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NEPTUNE TOWNSHIP SCHOOL DISTRICT Advanced Placement English Literature and Composition Curriculum Grade 12 NEPTUNE TOWNSHIP SCHOOL DISTRICT Office of the Superintendent 60 Neptune Blvd. Neptune, NJ 07753-4836 July 29, 2015 Document C1#1

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Page 1: Advanced Placement English Literature and Composition...2020/05/19  · AP English Literature and Composition is designed to be a college level course, and promises to intellectually

NEPTUNE TOWNSHIP SCHOOL DISTRICT

Advanced Placement

English Literature

and Composition Curriculum

Grade 12

NEPTUNE TOWNSHIP SCHOOL DISTRICT

Office of the Superintendent

60 Neptune Blvd.

Neptune, NJ 07753-4836

July 29, 2015 Document C1#1

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NEPTUNE TOWNSHIP BOARD OF EDUCATION

Jason A. Jones, President

Chanta L. Jackson, Vice President

Dwayne Breeden Scott Fields

Laura G. Granelli Monica Kowalski-Lodato

Michelle A. Moss Donna Puryear

SCHOOL DISTRICT ADMINISTRATION

Michael Lake, Ed.D.

Interim Superintendent of Schools

Bertha L. Williams-Pullen

Assistant Superintendent of Schools

Matthew Gristina, Ed.D.

Assistant Superintendent for Curriculum, Instruction & Assessment

Peter J. Leonard

Business Administrator/Board Secretary

Peter I. Bartlett

Assistant Business Administrator/Assistant Board Secretary

Kathleen M. Skelton

Director of Special Services

Jennifer M. Clearwaters

Director of School Counseling Services

Gerald Glisson

Administrator for Co-Curricular Activities & Athletics

Kathleen M. Thomsen

Supervisor of Early Childhood Education

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ELEMENTARY SCHOOL ADMINISTRATION

Principals

Lori B. Burns, Early Childhood Center

Lakeda D. Demery, Shark River Hills

Sally A. Millaway, Ed.D., Gables

James M. Nulle, Green Grove

Arlene M. Rogo, Ed.D., Midtown Community

Jerard L. Terrell, Ed.D., Summerfield

MIDDLE SCHOOL ADMINISTRATION

Mark K. Alfone, Ed.D., Principal

Michael V. Smurro, Vice Principal

Marjory V. Wilkinson, Vice Principal

HIGH SCHOOL ADMINISTRATION

Richard W. Allen, Principal

Titania M. Hawkins, Vice Principal

James H. Whitson, Vice Principal

SITE ADMINISTRATOR

Tara L. Stephenson, Poseidon ECHS

DEPARTMENT CHAIRPERSONS

Thomas Decker

Audra Gutridge

Robert Hamm

Charles M. Kolinofsky

Joshua Loveland

Dawn Reinhardt

Karen Watt

Candice Wells

Hillary L. Wilkins

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NEPTUNE TOWNSHIP SCHOOL DISTRICT

ADVANCED PLACEMENT ENGLISH

LITERATURE AND COMPOSITION

CURRICULUM

Table of Contents

Acknowledgements ............................................................................................................i

District Mission Statement ............................................................................................... ii

District Educational Outcome Goals .............................................................................. iii

Course Description........................................................................................................... iv

Curriculum

Unit Title Page

Course Overview: Reading and Writing Assignments ..................................................... 1

Assessments and Grading ................................................................................................. 4

Summer Reading Requirements ....................................................................................... 5

Course Pacing ................................................................................................................... 7

Textbooks ........................................................................................................................ 16

College Board: AP Literature and Composition Course Description ............................. 17

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NEPTUNE TOWNSHIP SCHOOL DISTRICT

Advanced Placement English Literature and Composition

Acknowledgements

Neptune Township School District is dedicated to preparing our students with the skills and

knowledge necessary to be effective contributors and active participants of the 21st century. As

students advance through the grades and master the standards in reading, writing, speaking,

listening, and language, they are able to think critically and are effective communicators.

