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Am
erica
n M
usico
logica
l Socie
ty P
rogra
m &
Abstra
cts 2011
Theodore Front Musical Literature, Inc.
50 Years of Excellence1961 – 2011
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he omplete orks
Versuch über die wahre Art das Clavier zu spielenEdited by Tobias Plebuch
ISBN 978-1-933280-42-4 (forthcoming, October 2011) Price for the three-volume set: $75.00
Exempel nebst achtzehn Probe-Stücken in sechs Sonaten mit sechs neuen Clavier-Stücken
Supplement to the Versuch: Facsimile edition of Wq 63ISBN 978-1-933280-55-4 (2009; xi, 35 pp.) $15.00
The new critical edition of C. P. E. Bach’s keyboard treatise Versuch über die wahre Art das Clavier zu spielen is based on the latest authorized editions; Volume i corresponding to Part i of the Versuch (codifying keyboard technique, specifically that of J. S. Bach, the basis of modern keyboard playing); Volume ii corresponding to its Part ii (the most comprehensive and methodical explanation of eighteenth-century continuo practice); and Volume iii (commentary, glossary, index). The Versuch Supplement is already available to order.
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Listen (with DVD)Seventh Edition
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Burma’s Pop Music Industry Creators, Distributors, CensorsHEATHER MACLACHLANBurma’s Pop Music Industry is an ethnographic study drawn from interviews with and observations about Burmese composers, performers, producers, music teachers, and others in Yangon—Burma’s largest city and the locus of all pop music production—from 2007 through 2009. $85.00, November 2011, 9781580463867
Richard Wagner’s WomenEVA RIEGERA well-researched and exhaustive analysis of the role of women in Wagner’s operas. $50.00, October 2011, 9781843836858
Verdi in AmericaOberto through RigolettoGEORGE W. MARTINA renowned Verdi authority offers here the often-astounding first history of how Verdi’s early operas—including one of his great masterpieces, Rigoletto—made their way into America’s musical life. $75.00, September 2011, 9781580463881
Gunther Schuller:A Life in Pursuit of Music and BeautyGUNTHER SCHULLERThe autobiography of composer and conductor Gunther Schuller and a recounting of the American musical scene through the twentieth century and into the twenty-first.$49.95, October 2011, 9781580463423
The John Ireland CompanionEdited by LEWIS FOREMANPublished to coincide with the 50th anniversary of his death, this book presents new articles by leading authorities on John Ireland and his music, together with transcriptions of his broadcast talks and of interviews with the composer. $70.00, October 2011, 9781843836865
The Vivaldi CompendiumMICHAEL TALBOTThe Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author’s close involvement with Vivaldi and Venetian music over four decades.$90.00, July 2011, 9781843836704
György Ligeti Of Foreign Lands and Strange SoundsEdited by LOUISE DUCHESNEAU & WOLFGANG MARXThe combination of new insights into Ligeti by people who knew him with new analytical approaches will make this a core publication not only for Ligeti scholars, but also for readers interested in post-war music history and in Hungarian culture.$80.00, September 2011, 9781843835509
Jean SibeliusTOMI MÄKELÄMäkelä’s study brings together German, Nordic and Anglo-American work on Sibelius, and synthesizes these various strands of Sibelius reception into a single coherent critical narrative. $90.00, October 2011, 9781843836889
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Listening as Spiritual Practice in Early Modern Italy$49.95 cloth
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Music and the Elusive RevolutionCultural Politics and Political Culture in France, 1968–1981California Studies in 20th-Century Music$29.95 paper, $70.00 cloth
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Music and Politics in San FranciscoFrom the 1906 Quake to the Second World WarCalifornia Studies in 20th-Century Music$49.95 cloth
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Experimentalism OtherwiseThe New York Avant-Garde and Its LimitsCalifornia Studies in 20th-Century Music$24.95 paper, $65.00 cloth
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Hans von BülowA Life for Music
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The Life of SchumannMICHAEL MUSGRAVE
Musical Lives
The Musician in Literature in the Age of BachSTEPHEN ROSE
French Organ Music in the Reign of Louis XIVDAVID PONSFORD
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Musical Performance and Reception
Bach’s FeetThe Organ Pedals in European Culture
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Mendelssohn, Time and MemoryThe Romantic Conception of Cyclic Form
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Metaphors of Depth in German Musical ThoughtFrom E. T. A. Hoffmann to Arnold Schoenberg
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MUsiC in GerMan PhilosoPhyAn Introductionedited by stefan lorenz sorgner and oliver FürbethWith an Introduction by Michael Spitzer and a Foreword by H. James Birx Translated by Susan H. Gillespie.Paper $35.00
Now in PaperbacknUns BehavinG BadlyTales of Music, Magic, Art, and Arson in the Convents of ItalyCraig a. Monson264 p., 25 halftones ❖ Paper $20.00
The oPera FanaTiCEthnography of an ObsessionClaudio e. Benzecry256 p., 17 halftones, 3 tables ❖ Paper $29.00
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New in PaperbackReflections on LisztAlan Walker$24.95 paper121 musical examples
Distributed for Leuven University PressDynamics of ConstraintsEssays on Notation, Editing, and PerformancePaulo de Assis, Mieko Kanno, and Juan Parra Cancino$22.50 paper
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metaCageEssays on and around Freeman Etudes, Fontana Mix, AriaJuan Parra Cancino, Magnus Andersson, Mieko Kanno, and William Brooks$32.50 paper
Musical Form, Forms & FormenlehreThree Methodological ReflectionsWilliam E. Caplin, James Hepokoski, and James WebsterEdited by Pieter Bergé$35.00 paper
Partimento and Continuo Play-ing in Theory and in PracticeThomas Christensen, Robert Gjerdingen, Giorgio Sanguinetti, and Rudolf LutzEdited by Dirk Moelants$50.50 paper
