspend luminaires with loads of up to 40 kg. It is ideal for medium and large studios. The mechanism system with double scissors and double ropesensure stability and great performances. It is equipped with a top and bottom end stop safety system.The pantograph is compliant with DIN 15560-46

Mod. RC 4340/Mod. RC 109 • Safety cableStainless steel safety cable complete with spring clip. It is used to fasten luminaires or accessories to carriages.Highly recommended to avoid accidental falls.Mod. RC 4340Safety cable 4 mm.Length 82 cm.Mod. RC 109Safety cable 2 mm.Length 65 cm.

Mod. 427B-4.0/Mod. 427B-6.5 • Telescopic operating poleFlanges in steel to connect two o more rails among them. The kit includes: two �anges, nuts, bolts and washers.Weight: 0,280 kg

Pantographs

Drop Arm

The drop arm is the simplest suspension tool designed to suspend luminaires with loads of up to 40kg which don’t need adjustmentin height. It is con�gurated with 28 mm (1 1/8”) spigot top attachment and 28 mm (1 1/8”) socket or universal head 28F-16M/F (1 1/8” 5/8” female plus 5/8” male) bottom attachment.The drop arm is compliant to DIN 15560-46.

Telescopic Drop ArmThe telescopic drop arm is a simple suspension tool designed to suspend luminaires with loads of up to 40 kg. The extension is manually adjusted by loosening and blocking the nut. It is con�gurated with 28 mm (1 1/8”) spigot top attachment and 28 mm (1 1/8”) socket or universal head 28F-16M/F (1 1/8” 5/8” female plus 5/8” male) bottom attachment. The telescopic drop arm is compliant to DIN 15560-46.

81

Lighting Support

A1045CS Steel Combo Stand with Leveling Leg

Minimum Height: 5.5’ (1.7 m)Maximum Height: 14.76’ (4.5 m)Closed Length: 4.7’ (1.4 m)Footprint Diameter: 1.4’ (1.3 m)Weight: 26.9 lbs (12.2kg)Maximum Load: 40kg @ min height7kg @ max height Attachment Size: 5/8” (16mm) stud and 1-1/8” (28mm) female receiverAccepts Wheels: Yes- (109, 110, 110G )Air Cushioned: No

A2030D Turtle Base Century C Stand Grip Arm Kit

Minimum Height: 4.4’ (1.34 m)Maximum Height: Stand: 9.8’ (3 m) Arm: 40” (1 m)Closed Length: 4.4’ (1.34 m)Footprint Diameter: 37” (94cm)Weight: 13.7 lbs (6.2kg)Maximum Load: 22 lbs (10kg)Attachment Size: 5/8” (1.6cm) studAccepts Wheels: NoAir Cushioned: No

A3059CS OVERHEAD 59

Minimum Height: 177.0 cmMaximum Height: 588.0 cmClosed Length: 167.0 cmFootprint Diameter: 129.0 cmWeight: 14 kgMaximum Load: 40 kgAttachment Size: 1 1/8 (28 mm) bushing not threaded

A1035CS COMBO STEEL STAND 35

Minimum Height: 5.5’ (1.7 m)Maximum Height: 11.5’ (3.5 m)Closed Length: 4.7’ (1.4 m)Footprint Diameter: 4.4’ (1.4 m)Weight: 26.5 lbs (12kg)Maximum Load: 40kg @ min heightAttachment Size: 5/8” (16mm) stud and 1-1/8” (28mm) female receiverAccepts Wheels: Yes- (A9000) for 25mm square legsAir Cushioned: No

B7035CS STARO SAFE STAND 35


B7047CS STRATO SAFE 47


A2030D Turtle Base Century C Stand with Detachable Base

Minimum Height: 4.4’ (1.34 m)Maximum Height: 9.8’ (3 m)Closed Length: 4.4’ (1.32 m)Footprint Diameter: 37” (94cm)Weight: 13.7 lbs (6.2kg)Maximum Load: 22 lbs (10kg)Attachment Size: 5/8” studAccepts Wheels: NoAir Cushioned: No

B7057 LONG JOHN SILVER 5 SECTIONS


425B MEGA BOOM BLACK

Dimensions Minimum extension: 19.7” (48.25cm) Maximum extension: 12’ (3.7 m) from stand mount Closed: 7.1’ (2.2 m) Tube Diameters: 2.2” (55.45mm)Weight: 33 lbs (15.3kg)Maximum Load: 13 lbs (5.9kg)Attachment Size: 5/8” locking socket with 5/8” double threaded stud1-1/8” locking female receptor

82

Lighting Support

1004BAC MASTER STAND

Minimum Height: 42.1” (107cm)Maximum Height: 12’ (3.6 m)Closed Length: 42.1” (106.7cm)Footprint Diameter: 41.7” (106cm)Weight: 6.6 lbs (3kg)Maximum Load: 20 lbs (9kg)Attachment Size: 5/8” (1.6cm) stud with 1/4”-20 and 3/8” threaded topAccepts Wheels: NoAir Cushioned: Yes

025BS SUPERBOOMBLACK A17+014 W/008

Minimum Height: 46.4” (117.9cm)Maximum Height: 7’ (2.2 m) Boom Length: 8’ (2.5 m)Closed Length: 45.7” (116.1cm)Footprint Diameter: 46.4” (117.9cm)Weight: Stand & Boom: (21kg)Maximum Load: With Boom Extended: 15 lbs (6.8kg)Attachment Size: 5/8” (1.6cm) stud and 1 1/8” (2.8cm) female receiverAccepts Wheels: Yes -- includedAir Cushioned: No

850 BACKGROUND ROLL SUPPORTING SPIGOTS

026 Baby female Swivelling multi-Adapter free to rotate

Color: black load capacity: 2.5 kg Material: aluminum Weight: 0.38 kg

852 CONTROL BOX - 220V

FF3054 TOP SYSTEM 54

Complete kit for larg studios composed of 2 �xed rails 5 m long, 3 mobile rails 3m long and supports for 5 light sources (4 top pantographs).

5001B BLACK ALU NANO STAND


420B Black Aluminium Combi-Boom Stand with Sandbag

load capacity: 9 kgmaximum height: 392.0 cmminimum height: 131.0 cmweight: 2.7 kg

087NW WIND-UP

Minimum Height: 65.8 in (1.6 M)Maximum Height: 12 ft (3.6 M)Closed Length: 65.8 in (1.6 M)Footprint Diameter: 50.4 in (1.27 M)Weight: 47.2 lbs (21.45 kg)Maximum Load: 66.2 lbs (30 kg)Attachment Size: 1-1/8 in, 5/8 in female socket and 5/8 in male studAccepts Wheels: Yes (104, 104G)Air Cushioned: No - Safety cable controls rise and fall

C100 JR PIPE CLAMP W/TOMMY BAR &PAD

attachment 01: 1 1/8 (28 mm) bushing not threadedload capacity: 250 kgmaterial: aluminumweight: 1.13 kg

83

Lighting Support

C337 QUICK ACTION CLAMP

Attachment 01: 1 1/8 (28 mm) bushing not threaded Color: black Load capacity: 100 kg Material: aluminum Weight: 1.27 kg

1314B SET Color: black colorMaterial: aluminumLoad capacity: 10 kgWeight: 4.2 kg

F831TH BABY FEMALE SWIVEL PIN W/BALL

F831TH is completely in steel with ball join and double baby female attachments (16mm).Load capacity: 0.80 kg

C500 PELICAN GAFFER GRIP

Attachment 01: 17 mm bushing not threadedAttachment 02: 5/8 (16 mm) Spiggot not threaded Color: black Load capacity: 10 kg Material: aluminum Weight: 1.4 kg

143F FORK FOR STYRENE GOBOS

Color: blackWeight: 0.14 kg

241 PUMP CUP W/SWIVEL 5/8 SOCKET

Suction cup for small �xtures and lightweight equipment. 16 mm bushing with safety pin.Load capacity: 1.20 kg

C1575B AVENGER SUPER CLAMP

Attachment 01: 5/8 (16 mm) bushing not threaded Color: black Load capacity: 15 kg Material: aluminum Weight: 0.45 kg

D200 2 1/2” GRIP HEAD

Avenger’s most popular grip accessory. The D200 Grip Head has hundreds of functions.Load capacity: 0.55 kg

C338 QUICK ACTION BABY CLAMP 5/8pin

Works on diameters from 20 mm to 52 mmLoad capacity: 50 kgWeight: 0.76 kg

220B Still Life Table

Color: silver colorDistance from �oor to �at surface:83.0 cmHeight: 193.0 cmLoad capacity: 15 kgMaterial: perspexPanel size: 200x122cmWeight: 28.26 kg

D520 40” EXTENSION ARM

Normally used in combination witha Grip head (art. D200) it provides an extended grip point for scrims and �ags or small lights.Load capacity: 1.60 kg

D750 40MM (1,6”) TELESC.POLYHOLDER

Attachment 01 5/8 (16 mm) Spiggot not threaded Closed length: 91.0 cm Color: black Load capacity: 15 kg Weight: 2.5 kg

G100 SAND BAG SMALL 6 KG

Weight: 6.00 kg

MN046 Expan Set Background paper drive set for oneroll. Including plastic chain andweight. Expands from: 1.8” to 3”.Load capacity: 10 kg Weight: 1.2 kg

84

Lighting Support

045 BACKGROUND PAPER TRIPLE HOOKS

Set of two background paper holders for three Expan 046.Weight: 2.05 kg

175 SPRING CLAMP, 5/8 F ATTACHMENT

Clamps onto bars up to Ø 40mmWeight: 0.32 kg

F1000 PUMP CUP W/BABY SWIVEL PIN

Ideal for mounting small lights.Load Capacity 4.41 lbs (2kg)Mount 5/8” spigotWeight 2.43 lbs (2.1kg)

386B NANO CLAMP Works on diameters from 13mm to 35mm.Weight: 110 gload capacity: 4 kg

D700B EXTENSION HOLDER F/OVAL REFL

Extension ArmSection centre column: 3 Weight: 0.7 kg

244N VARIABLE FRICTION ARM ALONE

Attachment (top): type 17Color: black colorMaterial: aluminumLoad capacity: 3 kgWeight: 1.09 kg

081 BACKGROUND BABY HOOKS

The “Baby Hook for Expan” is easily attachable to the 16mm (5/8’’) connection on top riser of the stand.Weight: 0.20 kg

179 RAPIDAPT .3/8”W+DISCO DM 80

Extension ArmSection centre column: 3 Weight: 0.30 kg

254 AUTOBOOM A25 + 013

load capacity at maximum extension4.0 kgload capacity at minimum extension8.0 kgmaximum extension: 200minimum extension: 110Weight: 5.3 kg

275 MINI SPRING CLAMP 5/8 FATTACH

Clamps onto bars up to Ø 35mm. It can be mounted also on 16mm extension arms.Weight: 0.11 kg

013 ADAPTER SPIGOT

Universal 16 mm spigot with double male thread 1/4” and Weight: 0.07 kg

175 SPRING CLAMP, 5/8 F ATTACHMENT

Clamps onto bars up to Ø 40mmWeight: 0.32 kg

E200 Stand Adapter, 1-1/8” to 5/8” Stud

Thie E200 Cine Stand Adapter �ts into the 1-1/8” female receptor on heavy-duty light stands and grip clamps. Weight: 622 g

85

Lighting Support

Cross PoleFlexible Lighting hangign system

The Avenger CrossPole is a heavy-duty telescopic pole designed to span gaps from 80cm (2.7ft) up to 6 meters (19.7ft) and support up to 75kg (165lb) of lighting equipment and grip gear at any height from the ground.A protective plate at each end allows the pole to expand between ordinary upright walls without damaging them and without the use of nails, screws or glue. Safety and security features make it ideal even for the kind of heavy loads that �lm lighting demands. Applications:You can’t use the �oor because of the set.

You can’t use the �oor or the ceiling because you don’t have either!

You have to �x your lights in window or door frames.

Expander

Tubes

The X400KIT is supplied with six tubes in special aluminum to cover any distance between two walls from 80cm (2.7ft) up to 4 meters (13.1ft). The 3m (9.8ft) tubes used to bridge 6m (19.7ft) spans are available as an accessory - code X406.

Static PlateThe wall plates have a special component that pivots to allow the tubes to bend and guarantees the maximum grip with your wall. Provided with levelling bubble and assembled with bolts (no rivets).

Locking CollarDedicated component that prevents the telescopic tube from sliding under load. Provided with aluminum handle grips and rubber covers.

Max. LoadThe max load in the most extreme scenario: When using one CrossPole at 6m (19.7ft) length, the max load is 75kg (165lb)!

CrosscouplerDedicated component to create a combination of two or more Crosspoles.

H2000M20X20 MODULAR OVERHEAD FRAME

Heavy duty 3mm wall thickness tube slot and pin lock together, rapidly providing a stable frame for lighting control textiles. By reducing or adding tubes you can create any combination of frame size.Frame Size 20’ x 20’ (610 x 610cm)No. of Tubes per Side 5Tube Length 47.4” (120cm)Tube Connection PinFrame Support 2 Ear Type

H600M6X6 MODULAR FRAME

Heavy duty 3mm wall thickness tube slot and pin lock together, rapidly providing a stable frame for lighting control textiles. By reducing or adding tubes you can create any combination of frame size.Frame Size 6’ x 6’ (183 x 183cm)No. of Tubes per Side 2Tube Length 1- 47.4” (120cm) 1- 15” (38cm)Tube Connection PinFrame Support 2 Ear Type

X400KIT6X6 MODULAR FRAME

For rigging of heavy light �xtures and grip, consider this Avenger X400 CrossPole Kit. It was developed by Avenger engineers after they visited a �lm set where crews faced a lack of a �oor or ceiling on which to mount lighting equipment.Extension X401: 2.62 - 4.26’ (0.8 - 1.3 m)

X402: 4.26 - 7.21’ (1.3 - 2.2 m)X404: 7.21 - 13.1’ (2.2 - 4 m)

Load Capacity 165 lbs (75 kg)Diameter 3- 50 mm ø, telescopic

3- 45mm øKit Weight 29 lbs (13.2 kg)

86

Professional Audio

AT2020Cardioid Condenser Microphone

Product HighlightsSide-Address Studio CondenserCardioid Pattern Rejects O�-Axis SoundSuperior Transient Response144dB SPL HandlingWide, Linear Frequency ResponseLow-Mass Diaphragm

The Audio-Technica AT2020 is a cost e�ective studio condenser microphone intended for vocal and general instrument capturing in project and professional studio environments.

AT4040Cardioid Condenser Microphone

The Audio-Technica AT4040 is a large diaphragm, cardioid capacitor microphone designed for use in the most demanding recording applications. Intended for vocal and general instrument recording (piano, guitars, string instruments etc.), the microphones cardioid polar pattern minimizes o�-axis signal reducing ambient and residual noise and delivers pristine low-noise recordings. The AT4040 has an integral 80 Hz hi-pass �lter provides easy switching from a �at frequency response to a low-end roll-o�. The high-pass position reduces the microphone’s sensitivity to popping in close vocal use.

AT8004Omnidirectional Dynamic Microphone

Product HighlightsIdeal for ENGInternal Shock MountOmnidirectional Polar Pattern

The Audio-Technica AT8004 Handheld Microphone is a rugged omnidirectional microphone designed for ENG style interviews, speech capturing, etc. The omnidirectional polar pattern is ideal for capturing surrounding ambiance or providing a “forgiving” pick-up area for talkers who tend to move and change positions.

AT2020 USBUSB Cardioid Condenser Microphone

Product HighlightsUSB Connection for Windows and MacCrystal-clear, Sound for PodcastingCardioid Polar Pattern

The Audio-Technica AT2020USB is a cost e�ective condenser microphone with a USB connector for direct integration with Windows and Mac computers. Podcasting, studio recording and other computer recording applications are achieved with superb results, low noise and crystal-clear quality.

AT4047/SVCardioid Condenser Microphone

The Audio Technical AT 4047SV is a large diaphragm condenser microphone intended for studio recording of vocals and instruments such as piano, stringed instruments, percussion, guitar and more. The AT 4047SV features a dual diaphragm capsule design maintaining precise cardioid polar pattern pick up and high-quality audio �delity with low noise �oor. Exceptionally low self-noise, wide dynamic range and high SPL capability attribute to the microphones sonic quality and versatility.

AT8031Cardioid Condenser Handheld Microphone

The Audio-Technica AT8031 is a wide-range condenser mic with a cardioid (uni-dierctional) polar pattern. The AT8031 was designed for professional recording and sound reinforcement applications. Utilizaing the latest low-mass technology, frequency and transient response is improved, while distortion is reduced. Controls feedback and minimizes pickup of unwanted sounds and is enclosed in a rugged housing with a low-re�ective matte �nish.

AT2050Multi-pattern Condenser Microphone

Product HighlightsCardioid, Omni and Figure-Eight80Hz High-Pass Filter-10dB Pad SwitchShock Mount and Protective Pouch

The Audio-Technica AT2050 Multi-Pattern Condenser Microphone is a well suited solution for home studios, project recording and live sound reinforcement alike.

AT8410AMicrophone Shock Mount

Audio-Technica’s PRO 88W VHF wireless microphone systems are designed for camcorder and other applications requiring a small, easilyportable wireless. Equipped with a �exible detachable antenna and a choice of two transmitter and receiver frequencies on each system, the smalland inconspicuous VHF wireless system will mount on the light shoe of camcorders or on the back of a camera itself with a Velcro attachment. For �xed installations, a 9V DC input is available on the receiver.

AT897 Line + Gradient Condenser Microphone

The Audio Technica AT897 is a short shotgun condenser microphone designed for audio capturing in video and broadcast applications. The microphone’s unobtrusive length of 11” (279.40mm) ensures that the microphone remains out of the frame when mounted on compact, consumer video cameras.

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Professional Audio

PRO 24-CMStereo Condenser Microphone

The Audio-Technica Pro-24CM Compact Stereo Condenser Microphone delivers pro-level stereo reproduction for video camera mounting. The compact Pro-24CM features a pair of cardioid elements in an X-Y con�guration to provide the spatial impact and realism of a live sound �eld. The result is a realistic stereo sound with pristine �delity and minimal noise. The condenser element is powered with an LR44 battery or with plug-in power wherever provided.

ME 66Back-Electret Microphone Head Suitablefor K6 and K6P Powering Modules

Features:Super-cardioid/lobar pick-up patternHighly directionalLow inherent self-noiseHigh sensitivityWide frequency response.

The Sennheiser ME66 short shotgun microphone is a popular choice among video, �lm and ENG / EFP professionals.

F780/9XDynamic Handheld Microphone

Product Highlights782MHz to 806MHz RangePLL-Synthesized TunningDynamic Element94 Selectable Frequencies

The Sony WRT-807B is a high-quality handheld dynamic microphone transmitter that operates in the 782MHz to 806MHz UHF band range. It incorporates a PLL synthesized design with 94 user-selectable, UHF frequencies of interference-free operation.

BPZ-MThe Soft-Zep is lightweight, robust and simple to use and has a permanently mounted high quality fur windcover around an open cell foam core and a very comfortable hand grip made from Kraton rubber with soft gel inserts. A thread in the base of the handle allows a boom pole to be attached. The rubber handle can be easily removed and a microphone cable (not included) can be threaded through the handle so it is out of the way. For ease of use, the microphone is simply inserted into the rear of the Soft-Zep in the same way as a “Windshield”. Soft-Zep features:Quick and easy to switch microphones.No bayonets, screws or �ddly microphone holders to wrestle with.

ECM-678Shotgun Microphone

Features:Supercardioid Polar PatternSuitable for Sony Pro CamerasHigh Sensitivity & Low Noise

The Sony ECM-678/9X short shotgun microphone delivers professional audio signal reproduction while remaining camera mountable and cost e�ective.

F720Dynamic Handheld Microphone

Quality dynamic hand-held uni-directional microphone. Rugged construction. Built-in LC switch. E�cient one-piece shock mount to protect the capsule from external noise and vibration. Integral double windscreen to prevent pop/wind noise. Reasonably priced to suit both professional and institutional applications.

MKH 416-P48U3short gun interference tube microphone

Features:Increased directivity due to interference tube principleVery low inherent self-noiseHigh sensitivityTransformerless and fully �oating balanced outputRugged, suitable for adverse climatic conditionsMatt black all-metal body.

ECM674/9XShotgun Microphone

Features:Supercardioid Polar PatternBattery or Phantom Power3-pin XLR OutputIncludes Windscreen and SpacerFits HDV, DVCAM, XDCAM Camcorders

The Sony ECM-674/9X Shotgun Microphone provides professional level signal reproduction while remaining cost e�ective. The ECM-674/9X’s compact size, audio character and sensitivity result in the level of performance suitable for use with professional and semi-professional video cameras.

PRO 31Cardioid Dynamic Handheld Microphone

This a�ordable cardioid dynamic microphone is designed for close-up vocal performance. The PRO 31 o�ers a broad frequency response and low handling noise in a tough, durable design that delivers consistent performance on the road. The mic sets price/performance standards for intelligibility, transparent sound quality and noise suppression. Available in two models for easy use with consumer and pro electronics: PRO 31 (XLRF-XLRM cable) and PRO 31QTR (XLRF- ¼” cable).

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Professional Audio

ECM77BElectret Condenser Lavalier Microphone

Perfect for television applications, Sony’s ECM77B Omni-Directional Electret Condenser Microphone is a miniature lavalier microphone designed to be inconspicuous. This tiny mic runs on either phantom power or AA battery operation. The ECM77B comes with an XLR connector

DWZ-B30GBDigital wireless set for guitar and bass

ZTX-B01 Bodypack TransmitterZRX-C30 Receiver24-bit Linear PCM Audio TransmissionFlexible Powering OptionsBalanced XLR OutputTwo 1/4” Unbalanced Outputs

The Sony DWZ-B30GB Digital Wireless Guitar/Bass Set features 24-bit linear PCM audio transmission and is ideal for use with both guitar and bass. The set includes both a ZTX-B01 bodypack transmitter and a ZRX-C30 receiver.

DWZ-M50Digital wireless vocal set

Features:For Use in DWZ Wireless Systems2.4GHz BandwidthUnidirectional Dynamic CapsuleMetal Body2402.0 to 2478.5MHz Frequency RangeCompatible with Sony DWX Capsules

High quality sound with up to six simultaneous channels and 5-band equalizer


Product HighlightsElectret CondenserWide Frequency ResponseBattery Powered OnlySingle AA Battery Provides 5000 HoursFor Live Sound and Broadcast

The Sony ECM-44B Lavalier Microphone makes the exceptional quality of Sony’s electret condenser microphones available for budget conscious productions, and a variety of sound reinforcement requirements, such as lectures and demonstrations.

DWZ-B70HLDigital wireless lavalier and headset sets

Features:2.4GHz ISM Band Operation1x ZTX-B02RC Body Pack Transmitter1x ECM-HZ1UBMP Headset Mic1x ECM-LZ1UBMP Lavalier Mic1x ZRX-HR70 Half-Rack ReceiverBuilt-In 5-Band Graphic EQ24-Bit Linear PCM Digital AudioIntelligent Feedback ReducerIncludes Body Pack Belt Clip & Tie ClipIncludes 2 Windscreens & 2 Antennas

UWP-X8UWP Wireless Microphone package

Features:UTX-H2 Handheld TransmitterUnidirectional HandheldURX-M2 Tuner Module

UWP Series UHF synthesized wireless microphone system. Package includes a handheld microphone and tuner module. Channels 30 to 33. The UWP-X8 includes extremely robust metal construction with a newly designed hand held transmitter. UWP Series transmitters and receivers can also be purchased separately.

UWP-D11Belt-pack UWP-D wireless microphone package

Features:UTX-B03 Bodypack TransmitterURX-P03 Portable True Diversity ReceiverECM-V1BMP Electret Condenser LavalierDigital Companding CircuitrySelectable Mic/Line InputUSB Charging and PowerTone Squelch Suppression CircuitryAutomatic Channel ScanningInfrared SynchronizationSimultaneous Multi-Channel Operation


The Sony ECM 88B is a miniature condenser, lavalier microphone. This version includes the DC-78 power supply with XLR output connection. The capsule is 3.5 x 3.5 x 16.8mm, allowing natural-looking concealment on stage or camera. The electret condenser element uses a dual-diaphragm mechanism, resulting in high sensitivity.

DWZ-M70Digital wireless microphone set for vocal/speech

Features:2.4GHz ISM Band Operation1x ZTX-M02RC Handheld Transmitter1x Dynamic Cardioid Mic CapsuleInterchangeable Mic Capsules1x ZRX-M70 Half-Rack ReceiverBuilt-In 5-Band Graphic EQ24-Bit Linear PCM Digital AudioAES 128-Bit EncryptionIntelligent Feedback ReducerIncludes a Mic Holder & 2 Antennas

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Professional Audio

UWP-D12UWP-D wireless microphone package with handheld transmitter

Features:UTX-M03 Microphone TransmitterInterchangeable Microphone CapsuleURX-P03 Portable True Diversity ReceiverDigital Companding CircuitryAutomatic Channel ScanningShoe-Mount Adapter for ReceiverSelectable Mic/Line InputUSB Charging and PowerTone Squelch Suppression CircuitryUWP and WL-800 Series Compatibility

DWRS02DDual Channel Digital Wireless Receiver

Features:Mounts directly in HDW-650F, PDW-700, PDW-F800, PWM-500, PMW-350, PMW-320 and PMW-TD300 camcorder slotsSupports 2ch AES3 or analog outputIncludes clear channel and active channel scanning modesInnovative wireless remote control of the transmitter from the receiver (using 2.4 GHz IEEE802.15.4 communication technology)UHF-TV channels 30-36 (566-608 MHz) and 38-41 (614-638 MHz).

ATW-1811DDual Channel Reciever

The Audio-Technica 1800 Series provides a professional, wireless portable solution, while addressing the issues of portability, function and cost. This system includes the ATW-R1810 receiver and ATW-T1801 UniPak transmitter. Other con�gurations are also available.

The ATW-R1810 Receiver features True Diversity UHF receivers with an internal Antenna/Splitter ampli�er. The compact ATW-R1810 is powered with 4 AA batteries, one of the internal receivers may be turned o� to preserve battery life

UWP-D16Belt-pack UWP-D wireless microphone package with XLR plug-on transmitter

Features:UTX-P03 Plug-on Transmitter with +48VUTX-B03 Bodypack TransmitterURX-P03 Portable True Diversity ReceiverECM-V1BMP Electret Condenser LavalierDigital Companding CircuitrySelectable Mic/Line InputUSB Power and Battery ChargingAutomatic Channel ScanningTone Squelch Suppression CircuitrySimultaneous Multi-Channel Operation

DWTB01Digital Body-pack Transmitter

Features:30/40 - 66MHz Range566 to 608 MHz & 614 to 638 MHzDigital ProcessingLightweight Die-Cast BodyUp to 10 1/2 Hour Battery LifeSelectable Output Power

The DWT-B01 digital body-pack transmitter is compact, lightweight and built with a sturdy die-cast magnesium body.

PRO 88WVHF Wireless Systems with battery-powered receiver and transmitter for camcorder use

Features:T24 / 169.505 & 170.305 MHzIncludes TransmitterCamera-Mountable ReceiverATR35 Omni Microphone

The Audio-Technica Pro 88W is a cost e�ective VHF wireless microphone system intended for video application.

UWPX7Lav Mic, Bodypack TX and RX Module Wireless System

Features:UT-B2X Bodypack TransmitterUnidirectional Lavalier MicrophoneURX-M2 Tuner Module

The Sony UWP-X7 Wireless Microphone System consists of the UT-B2X bodypack transmitter, unidirectional (cardioid) lavalier microphone and URX-M2 tuner module.

EW 135-P G3A handheld system designed for �eld operation: this system is the perfect choice for ENG professionals. The rugged hand-held cardioid wireless microphone provides professional sound quality for interviews and reporting, even under unfavorable conditions. At the camera end of the wireless signal path is the portable and reliable EK 100 G3 adaptive diversity receiver.

M2Wireless In-Ear Monitor System

Features:Band M: 614.000 to 647.000 MHzIncludes M2T Stereo TransmitterIncludes M2R Stereo ReceiverIncludes EP3 HeadphonesPersonalized Monitor Mixing100 selectable UHF channels10 Simultaneous Systems Per Band

The Audio-Technica M2 Wireless In-Ear Monitoring System o�ers stage performers and musicians the freedom of wireless, personalized monitoring without speaker wedges.

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Professional Audio

EW 300 IEM G3Product Highlights:Includes SR 300 G3 TransmitterIncludes EK 300 G3 ReceiverMetal ConstructionSelectable TuningWireless Syncing

The ew 300 IEM G3 Wireless In-Ear Monitoring System from Sennheiser is a wireless stereo audio system that provides terri�c versatility in a compact package. The system consists of an SR 300 G3 transmitter and an EK 300 G3 receiver.

Ew 112-p G3Product Highlights:EK 100 G3 Camera Mountable ReceiverSK 100 G3 Bodypack TransmitterME2 Clip-On Lavalier Mic1680 Tunable Frequencies Across 42 MHzAuto Frequency Scan Finds Open Bands3 Level Squelch To Block Interference20 Banks With 12 Channel Presets EachCompander For Clearer SoundAuto-Lock Prevents Accidental Adjustment

The Sennheiser ew 112-p G3 Wireless Portable Microphone System is intended for portable wireless operation, such as video and �eld recording applications.

1/ BP892-TH + ATW-3110BDWireless UHF Bodypack Microphone System, Frequency-Agile, True Diversity, TV44-49with Subminiature Omnidirectional Condenser Headworn MicrophoneBand D - 655.500 - 680.375 MHzATW-R310 ReceiverATW-T310 UniPak TransmitterAT8539 Power ModuleOmnidirectional55” (1.4m) CableLow-Pro�le DesignFlexible Ear Loop

HD 280 PROProduct Highlights:Leatherette CushionsPadded, Adjustable HeadbandNoise IsolatingStandard 3.5mm Plug with 1/4” Adapter

The Sennheiser HD 280 Pro Circumaural Closed-Back Monitor Headphones feature a collapsible design with swiveling earcups and extended low end reproduction.

EK 300 IEM G3Product Highlights:Metal ConstructionSelectable TuningPilot Tone SquelchWireless Transmitter SyncIlluminated Graphic DisplayUses AA BatteriesIncludes Earphones

The EK 300 IEM G3 from Sennheiser is a compact and rugged beltpack audio receiver. Ideal for monitoring applications, the receiver has 1680 tunable UHF frequencies for interference-free operation. It also has a pilot tone squelch feature for eliminating interference when the transmitter is turned o�.

HD 201Wired Hi-� Headphone

Product Highlights:Lightweight Closed-Back ConstructionLightweight Turbine DiaphragmsNeodymium MagnetsSpecial Damping MaterialSemi-Circumaural DesignDetachable EarcupsReplaceable Leatherette Ear CushionsBelt Clip with Cord Take-Up3.5mm Plug with 1/4” Adapter

BPHS1Broadcast Stereo Headset

Product Highlights:Closed Back Dynamic HeadphoneCardioid Boom MicrophoneWide Frequency Response1/4” Phone and XLR Connector

The Audio-Technica BPHS1 Broadcast Stereo Headset is designed for monitoring and speech capturing for news broadcasts, direction, sports commentary and more.

Ew 100-ENG G3Product Highlights:2 x EK 100 G3 Bodypack Receivers2 x SK 100 G3 Bodypack Transmitters2 x ME2 Clip-On Lavalier MicsAT8004L Omni-Directional Handheld MicPlug-On Transmitter for Handheld MicPlug-On Transmitter Holster CaseV-Bracket Shoe MountCustom Road Case with Foam Inserts

The Sennheiser ew 100 ENG G3 Dual Wireless Basic Kit provides a complete basic solution for camera operators engaged in ENG (Electronic News Gathering) who require professional in-camera audio capture but need to cover dual audio sources, either using two lavalieres, or a lavalier and a handheld microphone.

HD 202Dynamic hi-� stereo headphones

Product Highlights:Lightweight Closed-Back ConstructionLightweight Turbine DiaphragmsNeodymium MagnetsSpecial Damping MaterialSemi-Circumaural DesignDetachable EarcupsReplaceable Leatherette Ear CushionsBelt Clip with Cord Take-Up3.5mm Plug with 1/4” Adapter

The HD 202-II headphones from Sennheiser provide high-quality audio with exceptional bass response in a lightweight design, ideal for DJ applications and monitoring.

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Professional Audio

ATH-M30Closed-back Dynamic Stereo Monitor Headphones

Around-the-ear, dynamic closed-back design headphoneExceptional clarity and sonic accuracy for mixing40 mm diameter drivers, neodymium magnets and CCAW voice coils1,600 mW of power handling with high SPL capabilityOxygen Free Copper cables with convenient one-side exitLightweight with adjustable cushioned headband

MD-R7506Professional Headphones

The MDR-7506 is a staple within the recording, �lm and live arenas. Due to its low impedance and closed ear design, the headphone does an outstanding job of cutting down background noise while providing plenty of volume in the studio or in the �eld. Additionally, the closed design helps eliminate “headphone bleed” when overdubbing in the studio.

Frequency response 10-20kHz Transducer principle Closed-back Dynamic Nominal impedance 63 OhmsSensitivity 106 dB/mWWeight 180gConnector Gold, Stereo Unimatch plug 1/4” and 1/8”

H4nHandy Mobile 4-Track Recorder

Product Highlights:True X/Y Stereo MicsSelectable Recording PatternsRecords up to 24-bit/96kHzRecords to SD/SDHCXLR/TRS Combo InputsBuilt-In SpeakerUSB 2.0 ConnectivityBacklit LCD DisplayUses AA BatteriesAccessories Included

The Zoom H4n Handy Recorder picks up where the H4 left o� and adds additional features to an already popular audio recorder. Ideal for recording interviews, lectures, rehearsals, meetings, and more, this palm-sized unit packs the ability to record up to 4 channels of audio at greater than CD quality.

H6Handy Recorder with Interchangeable Microphone System

Product Highlights:Modular Mic and Input SystemIncludes XY Microphone ModuleIncludes Mid-Side Microphone ModuleFour XLR/TRS InputsRecord up to 6 Simultaneous ChannelsRecord up to 24-bit/96kHz AudioDoubles as USB Audio InterfaceUses SDXC Memory CardsOptional Shotgun Mic and XLR/TRS InputsOptional Hot Shoe Mount

The H6 Handy from Zoom is a portable handheld recorder and USB audio interface that features an interchangeable microphone system. The recorder ships with both XY and mid-side microphone modules, foam windscreen, 2GB SD card, four AA batteries, USB cable, Cubase LE and a hard carrying case. Optional module attachments can be purchased for expanded functionality.

ATH-M50Professional Studio Monitor Headphones

Features:Closed-Back DesignNeodymium DriversSwivel EarcupsAdjustable, Padded HeadbandAround-Ear CushionsSingle-Sided Straight CableGold-Plated 3.5mm Plug with 1/4” AdapterCarrying Pouch Included

MB-X6Tuner Base Unit

The Sony MB-X6 UHF Tuner Base Unit features a modular design that conveniently accommodates up to six WRU-806A and URX-M1 tuner modules. Up to six transmitters may be used simultaneously with six tuner modules installed. The rear panel provides six XLR (mic/line selectable) outputs and a stereo mix output. The MB-X6 features a single 19” rack space design and operates on channels 30 through 69.