The Advanced Placement Literature and Composition Curriculum guide was developed for

Neptune High School based on the College Board Curriculum Framework. It is our hope that this

guide will serve as a valuable resource for the staff members who teach this course and that they

will feel free to make recommendations for its continued improvement.

The content of this course meets and exceeds the requirements of the Common Core State

Standards for English Language Arts. It has met the rigorous standards the College Board has to

designate a class “Advanced Placement” and as such, is aligned to the Advanced Placement

Literature and Composition test.

Significant course time is given to critical reading, analytical, argumentative and explanatory

writing, and as a result, this course exceeds the requirements of the Common Core State

Standards. This course will better prepare students for the HSPA, SATs, AP tests, and PARCC.

It is with great pleasure that we acknowledge the professional experience and talent of the

curriculum developer, Lance Henrickson, High School English teacher. Thank you for your

endless effort and dedication in promoting the highest quality education for the students of

Neptune.

i

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NEPTUNE TOWNSHIP SCHOOL DISTRICT

DISTRICT MISSION STATEMENT

The primary mission of the Neptune Township School District is to prepare all students

for life in the twenty-first century by encouraging them to recognize that learning is a

continuing process. It is with high expectations that our schools foster:

• A strong foundation in academic areas, modern technologies, life skills and the arts.

• A positive and varied approach to teaching and learning.

• An emphasis on critical thinking skills and problem-solving techniques.

• A respect for and an appreciation of our world, its resources, and its peoples.

• A sense of responsibility, good citizenship, and accountability.

• An involvement by the parents and the community in the learning process.

ii

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Neptune Township School District

Educational Outcome Goals

The students in the Neptune Township schools will become life-long learners and will:

Become fluent readers, writers, speakers, listeners, and viewers with comprehension

and critical thinking skills.

Acquire the mathematical skills, understandings, and attitudes that are needed to be

successful in their careers and everyday life.

Understand fundamental scientific principles, develop critical thinking skills, and

demonstrate safe practices, skepticism, and open-mindedness when collecting, analyzing,

and interpreting information.

Become technologically literate.

Demonstrate proficiency in all New Jersey Core Curriculum Content Standards (NJCCCS)

and the Common Core State Standards (CCSS).

Develop the ability to understand their world and to have an appreciation for the

heritage of America with a high degree of literacy in civics, history, economics and

geography.

Develop a respect for different cultures and demonstrate trustworthiness,

responsibility, fairness, caring, and citizenship.

Become culturally literate by being aware of the historical, societal, and multicultural

aspects and implications of the arts.

Demonstrate skills in decision-making, goal setting, and effective communication,

with a focus on character development.

Understand and practice the skills of family living, health, wellness and safety for

their physical, mental, emotional, and social development.

Develop consumer, family, and life skills necessary to be a functioning member of

society.

Develop the ability to be creative, inventive decision-makers with skills in

communicating ideas, thoughts and feelings.

Develop career awareness and essential technical and workplace readiness skills,

which are significant to many aspects of life and work.

iii

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ADVANCED PLACEMENT

ENGLISH LITERATURE

AND COMPOSITION

CURRICULUM

COURSE DESCRIPTION

(10 Credits)

Advanced Placement Literature and Composition is a year-long course divided into two

semesters, each consisting of 4 marking periods. The course features a demanding

reading list in which students must analyze, interpret, and synthesize great works of

literature and poetry. Students must take responsibility for their own learning and further

develop their critical thinking skills using multiple intelligences.

AP English Literature and Composition is designed to be a college level course, and

promises to intellectually challenge each student and provide a comparable workload to a

typical undergraduate English course.

Advanced Placement Literature is designed to comply with the curricular requirements

described in the AP English Course Description. Thus, the goal for students is that they

read critically, think analytically, and write critically and clearly. The course includes an

intensive study of representative works of both British and American writers as well as

works written in several genres from the sixteenth century to contemporary times.

A student who receives a 3, 4, or 5 on the AP Exam will be granted college credit at most

colleges throughout the United States.