Towards TonalityAspects of Baroque Music TheoryThomas Christensen, Penelope Gouk, Gérard Geay. Susan McClary. Markus Jans, et al.$29.95 paper
The Artistic TurnA ManifestoKathleen Coessens, Darla Crispin, and Anne Douglas$39.50 paper
New PathsAspects of Music Theory and Aesthetics in the Age of RomanticismEdited by Darla Crispin$39.50 paper
Unfolding TimeStudies in Temporality in Twentieth Century MusicEdited by Darla Crispin$39.50 paper
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Identity and DifferenceEssays on Music, Language and TimeJonathan Cross, Jonathan Harvey, Helmut Lachen-mann, Albrecht Wellmer, and Richard Klein$24.95 paper
Order and DisorderMusic-Theoretical Strategies in 20th Century MusicJonathan Dunsby, Joseph N. Straus, Yves Knockaert, Max Paddison, and Konrad Boehmer$24.95 paper
Two-Dimensional Sonata FormForm and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg, and ZemlinskySteven Vande Moortele$55.00 cloth
In the Name of MozartPhotographs by Malou SwinnenEdited by Hilde VanGelderPhotographs by Malou Swinnen$19.50 paper
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Musical Forces Motion, Metaphor, and Meaning in Musicsteve larsonMusical Meaning and Interpretation9780253356826 $49.95 cl9780253005496 $37.95 e
reFlections on Musical Meaning and its representations leo treitlerMusical Meaning and Interpretation9780253223166 $35.00 p
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are we not new wave?Modern Pop at the Turn of the 1980s
by Theo Cateforispaper $32.50
bytes & backbeatsRepurposing Music in the Digital Age
by Steve Savagecloth $60.00
physical expression and the performing artistMoving Beyond the Plateau
by Jerald Schwiebertpaper $40.00
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Sex, Drugs, Rock & Roll, and Musicals
Scott Miller
“One of the most originalmusical thinkers
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The first critical anthology of a singular contemporary composer and artistic heir of sonic artists like John Cage and James TenneyThe Farthest Place:The Music ofJohn Luther Adams
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The Enjoyment of Musican introduction to perceptive listeningShorter Eleventh EditionKRISTINE FORNEY and JOSEPH MACHLIS
The Enjoyment of Music has been the most trusted introduction to music for over five decades. The Eleventh Edition reflects how today’s students learn, listen to, and
live with music, combining cutting-edge media with the most accessible, student-friendly introduction to music on the market. Stunning Metropolitan Opera video excerpts are showcased on the new Norton Opera Sampler DVD. The Norton Recordings are available in three formats: CDs, an mp3 DVD, and streaming online.
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Showtimea history of the broadway musical theaterLARRY STEMPEL
The most comprehensive, authoritative history of the Broadway musical ever published. From its origins in vaudeville and operetta to groundbreaking conceptual works, Stempel illuminates the Broadway musical as a living, changing genre shaped by history and culture.
Jazz: Essential ListeningSCOTT DEVEAUX and GARY GIDDINS
Jazz, by award-winning master storytellers Scott DeVeaux and Gary Giddins, is now available in a much-anticipated Essentials Edition. A full 150 pages shorter than its parent text, Jazz: Essential Listening provides all the materials students need to listen to, understand, and love jazz.
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The Gesualdo Hexmusic, myth, and memory
GLENN WATKINS
A riveting investigation of one of the most provocative musicians of the Renaissance, who continues to captivate
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Changing Lives gustavo dudamel, el sistema, and the transformative power of music
TRICIA TUNSTALL
The story of conductor extraordinaire Gustavo Dudamel and the music education program El Sistema that led him to success.
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Mozart at the Gateway to His Fortuneserving the emperor, 1788-1791
CHRISTOPH WOLFF
A fresh look at the life and works of Mozart’s imperial years by one of the world’s leading Mozart scholars.
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What’s That Sound?an introduction to rock and its historyThird Edition
JOHN COVACH and ANDREW FLORY
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Musics of Latin AmericaGeneral Editor, ROBIN MOORE and Contributing Editor, WALTER AARON CLARK
Covering one of the most musically diverse regions in the world, Musics of Latin America emphasizes music as a means of understanding culture and society: each author balances an analysis of traditional, popular, and classical repertoire with the historical and cultural trends that have shaped the music.
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Rethinking DebussyEdited by ELLIOTT ANTOKOLETZ and MARIANNE WHEELDON2011 308 pp. 15 illus. 94 music ex. Hardback $99.00 Paperback $45.00
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Silent MusicMedieval Song and the Construction of History in Eighteenth-Century SpainSUSAN BOYNTON(Currents in Lati n American and Iberian Music)
2011 256 pp. Hardback $65.00
Musical Renderings of the Philippine NationCHRISTI-ANNE CASTRO(The New Cultural History of Music Series)
2011 248 pp. 5 illus. 7 music ex. Hardback $55.00
Performing Pain Music and Trauma in Eastern EuropeMARIA CIZMIC2011 288 pp. 12 illus. 20 music ex. Hardback $65.00
Schoenberg’s New WorldThe American YearsSABINE FEISST2011 400 pp. 49 illus. 10 music ex. Hardback $35.00
Seeing Through MusicGender and Modernism in Classic Hollywood Film ScoresPETER FRANKLIN(Oxford Music/Media Series)
2011 208 pp. 28 photos Hardback $39.95
Modern Music and AfterThird EditionPAUL GRIFFITHS2011 480 pp. 100 music ex. Paperback $29.95
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The Institute of Musical Research is delighted to welcome visiting scholars to the heart of London. We offer a Senate House Library card, shared office facilities and access to research events.
