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African Drumming

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African Drumming. Djembe. A type of hand drum from West Africa. The word Djembe comes from the saying “everyone gather together.” The drum is used for all kinds of celebrations and events that bring people together. Djembe. The shell of the drum is shaped like a goblet and made of wood. - PowerPoint PPT Presentation

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Page 1: African Drumming

African Drumming

Page 2: African Drumming

DjembeA type of hand drum from

West Africa.The word Djembe comes from

the saying “everyone gather together.”

The drum is used for all kinds of celebrations and events that bring people together.

Page 3: African Drumming

DjembeThe shell of the drum is shaped like a goblet

and made of wood.The drumhead is traditionally made from

goatskin that is attached to the shell with metal rings and rope.

Page 4: African Drumming

Djun-Djuns

West African bass drum played alongside the Djembe.

They are played with sticks and have a powerful low pitched sound.

Page 5: African Drumming

Djun-DjunsThe shell of the djun-djun is made from wood

and shaped like a cylinder.Djun-djuns have two skins-one on top and

one on bottom. They are made out of cow hide.

Page 6: African Drumming

BalafonType of xylophone played with mallets

from West Africa. The balafon is made of slates of

hardwood cut into different sizes.The different sizes of slates create

different pitches

Page 7: African Drumming

BalafonThe pieces of wood are tied to a frame made

of wood or bamboo.Dried gourds are attached underneath to

increase volume, sound quality, and resonance.

Page 8: African Drumming

N’DaagaN’Daaga is a

rhythm from Senegal.

It’s mainly played by the Wolof people in Senegal’s capital city, Dakar.

Page 9: African Drumming

N’DaagaThis is one of the first rhythms that

many Senegalese children learn to dance to.

The N’Daaga is played in 3/4 time with a “waltz” feel.

Page 10: African Drumming

N’DaagaStick Drums: N’-Daa-ga N’-Daa-ga N’-Daa-ga Let’s all

play the

Low Xylophones: N’-Daa-ga N’-Daa-ga N’-Daa-ga Let’s all play the

C G G C G G C G G C C C C  

Hand drums: Se-ne-gal drum Se-ne-gal drumHigh xylophones: Se-ne-gal drum Se-ne-gal drum

G G G C G G G C Other percussion: Play N’-Daa-ga from Se-ne-gal

N’-Daa-ga

Page 11: African Drumming

LambaLamba is the song of the djeli.The song showcases the rhythms and

melodies of the djeli music from Guinea.

Djelis are the traditional musicians and history keepers of West Africa. Many can recite long histories from memory.Dejelis inherit their musical status

through their families.

Page 12: African Drumming

Lamba

Page 13: African Drumming

LambaLamba started as a tune on the

balafon. Later, drums and other instruments were added to the music

Lamba has become a popular song performed by the djelis for every occasion.

In the song, the djelis give thanks for the gift of music.

The swing feel in Lamba is similar to the swing feel found in jazz music.

Page 14: African Drumming

LambaStick Drums:

Play Lam-ba Yea, Play Lam-ba Yeah, Play Lam-ba this way on the drums yeah

Low xylophones:

Play Lam-ba Yea, Play Lam-ba Yeah, Play Lam-ba this way on the drums yeah C C C D C C C E C C C D C C C C E

Hand drums: Play the Lam-ba now Let’s all play the Lam-ba now Let’s all

High xylophone: Let’s play Lam-ba right now Let’s play Lam-ba right now

C C C C D C C C C C D C

Other xylophones: It is the song of the Dje-li It is the song of the Dje-li

E G G E E A A E E G G E E A A E

Page 15: African Drumming

Macrou

The Susu are located in the western coastal region of Guinea which is where the rhythm comes from.

The Macrou is a rhythm traditionally from the Susu ethnic group.

.

Page 16: African Drumming

MacrouThe Macrou is a rhythm and dance that is most

often times played at the time of a full moon.Young people from different villages gather and

participate in the social event.The Macrou is usually played with the Yankadi

at the same ceremony. Often referred to as a “dance of seduction,”

the Macrou is more of social gathering where people get to know each other.

Page 17: African Drumming

MacrouThe ceremony typically begins with the Yankadi

which is has a slow swing feel. Dancers move in slow sweeping movements while singers face each other.

The call of a whistle indicates the change to the Macrou.

The Macrou changes to a fun, up-tempo pattern.

The dance moves are high energy with interactive group dancing that allows people to make new friends!

Page 18: African Drumming

MacrouStick Drums: Mac-rou beat play it now! Mac-rou beat

play it now!

Low xylophones: beat play the beat play the

F F G F F G

Hand drums: Su-su peo-ple from Gui-nea play this!High xylophones: Call it the Mac-rou Call it the Mac-

rou

A C F A D A C F A D

Other xylophone: Play the beat now play it Play the beat now play it

F C F C G D F C F C G D

Page 19: African Drumming

DidadiDidadi is a song, rhythm, and dance

from the Wassoulou region of Mali.