Writing is certainly a primary focus of the course. Instruction focuses on clear

expectations for student writing: the need for a clear thesis and the importance of using

textual details in each analytical paper to support the thesis, on both in-class, timed essays

and outside of class analysis essays. Your papers will be examined for effective word

choice, inventive sentence structure, effective overall organization, clear emphasis, and

above all, excellence of argument, including a clearly stated thesis and exhaustive

supportive evidence as well as a clear, persuasive, elegant connection of this evidence to

your overall argument. [SC11, SC12, SC13 & SC14]

Lesser “papers” will be written regularly in class to spur thinking, stimulate discussion,

and focus on issues of plot, characterization, and theme; these may or may not be handed

in.

Students will be required to maintain notebook (or computer file) for vocabulary,

grammar, and class discussion / response to literature.

Students will be required to read regularly outside of class. The intent of this assignment

is to broaden their reading experience and improve fluency.

iv

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Course Overview: Reading and Writing Assignments

How Course Meets Requirement:

Multiple choice practice

Essay questions practiced and graded by a rubric

Peer editing of essays based on rubric

Rewriting of essays based on comments and insights

Analysis and critique of exemplar essays

Reading: Preliminary list of novels, dramas, and anthologized material: [SC1]

• The Oedipus Trilogy, Sophocles

• Othello, Shakespeare

• A Streetcar Named Desire, Williams

• How to Read Literature Like a Professor, Foster

• Short fiction and essays — as selected

• Poetry — as selected

• Modern novels — as selected

• Reading, Writing, and Thinking: Literature and Composition, Jago

Writing: Students will receive frequent opportunities to write and rewrite formal,

extended analyses and timed, in-class responses.

• SC5 The course includes frequent opportunities for students to write and

rewrite timed, in-class responses.

• SC6 The course includes frequent opportunities for students to write and

rewrite formal, extended analyses outside of class.

• SC11 The AP teacher provides instruction and feedback on students’ writing

assignments, both before and after the students revise their work that help the

students develop a wide-ranging vocabulary used appropriately.

• SC12 The AP teacher provides instruction and feedback on students’ writing

assignments, both before and after the students revise their work that help the

students develop a variety of sentence structures.

• SC13 The AP teacher provides instruction and feedback on students’ writing

assignments, both before and after the students revise their work that help the

students develop logical organization, enhanced by specific techniques to

increase coherence. Such techniques may include traditional rhetorical

structures, graphic organizers, and work on repetition, transitions, and

emphasis.

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• SC14 The AP teacher provides instruction and feedback on students’ writing

assignments both before and after they revise their work that help the students

develop a balance of generalization and specific, illustrative detail.

• SC15 The AP teacher provides instruction and feedback on students’ writing

assignments both before and after they revise their work that help the students

establish an effective use of rhetoric including controlling tone and a voice

appropriate to the writer’s audience.

Students will:

• Write to understand: Informal, exploratory writing activities that enable students

to discover what they think in the process of writing about their reading (such

assignments could include annotation, free-writing, keeping a reading journal, and

response/reaction papers)

• Write to explain: Expository, analytical essays in which students draw upon

textual details to develop an extended explanation/interpretation of the meanings

of a literary text

• Write to evaluate: Analytical, argumentative essays in which students draw upon

textual details to make and explain judgments about a work’s artistry and quality,

and its social and cultural values.

• SC8 The course requires writing to explain: Expository, analytical essays in

which students draw upon textual details to develop an extended

interpretation of a literary text.

• SC9 The course requires writing to evaluate: Analytical, argumentative

essays in which students draw upon textual details to make and explain

judgments about a work’s artistry and quality.

• SC10 The course requires writing to evaluate: Analytical, argumentative

essays in which students draw upon textual details to make and explain

judgments about a work’s social, historical and/or cultural values.

In addition to analytical and argumentative writing tasks, other requirements may

include:

• Reaction/response papers: written responses to specific topics beyond

superficial readings where students are asked to consider the topic and relate it to

the work being read. Reaction/response papers allow students to describe their

initial response or reaction to a text, without involving any revision of the writing.

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• Dialectical notebook: a double-entry notebook in which students record direct

quotations from the reading on one side and their personal response to the quoted

passage on the other.

o SC7 The course requires writing to understand: Informal/exploratory

writing activities that enable students to discover what they think in the

process of writing about their reading (such assignments could include

annotation, free writing, keeping a reading journal, reaction/response

papers, and/or dialectical notebooks).