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or email the Director at [email protected]
2011Power of the Moment by Robert Tallent Laudon
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U N I V E R S I T Y O F C A L G A R Y - D E P A R T M E N T O F M U S I C
GRADUATE STUDIES IN COMPOSITION AND MUSICOLOGYDEGREES:MA, Master of Musical Arts in MusicologyMMus, Master of Music in CompositionMMus, Master of Music in Computational Media Design (Interdisciplinary)PhD in MusicologyPhD in CompositionPhD in Computational Media Design (Interdisciplinary)
The Department of Music provides the opportunity for intensive study in composition and musicology (including both historical, theoretical and technological perspectives in the study of music). We also encourage candidates interested in performance practice, interdisciplinary research, and creative activities.
Internal funding
Graduate Teaching Assistantships and Graduate Teaching Fellowships Graduate Research Scholarships Faculty of Graduate Studies Awards Master’s level: 1st year $10,000; 2nd year $8000 PhD: $18,000 per year for four years
External funding SSHRC-funded Research Assistantships
FACULTY: Allan Bell ([email protected]): Composition, Counterpoint, Orchestration, Music in Canada, Interdisciplinary StudiesKenneth DeLong ([email protected]): Classical & Romantic Periods, Opera, Nationalism, Music in Central EuropeDavid Eagle ([email protected]): Composition, Electroacoustic Music, Sonic Arts, Interactive Composition, Sound Spatialization, Contemporary MusicKenneth Fields ([email protected]): Tele-Arts/Music on High-Speed Networks, Integrated Media Arts and Technology, Sound Synthesis and Media CompositionLaurie Radford ([email protected]): Composition, Electroacoustic Music, Interactivity and Live Electronic Performance, Spatial Audio, Sound Recording, Music Technology, Arts and TechnologyFriedemann Sallis ([email protected]): Musicology, Sketch Studies, Reception History, The Interaction of Historical and Theoretical Perspectives in 20th-Century Music
*Les travaux rédigés en français peuvent être acceptés au Département de musique.
www.music.ucalgary.ca
Graduate Admission Deadline: January 15, 2012
FOR MORE INFORMATION, PLEASE CONTACT:Dr. Friedemann Sallis, Graduate Program Director, Faculty of Arts, University of Calgary
E-mail: [email protected]
U N I V E R S I T Y O F C A L G A R Y - D E P A R T M E N T O F M U S I C
GRADUATE STUDIES IN PERFORMANCEDEGREES: MMus, Master of Music in Performance - The degree consists of advanced studies in all orchestral instruments, voice and conducting. - Highlights of the program for vocal and instrumental students include the annual Concerto Competition concert with the Calgary Philharmonic Orchestra.
Internal funding Graduate Teaching Assistantships and Graduate Teaching Fellowships Graduate Research Scholarships Faculty of Graduate Studies Awards Master’s level: 1st year $10,000; 2nd year $8000 External funding SSHRC-funded Research Assistantships
www.music.ucalgary.ca
Graduate Admission Deadline: January 15, 2012
FOR MORE INFORMATION, PLEASE CONTACT:Dr. Friedemann Sallis, Graduate Program Director, Faculty of Arts, University of Calgary
E-mail: [email protected]
Edmond Agopian Performance and Chamber Music Coordinator, Professor, ViolinSteve Amsel* Sessional Instructor, ClarinetGianetta Baril Sessional Instructor, HarpDonald Bell Professor, VoiceJeremy Brown Professor, Saxophone, Music EducationDonald Christianson Sessional Instructor, Chamber ChoirStanley Climie Sessional Instructor, Bass ClarinetNeil Cockburn* Sessional Instructor, OrganMichael Eastep* Sessional Instructor, Tuba/EuphoniumMarilyn Engle Professor, PianoHoward Engstrom* Sessional Instructor, TrumpetLauren Eselson Sessional Instructor, FluteSteve Franse* Sessional Instructor, Bassoon
Charles Garrett* Sessional Instructor, Double BassMichael Hope* Sessional Instructor, BassoonPatricia Hrynkiw Instructor, VoiceGareth Jones Sessional Instructor, Symphonic BandGwen Klassen* Sessional Instructor, FluteVladimir Levtov Associate Professor, PIanoRalph Maier Sessional Instructor, GuitarLaurie Matiation* Sessional Instructor, French HornDean O’Brien Sessional Instructor, ViolaGlenn Price Professor, Percussion, Conducting, Music EducationBeth Root Sandvoss Sessional Instructor, CelloJames Scott* Sessional Instructor, TromboneRod Squance Sessional Instructor,, World MusicDavid Sussman* Sessional Instructor, OboeColleen Whidden Sessional Instructor, Music TheatreYu Hongmei Sessional Instructor, Erhu
FACULTY:
*Asterisks indicate members of the Calgary Philharmonic Orchestra
The Music Department at Brandeis University offers graduate study leading to
Masters degrees in Ph.D. degrees in Musicology Musicology
Composition and Theory Composition and Theory Music and Women’s & Gender Studies
The program in musicology offers an integrated approach to music history, history of theory, and music theory and analysis. The program in composition and theory offers composers the time and means to develop a secure command of the craft of composition. Music and WGS is an interdisciplinary program leading to a joint Master of Arts in Music and Women’s & Gender Studies. Topics include feminist theory, gender studies, cultural history, and the investigation of work by and about women.