Wide Frequency RangeUp to Six Tuner ModulesInternal Active Antenna DividerAntenna Gain SwitchOutput Level Switch plus one XLR-3 monitor outputPower Requirements AC 120 VBattery Life NADimensions 19 x 1 3/4 x 11 1/4 inches (482 x 44 x 285 mm)Weight 3.1 kg Compatibiity For use with UXR-M2 and WRU-806B modular tuners.

MDR-7502Professional Headphones

The MDR-7502 is an over-the-ear closed back professional headphone that delivers clear, high-quality sound reproduction. The headphone features gold connectors, an oxygen-free cord, 30mm driver units and a frequency response of 60Hz to 18kHz.

Designed for a broad range of applications, from general sound monitoring in the studio or in the �eld, to a high quality, low-cost alternative to consumer headphones, the MDR-7502 is built with longevity in mind.

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Professional Audio

PRO-5404-User ProLink Dual-Ear Wireless Beltpack Intercom System

Product Highlights:No Base Station Needed1 Master and 3 Remote BeltpacksA/B Channel SelectionPTT or Always On ModesDual-Ear HeadsetsFlexible Boom MicsBluetooth CapabilityUses Rechargeable AA BatteriesNo FCC License Needed

PRO-5707-User ProLink Dual-Ear Wireless Beltpack Intercom System

Product Highlights:No Base Station Needed2 Master and 5 Remote BeltpacksA/B Channel SelectionPTT or Always On ModesDual-Ear HeadsetsFlexible Boom MicsBluetooth CapabilityUses Rechargeable AA BatteriesNo FCC License Needed

Invisible wireless earpieceWith TX-300Ninvisity by Phonak is the smallest in-ear radio receiver in the world. This comfortable wireless earpiece o�ers market-leading sound quality and allows broadcast and stage teams to discreetly prompt any presenter or performer, providing a valuable safety net and ensuring that broadcasts and performances always run smoothly.

Phonak invisity is currently used by many of the world’s leadingbroadcasters, entertainers and �lm makers2 di�erent versions of invisity are available: invisity �ex and invisity4-channel:invisity �exThis invisity model uses a single channel (7 MHz range). invisity userscan have their Phonak dealer reprogramme this frequency or they canalter their wireless earpiece themselves using the invisity programmingunit or IPU (see below). All other invisity parameters are �xed andcannot be adjusted.invisity 4-channelThis invisity version features 4 programmable channels, again spanninga 7 MHz range. The 4-channel invisity comes bundled with the invisityremote control, which quickly allows a user to �ick between pre-setchannels. Frequencies can be reprogrammed using the invisityprogramming unit (IPU), plus users can also alter the invisity receiver’saudio level and other settings.

TX-300VTX-300V transmitter

The TX-300V is a wide area FM transmitter and perfect for covering large areas such as auditoriums, lecture rooms, houses of worship, town halls, movie theaters, theaters, universities, sports venues, shopping malls, railway stations and other public places.

Easy connectionAutomatic synchronization with WallPilotAvailable with charging suitcasCompatible with all Phonak FM receiversPerfect for any facility with a capacity of over 50 people.

The PRO-540 4-User ProLink Dual-Ear Wireless Beltpack Intercom System from PortaCom is a complete 4-user wireless intercom system. It includes a master beltpack, 3 remote beltpacks, and 4 dual-ear headsets. Each beltpack features a compact and portable design and o�ers full-duplex communication without the need for a base station.

The PRO-570 7-User ProLink Dual-Ear Wireless Beltpack Intercom System from PortaCom is a complete 7-user wireless intercom system. It includes a pair of master beltpacks, 5 remote beltpacks, and 7 dual-ear headsets.ks, and 4 dual-ear headsets. Each beltpack features a compact and portable design and o�ers full-duplex communication without the need for a base station.

MICC SeriesMIC. STAND CHROME

attachment number type 36 attachment typematerial chrome steelclosed length 108.0 cmload capacity 2 kgmaximum height 195.0 cmweight 1.4 kg

Table Top Tripodattaches by. 3/8’’ screw attachment typeColor black colorleg angles 75°working height 13.0 cmload capacity 2 kgminimum height 4.5 cmweight 0.094 kg

Microphone StandAnodised aluminium microphone stand features a ‘Quick release and lock collar’, allowing the stand to be set at the required height with a single operation. The lightweight rubber base reduces ‘bottom-end’ frequencies being trasmitted through the stage �oor. Complete with rubber base, 3/8’ top attachment for microphone. Supplied without microphone holder.

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Professional Audio

Eclipse-PiCoFeatures:User menu for I/O levels, routing and statusIntelligent trunk linkingSeamless interfacing with Clear-Com IMF modulesDTMF inward access and outward dialing4 on-board con�gurations selectable by front menuIndividual level control adjustments

Eclipse PiCo is ideal for communication needs in small to mid-size production environments such as OB vans, studio and sports facilities. It provides high-quality full-duplex communication requiring a moderate number of ports in a compact 1RU form. The front user menu enables quick and easy changes to input/output levels, routes and con�gurations.

WBS-680 Two-Channel WirelessSupports up to four full-duplex wireless beltpacks per base stationAble to connect the wireless beltpacks, via the base station, to two channels of wired intercom“wireless talk around” button places the user’s voice on the wireless-only bus“Stage Announce” feature available on beltpackDi�erent communications routings are activated from the beltpacks, with each beltpack user having full control

WBS-670 Single-Channel WirelessSupports up to four full-duplex wireless beltpacks with its 1-RU base stationLow-pro�le on/o�/volume control and a momentary/latching talk buttonRugged detachable antennas are easily �eld-replaceable.Integral LCD window shows channel and frequency information, and allows the programming of beltpack channels and functions3-pin XLR loop-through connectors for one channel of party-line intercom, an RJ-45 connector for direct connection to a digital intercom port, and a pair of auxiliary connectorsCompatible with virtually all wired party-line and matrix intercom systems.

DHY-03Digital Telephone Hybrid

The digital DHY-03 telephone hybrid is probably the best performing digital hybrid in the world, with simply stunning line balance rejection �gures.The DHY-03 has the following features :Fully automatic - adapts to varying line conditions and has automatic signal limiting. Fully adaptive echo cancellation to 127msec - default is 24msec. 72dB typical line balance rejection o�ering superb performance and crystal clear audio. Front panel input and output gain controls. Front panel LED metering of receive and send signals. Built-in conferencing for 2 hybrids, so that a single telco channel on a mixing desk can receive 2 calls.

i-Series panelThe 1RU i-Series panels are engineered and built to be rugged and reliable. i-Series panels are factory built with two to four 5-character display selector modules and a microphone headset module. The fully �tted 4 module panels also includes a keypad.There are 5 standard variants available:I-1110E 1x8-key display key module, no keypadI-1210E 2x8-key display key modules, no keypadI-1410E 4x8-key display key modules, no keypadI-1430E 4x8-key display key modules with keypad(dial and assignment menus)I-1470E as per I-1430E but with AUX-101 option (local audio and GPIs plus the I-1410E 4 x 8 display key extension panel)

AP-2220-Key IFB assignment panel (with LED displays), 1RU. Select 110V or 220V operation.

RM-704 Remote StationRemote station provides four independent intercom channels, with programmable front-panel buttons for versatility. Separate volume controls for each channel, and four separate audio program inputs. Three interruptible IFB channels for talent cueing and announce button/relay for paging. Powered by the intercom line.

94

Professional Audio

Phone In 6The Phone In 6 is a telephone switching system for radio talkshows. It consists of one or more desktop Remote Control Panels for call control, and a rackmount Base Console which contains all of the audio and telephony connections, including two superb quality digital telephone hybrids. Connected via Ethernet, the units make up a simple, easy to use talkshow system.The Base Console can be loaded with 1, 2, or 3 modules, where each module can have 2 x PSTN (normal telephone) lines, 1 x ISDN BRI line or 1 x GSM line. The ISDN basic rate interface allows two calls to be handled, one on each ISDN B channel. The PSTN module has two interfaces each using a modern digital hybrid interface, which is settable by software to handle a variety of PSTN and PABX systems with varying impedances, call connection & disconnection tones. The GSM unit handles one call and requires an external antenna to be mounted close to the Base Console but with an interference-free line-of-sight to the nearest cell

DMXP01Portable Battery Powered Digital Mixer with 4 XLR Mic Inputs, 24-Bit/96k Resolution, AES/EBU Digital Output and Recallable Setup Memory

The Sony DMX-P01 is a professional digital �eld mixer that combines the convenience of portable studio grade audio mixing, with the pristine �delity of high resolution digital technology. Features:24 Bit Converters32 Bit Processing48kHz & 96kHz Sampling Frequencies4 Balanced XLR InputsSet Up Recall & StorageProgrammable MeteringAES/EBU & S/PDIF OutputFlexible Monitoring

EPM 6Low-cost high-performance mixers Frame sizes 6+2, 8+2 and 12+22 con�gurable auxiliary busesXLR-type and ¼” metal jack connector socketsRCA phono stereo playback inputs and record outputs3-band EQ with a swept mid on mono inputs2-band EQ on stereo inputsTRS insert sockets and inserts on all mono inputs and mix outputTen-segment LED output meteringIntuitive and comprehensive solo systemHeadphone outputEasily rack mountable

DM1000VCMDigital Production Console

Features:Precise 24-bit/96-kHz Audio and High-performance Head Amps48-input 18-bus Mix Capacity at 96 kHzPowerful Channel Functions with Flexible Control and PatchingVersatile Connectivity for a Wide Range of ApplicationsTwo I/O Expansion Slots for Easy Expansion in a Variety of FormatsFour Advanced Multi-e�ect Processors Include Surround E�ectsComprehensive Interface with Touch-sensitive 100-mm Motor FadersScene Memory and Automix Functions for E�cient Work�owVersatile Pairing and Grouping Functions Enhance Mixing E�ciencyDM1000 Editor Software SuppliedSophisticated DAW or Digital Recorder IntegrationAn Ideal Platform for Surround ProductionEnhanced Surround Monitoring Environment Includes Bass ManagementA Powerful Performer in Live Sound SettingsFunctions and Performance Fine-tuned for Professional UsePowerful New Functions for Applications from Production to Live Sound to Broadcast.(Version2)

PI-6R Remote Control Unit.Features:Simple installation using CAT5 Ethernet connection to the remote control panels.Automatic call answering.Automatic call disconnection.Self-op or call screening modes.Caller conferencing.Headset included with all systems.Simple switch button control of callers.Receive, route, drop or make calls.12 digit keypad to make calls, recall favourite settings and for speed-dialling.Graphic LCD display.Phonebook for automatic dialing.Responsive illuminated switch buttons.Programmable GPIO.Ethernet control/connectivity.Two superb quality digital telephone hybrids.Modular PSTN, ISDN & GSM telephony inputs.Hardware metering of send & receive levels.Send & receive level adjustment.Wide range of impedance matching options.Music on hold input.AGC, automatic gain control of send & receive signals.Echo cancellation.Noise gate.Automatic caller ducking.Share or switch the hybrid audio to multiple studios.

The Remote Control Panel (RCP) has 3 rows of 6 Line selection buttons, with the top LINE HOLD buttons used to receive or drop a call from a line and the HYBRID 1 and HYBRID 2 buttons used to send the caller to the respective hybrid.

95

Professional Audio

Blackmagic Audio MonitorIncredible quality audio monitoring with Ultra HD 4K technology

2 x Channel AES/EBU Digital Audio InputL/R Balanced & Unbalanced Analog Input2 x 27-Segment LED VU MetersFront Panel Illuminated KeypadFront Panel 1/4” Headphone JackSupports SD/HD/Ultra HD @ 10-bit via SDI16 x Channels Audio Output via SDI Out2 x Channels Embedded Audio via HDMI OutAvailable Dolby Decoder Upgrade Card1RU-Sized Unit with Class A/B Ampli�er

01V96V2Digital Recording Mixer

Much like the Yamaha 01V, the 01V96 is a compact digital mixer with 16 1/4” TRS Phone line level inputs and 12 XLR Mic preamps. In addition, 8 channels of ADAT optical I/O are provided on the rear. A Mini-YGDAI card slot enables users to expand the mixers I/O section when necessary. 16 I/O Series cards provide 16 additional digital inputs and outputs of either ADAT, TDIF or AES/EBU formats. 8 Channel I/O cards are available as well and include analog I/O as well.Version 2 software further enhances DAW integration with Nuendo and CubaseSX. Studio Manager Version 2 is also included and features enhancements such as multiple hardware, editor and window support and multiple Undo capability.

MX422 The Rolls MX422 is a 4-channel professional �eld mixer designed for Electronic Field Production (EFP), Electronic News Gathering (ENG), video, and more. The mixer includes a feature set that meets the demands of the professional �eld audio engineer while remaining at a modest price point. The MX422 features 4 balanced XLR inputs that are capable of accepting line level or microphone signal. The stereo XLR outputs feature a -30dB pad switch for feeding low impedance inputs.

Professional BoomPolesThe Cavision SGP535R 5-Section Microphone Boom Pole is made of durable, lightweight mixed �ber, features concentric locking collars and features a 3/8” thread at the top. The primary tube is specially coated to minimize handling noise and the concentric collars provide perfect microphone positioning from any point within the section. The removable top enables users to internally thread the boom pole with a microphone cable.

Rycote Full Windshield SystemThe full windshield system is made up of the following elements:Modular Suspension (shock mount) Modular Windshield (windscreen, blimp or zeppelin) Windjammer (furry cover).

MG82CX8-Input Stereo Mixer with Digital E�ects

MG mixers are lighter and smaller than ever while o�ering some innovative new features. The MG82CX is an ideal mixer for basic music production or live sound applications that require high sound quality from a relatively small number of input sources. The MG82CX is remarkably compact and lightweight, but no compromises have been made in sound quality. They even have built-in channel compressors that, although easy to operate, can signi�cantly enhance the quality of your mixes. An optional adaptor allows these mixers to be mounted on a microphone stand for easy access and convenient positioning on stage. The MG82CX features top-quality SPX digital e�ects built in, so you won’t need any extra equipment for many applications.

MX42Stereo Mini Mixer

The MX42 is a four channel stereo mixer. The unit mixes up to four stereo RCA signals such as CD or cassette players with VCR units, even computer sound cards or MP3 players. All signals are mixed via stereo 100K ohm potentiometers to stereo RCA output connectors. The unit is passive, requiring no power.

96

Interfaces

DVI 201 / DVI ExtenderThe Extron DVI 201 is a transmitter and receiver set that enables DVI - Digital Visual Interface or HDMI - High De�nition Multimedia Interface signals to be carried over distances signi�cantly greater than the speci�ed 5 meter (15 foot) limitation for standard DVI cables.Linked together using two economical and integration friendly CAT 5, CAT 5e, CAT 6, or CAT 7 cables, the DVI 201 transmitter and receiver work together to send single link DVI-D or HDMI signals over 200 feet (60 meters) for HDTV and XGA (1024x768).

5600MSCMaster SPG / Master Clock Combo

The 5600MSC Master Sync and Clock Generator, is both a broadcast quality master sync pulse generator (SPG) and a master clock. It provides all of the synchronizing signals needed in a 21st century TV station at the same time as solving the problem of locking the in-house master clock system to the master video sync pulse generator.

Pro Patch™Programmable Audio Patchbay

• Unprecedented reliability and flexibility in a convenient, space-savingsize and lightweight package.• High density 2x48 WECO-compliant bantam jacks on 0.312-inchcenters• DIP switch selectable circuits normals and grounds• Ultra-shallow five-inch depth• Modular design allows individual jack access/con�guration withouta�ecting other circuits• Largest designations on the market, 0.410-inch top and bottom for 1rack unit, 0.680-inch top and bottom for 1.5 rack unit.

Kaleido-XThe Kaleido-X multi-viewers o�er the highest picture quality, along with unmatched �exibility in display con�guration, and exceptional resilience. Two frames are available with up to 96 inputs and 8multi-viewer outputs (7RU), or with up to 32 inputs and 4 multi-viewer outputs (4RU), making it ideal for applications demanding high picture counts per display. Kaleido-X’s advanced Metadata extraction, signal probing, and alarming capabilities make it highly suitable for master control and head-end environments. It also o�ers triple rate 3Gbps/HD/SD performance, with Stereoscopic 3D support. Themulti-viewer can be tightly integrated with routers to create very large and versatile monitoring systems.

Features:Unmatched image qualityHighly resilientAdvanced Metadata extraction, probing and alarmingLayout �exibilityMulti-room orientedTriple rate performance with Stereoscopic 3D supportRouter integration

1200DD & 1201DDData Digital Display

1212 & 1216Remote Time Display

PKG9625SWSDI Mini Master Control Switcher Package

7767VIP4-HSN & 7767VIP4-SNThe 5600MSC Master Sync and Clock Generator, is both a broadcast quality master sync pulse generator (SPG) and a master clock. It provides all of the synchronizing signals needed in a 21st century TV station at the same time as solving the problem of locking the in-house master clock system to the master video sync pulse generator.

MonitorScope MS9000Worlds �rst modular 3G,HD,SD SDI and composite capable 3U rack measuring instrumentr

The MonitorScope MS9000 is a compact ½ rack 3RU high, low power rasterizer for measurement and monitoring of video and audio in all areas of production and engineering. The MS9000 is a modular instrument so it is easy for the user to upgrade at any time.

With a user friendly interface and ease of use top of the agenda the MS9000 comes with a built in XVGA display. Applications include: EFP, OB vehicles, pre and post production, editing and graphics suites, tele-cine, colouring... Indeed anywhere serial digital signals or multi-format measurement are required.

The MS9000 is capable of measurement, monitoring and error detection of 3G, HD, SD and composite video signals and audio in its embedded, or AES/EBU formats, depending on the module options selected. Generator and EYE modules covering 3G, HD, SD and composite video and audio signals complete the range.With waveform, vector, multiple linear audio peak bar graphs and phase displays with program picture available for display as required the MS9000 ful�ls operational and front line engineering requirements.

97

Video Routers

robust buttons designed to handle everyday use.Key Features:Ranges from 8x8 in 1RU to 64x64 in 4RUEthernet/RS-232/NCB controlProgrammableFull button �exilbilityRobust buttonsLive button status feedbackSize: 19inch - 1RU, 2RU or 4RU - depth 5cmLow power

DA-3GHD-81x8 3G/HD/SD-SDI and DVB-ASI distribution ampli�er

The Flashlink DA-3GHD-8/DA-3GHD-8-PL is a multi bit-rate distribution ampli�er that provides high performance media distribution for signal formats from 19.4Mbps to 2970Mbps in studio and broadcast applications. This unit is automatically con�gurable for cable equalizing and reclocking of DVB-ASI, SD/HD/3G-SDI signal formats. The DA-3GHD-8-PL module features a passive loop-thru function that enables cascading of

SL-16XY-CP Programmable multibus X-Y control panel series

Nevion series of Sublime control panels provides powerful control features to a large range of routing application with their high �exibility thru their programmability, multi-router/ multi vendor support and multiple control interfaces. Sublime control panels support both serial and IP-based control. The panels are compact and lightweight, easily mounted in desks or racks. They are all 19” wide, and ranges from 1RU 8x8 single bus to 4RU 64x64 CY multibus. They are equipped with

Digital video cable

HDTV/SDI video cables usually have solid center conductors and dual shields. The dielectrics can either be foamed PE or for better crush resistance foamed HDPE insulation. Tighter impedance and attenuation tolerances, superior Return Loss (RL) speci�cations and improved shielding give precision video cables their no-compromise performance

success. VikinX Sublime is ideal for general purpose facilities, on-air routing, mobile outside broadcast applications and sophisticated A/V applications. By providing critical 3rd party control interfaces through 3rd party management software Sublime enables the utilization of existing routers and management systems from other manufacturers and maintains the advantages of implementing VikinX Sublime in routing applications. With the ultra-slim, multi-format and �exible product range, Sublime ful�ls the most demanding requirements from the professional broadcast market.

several units. One module can be hot-swapped without a�ecting other modules in the cascade. A non-looped version, the DA-3GHD-8, is also available with improved cable equalization.

Key Features:1 x 8 distribution ampli�erASI support on all outputsPassive loop-through on backplaneOn board LED for statusOn board DIP for con�guration

AAV-HD-XMUXHD-SDI audio embedder for analog and digital audio

The AAV-HD-XMUX is a multi-rate highly integrated audio embedding module in the Flashlink range, o�ering simultaneous embedding and de-embedding of audio from a digital HD or SD serial video signal.

The AAV-HD-XMUX’s small footprint, low power and Nevion panel control support are ideal for outside broadcast applications.The extensive manual control thru DIP switches enables the module to be e�ciently used as a stand-alone unit enclosed in the small Flashlink N-box enclosure. The built-in de-glitcher makes the AAV-HD-XMUX the preferred choice for analog audio embedding applications since any switching is presented seemlessly at the AAV-HD-MUX output.

SL-3GHD1616-N-CP3G-SDI router range with control panel and redundant system controller support

The SL-3GHDXXXX-CP is a router series supporting 3G/HD/SD-SDI and DVB-ASI, providing reclocking to all its outputs. An XY control panel is making this router series ideal for small studio applications.VikinX Sublime provides many of the powerful control features that drove the VikinX Modular range to

Flashlink Micro

Modules for desktop and standalone applications have until now been associated with medium-low to medium-high performance with little or no recon�guration possibilities. With Flashlink Micro, those days are gone.Flashlink Micro, your ideal choice for desktop applicationsInterchangeable modulesMinimum setup timeMonitoring and con�gurationFlexible mountingMaximum functionalityLow power consumptionRuggedised enclosure designFuture-proofed upgrade path

98

Video Routers

Smart VideohubFEATURES:Compact - 1U Size3 GB/s SDIAuto-switching SD / HDFull SDI Re-clocking32 Attractive Crystal Look ButtonsIlluminated ButtonsEthernet Direct Network ConnectionSimple Installation

Studio Videohub RouterFEATURES:Eliminates Manual PatchingSoftware-Controlled RoutingMultiple Input, Output & Control PortsSupports SD, HD & 3Gbps SDIRackmountableSlimline Pro�le

Videohub FamilyBroadcast quality all in one 3 Gb/s SDI routers from 16 x 16 up to 72 x 144 size

Now you can eliminate complicated manual video patching forever! Videohub lets you connect all the equipment in your facility and easily change connections right from your computer’s desktop! Videohub is a powerful broadcast grade routing switcher that features up to a massive 72 inputs, 144 outputs, 72 deck control ports, and auto switching SD, HD, and 3 Gb/s SDI, all in a compact rack mount chassis only a few inches thick.

Broadcast VideohubFEATURES:Broadcast Routing SwitcherComputer ControlRackmount Design

Compact VideohubFEATURES:Broadcast Routing SwitcherVideo Connection Switching via Software40 x 40 SDI Routing / 2 RUReal-time 2048 x 1556 Film EditingSimultaneous SD/HD/3 GB/s SDISDI Signal Re-clockingRedundant Power SuppliesPower Fail Protection/Single PCBEthernet/USB/Serial Router ControlMac/Windows Compatible Software

Videohub Master ControlFEATURES:Controls All Videohubs Small to LargeCycles Through, Selects, Routes InputsLocks and Unlocks RoutesLabels Routes and Searches by LabelConnects by Ethernet

Micro VideohubFEATURES:Broadcast Grade Routing SwitcherCompact Size (1U)Eliminates Manual PatchingRe-clocking / Auto Standard DetectionAuto-switching / Power Fail ProtectionSupports 16 x 16 SDI RoutingSoftware Control PanelsUSB & Serial Router Control InterfacesBuilt-in USB 2.0 Interface

Videohub Control PanelsControl your Videohub router from anywhere in your building via ethernet!

Now you can control your router from anywhere in your building. Videohub routers use ethernet for the control panel connections so you can select from a wide range of hardware rack mount panels or control your router from your Mac, PC or even iPad! You can even customize your own control solutions using the Videohub developer SDK.

99

Converters

Teranex 3D ProcessorMAIN FEATURESStandards/Format Converter & I/O DeviceAdvanced 3D ToolsSimultaneously Converts and CapturesUp/Down/Cross Format ConversionsAspect Ratio ConversionAdjustable Scaling16 Channel Audio ConversionTeranex-Patented SIMD TechnologyInstant Sophisticated CalculationsHigh-Quality De-Interlacing

Battery ConvertersTough machined metal converters with built in battery for live events.

Featuring a built-in rechargeable battery, Battery Converters are amazingly versatile and let you work on location without external power! Now you can get the highest quality 3 Gb/s SDI conversion everywhere you go. Battery Converters are available in either HDMI to SDI or SDI to HDMI models, and support a huge range of video formats up to 1080p60 HD. Each converter automatically switches between SD, HD and 3 Gb/s SDI standards and supports embedded SDI and HDMI audio. Battery Converters also feature a super tough design that’s perfect for outside broadcast and live events!

Teranex 2D ProcessorMAIN FEATURESStandards/Format Converter & I/O DeviceSimultaneously Converts and CapturesUp/Down/Cross Format ConversionsAspect Ratio ConversionAdjustable Scaling16 Channel Audio ConversionTeranex-Patented SIMD TechnologyInstant Sophisticated CalculationsHigh-Quality De-InterlacingConverts Indistinguishably from Master

Mini Converter Heavy DutySuper strong machined metal mini converters for live production.

Mini Converter Heavy Duty models give you the highest quality SDI conversion in a super tough design that’s perfect for use on location. Each converter is machined from a solid block of aircraft grade aluminum, and can withstand being run over by the largest OB vehicle! Heavy Duty models are built to the highest broadcast standards and automatically switch between SD, HD and 3 Gb/s formats. With low SDI jitter and SDI re-clocking you can use the longest SDI cable lengths.Models:Analog to SDI SDI to AnalogHDMI to SDI SDI to HDMI

Mini ConvertersIncredible quality broadcast converters that are simple to use.

Mini Converters are the world’s most advanced and easy-to-use SDI converters. Built with the highest quality components and connectors, Mini Converters automatically switch between SD, HD and 3Gb/s video standards. Whether you want to convert to or from SDI, move between di�erent SDI video formats or distribute SDI signals to multiple destinations, you get the highest quality broadcast technology in a compact and a�ordable design. Choose from a range of 12 models, all featuring low SDI jitter and SDI re-clocking so you can use the longest SDI cable lengths and maintain pristine quality images.The Mini Converter Models:SDI to Analog Analog to SDI Broadcast ConverterSDI to HDMI HDMI to SDISDI to Audio Audio to SDI Optical Fiber UpDownCrossSDI to HDMI 4K SDI MultiplexSync Generator SDI Distribution

OpenGear ConvertersBroadcast quality industry standard rack converters.

The new Blackmagic OpenGear Converters give you a great range of conversion, all packed with the latest video technologies at an a�ordable price! Get the freedom and cost savings of an open standard combined with centralized network control and monitoring using the OpenGear DashBoard software on Windows™, Mac OS X™ and Linux™10 Great ModelsChoose from analog, HDMI, audio, optical �ber, and sync generator models! There’s a single card model for each type of video conversion. All models have 3 Gb/s SDI technology that auto switches between SD, HD and 3 Gb/s HD-SDI formats. All AES/EBU audio inputs feature sample rate

100

Media Storage

A12S2-PS1200MB/s speeds to edit HD, 2K and 4K DPXThe Accusys ExaSAN A12S2-PS, the newest member of the ExaSAN family of storage solutions provides high speed data transfers up to 1200MB/sec while scaling capacity from 12 drives to 48 drives. With 4TB drives supported, a single A12S2-PS disk channel can manage 192TB.. It features PCI Express 2.0 technology capable of 1200MB/s that can easily edit multiple HD, 2K and 4K DPX video streams, even stereo 3D editing work�ows. The ExaSAN A12S2-PS is the key storage component of an ExaSAN solution enabling collaborative shared storage editing work�ows possible for the budget conscious.The ExaSAN A12S2-PS utilizes PCIe2.0 technology supporting 5Gb/s per lane which doubles the speed of PCIe1.1 technlogy that supported speeds up to 2.5Gb/s. Using PCIe2.0 x 4 lanes throughout the data path, from HBA (host bus adapter), to cable, to RAID controller, all support 20GB/s (5Gb/s x 4lanes). It is full speed ahead from the workstation to storage.

A08S3-PSThe ExaSAN PCIe 3.0 RAID System For Your DesktopThe next-generation 8 bay storage tower with more depth and faster performance.

The �rst PCIe 3.0 desktop model of the ExaSAN family, this8-bay RAID system will support SAS and SATA drives(4TB andabove). It retains the style and professional design of itspredecessor but has had a major upgrade to its central core. Itnow uses PCIe 3.0 technology with throughput of up to 1200MB/s. Expansion is easy – double up performance with a DualPort 3.0 HBA Card.The FeatureSupports RAID Level 0, 1, 5, 6, 10, JBODPCIe 3.0, 32 Gb bandwidthCompatible with 3.5” and 2.5” SATA/SAS enterprise hard disksPCIe SAN readyRedundant power supply (Optional)

SW04/08 seriesThe ExaSAN Compact Solution Switch

The ExaSAN Compact Solution Switch (SW04/08) is an innovative member of the ExaSAN storage solution family. An increase in editing workstations brings an increase in accessible storage capacity. The ExaSAN Compact Solution Switch satis�es all your requirements for complete 2 to 8 workstation SAN Switch solutions that provides full scalability options and shared work�ow speeds all in a small size.Feature HighlightsDelivers up to 20Gb per client & 40Gb combined storage bandwidth.Designed for small workgroup collaborative work�owsSupports multiple uncompressed HD, 2K, 4K DPX streamsAll storage components from one vendor for shorter setup time

SANitFile system

Post production groups need storage with high bandwidth, low latency and more extension �exibility. In order to increase the e�ciency of HD video editing, user purchase work environments that provide more e�ciency and data editing security.

In the past, video editing groups were unable to enter SAN environments because of its special technical maintenance requirements and high cost, although, SAN provides the best e�ciency for them, SOHOs were limited in their ability to have such SAN systems. Thus, people expect lower construction costs to easily upgrade to SAN.

B08S2-PSTheExaSAN B08S2-PS, specially con�gured with 8 SSD drives, delivers over 1400MB/s speeds. This is 2 times Thunderbolt speeds. If the requirement is to copy, migrate, or transfer �les in a short amount of time, B08S2-PS is the storage asset you cannot be without. In 12 minutes, 1TB can be copied.Versatile and Light weightAmazing PerformanceUnlike other small form factor storage, the B08S2-PS takes full advantage of using PCIexpress protocol throughout the storage path. The 20Gb bandwidth is 20Gb throughout. There is no PCIe to FC conversion eliminating any protocol conversion delays. That is why it can reach 1400/1300 MB/s for read/write, respectively.

SWF16The Perfect integration for SANit �le system.Since 2008, Accusys has designed and developed an entirely new out-of-the-box family of high performance storage and switch products based on using PCIexpress as the core technology for data transport. Beginning with DAS (Direct Attached Storage) products based on PCIe1.1, to switch products that allowed 12 client workstations to share storage at speeds exceeding Fibrechannel storage capabilities at the time, Accusys is an innovator of the �rst order. Initial products transferred data at 10Gb/s based on PCIe1.1 technology. The 10Gb/s data pipe is available to each client workstation as well as to/from PCIe RAID storage. Currently Accusys is shipping a broad line of high speed, expandable family of PCIe2.0 storage and switch products called ExaSAN. PCIe2.0 protocol supports 20Gb/s speeds allowing a single ExaSAN 12bay RAID to provide 1200MB/s data rate to connected client workstations in a PCIe SAN (Storage Area Network) or in DAS.

101

Media Storage

Pegasus RAID Storagewith Thunderbolt™

Pegasus R4 and R6 are the First 4-bay and 6-bay High Performance Hardware RAID Solutions designed to unleash the raw power of Thunderbolt™ technology. Thunderbolt technology is a new, high-speed, dual-protocol I/O technology designed for performance, simplicity, and �exibility. This high-speed I/O technology is capable of delivering a blistering two channels of 10 Gb/s (1.25GB/s) per port of performance.

With I/O rates of over 800 MB/s, Pegasus delivers a massive and unprecedented leap in performance, allowing amateur professionals, audio engineers,

photographers, and post production engineers, to unleash the raw power of Pegasus, enabled with Thunderbolt Technology. Final Cut professionals can ingest, edit, and playback, multiple streams of uncompressed HD (8-bit and 10-bit) video, while

protecting valuable work�ows, audio sessions, and other creative media content, with PROMISE’s award winning, enterprise level, RAID6 engine (features mature error handling schemes for the ultimate in data protection). Graphic artists utilizing Photoshop and Maya 3D animation can both manipulate and archive high resolution graphics on Pegasus, with relative ease and lightning fast responsiveness.

The multi-protocol support of Thunderbolt Technology enables Pegasus to deliver amazing �exibility. Daisy-chain more than one Pegasus enclosures to a single Thunderbolt technology port or connect a display to Pegasus for the ultimate in convenience and interface connectivity.

Fast, Safe and ReliableDigital Media consumption is growing at an astonishing rate, and is part of everyone’s life. Featuring, two, high performance, 10Gb/s bi-directional channels, and PROMISE enterprise-level RAID 6 protection, Pegasus provides fast, safe, and reliable external storage, essential for protecting your music, photos, videos, and other valuable data. Pegasus provides massive storage, and fast performance for popular applications, including Final Cut Pro, Garageband, iTunes, iPhoto, and Photoshop. Pegasus can be used, in conjunction with Apple’s Time Machine utility (in Mac OS X), to store backups of invaluable digital media, documents, or an entire computer (or workstation).

VTrak Ex10 SeriesPromise Technology’s VTrak E-Class products is a family of intelligent, high availability SAS/SATA based RAID storage systems that fundamentally changes storage economics from purchase and set up to operation and upgrades. Choose the E-Class system that �ts your requirements today with the con�dence that you have the �exibility to change the interface (Fibre Channel or SAS) simply by changing the controllers.

VessRAID 1000f SeriesThe VessRAID 1840f is equipped with two ports of 8Gbps Fiber Channel and two ports of Gigabit Ethernet designed for �le and block level access in a robust 3U-16 bay chassis and has one SAS-wide port for expansion enclosure connection.

Uni�ed SolutionFor businesses that are always committed to use Fiber Channel storage network, VessRAID allows them to upgrade their existing data storage from 4G to 8G infrastructures at lower costs. Best of all, the product is a uni�ed networked storage designed to support �le and block level data transfer via IP and Fiber Channel ports. The multiprotocol-support VessRAID is a uni�ed platform making network-attached storage (NAS) and storage-area network (FC and iSCSI) data transport possible in one system.

Energy SavingBeing green is important for business now. VessRAID features advanced hardware design using 80PLUS-certi�ed power supplies, and supports complete levels of MAID2.0 that both can greatly improve system’s power e�ectiveness in management and reduce heat generation. In addition, the power scheduling function allows users to power o� the system and performs a disk-to-disk backup or restore on a scheduled basis. As the task completes, system returns to standby until the next one starts, resulting in a considerable 70% cost savings annually.

Smart ManagementOPAS is designed to reduce maintenance complexity and streamline an easier tech support work�ow as much as possible. It provides a new level of user convenience unique to Promise. With a simple USB stick plugging in, it can perform system information retrieval, �rmware auto upgrading, script for quick installation and password resetting.

Competitive Pricing

102

Media Storage

Professional High-Performance Dual-Drive Storage SystemG-RAID – A dual drive, professional RAID 0 storage solution with high-speed USB 3.0 and FireWire interfaces. Designed for professional content creation applications, G-RAID supports simultaneous playback of multiple layers of HDV/DVCPRO HD ProRes 422 HQ with the leading video editing applications, including Apple Final Cut Pro®, AVID Media Composer® and Adobe Premiere®.