• Annotation: requires interaction with a book beyond a superficial reading. It

involves the asking (and sometimes answering) of thoughtful and provocative

questions raised as students read a work. Annotation includes some form of

marking such as highlighting, noting passages, references to other sections of the

work, tabbing, but is always accompanied by guiding questions that students

encounter on their way to closer, deeper reading. Annotation can take many forms

and should be included among the acceptable forms of informal writing, but what

distinguishes annotation from mere note-taking is the inclusion of student

responses to the text, whether those responses are questions posed to the

characters or author or statements about the student’s response or reaction to the

text.

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Assessments and Grading

We will on occasion have an essay examination that asks students to synthesize their

understanding of their work. These exams are to help students respond to literary

questions in a way much less restrictive than the AP-based “exams” that form the in class

writings on literature.

Students will be asked to free-write their responses to the reading on a regular basis.

Students should bring a free-writing notebook to each class so they are prepared for this

informal writing exercise, which is designed to explore what they learn as they read.

[SC7]

In-class writings will primarily be AP-based examinations, though there will also be

quick-response, in-class writings as a basis for discussion. I will not announce quizzes

ahead of time, and we will have a number of them, both straightforward reading ones and

ones that ask you to engage an idea. Reading quizzes will always be given during the first

five minutes of class; if you come in late, you may not take the quiz.

Questions on reading quizzes will be straightforward and simple as long as you’ve done

the required reading.

Grading: Students are graded as follows:

Assessment of work completed in AP English Literature and Composition will most often

be done by using an AP style rubric.

Rubrics will be made available to students prior to beginning an assignment, especially a

long-term project.

Writing assignments will be graded primarily for content, however, grammatical

correctness and style will certainly count in the overall assessment.

Students are encouraged to study and know the qualities of each level of paper assessed

by AP readers. Students will be awarded a grade of A, B, C or RW (rewrite) on all drafts

that they are ready to have evaluated.

Students will be given the opportunity to rewrite papers until they are minimally at the

“C” level.

Timed writings and essays will be scored using a 9-point rubric similar to the rubric used

in scoring AP exam essays. These scores will then be converted to number grades.

SC5 The course includes frequent opportunities for students to write and rewrite timed,

in-class responses.

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Advanced Placement Summer Reading List

The following works and assignments may vary from year to year. Summer reading

is mandatory and failure to read any four of the following novels and complete

three of the accompanying assignments may result in removal from the class. (SC1)

The Hours, Michael Cunningham

The House of the Scorpion, Nancy Farmer

The Interpreter of Maladies, Jhumpa Lahiri

A Lesson Before Dying, Ernest Gaines

The Shipping News, Anne Proulx

Snow Falling on Cedars, David Guterson

The Stone Diaries, Carol Shields

A Thousand Acres, Jane Smiley

Atonement, Ian McEwan

The Alchemist, Pablo Coelho

Sophie’s World, Jostein Gaardner

On the Road, Jack Kerouac

The Awakening, Kate Chopin

Brave New World, Aldous Huxley

The Things They Carried, Tim O’Brien

Walden, Henry David Thoreau

Native Son, Richard Wright

The Grapes of Wrath, John Steinbeck

Emma or Pride and Prejudice, Jane Austen

The Martian Chronicles, Ray Bradbury

The Adventures of Huckleberry Finn, Mark Twain

The Sun Also Rises, Ernest Hemingway

Like Water for Chocolate, Laura Esquivel

Cat’s Cradle, Kurt Vonnegut

Ishmael, Daniel Quinn

Life of Pi, Yann Martel

The Tiger’s Wife, Tea Obreht

Gulliver’s Travels, Jonathan Swift

A Prayer for Owen Meany, John Irving

Water for Elephants, Sara Gruen

Unbroken, Laura Hillenbrand

A Thousand Splendid Suns or The Kite Runner, Khaled Hussein

Black and Blue OR One True Thing, Anna Quindlen

The Poisonwood Bible, Barbara Kingsolver

One Hundred Years of Solitude, Gabriel Garcia Marquez

Dracula, Bram Stoker

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A Death in the Family, James Agee