For further information, visit our website:www.brandeis.edu/music or contact: Eric Chafe, Musicology Program Chair: [email protected] Yu-Hui Chang, Composition Program Chair: [email protected]
FacultyMary Ruth Ray, Chair Eric ChafeYu-Hui ChangEric Chasalow
Seth ColuzziJudith EissenbergJoshua GordonNeal Hampton
Ann E. LucasAllan KeilerSarah Mead
Bob NieskeJames OlesenDavid RakowskiDaniel Stepner
Dynamic faculty and a vibrant research community
MA MusicologyFostering a vibrant intellectual environment that encourages innovative approaches to music and culture.
Jennifer Bain – Medieval music, historiography, theory and analysis, women and music
Steven Baur – Nineteenth-century music, American music, narrativity in music, Russian music, popular music
Jérôme Blais – Composition, improvisation, performance techniques, Canadian music
Estelle Joubert – Opera and political history, theory of performance, cinema and media studies, music and landscape
David Schroeder – Film and music, music and the Enlightenment, Second Viennese school and literature, ethics and the performing arts
Jacqueline Warwick – Popular music, gender and music, vocal music, American music, girl studiesFind us on Facebook and Twitter
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Benjamin Brinner
Music in Java, Bali, and the Middle East; Musical interaction and cognition
james Q. Davies
Music and cultural history of the early nineteenth century
jocelyne GuilBault
Music of the Caribbean; Popular music & transnationalism
nicholas mathew Music of the eighteenth, early nineteenth and twentieth centuries; Music aesthetics, politics, theories of performance
Davitt moroney J.S. Bach, Byrd;
Keyboard music of the seventeenth and early eighteenth centuries
tamara roBerts African American & Asian American popular
music; Critical race theory, urban political economy, interracial/ethnic studies
mary ann smart Verdi, Wagner;
Nineteenth-century music; Gesture & gender
richarD taruskin Russian music;
Twentieth-century music; Historiography
kate van orDen
The French chanson; Music & absolutism; Print culture
Bonnie c. waDe
Music of India & Japan; Iconography & music
MS
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Comprehensive Ph.D. ProgramsMusicology and Criticism – Ethnomusicology – Composition and Theory
Ross Bauer Christian Baldini Anna Maria Busse Berger
D. Kern Holoman Beth Levy David Nutter Pablo Ortiz
Jessie Ann Owens Mika Pelo Christopher Reynolds
Kurt Rohde Laurie San Martin Henry Spiller Jeffrey Thomas
Study in composition emphasizes analysis of tonal and post-tonal music, and original composition. Musicology focuses on stylistic study in all historical periods, the acquisition of research skills, and the presentation of papers dealing with studies in music history. Ethnomusicology covers training in the theory, fieldwork, ethnography, transcription, and intellectual history of the subject. Conducting (master’s only) emphasizes advanced techniques and musical issues, such as performance practice. UC Davis is one of the nation’s top public research universities. As one of ten campuses of the world’s pre-eminent public university system, the University of California, we are located in the heart of the Central Valley, close to the state capital and the San Francisco Bay Area.
music.ucdavis.edu
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Ansel Adams, Students and Bicycles Near Library, University of California, Davis, 1966. Fiat Lux.
musicology and music theory at CCM
Distinguished FacultyDavid Carson Berry: Schenkerian topics, American
popular music, post-tonal analysis, Stravinsky, history
of theory (1750-1950)
Steven J. Cahn: Schoenberg studies, aesthetics,
history of theory, historiography, imaging of musical
phenomena, neuroscience of music
Stefan Fiol: Himalayan studies, musical regionalism,
ritual and media studies, ethnomusicological theory
Jeongwon Joe: 20th-century music, opera-cinema
studies, �lm music, cultural studies
Jonathan Kregor: 19th-century aesthetics, Liszt, music
& memory, virtuosity & gender, art songs, musical
reproductions
Catherine Losada: post-tonal music, transformational
theory, musical collage, music after 1950
bruce d. mcclung: American music,
musical theater, mass entertainment, manuscript
studies, critical editing
Mary Sue Morrow: 18th-century topics (including the
symphony), sociology of music, nationalism, music
criticism & aesthetics
Samuel Ng: Brahms, metrical dissonance, phrase
rhythm, music perception, analysis & performance
Matthew Peattie: Medieval music, Beneventan chant,
modality, sources & transcription, musical change
Miguel Roig-Francoli: history of theory (Renaissance),
analysis of early music, 20th-century topics, music
theory pedagogy
Stephanie P. Schlagel: Renaissance studies, Josquin
des Prez, the motet, reception history, editing early
music
Teaching Assistantships and Doctoral
Fellowships available
For details about graduate programs:
www.ccm.uc.edu/comp_theory_hist
For admissions & �nancial aid info:
www.ccm.uc.edu/admissions
G-AMS directory.indd 1 6/30/10 10:30:11 AM
Graduate Studies in Music• Musicology (PhD) • Musicology — Ethnomusicology (PhD) • Musicology — Theory & Analysis (PhD) • Composition (DMA) • Performance Practice (DMA)
Graduate study in music at Cornell features small seminars and tutorials, courses of study tailored to individual students, teacher training, outstanding faculty, handsome financial support, and a proud record of subsequent employment.* PhD and DMA students study and learn together.
