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PORTFOLIO2013-2016

ALEX DALLAS

ALEX DALLAS

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Academic

Professional

Independent

Vertical Monastery

Ohio Veterans Memorial & Museum

Collaboratory Surface

Bodhidharma School

1320 SW Broadway

Spoke

The Refuge

Caret 6

Case Work

Graphic Speculations

Resume

SELECTED WORKS

Alex Dallas is an architectural

designer from Austin, Texas.

He recently received his Bachelor

of Architecture from The University

of Texas at Austin. While attending,

Alex served as an undergraduate

research assistant, designing and

fabricat ing instal lat ions for The

University of Texas Energy Institute

and the Fusebox Festival in Austin,

TX. He has also attended the Ecole

Nationale Superieure d’Architecture

in Paris, and traveled throughout

Europe, New Zealand, and the state

of Tamil Nadu in India.

Alex has most recently completed a

residency program working at Allied

Works Architecture in Port land,

Oregon. He has also worked for Kelly

Grossman Architects and Murray

Legge Architecture in Austin, TX.

In his work, Alex is profoundly

interested in the power of architecture

in its ability to reveal relationships

that are present but might otherwise

remain unseen. The following works

embody his architectural interests

and speculations.

ACADEMIC

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Vertical Monastery

Bodhidharma School

The Refuge

Caret 6

4 5

VERTICAL MONASTERYSPRING 2016 | VISITING CRITIC MARLON BLACKWELL

Mound View

Bridge View

The Vertical Monastery serves as a new urban monastic prototype,

transforming the traditional rustic and horizontal type of monastery

into a new form characterized by an urban location and formal and

organizational verticality. Sited on a unique stretch of the Mississippi

River bluffs, the monastery design was profoundly motivated by the

search for an architecture of use and beauty—deeply rooted to its place,

constructed within a material culture, with an emotive atmosphere,

and with poetic qualities that affect us deeply. The design of the new

monastic monastery is based on community engagement and outreach in

place of traditional monasticism’s desire for seclusion. This informed the

spatial experiences throughout the monastery in relation to spatial edge,

structural order, sequence, enclosure, lighting, and tactile engagements,

with the religious space’s sculptural stereotomic forms and the community

and cell space’s rationalized tectonic expression.

6 7

Structure Program

3/32”=1’ Final Model1/32”=1’ Study Models

8 9

Lower Floor

Ground Floor

Second Floor

Third Floor

Fourth Floor

Fifth Floor

Sixth Floor

De Soto Park Site Plan

10 11

East-West Section

North-South Section

Interior Church Perspective

12

South Elevation & East-West Section

16 17

Today, one in six people call India home. Of those, one in six are Dalits—

about 220 million people (two-thirds of USA’s population). Centuries old

barriers separate Dalits (formerly “Untouchables”) from their neighbors.

And while the caste system was officially outlawed in 1995, most Dalits are

still discriminated against, particularly in rural areas where half of India’s

population lives.

This studio was asked to design a K-12 school for a Dalit community. The

project aimed to study and question the extent to which buildings can

impact people’s lives. The school was designed with local culture and

environment in mind. The school’s curriculum will teach a place-based

approach meant to raise bioregional awareness and entrepreneurship.

Largely off the grid, the school will need to use solar energy, water

catchment, and gray water reuse. An edible permaculture landscape,

composting, and passive bio-climactic design strategies further help

promote independence and resilience. As the design’s poetic foundation,

a regenerative design philosophy is embedded throughout, not just in

the campus design, but in the school’s learning programs where Dalit

students grow their own food and are also taught sustainable practices

for their daily lives.