Jane Eyre, Charlotte Bronte

The Quiet American or The Heart of the Matter, Graham Greene

The Unbearable Lightness of Being or Immortality, Milan Kundera

The Fixer OR The Natural, Bernard Malamud

Wide Sargasso Sea, Jean Rhys

The Heart is a Lonely Hunter, Carson McCullers

Content and/or Skills Taught and Assessed

Critical reading from the major authors, periods, forms, and works in

American, British and world literature

Understanding and analyzing language denotatively and connotatively

Analyzing passages of prose, poetry and non-fiction for style, which is affected by

diction, syntax, details, language, as they create/influence tone

Identifying and analyzing literary selections’ irony, tone, mood, allusion,

figurative language and symbolism as they contribute to purpose/meaning

Participating in cooperative learning and a variety of oral activities to elicit

meaning from literature.

Expanding vocabulary through bi-weekly vocabulary words (taken from PSAT/

SAT word lists), context clues, and analogous relationships of words

Pre-writing, writing, proofreading, editing and re-writing skills

Timed writings utilizing generalization and the effect of specific details from

works

Summer Reading Assignment

• Write a two- to three-page response/commentary (typed, double-spaced, 10–12-

point font, etc.) on one of the novels above. Your commentary on the novel must

be a well-written response to the work as a whole. Remember to support all of

your comments and arguments by referring specifically to the text and using

passages from the novel wherever appropriate.

• Complete 2 reader response logs for any 2 works. Each log should be numbered

from 1-20, following the model in your packet.

• Read and complete the dialectical journal from a selected novel or play

• Consider the relationship between the characters and the setting in a selected

novel or play and compose a 6 paragraph analytical essay.

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Course Pacing

Unit # Title Approximate

Timeframe

1 Critical Reading and Writing 2 weeks

2 Classic and Modern Tragedy 4 weeks

3 Literary Criticism 3 weeks

4 Approaching Poetry 2 weeks

5 Metaphysical Poetry and the Use of Conceit 2 weeks

6 The Romantic Era 2 weeks

7 The Victorian Era 2 weeks

8 Conformity and Rebellion 4 weeks

9 Bridge to Modernism 2 weeks

10 Modernism 4 weeks

11 Humor, Satire, and Irony 3 weeks

12 Identity and Culture 4 weeks

“Unit 1: Close Reading and Writing (2 weeks)

This unit asks students to analyze specific elements of author’s craft from a selected

novel. [SC3]Elements include the development of tone and character and the use of

voice, diction, dialogue, flashback and specific detail. In addition, AP Literature course

expectations and texts will be discussed and distributed. Summer readings will also be

reviewed and assessed. [SC1]

Texts:

“What is Close Reading?” handout From “My Antonia,” Willa Cather “To an Athlete Dying Young,” A.E. Houseman From The Great Gatsby, F. Scott Fitzgerald “My Father’ Song,” Simon Ortiz

Major Assignments/Assessments:

Reading journals [SC2, 7]

Timed writing requiring analysis of summer reading and/or other texts discussed in

class [SC5, 6]

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Unit 2: Classic and Modern Tragedy (4 weeks)

Students read a wide range of print and non-print texts to build an understanding of texts,

of themselves, and of the cultures of the United States and the world; to acquire new

information; to respond to the needs and demands of society and the workplace; and to

gain personal fulfillment.

Students will also note the evolution of the tragic form. Among these texts are fiction,

nonfiction classic, and contemporary works.

Students read a wide range of literature from many periods in many genres to build an

understanding of the many dimensions (e.g., philosophical, ethical, aesthetic) of human

experience.[SC10]

The following works will be read and discussed, and may vary from year to year.