The Graduate FacultyMalcolm Bilson emeritus fortepianoXak Bjerken pianoBonna Boettcher musicologyKevin Ernste compositionArthur Groos German studiesRebecca Harris-Warrick musicology Martin Hatch ethnomusicology
Andrew Hicks musicology Carol Krumhansl psychologyRoger Moseley musicologyJudith Peraino musicologyBenjamin Piekut musicologyTrevor Pinch technology Steven Pond ethnomusicologyAnnette Richards musicology
David Rosen emeritus musicologyRoberto Sierra compositionSteven Stucky compositionScott Tucker choral musicJames Webster musicologyDavid Yearsley musicologyNeal Zaslaw musicology
Cornell University
*Our graduates perform, compose, write, and teach at educational institutions on five continents
For more information, please visit us at http://music.cornell.edu/
Priority application deadline November 1 Final application deadline December 1 www.esm.rochester.edu/musicology
The Eastman School of Music offers graduate students in musicology the opportunity to pursue a PhD in the context of a thriving music school with an incomparable research library. Thanks to a large and distinguished faculty, students enjoy exposure to all areas of the discipline, with additional opportunities for advanced study in ethnomusicology (including a new Master of Arts degree), early music, music theory, and performance. Graduate students receive generous stipends, with support normally assured for five years. Alumni of the program hold positions at top-ranked institutions and have become leaders in the field.
Patrick Macey, ChairRenaissance music and culture in Italy and France, Josquin
Michael Alan AndersonMedieval and Renaissance music, Saints, the DivineOffice, Popular ritual, politics
Corbett BazlerItalian Baroque opera, Handel
Melina Esse19th-century opera and melodrama, film music, gender and performance studies
Roger Freitas17th-century music (especially the cantata), performance practices, the castrato
Lisa Jakelski20th-21st century music, musical expression and social/political practices, with emphasis on music post-1945
Ellen KoskoffEthnomusicology, American musics, women and music, Balinese music and culture
Kim Kowalke20th-century musical theater and opera, Sondheim, Hindemith, and Weill
Jennifer KykerMusic of Sub-Saharan Africa, Zimbabwe, popular music
Ralph P. LockeExoticism and nationalism, music culture in 19th-century France and Italy, opera, gender issues
Honey MeconiMedieval and Renaissance music, manuscript culture, Hildegard, musical borrowing
Holly Watkins 19th- and 20th-century music, historical and contemporary aesthetics, ecocriticism, popular music
Daniel ZagerRenaissance and Baroque music, Lassus, church music history
SENioR FACuLty ASSoCiAtESJürgen thym19th-century music, German Lieder, 19th-century symphony, music and text relations
Gretchen Wheelock18th-century music, Haydn and Mozart, historical performance practices, reception history
AFFiLiAtE FACuLtyCelia Applegate Hans DavidssonRobert D. MorrisPaul o’Dette
EMERitAKerala Snyder
11ESM_AMS_ConF_ad.indd 1 8/18/11 1:40 PM
Graduate Academic Degrees Offered:M.M. in Musicology
M.M. in Music TheoryTeaching Assisantships Available in Music Theory and in Music History
Musicology FacultyPaul Bertagnolli: Liszt, 19th-century music, music and literature.
The Moores School of Music features a distinguished faculty, excellent Master’s and DMA programs, and a modern facility,
located in a culturally vibrant and exciting metropolis.
Matthew Dirst: Bach, Baroque music, harpsichord and organ, Collegium Musicum.
Barbara Rose Lange: Ethnomusicology, popular music, music and gender, Eastern Europe, Romany (Gypsy) music.Howard Pollack: 20th-century music, American music.
Theory FacultyAndrew Davis: 19th- and 20th-century opera, sonata theory,
musical meaning and semiotics.
Timothy Koozin: Post-tonal music, analysis of popular music, semiotics, film music, computer applications.John Snyder: History of music theory, Schenkerian analysis,
Medieval music, music of Samuel Coleridge-Taylor.
UH is an EEO/AA Institution.
www.music.uh.edu Graduate Office: 713-743-3314
David Ashley White, directori
Musicology & Music Theory
120 School of Music BldgHouston, Texas 77204-4017
Jeffrey Sposato: Mendelssohn, Classical and Romantic music, sacred music.
Aaminah Durrani: Schnittke, post-tonal music, aesthetics of the Classical period, string quartet literature.
Faculty
christina Bashford social and cultural history, 19th-century Britain, chamber music, reception history, research methodology
Donna a. Buchanan Balkans, Caucasus, Mediterranean, Russia, indigenous peoples, power, cosmology, sound ecologies
William Kinderman 18th to early 20th-century music, Mozart, Beethoven, Schubert, Wagner, Mahler, Kurtág, aesthetics, creative process
Gayle Sherwood Magee contemporary music, film music, Charles Ives, hymnody, Music in the U.S.