USB 3.0 and FireWire ports for �exible, high-speed data transferRAID 0 for maximum performanceSupports multi-stream HDV, DVCPro HD, XDCAM HD and ProRes 422 work�owsUp to 8TB storage capacity7200 RPM SATA III hard drivesSolid all-aluminum case for ultimate durabilitySmart-cooling fan technology for cool, quiet operationBest-in-the-business 3-year factory warranty

An all aluminum enclosure, soft power switch and quiet &lquo;smart&rquo; fan round out G-RAID’s professional feature set.Easy to SetupG-RAID is ready right out of the box for use with Mac OS X systems and appears to the system as a single, big and fast disk drive. G-RAID also supports Windows® systems with a simple reformat.

Ultra-fast, high-performance Thunderbolt technologyDouble the data transfer rates of USB 3.0Over 12 times faster than Firewire 800Dual Thunderbolt portsDaisy-chain up to 6 Thunderbolt compatible peripheralsRAID 0 for maximum performanceSupports multi-stream HDV, DVCPro HD, XDCAM HD, ProRes 422 and uncompressed SD work�owsTime Machine-ready, plug-and-play setup on Mac OS®Up to 8TB storage capacity7200 RPM drive technology

Professional External Hard DriveG-DRIVE – A high performance storage solution featuring screaming fast USB 3.0 and FireWire interfaces. Available in storage capacities up to 4TB, G-DRIVE is perfect for storage-intensive applications like audio/video editing, digital photography, music libraries, and high-speed data backup.USB 3.0 and FireWire ports for �exible, high-speed data transferIntegrated heat-sink for near silent operation and coolingSolid aluminum case makes for durability and stylish looks4TB storage capacity using 7200RPM drives with 64MB/cacheShips with all cablesPlug-and-play setup on Mac OS®; works with Time Machine®Best-in-the-business 3-year factory warranty

High-speed, low-cost RAID designed speci�cally for professional content creation applicationsWhisper quiet aluminum enclosure features (4) hot-swappable drives and 3Gbit eSATA connectivitySupports multi-stream SD, ProRes 422 and uncompressed HD work�ows when used with G-Tech RAID controller4-port, G-Tech PCIe x4 RAID controller supports RAID levels 0, 1, 5, 10 & JBOD (sold separately)Four hot-swappable Enterprise-class 7200 RPM, 3.5” 3Gbit SATA drives each with up to 32MB cacheStorage capacities up to 16TB per unit – scalable to 64TB*

G-TechnologyStorage solutions designedspeci�cally for content creators

103

Software

Adobe Creative CloudAll-new desktop versions of your favorite creative tools and services, check. Immediate access to new features and updates, check. And that’s just the beginning. With Creative Cloud™, everything you need to create intuitively and collaboratively is included.

Adobe Premiere Pro CCVideo production and editing.

Edit video faster and more �uidly with Adobe Premiere Pro CC. Brand-new features include an integrated color grading pipeline with Adobe SpeedGrade CC, expanded native format support, improved multicam editing, and more. With Creative Cloud, it’s easy to download the latest features and sync your settings and shortcuts to any computer in any edit bay in the world.

Photoshop CCImage editing and compositing.

Just about every creative digital project has Photoshop CC at its core. The world’s most advanced image editing app lets you enhance, retouch, and manipulate photographs and other images in any way you can imagine. And because it’s part of Creative Cloud, you can save, share and access your work from anywhere — all with just a few clicks.

Adobe Lightroom 5From �rst look to �nal image, Adobe Photoshop Lightroom 5 makes everything about digital photography easier, faster, and more amazing. Perfect your shots with powerful new adjustment tools like the Advanced Healing Brush. E�ciently organize all your photos and share them almost anywhere. And now that Lightroom is also available in Adobe Creative Cloud, making good shots great is only the beginning.

After E�ects CCCinematic visual e�ects and motion graphics.

Make the impossible possible with the new, more connected After E�ects CC. Get powerful timesaving features like a Live 3D Pipeline with Maxon Cinema4D software and new Mask Tracker, which lets you apply a mask and e�ect that travel frame by frame throughout your composite. Share work from within the application, sync your settings across machines, and get access to new features as soon as they’re released.

SpeedGrade CCColor grading.

Deliver balanced color and distinctive, vibrant looks for any type of video production. Grade faster with more connected tools, over a dozen powerful new features, a redesigned interface, and Direct Link integration with Adobe Premiere Pro users. SpeedGrade CC gives you access to ongoing updates as soon as they’re released, and integrates with other Adobe video tools for smooth start-to-�nish video production.

Illustrator CCVector graphics and illustration.

Create vector art and illustrations using advanced, precise drawing and typography tools. Work quickly and intuitively on everything from brand identities and marketing materials to graphics for the web, video, and �lm. Illustrator CC is part of Creative Cloud, so you can sync color themes, workspaces, and projects — all with just a few clicks.

Adobe Audition CCErase, repair, and create sounds with powerful new features.

Create and deliver beautiful audio using more connected tools and dozens of new features, including Sound Remover, which can eliminate unwanted sounds from an entire �le just by analyzing a small selection. Adobe® Audition® CC gives you access to new features as soon as they’re released and is integrated with other Adobe video tools for smooth start-to-�nish audio and video production.

Flash Professional CCWork faster than ever before with a 64-bit architecture, a new streamlined user interface, and more connected tools. Create native HTML5 content and export high-de�nition video and audio. Flash Professional CC lets you share work directly from within the application and sync your settings across machines, and get access to new features the moment they’re released.

104

Color Grading

Control Panel

With today’s multi-purposing work stations, where desk space is at a premium, having a fully featured panel that is compact, fully featured and stylish enough to match its surroundings is a must. But, you’d expect that having a compact design means having to compromise ergonomics, features and control size. With the Element range, there is no compromise! Compatible software:Apple Color Assimilate SCRATCH Autodesk Lustre & Flame Premium Colorfront On-Set Dailies DaVinci Resolve FilmLight FLIP FireFly FireCube and FireCloud Marquise OCEAN, RAIN & MISTPixel Farm PF Clean Pomfort LiveGradeRED REDCineX-Pro SGO Mistika YoYotta YoYo

WaveA�ordable technology

DaVinci ResolveHollywood’s most powerful and creative color correction

DaVinci Resolve 10 features a completely redesigned user interface that’s designed to be extremely fast to use and to eliminate unnecessary clicks and settings. A job can be up and running in three clicks: one to log in, one to drop media into the project and the next to grade. DaVinci Resolve 10 includes plenty of incredible features like a new streamlined project import, export and selection work�ow.

Main Features:Unlimited GradesPowerful PrimariesPrecision SecondariesOptical ReFramingImage Stabilizer and TrackerHigh Dynamic Rangeeal Time Noise ReductionColor Decision ListsDailies and Metadata3D and 1D LUT SupportReal Time Proxies

DaVinci Control Surface

The full DaVinci Resolve includes the amazing DaVinci control surface. Buttons can be set to any custom color, and with a huge 38 independent soft knobs with automatic LCD labels, you’ll never have to page through multiple menus for common adjustments. Full deck control buttons with jog and shuttle are builtin and all grade memories and gallery still frames can be recalled with a simple press of a button. With the DaVinci Resolve control surface, you can keep grading at full speed!

The Wave brings a new level of a�ordability and quality to control surfaces.Superbly designed

Sofware that supports the WaveApple - Color (v1.5 or later) (See color support page for more details)DaVinci - ResolveAssimilate - SCRATCH ( v4.0 or later)Iridas - SpeedGrade & FrameCyclerRED - REDcineX ( OSX & Windows)Synthetic Aperture - Color Finesse ( v3.0.2 or later)Digital Film Technology - FLEXXITYInteractive E�ects - Piranha & IFX Ant �lmMTI Film - Control Dailies and Remote Control Dailies ( v8.0 or later)Cineform - Neo4K & Neo3DThe Pixel Farm - PF CleanPomfort - SilverStackMarquise Technologies - MIST & OCEANSondor - ALTRASnell - Archangel Ph.C-HD (Version 3 or later)Colorfront - On Set DailiesCintel - FLOW & COLORFLOWYoYotta - YoYo Gamma&Density - 3CP (Version 5.0 or later)

Artist ColorControl Surface

Compatible software:Avid Media Composer Avid DSAssimilate SCRATCH Blackmagic Design DaVinci ResolveDigital Vision Phoenix Image Systems Nucoda FusePomfort Silverstack SET The Foundry STORMAvid Symphony Apple ColorAutodesk Smoke for Mac Colorfront On-set DailiesFilmLight Baselight Pomfort LiveGradeRED REDCINE-X

105

Workstation

HP Z820 WORKSTATIONUltimate Performance For Ultimate Projects.

Built for high-end computing and visualization. The dual-processor HP Z820 Workstation delivers outstanding performance, award-winning industrial design, and tool-free serviceability in the industry’s most expandable chassis. With next generation Intel® Xeon® processors, support for up to 16 processing cores, and the latest professional graphics, you’ll tackle even the most demanding projects like never before.

HP Z1 WORKSTATIONWorkstation Performance Without Compromise.

Bring your ideas to life faster with the accelerated performance of the HP Z1 Workstation. The only all-in-one workstation with quad-core Intel® Xeon® processors2, 3. Make renders faster and crashes a thing of the past with professional graphics and ECC memory. Experience the HP Z1 Workstation and stay one step ahead of your imagination.

PERFORMANCE DISPLAYSVISUAL POWER TO OVERACHIEVE

With stunning IPS panels, 178-degree viewing and up to 10x the contrast ratio of mainstream Twisted Nematic displays, HP Performance Displays are designed to deliver outstanding image performance and accuracy. Realize the advantages of ultra-fast response times and smooth color transitions — so the work you see can be as great as the work you do.

HP Z420 WORKSTATIONEXPAND YOUR POWER.

Performance you want. Value you need. The HP Z420 gives you professional expandability in an accessible tool-free mini-tower form factor — all at a great price. With up to 8 discrete processing cores, the latest processing and I/O power from Intel®, and the latest graphics technology from leading graphics providers, the HP Z420 has the power you need to get the job done.

HP ZBook Mobile WorkstationExpand your creative capabilities

Creativity without limits. Showcase your best work in the o�ce or on the go, using a vivid 17.3 / 15 / 14-inch diagonal optional HP DreamColor display on the new ZBook workstation. Take advantage of HP’s most powerful processing and graphics, consistent color throughout your work�ow, simple scalability, and the blazing-fast connectivity your team needs to perform and collaborate at the speed of creativity.

106

Editing Solutions

DeckLink 4K ExtremeHighest performance SD/HD/2K and 4K card with 4:4:4 and 3D.

Product Highlights:DCI / UHD 4K 4:2:2 by Single-Link 6G-SDIDCI 4K 4:2:2 by HDMI1080p RGB 4:4:4 by Single-Link 3G-SDI1080p 4:2:2 by Single-Link HD-SDI1080p 4:4:4 by Dual-Link HD-SDIDual Channel 2D/3D Stereoscopic by SDIBreakout Cable for Analog / RS-422Genlock, Deck Control, SD/HD KeyerUp/Down/Cross ConversionCompatible with Mac, Windows, and Linux

The Blackmagic Design DeckLink 4K Extreme Capture & Playback Card features two SDI inputs supporting 6G and 3G capability, assignable in the Blackmagic Control Panel. With all the latest �rmware updates installed, you can ingest DCI 4K, 4:2:2, or UHD 4K, YUV, 4:2:2 by single-link 6G-SDI.

UltraStudio ExpressThunderbolt powered capture and playback with SDI, HDMI, analog, with pro and consumer cables.

Product HighlightsThunderbolt Powered I/O DeviceSD/HD SDI Input and OutputHDMI Input and Output2 Breakout Cables (RCA vs. BNCs / XLRs)Component / Composite / S-VideoSync / Genlock / RS422Captures in DPX and QuickTimeReal-Time Up / Down / Cross ConversionHDMI Monitoring

UltraStudio Mini Recorder Capture Device

Product HighlightsCapture Aspect of Capture/Playback CardTransfers Video from Camera to ComputerSDI, HDMI, Thunderbolt / Embedded AudioCaptures Live Feeds and Playback FeedsSupports Resolutions up to 1080i6010-Bit Color Precision / 4:2:2 SamplingReal Time Colorspace ConversionSoftware Based Down Conversion

Intensity ExtremeHDMI and Analog Capture & Playback Device - Thunderbolt

Product HighlightsFor Thunderbolt-Enabled Computers10-Bit Editing SolutionHDMI Input / OutputAnalog Video / Audio by Breakout Cable1080p24, 1080i60/50, 720p60/50NTSC & PALReal-Time Final Cut & Premiere E�ectsMachined Aluminum Body

DeckLink StudioA�ordable cards for SDI, HDMI and analog in SD and HD.

Turbocharge your creativity with DeckLink Studio, the SD/HD broadcast video card that costs hundreds of dollars less than standard de�nition solutions! DeckLink Studio features SDI, HDMI and enhanced analog connections, plus a built in hardware down converter, and an incredible 4 channels of balanced analog audio. DeckLink Studio lets you move seamlessly between SD and HD work�ows for the ultimate in creative �exibility!

UltraStudio 4K,The ultimate break out box capture and playback solution for Thunderbolt™

Product Highlights:1RU Rack Mount & Table-Top I/O Device2x 20Gb/s Thunderbolt 2 PortsDCI/UHD 4K 4:2:2 Up to 30p by 1x 6G-SDIDCI/UHD 4K 4:2:2 50p-60p by 2x 6G-SDIDCI/UHD 4K 4:2:2 by HDMI1080p RGB 4:4:4 by Single-Link 3G-SDI1080p 4:2:2 by Single-Link HD-SDI1080p 4:4:4 by Dual-Link HD-SDIDual Channel 2D/3D Stereoscopic by SDIHD Up/Down/Cross Conversion

107

Editing Solutions

STORM Mobile Card and EDIUS Pro 7 NLEMulti I/O Processor

Grass Valley® STORM™ Mobile. This ingenious box is taking the world of real-time HD editing by storm. It’s an I/O processor that provides analog/HDMI input/output for desktop PCs and laptops using EDIUS® editing software.

STORM Mobile includes full-quality, full frame rate HD output to an HDMI-enabled video monitor directly from the timeline. Whatever the conditions, STORM Mobile will ensure calm days.

EDIUS included: When you invest in this multi I/O processor you get a full version of EDIUS Pro editing software included. STORM Mobile is available in two handy con�gurations; a low pro�le PC1e-1X or Express34 card with a fully-breakout box or a PC 5-inch drive bay. Look forward to working with HDMI, analog video and audio—the perfect production STORM.

STORM 3G Elite with EDIUS Pro 7 NLE SoftwareThe Most Comprehensive, Most Complete Signal Interface Available Today

The Grass Valley® STORM™ 3G Elite is one of a kind. Providing an unrivaled number of options to make production easier, it’s a breakout box with a PCIe 4X I/F card for desktop connection (4X mode: up to 1080p50/60) as well as an Express 34 card (1X mode: up to 1080i) for laptop connection.

When you buy STORM 3G Elite, we’ll also give you a full version of our EDIUS® Pro editing software for a complete package.

Invaluable video interfaces: When you need a choice of video interfaces, pick from a selection of dual 3G SDI which can be used as a single 3G SDI signal or one pair of HD and SD signal outputs, 1080p capable HDMI I/O, composite (SD only), and component (up to 1080i) analog video I/O.

Multiple audio options: Featuring four pairs of AES/EBU interfaces and another four pairs of XLR balanced audio options, hearing is believing. STORM 3G Elite also delivers a stereo pair each of balanced and unbalanced audio monitor outputs. Wwitchable phantom power is at your �ngertips for a dedicated voiceover input..

Grass Valley EDIUS Pro 7 NLE SoftwareEDIUS® 7 empowers editors with superior real-time work�ows in all resolutions. With no rendering, editors can have a non-stop creative process leading to faster editing and a more engaging �nished product.With no limitations to the number of audio, video, graphics, and title tracks, EDIUS 7 can handle the most complex projects, even with 4K. EDIUS Elite 7 is a systemized version of EDIUS 7 speci�cally designed for the networked production environment. EDIUS Elite 7 opens up editing stations to include K2 server/storage and Grass Valley® STRATUS® connectivity, with the ability for multiple editors to access and work on the same material simultaneously, even while recording. Low-resolution proxy editing enables organizations to extend the lifecycle of older desktop and laptop systems with proxy-only editing capabilities, as well as bringing editing to existing desktop PCs. This is especially bene�cial in newsrooms where desktop computers may be not be equipped with the latest processors or signi�cant memory. Using STRATUS EDIUS XS brings the power of EDIUS 7 proxy and high-resolution editing to GV STRATUS-connected PCs.

STORM 3G PCI Express Card with EDIUS Pro 7 NLE Software3G-SDI Editing with HDMI Monitoring Output.

Product Highlights:PCI Express Card BasedMulti-format 3G-SDI EditingRS-422 ControlReference Sync InputReal-time HD/SD Preview via HDMIBlackburst/Tri-level Sync SupportMachine Control for External VTR IngestE�ects/Content Preview - Edius TimelineHandles HD/SD ContentSupports Windows 7/ Vista/XP

The Grass Valley STORM 3G PCI Express Card with EDIUS Pro 7 NLE Software is for video professionals who want a single solution for both SDI-based editing and tapeless work�ows, with the capability to preview their projects on a�ordable HDMI monitors. Based on the PCI Express form factor, the STORM 3G solution includes EDIUS Pro 7 nonlinear editing software, 3G HD-SDI inputs and outputs, and an HDMI output for full-resolution, real-time preview monitoring. Embedded HDMI audio provides high-quality audio monitoring.

108

Editing Solutions

SMART I/O for Adobe CS6 and Creative CloudAdvanced 2K and 3D capture and playback for Thunderbolt™ technology.

Matrox products have been the I/O hardware of choice for Adobe editors since 1995, o�ering many work�ow advancements over the years. From the �rst realtime playback, realtime e�ects, and realtime export engines, to support for Mac and PC laptops and desktops with a sing le device, Matrox worked hand-in-hand with Adobe over many generations of the Adobe applications to make sure video professionals always had the tools they needed to do their jobs with the utmost creativity and productivity.Now, the Matrox MXO2 devices are still the only solutions that connect anywhere, Mac and PC, via Thunderbolt, PCIe, or ExpressCard/34 – with the same versatile unit.

Along with the new Matrox Mojito MAX card, they are also the only I/O solutions on the market that let you deliver H.264 �les up to �ve times faster than software alone without sacri�cing quality!

Capture, scale, monitor, and output in any format you need – from analog and HDMI to HD-SDI. Monitor your 5.1 and 7.1 surround sound mixes using professional connections. Turn your HDMI screen into a professional grade video monitor with the unique Matrox HDMI Calibration Utility. Enjoy special bene�ts with Adobe Premiere Pro, After E�ects, Photoshop, Media Encoder, Prelude, and Encore.

Io 4K4K and HD I/O for Thunderbolt™ 2Product Highlights:Supports 4K via HDMI & Quad Link SDISimultaneous SDI and HDMI OutputsDual Thunderbolt 2 PortsReal-Time 4K to HD Down-Conversion10-bit 4:2:2 and 4:4:4 Support16-Channel Embedded Audio on SDI8-Channel Embedded Audio on HDMIDB-25 Analog Audio Output ConnectorRS-422 VTR Control, Reference, LTC InputHeadphone Jack and Level Control

The AJA Io 4K I/O for Thunderbolt 2 is a portable capture and output device that o�ers professional video and audio connectivity with support for 4K and UltraHD work�ows.

Breakout BoxesAll KONA cards feature an optional Breakout Box with supplied cables that enable extended I/O and the ability to easily connect to KONA without having to access the rear of the computer tower.

KONA 3GThe professional’s choice for uncompressed SD, HD, Dual Link HD, 2K, 3D and 4K capture and output.Product Highlights:10-bit Uncompressed Video I/OHDMI 1.4a Support for 3D Work�owsMulti-channel Audio Mastering16-channel SDI Embedded Audio I/OReal-time Hardware-based ConversionSD/HD Hardware Downstream Keyer2K Video Support / AJA VTR XchangeDPXToQT Translator ApplicationMaster/Slave RS422 Control PortOptional K3G 1 RU Breakout BoxKONA 3G is futureproof, allowing you to easily work in HD and 2K and switch to working at 4K all on the same hardware.

Io XTProfessional Capture & Playback Device with ThunderboltProduct Highlights:For Macs with Thunderbolt PortsDual 3G/HD/SD-SDI Inputs & Outputs4:4:4 RGB via Single- & Dual-Link SDIHDMI 1.4a I/O with 3D SupportAnalog Video & Audio OutputRS-422 ControlReference In & Linear Time Code I/OHardware 10-Bit Up/Down/Cross Conversion2x Thunderbolt for Daisy-ChainingLightweight with Portable Form Factor

The Io XT from AJA is a professional 3G-SDI/HDMI capture & playback device that serves as an editing solution for Macs equipped with Thunderbolt ports.

109

On-Air

Channel in a Box

Channel in a Box from PlayBox Technology is a turnkey playout solution for broadcasting a single TV channel. It integrates all the elements needed to keep a channel on-air by combining automation, playout and interactive graphics within one box. It can provide SDI or IP streaming connectivity for applications including broadcast and cable TV as well as other applications.

The major functions of PlayBox Technology Channel in a Box o�er video and audio ingest, storage and playout. Playlists can be prepared, interactive graphics and text presentation can be added and keyed internally or externally using a separate DSK. The operation of all modules is monitored and alarms are generated.

TV Automation

AirBoxUniversal Playout & Streaming Automation Server with Optional Router / Switcher Control, GPI, RS-422 available in SD & HD

Universal SD/HD content playout and streaming. 24/7 unattended operation, MPEG2, AVC/H.264, HDV and DV compression scalability, large variety of sources supported, hardware Independence are the typical highlights of AirBox. Ideally suited for time-critical live operations. Professional device support through GPI, RS232, VDCP is also available. Redundant playout makes it perfect for fail-safe environments.

AirBox Multi Parallel Output - AirBox MPO enables the running of two or more outputs so that broadcasters can easily provide parallel outputs in any combination needed to deliver the content. HD SDI, SD SDI (with realtime rescaling) and IP streaming, or for example, output in H.264 (MPEG-4) and MPEG-2 at the same time.

AirBox supports MPEG1/2/H.264, HDV and DV streams from virtually every known production platform providing AVI, MPEG, WMV, Quick Time or MXF content. Files from third-party servers such as Leitch or Seachange are natively supported.

For live productions, any changes to the playlist during on-air session are possible! There are no qued or locked clips. Every clip in the playlist, except the one which is currently playing, can be trimmed, edited or repositioned. Moreover, playlist order can be changed on-the-�y with commands like skip to next or jump. Such order changes are performed seamlessly without stopping current playout session. Live productions are facilitated by the powerful Live Show Clipboard which allows insertion and/or execution of various events or live streams.

TitleBoxPowerful Interactive ON-AIR Graphics Generator

TitleBox is an interactive graphics manager which creates, displays and controls fascinating multi-zone screens with rolls, crawls, animations, clocks, station logos, 3D objects and more. It is suitable for broadcast and cable TV channels, digital signage applications and hospitality channels of hotels, schools, corporations, retail businesses, shopping malls, churches, airports, holiday resorts, theme parks, etc.

Its unprecedented level of interactive control over the on-air CG objects turns TitleBox into a powerful tool, ideally suited for music shows, live entertainment programs and presentations, sports events titling.

ProductionAirBox

ProductionAirBox provides content playout for News, Live shows, Studio screens and video walls, live production

broadcasts and other places where video/audio content have to be displayed. It is designed to meet the high reliability requirements of broadcast playout.

Any changes to the playlist during playback are possible! There are no locked clips. Every clip in the playlist can be trimmed or repositioned. Moreover, playout position can be changed on-the-�y with commands like next, jump or shuttle. Such changes are performed seamlessly without stopping current playout session.

Multichannel audio output with up to 16 SDI channels are also available. Convenient content management with the build-in Media browser. Media is accessible on Local or Network storage.

Single ScreenSingle Screen

Multi Screen

CaptureBoxManual Capture, Time Scheduled Capture and Tape Capture (inc. T/C Batch Capture) Ingest Server with optional Router Control available in SD & HD

Manual, automatic, batch and scheduled capturing. The �rst software of its kind to enable MPEG2 and AVC/H.264 capturing on a wide array of hardware platforms with plenty

of capturing facilities such as RS422 or DV deck control, VU/peak audio meter and volume control. Native IEEE-1394 HDV or ASI MPEG2 TS (SD/HD) capturing and real-time UDP streaming.

NewsAirNews Automation

PlayBox Technology Newsair is a complete News Room Computer System (NRCS) that unites all types of media that make up today’s fast moving news presentations.

NewsAir is for both live and recorded news content using text, media, photos, news feeds, audio, etc. with rights management for administrators, reporters, directors, editors, etc. to upload and edit content, make graphics, write news and prompter text, make a news bulletin that are automatically send to AirBox, TitleBox and the Prompter.

Complete Solution to Manage News Preparation and Delivery with Rundown Management:

Supports all Commonly Used Media File Formats Full integration with AirBox and TitleBox Instant Media Playback for Items Added to the Playlist Customisable User Account with Access via Internet Scalable to any Number of Users Real-Time Uploading and Editing Live Feeds from News Agencies and Easy Search News Archive Easy Integration with Di�erent Prompting Devices

Within NewsAir an organisation of people with di�erent rights (such as administrators, reporters, directors, editors, etc.) can upload and edit content, make graphics, write news, prompter text to make a complete news programme or bulletin. The rundown information is automatically sent to AirBox, TitleBox and prompters for the live or recorded news programme.

110

On-Air

PlayBox MAMMedia Assset Management.

Scalable – From a Single Channel to a Multi-Channel Turn-Key Broadcast Centre PlayBox MAM organises your digital library. Content can be searched, browsed and distributed easily anywhere within your broadcast work�ow.

Cost e�ective – End to end digital tapeless work�ow. Unlimited metadata – Add metadata at the point of ingest. User con�gurable metadata �elds let you choose a �exible way of assets management.

User Security – Sophisticated security features prevent unauthorized access to the media �les. Active directory integration provides added security, di�erent user group access rights can be assigned to ensure the correct use of media assets. Transcoding Engine – Built-in multi pro�le transcode engine provides ability to create automatic Proxy �les and various other formats suitable for broadcast requirements. User friendly – Personalised workspace layouts, familiar folder structures and search functions provide fast and easy access to your assets. Web interface – Access your content anytime anywhere from a PC or MAC. Upload media remotely and edit metadata via simple user interface. Post production integration – Your library is accessible in your editing suites with Integration for your editing software such as Final Cut, Sony Vegas, Edius (optional).

Advanced Media viewer – A multifunctional viewer allowing users to edit metadata, set markers and add notes. Audio and video censorship. Story board and clip creation all from within the viewer window. LTO Tape Archive (optional) – For secure backup protection of your content.

Proxsys PA-10/50/60Media Archiving Systems

PRODUCT HIGHLIGHTSTurnkey video archiving solutionSupports all popular camera formats (Panasonic, Sony, JVC, Canon, SDHC, CF, Focus and more)Archives complete NLE projectsExtends NLE editing serverAutomated lo-res preview rendering for online storageOnline/o�ine storage of hi-res content

Proxsys PA-Series is a robust and cost e�ective media archiving system that combines a professional video engine, database and online/o�ine storage. Its complete archiving work�ow includes fast ingest of media �les and projects, automated archiving on LTO-5/6 tape for easy �le organization, search and previewing via an intuitive user interface.

To get a �rst impression of our Proxsys PA-Series, please visit our Online Demo. If you don’t have a login yet, please contact our Proxsys Team.

Proxsys PA-Series e�ciently manages complete NLE projects in postproduction as well as archiving plain �les and structured video content, and supports popular systems including AVID Media Composer, Adobe Premiere and Apple FCP. With just a few clicks, it ensures that �les are securely stored and ready for use.

The Proxsys PA-Series internal video engine generates H.264 lo-res preview clips at ingest and stores them online with the database. High resolution original content is archived on secure, reliable, low-cost LTO data tapes. The browser-based user interface allows users to navigate the database by bin structure or metadata search and an integrated Flash-based preview player supports clip viewing and veri�cation. Selected �les may be collected in a shortlist for easy download. For access to content that is stored o�ine, the system guides users to ingest required tapes.

Proxsys PX-50/150 LTO-EditionMedia Asset Management Systems

PRODUCT HIGHLIGHTSLow total cost of ownership LTO tape systems with long life cycle and high MTBFUp to 240TB of storage

H.264/WebM preview clips for instant preview, modi�cation and selectionLow power requirementsHi speed restoration of hi-res content

Proxsys PX-50 LTO and PX-150 Media Server LTO Edition hierarchical storage management systems provide secure media archiving with near real-time access and exceptionally low total cost of ownership (TCO). The systems utilize cost-e�ective LTO tapes with life cycles of up to 30 years, high mean time between failures (MTBF) and substantially lower power consumption than constantly spinning RAID hard disk arrays.

The Proxsys PX-50 LTO and PX-150 Media Server LTO Edition’s 96 slot LTO-6 libraries provide up to 240 TB of storage. Preview clips are transcoded as H.264/WebM as content is loaded and are available online at all times for review, ensuring no-delay modi�cation, preview and selection. Files are loaded to the LTO drive for restoration only when high resolution content is needed, and high restoration speeds of 160MB/sec minimize delay.

Proxsys iPad App Proxsy Android App

111

Wireless Camera System

Wireless Camera-Top H.264 EncoderTeradek Cube and Cube Pro encoders provide a powerful, compact wireless solution for local monitoring and proxy recording. Both devices utilize high pro�le H.264 compression and support resolutions up to 1080p over 2.4/5Ghz WiFi, Ethernet, and 3G/4G/LTE cellular networks via a USB modem. The Teradek Cube comes in HD-SDI or HDMI varieties, whereas the camera-back Cube Pro o�ers an HD-SDI input in V- or AB Gold-mount versions. Each encoder has an easy to use OLED display for rapid con�guration and a rechargeable Li-Ion battery, which enables users to swap external power sources without powering the unit down.

Integrated Camera-Top H.264 Cellular Bonding SolutionBond II is an exciting addition to the award-winning Bond camera-top cellular mux family. Bond II was designed to function as an e�cient and portable bonding solution that excels in time sensitive situations and challenging environments with minimal maneuverability. Its compact size, light weight, and low power consumption combined with its cost-e�ective price make Bond II an unbeatable value for broadcasters. Bond II comes with a built-in HD H.264 encoder, HD-SDI input, 6 USB slots for 3G/4G/LTE modems, and requires fewer cables than the original Cube + Bond system. Additionally, Bond II o�ers a �exible new modem mounting option that ensures your cellular dongles are protected from aggressive movement.

II

Integrated Camera-Back H.264 Cellular Bonding Solutionond Pro is a new integrated camera-back HD H.264 bonded cellular solution designed speci�cally for broadcast cameras with Gold-mount or V-mount power systems. Bond Pro’s modular design and ease of use make it a simple addition to any broadcast rig. Its light weight and low power consumption allows cameramen to quickly maneuver within tight spaces and broadcast live for long periods without interruption or fatigue. The device comes with an HD-SDI input and HD-SDI loop. This new design also provides support for up to 6 simultaneous cellular network connections via USB dongles. Additionally, Bond Pro o�ers the same updated modem mounting option as Bond II, which ensures your cellular dongles are protected from aggressive handling. When the situation calls for nimble movement and extended broadcast times, Bond Pro delivers the most empowering bonding solution for ENG professionals.

Pro

HD Video Over 3G/4G NetworksProduct Highlights:Stream Over Multiple Cellular NetworksCombines up to Five 3G/4G USB ModemsAdaptive Internet Streaming TechnologySputnik Aggregation SoftwareHardware-Based Video CompressionLow-Power ConsumptionCompact Chassis / Lightweight

The Teradek Bond Cellular Transmitter combines up to �ve 3G and 4G USB modems to provide a single high-bandwidth link for live streaming of videos over the Internet.

Teradek VidiU On-Camera Wireless Streaming Video EncoderThe Teradek VidiU gives you the freedom to broadcast live high de�nition video directly to the Web without a PC. Whether you’re streaming out of a video switcher or wirelessly from your camera, VidiU allows you to go live when you want, where you want.Broadcast to any Streaming Platform

Features:Streams 1080p from a Camera to the WebLive Streaming by WiFi & EthernetHDMI InputH.264 Encoding & AAC Audio EncodingUstream & Livestream Native IntegrationRTMP Interface60 Minute Internal BatteryStreams to iOS Devices for Monitoring

112

Wireless Camera System

Zero Delay Wireless Transmitter

Maximum ManeuverabilityLink™ is a portable cellular bonding solution that enables camera crews to stream HD video freely without concern for poor cellular connectivity. This is achieved by connecting one or more Teradek H.264 encoders to Link’s a/b/g/n WiFi network. After receiving audio and video from the encoder over WiFi, Link intelligently broadcasts the data over up to 6 aggregated cellular connections to an H.264 decoder or CDN of your choice.

Link takes a di�erent approach to video transmission. Instead of carrying modems with you, Link is designed to operate similarly to a mobile hotspot. Simply place Link at a location with optimal cellular signal strength, connect your Cube or Brik to Link’s WiFi network, and go live at up to 300 feet away from the unit. What’s better is that Link features Teradek’s Adaptive Internet Streaming technology, which dynamically adjusts video parameters in real time to ensure that your content is delivered reliably and at the highest quality your connectivity can sustain.

Turnkey Sputnik ServerBase is an integrated link aggregation and H.264 decoding solution for video broadcasts transmitted over the Teradek Link or Bond. As an alternative to an Amazon EC2 instance or building your own Linux server, Base de-bonds and decodes your video feed from a single rack mount server with an HD-SDI output.

Stream Directly to In�uxisStreaming over multiple cellular networks directly to the Internet just got easier with In�uxis’ native integration of Teradek’s Sputnik aggregation software. Instead of streaming to a Linux server in the cloud or back at the station, you can now transmit and display your live video feed directly on In�uxis’ servers for a seamless broadcast experience.

Dashboard

The Teradek Dashboard is a web GUI for monitoring the performance of your Bond system. Dashboard displays the bit rate and latency per modem, total data usage, modem status, bu�er length, and many other statistics to help you keep track of your streaming performance in real time.

Long distance uncompressed 5GHZ HDSDI Transmitter/Receiver

A low-cost, lightweight alternative to microwave technology. Bolt Pro 2000 builds on the success of Bolt Pro to deliver astonishing transmission distances, with zero latency and no loss in video quality.

Features:Allows wireless transmission of uncompressed SD and HDSDI at up to 1080 60p with a tiny 1MS delay over distances exceeding 500 Meters line of sightAluminium transmitter and receiverRugged and lightweight, with the TX weighing just 250gBolt Pro 2000 requires power as the unit does not have an internal battery

Pro 2000

4:2:2 Full Quality Wireless HD Transmitter / Receiver Set - HD-SDI

Features:Camera-mounted 100 metre video senderIdeal for highest quality real-time remote monitoringRemote full-resolution connection to production switcherTransmit wireless 4:2:2 HD video at 1080pZero delay uncompressed HD videoDual 3G-SDI outputs on the receiver (SDI Version only)Rugged design

1 TX to Multiple RXA second and even more than two receivers can be added into the setup. One Bolt Pro transmitter can transmit full 1080p60 HD video to multiple receivers simultaneously. Bolt receivers have dual 3G-SDI outputs, which can connect to �eld monitors, switchers, and also Teradek Cube Encoders.