August Wilson, Fences

Sophocles, Oedipus the King

Sophocles, Antigone

Aristotle, Poetics

Chinua Achebe, Things Fall Apart

Arthur Miller, "Tragedy and the Common Man"

Arthur Miller, Death of a Salesman

Henrik Ibsen, A Doll’s House

William Shakespeare, Othello, Hamlet, King Lear

Tennessee Williams, A Streetcar Named Desire

Virginia Woolf, A Room of One’s Own

Joseph Cambell, The Power of Myth

“Penelope,” Dorothy Parker

“Siren Song,” Margaret Atwood

Major Assignments and/or Assessments:

Read "A Room of One’s Own" by Virginia Woolf. Students will work in groups,

and prepare a paper and oral presentation comparing the essay to Chinua

Achebe’s Things Fall Apart

Read “A Hero’s Journey” by Joseph Campbell, and then prepare a Prezi on the heroic

traits of a protagonist from a literary work. Present to class.

Read Miller’s "Tragedy and the Common Man" and exemplify the thesis by

discussing the character of a tragedy

Textual analysis on each work read in class [SC8}

Reading journals (SC7)

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Unit 3: Literary Criticism (3 weeks)

Students will be introduced to literary criticism and learn the different ways in which a work of literature can be approached and interpret. Freudian, Historical, Feminist, and Marxist theories are amongst the types of criticism which will be discussed.

Major assignments:

Students will choose a text that they have read in class, and use the school database to

find scholarly interpretations of the selected text, and then summarize any three. [SC8, 9,

10]

Unit 4: Approaching Poetry (2 weeks)

Students will begin their study of poetry with the sonnet form, and we will

analyze the form and its use of literary devices used to convey a theme. Material

will include she definition of the sonnet, elements of a Petrarchan sonnet, as well

as elements of Elizabethan and Modern Sonnets. We will note the changes in

structure and subject content of the sonnet over time, which will lead me to

provide an overview of the Elizabethan, Neoclassical, Romantic, Victorian, and

Modern movements. Literary devices such as caesura, enjambment, symbol,

paradox, oxymoron, and couplet, will be introduced, as well as a poem from past

year’s AP test. [SC2, 7, 8]

The following poets will be studied for style, content, and historical perspective.

Sir Thomas Wyatt

Shakespeare

Edmund Spenser

John Milton

Elizabeth Barrett Browning

William Wordsworth

Alfred Lord Tennyson

Percy Bysshe Shelley

Edgar Allan Poe

Edna St. Vincent Millay

Major Assignments and/or Assessments:

• Timed writing — literary analysis comparing and contrasting two sonnets

including samples and scoring guide. [SC6]

• Direct Composition Instruction: compare/contrast, thesis statement [SC8]

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Unit 5: Metaphysical Poetry and the Use of Conceit (2 weeks)

Students will do close readings of several poets of the period and recognize the

careful uniformity and number of syllables per line.

In addition, they will come to understand and identify literary devices such

metaphysical conceit, rhyming couplets, paradox, allusion, simile, metaphor,

alliteration, and enjambment. [SC2]

Major Assignments and/or Assessments:

Read selected lines by Alexander Pope

Create your own rhyming couplets mirroring the style of Pope

Explicate and answer questions on Ben Johnson’s "On My First Son," "On My

First Daughter," and "The Noble Nature"

Students will recognize the characteristics of Metaphysical Poetry by studying the

following works of John Donne:

o "Go and Catch a Falling Star" "Song"

o Timed writing of Donne’s "Broken Heart."

o "The Flea"

o "Death Be Not Proud"

o "A Valediction Forbidding Morning" "The Sun Rising"

o Holy Sonnet XIV"

View successful student essays; discuss; allow opportunities for rewriting (SC11,

12, 14)

Timed writing using a previous AP prompt (SC5, 6)

Unit 6: The Romantic Era (2 weeks)

Students will recognize the elements of the Romantic Movement, including themes,

styles, and inspirations. They will learn about the historical period and how it influenced

the poets of the time.

Moreover, students will look at art from the era as well and relate the art to the poems in

terms of style and content.