Jeffrey Magee Music in the U.S., jazz, musical theater, African American traditions, black-Jewish intersections
Gabriel Solis, chair Jazz, Rock, Capoeira, Indigenous music and dance of Australia and Papua New Guinea
Katherine Syer 19th- & early 20th-century music, Wagner, opera production history, contemporary theater
tom turino Latin American and African musics, social theory, semiotics, “folk revivals”
EMErituS Faculty Charles Capwell, Lawrence Gushee, John Walter Hill, Herbert Kellman, Bruno Nettl, Nicholas Temperley, Tom R. Ward
rESourcES Music and Performing arts library
robert E. Brown center for World Music, Philip Yampolsky, directorHymn tune index Project, Nicholas Temperley, directorSousa archives and american Music center, Scott Schwartz, archivistrenaissance archives, Herbert Kellman, director
aFFiliatED Faculty Dana Hall, jazz, African American traditionscharlotte Mattax Moersch, harpsichord, historical performanceSusan Parisi, Music and Performancein the 17th and 18th centuries
ViSitinG Faculty 2011-12 aaron Ziegel, U.S. opera, film music, Vernon Duke
WEBcamil.music.uiuc.edu/musicology/
FacEBooKfacebook.com/uiucmusicology
DiscoverMusic atillinoiswww.Music.illinois.eDu
K A R L K R A M e R , D I R e C T o R
To arrange a visit or for more information contact:
Music aDMissions office1114 west nevaDa streeturbana, il [email protected]
A consistent record of job placement.
our graduates current appointments
include Harvard, Chinese University
of Hong Kong, Stanford, oberlin
Conservatory, Indiana University,
Louisiana State University, Texas Tech,
Michigan State University, among others.
a t I n d i a n a
Musi c o l o g y
We off er individual attention with all the advantages of a large music school and university. Our resources include the Center for the History of Music Theory and Literature, Early Music Institute, Latin American Music Center, Ethnomusicology Program, and the outstanding Cook Music Library (more than 343,000 volumes).
DEGREESPh.D., M.A., M.A./M.L.S. Direct admission from the B.A. or B.M. to the Ph.D. program with three years of course work.
J. Peter Burkholder, Chair: 20th-century music, Charles Ives, musical borrowing
Phil Ford: American popular music, cultural studies, sound and media, radical and countercultural intellectual history
Halina Goldberg: 19th- and 20th-century Poland and Eastern Europe, Chopin, cultural studies, music and politics, performance practice, reception, Jewish studies
Daniel R. Melamed: Baroque music, J. S. Bach and older members of the Bach family, performance practice, Mozart’s operas
Kristina Muxfeldt: Late 18th- and early 19th-century music and aesthetics, Lieder, reception studies, social history
MUSICOLOGY FACULTY
For a complete list of Jacobs School faculty, please visit us at music.indiana.edu.
Massimo Ossi: Renaissance and Baroque music, early 17th-century Italian music theory and aesthetics, Italian lyric poetry and madrigal (1550–1650), Vivaldi
Ayana Smith: Baroque music, opera and literary criticism (1650–1750), signifying and the blues, women and gender in music
Giovanni Zanovello: 15th-century Italian cathedral music, Florence, music and humanism, Renaissance music theory, Heinrich Isaac
ADJUNCT FACULTYJudah Cohen: Jewish music, music and medicine, musical theater
Lynn Hooker: Bartók, Hungarian and Roma music, Liszt, folk music
POSTDOCTORAL FELLOWTimothy David Freeze: 19th-century music, Mahler
International Terezin Music ConferenceSunday 26 & Monday 27 February 2012The inaugural International Terezin Music Conference will mark the official launch of the Terezin Music Hub, which will aim to provide a focal point in the UK for the study of music and musicians interned at the Terezin (Theresienstadt) concentration camp during WW2, through practice-based research and collaboration.
Leeds International Jazz Education ConferenceThursday 29 & Friday 30 March 2012Launched in 1993, the annual Leeds International Jazz Education Conference is the leading practice-based research event of its kind in Europe. LIJEC offers a unique forum for musicians, academics, educators, students, and arts organisers to engage with the latest sounds and ideas in jazz.
Leeds International Forum for Innovation in Composition and ProductionThursday 26 & Friday 27 April 2012This annual event focuses on research and practice related to innovations in music production and composition. The goal is to bring together composers, producers, music industry representatives, academics, educators and research students to discuss their practice, research and industry experiences.
Your contact at AMS San Francisco 2011Dr. David Fligg, who will be presenting at the American Musicological Society Conference, is happy to discuss conference activity and international opportunities within the Postgraduate Studies and Research Centre.
Email [email protected] Twitter @TerezinMusicHub
Postgraduate Studies and Research Centre
Leeds College of Music The UK’s Progressive Conservatoire Telephone +44 (0)113 222 3400 www.lcm.ac.uk
The Postgraduate Studies and Research Centre at Leeds College of Music is responsible for postgraduate provision, research activities, and consultancy work. The Centre also hosts a series of conferences, performance events, workshops and masterclasses to support the creative development of postgraduate students.
SERIOUS ABOUT MUSIC
The University of Manchester
Any further enquiries: E: [email protected] T: +44 (0)161 306 1259
www.manchester.ac.uk/music
Graduate ProgrammesMusM in MusicologyMusM in CompositionMA in Music and Drama
MusM in Electroacoustic CompositionPhD in Music
Academic StaffElectroacoustic composition
Ethnomusicology, music in the Mediterranean, Arts administration
Electroacoustic composition
Beethoven, manuscript studies
Shostakovich, Nielsen, Soviet Symphony
Music in 19th-century German thought and culture, historicism, Mendelssohn
Composition
Music in Restoration England
Composition
Composition
Verdi, Italian opera, voice
Schumann, Mahler, opera studies
Composition
David Berezan
Caroline Bithell
Ricardo Climent
Barry Cooper
David Fanning
James Garratt
Philip Grange
Rebecca Herissone
Kevin Malone
Camden Reeves
Susan Rutherford
Laura Tunbridge
Richard Whalley
WWW.MASONGROSS.RUTGERS.EDU
TRAINING ARTISTS FOR THE
21ST CENTURY FACULTY:
RUFUS HALLMARK – Area Chair
n Expand your knowledge and research abilities at a music conservatory
within New Jersey’s flagship public research university.
n Graduate programs in Musicology: M.A., Ph.D.