Waterflow Windflow Solarprivate vs public

living/learning/gathering pathways

waterflowwindflow sun

private vs publicliving/learning/gathering pathways








Private Public

Teaching Field

Site Diagram

Live Learn Gather Pathways

BODHIDHARMA SCHOOL

COLLABORATORS: VENERABLE DR. PANNAVATI BHIKKHUNI, AUROVILLE EARTH INSTITUTE

TEAM: COLEMAN COKER’S ADVANCED DESIGN STUDIO

ROLE: DESIGNER & PROJECT LEADER

SPRING 2015 | CRITIC COLEMAN COKER

18 19

Exterior School Hallway Site Plan

Orphanage Courtyard Module Plan

20 21

1-5 Years: Mediate the soil, add ground cover, and grade the site

5-10 Years: Build the framework of the site

10-15 Years: Grown

15-25 Years: Establishment

Water Catchment and Distribution System

Classroom Garden

Landscape Phasing Plan

22 23

Precast FerrocementRoofing Panels

Cast-in-Place Beam

Horizontal TrackSystem

Bamboo WindowScreen

Precast FerrocementWindow Sill

CSEB

Precast FerrocementRoofing Panels

Cast-in-Place BondBeam

Compressed Stabilized Earth Block (CSEB):Hollow Interlocking 245(recommended)

Compressed Earth Block Ferrocement Roof & Exterior Bamboo Screens

Interior Bamboo Screens Classroom Unit

Stone Foundation

Turndown ConcreteSlab with Reinforcing

Turndown ConcreteSlab with Reinforcing

Stone Foundation

Classroom Material Study

Exploded Construction Axonometric

Detail Wall Sections

24

East-West Orphanage Section & East-West School Section

26 27

North-South Section

East Elevation

Full Scale Mock-Up

In the final month of the semester, our studio designed and constructed a full scale mock-up of the outdoor classroom space of the Bodhidharma School in India. The mock-up doubles as a shade pavilion for the St. David’s Community Garden in East Austin. Our goals were to test the scale of the space, the effectiveness of the bamboo as a durable shade material, and its poetic potential.

We also wanted to explore alternative construction methods and materials that were more sustainable and accessible in the Austin area. We used steel, in lieu of concrete, and glass bottles, in place of recycled plastic bottles, and compressed earth block.

TEAM: COLEMAN COKER’S ADVANCED DESIGN STUDIO

BODHIDHARMA SCHOOL MOCK-UP

28 29

© Casey Dunn

Vault Interior

Caret 6 is an architectural installation designed to exhibit the finalists and winners of the TEX-FAB SKIN competition. The exhibition supports graphic displays and prototype models, while standing on its own as an architecturally significant project. The structure consists of an inhabitable catenary vaulted space and an articulated ground surface that emerges from the vault to support the competition finalists. Using digital tools (Rhinoceros, Grasshopper, and Kangaroo), Caret 6 is designed parametrically to generate unique formal qualities and fit the programmatic requirements for the exhibit, while allowing for the mass customization of hundreds of unique pieces and connections, which are cut on a CNC router.

The form is a result of the study of the modularity of diamonds and their ability to aggregate within complex geometries. The diamond modules are deconstructed into two primary elements: ribs and infill surfaces. The ribs serve as the structure that support the infill surfaces, which are hinged to emphasize the pattern. The ribs are discontinuous as a result of the irregular grid that the modules aggregate within. These discontinuities necessitated collaboration with students and professors from the UT Cockrell School of Engineering to ensure the structural integrity of the installation.

COLLABORATORS: TEX-FAB, MITSUBISHI PLASTICS & UT ENGINEERING

TEAM: KORY BEIG’S DESIGN V STUDIO

ROLE: LEAD DESIGNER & PROJECT LEADER

CARET 6FALL 2013 | CRITIC KORY BIEG

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Infill Surfaces

Tertiary Ribs

Secondary Ribs

Primary Ribs

Vault & Ground Surface LightingConstruction Phasing Axonometric

32 33

Infill Surfaces

Connection Details

Tertiary Ribs

Secondary Ribs

Primary Ribs

© Casey Dunn

Vault to Ground Surface TransitionConstruction Phasing Plan

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TEX FAB Exhibit Installation

36 37

Red River Street View

The Refuge serves as a filter between Waller Creek and Red River, offering visitors alternative perspectives and experiences related to the activities of roller-skating and bowling. The organization of the programs comes from the concept of the glimpse, which draws the visitor through the site by providing intentional and intriguing views of the bowler and skater. The visual and auditory presence of the pinsetters activate the bar as one directly enters from Red River, and then the glimpses of bowlers pulls them through until they reach the tranquility of the skating rink by Waller Creek. The Refuge also serves as a critical connector to the Waller Creek Master Plan redevelopment by Van Valkenburgh Associates, providing access to and across the creek.