Readings and related texts

Coleridge, "Kubla Khan,” Rime of the Ancient Mariner”

Robert Burns, "A Red Red Rose"

Percy Bysshe Shelley, "To a Skylark," "The Cloud", "In Defense of Poetry"

William Wordsworth," Lines Composed..." I Wandered Lonely as a Cloud," She

Dwelt Amongst Untrodden Ways"

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William Blake, "The Tiger," "The Lamb"

John Keats, "La Belle Dame Sanes Merci," Ode on a Grecian Urn,: Endymion"

Lord Byron, "She Walks in Beauty," She’ll Go No More a Roving"

Mary Shelley, Frankenstein

Assignments and Assessments [SC7, 8] [SC13, 14]

Identify devices such as ode, free verse, repetition, and apostrophe and poetry

from past year’s AP test discussed thoroughly.

Students view/grade range finders according to rubric, analyzing characteristics of

high scoring essays such as controlled tone and voice, transition, sophisticated

diction and sentence structure.

Write a timed analysis of poem after discussion. After teacher grades papers and

discusses areas for improvement with each student, students may rewrite.

Unit 7: The Victorian Era (2 weeks)

Students will recognize the themes, styles, and inspiration of the

Victorian poets. Terms such as dramatic monologue, elegy,

allusion, hyperbole, and paradox. Poem (s) from past year’s AP test will be

discussed thoroughly. (SC2, 8, 10)

Students view/grade range finders according to rubric, analyzing characteristics of

high scoring essays such as controlled tone and voice, transition, sophisticated

diction and sentence structure.

Major Assignments and/or Assessments:

Timed writings from previous AP exams

Questions and discussions on the following works:

Tennyson- "Ulysses," Crossing the Bar," The Lady of Shalott"

Matthew Arnold-"Dover Beach"

Gerald Manley Hopkins-"God’s Grandeur"

Robert Browning-"My Last Duchess"

Choose a Victorian novel, such as Jane Eyre or Pride and Prejudice, to read

independently and create a multi-media presentation on Victorian elements

portrayed in the novel

Unit 8: Conformity and Rebellion (4 weeks)

Existentialism and the plight of the modern man will be examined. Students will note

stylistic devices such as free verse, stream of consciousness.

Major Assignments:

Read "A Primer to Existentialism" by Gordon Bigelow

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Read The Myth of Sisyphyus" By Camus

Write a one page paper explaining why Sisyphus continues

pushing the boulder up the hill.

Read/discuss the following texts:

The Stranger, Albert Camus

The Plague, Albert Camus

The Metamorphosis, Franz Kafka

“From the Metamorphosis,” (graphic novel), Peter Kuber

"The Bucket Rider", Franz Kafka

“To Max Brod.” Franz Kafka

“The Unknown Citizen,” W.H. Auden

“An Epitaph,” Matthew Prior

“The Collar,” George Herbert

“Song: To the Men of England,” Percy Bysshe Shelley

“Do Not Go Gentle Into the Good Night,” Dylan Thomas

No Exit, John-Paul Sartre

Assessments: (SC5, 12, 13, 14, 15)

AP question 3 open ended prompt response to one of the works

Timed Analysis of "Unknown Citizen" by W.H. Auden focusing on how writer

reveals the conflict between the individual and the state through use of irony.

View successful student essays and discuss elements that make them successful.

After students receive graded essays, discuss and offer opportunities for

revision/rewriting. [SC15]

Unit 9: Bridge to Modernism (2 weeks)

Students will read and study the works of Emily Dickinson and Walt Whitman, and see

how their unique styles lead to a new period. Terms such as paradox, random

capitalization, free verse, allusion, and oxymoron will be studied.

Major Assignments and/or Assessments: (SC2, 4, 8)

Read the following works by Emily Dickinson:

"I’m Nobody"

"I Heard a Fly Buzz..."

"Safe in Their Alabaster Chambers"

"There’s a Certain Slant of Light"

"Much Madness is Divinest Sense"

"I Taste a Liquour Never Brewed"

Read the following by Walt Whitman

"When Lilac’s Last..."