Connectivity

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Up-Link / Wireless Video System

Advent FlyDriveMotorised Flyaway Antenna

The ADVENT FlyDrive Antenna is the newest in the range of antenna solutions on o�er. The FlyDrive is designed to function as a traditional �yaway as well as a semi-permanent vehicle mounted system. The FlyDrive draws on technology and design innovations of the well known and �eld proven Mantis Flyaway and NewSwift antennas.

Advent has made its FlyDrive as easy as possible to operate. It o�ers full 3-axis motorised control with manual backup, satellite auto acquisition and tracking, with GPS if required. The FlyDrive can be �tted easily to most vehicle roof racks using standard �ttings.

The FlyDrive is easily transported in IATA weight compliant �ight cases so that it can be taken on a commercial airline, for quick deployment by a single user anywhere in the world.

ADVENT’s FlyDrive is fully adjustable, to +/- 200º azimuth, elevation 6º to 92º and polarisation adjustment +/- 95º. The drive control unit (DCU5000) is housed within the main antenna case, which makes this antenna very compact for operation in the �eld. The electronics for ADVENT FlyDrive’s are available in single thread, power combined or 1:1 redundant con�gurations. Advent’s 5000 range of electronics package compliments the FlyDrive perfectly. The 5000 series are half the width of a standard 19” rack mounted unit, a major advantage where space and weight are critical. Forfurther information on the 5000 series of electronics please see separate datasheet.

Features• Available with 1:2m or 1.5m relfector• Bands available1.2m - X, Ku, DBS & Ka1.5m - C, X, Ku, DBS & Ka• IATA weight compliant1.2m - two cases1.5m - three cases• Satellite auto acquistion & trackingpackages available• Easily deployed by a single user• Can be used as a flyaway or semipermanentvehicle mounted antenna system

• Drive control housed within mainantenna case• Combines with half rack 5000 seriessystem electronics• Software upgradeable for Auto-Acquire(ACU5216) and integral ASI Demod• Option for multi-band capability by feedcartridge exchange• Option for integral BUC with antennafor single thread operation enabling HPAFSK control via TX L-Band

NewSwift LT 1.2m Ku Band AntennaHigh Performance Integrated Satellite Terminal

The NewSwift LT 120 motorised antenna system is a highly compact, lightweight, integrated vehicle mountable satellite terminal designed for rapid deployment. Featuring a double pressed aircraft grade alloy re�ector with low RMS surface error which, when used with the 35dB X-Polar isolation o�set feed, enables low sidelobe, high EIRP transmissions that are commonly required for higher data rate services (both for mobile internet and DSNG purposes). The NewSwift’s unique design can also house a redundant or phase combined RF package, mounted within the antenna pod. The compact design minimises vehicle roof real-estate requirements. Also, since the whole antenna (including the equipment housing or Pod) rotates the need for an Azimuth waveguide rotary joint is eliminated. This minimises post HPA waveguide loss which in turn maximises TX EIRP. The Ku feed has full +/-90° of polarisation travel making it especially suited for use with the ACU5000 series Auto Acquisition Antenna Controller enabling eliminating the requirement for a Spectrum Analyser.

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Up-Link / Wireless Video System

Mantis 120 AntennaOur Mantis 120 1.2m antenna is constructed entirely from carbon �bre. It folds down into a IATA compliant sub 32kg con�guration consisting of just two cases and a hold-all or optionally into a single box package of less than 41kg. In either format the Mantis 120 can be deployed by one man in less than 15 minutes.The rugged, weatherproof construction and easy integration with Vislink 5000 series electronics and HPAs up to 400W in size makes for a compact, sub 32kg IATA packaged solution for deployment worldwide.The Mantis 120 is available in X, Ku and DBS bands and in X-Ku or Ku-DBS dual band con�gurations achieved by feed cartridge substitution.

L3211 Barrel Booster

The L3211 Barrel Booster has been speci�cally tailored for wireless camera back applications. Designed to �t directly onto the RF output from the Link range of transmitters, this unit is small, lightweight and easy to use. This ampli�er includes ALC (Automatic Level Control) in order to provide a constant RF output power for all transmitter power level settings. The L3211 has a wide DC operating range (9-28V) and can be powered via the RF input connector* or using

the Lemo power cables supplied with the unit. These power cables allow the option to connect to the Lemo power socket on the wireless transmitter or to the D-Tap adaptor from an IDX or Anton Bauer battery plate.

L1700 Wireless Transmitter

The L1700 range of wireless transmitters represent the next generation of �exible wireless systems from Link. Now even more powerful this new range is the most compact and versatile available. With multiple inputs and mounting options this unit can be mounted to full broadcast camera for sports broadcasters or ENG camera for news or even a prosumer camera to broaden the market reach further. With user interchangeable RF modules and a range of software

options the Link L1700 continues the line of innovative, high performance RF transmitters.

L9274 Portable Receive Case

Direct conversion RF architecture for exceptional adjacent channel performance and excellent sensitivity4 input RF diversity with maximum ratio combining (MaxRC)DVB-T: QPSK, 16QAM & 64QAM;6, 7, & 8MHzLMS-T: QPSK & 16QAM;10 & 20MHzDiversity chaining ASI input for packet diversity

Deep interleaving for DVB-T & LMS-T to give exceptional dropout

Mantis MSATThe ADVENT Mantis MSAT Man Portable Data Terminal is a highly portable tri-band satellite antenna system designed for rapid deployment in hostile environments.At 12.5KGs it is ideal for secure and non-secure satellite communications for a variety of applications.

DVE5100 ExciterCompact 1/2 width 19” x 1U rack mountable units 1/4 of the size and 1/6th of the weight of competitors equivalent productsDesigned for contribution �yaway and DSNG vehicle applications where space and weight are critical Full range of units available:SD and HD Digital Video Exciter IP ModemMultiplexer Router BUCSAntenna and Drive Control unitsSystem IRD / Redundancy controllersProtection SwitchesL Band over �bre modemsAll units �eld upgradeableAll units have integral web browser facility (where applicable) for RC&M applicationsA comprehensive range of �ight case solutions for 1/2 rack and 19” rack units to suit system con�guration, i.e. 3U, 4U, 5UAll units can also be �xed together and mounted in a standard 19” �ight case or rack within a vehicle.

tolerance MPEG-2 4:2:0 & 4:2:2 SD & HDMPEG-4 AVC (H.264) Main Pro�le, High-pro�le and High 422 pro�le, SD & HD decoding including 10-bitASI over IP input and outputASI input and outputWeb browser and SNMP controlDual SDI / HD-SDI / CVBS outputs with independently selectable status overlayField upgradeable.

Parabolic Antenna

Gigawave designs and manufactures a wide range of antennas to suit all microwave transmission requirements. The antennas are designed to perform in all conditions, and are used everyday throught the world in a variety of broadcast and security applications.

Feeds are available from 0.8 to 24GHz with spun aluminium re�ectors from 0.3 to 1.2m. These are ideal for portable point-to-point and long distance outside broadcast applications.

MVL-HD2 Digital Receiver (5U) Weatherproof

The MVL-HD2 is a portable, two box, digital microwave link with exceptional RF performance, o�ering the convenience of Triax remoting. With automatic selection between SD and HD, the receiver provides comprehensive signal outputs including SD/HD SDI, Analogue Composite and Component video, ASI, 4 digital and analogue audios and SDI embedded audio.

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Digita Camera

H5D-40 Medium Format DSLR Camera

40 Megapixel Resolution32.9 x 43.8mm CCD Sensor3.0” 24-Bit Color LCD w/ 460,320 PixelsTrue Focus II and Focus Con�rm16-Bit Color De�nitionHasselblad RAW 3FR File FormatCompatible with H-System ComponentsDAC Automated Lens Correction SystemDigital Spirit LevelPhocus and Lightroom 4 Software IncludedThe H5D-40 Medium Format DSLR Camera from Hasselblad is the 40MP model of the new Hasselblad H system of medium format DSLR cameras. The H5D-40 model contains a 32.9 x 43.8 mm 40MP (7304 x 5478) CCD sensor.

H5D-200MS Medium Format DSLR Camera

50 Megapixel Resolution36.7 x 49.1mm CCD Sensor3.0” 24-Bit Color LCD w/ 460,320 PixelsTrue Focus II and Focus Con�rm16-Bit Color De�nitionHasselblad RAW 3FR File Format200MP Multi-Shot TechnologyCompatible with H-System ComponentsDAC Automated Lens Correction SystemPhocus and Lightroom 4 Software IncludedThe H5D-200MS Medium Format DSLR Camera from Hasselblad is a Multi-shot 50MP model of the new Hasselblad H system of medium format DSLR cameras with 200MP capability.

H5D-50 Medium Format DSLR Camera

50 Megapixel Resolution36.7 x 49.1mm CCD Sensor3.0” 24-Bit Color LCD w/ 460,320 PixelsTrue Focus II and Focus Con�rm16-Bit Color De�nitionHasselblad RAW 3FR File FormatCompatible with H-System ComponentsDAC Automated Lens Correction SystemDigital Spirit LevelIncludes Phocus and Lightroom 4 SoftwareThe H5D-50 Medium Format DSLR Camera from Hasselblad is the 50MP model of the new Hasselblad H system of medium format DSLR cameras. The H5D-50 model contains a 36.7 x 49.1 mm 50MP (6132 x 8176) CCD sensor.

H5D-50MS Medium Format DSLR Camera

50 Megapixel Resolution36.7 x 49.1mm CCD Sensor3.0” 24-Bit Color LCD w/ 460,320 PixelsTrue Focus II and Focus Con�rm16-Bit Color De�nitionHasselblad RAW 3FR File Format50MP Multi-Shot CapabilityCompatible with H-System ComponentsDAC Automated Lens Correction SystemPhocus and Lightroom 4 Software IncludedThe H5D-50MS Medium Format DSLR Camera from Hasselblad is the Multi-shot 50MP model of the new Hasselblad H system of medium format DSLR cameras. The H5D-50MS model contains a 36.7 x 49.1 mm 50MP (6132 x 8176) CCD sensor.

H4D-40 Medium Format DSLR Camera Limited Edition

The Hasselblad H4D-40 features a 40 Megapixel medium format sensor and Hasselblad True Focus (making auto-focus substantially easier and more accurate), and gives you access to the world’s most advanced lenses, the Hasselblad HC/HCD line. The H4D Ferrari has been specially designed to provide the ultimate in both quality and performance. Just as the cars that inspired this special camera.

CFV-50 Digital Back (50 MP)

The Hasselblad CFV-50 digital back provides seamless integration between your existing Hasselblad V camera and the digital domain, maintaining both form and function along the way.50 MP (6132 x 8176 pixels) SensorCompatible W/Hasselblad V System CamerasSquare (38MP)/Rectangular (50MP) FormatDigital Correction for V System Lenses2.5” TFT Type, 24-Bit Color DisplayAverage of 60 Images/4GB CardUp to 8 Hrs of Shooting W/Sony BatteryTethered or Untethered Shooting3F Raw File Support by Adobe & AppleCompatibility with View Cameras PossibleDigital lens correction for Carl Zeiss lensesWith the CFV-50, Phocus adds digital lens correction for the V system lenses providing a new level of image quality.

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Digita Camera

Dual AF System for accurate & fast autofocusing

AF Range ControlYou can restrict autofocus range. This function allows the camera to focus on a subject without interference from objects in the background and foreground.

Shutter button

AF illuminator/Self-timer lamp

ZEISS Vario-Sonnar T* lensHigh-speed standard zoom ƒ/2.8 ZEISS 24-70mm lens

Silent multi-controllerYou can set an item without changing the screen using the silent multi-controller. Since the dial is designed to reduce the sound of the dialing operation, you can reduce the sound of the dialing operation during movie recording.

Titanium Mode DialThe following shooting modes are provided on the camera:

Auto Mode Program Auto Aperture Priority Shutter Priority Manual Exposure 3 Custom modes Scene Selection Sweep Panorama Tele-zoom Cont. Priority AE Movie

35mm full-frame (35.8mm × 23.9mm) CMOS image sensor

Up to 25,600 ISO

Full HD 60p/24p progressive video

Dual slots for SD card

Ruby detail

Finally a DSLR with style, spirit and soul.With its advanced PVD �nish frame,contrasting coloured camera body,and extended titanium controls,this is not just another black camera.

Full-Frame 24.3MP Exmor CMOS Sensor3.0” 1,228K-Dot Tilting LCD Display2,359k-Dot Electronic View�nderFull HD 1080 60p Video Recording19 Point TTL Phase-Detection AFInternal SteadyShot Image Stabilization1,200-Zone Evaluative Metering SensorMulti-Interface ShoeAluminum Alloy Chassis with PVD Coating24-70mm f/2.8 Zeiss Lens; Hard Case

118

Digita Camera

New APS-C24.3 Megapixel Sensor

The APS-C size sensor is the largestsensor in the Compact System Camerasegment and larger than most DSLR’sin the market. The extra-large sensor

enables the user effectively controlthe background defocusing, especially

in manual or semi-automaticshooting modes.

‘Lunar is made for people looking to buya very special object of desire.’Dr. Larry Hansen

High-Tech StyleCarbon Fibre and Titanium

Centuries of TraditionBrown Tuscan Leather and Titanium

Stylishly DurableBlack Leather and Titanium

A Hint of OpulenceOlive Wood and Titanium

The Warmth of NatureMahogany Wood and Copper-Bronze

119

Digita Camera

MAHOGANY WOODOLIVE WOODPADOUK WOODWALNUT WOODWENGE WOODZEBRA WOODCARBON FIBER

T H E W O R L D ’ SF I R S T L U X U RY C O M PA C T

Specifications:20.2MP 1” Exmor CMOS Low-Light SensorCarl Zeiss Vario-Sonnar T LensEFL: 10.4-37.1mm (35mm Equiv: 28-100mm)Fast f/1.8 Maximum ApertureXtra Fine 3” LCD Display with WhiteMagicOptical & Electronic Image StabilizationFull HD 1080/60p Video CaptureFace Detection, 10fps Bursts, Fast AFRecord Stills Using JPEG, RAW, or BothAluminum Body with Built-In Pop Up Flash

D I G I TA L C A M E R A

Luxray in your Pocket

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Digita Camera

Sony SLT-A99Digital Camera Product Highlights:Full-Frame 24.3MP Exmor CMOS SensorSony Dual AF System & Translucent Mirror3.0” TruBlack Tilting LCD DisplayXGA OLED Electronic View�nderFull HD 1920x1080 60p Video RecordingAdvanced BIONZ Image Processing EngineInternal SteadyShot Image Stabilization1,200 Zone Evaluative Metering SensorExposure & Focus Controls With VideoQuiet Multi Control Dial, GPS & Auto HDR

Sony Alpha NEX-5RMirrorless Digital Camera with 18-55mm f/3.5-5.6 E-mount Zoom Lens Product Highlights:16.1 MP APS-C Size HD SensorUses Sony E-mount LensesFull 1080 HD 60p/60i/24p Movie Capture3.0” 180º Tilt-able Touchscreen LCDFast Hybrid AutofocusPlayMemories Camera and Mobile AppsWi-Fi SharingIntuitive Interface with Control DialLow Light Performance up to ISO 25600Includes 18-55mm F/3.5-5.6 Zoom Lens

Sony Alpha a7Mirrorless Digital Camera

Product Highlights:24.3MP Full Frame Exmor CMOS SensorBIONZ X Image ProcessorDirect Compatibility with E-mount Lenses3.0” Tiltable TFT LCD with 1,229K-Dots2.4M-Dot OLED Electronic View�ndeFull 1080/60p with Uncompressed OutputFast Hybrid Autofocus; 5 fps Burst RateBuilt-In Wi-Fi and NFCMulti-Interface ShoeDirect Access Interface

Sony Alpha NEX-7Digital Camera with 18-55mm Lens

Product Highlights:24.3Mp APS-C Sensor3.0” Tiltable LCDBIONZ Image ProcessorOLED View�nderCaptures 1080 HD VideoBuilt-In FlashHot Shoe for Alpha System FlashesAccepts Sony E-Mount LensesIntelligent Auto FocusHDMI Output

Alpha NEX-6Mirrorless Digital Camera with 16-50mm Zoom Lens Product Highlights:16.1MP Exmor APS-C Size CMOS Sensor16-50mm f/3.5-5.6 Zoom Lens IncludedFast Hybrid AF With Phase-Detection AF3” 921K-Dot TFT LCDXGA OLED Tru-Finder EVFCaptures 1080 HD VideoWi-Fi CapableBuilt-In FlashFast 10fps Burst ShootingPlayMemories Camera Apps

Lenses for α NEX cameras There’s a choice of interchangeable E-mount lenses by Sony to realise the full creative potential of NEX ultra-compact digital cameras. Travel light with the slim, low-prole 16mm F2.8 pancake lens. Get closer to the action with compact, beautifully styled zoom lenses featuring SteadyShot optical image stabilisation. Enjoy the creative possibilities of your A-mount DSLR lens collection with the LA-EA1 lens mount adaptor.

E16mm F2.8E18-55mm F3.5-5.6E18-200mm F3.5-6.3

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Digita Camera

EOS 6DDigital SLR Camera

Product Highlights:20.2MP Full-Frame CMOS Sensor3.0” Clear View High Resolution LCDDIGIC 5+ Image ProcessorBuilt-In Wi-Fi and GPS ConnectivityFull HD 1080p with Manual Controls11-Point AF with Center Cross-Type Point63-Zone Dual Layer Metering SensorExtended ISO Range of 50-102400Up to 4.5 Full Resolution FPSBuilt-In HDR and Multiple Exposure Modes

EOS-1D CDigital SLR Camera

18.1Mp CMOS Sensor4K Cinematic Quality Video1920 x 1080 Full HD VideoDual DIGIC 5+ Image Processors3.2” LCD ScreenEye-Level Pentaprism View�nderDual CF Card Recording MediaCanon EF Lens MountMagnesium Alloy Body61-Point High Density Auto Focus

The Canon EOS-1D C O�ering onboard 4K image capture, industry-standard codecs and interfaces, and incredible low light performance.

EOS-1D XDigital SLR Camera Product Highlights:18.1Mp CMOS SensorDual DIGIC 5+ Image Processors3.2” LCD ScreenEye-Level Pentaprism View�nderDual CF Card Recording MediaCanon EF Lens MountMagnesium Alloy Body1920 x 1080 HD Video CaptureLive View Still and Video Recording61-Point High Density Auto Focus.

EOS 5D Mark IIIDigital SLR Camera

Product Highlights:22.3MP Full-Frame CMOS Sensor3.2” Clear View High Resolution LCDDIGIC 5+ Image Processor61-Point High Density AFFull HD 1080/30p and 720/60p FormatsBuilt-In HDR and Multiple Exposure ModesExtended ISO Range (50-102400)Up to 6.0 FPS Continuous ModeDual CF and SD Memory Card SlotsDurable Magnesium-Alloy Construction

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Digita Camera

Nikon D610Digital SLR Camera Product Highlights:24.3MP FX-Format CMOS SensorEXPEED 3 Image Processor3.2” 921k-Dot LCD MonitorFull HD 1080p Video Recording at 30 fpsExternal Mic and Headphone InputsContinuous Shooting up to 6 fpsExpandable Sensitivity to ISO 25600Multi-CAM 4800 AF Sensor with 39 PointsBuilt-In Flash with Commander ModeSupports WU-1b Wireless Mobile Adapter

Nikon D4SDigital SLR Camera

Product Highlights:16.2MP FX-Format CMOS SensorEXPEED 4 Image Processor3.2” 921k-Dot LCD MonitorFull HD 1080p Video Recording at 60 fpsMulti-CAM 3500FX 51-Point AF SensorNative ISO 25600, Extended to ISO 40960011 fps Shooting for 200 Shots with AE/AF91k-Pixel RGB Sensor and Group Area AF14-Bit RAW Files and 12-Bit RAW S Format1000 Base-T Gigabit Wired LAN Support

Nikon D800EDigital SLR Camera Product Highlights:Optimized for NEF Raw File CaptureModi�ed OLP Filter for High Resolution36.3Mp CMOS FX Format SensorEXPEED 3 Image-Processing Engine3.2” LCD MonitorNikon F Mount Lens MountEye-Level Pentaprism View�nder1920 x 1080/30/25/24p HD Video CaptureBuilt-In Flash + i-TTL Flash ControlMatrix/Center-Weighted/Spot Metering

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Lens

HC 4,5/300 mm Focal length 292.0 mmAperture range 4.5 - 45Angle of view diag/hor/vert 13°/11°/8°Length/diameter 198mm/100 mmw. tripod mount 198mm/139 mmWeight 2120 gFilter diameter 95 mmMinimum distance object to �lm 2.45 mMaximum image scale 1:7.5Corresponding area of coverage 41 x 31cmCorresponding exposure reduction 0 f-stop

HC Macro 4/120 mm-IIFocal length 118.7 mmEquivalent focal length with 36x48 format 135.0 mmEquivalent 35mm focal length 73.5 mmAperture range 4 - 45Angle of view diag/hor/vert 645 format 33°/26°/21°Length/diameter 166mm/96 mmWeight 1410 gFilter diameter 67 mmMinimum distance object to �lm 0.39 mMaximum image scale 1:1Corresponding area of coverage 56 x 41.5 mmCorresponding exposure reduction 1.3 f-stop

HCD 4-5,6/35-90 mmFocal length 36,3 (87) mmAperture range 4,0 (5,6) -32Angle of view diag/hor/vert 83°/70°/55° (39°/31°/24°)Length/diameter 167mm/102,5 mmWeight 1410 gFilter diameter 95 mmMinimum distance object to image plane 0.65 mMaximum image scale 1:13 (1:5,4)Corresponding area of coverage 64 x 48 (26x 20) cmCorresponding exposure reduction 0 f-stop

HC 4/210 mmFocal length 211.1 mmAperture range 4 - 45Angle of view diag/hor/vert 19°/15°/11°Length/diameter 165mm/85 mmWeight 1320 gFilter diameter 77 mmMinimum distance object to �lm 1.8 mMaximum image scale 1:7.0Corresponding area of coverage 39 x 29cmCorresponding exposure reduction 0 f-stop

HC 3,5-4,5/50-110 Focal length 51.5 (108.3) mmAperture range 3.5 (4.5)- 32Angle of view diag/hor/vert 69°/58°/46° (35°/29°/22°)Length/diameter 152mm/103 mmWeight 1650 gFilter diameter 95 mmMinimum distance object to �lm 0.70 mMaximum image scale 1:10.8(1:5.2)Corresponding area of coverage 60 x 45(29 x 21) cmCorresponding exposure reduction 0 f-stop

HC 2,8/80 mm Focal length 82.3 mmAperture range 2.8 - 32Angle of view diag/hor/vert 46°/38°/29°Length/diameter 70mm/84 mmWeight 475 gFilter diameter 67 mmMinimum distance object to �lm 0.70 mMaximum image scale 1:6.5Corresponding area of coverage 36 x 27cmCorresponding exposure reduction 0.3f-stop

HC 3,2/150 mmFocal length 150.2 mmAperture range 3.2 - 45Angle of view diag/hor/vert 26°/21°/16°Length/diameter 124mm/86 mmWeight 970 gFilter diameter 77 mmMinimum distance object to �lm 1.30 mMaximum image scale 1:6.8Corresponding area of coverage 38 x 28cmCorresponding exposure reduction 0 f-stop

HC 2,2/100 mmFocal length 100.0 mmAperture range 2.2 - 32Angle of view diag/hor/vert 38°/31°/24°Length/diameter 80.5mm/87.5 mmWeight 780 gFilter diameter 77 mmMinimum distance object to �lm 0.90 mMaximum image scale 1:7.2Corresponding area of coverage 39 x 29 cmCorresponding exposure reduction 0.4 f-stop

HC 3,5/50 mm-IIFocal length 50.7 mmEquivalent focal length with 36×48 format 57.6 mmEquivalent 35mm focal length 31.4 mmAperture range 3.5 - 32Angle of view diag/hor/vert 645 format 70°/59°/46°Length/diameter 116 mm/85 mmWeight 975 gFilter diameter 77 mmMinimum distance object to �lm 0.6 mMaximum image scale 1:8.8Corresponding area of coverage 49 × 37 cmCorresponding exposure reduction 0 f-stop

H System Lenses:A camera as fast and versatile as an H system model demands the very best from its lenses. And that’s what we’ve produced. All HC lenses are engineered to ensure optimal performance and image quality, whether using �lm or digital. No short-cuts, no compromises.

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Lens

HC 3,5/35 mmFocal length 35.8 mmAperture range 3.5 - 32Angle of view diag/hor/vert 89°/7 8°/63°Length/diameter `124mm/100 mmWeight 975 gFilter diameter 95 mmMinimum distance object to �lm 0.50 mMaximum image scale 1:9.6Corresponding area of coverage 54 x 40 cmCorresponding exposure reduction 0 f-stop

CF lens adapte

The CF adapter allows all lenses from the V system to be used on H system camera bodies. This automatically expands the potential lens range for H cameras by more than a dozen di�erent focal lengths.

This is a truly useful accessory for professional photographers who need occasional access to speci�c lenses not used in their everyday work.The automatic focusing system in the

HCD 4/28 mm lensFocal length 28.9 mmAperture range 4 - 32Angle of view diag/hor/vert 95°/83°/66°Length/diameter 102mm/100 mmWeight 850 gFilter diameter 95 mmMinimum distance object to �lm 0.35 mMaximum image scale 1:7.3Corresponding area of coverage 36 x 27 cmCorresponding exposure reduction 0 f-stop

HCD 4.8/24mm Focal Length 24.3 mmAperture Maximum: f/4.8 Minimum: f/32Angle of View @ In�nity 92°Minimum Focus Distance 1.25’ (0.38 m)Area of coverage 48 x 36 cmFilter Thread Front: 95 mmWeight 1.78 lb (810 g)Dimensions Approx. 10 x 9.9 cm

H camera can be used as a guide for manual focus setting. Light is measured at full aperture with all lenses which produces aperture and shutter speed information display in the camera for manual setting. With CFE lenses, however, a preset aperture is automatically transferred to the camera. Shutter cocking is manual with all lenses and is swiftly carried out by an easily accessible lever.

HTS 1.5 tilt and shift adapter

The revolutionary HTS 1.5 is a tilt and shift adapter provides a powerful new focusing and creative tool that can help you take your photographic expression to entirely new levels.

TechnicalCompatible with all H system camerasCompatible lenses: HCD 28, HC 35, HC 50, HC80 and HC 100Focus range: close range to in�nityFocal length conversion factor: 1.5xAperture reduction: -1.3 StopsWidth/Height/Depth: 140/146/77 mmWeight: 750gShift range: +/- 18mmTilt range: +/- 10 degreesRotation: +/- 90 degreesOptical design: 6 elements in 5 groups

This combination of well-known ocular principles and the latest in digital image control provides a powerful package that can take your photographic expression to entirely new levels. This simple device doesn’t just solve technical challenges, it also opens many exciting creative opportunities.

Hasselblad has always striven to support the best and most creative photographers. And while digital photography has in some ways turned part of the photographic market into mere point-and-shoot, high-volume type of shooting, Hasselblad is always pushing the technical envelope to bring more creative possibilities and photographic �exibility to our photographers.

It has always been standard practice in creative photography to “break the rules” in order to produce images that are unique or have that certain something special. With the new HTS 1.5, Hasselblad users can use tilt and shift functionality both to correct images and to bring a new creative perspective to their work. The powerful combination of tilt, shift and Hasselblad’s DAC lens corrections will lift both your creative vision and the technical and creative aspects of your work.

Designed for the HCD28mm, HC35mm, HC50mm, HC80mm and the HC100mm lenses the HTS 1.5 adds, in e�ect, �ve di�erent “tilt and shift lenses” to the Hasselblad HC/HCD lens range.

The combination of well-established optical principles, combined with the latest in digital image control, results in a powerful boost to your creativity and control, and can provide a pivotal step-up for many Hasselblad photographers.

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Lens

Distagon T* 2,8/15 Technical speci�cations:Focal length 15 mmAperture range f/2.8 – f/22Focusing range 0.25 m – ∞Number of elements/groups 15/12Angular �eld, diag./horiz./vert. 110°/100°/76°Coverage at close range 340 x 221 mmFilter thread M 95 x 1.0Dimensions (with caps) ø 103 mm, length 132-135 mmWeight 730g - 820gCamera mounts F Mount (ZF.2) EF Mount (ZE)

Distagon T* 2/25 Technical speci�cations:Focal length 25 mmAperture range f/2.0 – f/22Focusing range 0.25 m – ∞Number of elements/groups 11/10Angular �eld, diag./horiz./vert. 81°/71°/51°Coverage at close range 219 x 144 mmFilter thread M 67 x 0.75Dimensions (with caps) ø 71-73 mm, length 95-98 mmWeight 570g - 600gCamera mounts EF mount (ZE), F Mount (ZF.2)

Distagon T* 1,4/35 Technical speci�cations:Focal length 35 mmAperture range f/1.4 – f/16Focusing range 0.3 m – ∞Number of elements/groups 11/9Angular �eld, diag./horiz./vert. 63°/54°/37°Coverage at close range 18 x 12 cmFilter thread M 72 x 0.75Dimensions (with caps) ø 78 mm, length 120- 122 mmWeight 830 g - 850 gCamera mounts EF Mount (ZE) F Mount (ZF.2)

Distagon T* 3,5/18 Speci�cation:Focal length 18 mmAperture range f/3.5 – f/22 Focusing range 0.3 m – in�nityNumber of elements/groups 13/11Angular �eld, diag./horiz./vert. 99°/90°/67°Coverage at close range 44 x 29 cmFilter thread M 82 x 0.75Dimensions (with caps) ø 87 mm, length 84 mmWeight 510 g (ZE)Camera mounts F Mount (ZF.2) EF Mount (ZE)

Distagon T* 2,8/25 Technical speci�cations:Focal length 25 mmAperture range f/2.8 – f/22Focusing range 0.17 m – ∞Number of elements/groups 10/8Angular �eld, diag./horiz./vert. 80°/70°/50°Coverage at close range 83 x 55 mmFilter thread M 58 x 0.75Dimensions (with caps) ø 64 mm, length 90 mmWeight 460gCamera mounts F Mount (ZF.2)

Distagon T* 2/35 Technical speci�cations:Focal length 35 mmAperture range f/2.0 – f/22Focusing range 0.3 m – ∞Number of elements/groups 9/7Angular �eld, diag./horiz./vert. 62°/53°/37°Coverage at close range 19 x 13 cmFilter thread M 58 x 0.75Dimensions (with caps) ø 97-99 mm, length 64-73 mmWeight 530 g - 570 gCamera mounts F Mount (ZF.2) EF Mount (ZE)

Distagon T* 2,8/21 Technical speci�cations:Focal length 21 mmAperture range f/2.8 – f/22Focusing range 0.22 m – ∞Number of elements/groups 16/13Angular �eld, diag./horiz./vert. 90°/81°/59°Coverage at close range 18 x 12 cmFilter thread M 82 x 0.75Dimensions (with caps) ø 87 mm, length 110- 112 mmWeight 600g - 720gCamera mounts F Mount (ZF.2) EF Mount (ZE)

Distagon T* 2/28 Technical speci�cations:Focal length 28 mmAperture range f/2 – f/22Focusing range 0.24 m – ∞Number of elements/groups 10/8Angular �eld, diag./horiz./vert. 74°/65°/45°Coverage at close range 18 x 12 cmFilter thread M 58 x 0.75Dimensions (with caps) ø 64-72 mm, length 93-96 mmWeight 500g - 580gCamera mounts F Mount (ZF.2) EF Mount (ZE)

Planar T* 1,4/50 Technical speci�cations:Focal length 50 mmAperture range f/1.4 – f/16Focusing range 0.45 m – ∞Number of elements/groups 7/6Angular �eld, diag./horiz./vert. 45°/38°/26°Coverage at close range 24 x 16 cmFilter thread M 58 x 0.75Dimensions (with caps) ø 69-71 mm, length 66-71 mmWeight 330 g - 380 gCamera mounts F Mount (ZF.2) EF Mount (ZE)

127

Lens

for Sony E-Mount

for Fuji�lm X-Mount

for Sony E-Mount

for Fuji�lm X-Mount

Planar T* 1,4/85 Technical speci�cations:Focal length 85 mmAperture range f/1.4 – f/16Focusing range 1 m – ∞Number of elements/groups 6/5Angular �eld, diag./horiz./vert. 29°/24°/16°Coverage at close range 36 x 24 cmFilter thread M 72 x 0.75Dimensions (with caps) ø 85-88 mm, length 77-78 mmWeight 570 g - 670 gCamera mounts F Mount (ZF.2) EF Mount (ZE)

Makro-Planar T* 2/100 Technical speci�cations:Focal length 100 mmAperture range f/2.0 – f/22Focusing range 0.44 m – ∞Number of elements/groups 9/8Angular �eld, diag./horiz./vert. 25°/21°/14°Coverage at close range 72 x 48 mmImage ratio at close range 1 : 2Filter thread M 67 x 0.75Dimensions (with caps) ø 76 mm, length 113-115 mmWeight 660 g - 680 gCamera mounts F Mount (ZF.2) EF Mount (ZE)

Touit 2.8/12Autofocus lenses for Sony NEX and Fuji�lm X cameras.

Technical speci�cations:Focal length 12mmAperture range f/2.8-f/22Elements/groups 11/8Focusing range 0,18 m - ∞Field angle* (diag./horiz./vert.) 99/89/66°Coverage 22 x 14.4Length with Caps 81-86Diameter (mm/inch) 82/3.23Weight (g/oz.) 260-270/9.12-9.6Filter thread M 67 x 0,75

Touit 2.8/50MAutofocus lenses for Sony NEX and Fuji�lm X cameras.

Focal length 50 mmAperture range f/2.8 – f/22Focusing range 0,15 m – ∞Number of elements/groups 14/11Angular �eld, diag./horiz./vert. 31° / 26° / 18°Coverage at close range 23,5 x 15,6 mmFilter thread M52 x 0,75Dimensions (with caps) E: 104 mm X: 108 mmDiameter of focusing ring E, X: 65 mmWeight E, X: 290 gCamera mounts E-Mount, X-Mount

Touit 1.8/32Autofocus lenses for Sony NEX and Fuji�lm X cameras.

Focal length 32 mmAperture range f/1.8-F/22Elements/groups 8/5Focusing range 0,37 m - ∞ Field angle* (diag./horiz./vert.) 48/40/29°Coverage 21.4x14.2Length with caps 72-76 mmDiameter 65 mmWeight (g/oz.) 200-210 / 7.04-7.36Filter thread M 52 x 0,75

Otus 1.4/55The premium SLR lensfor ZE and ZF.2 mount.