This transition marks the important role that the architecture plays in creating harmony between the busy urban life of Red River and the serenity of Waller Creek. The relationship between the areas of movement and the areas of pause/glimpse create a complex visual dialogue between the perception of who is the viewer and who is the subject.

THE REFUGESPRING 2014 | CRITIC JUDY BIRDSONG

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Glimpse Diagram

Program Diagram

1/32”=1’ Study Models

1/8”=1’ Final Model

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Waller Creek Master Plan By Van Valkenburgh Associates

Site Plan

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Aluminum Louver Screen

Steel Beams

Steel Girders

Triple Panel Fritted Glass

Canvas Sail Cloth

Steel Columns

Concrete Decking

Steel Beams

Concrete Shear Wall

Concrete Foundation

Exploded AxonometricStreet Level Plan

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1/4”=1’ Bay Model

North-South Detail Section

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South Elevation & East-West Section

PROFESSIONAL

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Ohio Veterans Memorial & Museum

1320 SW Broadway

Case Work

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© MIR

Entry Procession View

The Ohio Veterans Memorial and Museum houses exhibitions and artifacts that serve as a testimonial to the state’s 250-year history of military service. Located along the Scioto River in downtown Columbus, the building and grounds will also serve as the focal point for diverse commemorative and civic events.

The Memorial Museum is conceived as an architecture of two acts. The first is an act of landscape, in which the surrounding parkland is cut, carved, and lifted into the sky. This creates a path to the Sanctuary—a civic room that will be a place of ceremony, celebration, and reflection. The second is an act of structure, in which a series of concentric arches rise from the earth to hold the Sanctuary above. These bands of interwoven concrete hold and protect the museum, creating space for exhibitions that illuminate ideas of service and remembrance.

My primary contribution to this project was my assistance in the Rhino computer model of the building and the surrounding landscape. Although I came into the project toward the end of construction documentation, my reconstruction of the computer model provided the necessary information for CD updates and the creation of new documents for coordination with engineers, the landscape architects, and the exhibit designers. I assisted in 2D documentation as well, through renderings and extracting information from the model. These drawings were used in an extensive 3 month value engineering and partial redesign process.

COLLABORATORS: Olin, Ralph Appelbaum

TEAM: Brad Cloepfil, Kyle Lommen, Chelsea Grassinger, Chris Brown, Kyle Caldwell, Rachel Schopmeyer, Alexis Kurland, Luciana Varkulja, Aaron Belzer

ROLE: Computer Modeling, Coordination, Rendering, Construction Documents

OHIO VETERANS MEMORIAL & MUSEUM JUNE-DECEMBER 2015 | ALLIED WORKS ARCHITECTURE

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First Floor Third Floor

Second Floor Roof Plan

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FOR REFERENCE ONLY.