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"O Captain, My Captain"

"Song of Myself"

"I Hear America Singing"

Assessments:

Timed writing response to a previous AP prompt interpreting an Emily Dickinson

poem [SC15]

Analytical essay (SC8,9)

Prepare a lesson on your selected poem, discuss the poet’s use of devices such as

caesura, random capitalization, and free verse

Unit 10: Modernism (4 weeks)

Students will observe how literature and poetry reflect the human condition and how

literature reflects universal themes. (SC3, 4 5, 6)

Analyze, discuss, and answer questions from the following poets:

T.S Eliot, “Love Song of J. Alfred Prufrock”

Dylan Thomas, “Do Not Go Gentle Into That Good Night”

Thomas Hardy, “Channel Firing”

Sylvia Plath, “Daddy,” “Metaphors,” “Lady Lazarus”

W.H. Auden, “The Unknown Citizen,”

Robert Frost, “Out, Out,” “Stopping By Woods on a Snowy Evening,” “The Road

Not Taken,” “Mending Wall,” “Provide, Provide”

Wallace Stevens “Disillusionment at Ten O’clock”

William Carlos Williams, “The Red Wheelbarrow”

E.E. Cummings, “anything lived in a pretty how town”

Louis MacNeice, “Prayers Before Birth”

W.B Yeats, “The Second Coming”

Rudyard Kipling, “If,” “The White Man’s Burden”

Assessments:

Timed writing response to a modern poem used in previous AP exams

Unit 11: Humor, Satire and Irony (3 weeks)

Students will learn the definition of the different types of satire, and find examples of

satire in literature, poetry, television, and film.

Texts and Related Readings:

“Harrison Bergeron,” Kurt Vonnegut

“What’s the Smell in the Kitchen?” Marge Piercy

“Barbie Doll,” Marge Piercy

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“The Unknown Citizen,” W.H. Auden

“Life Cycle of Common Man,” Harold Nemerov

Cat’s Cradle, Kurt Vonnegut

“A Modest Proposal” Jonathan Swift

Slaughterhouse Five, Kurt Vonnegut

Major Assignments and/or Assessments:

Students will read a selected novel by Kurt Vonnegut, and compose a 6-8

paragraph argumentative essay discussing what Vonnegut is satirizing. (SC2,4,

10)

Students will complete a graphic organizer on the various targets of Vonnegut’s

satire using textual evidence [SC3,4]

Timed writing on an AP Sample using satire [SC15]

Satire project: students will find an example of satire from a magazine,

newspaper, television and film, and explain their satirical findings to the class via

a Prezi or other multi-media presentation[SC9]

Unit Name 12: Identity and Culture (4 weeks)

Analyze narrative techniques and point of view; examples of foreshadowing, symbolism,

allusion, and style. (SC1, 4, 10)

Siddhartha, Hermann Hesse

1984, George Orwell

Brave New World, Aldous Huxley

Frankenstein, Mary Shelley

The Catcher in the Rye , J.D. Salinger

Into the Wild-John Krakauer

Alexander Pope, “The Quiet Life”

William Wordsworth, “The World is Too Much With Us”

Gwendolyn Brooks, “We Real Cool”

Yusef Kumunyakaa, “Slam, Dunk, and Hook”

Edward Hirsh, “Fast Break”

William Stafford, “Travelling Though the Dark”

Maxine Kumin, “Woodchucks”

Assessments:

Develop a compare/contrast essay based on the literary devices used in two different poems

Read exemplars of compare/contrast poetry essays [SC8, 9]

Discuss the steps of a bildungsroman and how a novel follows that pattern

40 minute timed essay on the following: [SC5, 6]

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Choose a novel in which some of the most significant events are mental or

psychological; for example, awakenings, discoveries, changes in consciousness. In a

well-organized essay, describe how the author manages to give these internal events the

sense of excitement, suspense, and climax usually associated with external action.

Students will write, edit, and rewrite

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Textbooks

Bedford/St. Martin’s Literature and Composition: Reading, Writing, and

Thinking, Carol Jago

The Power of Myth , Joseph Campbell

The Art of Shakespeare’s Sonnets, Helen Vendler

Vocabulary Power Plus for the Sat, Book 4

Voice Lessons-Nancy Dean

McGraw Hill’s 5 Steps to a 5- English Literature

How to Read Literature Like a Professor, Thomas Foster

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Advanced Placement English Literature and Composition Course Description:

http://media.collegeboard.com/digitalServices/pdf/ap/ap-english-literature-and-

composition-course-description.pdf

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