Focal length 55 mmAperture range f/1.4–f/16Elements/groups 12/10Focusing range m/ft 0.5 m–∞/ 19.68–∞Field angle1 (diag./horiz./vert.) 43.7°/36.7°/24.9°Coverage2 mm/inch 24.6 x 16.3/9.69 x 6.42Length3 mm/inch 141–144/5.55–5.66Diameter3 mm/inch (max.) 92.4/3.64Weight3 g/oz. 970–1030/35.52–38.88Filter thread M 77 x 0.75Mounts ZE, ZF.2

Apo Sonnar T* 2/135 Focal length 135 mmAperture range f/2,0 – f/22Focusing range 0,80 m (2.62 ft) – ∞Number of elements/groups 11/8Angular �eld, diag./horiz./vert. 18,7° / 15,6° / 10,5°Coverage at close range 145 x 96 mmImage ratio at close range 1:4Filter thread M77 x 0,75Dimensions (with caps) ZF.2: 128 mm ZE: 130 mm Weight ZF.2: 920g ZE: 930 gCamera mounts F Mount (ZF.2) EF Mount (ZE)

Makro-Planar T* 2/50 Technical speci�cations:Focal length 50 mmAperture range f/2.0 – f/22Focusing range 0.24 m – ∞Number of elements/groups 8/6Angular �eld, diag./horiz./vert. 45°/38°/26°Coverage at close range 72 x 48 mmImage ratio at closerange 1 : 2Filter thread M 67 x 0.75Dimensions (with caps) ø 72-75 mm, length 88-91 mmWeight 500 g - 570 gCamera mounts F Mount (ZF.2) EF Mount (ZE)

128

Lens

EF 17-40mm f/4L USMUltra-Wide Zoom

Focal Length & Maximum Aperture 17 - 40mm; 1:4Lens Construction 12 elements in 9 groupsDiagonal Angle of View 104° - 57° 30’Focus Adjustment Inner focusing system with USMClosest Focusing Distance 0.28m Zoom System Rotating typeFilter Size 77mmMax. Diameter x Length, Weight 3.3” x 3.8”, 1.1 lb. / 83.5 x 96.8mm, 500g

EF 100-400mm f/4.5-5.6L IS USMTelephoto Zoom Focal Length & Maximum Aperture 100-400mm 1:4.5-5.6Lens Construction 17 elements in 14 groupsDiagonal Angle of View 24° - 6° 10’Focus Adjustment Rear focusing system with USMClosest Focusing Distance 1.8m/ 5.9 ft.Zoom System Linear extension TypeFilter Size 77mmMax. Diameter x Length, Weight 3.6” x 7.4”, 3.1 lbs. / 92mm x 189mm, 1,380g

EF 70-200mm f/2.8L IS II USMTelephoto Zoom

Focal Length & Maximum Aperture 70-200mm 1:2.8Lens Construction 23 elements in 19 groups (1 Fluorite and 5 UD elements)Diagonal Angle of View 34° - 12°Focus Adjustment Inner focusing system with USM. Full-time manual focus availableClosest Focusing Distance 1.2m/3.94 ft. (maximum close-up magni�cation: 0.21x)Filter Size 77mmMax. Diame ter x Length, Weight 3.5 x 7.8 in./88.8 x 199mm; 52.6 oz./1490g

EF 14mm f/2.8L II USMWide-Angle

Focal Length & Maximum Aperture 14mm f/2.8Lens Construction 14 elements in 11 groupsDiagonal Angle of View 114° (on full-frame cameras)Focus Adjustment AF with full-time manualClosest Focusing Distance 0.2mFilter Size Gel �lter holder at rear of lensMax. Diameter x Length, Weight 3.2 in. x 3.7 in. / 80mm x 94mm22.8 oz./645g (lens only)

EF 8-15mm f/4L Fisheye USMUltra-Wide Zoom

Focal Length & Maximum Aperture 15mm 4.0Lens Construction 14 elements in 11 groupsDiagonal Angle of View 180°Focus Adjustment Lens extension via inner focusing and focus cam plus �oating mechanismClosest Focusing Distance 0.16m Filter Size Rear Gel Holder (accepts up to 3 pre-cut gel �lters)Max. Diameter x Length, Weight 3.1 x 3.7 in, 19.1 oz. / 78.5 x 83.0mm, 540g

EF 16-35mm f/2.8L II USMUltra-Wide Zoom

Focal Length & Maximum Aperture 16-35mm f/2.8Lens Construction 16 elements in 12 groupsDiagonal Angle of View 108°10’-63°Focus Adjustment AF with full-time manualClosest Focusing Distance 0.28mFilter Size 82mm, P=0.75mm/1 �lterMax. Diameter x Length, Weight 3.5 in. x 4.4 in./88.5mm x 111.6mm, 640g

EF 24-70mm f/2.8L II USMStandard Zoom

Focal Length & Maximum Aperture 24-70mm, 1:2.8Lens Construction 18 elements in 13 groupsDiagonal Angle of View 84° - 34°Focus Adjustment Inner-focusing with USMClosest Focusing Distance 0.38mZoom System Rotating TypeFilter Size 82mmMax. Diameter x Length, Weight 3.5 x 4.4 in., 28.4 oz. / 88.5 x 113mm, 805g

EF 24-105mm f/4L IS USMStandard Zoom

Focal Length & Maximum Aperture 24-105mm f/4Lens Construction 18 elements in 13 groupsDiagonal Angle of View 84° - 23° 20’ (with full- frame camera)Focus Adjustment Inner focusing system with focusing camClosest Focusing Distance 0.45mZoom System 5-group helical zoom (front group moves: 32.5mm)Filter Size 77mmMax. Diameter x Length, Weight 3.3 in. x 4.2 in., 23.6 oz. / 83.5mm x 107mm, 670g (lens only)

EF 24mm f/1.4L II USM Wide-Angle

Focal Length & Maximum Aperture 24mm 1:1.4Lens Construction13 elements in 10 groupsDiagonal Angle of View 84°Focus Adjustment Rear focusing system with USMClosest Focusing Distance 77mmFilter Size 77mmMax. Diameter x Length, Weight 3.4 in./86.9mm; 22.9 oz./650g

129

Lens

EF 100mm f/2.8 Macro USM

Focal Length & Maximum Aperture 100mm 1:2.8Lens Construction 12 elements in 8 groupsDiagonal Angle of View 24°Focus Adjustment Inner focusing system with USMClosest Focusing Distance 0.31m / 1 ft. (�lm plane to subject)Filter Size 58mmMax. Diameter x Length, Weight 3.1” x 4.7”, 21.1 oz. / 79.0 x 119.0mm, 600g

EF 85mm f/1.2L II USMStandard & Medium Telephoto

ocal Length & Maximum Aperture 85mm 1:1.2Lens Construction 8 elements in 7 groupsDiagonal Angle of View 28°30’Focus Adjustment AF with full-time manualClosest Focusing Distance 3.2 ft. / 0.95mFilter Size 72mmMax. Diameter x Length, Weight 3.6 in. x 3.3 in., 36.2 oz. / 91.5mm x 84mm, 1,025g (lens only)

EF 50mm f/1.2L USMStandard & Medium Telephoto

ocal Length & Maximum Aperture 50mm f/1.2Lens Construction 8 elements in 6 groupsDiagonal Angle of View 46° (with full-frame cameras)Focus Adjustment AF with full-time manualClosest Focusing Distance 1.48 ft. / 0.45mFilter Size 72mmMax. Diameter x Length, Weight 3.4 in. x 2.6 in./85.4mm x 65.5mm19.2 oz./545g (lens only)

EF 35mm f/1.4L USMWide-Angle

Focal Length & Maximum Aperture 35mm 1:1.4Lens Construction 11 elements in 9 groupsDiagonal Angle of View 63°Focus Adjustment Rear focusing system with USMClosest Focusing Distance 0.3mFilter Size 72mmMax. Diameter x Length, Weight 3.1” x 3.4”, 20.5 oz. / 79.0 x 86.0mm, 580g

EF 135mm f/2L USMTelephoto Focal Length & Maximum Aperture 135mm 1:2.0Lens Construction 10 elements in 8 groupsDiagonal Angle of View 18°Focus Adjustment Rear focusing system with USMClosest Focusing Distance 0.9m / 3 ft.Filter Size 72mmMax. Diameter x Length, Weight 3.2” x 4.4”, 1.7 lbs. / 82.5 x 112.0mm, 750g

TS-E 17mm f/4LTilt-Shift Focal Length & Maximum Aperture 17mm 1:4Minimum Aperture f/22Lens Construction 18 elements in 12 groupsDiagonal Angle of View 104° (without tilt or shift)Image circle diameter 67.2mmFocus Adjustment Manual focus, rear focusing system with focusing cam (with �oating system)Closest Focusing Distance 0.82 ft./0.25m (maximum close-up magni�cation: 0.14x)Aperture Control EMD with 8 blade iris diaphragm, circular apertureMax. Diameter x Length, Weight 3.5 x 4.2 in./88.9 x 106.7mm (maximum lens length), 28.9 oz./820gTS-E 24mm f/3.5L IITilt-Shift Focal Length & Maximum Aperture 24mm 1:3.5Minimum Aperture f/22Lens Construction 16 elements in 11 groupsDiagonal Angle of View 84° (without tilt or shift)Image circle diameter 67.2mmFocus Adjustment Manual focus, rear focusing systemClosest Focusing Distance 0.69 ft./0.21m Aperture Control EMD with 8 blade iris Filter Size 82mmMax. Diame zter x Length, Weight 3.5 x 4.2 in./88.5 x 106.9mm, 27.5 oz./780g

130

Lens

AT-X 16-28 F2.8 PRO FXWide Angle ZoomFocal Length 16 - 28mmMagni�cation 1:5.26Maximum Aperture f/2.8Minimum Aperture f/22Construction E/G 15 Elements in 13 GroupsCoatings Multi-layerAngle of View 107.11 - 76.87°Minimum Focus Distance 0.28 mMacro Ratio 1:5.26Focusing Mode Internal FocusingAperture Blades 9Lens Width 89.92mmLens Length 133.35mmWeight 950gMounts FE, F, Canon APS-C, Nikon APS-C

AT-X 107 AF DX FisheyeFisheye ZoomFocal Length 10 - 17mmMaximum Aperture f/3.5 - 4.5Minimum Aperture f/22Construction E/G 10 Elements in 8 GroupsCoatings Multi-layerAngle of View 180 - 100°Minimum Focus Distance 0.14 mMacro Ratio 1:2.56Aperture Blades 6Maximum Outer Diameter 69.85mmLens Width 69.85mmLens Length 70.88mmWeight 350gMounts Canon APS-C, Nikon APS-C

AT-X 17-35 F4 PRO FXWide Angle ZoomFocal Length 17 - 35mmMaximum Aperture f/4.0Minimum Aperture f/22Construction E/G 13 Elements in 12 GroupsCoatings Multi-layerAngle of View 103.96 - 64.74°Minimum Focus Distance 0.279 mMacro Ratio 1:4.82Aperture Blades 9Filter Size 82mmMaximum Outer Diameter 88.90mmLens Width 88.90mmLens Length 93.98mmWeight 600gMounts FE, F, Canon APS-C, Nikon APS-C

AT-X 116 PRO DX IIWide Angle ZoomFocal Length 11 - 16mmMaximum Aperture f/2.8Minimum Aperture f/22Construction E/G 13 Elements in 11 GroupsCoatings Multi-layerAngle of View 104 - 84°Minimum Focus Distance 0.3 mMacro Ratio 1:11.6Focusing Mode Internal FocusingAperture Blades 9Filter Size 77mmLens Width 84mmLens Length 89.2mmWeight 550gMounts Canon APS-C, Nikon APS-C

AT-X 12-28 PRO DXWide Angle ZoomFocal Length 12-28mmMaximum Aperture F/4Minimum Aperture F/22Construction E/G 14 Elements / 12 GroupsCoatings Multi-layerAngle of View 99.37 to 54.73°Minimum Focus Distance 0.25 mMacro Ratio 1:4.94Aperture Blades 9Filter Size 77mmMaximum Outer Diameter 84mmLens Length 90.2mmWeight 530gMounts Canon APS-C, Nikon APS-C

AT-X 107 AF DX NH Fisheye (Fisheye Zoom )Focal Length 10 - 17mmMaximum Aperture f/3.5 - 4.5Minimum Aperture f/22Construction E/G 10 Elements in 8 GroupsCoatings Multi-layerAngle of View 180 - 100°Minimum Focus Distance 0.14 mMacro Ratio 1:2.56Aperture Blades 6SD Glass One elementsMaximum Outer Diameter 69.85mmLens Width 69.85mmLens Length 70.88mmWeight 350gMounts EF, F, Canon APS-C, Nikon APS-C

Re�ex 300mm F6.3 MF ( MACRO )Focal Length 300mmMaximum Aperture f/6.3Minimum Aperture f/6.3Construction E/G 13 Elements / 11 GroupsCoatings Multi-layer coatingsAngle of View 4 degrees 8 minutes°Minimum Focus Distance 0.8 mMacro Ratio 1:2Filter Size 55mmMaximum Outer Diameter 55mmLens Width 55mmLens Length 66mmWeight 298gMounts Micro 4/3rds

AT-X M100 AF PRO DMacroFocal Length 100mmMaximum Aperture f/2.8Minimum Aperture f/32Construction E/G 9 Elements in 8 GroupsMinimum Focus Distance 0.3 mMacro Ratio 1:1Focus Limiter 1.28 - ∞Zoom Range 100Aperture Blades 9Filter Size 55mmLens Width 73.66mmLens Length 95.00mmWeight 540gMounts EF, F, Canon APS-C, Nikon APS-C

131

Studio Lighting

ProHeadIn the studio, the standard heavy-duty tool is the Profoto ProHead with 250 W or 500 W halogen lamp, built for producing �ashes up to 4800 Ws, over and over again, hour after hour. The fan works when the head is used on all packs except Pro-7b.The ProHead includes: the Zoom Re�ector, UV-safe �ash tubes, 250 W or 500 W halogen lamp, removable frosted glass cover, protective transportation cap, stand adapter and a 4 m (13 ft) lamp cable.Size: 26 cm (10 in) long & 10 cm (4 in) diameter(w/o re�ector)Weight: 2.2 kg (4.8 lbs)90 07 09 ProHead with 250 W model lamp and short glass cover90 07 27 ProHead with 500 W model lamp and long glass cover

ProRing 2For fashion or other occasions when you want a direct and very distinct light, there is the Profoto ProRing 2. A ring�ash, with a fan-cooled head, that is capable of as many 2400 Ws �ashes per minute as the generator can produce, and also including a powerful 200 W modeling light.The ProRing 2 includes: circular quartz �ash tube, 10x20 W halogen modeling lamps, camera adapter, stand adapter and a 4 m (13 ft) special lamp cable.Accessories (not included): Close-up Re�ector, Softlight Re�ector, Widesoft Re�ector and ProRing Di�user.Light spread angle: 75°Guide number (At 2 m/2400 Ws/ISO 100/21°): f/45.5Size: 20 x 21 x 23 cm (7.8 x 8.25 x 9 in)20 cm (7.8 in) exterior diameter10 cm (4 in) interior diameterWeight: 2.4 kg (5.2 lbs) including camera holder30 05 17 ProRing 2

ProTwinFor even tougher demands, there is the Profoto ProTwin, with a fan-cooled head, that using two �ash tubes, e�ectively doubles the performance of the ProHead. When used with a single generator, it produces shorter �ash duration. Used with two generators, it enable up to 2x faster recycling speed and/or 2x higher power, up to 4800 Ws (9600 Ws with D4).The ProTwin includes: Magnum Re�ector, two UV-safe quarts �ash tubes, 500 W halogen modeling lamp, removable frosted glass cover, protective transportation cap, stand adapter and a special 4 m (13 ft) long Twin Lamp cable.Size: 26 cm (10 in) long & 10 cm (4 in) diameter(w/o re�ector)Weight: 2.2 kg (4.8 lbs)90 07 19 ProTwin with Magnum Re�ector

Acute/D4 TwinMuch like the ProTwin, the Profoto Acute/D4 Twin doubles the performance of a normal head, resulting in either shorter �ash duration when used with a single generator, or faster recycling/higher power, when used with two generators. The Acute/D4 Twin can produce �ashes up to 1200 Ws, when used with two AcuteB 600 generators (and up to 9600 Ws with two Profoto D4 4800). The Acute/D4 Twin head also has a fan-cooled head.The Acute/D4 Twin includes: Magnum Re�ector, two �ash tubes, 500 W halogen lamp, removable frosted glass cover, protective transportation cap, stand adapter and a split 4 m (13 ft) lamp cable.Size: 26 cm (10 in) long & 10 cm (4 in) diameter (w/o re�ector)Weight: 2.2 kg (4.8 lbs)90 06 77 Acute/D4 Twin 120 V UV90 06 78 Acute/D4 Twin 230 V UV

ProRingIf you look for a more lightweight ring �ash without modeling light, there’s also the Profoto ProRing, with the capacity of up to four 2400 Ws �ashes per minute, or16 �ashes at 600 Ws, etc.The ProRing includes: circular �ash tube, camera adapter, stand adapter, and a 4 m (13 ft) special lamp cable.Accessories (not included): Close-up Re�ector, Softlight Re�ector, Widesoft Re�ector and ProRing Di�user.Light spread angle: 70°Guide number (At 2 m/2400 Ws/ISO 100/21°): f/45.0Size: 20 cm (7.8 in) exterior diameter10 cm (4 in) interior diameterWeight: 2.2 kg (4.8 lbs) including camera holder30 05 15 ProRing

Acute/D4 Ring�ashThe Acute/D4 Ring is a powerful ring�ash capable of producing, for example, 16 �ashes at 600 Ws or 64 �ashes at 150 Ws per minute. Fits most cameras and lenses up to a diameter of 100 mm. In combination with the handy AcuteB generator, this ring�ash is the perfect solution for shootings on location.The Acute/D4 Ring�ash includes: circular �ash tube, glass cover, camera adapter, stand adapter and a 4 m (13 ft) lamp cable. Accessories (not included): Close-up Re�ector, Softlight Re�ector, Widesoft Re�ector and ProRing Di�user.Light spread angle: 70°Guide number (At 2 m/2400 Ws/ISO 100/21°): f/45.0Size: 20 cm (7.8 in) exterior diameter10 cm (4 in) interior diameterWeight: 2.2 kg (4.8 lbs) including camera holder

A head for all seasons

Pro-8/Pro-7

133

Studio Lighting

Acute/D4 HeadWith a modeling light of 250 W or 500 W and a maximum �ash output of 4800 Ws, the Acute/D4 Head is the top of the line of all lamp head for all Acute generators, as well as the Profoto D4, especially with its fan-cooled head. When using this head on the AcuteB 600 there is a special adapter allowing you to use the modeling light with the battery-powered 65 W high e�ciency lamp.The Acute/D4 Head includes: Zoom Re�ector, �ash tube,250 W halogen lamp, removable frosted glass cover, protective transportation cap, and a 4 m (13 ft) lamp cable.Size: 26 cm (10 in) long & 10 cm (4 in) diameter(w/o re�ector)Weight: 2.2 kg (4.8 lbs)90 06 66 with 250 W model light and Zoom Re�ector90 06 69 with 500 W model light and Zoom Re�ector

Continuous LightProTungsten AirProTungsten Air is a continuous light source, which is dedicated to work with most existing line of Profoto’s light shaping tools. ProTungsten Air units are available with 500W or 1000W lamps and equipped with state of the art silent ventilation system, which is designed to eliminate fan noises. In addition, the unit has built-in Profoto’s renowned “Air” radio remote capability, which gives a user to activate or deactivate and dim 90% of the light at the palm of their hands.To make it simple and having just one version of head, you just choose the lamp of your need when it comes to mains, voltage and power. See section for lamps on page 41.90 11 61 ProTungsten Air

Continuous LightProDaylight 800 AirProDaylight 800 Air is a HMI continuous light sources, which is dedicated to work with most existing line of Profoto’s light shaping tools. The powerful Metal Halide lamp provides daylight color temperature, which is ideal for many photo and video shoots. ProDaylight units can provide an ideal light for your HD videos. In addition, ProDaylight units are equipped with state of the art silent ventilation system which is designed to eliminates the fan noises and at the same time provides full control of fan speed in three modes (None, Silent and Max.).ProDaylight 800 Air kit includes head, Metal Halide Lamp, Ballast, metal transport cap and frosted glass cover. ProDaylight 800 Air Head includes bulb, metal transport cap and frosted glass cover.90 11 42 ProDaylight 800 Air,incl ProBallast and Head90 11 72 ProDaylight 800 Air Head, incl bulb90 11 32 ProBallast 800W

Continuous LightProDaylight 400 AirProDaylight 400 Air is a Metal Halide (HMI) continuous light source, compatible with Profoto’s Light Shaping Tools. It holds a powerful 400W lamp that provides light with Daylight color temperature and excellent color rendering. In addition it’s one of the smallest and most lightweight HMI lights available. All of this makes the ProDaylight 400 Air a truly unique and ideal light source for professional photo and video shoots.

Pro-B HeadFor the Pro-B3 and the Pro-7b, there is the handy Profoto Pro-B Head that gives you 1200 Ws �ashes and a 100 W modeling light while still weighing only 1.8 kg. For extra intensive use with Pro-B2, use the fan-cooled ProHead instead.The Pro-B includes: Disc Re�ector, �ash tube, 100 W halogen lamp, removable frosted glass cover, protective transportation cap, stand adapter, and a 4 m (13 ft)lamp cable.Size: 22 cm (8.5 in) long & 10 cm (4 in) diameter(w/o re�ector)Weight: 1.8 kg (3.9 lbs)90 07 25 with Disc re�ector90 07 82 with Zoom re�ector

AcuteB HeadFor our smallest battery pack, the AcuteB2 600, there is a special lamp head, the Profoto AcuteB Head. The Profoto AcuteB Head weighs in at a mere 1.45 kg. It gives you 600 Ws �ashes and an innovative modeling light, using a high-performance halogen lamp that, at 65 W, gives you the brightness of 90 W. For you, when combined with it’s convection cooling.The AcuteB Head includes: �ash tube, 65 W halogen lamp, protective transportation cap and a 3 m (10 ft) lamp cable.Size: 22 cm (8.5 in) long & 10 cm (4 in) diameter(w/o re�ector)Weight: 1.8 kg (3.9 lbs)90 09 35 with Disc Re�ector90 09 36 with Zoom Re�ector

134

Studio Lighting

D1 AirSuper performance in a small, a�ordable package

Compact and lightweightIntegrated re�ector7 f-stop power rangeShort �ash duration and fast recycling timesAccepting the Profoto light shaping tools systemConnect to your PC or Mac with Profoto Studio Air software

Our 40 years of experience in developing state-of-the-art �ash units isbuilt in to the design of the the new D1 Air.The Profoto D1 Air is available in 250, 500 and 1000 Ws versions.The Profoto D1 Air is fully digital, not just on the display panel, but in the �ash output control circuitry as well. This to ensure a consistency in �ash-to-�ash color temperature and �ash energy. The dual mode SMPS capacitor charging technology ensures the �ash-to-�ash precision which is essential for today’s photographer.Short �ash duration gives images a crisp feel and the fast recycling time means that you never have to wait for the �ash. You will always get the image quality you want. All this in a package that o�ers 1/10 f-stop control, giving you the con�dence that the images will be exactly as you want them.The new Profoto Air system enables you to remote control and trigger your �ash from as much as 300 meters (1000ft) and replaces the sync cable. Connect the D1 to the new Profoto Air USB, for PC and Mac and gain full control of your entire studio �ash system via wireless communication.

Remote control and sync without cablesProfoto Air Sync

Syncs �ash generators or groups of Profoto D1 Air with the same high performance as Profoto Air Remote. The Profoto Air Sync provides a simple solution when you do not need to control the power of your �ash and only need to trigger it with your camera.

Profoto Air Remote

Our specially designed digital radio system.Complete �ash control at your camera or in yourhand, including trigger, �ash energy control andmodeling light control.

D1 Studio KitsA complete, portable studio solution.

Compatible with a wide assortment of Light Shaping Tools.Compact and lightweight.Built-in re�ector makes it safe and easy to use.Wide 7 f-stop power range in 0.1 f-stop increments.Short �ash duration even on the high power settings.Fast recycling times.Available with Air – the world’s fastest system for remoteradio sync and control.Designed to withstand years of everyday use.

The D1 is also the backbone of the popular D1 kits. Choosebetween the versatile D1 Studio Kit and the comprehensive D1 Studio Kit 3 Heads.

D1 Studio Kit2 x D1 monolights2 x Umbrella White S2 x D1 kit stands1 x Air RemoteBag MPower cables

D1 Studio Kit 250/250 Air D1 Studio Kit 250/500 AirD1 Studio Kit 500/500 AirD1 Studio Kit 500/1000 AirD1 Studio Kit 1000/1000 Air

D1 Studio Kit 3 Heads3 x D1 monolights1 x Softbox RFi 1,3x2’1 x Softbox RFi 2x3’2 x RFi speedrings1 x D1 Grid 10°3 x D1 kit stands1 x Air RemoteTrolley bag LPower cables

D1 Studio Kit 250/500/500 AirD1 Studio Kit 500/500/1000 AirD1 Studio Kit 500/1000/1000 Air

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B1OFF-CAMERA FLASH WITH TTL

Taking your �ash o�-camera marks a milestone on yourjourney to becoming a great photographer. It means youare ready to take control and shape light. You are no longercontent simply depicting things. You want to create themyourself.

The B1 and its revolutionary, patent pending AirTTL technologytake this idea to the next level. Simply attach the AirRemote TTL to your camera’s hot shoe to merge camera and�ash into one, point and shoot, and the B1 will automaticallyadjust its light output to provide you with the perfectexposure.

THE B1 WITHOUT CORDSDo you remember the feeling when you �rst learned how toride a bicycle? Remember how the world seemed to open up,how you were suddenly able to go anywhere and do anything?Then you know what it is like shooting with the batterypoweredand wirelessly synced and controlled B1. Shootindoors or shoot outdoors, miles away from the nearest walloutlet. Place the lights wherever you want. Your imaginationsets the limits. Not the length of your cables.

THE B1 WITH POWEREver been frustrated by the fact that a clear sky equals badweather for photography? Or perhaps you have experiencedthe opposite – not enough light to get the shot you want?The B1 solves both these issues. Ten times as powerful as theaverage speedlight, it enables you to overpower the sun on asunny day as well as light up larger backgrounds and areas.With the B1 you are no longer dependent on the weather orambient light. You are the one in control. You set the light.

THE B1 WITH SPEEDSome things are hard to fake. Laughter, genuine smiles orthe de�ning moment of a sport event, to name just a fewexamples. So, the best thing you can do is to make sure youare prepared when that perfect moment occurs in front ofyour lens.That is why speed is important. The B1 was designed withthis in mind. At lower power settings it will easily keep upwith your camera, blasting away up to twenty �ashes persecond.

THE B1 WITH LIGHT SHAPINGPhotography is all about light – about controlling and shaping light. Shoot the same thing from the same angle with ten di�erent lighting setups and you will create ten entirely di�erent images.This is where Profoto’s Light Shaping Tools enter the picture.The B1’s built-in re�ector creates a wide and even lightspread that stands well on its own. But you are also free tochoose from more than 120 Light Shaping Tools and shapethe B1’s already beautiful light into almost any light you canimagine.

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Pro-B3 1200 AirSThe Pro-B3 AirS battery generators is characterized by extremely fast recycling and short �ash duration.

Lithium Ion Iron Phosphate BatteryWeighs Only 19 Lbs Inc. LiFe BatteryUp to 300 Flashes at Maximum PowerUp to 4x Longer Battery LifetimeBuilt-In Profoto AirS Radio Sync SystemWide Power Range of 8 F-Stops, 9-1200 WsRecycling Time 0.06-1.8 sShort Flash Duration, 1/7400 - 1/2200 sTested and Certi�ed/Licensed to TravelAutomatic, Multivoltage Charger

D4 1200 AirPerfect performance, advanced functions - full direct control

Built-in Radio Slave ReceiverPower Variable Over 8 F-StopsShort Flash Duration 1/7500s-1/1000sFast Recycling Times 0.07 to 1.2 Seconds4 Head Outlets for Asymmetrical ControlMulti-Power Pack Control Via 1 ComputerMulti-Voltage 90-240VAC

The D4 Air is a versatile workhorse, crafted to produce large quantities of high-quality images at an extremely high rate with no variations in power output and color temperature.


Built-in Radio Slave ReceiverPower Variable Over 8 F-StopsShort Flash Duration 1/4500s-1/600sFast Recycling Times 0.09 to 2.2 Seconds4 Head Outlets for Asymmetrical ControMulti-Power Pack Control Via 1 ComputerMulti-Voltage 90-240VAC


Pro-8a 2400 AirA workhorse with digital precision

Up to 20 Frames/SecondAuto Multi-Voltage Operation WorldwideFast Recycling Time 0.05 - 0.9 SecUltra Short Flash Duration 1/12000 Sec10 F-Stop Power Range40°K +/- Stability Flash to FlashBuilt-In Profoto Air Transceiver for RCBuilt-in PocketWizard ReceiverCompatible With All Current ProHeadsDesigned for Use w/Portable Generators

Pro-8a 1200 AirA workhorse with digital precision

Fast Recycling Time 0.05-0.5 SecUltra Short Flash Duration 1/12000 Sec9 f-Stop Power Range+/- 40 K Stability for Full Power RangeExposure Stability +/- 1/50 F-StopBuilt-In Profoto Air Transceiver for RCCompatible With All Current ProHeadsDesigned for Use W/Portable GeneratorsAuto Multi-Voltage Operation WorldwideUp to 20 Frames per Sec. @ Minimum Power

Pro-B4 1000 AirThe fastest, toughest, most precise battery generator on the market.

11 Stop Power Range: 1-1,000W/sUp to 220 Full Power FlashesShort Recycling Time 0.03-0.99sSymmetrical/Asymmetrical DistributionHigh Capacity LiFe BatteryFlash Duration: 1/25,000 - 1/2200 Sec.45 Minute Quick ChargeMulti-voltage ChargerBuilt-In Profoto Air Remote Sync SystemComputer Control Optiont.

The Pro-B4 is our state-of-the-art battery generator. In some regards it even outperforms the best studio generators out there.

Generators

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Built-in Radio ReceiverRange: Up to 984’ (300 m)4 Channel Asymmetrical DistributionAuto-seek 90 - 240V ACFor All Heads Except Pro-B & Acute-BComputer Interface1/10 Stop Power Adjustment0.12 to 4.4 sec. RecyclingFlash Duration t 0.5: 1/2700-1/350sErgonomic design


Acute2 1200Fast, small, very lightweight.

Small and lightweightThree lamp head sockets with asymmetric power distribution results in a wide variety of possible setups and creative freedom.6 f-stop power range.Manual switch for use with either 100-120 V or 200-240 V mains outlets.Proven reliability.

The Acute2 has been a popular choice for a longer period of time than any other currently available Profoto generator.

Acute2R 2400Fast, small, lightweight.

Small and lightweightThree lamp head sockets with asymmetric power distribution results in a wide variety of possible setups and creative freedom.6 f-stop power range.Manual switch for use with either 100-120 V or 200-240 V mains outlets.Proven reliability.Built-in PocketWizard® receiver for wireless sync.

The Acute2 has been a popular choice for a longer period of time than any other currently available Profoto generator

Acute2 1200RFast, small, very lightweight.

small and light weightshort �ash durationFast recyclingAdjustable modeling lightAsymmetricEnergy controlled over 6 f-stopsBuilt-in radio with 32 channel / 4 zone for remote operation1 1200 Acute2r Generator2x Acute / D4 250W Heads1 Carrying Case

AcuteB2 600 AirSFamous quality and reliability of Profoto in a small battery generator. Lightweight, fast, high capacity plus superior Air radio sync.

Lithium Ion Iron Phosphate BatteryWeighs Only 7.9 Lbs Inc. LiFe BatteryUp to 200 Flashes at Maximum PowerUp to 4x Longer Battery LifetimeBuilt-In Profoto AirS Radio Sync SystemWide Power Range of 7 F-Stops, 9-600 WsRecycling Time, 0.08 - 2.0sShort Flash Duration, 1/6800 - 1/1000sTested and Certi�ed/Licensed to TravelAutomatic, Multivoltage Charger

BatPacPortable Power Source

Safe & ReliableUse With Strobes & Other Elec. DevicesDrives Up to 4-1000W or 1-2400Ws FlashesUp to 10,000 Flashes With D1 500Ws FlashUnder 25 LbsIntegrated Protective CircuitsHeavy Duty Transport Bag Included

here is an alternative to a bringing a battery-powered �ash to your on-location shoot: bring a mains-powered �ash and connect it to our portable power supply the BatPac.

138

Studio LightingLightshapers and other accessories

Zoom Re�ectorThe classic Profoto Zoom Re�ector has served photographers all over the world for more than three decades. It was time to look it over, and our technicians actually managed to improve it in a number of areas:– even better light distribution: smoother, stronger, more accurate– integrated grid holder: grids now �t directly into the re�ector– a new protection cap, the Zoom Cap, that �ts onto and over the re�ector (and the grid), securing transportation and storage as well as enabling the photographer to leave the grid on.Existing accessories still �t as before.

Zoom Re�ector GridsGrids can be used to narrow the light angle or to prevent unwanted straylight. They can be used directly on the Zoom Re�ector or with the Grid and Filter Holder on the StandardZoom Re�ector.Grid size: 180 mm (7 in)

Narrow Beam Re�ectorThe Narrow Beam Re�ector gives the highest light output of all Profoto re�ectors. It creates a hot spot with a harsh light fall-o�. To achieve precise control over the direction of the light, the re�ector can be extended with the ProTube and equipped with a Honeycomb Grid or a Barn Door.Light spread angle: 10–70°Guide number (At 2 m/2400 Ws/ISO 100/21°): f/180.0–f/45.0Grid size: 337 mm (13 in)10 06 17 Narrow Beam Re�ector

TeleZoom Re�ectorSharing its lighting characteristics with the Standard Zoom Re�ector, this re�ector is unique because the angle of light varies from 20 degrees at head position 5, to 30 degrees at head position 10. The TeleZoom re�ector has a high output, zoomable even distrubuted light with a rapid fall-o�. The TeleZoom accepts the same accessories like the Magnum and Narrow Beam Re�ector.Light spread angle: 25–50°Guide number (At 2 m/2400 Ws/ISO 100/21°): f/90.3–f/64.0Grid size: 337 mm (13 in)10 07 12 TeleZoom Re�ector

Magnum Re�ectorFor maximum output with a normal beam spread. The Magnum Re�ector provides strong, smooth light. Although this is not a true focusing re�ector, zooming it across the focal point does create interesting lighting e�ects. To achieve precise control over the direction of the light, the Magnum can be supplemented by the ProTube, Honeycomb Grid or Barn Doors.Light spread angle: 25–60°Guide number (At 2 m/2400 Ws/ISO 100/21°): f/180.0–f/90.0Grid size: 337 mm (13 in)10 06 24 Magnum Re�ector

Snoot For Grid- & Filterholder. Cannot be used with ProDaylight and ProTungsten.10 06 51 Snoot

Metal Protection CapAn extra strong metal protection cap with clasp. The perfect transportation protection or protection of the �ash tube in rough conditions.10 06 38 Metal Protection Cap

Transportation CapA light weight, easy to use transportation protection of the glass cover, �ash tube and modeling lamp.10 07 08 Transport Protective Capfor �ash heads

Re�ector Barn Doors4-sided rigid barndoors for Standard Zoom Re�ector and Zoom Re�ector.10 06 71 Re�ector Barn Door10 04 63 Barndoor, for Cine Re�ectorand Zoom re�ector

Zoom CapA protection cap for the Zoom Re�ector have several advantages. It lets you keep the re�ector on, including a grid, while still protecting the �ash head.10 07 86 Zoom Cap

Grid and Filter HolderIt prevents blocking of fan cooling and overheating when a �lter need to be used. The Filter Holder is positioned behind the mounted Grid to allow you to use a di�usion �lter for increased e�ciency.Fits the Zoom Re�ector and the Classic Zoom Re�ector.