Page 20: African Drumming

DidadiDidadi is played to accompany Wassoulou

music and for many other occasions like weddings, holidays, and welcoming guests.

Traditionally Didadi is performed by young people at harvest festivals in Mali.

Drummers play the Didadi rhythm on drums, and dancers compete to win the title “Best Didadi Dancer” at the Didadi games!

The xylophone part is the vocal part that is typically sung with the drum pattern.

Page 21: African Drumming

DidadiStick Drums: Now let’s play Di-da-di on the

drums

Low xylophones: Now let’s play Di-da-di on the drums

E G G G G G E A A

 Hand drums: Play the beat Play the Di-da-di Yeah!

High xylophones:

Here is the Di-da-di from the coun-try Ma-liG C E G G E G C E A A

E

Page 22: African Drumming

TakambaTakamba is a style of

rhythm and dance performed by the Tuareg and Sanghai people of Niger and Mali.

Page 23: African Drumming

TakambaThe word Takamba comes from an

abbreviated version of the Songhai phrase “Ganu mate kan ni ga ba.” Which translates to “Dance the way you like to dance.”

Takamba features a graceful dance performed by men and women, seated or standing.

The dance is characterized by slow, wave-like movements of the shoulders and arms from right to left. As the mover their arms, the dancers roll their eyes in a sweet, playful way.

http://www.youtube.com/watch?v=npPnpINBrps start at 2:35

Page 24: African Drumming

TakambaStick Drums:

Now let’s play ta-kam-ba like this Play Ta-kam-ba

Low xylophones:

Now let’s play ta-kam-ba like this Play Ta-kam-ba

G G G D D D G G B B A A

Hand drums: Play Ta-kam-ba Play Ta-kam-ba

High xylophones: Lis-ten to the Ta-kam-baG F D F G D D

It is played on the drum the Ta-kam-ba is so fun

G A B B B A G A B B B A G

  

Extra xylophone part: Lis-ten to the ta-kam-ba Play the song from the Sa-ha-ra

G F D F G D D G G F D F G D D

Page 25: African Drumming

MiyaabeleMiyaabele is from Senegal

Page 26: African Drumming

MiyaabeleMiyaabele is a Fulani folk song.Fulanis are an ethnic group found throughout

West Africa. Fulanis are traditionally nomadic herders.

The Miyaabele is performed in 3/4 time which makes it feel like a beautiful African waltz!

Page 27: African Drumming

MiyaabeleLow Drums with sticks: Mi-yaa-bele Mi-yaa-bele Mi-yaa-bele Let’s all

play the

Low Xylophones: Mi-yaa-bele Mi-yaa-beleC E G C E G

Hand drums: Is Fun to play Is fun to playHigh xylophones: Is Fun to play Is fun to play

E G C E E G C E Other xylophone: Let’s play the mi-yaa-be-le

G E C C C E G

Page 28: African Drumming

Yankadi

The Susu are located in the western coastal region of Guinea which is where the rhythm comes from.

The Yankadi is a rhythm traditionally from the Susu ethnic group.

.

Page 29: African Drumming

YankadiThe Yankadi is a rhythm and dance that is most

often played at the time of a full moon.Young people from different villages gather and

participate in the social event.The Macrou is usually played with the Yankadi

at the same ceremony. Often referred to as a “dance of seduction,”

the Yankadi is more of social gathering where people get to know each other.

Page 30: African Drumming

YankadiThe ceremony typically begins with the Yankadi

which is has a slow swing feel. Dancers move in slow sweeping movements while singers face each other.

The call of a whistle indicates the change to the Macrou.

The Macrou changes to a fun, up-tempo pattern.

The dance moves are high energy with interactive group dancing that allows people to make new friends!

Page 31: African Drumming

YankadiLow Drums with sticks: Gui-neaGui-nea Gui-neaLow Xylophones: Called Yan-ka-di Called Yan-ka-di

E G E A E G E A

Hand drums: play the beat from the SusuHigh xylophones: play the beat from the Su su

E C G C E D A  Other xylophone: From Gui-nea From Gui-nea

C E G C E G

Page 32: African Drumming

MakossaMakossa is a celebration rhythm played in

Burkina Faso.

Page 33: African Drumming

MakossaMakossa’s purpose is to make people dance

and have fun!The xylophone part comes from a song about

a dancer named Aisha. The song goes like this:

Oh Wey, Oh Wey!

Come to our place,

Aisha!

She really knows how to dance

Aisha!

Page 34: African Drumming

MakossaStick Drums: This song is Ma-kos-sa It comes

from Af-ri-caLow Xylophones:This song is Ma-kos-sa It comes

from Af-ri-ca D D A F F G D D A F F G

Hand drums: Play the beat we call Ma-kos-saHigh xylophones:Play the Song Ma-kos-sa Bur-kin-a

fa-so YEA D D D A G F D D D

C E C