NOT FORCONSTRUCTION

OVMMclient

project

architect

phase/date

sheet number

scale

sheet title

consultant

north

300 W Broad St

Columbus, OH 43215

Ohio Veteran's Memorial Museum

Project Site Address:

SCALE:

A

GMP-2

15 JULY 2015

3.02

As Noted

UNROLLED ELEVATIONS

7654321 8 9121110

MEZZANINE / SANCTUARY

+16'-0" (+747')

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A3.03

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UNROLLED EXTERIOR ELEVATION - SANCTUARYScale: 1/4" = 1'-0"

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INTERIOR VIEW

NEW

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MP S

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-18'-0" (713')

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TOPOGRAPHY

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14" DIA EXHAUST FAN BEHIND LOUVER,REF. MECH

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200 SF AHU INTAKE, REF. MECH

TOPOGRAPHY

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PAINTED METAL

PAINTED METAL

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TOP OF PARAPET

BOTTOM OF DECK

TOPOGRAPHY

UNROLLED EXTERIOR ELEVATIONScale: 1:300

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UNROLLED EXTERIOR ELEVATION WITH CONCRETE REMOVEDScale: 1:300

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EXT-1: GLAZED ALUMINUM CURTAIN WALL W/ GLASS TYPE 1 (CLEAR GLASS)

LEGEND

ARCHITECTURAL CONCRETE W/ BOARDFORM FINISH

ARCHITECTURAL CONCRETE W/ SMOOTH "RUBBED" FINISH

EXT-5: GROUND FACE CONCRETE MASONRY UNIT

EXT-2: GLAZED ALUMINUM CURTAIN WALL W/ GLASS TYPE 2 (SPANDREL GLASS)

EXT-4: LOUVERED METAL PANEL RAINSCREEN

EXT-3: ALUMINUM CURTAIN WALL W/ INSULATED METAL PANEL

STRUCTURAL CAST-IN-PLACE CONCRETE

CJ: CONSTRUCTION JOINT

EJ: EXPANSION JOINT

INSULATED METAL PANEL

PERFORATED METAL PANEL

OUTER RING

INTERIOR VIEW

EXTERIOR VIEW

MIDDLE RING INNER RINGInner Ring Middle Ring Outer Ring

Unrolled Exterior Elevation

Unrolled Exterior Elevation with Concrete Removed

Unrolled Exterior Elevation - Sanctuary

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Entry Plaza ViewLobby View

East-West Detail Section

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Room

Wall / Access

Occupy

The design for the 1320 SW Broadway building is transforming the former headquarters of the Oregonian Newspaper into a mixed-use commercial space in the heart of downtown Portland. Initially built in 1948 by renowned modernist architect Pietro Belluschi, the building provides a rich historic formwork for the extensive renovations needed to preserve the building. While exterior alterations will restore the building’s street life, it is in the interior that modernist spaces of Belluschi will be uncovered and complemented with contemporary design.

First opened at a time when people often dropped by their local newspaper’s offices to place a classified ad or pay for their subscription, the building greeted visitors with a grand 28-foot high lobby. Over time, the lobby and other areas were reduced in size and converted for traditional office use. The design by Allied Works clears out the previous renovations, filling it with light and space, highlighting the old and combining it with the new.

With my primary focus on finalizing the design of the lobby, I was put in charge of the digital modeling and rendering. This involvement in the design development and construction documentation of the lobby allowed me freedom to make design decisions that would be carried into the final design. With the lobby also becoming a home to Ristretto Roasters, a cafe design also had to be incorporated. The lobby’s final design uses simple formal moves reminiscent of the building’s modernist history in combination with a contemporary material selection.

COLLABORATORS: Ristretto Roasters

TEAM: Brad Cloepfil, Kyle Lommen, Rashmi Vasavada, Philip Balsiger, Luciana Varkulja, Dillon Phillips, Aaron Belzer

ROLE: Lobby Designer, Lead Computer Modeler, Rendering, Construction Documents

1320 SW BROADWAYJUNE-DECEMBER 2015 | ALLIED WORKS ARCHITECTURE

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Pietro Belluschi’s 1948 Section

South Interior Elevation at LobbyEast-West Section

Lobby Plan

62 63

Lobby View

64 65

Case Work In The Denver Art Museum

Case Work offers an inside view into Allied Works Architecture’s unique approach to design, a process driven by a rich material and physical investigation. For Brad Cloepfil and Allied Works, each project begins with the creation of hand drawings and concept models.