Grid size: 180 mm (7 in)90 06 49 Grid and Filter Holder

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Narrow Beam Travel Re�ectorThe Narrow Beam Travel Re�ector gives one of the highest light outputs of all Profoto re�ectors, similar to the Narrow Beam Re�ector.Light spread angle: 20°Guide number (At 2 m/2400 Ws/ISO 100/21°): f/45.710 06 13 Narrow Beam Travel Re�ector

ProTubeThe ProTube accessory extendsthe Magnum Re�ector, TeleZoom Re�ector or Narrow Beam Re�ector for tighter, hotter light pattern.It can be supplemented with a grid.Grid size: 337 mm (13 in)10 06 70 ProTube

25 degree GridCreates a soft, toned-down edge-lighting for increased control.Grid size: 515 mm (20 in)10 06 09 Grid Honeycomb 25°(10° if used with the Softlight Silver)

7” Grid Re�ectorAllows direct use of 7” grids.Light spread: 40–90°Guide number (At 2 m/2400 Ws/ISO 100/21°): f/90.3–f/32.5Grid size: 170 mm (6.7 in)10 06 54 7” Grid Re�ector

7” Grid Reflector GridsGrid size: 170 mm (6.7 in)10 06 34 10° Honeycomb Grid10 06 35 5° Honeycomb Grid

Glass DiscThe Softlight standard has a direct lightblocking metal de�ector. It can makea center black dot in an close up eyere�ection. By exchanging to this opalglass plate the dot is eliminated.10 07 04 Glass Disc

Disc Re�ectorDesigned for use with an umbrella. Itkeeps light from spilling o� the edges ofthe umbrella. Very compact design foreasy carrying.10 07 12 Disc Re�ector

Re�ector Barn Doors4-sided rigid barn doors for Magnum Re�ector, TeleZoom Re�ector or Narrow Beam Re�ector. Includes clips for �lters and/or di�users.10 07 15 Re�ector Barn Doors

Softlight Re�ector SilverThe silver-coloured Softlight Re�ectorwith gives focused light, while at thesame time providing soft shadowde�nition, thanks to its large re�ectingarea. It is especially suitable for lightingmaterials or subjects in which thestructure should be emphasized.Can be equipped with a glass de�ector,10° grid and a front di�user.Diameter: 60 cm

Softlight Re�ector WhiteThe White Softlight Re�ector (diameter60 cm) also known as “The BeautyDish” gives a soft, yet directional light.Meant to provide character lighting inportrait photography, the Softlight issuperb for a wide variety of uses fromproduct photography to architectural orenvironmental studies. Also, a distinctivealternative to the widely used softboxes.Character lighting refers to a source oflight that is placed close to the subject.

Wide Zoom Re�ectorThe Wide Zoom Re�ector is very versatile with a very even illumination when used at short distances. Excellent choice when you need to light the background evenly.Light spread angle: 40–70°Guide number (At 2 m/2400 Ws/ISO 100/21°): f/64.0–f/45.0Grid size: 280 mm (11 in)10 07 11 Wide Zoom Re�ector

Wide Zoom Re�ector GridFits the Wide Zoom Re�ector.Grid size: 280 mm (11 in)10 06 36 10° Honeycomb Grid

Magnum-, TeleZoom- and Narrow Beam Re�ectors GridFits the Magnum Re�ector, TeleZoom Re�ector or Narrow Beam Re�ector.Grid size: 337 mm (13 in)10 06 18 10° Honeycomb Grid

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Cine Re�ectorThe Cine Re�ector combines the �lm industry’s popular Parabolic re�ector (PAR) with the classic Profoto Zoom re�ector – a long time favorite among our users.The Profoto Zoom re�ector is a textured “Open face type” re�ector that produces a crisp, even light. The unique Zoomfunction lets you adjust the beam angle in the range of 35–105° without changing lens.In addition, �ve di�erent lenses provide a great array of light shaping possibilities. This, in combination with scrims, color�lters and barn doors, grants hotographers an unparalleled artistic freedom. Naturally, all accessories can be used with bothProDaylight models as well as with each other.The Cine Re�ector has a double layer housing to protect users from burns and increase robustness. The housing also provides an umbrella attachment, which is favored by many photographers.A metal stirrup bracket is provided for overhead mounting.90 11 75 Cine Re�ector

RingFlash Softlight Re�ectorAchieves a softer, shadow-free “beauty e�ect” by enlarging the ring�ash area. Ideal for lighting people with a direct, yet soft light from the lens position, creating a unique omnidirectional illumination.Light spread: 30°Guide number (At 2 m/2400 Ws/ISO 100/21°): f/64.510 06 42 RingFlash Softlight Re�ector

Get the right balance of shadow softness and sharpness with our range of re�ectors, zoomable in di�erent constellations from 20–100°. Additional grids and umbrellas can be �tted easily.

RingFlash Close-Up Re�ectorConcentrates the ringfash intoa smaller area some 50 cm in front of the �ash for close-up and macro applications. This provides a higher concentration of light when photographing smaller objects, while still maintaining a perfect shadeless illumination. When it is used at greater distances it can create an aura-like shadow surrounding an object.

RingFlash Widesoft Re�ectorLike the Softlight, but with extra softness and a wider spread of the light, perfect for evenly illuminated pack shots and natural looking �ll-in �ash. The re�ector has a white coating.Light spread: 100°Guide number (At 2 m/2400 Ws/ISO 100/21°): f/32.510 07 17 RingFlash Widesoft Re�ector

ProRing Di�usorPuts extra softness to the ring�ash.The re�ector has a white coating. Easy and fast to use, simply clips on front of the Profoto ring�ashes.10 07 84 ProRing Di�usor

Barndoor, for Cine Re�ector and Zoom re�ectorThe Barndoor, for Cine re�ector, is also designed to �t and work with the Zoom Re�ector. The Barndoor does have thepossibility to attach �lters.

Lenses for Cine ReflectorLenses for Cine Re�ector10 04 65 Fresnel Lens, Cine Re�ector10 04 66 Super Wide Lens, Cine Re�ector10 04 67 Narrow Spot Lens, Cine Re�ector10 04 68 Medium Flood Lens, Cine Re�ector10 04 69 Wide Flood Lens, Cine Re�ector10 04 75 Di�usion �lter, Cine Re�ector

Scrim Kit90 11 78 Scrim Kit

141

Studio LightingGiants

Profoto Giant Reflector 300The Profoto Giant Re�ector 300 cm with 20 sectors, a truly parabolic silver re�ector, for optimum light output and precision. Features, among other things, the unique Powerfold technology for easy assembly, and a foldable center bar for free positioning of the unit. The re�ector can be focused in four steps by using the included poles of di�erent length.Light spread: 55–100°Guide number (At 4 m/2400 Ws/ISO 100/21°): f/32.7–f/22.310 03 20 Profoto Giant Re�ector 300

Profoto Giant Silver 210The Profoto Giant Silvers 210 cm with silver re�ectors for a high light output and crispy highlights, in the studio or on location.Comparable with former 7-foot re�ector.Light spread: 90–105°Guide number (At 4 m/2400 Ws/ISO 100/21°): f/32.0–f/16.810 03 16 Profoto Giant Silver 210

Profoto Giant White 150The Profoto Giant White 150 cm with white re�ectorsfor a smooth e�ect, in the studio or on location.Light spread: 105°Guide number (At 4 m/2400 Ws/ISO 100/21°): f/16.810 03 14 Profoto Giant White 150

All Profoto Giants are powerful tools that allow you to create outstanding pictures in an uncomplicated, direct way.Our multi-purpose Giant Re�ector range starts at a modest 1.5 m in diameter and ends with a 20-sector, 3 m model. Our unique powerfold technology makes for easy assembly and disassembly.An ordinary umbrella attached to the lamp head in the center of a Giant re�ector blocking more or less of the center light o�ers more creative combinations.

Front Di�usor25 45 18 Di�usor for Profoto Giant 150 (-1 f-stop)25 45 22 Di�usor for Profoto Giant 150 (-1/3 f-stop)25 45 19 Di�usor for Profoto Giant 210 (-1 f-stop)25 45 23 Di�usor for Profoto Giant 210 (-1/3 f-stop)25 45 85 Di�usor for Profoto Giant Re�ector 180 (-1 f-stop)25 45 86 Di�usor for Profoto Giant Re�ector 180 (-1/3 f-stop)25 45 31 Di�usor for Profoto Giant Re�ector 240 (-1 f-stop)25 45 33 Di�usor for Profoto Giant Re�ector 240 (-1/3 f-stop)25 45 87 Di�usor for Profoto Giant Re�ector 300 (-1 f-stop)25 35 88 Di�usor for Profoto Giant Re�ector 300 (-1/3 f-stop)

Profoto Giant Silver 150The Profoto Giant Silver 150 cm with silver re�ectors for a highlight output and crisp highlights, in the studio or on location.Comparable with former 5-foot re�ector.Light spread: 85–120°Guide number (At 4 m/2400 Ws/ISO 100/21°): f/32.0–f/11.810 03 17 Profoto Giant Silver 150

Profoto Giant White 210The Profoto Giant White 210 cm with white re�ectors for a smooth e�ect, in the studio or on location.Light spread: 105°Guide number (At 4 m/2400 Ws/ISO 100/21°): f/16.810 03 15 Profoto Giant White 210

Profoto Giant Re�ector 240The Profoto Giant Re�ector 240 cm with 20 sectors, a truly parabolic silver re�ector, for optimum light output and precision. Features, among other things, the unique Powerfold technologyfor easy assembly, and a foldable center bar for free positioningof the unit. The re�ector can be focused in four steps by usingthe included poles of di�erent length.Light spread: 70–105°Guide number (At 4 m/2400 Ws/ISO 100/21°): f/32.6–f/22.010 03 19 Profoto Giant Re�ector 240

Profoto Giant Re�ector 180The Profoto Giant Re�ector 180 cm with 20 sectors, a truly parabolic silver re�ector, for optimum light output and precision. Features, among other things, the unique Powerfold technology for easy assembly, and a foldable center bar for free positioning of the unit. The re�ector can be focused in four steps by using the included poles of di�erent length.Light spread: 65–110°Guide number (At 4 m/2400 Ws/ISO 100/21°): f/32.6–f/16.210 03 18 Profoto Giant Re�ector 180

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Softbox 4x6’ RF120x180x57 cm, internal silver coating with removable inner and front di�user and steel rods.25 45 35 Softbox 4x6’ RF

Softbox 1x1.3’ RF30x40x47 cm, internal silver coating with steel rods,inner and front di�user.25 45 76 Softbox 1x1.3’ RF

Softbox 2.3’ Octa GoldOctalight 60x47 cm, internal gold coating with steel rods, inner and front di�user. Gives a warmer light that is preferred by many portrait photographers.25 45 79 Softbox 2.3’ Octa Gold

Softbox 3x4’ RF90x120x47 cm, internal silver coating with steel rods,inner and front di�user.25 45 27 Softbox 3x4’ RF

Softbox 5’ OctaOctalight 150x47 cm, internal silver coating with steel rods, inner andfront di�user.25 45 29 Softbox 5’ Octa

Softbox 3x3’ RF90x90x47 cm, internal silver coating with steel rods, inner and front di�user.25 45 77 Softbox 3x3’ RF

Softbox 3’ OctaOctalight 90x47 cm, internal silver coating with steel rods, inner andfront di�user.25 45 28 Softbox 3’ Octa

Softbox 2x2’ RF60x60x47 cm, internal silver coating with removable inner and front di�user and steel rods.25 45 36 Softbox 2x2’ RF

Softbox 2.3’ OctaOctalight 60x47 cm, internal silver coating with steel rods, inner andfront di�user.25 45 78 Softbox 2.3’ Octa

Softbox 1x3’ RFStriplight 30x90x47 cm, internal silver coating with removable inner and front di�user and steel rods.25 45 36 Softbox 1x3’ RF

Softbox 2x3’ RF90x120x47 cm, internal silver coating with steel rods,inner and front di�user.25 45 26 Softbox 2x3’ RF

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Softbox 1x4’ RFThis 30x120 cm striplight softbox is ideal for a lot of situations, among others well-directed lighting in people photography or lateral �ll-in at product shots. The exchangeable internal di�usor ensures an extremely low light fall-o�, even for such alarge construction.25 45 24 Softbox 1x4’ RF

Softbox 1x6’ RFStriplight 30x180x57 cm, internal silver coating with removable innerand front di�user and steel rods.25 45 34 Softbox 1x6’ RF

SoftgridsReduce straylight and give greater controlof the light direction.25 45 54 Softgrid 40° for 1x4’25 45 55 Softgrid 40° for 2x3’25 45 56 Softgrid 40° for 3x4’25 45 57 Softgrid 40° for 4x6’25 45 58 Softgrid 40° for 1x6’25 45 59 Softgrid 30° for 1x3’25 45 60 Softgrid 30° for 2x3’25 45 64 Softgrid 30° for 2x2’

HR Softbox’A new line of Profoto Softboxes made for both �ash and continuous light. Availablein 6 RF sizes to accomidate all needs.Ideal for ProDaylight and ProTungsten to provide maximum protection against excessive heat . Fully compatible with Acute and Pro Heads as well as Monolights.10 04 81 HR Softbox 1.3 x 1.8’ (40 x 55 cm) 10 04 82 HR Softbox 2 x 3’ (60 x 90 cm)10 04 83 HR Softbox 1.5 x 4’ (45 x 120 cm)10 04 84 HR Softbox 3 x 4’ (90 x 120 cm) 10 04 85 HR Softbox 2.7 x 2.7’ (80 x 80 cm)10 04 86 HR Softbox 4 x 6’ (120 x 180 cm)

HR LanternA new Light Shaping tool that can be used with both �ash and continuous light. Available in 3 FF sizes .Ideal to create a natural, easy to use “Overhead” lightthat illuminate even larger areas evenly.Perfect for moving subjects and handheld/steady-cam operated cameras.Built-in heat protection.10 04 87 HR Lantern 1,7’ FLAT (51 x 30 cm)10 04 88 HR Lantern 3’ FLAT (89 x 43 cm)10 04 89 HR Lantern 4’ FLAT (122 x 48 cm)

Profoto softboxes are made of durable light e�cient materials that stand the daily use, even under the toughest conditions. Removable fronts and inner di�usors, plus a series of grids and masks make light adjustments easy.The evenness of the light output from the whole surface is virtually perfect.The approximate center Guide number (at 2 m/2400 Ws/ISO 100/21°)for all Profoto Softboxes is f/32.0.All Profoto softboxes �t all Profoto lamp heads, of course. But did you know that by using our adapter speedrings, your Profoto softboxes will �t virtually any other manufacturer’s lamp heads as well?

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Studio Lighting

RFi SOFTBOXES IN ALL SIZES AND SHAPES FOR ALL MAJOR FLASH BRANDSChoose the tool you need, create the light you want: RFi softboxes come in twelve models and four shapes: rectangular, square, octagonal and strip.

Use your old �ash brand in a brand new way: The speedring makes the RFi softboxes compatible with well over 20 di�erent �ash brands, including speedlights.

Shape the light with precision: Optional Adaptor accessories, such as Softgrids, Flat Front Di�users and StripMasks, allow for even more precise light shaping.

Focus your energy where it is needed: Color-coded speedrings and Velcro attachments result in hassle-free assembly and disassembly. No tools or pre-assembly needed.

Experience the quality of light that Profoto is famous for:Double-layered di�users create a softer, more even light spread. The silver interior provides a higher output and a crisper character.

Stop worrying about your equipment: Each unit is handsewn with heat resistant, high-quality fabrics. Seam lines, edges and corner pockets are reinforced.

SHAPE SUNLIGHT OR BOUNCE FLASH LIGHT WITH THE PROFOTO REFLECTORSWorking with Profoto Re�ectors is light shaping in its most uncomplicated form. They are easy to use, easy to carry and can be used for bouncing or di�using sunlight as well as �ash light. The sturdy yet collapsible metal frame is equipped with two ergonomically shaped handles, which make the Re�ectors easy to fold and hold in various positions.Shape sunlight or bounce �ash light.Ergonomically shaped handles make the re�ectors easy to fold and hold.

Unique squircle-shape.

Sturdy yet easily foldable metal frame.

High-quality fabrics.

Available in �ve versions: Silver/White, SunSilver/White, Gold/White, Black/White and Translucent.

Available two sizes: Medium (33”/80 cm) and Large (47”/120 cm).

THE RFi SPEEDLIGHT SPEEDRING:THE SPEEDLIGHT USER’S KEY TO THE WORLD OF LIGHT SHAPING

Speedlights are great for many reasons, but being able to create a soft and shapeable light is not one of them. Profoto o�ers a simple solution to this problem: a speedring that makes the RFi softboxes compatible with speedlights of most brands.Get access to the entire range of RFi softboxes.Mount a softbox on your speedlight and create a soft and �attering light.Attach two speedlights and light up an even larger softbox.Slide and tilt the speedlights inside the softbox to eliminate hotspots.Tilt, rotate 360° and adjust the softbox heightwise on the �y.

RFi SOFTBOXES, REFLECTORS

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Scrim kit90 11 78

Lenses for Cine Refl ectorFresnel 10 04 65, Super Wide 10 04 66

Narrow Spot 10 04 67, Medium Flood 10 04 68Wide Flood 10 04 69, Di�usion fi lter 10 04 75

Par refl ector10 04 62

ProBox (20x30 cm) 90 05 61

Acute/D4 Twin90 06 78

Acute/D4Head90 06 66

AcuteB2 600 AirSAcuteB2 600 AirS/R

Acute2R 2400/1200Acute2 2400/1200

Cine Refl ector90 11 75

10̊ WideZoom Grid 10 06 36

Magnum Refl ector10 06 24

Wide Zoom Refl ector10 07 11

TeleZoom Refl ector10 07 12

Narrow Beam Refl ector10 06 17

Narrow Beam Travel Refl ector

10 07 13

Grid Refl ector10 07 05

7” Grids5̊ 10 06 3510̊ 10 06 34

Grid and Filter Holder90 06 49

Barn Doors10 06 71

Snoot 10 06 51

5°, 10°, 20° Grids10 06 46, 10 06 05, 10 06 06

10° Grid10 06 18

Pro Tube10 06 70

Barn Doors 10 07 15

Hardbox10 07 18

Zoom Refl ector10 07 85

Standard Zoom Refl ector10 06 10

Pro-B Head90 07 25

Disc Refl ector10 06 54

ProGlobe10 06 73

ProTwin90 07 19

AcuteB Head90 09 35

ProRing / ProRing 230 05 15 / 30 05 17

ProHead90 07 09

Pro-8a Air 2400/1200 Pro-7s 2400/1200Pro-7a 2400/1200 Pro-7b 1200 Pro-B3 1200 AirS D4 Air 4800/2400/1200

Barndoor, Cine and Zoom refl ector10 04 63

Fresnel Small 10 07 89

Spot Small 10 07 90

Barn Doors 10 07 44

Clear Fresnel lens 10 07 50

85 mm Lens 10 07 46

Iris Diaphragm 10 07 48

The Light Shaping System

146

Studio Lighting

StickLight 10 07 38

Softbox Rectangular

Softlight Refl ector White10 06 08Softlight Refl ector Silver10 06 07

Grid for Softlight Refl ectors 10 06 09

Softbox Octa

ZoomSpot10 07 34

Barn Doors for Fresnel Spot 10 07 58FresnelSpot

10 07 41

Acute/D4 Ring33 05 13

Translucent UmbrellaS 10 06 13 M 10 06 14

D1 Air 1000/500/250D1 500/250

Pro-B MainsDock90 08 95

PROFOTO AIR WIRELESS SYSTEM

Air Sync 90 10 32

Air Remote 90 10 31

Air USB 90 10 34

ProFresnel Spot 10 07 06

White UmbrellaS 10 06 11M 10 06 12 L 10 07 19

PROFOTO BATPAC

BatPac 230V / 120V90 11 21 / 90 11 22

PROFOTO CHARGERS

Profoto Charger 2A10 02 18

Profoto Charger 1A10 02 94

Profoto Universal Power Adapter10 02 26

ProTungsten Air

PROFOTO CONTINOUOS LIGHT

ProDaylight Air 800with ProBallast

HR Softbox

HR Lantern

Softbox StripLights Softbox Square

Softgrids, masks and di�users

available for softboxes.

StripLights

MultiSpot 10 07 33

Silver UmbrellaS 10 06 15M 10 06 16 L 10 07 20

StillLight XL (60x80 cm) 10 07 39StillLight XXL (80x120 cm) 10 07 40

Ring Flash Softlight Refl ector10 06 42Ring Flash Close-Up Refl ector10 06 43Ring Flash WideSoft Refl ector10 07 17

The line of Profoto Giant Refl ectors consists of the the parabolic Giant Refl ectors

The Light Shaping System

147

Studio Lighting

2547

05 +

254

624

2547

01

2547

02

2547

04

2547

11

2547

12

Profoto RFi Softboxes PN

Softbox RFi 1x1,3’ (30x40cm) 254701Softbox RFi 1,3x2’ (40x60cm) 254702Softbox RFi 2x3’ (60x90cm) 254703Softbox RFi 3x4’ (90x120cm) 254704Softbox RFi 4x6’ (120x180cm) 254705Softbox RFi 2x2’ (60x60cm) 254706Softbox RFi 3x3’ (90x90cm) 254707Softbox RFi 1x3’ (30x90cm) 254708Softbox RFi 1x4’ (30x120cm) 254709Softbox RFi 1x6’ (30x180cm) 254710Softbox RFi 3’ Octa (90cm) 254711Softbox RFi 5’ Octa (150cm) 254712

RFi Softgrids PN

Softgrid 50° 1x1,3’ 254620Softgrid 50° 1,3x2’ 254621Softgrid 50° 2x3’ 254622Softgrid 50° 3x4’ 254623Softgrid 50° 4x6’ 254624Softgrid 50° 2x2’ 254625Softgrid 50° 3x3’ 254626Softgrid 50° 1x3’ 254627Softgrid 50° 1x4’ 254628Softgrid 50° 1x6’ 254629Softgrid 50° 3’ Octa 254630Softgrid 50° 5’ Octa 254631

RFi Stripmasks PN

-------Stripmask 7cm 1x3’ 254632Stripmask 7cm 1x4’ 254633Stripmask 7cm 1x6’ 254634--

RFi Di�users PN

RFi Flat Front Di�user 1x1,3’ 254635RFi Flat Front Di�user 1,3x2’ 254636RFi Flat Front Di�user 2x3’ 254637RFi Flat Front Di�user 3x4’ 254638RFi Flat Front Di�user 4x6’ 254639RFi Flat Front Di�user 2x2’ 254640RFi Flat Front Di�user 3x3’ 254641-----

2547

04

2547

06

2547

03

2547

07

2547

08

PRODUCT LIST

Profoto RFi Speedrings PN

RFi speedring adapter Profoto 100501RFi speedring adapter Elinchrom 100503RFi speedring adapter Bowens / Calumet / Aurora / Fomex 100504RFi speedring adapter AlienBees / WhiteLightning / Einstein / Zeus 100505RFi speedring adapter Hensel Expert 100506RFi speedring adapter Broncolor Pulso 100507RFi speedring adapter Multiblitz Profilux 100508RFi speedring adapter Photogenic 100509RFi speedring adapter Speedotron 100510RFi speedring adapter Comet 100511RFi speedring adapter Lumedyne / Quantum / Sunpak 120J / Norman 100512RFi speedring adapter Dynalite 2 100513RFi speedring adapter Sunstar 100514RFi speedring adapter Broncolor Visatec 100515RFi speedring adapter Novatron 2 100516RFi speedring adapter Multiblitz Varilux 100517RFi speedring adapter Photona 100518RFi speedring adapter Propet A 100519RFi Speedlight Speedring 100520

1005

20

1005

0710

0501

1005

0310

0504

1005

0510

0506

1005

0810

0509

1005

1010

0501

110

0512

1005

13

1005

1710

0518

1005

1910

0514

1005

1510

0516

Profoto Reflectors PN

Reflector Silver/White M (80cm/32”) 100960Reflector Silver/White L (120cm/47”) 100961Reflector SunSilver/White M (80cm/32”) 100962Reflector SunSilver/White L (120cm/47”) 100963Reflector Gold/White M (80cm/32”) 100964Reflector Gold/White L (120cm/47”) 100965Reflector Black/White M (80cm/32”) 100966Reflector Black/White L (120cm/47”) 100967Reflector Translucent M (80cm/32”) 100968Reflector Translucent L (120cm/47”) 100969

1009

68

1009

66

2547

09

2547

10 +

254

634

1009

60

1009

64

1009

62

148

Studio Lighting

QT600600WS Professional Photo Flash Light

Product Details:Max Power 600WSGuide Number(m ISO100) 76Color Temperature 5600±100KOperating Voltage AC200-240V/50Hz or AC 100-120V/60HzPower Output Control 50 steps from 5.0-10.0(1/128-1/1)Modeling Lamp 150WRecycle Time 0.05-1.2sTriggering Mode Sync cord, Slave triggering, Test button, Wireless control portFlash Duration 1/5000s-1/800sFuse 8A

300SDI-D-GKit inculeds:Studio Flash ×3Light stand 303 ×3Softbox SB-BW 70X100cm ×1Umbrella UB-004 40” ×1Barndoor Kit BD-04 ×1Remote Trigger DM-16Carrying Bag CB-01 ×1Sycn Line ×1Standard Re�ector ×1

Quicker Flash Kit QT600-2L-GKit inculeds:GODOX 220V QT600 Godox Quicker Flash Kit 3 Heads2 * stand2 * softboxtrigger1 * receiverbag

QT400400WS Professional Photo Flash Light

Product Details:Max Power 400WSGuide Number(m ISO100) 65Color Temperature 5600±100KOperating Voltage AC200-240V/50Hz or AC 100-120V/60HzPower Output Control 50 steps from 5.0-10.0(1/128-1/1)Modeling Lamp 150WRecycle Time 0.05-1.2sTriggering Mode Sync cord, Slave triggering, Test button, Wireless control portFlash Duration 1/5000s-1/800sFuse 8A

SS-350HPower Range: 350WsModeling: 50WPower Control: 1/16 - FullGuide no.: 42 (ISO 100/m)Recycling Time: 0.8-2sColor Temperature: 5300K-5700KOperating Voltage: AC 110-120V 60Hz , 220-240V 50HzTriggering: Photo Sensor, Sync Cord, Test ButtonWeight: 1.3kgDimension: 25x18x21cm

300SDISmart Series Studio Flash 300WS

Output Power: 300WS Modeling Lamp: 75W Color: Gold, Black, BlueGuide Number: 58 Power Control: 8 steps Recycle Time: 0.5-2secFlash Duration: 1/2000-1/800s Color Temperature: 5600±200K Operating Voltage: AC 200-240V/50Hz or AC 100-120V/60HzTriggering Method: Sync Cord, Test Button, Slave, Flash Trigger

149

Camera Flash

TT520Guide Number: 33Flash Modes: M, S1, S2Tilt: 0 – 90°Swivel: 0 – 270°Power Source: 4 * AA batteriesRecycle Time: 0.5 – 5sOutput Full:1/2, 1/4, 1/8, 1/16, 1/32, 1/64, 1/128Color Temperature: 5600K +/-200KFlash Duration:1/800 ~ 1/2000sDimensions: 190 * 75 * 55mmNet Weight: 286g

TT680 E-TTL II �ash mode: Easy and fast to snap special momentsMulti �ash mode: Easy to record a chain of fast-changing movesHigh guide number: 58m/190ft (ISO 100, 105mm)Auto/Manual zooming: Goes within 24/28/35/50/70/80/105mmLCD display: Large size with backlight on and o�Flash recycling: 0.1-5s, compatible with external power packAdvanced functions: FE lock

V860 CVING TTL Lithium-Ion Flash for Canon

Features:HSS to 1/8000sOptic Wireless Master & Slave FunctionE-TTL II Auto FlashFull TTL FunctionsPowerful Li-ion Battery58 Guide NumberUSB PortThe V860 feature the same Lithium-Ion battery, with huge 650 full power pop capacity and 1.5 second recyclable time, all conveniently built-in.

ES600PKit inculeds:Built-in wireless power adjusting and �ash triggeringFull battery provides 650 full power �ashesRecycle to full power in 1.8 secondsUser replaceable battery moduleLarge-capacity 8000 mah lithium battery (LiFePO4)Power adjusts from 1/1 to 1/32 with auto power dischargeLCD display with high-contrast white on blueBowens-style mount adds almost any studio �ash accessoriesWireless Power-Control and Flash Triggering

TT560Guide Number:38 ( ISO 100 )Flash Mode: M, S1, S2Vertical Rotation Angle :0~90 degreesHorizontal Rotation Angle: 0~270 degreesPower: 4xAAsize batteries ( Alkaline or Ni-MH are usable )Lighting Times: 100-1500 timesRecycle Time :approx. 0.5-5.5sLight Quantity Output Control :with 1/8 - stop incrementColor Temperature: 5600KFlash Duration :1/800s~1/2000s

TT660Guide number: 56 (at 105mm)Flash modes: M, S1, S2Output levels: 1/1, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64, 1/128Manual zoom: 24, 28, 35, 50, 70, 80, 105mmHead rotation: 90° tilt; 270° swivelPower: 4xAAsize batteries ( Alkaline or Ni-MH are usable )Recycle time: Approx. 0.1–6sConnectors: PC sync port, Iso hotshoe foot, external power input (Canon CP-E4 type)

WITSTRO AD180Powerful and Portable Barebulb Flash Max. Power: 180W Guide No.(m ISO100): 60(m ISO100,with standard re�cetor)Vertical Rotation Angle: -15° -90°Horizontal Rotation Angle: 0-270° Power Supply: GODOX power pack(PB960,PB820) Flash Times: 900(with PB960 power pack,at full power)Recycle Time: Apporx. 0.05-2.6s(with PB960 power pack)Flash Duration: 1/300s-1/10000s Color Temperature: 5600±200K

AD360WITSTRO Powerful & Portable FlashFeatures:Max. Power 360WSGuide No. (m ISO 100, with standard re�ector) 80Standard re�ector on WITSTRO �ash o�er approx. 28mm coverage.Vertical Rotation Angle -15° to 90°Horizontal Rotation Angle 0 to 270°Power Supply GODOX PB960 lithium power packFull Power Flashes 450Recycle Time Approx. 0.05-4.5sColor Temperature 5600±200KFlash Duration 1/300s’1/10000sDimension 220*95*75mmNet Weight 780g

TFK-2600AStudio Flash Set

This studio �ash set includes two studio �ashes with a �ash power of 600Ws each. In the set are also included two soft boxes with a size of 80 x 100, two modeling lamps (250W), two re�ectors with a diameter of 20 cm, two tripods with a maximum length of 256 cm and a power and synchronization cable.

150

Camera Flash

RMI-C1Transmit frequency: 433MHZWorkable range: within 100mChannels: 16Battery for transmitter: 12V23ABattery for receiver: 2XAAASync speed: 1/250S

AD360-KITSpeci�cation:Max. Power: 360WSGuide No. (m ISO 100, with standard re�ector):Standard re�ector on WITSTRO �ash o�er approx. 28mm coverage.Vertical Rotation Angle: -15° to 90°Horizontal Rotation Angle: 0 to 270°Power Supply: GODOX PB960 lithium power packFull Power Flashes (with PB960 power pack): 450Recycle Time (with PB960 power pack): Approx. 0.05-4.5sColor Temperature: 5600±200KFlash Duration: 1/300 - 1/10000sDimension (�ash tube & re�ector not included): 220*95*75mmNet Weight (�ash tube & re�ector not included): 780g

Propac PB960-GBattery pack - Lithium battery (11.1V/4500mAH)Battery charging time - Approx. 3 hoursFlash charging time - Approx. 1 second (full power)Flash time - Approx. 1800 times (full power)Overall dimension - 159 x 133.5 x 49.2mmWeight - 510g

LP-800XPortable Lithium Ion Pure Sine Wave Inverter

Speci�cation:Number of Outlets 3.0 AC outlets, 3 USB portsBattery Lithium-ionBattery Capacity 12,000mAhOutput Power 750 – 1,400W PeakInput Voltage 110VAC, 60HzOutput Voltage 110VAC, 60HzCharge Time Approximately 3.0 hours to full chargeOperating Temperature (0-40°C)Weight 15 lb (6.8 kg)

151

Camera Flash

Quantum Turbo 3Rechargeable Battery

High-voltage ultra-fast recycling for up to 1050 full power �ashes.In many situations, when using your �ash in automatic / TTLmode, and where full power is unnecessary, you can expect several thousand �ashes.Turbo 3 works with most shoe- and handle-mounted professional-caliber�ashes, and all Quantum Q-�ash T-series, including TRIO/ PILOT portable�ashes.

Q�ash TRIONon Stop Flash - All Day, Every Day

Camera Shoe Mounted and all Built-in!The new Radio Wireless TTL - - Send or ReceiveTRIO’s radio sends TTL commands to other remote Q�ash TRIO’s. Con�guredistinct modes and settings of remote Q�ash TRIO’s from the on-cameraTRIO.Q�ash TRIO QF8 combines a Q�ash head with built-in FreeXwire TTL radioand QTTL adapter for your digital camera. Slip it onto the camera hot-shoe, connect a Turbo with the included long power cable CQ8, and go.

Q�ash PILOTQ�ash PILOT QF9C, provides all the features of the TRIO without the �ashhead. With built-in FreeXwireTTL radio and QTTL adapter for your digitalcamera you control an unlimited number of remote Q�ashes. Slip it onto the camera hot-shoe and go, it’s self powered. Or connect a Turbo with theoptional long power cable CQ8 or short power cable CCQ8.Radio QTTL signals from PILOT do not require line-of-site like camera opticallinks... they’re more reliable and work at 5 times the distance.

Orbis ring �ashThe orbis™ transforms the harsh light from your SLR �ash gun to createbeautiful, shadowless photos quickly and easily. You don’t need anyspecialised knowledge or technique.

Orbis Arm for Orbis Ring FlashThe Orbis Arm provides a solid mount for photographers who want to usetheir Orbis in its primary ‘ring �ash’ position for extended shoots. With thearm you can also easily mount the system on a tripod without using an extra light stand.

Orbis frio™The frio™ is the essential adaptor to connect all your favourite hotshoe gearto anything with a 1/4”-20 tripod stud, giving you the freedom to Connect,Combine, Create™.

Quantum Turbo SCRechargeable Battery

High-voltage ultra-fast recycling for up to 400 full power �ashes. In manysituations, when using your �ash in automatic / TTL mode, and where fullpower is unnecessary you can expect thousands of �ashes.Unbelievably small and compact: about the size of a 3-1/2x5” (9x12 cm) indexcard, only 1.3” (3.3cm) thick.

TURBO BladeLight weight �ash power with exceptional recycling speed

High-voltage recycling for up to 400 full power �ashes. In many situations,when using your �ash in automatic / TTLmode, and where full power isunnecessary, you can expect thousands of �ashes.TURBO Blade works with most shoe-and handle-mounted professionalcaliber�ashes, and all Quantum Q�ash T-Series portable �ashes.

152

Lightmeters

L-478DR LiteMaster ProLight Meter

Color Touch Screen InterfaceStill, Cine, Incident, Re�ected, Flash Exposure MeterWireless Flash Power ControlCustom Exposure Pro�les and CalibrationFlash Exposure Analyzing FunctionAdjustable Menu NavigationRetractable and Removable LumisphereAAA Battery Power Source

Sekonic’s new LITEMASTER PRO L-478DR meter is the world’s �rst touch-screen-operated light meter. It has an array of unique, must-have features for both still and motion story tellers.