ANTONIUS BITTMANN
FLOYD GRAVE
RICHARD METZGER
GEORGE B. STAUFFER
W e offer the Bachelor of Arts and graduate degrees in the History and Theory of Music, Composition, and Performance. The degree pro-
grams emphasize interdisciplinary perspectives and research on a widerange of issues and topics, with special attention to 20th- and 21st-centurymusic. Each doctoral student receives a unique “contract” program of study.
Music Studies
H FACULTY IN HISTORY AND THEORY HMargarethe Adams, Mauro Calcagno, Sarah Fuller, David Lawton,Judy Lochhead, Ryan Minor, Jamuna Samuel, and Peter Winkler
Stony Brook University/SUNY is an affirmative action, equal opportunity educator and employer. 11080204
Undergraduate Scholarships and Graduate Teaching Assistantships available.
www.stonybrook.edu/music
For complete information about the Department of Music visit:
The Music and Theater Arts Section at M.I.T. invites alumni, interested colleagues, and applicants for its Asst. Prof. position in musi-cology, to a reception on Thursday, 8-10 p.m.
(Hyatt Boardroom C)
Composition & PerformancePeter Child
David DeveauJohn HarbisonKeeril Makan
Charles ShadleMarcus Thompson
Pamela WoodEvan Ziporyn
Musicology FacultyMichael Scott CuthbertEllen T. Harris (emerita)Lowell LindgrenMartin M. MarksGeorge RuckertPatricia Tang
Massachusetts Institute of Technologyhttp://web.mit.edu/music/[email protected]
Transforming traditionwww.music.northwestern.edu847/491-3141
Scores are from the Northwestern University Music Library.
no rt hw e s t e r n u n i ve rs i t y Bienen School of Music
Faculty Linda Austern, 16th- and 17th-century England, gender; music as related to history of medicine and science; European iconography Thomas Bauman, 18th-century opera, film music, cultural studies Drew Edward Davies, 17th- and 18th- century Mexico and Iberia, 20th- century Britain Inna Naroditskaya, ethnomusicology, Middle East, Russia, gender studies Jesse Rosenberg, 19th- and 20th- century opera
Suhnne AhnRichard GiarussoJohn GingerichDavid Hildebrand John Moran
M u s i c o l o g y Fa c u lt y
V i S i t tHe App S toRe to DownloAD peAboDy ’S new Mob i le App !
Weiss, Talle, and Giarusso in the Filby Rare Book Room
elam Ray SprenkleAndrew talleelizabeth tolbertpiero weissSusan weiss, Chair
www.peabody.jhu.eduFor information, contact the Office of AdmissionsToll Free 800-368-2521, in Maryland 410-234-48481 East Mount Vernon Place, Baltimore, MD 21202
Penn State School of Music
Research FacultyMusic Theory
Vincent Benitez, Ph.D. (Indiana) 20th century: Messiaen, music after 1945, popular music; post-tonal analysis; Baroque era: Bach; history of music theoryMaureen Carr, Ph.D. (Wisconsin) 20th century: compositional process, sketch studies, Stravinsky, theory pedagogy, counterpointTaylor Greer, Ph.D. (Yale) French artsong, American music, aesthetics, Schenkerian theoryEric McKee, Ph.D. (Michigan) Dance music of the 18th and 19th centuries, Chopin, Schenkerian theory, theories of tonal rhythm
Musicology
Marie Sumner Lott, Ph.D. (Eastman) 18th- and 19th-century musical life, chamber music, Brahms, reception studiesMarica Tacconi, Ph.D. (Yale) Early music: Renaissance Italy, Monteverdi, manuscript studies, interdisciplinary studiesCharles Youmans, Ph.D. ( Duke) Austro-German music post-1850 (R. Strauss, Mahler), aesthetics, �ilm music
Music Theory • Musicology
M.A.– MusicologyM.A. – Music TheoryM.A. – Music Theory and History
The University of Pennsylvania offers Ph.D. programs in
Anthropology of MusicHistory of MusicTheory of Music
Musical Composition
Graduate Study in Music at Penn is characterized by a small student body,individual attention, a large and distinguished faculty, generous four- and five-year fellowship packages, and an excellent placement record.
Faculty:
Carolyn Abbate, Christopher H. Browne Distinguished Professor of Music (History) Emma Dillon, Associate Professor (History)Emily I. Dolan, Assistant Professor (History)Jeffrey Kallberg, Professor (History)Carol A. Muller, Professor (Anthropology)James Primosch, Robert Weiss Professor of Music (Composition)Guthrie P. Ramsey, Jr., Professor (History)Timothy Rommen, Associate Professor (Anthropology)Jay Reise, Professor (Composition)Gary A. Tomlinson, Annenberg Professor in the Humanities (History, Anthropology)Anna Weesner, Associate Professor (Composition)
Detailed information is available on our web site:<http://www.sas.upenn.edu/music/grad>
or contact:
Director of Graduate Studies Music Department University of Pennsylvania 201 S. 34th St. Philadelphia, PA 19104-6313 tel: (215) 898-7544 e-mail: [email protected]
University of PennsylvaniaGraduate Studies in Music
U-Penn-full-2009-complimentary.p1 1 8/24/2009 12:17:32 PM
The University of Pennsylvania offers Ph.D. programs in
EthnomusicologyHistory of MusicTheory of Music
Musical CompositionGraduate Study in Music at Penn is characterized by a small student body, individual attention, a large and distinguished faculty, generous four- and five-year fellowship packages, and an excellent placement record.