The exhibition presents a series of custom-built cases, which open up to reveal a collection of artifacts inside, including models, drawings, material samples, and other studies that have provided conceptual inspiration. Curated by Dean Sobel, Director of the Clyfford Still Museum, the exhibition places the firm’s work in context, and explores how this singular collection of artifacts reveals the process of creation in architecture—the act of translating ideas into built form.

My primary contribution to this project was my assistance in the construction of the full scale mock-up of the entire exhibition and the design of the exhibition’s finishes. I first came onto the project helping in the shop with the construction of the cases, but transitioned into working on the frames and the transport/construction of the exhibition. The final construction also consisted of designing the model security system to prevent model theft. Once built at a nearby warehouse, the entire exhibit was conditioned by the museum curator and packed up/shipped for its first opening at the Denver Art Museum in Mid January.

CURATORS: Dean Sobel & Brian Ferriso

TEAM: Brad Cloepfil, Kyle Lommen, Emily Kappes, Kelly Britton, Adam Monkaba, Dillon Phillips, Aaron Belzer, Chris Brown, Brian Walbergh

ROLE: Assistant in Case Construction, Designer for Model Security, Co-Lead in Exhibit Mock-Up

CASE WORKJUNE-DECEMBER 2015 | ALLIED WORKS ARCHITECTURE

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Rendered Elevation & Plan

68 69

Curio Box

Stacked Lenses

Carved Solid

Spiral Box

INDEPENDENT

72

74

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Spoke

Graphic Speculations

72 73

East Elevation

Classroom ViewWall Detail

This acoustical wall system was designed and fabricated for a collaborative space in The Energy Institute at The University of Texas at Austin. The project integrates traditional concerns such as acoustics, indoor air quality, and program with other more ephemeral considerations such as atmosphere, ornamentation, and aesthetics. Wood veneer and wool felt were selected to maximize visual effect and acoustical performance while minimizing material impact.

Working with our team of acoustical engineering researchers and students from the Cockrell School of Engineering, it was determined that, to maximize the diffusion of sound, it is important to have a variety of convex and concave surfaces. The two main elements of the system are the concave tracks and the convex modules inserted into the tracks. Though both are fabricated from wood veneer, they leverage the material qualities of the veneer in very different ways.

Layers of textural richness are present in the natural variation of the wood grain and wool fibers, as well as a patterned perforation layer subtracted from the wood veneer modules. The perforations create a secondary level of acoustical performance, covering the surfaces in an abstracted wood grain pattern.

COCKRELL SCHOOL OF ENGINEERING COLLABORATORS: MICHAEL HABERMAN, YING XU, GREG ENENSTEIN, DAN HEMME, & CHENYANG BI

DESIGN TEAM: CLAY ODOM, TAMIE GLASS, JEN WONG, & ZACH WALTERS

ROLE: RESEARCH ASSISTANT FOR PRELIMINARY DESIGN THROUGH BUILD

COLLABORATORY SURFACE2014-2015 | THE UNIVERSITY OF TEXAS AT AUSTIN

74 75

Prototype TestingTechnical Drawings

When unlocking a bike from a public rack after dark, a person needs at

least two things in terms of lighting; general illumination and sufficient task

lighting. Spoke aims to achieve both of these lighting qualities in order to

provide the perfect illumination for the task at hand by its unique shape as

well as its receptiveness to its surroundings. By using daylight sensors and

motion sensors, Spoke is able to be an efficient and responsive luminaire.