L-758DR DigitalMasterFlash,Ambient,Incident, Re�ected LightAll-Weather DesignRadio Triggering / Includes RT-32CTL Module14 Custom Settings1° Spot MeasuringDigital DisplayPre-Exposure WarningRetractable LumisphereAnalyzing FunctionWith Data Transfer Software

The Sekonic L-758DR DigitalMaster is the world’s �rst multi-function light meter that can be programmed to match and be calibrated to the sensitivity of your digital camera sensor or type of �lm for perfect exposure control.

L-308S FlashmateThe pocket-sized Sekonic L-308S Flashmate is the smallest and lightest digital light meter in the Sekonic line-up. It is designed to read ambient or �ash exposures in either re�ected or incident modes, and it displays accurate exposure readings in full, half, or third-stop increments to mirror the exposure settings of today’s DSLR and �lm cameras.

C-500 ProDigi ColorSerious photographers and cinematographers know that good lighting and proper exposure are more important now than ever. With the higher demands of today’s digital medium, “garbage in” can mean hours of postproduction. They know that color is a critical factor when multiple light sources are involved. Changing re�ectors, adding di�usion or adjusting power levels will result in a color temperature change that needs to be corrected. They know that taking the time to do it right is always a good investment because “perfect in” always looks better than an image that has been adjusted.

RT-32CTL Radio Transmitter ModuleCompatible with L-358 and L-758 MetersWorks with PocketWizard Radio SlavesSupports ControlTL and Standard ChannelsSelective Quad-Triggering CapableFCC and CE Compliant

The Sekonic RT-32CTL Radio Transmitter Module provides wireless triggering capabilities of PocketWizard radios and enabled devices to the Sekonic L-358 and L-758 series light meters. This module installs easily into the rear of the meter to aid in a streamlined �ash metering work�ow.

L-478D LiteMaster ProLight Meter

Color Touch Screen InterfaceStill, Cine, Incident, Re�ected, Flash Exposure MeterCustom Exposure Pro�les and CalibrationFlash Exposure Analyzing FunctionAdjustable Menu NavigationRetractable and Removable LumisphereAAA Battery Power Source

The Sekonic Litemaster Pro L-478D Light Meter is an incident and �ash meter featuring a color touch screen interface. The touch screen-based navigation lends itself to a highly intuitive and e�cient work�ow, allowing you to quickly modify exposure settings and navigate menus. This meter is also highly versatile and capable of measuring �ash, incident and re�ected light for still, HD video, or cine applications.

L-758Cine DigitalMasterThe Sekonic L-758Cine DigitalMaster is the ultimate light-measuring tool for cinematographers and videographers as well as digital still shooters. O�ering the most extensive range of fps (frames-per-second), cine shutter speeds, and shutter angle settings, it meets and exceeds the demands of Professional Cinematographers and Professional Still Photographers.The key to precise lighting and great exposures is understanding the dynamic range of your camera and calibrating your meter to work with it. Long a time-consuming necessity, Sekonic has automated the process to one that takes just minutes. Sekonic’s DTS Version 3.0 enables measuring the dynamic range of your HDSLR or Digital Video Camera and calibrating a Sekonic L-758Cine DigitalMaster meter to that speci�c data. Precise metering has moved to a new level of excellence.

153

Transceiver

PlusX Transceiver Combination Transmitter and Receiver10 Channels with Backlit Channel DialAuto-Sensing TransceiverAuto-Relay and Transmit Only ModesSide View Design and Internal AntennaFull PocketWizard CompatibilityMade in the USA

The PocketWizard Plus X Transceiver is a versatile radio trigger that features a wealth of functionality within a simple-to-use and intuitive design. This transceiver o�ers 10 standard channels from which to use, and navigation between these channels is easily controlled by a backlit channel dial

MultiMAX Transceiver32 Channel Transceiver Radio Slave

The Pocket Wizard MultiMAX features “Wireless Transceiver Technology”, which eliminates the need for separate transmitter/receiver triggering con�guration. Each MultiMAX provides the capability to send and receive digital signaling by a �ip of a switch, similar to personal communicators Through its use of advanced transceiver technology, the MultiMAX o�ers true triggering con�rmation feedback up to 1600 feet away without the need for signal repeaters or daisy-chained radios.

AC9 AlienBees AdapterPower Control for AlienBees and White Lightning Flashes The AC9 AlienBees Adapter paired with aFlexTT5™ Transceiver enables remote power control of AlienBees or White Lightning �ash. With a MiniTT1™ Transmitter or FlexTT5™ Transceiver onyour camera, you can now adjust the power settings on your AlienBees or White Lightning �ashes from the camera’s position.

Power ST4 for Elinchrom RX ReceiverAdjust Settings From Camera PositionAuto or Manual ISO & Aperture ControlUp to 20 ControlTL Channels PossibleCompatible With Any PocketWizard Radio Plug Into Elinchrom Flash Remote SocketProgrammable and UpgradeableNo Batteries RequiredHyperSync Up to 1/8000s PossibleMiniTT1 Trans or FlexTT5 Trans Required

Using the PocketWizard PowerST4 Receiver for Elinchrom RX can give you near-total remote control over all your Elinchrom RX strobes--with either the MiniTT1 Transmitter or FlexTT5 Transceiver (both optional, use of one is required) on your camera and a PowerST4 plugged into your Elinchrom RX �ash, you can now change �ash power settings directly from your camera position.

FlexTT5 Canon / NIKON

Combination Transmitter/ReceiverHigh Speed Sync up to 1/8000th Sec.On-Camera Hot ShoeTriggers Flash or Camera32 Channels, Multi-ZoneTriggers All Pocket WizardsStandard Triggering with Most CamerasUSB Upgradeable

The PocketWizard FlexTT5 Transceiver Radio Slave is part of an ultra-versatile radio slave system, and is dedicated speci�cally to the Canon/Nikon i-TTL �ash control system. It simply slides directly into the camera’s hot shoe, and there are no special settings to make or modes to call up.

AC3 ZoneController for CanonCombination Transmitter/ReceiverHigh Speed Sync up to 1/8000th Sec.On-Camera Hot ShoeTriggers Flash or Camera32 Channels, Multi-ZoneTriggers All Pocket WizardsStandard Triggering with Most CamerasUSB Upgradeable

PLUS III TransceiverCombination Transmitter and Receiver32 Channels and Quad-Zone TriggeringAuto-Sensing and Auto-RelayLong Range CapabilityHigh Speed PerformanceSide-View Design and LCD MonitorFull Compatibility with Previous Models

The PocketWizard Plus III Transceiver is a highly versatile and robust radio trigger that is compatible with all prior FCC-version PocketWizards, as well as most �ash and camera systems.

MiniTT1Canon / NIKONOn-Camera Hot Shoe32 Channels, Multi-ZoneHigh Speed Sync up to 1/8000th Sec.Triggers all PocketWizardsUSB Upgradeable

The New Shape of Wireless FreedomThe smallest PocketWizard radio ever, the FCC/IC 340 - 354 MHz MiniTT1™ Transmitter locks onto the camera’s hot shoe supporting an on-camera �ash with its own hot shoe while working with remote PocketWizard units.Remotes can be one or more PocketWizard FlexTT5™ Transceivers connected to Canon E-TTL II �ashes or any PocketWizard Receiver for triggering �ash or remote cameras.

154

Tripods

MKC3-H01Load Capacity 1.5 kgMaximum Height 44.5 cmMaximum Height w/o 134.0 cmMinimum Height 44.5 cmWeight (tripod and head) 1.15 kg

MK393-HLoad Capacity 2.5 kgMaximum Height 142.0 cmMaximum Height w/o Column Extended 123.0 cmMinimum Height 35.0 cmFolded Length 49.0 cmWeight (tripod and head) 1.27 kg

MK394-HLoad Capacity 3.5 kgMaximum Height 143 cmMaximum Height w/o Column Extended 126 cmMinimum Height 36.0 cmFolded Length 51 cmWeight (tripod and head) 1.67 kg

MK294A3-A0RC2Load Capacity 5 kgMaximum Height 1.79 mMaximum Height w/o Column Extended 1.5 mMinimum Height 49.7 cmFolded Length 70 cmWeight 2.25 kg

MK394-PQLoad Capacity 3.5 kgMaximum Height 144 cmMaximum Height w/o Column Extended 126 cmMinimum Height 36 cmFolded Length 51 cmWeight (tripod and head) 1.47 kg

458B NEOTEC PROMaximum Height 156 cmMaximum Height w/o Column Extended 131 cmMinimum Height 10 cmFolded Length 64 cmLoad Capacity 8 kgWeight 2.4 kg

MK293A3-A0RC2Load Capacity 4 kgMaximum Height 1.57 mMinimum Height 45.3 cmFolded Length 64.3 cmWeight 1.75 kg

MK293A3-A3RC1Load Capacity 4 kgMaximum Height 156.7 cmMinimum Height 44.4 cmFolded Length 63.4 cmWeight (tripod and head)1.9 kg

MK293A4-A0RC2Load Capacity 4 kgMaximum Height 147.6 cmMinimum Height 37.9 cmFolded Length 52.6 cmWeight 1.8 kg

155

Tripods

475B DIGITAL PROMaximum Height 188.0 cmMinimum Height 43.2 cmFolded Length 80.0 cmLoad Capacity 12 kgWeight 4.3 kg

MK055XPRO3-3W055 ALU 3-S KIT 3W HEAD

Maximum Height 183.0 cmMinimum Height 9.0 cmFolded Length 74.0 cmLoad Capacity 8 kgWeight 3.5 kg

MT055CXPRO4055 CARBON FIBRE 4-S TRIPOD


MT055XPRO3055 ALU 3-S TRIPOD


MT055XPRO3055 ALU 3-S TRIPOD


MK055XPRO3-BH055 ALU 3-S KIT BALL HEAD


MK190XPRO4-3W190 ALU 3 SECTION KIT 3W HEAD

Maximum Height 160 cmMinimum Height 9.0 cmFolded Length 74.0 cmLoad Capacity 7 kgWeight 2.5 kg

MT055CXPRO3055 CARBON FIBRE 3-S TRIPOD

Maximum Height 170.0 cmMinimum Height 9.0 cmFolded Length 61.0 cmLoad Capacity 9 kgWeight 2 kg

MK190XPRO3-3W190 ALU 3 SECTION KIT 3W HEAD

Maximum Height 164 cmMinimum Height 46.5 cmFolded Length 80 cmLoad Capacity 4 kgWeight 2.5 kg

156

Tripods

MK293A4-A3RC1Load Capacity 4 kgMaximum Height 146.6 cmMinimum Height 36.9 cmFolded Length 51.6 cmWeight 1.9 kg

MK294A3-A0RC2Load Capacity 5 kgMaximum Height 1.79 mMinimum Height 49.7 cmFolded Length 70 cmWeight 2.25 kg

MK294A3-D3RC2Load Capacity 11 lb (5 kg)Maximum Height 5.93’ (1.81 m)Maximum Height w/o Column Extended 4.98’ (1.52 m)Minimum Height 1.69’ (51.7 cm)Folded Length 2.36’ (72 cm)Weight 2.55 kg

MT190CXPRO3190 CF TRIPOD 3-S HORIZ. COL


MT190XPRO4190 ALU TRIPOD 4-S HORIZ. COL


MK190XPRO3-BH190 KIT ALU 3-S TRIPOD + BALL


MK190XPRO4-BH190 KIT ALU 4-S TRIPOD + BALL


MT190CXPRO4190 CF TRIPOD 4-S HORIZ. COL


MT190XPRO3190 ALU TRIPOD 3-S HORIZ. COL

Maximum Height 160.0 cmMinimum Height 9.0 cmFolded Length 59.0 cmLoad Capacity 7 kgWeight 2 kg

157

Tripods

695 MAGFIBERMONOPOD 5 SECTIONMaximum Height 63” (160 cm)Folded Length 18.1” (46 cm)Load Capacity 11 lb (5 kg)Weight 1.3 lb (590 g)

694 MAGFIBERMONOPOD 4 SECTIONMaximum Height 65” (165cm)Folded Length 21.3” (54cm)Load Capacity 11 lbs (5kg)Weight 1.3 lb (590g)

680B MONOPODMaximum Height 60.0” (152.4 cm)Folded Length 20.0” (50.8 cm)Load Capacity 22.00 lb (9.98 kg)Sections 4Weight 1.69 lb (0.77 kg)

682B SELF STANDINGMONOPODMaximum Height 67.7” (172 cm)Folded Length 27.1” (69 cm)Load Capacity 26.4 lb (12 kg)Weight 2.5 lb (1.15 kg)

MMC3-02Compact Monopod GreyMaximum Height 57.2” (145.5 cm)Minimum Height 15.35” (39 cm)Folded Length 15.35” (39 cm)Load Capacity 3.31 lb (1.5 kg)Weight 0.64 lb (0.29 kg)

685B NEOTEC MONOPODW/SAFETY LOCKMaximum Height 66.9” (169.9 cm)Folded Length 29.3” (74.4 cm)Load Capacity 17.6 lbs (8 kg)Weight 2.4 lbs (1.1 kg)

MTPIXI-BPIXI MINI TRIPOD BLACK


MTPIXI-PKPIXI MINI TRIPOD PINK


MTPIXI-RDPIXI MINI TRIPOD RED


MTPIXI-WHPIXI MINI TRIPOD WHITE


158

Tripods

432-3.7 AUTOPOLE 2Two position variable thrust.Extends from 210cm to 370cm

143S FLASH SHOE,1/4” MALE ATTCHMNT

345 TABLE TOP KITMaximum Height 17.4” (44.3cm)Folded Length 7.48” (190mm)Load Capacity 4.4 lbs (2kg)Weight 10.6 oz (300g)

324RC2 / 327RC2LIGHT DUTY GRIP BALL HEAD

plate type 200PL-14quick release yessecondary safety system yesload capacity 5.5 kgweight 0.62 kgworking height 10.1

058 TRIAUTCAMERA TRIPODMaximum Height 85.4” (217cm)Folded Length 37” (94cm)Load Capacity 26.5 lbs (12kg)Leg Sections 2Leg Lock Type Quick action triggersCenter Brace YesLevel BubbleSpiked Feet YesHead Type NoneHead Mount Thread Size 3/8”Weight 13.5 lbs (6.1kg)

804RC2plate type quick release - with 1/4-20” screwquick release yessecondary safety system yesload capacity 4 kgweight 0.75 kgworking height 12.0

405 GEARED HEADplate type 410PLquick release yessecondary safety system yesload capacity 7.5 kgweight 1.6 kgworking height 16.0

468MGRC4HYDROSTATIC BALL HEAD REL.RC4 plate type 410PLquick release yessecondary safety system yesload capacity 16 kgweight 0.73 kgworking height 12.0

496RC2COMPACT BALL HEADplate type 200PL-14quick release yesload capacity 6 kgweight 0.42 kgworking height 10.0 cm

159

Heads

338 LEVELLING BASEfront tilt -5° / +5° tilt rangeheight 4.0 cmmaterial aluminumload capacity 15 kgweight 0.6 kg

303SPH VIRTUAL REALITY SPH/CUBIC HEADplate type 375PLVquick release yessecondary safety system yesload capacity 4 kgweight 2.43 kgworking height 32.0

460MGMAGNESIUM CAMERA HEAD

plate type 200PL-14quick release yessecondary safety system yesload capacity 3 kgweight 0.43 kgworking height 10.5

498RC2 MIDI BALL HEADplate type 200PL-14quick release yessecondary safety system yesload capacity 8 kgweight 0.61 kgworking height 12.5

055 Magnesium Photo-MovieHead with Q5 Quick Release

front tilt -90° / +90°head bowl 60mmlateral tilt +90° / -20° tilt rangematerial magnesiumpanoramic rotation 360 degreesload capacity 7 kgweight 1280 gworking height 135.0 mm

492 MICRO BALL HEADplate type �xed - with 1/4-20” screwquick release noload capacity 2 kgweight 0.14 kgworking height 6.0 cm

494RC2MINI BALL HEADplate type 200PL-14quick release yesload capacity 4 kgweight 0.32 kgworking height 8.5 cm

322RC2 Grip Action Ball Headplate type 200PL-14quick release yessecondary safety system yesload capacity 5 kgweight 0.7 kgworking height 10.3

057 Manfrotto 057 Magnesium Ball Head

lateral tilt -103° / +40° head tiltmaterial magnesiumplate type 410PLquick release yesload capacity 15 kgweight 1358 g

MH054-M0Q2054 MAG BALL HEAD Q2

plate type 200PL-14quick release yesload capacity 10 kgweight 610 gworking height 11.7 cm

054 Magnesium Ball Headwith Q5 Quick Release

lateral tilt -100° / +40° head tiltmaterial magnesiumpanoramic rotation 360 °plate type 501PLquick release yesload capacity 10 kgweight 674 gworking height 11.9 cm

MHXPRO-3W X-PRO 3-WAY HEAD

lateral tilt -30° / +90° tilt range head tiltmaterial magnesiumpanoramic rotation 360 °plate type quick release - with 1/4-20” screwquick release yesload capacity 8 kgweight 1 kgworking height 13.0 cm

160

Camera Cases

ACTIVE BACKPACK IMB MA-BP-A1

The Active Backpack I is a high capacity Backpack able to carry a lot of personal item, 15” laptop and photographic equipment as a DSLR with attached lens, additional 2 lenses, �ash and accessories.

GEAR BACKPACK MMB MA-BP-GMP

The Gear Backpack M is the medium size of this family of backpack, and can carry your Pro DSLR system with attached 70-200mm f/2.8 lens. In addition it will store other 2 lenses as your 16-35mm f/2.8 zoom as well as a 100mm macro.

TRI BACKPACK SMB MA-BP-TS

The Tri Backpack S provide 3 ways to store, carry and use your gear.You may use it in the backpack, sling bag or “X” position. Suitable for your DSLR with standard lens attached, 1-2 additional lenses, �ash and accessories plus media card storage.

ACTIVE BACKPACK IIMB MA-BP-A2

The Active Backpack II is a high capacity ackpack able to carry a lot of personal item, 17” laptop and photographic equipment as a DSLR with attached lens, additional 3-4 lenses, �ash and accessories.

GEAR BACKPACK SMB MA-BP-GPS

The Gear Backpack S the smallest of this family of backpack, and can accommodate your Pro DSLR system with attached standardlens and additional two lenses, like a small zoom lens 24-70mm f/2.8 and a standard 50mm f/1.4.

GEAR BACKPACK LMB MA-BP-GPL

The Gear Backpack L the biggest of this family of backpack, and can carry your Pro DSLR system with attached 70-200mm f/2.8 lens with additional three lenses, like your 24-70mm f/2.8 zoom as well as a standard 50mm f/1.4 and 100 macro.

161

Camera Cases

SHOULDER BAG IIIMB MA-SB-3

Shoulder bag III holds a compact DSLR with short zoom or a small consumer video camera.

HOLSTER MMB MA-H-M

The Holster M can carry a medium-sized DSLR camera body with a professional wide angle lens attached, like 16-35mm lens, and few accessories.

SHOULDER BAG VMB MA-SB-5

Shoulder bag V can carry a DSLR with standard zoom in shooting position and an additional lens.

HOLSTER LMB MA-H-L

The Holster L is the biggest of this family and can carry a DSLR camera body with 70-200mm lens attached and a few accessories.

SHOULDER BAG VIIMB MA-SB-7

Shoulder bag VII can carry a Pro DSLR with zoom lens and battery grip in shooting position plus 3-4 additional lenses and �ash.

TRI BACKPACK MMB MA-BP-TM

The Tri Backpack M provides 3 ways to store, carry and use your gear. You may use it in the backpack, sling bag or “X” position.Suitable for your pro DSLR with battery grip, attached mid-range zoom plus 3-4 additional lenses, �ash and accessories; media card storage and space for 11” laptop or tablet.

TRI BACKPACK LMB MA-BP-TL

The Tri Backpack L provides 3 ways to store, carry and use your gear. You may use it in the backpack, sling bag or “X” position.Suitable for your pro DSLR with battery pack and attached longrange zoom plus 5-6 additional lenses, �ash and accessories; media card storage and space for 15” laptop.

HOLSTER SMB MA-H-S

The Holster S is the smallest of this family and can carry a DSLR with attached standard kit lens, like a 18-200mm lens.

Advanced CollectionKeep your passion protected

162

Camera Cases

MB SV-S-30BBBRIO 30 SLING BLACK STILE PLUS

This bag �ts the standard to �t as carry-on luggage (due to ever changing restrictions, check with your carrier prior to departure)Protect your laptop during transport in the compartment.

MB SV-S-10BBBRIO 10 SLING BLACK STILE PLUS

The Amica-10 is a stylish shoulder bag for everyday use, which is extra padded to o�er superior protection for your Mirrorless camera with attached zoom lens and additional pancake lens.

MB SV-SB-10BBAMICA 10 SHOULDER BLK. STILE P

The Amica-10 is a stylish shoulder bag for everyday use, which is extra padded to o�er superior protection for your Mirrorless camera with attached zoom lens and additional pancake lens.


The Amica-20 is a stylish shoulder bag for everyday use, which is extra padded to o�er superior protection for your Mirrorless camera with attached zoom lens and additional lens, or compact DSLR with kit lens.


The Amica-30 is a stylish shoulder bag for everyday use, which is extra padded to o�er superior protection for your compact DSLR with kit lens and additional standard zoom lens.Easily accessible pockets – inside and out - help organize photographic accessories, as well as smartphone, keys, pens etc.


The Amica-40 is a stylish shoulder bag for everyday use, which is extra padded to o�er superior protection for your DSLR with attached standard zoom lens and additional lens.Easily accessible pockets – inside and out - help organize photographic accessories, as well as smartphone, keys, pens etc.

163

Camera Cases

Solo IV Holster BlackMB SH-4BB

The Solo IV holster provides quick convenient access to your camera gear in style. The compact design holds your DSLR and attached 17-55 mm or similar sized lens in quick grip position, readily accessible. Additional accessories such as cables, batteries and cards neatly store in the front pocket.

MB SV-H-30BBVIVACE 30 HOLSTER BLK. STILE P The Vivace-30 is a stylish holster which is extra padded to o�er superior protection for your DSLR with attached standard zoom lens and accessories.The Vivace has easily accessible pockets in which to organize photographic accessories.

MB SV-M-10BBALLEGRA 10 MESS BLK STILE PLUS

The Allegra-10 is a multifunctional messenger bag for everyday activity, which comes with a super protective removable insert for your photo gear.The insert carries and protects a Mirrorless Camera with attached zoom lens and additional lens.

MB SV-M-30BBALLEGRA 30 MESSEN BLK. STILE P

This bag �ts the standard to �t as carry-on luggage (due to ever changing restrictions, check with your carrier prior to departure)This bag comes with the option and proper connections to attach your tripod externally

MB SV-MW-15BBALLEGRA 15W MESSEN BLK STILE P

This bag �ts the standard to �t as carry-on luggage (due to ever changing restrictions, check with your carrier prior to departure)Protect your laptop during transport in the compartment.

CC-193 PLThe CC-193 PL Compact Case is the professional solution for camcorders such as the Sony F3, Panasonic AF100 and similar sized models, OR an HDSLR rigged with video

CC-197 PLThe CC-197 PL Compact Case is the professional shoulder bag solution for camcorders such as the Sony Canon XL series, JVC HD series and all other HDV models with a large accessory set-up. It can also �t an HDSLR rigged with video accessories.

VA-801-15CRC-15 is quick and easy to set up, featuring pull tight cords, Hook & Loop strips all along the rim for rapid opening and closing, and a full size transparent window to monitor all controls whenworking.

E-704

The Kata E-704 Lens extension Kit consists of 2 lens sleeves, up to 350 and 650mm long, and 1 hand sleeve to access the lens or to attach a lens support.

E-705

The E-705 elements cover protects pro D/SLR with up to a 70-200mm lens and professional �ash installed while allowing you to continue shooting in harsh weather conditions. It slips quickly on and is secured using the adjusters, and one handed pull-cords.

E-690

The E-690 is a practical cover for small SLR anddigital cameras such as the Nikon D60, the Canon Rebel series, similar and smaller cameras. When suddenly caught by a rain shower the E-690 slips quickly over your camera and allows you to keep on shooting.

E-702

The E-702 elements cover protects pro D/SLR with up to 200mm lenses and allows you to continue shooting in harsh weather conditions. It slips quickly on and is secured using the adjusters, and pull-cords. An adjustable sti� hood �ts a variety of lens diameters.

164

Camera Cases

NG A5250 designed to carry and protect professional or amateur camera gear and accessories. There is a rear padded compartment that can hold a laptop with a screen up to 15.4”. A front compartment holds pockets for accessories.

NG A8240designed to carry and protect a small D-SLR camera with 1 small lens or small camcorder with media and accessories in a removable padded insert. The case is made from water-repellent 100% cotton that is coated with PU (polyurethane).

NG A5270designed to carry and protect a D-SLR camera or camcorder with media and accessories. A padded rear compartment can hold a laptop computer with a screen up to 15.4”. A lower padded compartment holds the camera or camcorder gear.

NG A1212Designed to carry and protect a small point-and-shoot camera or micro camcorder with accessories and media. The gear is carried in a padded main compartment.

NG A6010The brown National Geographic NG A6010 Africa Series On-Board Roller Suitcase is designed to carry camera or video gear and a laptop computer. The bag is made from water repellent 100% cotton exterior with a water-repellent 100% polyester lining. NG A1222

designed with a horizontal opening that allows quick access to the gear. It is made to carry and protect a point-and-shoot camera or camcorder with accessories and media. NG A2200

Designed to quickly draw various types of cameras at any time. It has a padded main compartment that can hold an advanced point and shoot camera, a small D-SLR camera or a small camcorder with accessories and media.

NG A2540designed to carry and protect a D-SLR camera or camcorder with media accessories in a removable padded insert. It also holds a netbook computer with a screen up to 9.0” in a padded compartment.

NG A2210designed to quickly draw various types of cameras at any time. There are 2 halfway (half-size) modular dividers that can be used to customize the interior.

NG A2560designed to carry and protect a D-SLR camera or camcorder with media accessories in a removable padded insert. It also holds a laptop computer with a screen up to 15.4” in a padded compartment.

NG A6120designed to carry and protect a D-SLR camera or camcorder kit with media accessories in a removable padded insert. A large main compartment holds clothes and everyday gear.

166

Camera Cases

NG 1146Camera pouch

NG 1153Medium Camera PouchThe Earth Explorer Medium Camera Pouch is designed to hold and protect a small point-and-shoot camera or camcorder with media accessories.

NG 3030Camera Strap

The Earth Explorer Travel Camera Strap (3020) is designed to hold a digital or SLR camera comfortably and securely while providing excellent balance for your camera.

NG 5160Medium Backpack

The pack is rated to hold your DSLR or camcorder, about three lenses as well as a 15.4” laptop that is nested within its own padded compartment. The bottom half contains movable dividers that can be used to con�gure the compartment to suit your gear.

NG 2300 For Personal Gear and Imaging Gear Fits up to a 17” Laptop Computer Padded Cotton Hemp Blend Case Concealed Aluminum Stave Sturdy Padded Grip Handle Attached Wide Padded Shoulder Strap

NG 2476The Earth Explorer NG 2476 Medium Messenger is an everyday, functional shoulder bag that holds all of your personal gear, along with a laptop computer, camera or camcorder.

NG 4568The Earth Explorer Small Sling Bag (4568) is designed for carrying everyday personal gear along with a digital point-and-shoot camera, handheld camcorder, cell phone, MP3 player, and travel documents

NG 2342 Shoulder Bag

The Earth Explorer NG 2342 Small Holster protects a mirrorless camera with an extra lens, an advanced point-and-shoot camera, a small DSLR camera, or a camcorder, with media accessories.

NG 4476The Earth Explorer Small Waist Pack (4476) is designed for carrying everyday personal gear along with a camera or camcorder.

NG 2344 The Earth Explorer NG 2344 Small Shoulder Bag protects an advanced point-and-shoot camera, a small DSLR camera or a camcorder, with media accessories.

NG 5738The Earth Explorer NG 5738 Large Backpack is the ideal solution for the professional hikers and adventurers who need a protective carrying solution to combine their personal gear and photographic/video gear all in one.

NG 1147Camera pouch

167

Camera Cases

NG W8240 The Walkabout Large Tote Bag allows you to pack for a day trip while keeping your DSLR camera with lens attached, kit lens, and laptop computer neatly arranged inside.

NG W2022The Walkabout Small Holster allows you to capture life’s moments e�ortlessly, while holding and protecting a mirrorless camera with lens attached and an additional small lens, or an advanced point and-shoot camera, and media accessories.

NG W2400 The Walkabout Slender Messenger Bag helps you make the most of your everyday adventures, while holding and protecting your mirrorless camera with lens attached, as well as media accessories, and a laptop computer up to 15.4’’.

NG W2026The Walkabout Medium Holster allows you to capture life’s moments e�ortlessly, while holding and protecting a small DSLR camera with lens attached and kit lens, or a mirrorless camera with accessories and personal items.

NG W2141 The Walkabout Midi Satchel helps you make the most of your everyday adventures, while holding and protecting your small DSLR camera with lens attached, a kit lens, media accessories, and an iPad.

NG W5051 The Walkabout Small Rucksack enables you to travel freely, knowing you always have your essentials with you -- personal items, photographic gear, and a laptop computer up to 12’’ (or a 13’’ Mac), safe and secure.

NG W2161 The Walkabout Medium Satchel helps you make the most of your everyday adventures, while holding and protecting your DSLR camera with lens attached, two additional lenses, a �ash, media accessories, and a laptop computer up to 15.4’’.

NG W2300 The Walkabout Slim Shoulder Bag helps you make the most of your everyday adventures, holding and protecting a mirrorless camera with lens attached, an additional small lens, media accessories, and an iPad.

NG W5071 The Walkabout Medium Rucksack enables you to travel freely, knowing you always have your essentials with you -- personal items, photographic gear, and a laptop computer up to 15.4’’ , safe and secure.

168

Camera Cases

HPRC 1100- Removable multiformat memory card holder- Accepted card Formats: SD, Memory stick, Memory stick pro duo, Mini SD- Holds up to 2 memory cards per format- Full/empty indicator

HPRC 2550WDimension: internal dimension510x285x199(mm) - 20,08x11,22x7,83(in)external dimension545x350x230(mm) - 21,46x13,78x9,05(in)lid: 46(mm) - 1,81(in) bottom: 153(mm) -6,02(in)Weight: empty: 4,85kg - 10,67lbswith cubed foam: 5,35kg - 11,79lbsTemperature rating: Minimun Maximun40°C -40°F+80°C +176°FColors: Black - Orange - Olive green

HPRC 2700WDimension: internal dimension555x460x256(mm) - 21,85x18,1x10,08(in)external dimension620x520x275(mm) - 24,41x20,47x10,83(in)lid: 46(mm) - 1,81(in) bottom: 210(mm) - 8,27(in)Weight: empty: 7,55kg - 16,65lbswith cubed foam: 9,07kg - 19,99lbsTemperature rating: Minimun Maximun-40°C -40°F +80°C +176°FColors: Black - Orange - Olive green

HPRC 2600CWLightweight, watertight and unbreakable case.With smooth rolling wheels. Internal dimension(mm) 484x360x218Available in black,orange,red and blue. With Cubed Foam

HPRC 2780WDimension: internal dimension745x525x366(mm) - 29,33x20,66x14,40(in)external dimension810x585x388(mm) - 31,86x23,00x15,27(in)lid: 73(mm) - 2,87(in) bottom: 293(mm) - 11,53(in)Weight: empty: 12,2kg - 26,10lbswith cubed foam: 16,18kg - 35,67lbsTemperature rating: Minimun Maximun-40°C -40°F +80°C +176°FColors: Black

HPRC 2780CWFor Video, Audio and Photo EquipmentTTX01 High-strength ResinCubed Foam InteriorThree Large Haul HandlesBuilt-in Smooth-rolling Wheels

Construction TTX01 high-strength resin Cubed foam interior 10 - 20% lighter than the leading hard cases Air pressure release valve Double hinged locking system for increased safety and security Temperature rating = -40 to +176°F (-40 to +80°C) Carrying options Three large haul handles Built-in smooth-rolling wheels Stackable 2-high Certi�cations.

HPRC 2600WDimension: internal dimension484x360x218(mm) - 19,05x14,17x8,58(in)external dimension550x420x260(mm) - 21,65x16,53x10,24(in)lid: 46(mm) - 1,81(in) bottom: 172(mm) -6,77(in)Weight: empty: 6,05kg - 13,34lbswith cubed foam: 6,97kg - 15,37lbsTemperature rating: Minimun Maximun-40°C -40°F+80°C +176°FColors: Black - Orange - Olive green

HPRC 1300- Removable multiformat memory card holder- Accepted card Formats: SD, Memory stick, Memory stick pro duo, Mini SD- Holds up to 2 memory cards per format- Full/empty indicator

HPRC 3500Dimension: internal dimension430x320x160(mm) - 16.92x12.59x6.29(in)external dimension500x370x185(mm) - 16.98x14.56x7.28(in)lid: 72 (mm) – 2,83 (in) bottom: 88(mm) -3,46(in)Weight: empty: 3,00kg - 6,61lbswith cubed foam: 3,55kg - 7,82lbsTemperature rating: Minimun Maximun-40°C -40°F+80°C +176°FColors: Black

HPRC 5400WDimension: internal dimension1140x350x160(mm) - 44,90x13,78x6,30(in)external dimension1187x410x181(mm) - 46,73x16,07x7,12(in)lid: 45(mm) - 1,77(in) bottom: 115(mm) -4,52(in)Weight: empty: 7,70kg - 16,94lbswith cubed foam: 8,80kg - 19,40lbsTemperature rating: Minimun Maximun-40°C -40°F+80°C +176°FColors: Black

169

Camera Cases

HPRC 2730WFor Video, Audio and Photo EquipmentTTX01 High-strength Resin CaseHard Rigid Grip HandlesRetractable HandleBuilt-in Wheels

Unbreakable, waterproof, resin case with a cubed foam interior made to carry audio, photo or video equipment and accessories. Neoprene O-rings keep the cases airtight and watertight.

Pixel Pocket RocketStore 10 memory cards in a small, compact package that �ts easily in your pocket or attaches to your belt or bags. Business card holder for easy identi�cation!

Pee Wee Pixel Pocket RocketStores four Compact Flash cards and three Secure Digital cards in an even smaller, more compact package.

Retrospective 5 BlackThe exterior of each Retrospective shoulder bag is purposefully simple, allowing photographers to inconspicuously blend into their shooting environment.

Retrospective Laptop Case 13L (Blue)Great for travel, business or around town, the Retrospective’s casual design conceals valuable electronics while protecting them from the elements and the impacts of daily life.

Retrospective Laptop Case 15L (Black)Great for travel, business or around town, the Retrospective’s casual design conceals valuable electronics while protecting them from the elements and the impacts of daily life.

Retrospective 20 - PinestoneThe exterior of each Retrospective shoulder bag is purposefully simple, allowing photographers to inconspicuously blend into their shooting environment.

Retrospective 30 - BlackThe Retrospective series is comprised of four shoulder bags and two lens changer bags. Created for the professional photographer that wants to blend in with the crowd and remain inconspicuous in any situation.

Speed-Demon-V20-10Carries one standard size DSLR plus 2–3 small zoom or prime lenses.

Retrospective® 7 (Blue Slate)Remain inconspicuous with this soft-sided shooter’s bag. It’s simple exterior blends into the environment for carrying photo gear discretely. The rear pocket �ts an iPad or an 11” MacBook Air.