Faculty:
Carolyn Abbate, Christopher H. Browne Distinguished Professor of Music (History)Emma Dillon, Professor of Music and Chair of the Department (History)Emily I. Dolan, Assistant Professor (History)Jeffrey Kallberg, Professor (History)Jairo Moreno, Associate Professor (Theory)Carol A. Muller, Professor (Ethnomusicology)James Primosch, Robert Weiss Professor of Music (Composition)Guthrie P. Ramsey, Jr., Edmund J. and Louise W. Kahn
Term Professor of Music (History)Timothy Rommen, Associate Professor (Ethnomusicology)Jay Reise, Professor (Composition)Anna Weesner, Associate Professor (Composition)
Detailed information is available on our web site:www.sas.upenn.edu/music/graduate/
McIntire Department of Music, University of VirginiaPhD, Critical and Comparative Studies in Music
“Supportive community in which people sincerely care about your ideas and progress as a scholar. Faculty who have honest conversations about teaching as well as research. Competitive in the sense that people want you to do your best work, but not competitive in the backbiting, unhealthy way. Commitment and open-mindedness to a variety of topics and approaches: students are genuinely encouraged to follow their interests.”
– PhD student
The Critical and Comparative Studies program (CCS) is committed to the highest standards of research in innovative and interdisciplinary music scholarship. Students take seminars in historical musicology, ethnomusicology, popular music studies, performance theory, and analysis, as well as graduate courses outside the Department of Music. We encourage broad awareness of contemporary thought within and beyond music studies, and imaginative choices in research projects.
Recent and current dissertation topics include: female performers in the early 20th-century United States; the politics of gender transgression in recent Anglo-American popular music; social and political meanings of music and dance in early film musicals; the history and ideology of college radio stations; performance and social meaning in 17th-century English consort music; race and politics in 1980s hardcore; bluegrass in the Czech Republic; Asian-American indie-pop musicians; relations between the avant-garde and Anglo-American popular music from the late 1960s on; and others.
CCS faculty include Scott DeVeaux (jazz and American music; African music; popular music; music and war); Bonnie Gordon (early modern Italy; gender and sexuality; history of science; Monteverdi; castrati); Michelle Kisliuk (performance theory; post-colonial cultural studies; musical ethnography; Central and West Africa; bluegrass); Fred Maus (theory and analysis; gender and sexuality; popular music; aesthetics); Michael Puri (theory and analysis; critical theory; memory; Wagner; Ravel; 19th- and 20th-century French classical music); Joel Rubin (Jewish instrumental klezmer music; music in relation to trauma, professionalism, diaspora, identity, religion); Heather Wiebe (modernism; 19th-20th century opera; early music revivals; British musical culture); Richard Will (European music of the 18th and early 19th centuries; American folk and roots music).
Other faculty resources in Music include composers Matthew Burtner, Ted Coffey, and Judith Shatin; librarian Erin Mayhood; conductors Andrew Koch, William Pease, Michael Slon, and Kate Tamarkin; and many part-time and adjunct performance instructors.
For detailed information about the program, including application procedures and contact information, go to www.virginia.edu/music
and select the link for graduate programs.
yale institute of sacred music announces
ISM Fellows in Sacred Music, Worship, and the Arts
An opportunity for scholars / religious leaders / artists to join a vibrant interdisciplinary community for one year.
Teaching opportunities available.
Application information at www.yale.edu/ism/fellows
The Yale Institute of Sacred Music is an interdisciplinary graduate center at Yale University. More information at www.yale.edu/ism/fellows or [email protected].
Theodore Front Musical Literature, Inc.
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Versuch über die wahre Art das Clavier zu spielenEdited by Tobias Plebuch
ISBN 978-1-933280-42-4 (forthcoming, October 2011) Price for the three-volume set: $75.00
Exempel nebst achtzehn Probe-Stücken in sechs Sonaten mit sechs neuen Clavier-Stücken
Supplement to the Versuch: Facsimile edition of Wq 63ISBN 978-1-933280-55-4 (2009; xi, 35 pp.) $15.00
The new critical edition of C. P. E. Bach’s keyboard treatise Versuch über die wahre Art das Clavier zu spielen is based on the latest authorized editions; Volume i corresponding to Part i of the Versuch (codifying keyboard technique, specifically that of J. S. Bach, the basis of modern keyboard playing); Volume ii corresponding to its Part ii (the most comprehensive and methodical explanation of eighteenth-century continuo practice); and Volume iii (commentary, glossary, index). The Versuch Supplement is already available to order.
Please see website for a complete list of published and forthcoming volumes and for free performing materials.
Standing orders welcome.
E-mail: [email protected] orders: (800) 243-0193 in the USA;
001-978-829-2531 phone or fax from outside the USAWeb orders: www.cpebach.org
Details on shipping costs may be requested by phone or e-mail above.
AMS Program ad: 4.5 x 7.5
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