TEAM: ZACH WALTERS, ALEX WARR, & BECCA BROWN

SPOKEFALL 2014 | LUMINAIRE

76 77

Reconstructing La TouretteDeconstructing La Tourette

GRAPHIC SPECULATIONSVISUAL COMMUNICATIONS & STUDY ABROAD

78 79

Succulent Drawing Mechanical Tool Drawing

80 81

Kunsthaus in Bregenz Arboretum Pavilion

82 83

ALEX DALLAS [email protected] alex-dallas.com 512.638.7772

EDUCATION University of Texas at Austin Bachelor of Architecture ........................................................ May 2016 Honors: Cum Laude (GPA: 3.85) Ecole Nationale Superieure d’Architecture de Paris-Belleville Architecture Study Abroad ..................................................... Fall 2014

EXPERIENCE Allied Works Architecture Architectural Intern | Portland, OR.................... June-December 2015

Murray Legge Architecture Architectural Intern | Austin, TX ............................... May-August 2014

Kelly Grossman Architects Architectural Intern | Austin, TX ................... May-August 2012 & 2013

Teach Design Student Designer | Austin, TX ........... September 2009-February 2012

RESEARCH University of Texas at Austin Research Assistant | Igor Siddiqui ........................ January -April 2016

University of Texas at Austin Research Assistant | Odom & Glass ........... February 2014-June 2015

Explored the phenomena inherent to red green blue (RGB) color and cyan magenta yellow (CMY) shadows. Assisted in the research, design, and final construction of an immersive ceiling installation that transformed the 2016 Fusebox Festival Hub.

Developed an acoustic panel system for UT Austin’s Energy Institute. Contributed to the project from beginning schematic design through installation, including 3D modeling, prototyping, fabrication and coordination with acoustical engineers. Laminated and vacuum-molded laser cut wood components on CNC routed formwork.

Produced digital/physical models, and construction documents for a shade pavilion in downtown Dallas. Worked on fabrication files and helped coordinate with a sheet steel fabricator.

Contributed to the design and construction documentation of several apartment projects in the San Marcos and Austin area.

Led the student team in collaboration with Frog Design, SHW Group, and Flintco in the design and construction of two interactive outdoor seating structures for McCallum High School in Austin.

As part of a six month residency, worked on the design development and construction documentation of a museum, and a home, the schematic design of a creative office, and the final design and construction of an exhibition. Production included physical and digital models, renderings, construction documentation, and full scale mock-up construction.

RECOGNITION College Scholar ........................................... 2012, 2013, 2014, 2015 & 2016 Design Excellence Nomination ............................... May 2013 & May 2015 School of Architecture Mebane Scholarship ............................... July 2014

Lance Tatum Endowed Scholarship ............................................ July 2014 Design 6 Sound Building Distinction ........................................... May 2014


Caret 6 Publications

Bubbles Publication Austin Business Journal (May 2011), Good Magazine (March 2010)

COMPETITIONS University of Texas at Austin | 1st place ................................ January 2015 Coupling Design Competition University of Texas at Austin | 1st place .................................... March 2013 ACME Brick Wall Competition Cohen New Works Festival | Commissioned ...................... February 2013 Perceiving Campus & Light Instruments

INVOLVEMENT Texas Society of Architects ................................................... 2011-Present American Institute of Architecture Students ............................. 2011-2016 Public Outreach Chair & Beaux Arts Ball Committee Chair Alpha Lambda Delta & Phi Eta Sigma Honor Societies ............ 2012-2016 Tau Sigma Delta Honor Society in Architecture ........................ 2013-2016

SKILLS Proficient

Familiar

References Available Upon Request

ArchDaily (March 2014), Architectural Record Blog (March 2014), Architect’s Newspaper Blog (March 2014), Texas Architect Magazine (March/April 2014 & May/June 2014), ISSUE:010 (May 2014), Architecture and Culture Magazine (September 2015)

Presented at the 2015 Annual Interior Design Educators Council Conference (2015), American Society of Interior Designers Texas Chapter 2016 Legacy of Design Award, International Journal of Interior Architecture + Spatial Design (Forthcoming)

Rhino | AutoCAD | Illustrator | Photoshop | InDesign | SketchUp| Maxwell | Laser Cutting| Model Making | CNC Routing | CNC| Knife | 3D Printing | Drafting | Sketching

Revit | Grasshopper | Kangaroo | 3DS Max | GIS | VRay | Vectorworks| Photography | Wood Working