Retrospective 10 PinestoneThe exterior of each Retrospective shoulder bag is purposefully simple, allowing photographers to inconspicuously blend into their shooting environment.

HPRC 4400Dimension: internal dimension420x420x420(mm) - 16,53x16,53x16,53(in)external dimension479x481x437(mm) - 18,86x18,94x17,20(in)lid: 65(mm) - 2,56(in) bottom: 355(mm) -13,97(in)Weight: empty: 6,70 - 14,77 lbswith cubed foam: 8,90 – 19,62 lbsTemperature rating: Minimun Maximun-40°C -40°F+80°C +176°FColors: Black

HPRC 4300CWMaterial TTX01, PA66, SEBS, PA66GF30, ALU, Stainless Steel Interior: Neoprene O-ring; Cubed foam Reinforced hinges and cornersInterior Cubed FoamType of Closure Double-hinged locking systemExterior Dimensions 27.2 x 14.1 x 15.0” (69.1 x 35.8 x 38.1 cm)Interior Dimensions 23.0 x 11.8 x 12.6” (58.4 x 30.0 x 32.0 cm)Carrying/Transport Options Built-in wheels Padded carry handles Retractable tow handleWeight 19.3 lb (8.8 k

170

Camera Cases

Speed-Freak-V2.0Carries a standard size DSLR with 2–3 zoom lenses. Fits a 70–200 f2.8 detached from camera, lens hood reversed.

Speed-Racer-V2.0Carries a pro size DSLR with 2–3 zoom lenses or accessories. Fits a 70-200 f2.8 attached to camera (except Nikon VR1), lens hood reversed.

SubUrban Disguise 5This compact, full featured shoulder bag is great for small standard-sized DSLR kits. Also works great for mirrorless systems.

SubUrban Disguise 10The SubUrban Disguise 10 is a full-featured shoulder bag speci�cally designed to accommodate standard-size DSLR systems.

SubUrban Disguise 20This compact, full-featured shoulder bag holds a standard-size DSLR with 3 - 4 small zoom or prime lenses.

SubUrban Disguise 30When discretion is needed, this shoulder bag’s classic look and urban style doesn’t give you away. It �ts a standard-size DSLR, 2 - 4 zoom lenses, and a regular iPad. Also �ts a 70 - 200 f/2.8 unattached.

Urban Disguise 70 Pro V2.0The Urban Disguise 70 Pro V2.0 is designed to carry two regular or pro size DSLRs with lenses attached to each camera body. It even �ts up to a 70-200 f2.8 lens attached to any camera body! This is a briefcase style gear bag for travel and camera equipment protection without attracting attention as an obvious camera bag.

Urban Disguise 35 V2.0A perfect size working bag for photographers on the go who use a compact laptop. The Urban Disguise 35 V2.0 holds up to a 13.3” laptop with a standard size DSLR or a 10” netbook with a pro size DSLR. A 70-200 f2.8 lens can remain attached to any size DSLR, inside the bag.

Shape-Shifter-7This revolutionary breakthrough in backpack design expands and contracts to �t your equipment.

Urban Disguise 40 V2.0The briefcase size Urban Disguise 40 V2.0 �ts more gear that it appears! A wide angle lens with hood in position, 24-70 f2.8 with hood in position and 70-200 f2.8 with hood reversed all �t vertically into this slim shoulder bag.

Urban Disguise 50 V2.0The briefcase size Urban Disguise 50 V2.0 �ts more gear that it appears, and a 15.4” laptop! A wide angle lens with hood in position, 24-70 f2.8 with hood in position and 70-200 f2.8 with hood reversed all �t vertically into the main compartment.

Urban Disguise 60 V2.0The briefcase sized camera bag Urban Disguise 60 V2.0 �ts more gear that it appears, and a 17” laptop! A wide angle lens with hood in position, 24-70 f2.8 with hood in position and 70-200 f2.8 with hood reversed all �t vertically into the main compartment. A separate, padded compartment �ts most 17” laptops.

StreetWalker-5Designed for use in urban and crowded environments, this slim, lightweight backpack is sized as an international travel carry-on. It holds a DSLR and a 70-200 2.8 with hood attached and multiple DSLR cameras and lenses.

171

Camera Cases

StreetWalker-Pro-5Designed for use in urban and crowded environments, this slim, lightweight backpack is sized as an international travel carry-on. It will hold most 400 f2.8 lenses with a pro size DSLR camera body attached.

Airport-TakeO�-10

The Airport Takeo�™ bag is the new standard in a rolling camera backpack. Think Tank Photo has designed a transportation solution that combines the portability of a backpack with the ease of a rolling suitcase.

Airport-AirStream-Rolling-Camera-BagRolling-Camera-Bag

The perfect small roller for traveling with a selected amount of gear; meets international carry-on size limits.

Airport Security V2.0Airport Security V2.0

Designed to meet USA domestic carry-on size standards, this roller provides advanced security features for traveling with the maximum amount of equipment.

StreetWalker-HardDrive-4Designed for use in urban and crowded environments, this slim, lightweight backpack also holds a 15” laptop, as well as a pro-size DSLR and a 70-200 2.8 with hood attached.

Digital Holster 30 V2.0The Digital Holster 30 V2.0 is designed for regular size DSLRs such as the Canon 5D Mark II, 7D, and 60D or Nikon D700, D300s, and D7000 This is the only top loading bag for a DSLR that can carry a 70-200 f2.8 with the lens hood either reversed or in position, ready to shoot.

Digital Holster 50 V2.0The Digital Holster 50 V2.0 is designed for pro size DSLRs such as the Nikon D3/D4 series or the Canon 1D and 1Ds series. Also accommodates standard size camera bodies with add-on vertical battery grips. This is the only top loading bag for a pro size DSLR that can carry a 70-200 f2.8 with the lens hood either reversed or in position, ready to shoot.

Digital Holster 40 V2.0The Digital Holster 40 V2.0 is designed for pro size DSLRs such as the Nikon D3/D4 series or the Canon 1D/1Ds series. Also accommodates standard size camera bodies with add-on vertical battery grips. The shape of the bag conforms to the camera itself, with one straight side and one curved side. It can actually stand up by itself!

Airport International V2.0

Designed for INTERNATIONAL carry-on, this roller provides advanced security features and peace of mind.

Airport Navigator Rolling Camera Bag

Rolling camera bag with convenient top and front zippered pockets provide unobstructed rapid access to gear. Meets most INTERNATIONAL and USA domestic airline carry-on size requirements.

Logistics Manager 30

The Logistics Manager 30™ is our largest capacity rolling gear bag. Designed for transporting massive amounts of camera equipment or lighting gear.

Airport 4-Sight Rolling Camera Bag

4-wheeled Rolling Camera Bag that meets INTERNATIONAL and USA domestic airline carry-on luggage size requirements.

Airport International™Low Divider

Optional set of dividers allows the Arti�cial Intelligence 15 laptop case or the Cable Management 50 to lie on top inside of the Airport International V2.0 rolling camera case

172

Studio Accessories

6-in-1 Re�ector KitAvailable in 20, 30, 40 inches

Apollo Speedlite Kit

4-in-1 Re�ector Kit Available in 30, 42, 52 inches, Gold and silver textures.

Octabank7’ Octabank5’ Octabank

10’ x 12’Chroma Key Blue / Green Sheet

Apollo Orb Speedlite Kit

32” Optical White Satin Umbrella

Ice Light50,000 Hour LEDs150W Tungsten Equivalent100-240V ACOnly 1.3 lbDimmableBuilt-in 60 Minute Battery72.6° Beam Angle

The Westcott Ice Light is a dimmable, 5,200-5,400K LED source unlike any you’ve ever seen. The �rst thing that occurs to you as work with it is that it resembles a 20.25” baton or perhaps wand is more appropriate given the soft light magic that the Ice Light conjures. Hold it as close as you want to your subject; the closer you get the more Ice Light’s wrap-around quality of light becomes evident. Since it’s virtually heat-free you never have to worry about injuring the talent or damaging the set.

32” Optical White Satin Umbrella with Removable Black Cover

Soft Box24” x 32” Silver Soft Box54” x 72” Silver Soft Box36” x 48” White Soft Box

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Studio Accessories

White 134 Super White 129 Creme 106

Almond 135 Ivory 155 Straw 128

Pongee 121 Natural 116 Hickory 113

Hot Pink 163Ruby 156Red 124

Terracotta 139Flame-Tone 111Tangerine 152

Sunflower 139Marigold 169Daf-Fo-Dil 107

Pastel Pink 117 Violet 133 Purple 154

Foto Blue 136 Deep Blue 109 Regatta Blue 126

Patriot Blue 161 Regal Blue 126 Blue Heven 103

Ermin Gray 110Veri Green 132Foto Green 162

Jade 137Teal 157Aqua 165

Alaska Blue 100Misti Blue 115Cortez Blue 173

PhotographersGray 153

Dark Gray 172 Dove Gray 109 159 Storm Gray

Thunder Gray 131 Black 101

Silver Gray 127 Stone Gray 170

Blue-Gray 102 Soft Gray 116 Pursuit Gray 123

Steel Gray 150 Plaza Gray 119 Graystone 112

Backgrounds and Expendables for Photography & Display

All 50 BD Colors Avalable In the Following sizes:A1 = 2.72 m * 11 mA2 = 1.35 m * 11 mA4 = 2.72 m * 45.72 mEX-TRA Wide available in Four Colors:(Black, Storm Gray, Super White, and Veri GreenB3 = 3.56 m * 30 m

The BD Company Offers high quality, non[ferlectiong background paper in an arry of vibrant colors, and sizes,

Background Paper

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Professional Photo Supports

Spyder4Elite - Show the world your true colorsSpyder4Elite is a display color calibration solution designed not only forphotographers, but also videographers and video editors who need thehighest level of color control in the studio and �exibility in post-production.The Spyder4Elite can also provide color calibration for projectors.Spyder4Elite features a patented, full-spectrum 7-color sensor that canaccurately characterize a variety of wide gamut and normal displays.Spyder4Elite software lets you use the same sensor to calibrate your monitor,laptop computer, iPad, iPhone and projector. No other calibrator has thiscapability. The fourth-generation sensor uses double-shielded �lters forlonger life and better performance. On average, accuracy and precision areimproved by 26% and 19% respectively.

Datacolor SpyderCheckr Pro™

You asked and we’re delivering some hot new features just for you, with therichest feature set we have ever o�ered!New 4.0 features include monitor quality analyzer, display graphingcompared to sRGB & Adobe RGB, enhanced iterativegray balancing and automated brightness adjustment.

Bene�t:SpyderCheckr helps capture consistent color from day to day and camera tocamera and apply these results easily in yourwork�ow with RAW import software such as, Adobe Photoshop andLightroom. The sturdy, eco-friendly design has 48spectrally engineered color patches and easy to use calibration software,making post production faster by gettingconsistent, predictable color right from the start.The SpyderCheckr Pro™ includes:• SpyderCheckr™

• SpyderCheckr Software CD• SpyderCube™• Protective Pouch for SpyderCube• Lanyard for SpyderCube• Quick Start Guides

The smarter focus toolSpyderLensCal™ provides a fast, reliable method of measuring the focus performance on your camera and lens combinations. It allows photographers to obtain razor-sharp focusing or check to see that their lenses are working at theirpeak performance. This device is compact, lightweight and durable, with integrated level and tri-pod mount

The RAW-Processing AcceleratorShooting in RAW mode gives you creative freedom but processing a RAW �le is often a long,trial-and-error operation. SpyderCube accelerates RAW processing in providing referencesto set the white balance, exposure, black level and brightness right from the start. Simply take one reference shot with SpyderCube under thesame light condition, adjust, save as preset and apply to the entire series.

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SUN-MOVER™SUN-MOVER™ - The �rst completely FOCUSABLE �at re�ector revolutionizes the world of light formers With the OVAL shape, PERMATENSE™ screen and two sturdy HANDLES, a single folding re�ector can be used for SPOT, NEUTRAL and WIDE ANGLELIGHT.

PRO SUN-SWATTERPRO SUN-SWATTER4’ x 6’ / 130cm x 190cmThe most perfect mobileoverheadsize in use: 51” x 75”size packed: 51” x 4”weight: 2.2 lbs.

SUN - SCRIM

8 x 8 SUN - SCRIM8’ x 8’ / 244cm x 244cm

MINI SUNBOUNCEPRO SUN-SWATTER4’ x 6’ / 130cm x 190cmThe most perfect mobileoverheadsize in use: 51” x 75”size packed: 51” x 4”weight: 2.2 lbs.

Sun-Bounce Kit Micro MiniSun-Bounce Kit Micro MiniSilver/White

SUN - SCRIM6 x 6 SUN - SCRIM6’ x 6’ / 183cm x 183cmThe most perfect overhead

SUN - SCRIM

12 x 12 SUN - SCRIM12’ x 12’ / 366cm x 366cm

BIG SUN-SWATTERBIG SUN-SWATTER6’ x 8’ / 190cm x 240cmThe most perfect mobileoverheadsize in use: 70” x 96”size packed: 70” x 7”weight: 4lbs.

Sun-Bounce Kit Pro Silver/WhiteSun-Bounce Kit Pro Silver/WhiteSun bounce Kit Pro translucent-2/3 rd / BIG SUN-BOUNCE 6 x 8= 180 x 245 cm / SUPER SAVERSTARTER KIT / SUN-BOUNCEMINI Kit

THE CAGEThe Cage by California Sunbounce is an 8.0 x 8.0 x 8.0’ collapsible studio cube that is comprised of easy to set up frame sections. A variety of di�usion and e�ects fabrics can then be hung on the cage for of maximum utilization of natural light.

Micro MINI SUNBOUNCEThis California Sunbounce Micro-Mini Silver/White Screen (2 x 3’) is the reversible silver/white screen for the system. The silver side re�ects a strong, contrasty light, the white side re�ects a soft di�used light.

BIG SUN-BOUNCEBIG SUN-BOUNCE6’ x 8’ / 180cm x 240cmThe most perfect mobile re�ectorsize in use: 70” x 96”size packed: 53” x 7”weight: 9.5 lbs.

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PRO SUN-BOUNCE

PRO SUN-BOUNCE4’ x 6’ / 130cm x 190cmThe most perfect mobilere�ector / size in use: 51” x74” / size packed: 51” x4”weight: 4 lbs.

Frame + Silver / WhiteFrame + Silver / WhiteScreen + Shoulder SlingBag

Sun Bounce Frame MiniSun Bounce Frame Mini WithShoulder Sling bag

LE LOUCHE SCREENSLE LOUCHE SCREENSPRO SUN-SWATTER - 4’ x 6’ / 130cm x190cm / BIG SUN-SWATTER - 6’ x 8’ /190cm x 240cm / SUN-SCRIM - 6’ x 6’ /183cm x 183cm / SUN-SCRIM - 8’ x 8’ /244cm x 244cm / SUN-SCRIM - 12’ x 12’/ 366cm x 366cm / SUN-SCRIM - 20’ x20’ / 610cm x 610cm

GRIP HEAD PROGRIP HEAD PRO for MINI +PRO + SSW-PRO

Zebra/ White ScreenZebra/ White ScreenSUNBOUNCE MICRO-MINI PartsSUN-BOUNCE PRO PartsSUN-BOUNCE BIG Parts

SUN-SWATTER BIGSUN-SWATTER BIG 6’ x 8’ /180 cm x 245 cm SUPERSAVER STARTER KITSUN-SWATTER PRO 4’ x 6’ /130 cm x 190 cm SUPERSAVER STARTER KIT

Sun bounce Frame ProSun bounce Frame Pro Withshoulder Sling Bag

WIND-KILLER MOBILEWIND-KILLER MOBILEscreen BIG (180x245cm -needs FRAME BIG300-000) (seamless)

Sun bounce Frame BIGSun bounce Frame BIG Withshoulder Sling Bag

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GigaPan EPIC ProRobotic Camera Mount

Automatically Captures Panoramic ImagesGigapixel Panoramas with Amazing DetailFor Camera & Lenses up to 10 lb (4.5 kg)Free GigaPan Stitch Software DownloadRechargeable Battery Pack and ChargerDigital Trigger Cables Included

DXA-SLR PurePassive Audio Adapter for DSLR Cameras2-Channel Audio AdapterIndividual Channel Level Controls2x Neutrik Combo XLR/TRS InputsBuilt-In Stereo VU Meter1x 1/8” Headphone JackCamera & Tripod MountableAdds No Gain to Signals

The Beacktek DXA-SLR Pure Passive Audio Adapter for DSLR Cameras is designed for connecting ampli�ed signals from wireless mics or a mixing board to a DSLR camera or camcorder with a mic jack input.

DXA-SLR MINIPRO HDSLR Audio AdapterFor HDSLR CamerasAGC Disabling FeatureLeft & Right 1/8” (3.5 mm) Mono InputsStereo 1/8” (3.5 mm) Input JackMic / Line SwitchableBuilt-in LimiterHeadphone Monitor OutputMono / Stereo Output SwitchLow Noise Preamps with Gain Settings

DXA-SLR PROPRO HDSLR Audio AdapterFor HDSLR CamerasAGC Disabling FeatureTransformer Balanced Inputs2 Balanced XLR InputsMic / Line SwitchableBuilt-in LimiterSwitchable 12 and 48V Phantom PowerHeadphone Monitor OutputMono / Stereo Output SwitchLow Noise Preamps with Gain Settings

GigaPan EPIC 100Robotic Camera Mount

Automatically Captures Panoramic ImagesFor Larger Point & Shoot and Small DSLRsIncludes GigaPan Stitch SoftwarePowered by Six AA Batteries

GigaPan EPICRobotic Camera Mount

Automatically Captures Panoramic ImagesWorks with Most Compact Digital CamerasIncludes GigaPan Stitch SoftwarePowered by Six AA BatteriesShare Your Panoramas via the Internet

The EPIC is ideally suited for compactdigital cameras.

BinocularsPhase-Corrected Roof PrismsFully Multicoated LensesWide-Angle FOVWaterproof Aluminum HousingCenter Focus WheelRubber ArmoringTwist-Up Click-Stop Eye CupsClose Focus: <4.0’/1.2 mVolkswagen Designed Styling

RadianA motion time-lapse device for everyone.Features:Ultra-a�ordableUltra-portable designEasy-to-use & fully-functionalNo phone tethering requiredIn�nitely expandable battery lifeEco-friendlyPlays nice with others

Ultra-simple and ultra-a�ordable. Feature rich. Pans AND tilts. The best way to create beautiful time lapses with your camera.

Radian is a remarkably powerful, yet wonderfully simple solution that lets you take incredible moving time-lapses with just a few swipes of your iOS or Android device. It’s small, rugged, and can handle anything you throw at it. It can rotate side-to-side. It can tilt up and down. It can dynamically speed up and slow down. And if you have a Canon dSLR, you can change exposure to capture sunrise to sunset. You name it. With our app, the sky is the limit.

Specs:Dimensions: 4.57 x 1.77” (116mm x 45mm)Weight: 8oz. (225g)Panning Load: 15lbs (7kg)Tilt load: 4+ lbs., so far tested with the following setup: Canon 5D Mark III with Canon EF 16-35mm f/2.8 LII with heavy duty L-bracketAngular Resolution: 0.0124° (over 29,000 discrete positions per 360°). This allows for a shot every 6 seconds for a full revolution over 24hrs with actual movement between each shotPower Source: Li-ion rechargeable batteries (in�nitely expandable battery life through outside charging port and environmentally friendly)

We worked closely with professional time-lapsers to design a product that met exacting needs, and then radically innovated to make it ultra-a�ordable, extremely versatile, and unbelievably easy to use.

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USB 2.0 Universal Multi-CardReader/ Writer (SDHC, SDXC & UDMA Enabled)Our USB2.0 Universal Memory Card Reader allows users to transfer MP3,high-res image and video �les across virtually every memory format on themarket. Optimized for high speed large capacity data transfer, this UDMA,SDHC and SDXC capable device o�ers convenient plug & play installation,simple dragging & dropping between desired locations, and hot swapping.

CHARGING PLATE FOR 4 AA OR AAA NI-MH OR NICD RECHARGEABLE BATTERIES

DUAL UNIVERSAL DSLR BATTERY CHARGER INCLUDING DESKTOP & CAR ADAPTERS

FAT GECKO KABOOMMount your action camera, mirrorless camera, or point-and-shoot to the Fat Gecko Kaboom to capture images & video from perspectives never before possible. Shoot over crowds at a concert, take footage of yourself inside of a barreling wave, follow your friend as he clears a 30 foot jump on his mountain bike, capture tantalizing time-lapse of the setting sun from 5 feet o� of your tripod, take sel�es as your conquer the summit of Half Dome, or set up a vehicle boom as you explore the Hana Highway.

The Fat Gecko Kaboom collapses to just 15 inches for easy stowing in a backpack or pocket, and extends as long as 60 inches for high-angle perspectives.

Canon LPE6 Model Premium Li-IonRechargeable BatteryDelkin’s non-OEM LPE-6 rechargeablebattery guarantees optimal performance with your compatible Canon digital camera, camcorder or charging unit. This smart replacement/spare power source is built to nearly the exact speci�cations of the original model.

Dual Universal DSLR Battery ChargerKit with 2 LPE-6 Custom Platesand 1 Battery

Fat GeckoCamera MountDelkin’s Camera Mount is a revolutionary new camera mounting kit designed for use in motorsports of all categories. Strong enough to remain securely in place, rugged enough to hold an expensive camera, and light enough to go un-noticed while in use, the Delkin’s Camera Mount is the perfect system for all motorsport enthusiasts. With its universal tripod mound and suction cup, the Delkin Camera Mount can be used with any camera and on any surface.

Fat GeckoMini Camera Mount

The Fat Gecko Mini is ideal in situations where size and weight are critical,especially in extreme sports where a compact camera is preferred and dualsuction isn’t necessary. With an adjustable joint and a 3” extension bar, it’s easy to set up shots over a windshield, around an instrument panel, over a binding, or anywhere else that a standard tripod or camera mount wouldn’t normally holdup - this is one extreme mount for extreme conditions.

Delkin Extended Power 2900mAh Nickel-metal Hydride AA Rechargeable Batteries - 4 Pack

microSDXC Pro Card (Class 10, 64GB64GB Storage CapacityMax. Data Read Speed: 56 MB/sMax. Data Write Speed: 40 MB/sLimited Lifetime Warranty

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RS-4 CLASSICThe RS-4’s smart design is lightweight and low pro�le. It features a quickaccess, secure pocket for storing two extra memory cards in their protectivecases. Like all R-Straps, the RS-4 is incredibly comfortable and quick on thedraw.

RS DR-1 Double StrapThe DR-1 is the ultimate solution for two-camera shooters. Ergonomic andsleek, it works with Black Rapid’s MODS system of attachments so you cancustomise your strap to your exact needs. One side can even be detached for use as a single R-Strap. Simple, fast, and intuitive, you’ll wonder how youlived without it.

RS-SportThis BlackRapid R-Strap is for the active photographer. With an ergonomic �t and a Brad this strap keeps your camera closeduring your most extreme adventures.

RS-5 CARGOThe RS-5 is a brilliant companion for those who require extra storage. Itcombines zippered pockets with a phone compartment roomy enough toaccommodate even larger smart phones. A magnetic clasp opens silently for noise-sensitive situations. Even fully loaded, the RS-5 will dominate anyshootout.

JOEY The Joey is perfect for all the little things you need to carry. Whether its memory cards, batteries, business cards your smart phone, or even a smaller point and shoot. Compatible with the Curve, the Kick, the Metro, the Double, and the Double Slim.

RS-7 CurveThe RS-7 is specially designed to work with BlackRapid’s MODS system. Itfeatures attachment points so you can customize your strap with your choiceof storage and other features. It’s constructed of ballistic nylon for extreme durability. With the RS-7, ergonomics are key. It’s designed and shaped to �t perfectly around your shoulder.

DR-2 Slim Double StrapCarries 2 Cameras or Lenses VerticallyBallistic Nylon R-StrapBomb-proof WebbingIncludes 2 FastenR3Fits Men and Women

YETIHolds 2 Cameras with Attached LensesUse as Double Strap or Single R-StrapScrews to Camera’s 1/4-20 Tripod SocketNon-slip Grip on Shoulder PadHas Cross-Body Detachable StabilizerStabilizer for Right/Left Arm UseIncludes BRAD (BlackRapid Arm Defense)Includes FastenR and ConnectR2Compatible with BlackRapid MOD Items

WRIST STRAPUtilizing the same ConnectR found on the R-Strap, you can be sure that your camera is safe and close at hand.

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RS-W1 WOMENThe RS-W1 is BlackRapid’s introduction to designing a camera strap speci�cally for women. Part of the award winning R-Strap line, the RS-W1 is the world’s �rst camera strap that focuses on the perfect �t for the female.While maintaining the traditional “Built for Speed” design, our designersadded a sleek curve highlighted with an elegant but slight pattern accent.This RS-W1 provides comfort, speed, and durability along with graceful styling.

METROBlackRapid’s newest and lightest strap yet, it’s built for speed and packs away in a �ash requiring minimal storage space. Great for photographers on the go!

YETI SlimHolds 2 Cameras with Attached LensesScrews to Camera’s 1/4-20 Tripod SocketUse as Double Strap or Single R-StrapNon-slip Grip on Shoulder PadHas Cross-Body Detachable StabilizerStabilizer for Right/Left Arm UseIncludes BRAD (BlackRapid Arm Defense)Includes FastenR and ConnectR2Compatible with BlackRapid MOD Items

KICK FOR WOMENThe Kick is specially optimized for women photographers. With an ergonomic curve built into the pad and the ability to customize with BlackRapid standard accessories, this is one �exible strap.

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Quik Bounce (LQ-122)The LumiQuest Quik Bounce is designed for use with or without a ceiling tosoften the light and transitioning from horizontal to vertical format withouthaving to adjust the Quik Bounce on the �ash.

Snoot (LQ-114)The Snoot isolates the light to a very speci�c area. Automatic operationmay be a�ected as illuminated area is limited. Bracketing and/or testing isrecommended.Application: To illuminate a speci�c area of a scene with little or no e�ecton the surrounding area.Dimensions: Folds �at to 5 3/4” x 7 1/4”

UltraBounce (LQ-116)The LumiQuest® UltraBounce distributes the light over approximately 180degrees so that it can bounce o� walls and ceilings to evenly illuminate ascene. The opaque sensor screen keeps the light from a�ecting theautomatic sensor on most �ash units.

Promax System(LQ-105)The ProMax System is a re�nement of our most popular photo �ashaccessories. The basic unit allows 80% of the light to bounce o� the ceilingwhile 20% is redirected forward as �ll light. The system includesinterchangeable white, gold and silver inserts as well as a removablefrosted di�usion screen.

Ultrasoft (LQ-103)The Ultrasoft enlarges and redirects the light at a 90° angle from the �ashand then further softens the light by passing it through a frosted di�user.Application: To achieve an extremely soft look with minimal shadows. Foruse on an individual �ash or to softly illuminate the background in amultiple �ash setup. Ideal for close-ups and portraits.

Pocket Bouncer(LQ-101)The Pocket Bouncer enlarges and redirects light at a 90° angle from the�ash to soften the quality of light and distribute it over a wider area. Whileno exposure compensation is necessary with automatic �ashes, operatingdistances are somewhat reduced.

Softbox III (LQ-119)The SoftBox III is roughly twice the size of our original SoftBox, therebyproducing considerably softer shadows. It �ts conventional �ashes (Nikon,Canon, Sunpak, Vivitar, etc.). Like the original SoftBox (LQ-107) theSoftBox III is center weighted but it will block autofocus assist and interferewith auto exposure UNLESS you are using TTL.

Promax Accessory Kit(LQ-106)The ProMax Accessory Kit allows you to turn your LumiQuest® 80-20and/or Pocket Bouncer into an interchangeable system. The accessory kit includes a white insert, gold and silver metallic inserts, a frosted di�usionscreen and a sturdy pouch for storage.

Softbox II (LQ-109)SoftBox II enlarges and di�uses the light with the �ash in the direct �ashposition. It is designed exclusively for use on bare bulb �ashes such asLumedyne, Quantum Q Flashes and Sunpak 120J.Application: To soften shadows and eliminate unpleasant red eye.Light Loss: Approximately 1 1/4 stops.Dimensions: Folds �at to 6 1/4” x 7 3/4”.

FXtra (LQ-121)The FXtra is a compact gel holder that facilitates a quick installation andremoval of colored gels. Eight Rosco gels are included: CTO, ½ CTO, ¼CTO, Plus Green, ½ Plus Green, Sky Blue, Canary Yellow and Fire Red inthe integrated storage pouch. FXtra is sized to use with most popular�ashes and the gel pocket accommodates both Rosco and Lee gelsamples.

FX (LQ-111)The LumiQuest® FX is a colored gel system that includes an assortment of�ve colored gels - blue, green, red, yellow and amber. The FX �lter holder,designed to �t most �ash models, enables the photographer to quickly and conveniently colorize the light for a variety of special e�ect applications.The system folds �at and comes with a convenient storage pouch.Application: Colorize the light for a variety of special e�ects.Light Loss: 1 stop.Dimensions: 3 3/8” x 4 3/4”.

Softbox (LQ-107)The Softbox enlarges and di�uses the light with the �ash in the direct �ashposition. The light is softened and more evenly distributed as it passesthrough a center-weighted frosted di�user.

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Mini Softbox (LQ-108)The Mini SoftBox enlarges and di�uses the light with the �ash in the direct�ash position. Unobtrusive and low pro�le, the Mini SoftBox is ideal forpress and other fast-moving situations.Application: To soften shadows and eliminate unpleasant red eye.Light Loss: Approximately 1 stop.Dimensions: Folds �at to 3 1/4” x 4 1/2”.

80-20 (LQ-102)The 80-20 enlarges and redirects 20% of the light at a 90° angle from the�ash and allows 80% of the light to pass on, to be redirected by anothersurface - most likely a ceiling.Application: This device illuminates the scene with light bouncing o� theceiling while providing “�ll” light o� the bounce device itself.

LQ-132Strobist KitIncludes Pro Max Softbox IIIFXtra Has Gel Holder, 8 Color GelsTwo UltraStraps to Attach AccessoriesSoftbox Softens ShadowsAccessories Fit Most Current Flashes

MidiBouncer (LQ-110)The MidiBouncer, designed for use with large professional �ashes such asMetz, Sunpak, etc., enlarges and redirects the light at a 90° angle from the �ash to soften the quality of light and distribute it over a wider area.Horizontal coverage is approximately 80°. While no exposure compensationis necessary when using the automatic features of the �ash, operatingdistances are somewhat reduced.Direct Flash SoftBox

Big Bounce (LQ-104)LumiQuest® Big Bounce enlarges and redirects and softens the light inthe same manner as the Ultrasoft, with even softer results.Application: For use where a softer lighting e�ect is more important than“pocket size” portability (i.e. close-ups, portraits, etc.). Fits the same widerange of �ashes as other LumiQuest® models.Light Loss: Approximately 3 stops.Dimensions: Folds �at to 8 1/2” x 10 3/4”

LQ-136 Location/Portrait Kit

Includes Pro Max Softbox IIIFXtra Has Gel Holder, 8 Color GelsXTR Snoot Gives Narrow Beam of LightTwo UltraStraps to Attach AccessoriesSoftbox Softens ShadowsAccessories Fit Most Current Flashes

Bounce Kit (LQ-125)This Three-Piece Bounce Kit Includes:Pocket BouncerGold Metallic InsertSilver Metallic InsertStorage PouchThe Pocket Bouncer redirects light at a 90º angle from the �ash to softenthe shadows and more evenly spread the light over a larger area.

Bounce Kit (LQ-125)This Three-Piece Bounce Kit Includes:Pocket BouncerGold Metallic InsertSilver Metallic InsertStorage PouchThe Pocket Bouncer redirects light at a 90º angle from the �ash to softenthe shadows and more evenly spread the light over a larger area.

Direct Flash Location/Portrait Kit

Direct Flash Strobist Kit

Big Bounce (LQ-104)LumiQuest® Big Bounce enlarges and redirects and softens the light in thesame manner as the Ultrasoft, with even softer results.Application: For use where a softer lighting e�ect is more important than“pocket size” portability (i.e. close-ups, portraits, etc.).

LQ-126The UltraStrap is the most secure, non-adhesive �ash attachment mounting strap available. The patented marriage of neoprene and Velcro® loop results in a strap that applies a constant 3 lb. tension to the �ash with a non skid surface.

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Under Water Housing

DRP100DRP SERIES - DR-PHOTO

Features:Max.depth: - 80 mCase and cover material: crystal Makrolon 2800Clasp material: acetal copolymer resinAll main controls are externalWide selection of interchangeable and modular ports and extensions, with snap-in �tting and safety-lock against accidental release.Grips are removable without any tool neededM6 self-tapping screws in the case bottom part to provide housing for accessories or bracketsStandard magni�erPositive trim in water (approx.800 g.)5-pin Nikonos type strobe connectorAdjustable triggerT1 universal connector on the gripsDimensions and weights DRP100 : 340 x 152.8 x 224 mm Weight (empty) : 1.65 kg DRV SERIES

DR-VIDEO

Features:Max.depth: - 80 mCase and cover material: crystal Makrolon 2800Clasp material: acetal copolymer resinControls on the button panel: REC/stand-by, zoom+, zoom, shooting, (optional) HID lamps, data display*, on/o� control

The DRV series housings are designed for HD small video cameras (for the updated compatibility table click here)The housing consists of a Makrolon transparent polycarbonate case and a black ABS cover with a standard 3.5 inches monitor. The monitor is powered by 6 AAA batteries (4 batteries in some models) granting a 6 hours (or 4 hours in the second case) operation.The user can choose between a �at port and an optical corrector that increases the already powerful wide-angle lens of the state-of-the-art video cameras.

Compatible Camera Models:

SONYHDR-CX, HDR-RX, HDR-SR, HDR-HCCanonLEGRIA, HF, HG, HV, FS, MDPanasonicHDC, SDR-H, SDR-S (NO-SDR-S150), NV-GSJVCEVERIO X, G, S, HDSAMSUNG SMX, VP, HMX

DRP200DRP SERIES - DR-PHOTO

Features:Max.depth: - 80 mCase and cover material: crystal Makrolon 2800Clasp material: acetal copolymer resinAll main controls are externalWide selection of interchangeable and modular ports and extensions, with snap-in �tting and safety-lock against accidental release.Grips are removable without any tool neededM6 self-tapping screws in the case bottom part to provide housing for accessories or bracketsStandard magni�erPositive trim in water (approx.800 g.)5-pin Nikonos type strobe connectorAdjustable triggerT1 universal connector on the gripsDimensions and weights DRP200 : 345 x 166.7 x 230 mm Weight (empty) : 2.1 kg


CanonEOS 350D, 400D, 500D, 550D, 600D, 1000D, 1100DNIKOND40, D3000, D3100, D5000, D5100SONYDSLR a100, a200, a350, aa380, SLT-A33, A35, A55PANASONICGH1, GH2PENRAXK-5, K-7PLYMPUSE-510, E-620


CanonEOS 30D, 40D, 50D, 60D, 5D, 5D MKII, 7DNIKOND70, D80, D90, D200, D300, D300S, D700, D7000SONYDSLR a500, a550PENRAXK-10, K-20PLYMPUSE-3, E-30

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Notes

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HIGH PERFORMANCE RESIGN CASES

Advanced Media Trading LLC. No. 410, Al Khaleej Centre, Bur Dubai. P.O.Box: 44156, Dubai - UAETel.: +971 4 352 99 77 Fax: +971 4 352 99 76 Email: [email protected]

advanced media product guide 2014

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